#Faulad Singh

[kayetra-spade-queen]

Aight y'all, hear me out-

Have no one asked about the questionable nature of the adults in Little Singham, more particularly like Mantriji and Faulad Singh?

Cuz the truth is like Ajay isn't an isolated incident; there are kids before him in that program, he's the last member until I guess the program kinda disbanded and the other (former) members decided to take a different path instead after the whole shit show went down.

And LS isn't the only person either way as well; look no further than Super Squad, kids that are just like LS, had powers that they got from experiencing horrid stuff.

Veer was blown up (how is still in one piece dawg??).

Chinnu dove head first into a potion.

Shivaji from what I heard got it because he was experimented by Anggar.

LS got into an accident (he's still the youngest assuming Chinnu didn't join the defense forces at the time).

Aside from LS and Veer, and probably Joy because he's pretty clear himself, we have no clue how Faulad found Shivaji and Chinnu. We know their backstories, but not how they got recruited in the first place.

Did he deadass is on the hunt for super-powered children to put into his squad??

And let me just say that Faulad knew about Akira and VJ. Both are agents (VJ more on scientist and inventor), and the fact he didn't let Akira come home at the very least every once a while to see her own child to the point that said child's memory of how his mom even looked like was completely erased.

And even after LS reunite with his parents, he decided that it'll be a great idea to put LS together with BS and FH on high-rank missions (Ultimate Soldier, Tezaab, etc etc).

LS do putting the super in super cop, cuz the experiences he had in a span of a single year is insane.

One time he's in the military, then the air force, then the navy, now an agent that's the same level of his parents too?? Dawg??

And it was all because they saw Ajay stopping Kallu Ballu, recruiting him into the program, shit went down, then he was part of the official forces as the youngest cop known ro exist (which is why I said the SS are all older than him and probably because part of the official forces after him).

Mantriji is so fucking useless and a wuss istg- he relies on a child to save the town from petty thieves to literal Satan who put the color purple to shame. And then relied on him also to save the entire country, like, huh??

Y'all got so many officers with vast experiences and years themselves, and y'all relied on a fucking child to lead an entire army or to actually became a one-man army in for fights.

I rest my case; the entire town is quack, the top officers are quack.

[vicojudo]

Faulad (1963) (HD) - Part 3 | Dara Singh, Mumtaz | Dara Singh Ki Kushti

[bollywoodirect]

Tribute to GS Kohli, one of the immensely talented music composers of Hindi Cinema, on his 23rd death anniversary today. GS Kohli (Gurusharan Singh Kohli) was born in Punjab in 1928. He was an expert in playing Dholak and many instruments. When Dalsukh M. Panchol gave OP Nayyar his first break with Aasmaan (1952), OP Nayyar chose Kohli as his assistant. Kohli remained his assistant till 1968, even after becoming an independent Composer himself.’ Till 1960, Kohli had contributed significantly in OP Nayyar’s popular films like CID, Mr. and Mrs 55, Aar Paar, Hum sab chor hain, Naya Daur, Mujrim, Do Ustaad, Kashmir Ki Kali etc. In 1960 Kohli ‘s First film as an independent Music Director came - 'Lambe Haath'. His second film was Mr.India (1961) and then came Faulad, Shikari, Chaar Darvesh, Adventures of Robin Hood, Namasteji, Do Matwaale, Naujawan, Sangdil, Jung aur Aman and Gunda. His last film was Jaalsaaz in 1969. Though Kohli was exceptional as an arranger for OP Nayyar and as a composer, he could not shine independently and had only B and C grade movies for music. Only Shikari and Namasteji songs had become popular. The famous songs "Chaman ke phool bhi tujhko" and " Agar main poochhoon jawaab doge” were from Shikari (1963). And how can one forget Mohammed Rafi's soulful melody "Maana mere haseen sanam" from 'The Adventures Of Robinhood' (1965)? He was not so famous as a music director, but if anyone listen to his songs, he will definitely be surprised that why he was not so famous and why success has eluded him in spite of having abundant talent. GS Kohli passed away on 25th July 1996.

[fathersonholygore]

Netflix’s Ghoul Episode 3: “Reveal Their Guilt, Eat Their Flesh” Directed & Written by Patrick Graham

* For a recap & review of Episode 2, “The Nightmares Will Begin” – click here Faulad Singh’s been brought to do more interrogation work on Ali Saeed (Mahesh Balraj). He’s the last resort-type of man. Nobody keeps an eye on him, either. He prefers to work on his own. That doesn’t mean Nida Rahim (Radhika Apte) won’t be curious. She hears the sounds of Singh at work, the grunts and the beating. She chooses to go speak to Maulvi. She knows Saeed is “not a human.” Maulvi doesn’t think she’ll believe him even if he talks. The other prisoners urge him to speak. So he tells her of the “Ghul” from “Arabic mythology.” A Ghul – or a “djinn,” a monster – has taken over the terrorist prisoner. These creatures reflect the sin of the beholder. It seems Ahmed called it, so say the others. But the evil spirit’s gone mad. That’s when Lt. Col. Sunil Dacunha (Manav Kaul) is told over the radio they’ve found Ali Saeed’s body in one of his safe houses. Military personnel tell him the body was “partially eaten,” too. Simultaneously, Maulvi explains how the spirit takes over those whose flesh it eats last. You know what that means? Bye, bye, Singh. Or, at least the Singh the others knew. The djinn’s taking over his form now, unlocking the cells of all the other prisoners in Meghdoot 31. The real Singh is decapitated in the interrogation room. And Nida’s left to confront the Ghul herself. She initiates the alarm before making a run for a different cell block. It’s a terrifying sequence, to see a man the size of Singh inhabited by a evil entity, relentlessly pursuing Nida. She manages to get away, though only barely. That’s ONE HELL OF AN INTENSE SEQUENCE! Christ. Gotta love it. Director-writer Patrick Graham’s done a bang up job creating suspense and tension with atmosphere rather than a ton of jump scares. I love a good jump. All the same, it’s nice when the scare’s earner through a build up instead of a random thing popping into frame. The steady dread watching a possessed Singh come over those stairs? Enough to make a heart stop. Problem: nobody believes Nida. She knows the Ghul has taken over Meghdoot 31. The soldiers are terrified when they find a “butchered” Singh and a missing Saeed. This is when Major Laxmi Das (Ratnabali Bhattacharjee) decides it’s Nida who’s done everything, believing her a traitor there to “avenge her father.” Weapons get drawn from each side. Dacunha pulls his pistol and Laxmi does the same. The lieutenant colonel orders his men arrest Mjr. Das. But not all the soldiers are on his side, either. They force their superior to drop his weapon, then they take Nida into custody, locking her and Ahmed away in a cell with other prisoners. Oh, shit. This is gonna get real bad. Nida’s wants to know how to stop the Ghul. We hear the real story of Ahmed, whose family was brutally murdered by the interrogators. Following that he lost his voice. The once fully patriotic Nida is starting to see the full picture of the Force now and her government. She not only sees Ahmed’s story, she sees the story of those interrogated. After the prisoners are interrogated, they’re brought to the very room where she stands to be murdered— the “execution chamber.” She realises her own father’s dead, as well. Bodies are turning up across the facility. The prisoners in the chamber and Nida try to pile whatever they can in front of the door to stop the soldiers from coming back in. When an “unidentified body” turns up, they understand one of them is the Ghul, it’s taken over another form. Holy shit. This has got the remaining prisoners on edge, turning against one another. In the meantime, Nida takes Ahmed with her, not waiting for anybody else to help her with a way out of that place. And who has the Ghul taken? The old cleric, Maulvi. As Ahmed and Nida run for it, and the soldiers wait outside hearing the horror inside, the evil entity tears the other prisoners to bloody bits. Then it takes another form, running after Nida. She’s pulled back through the tunnels, leaving Ahmed alone. She reappears moments later. But is she herself? Has the Ghul taken her form?

The Ghul bit Nida earlier, consuming her flesh, yet it left the actual Nida alive, too. We see how the Ghul Nida and Ahmed sneak back through the halls and into the colonel’s office. It’s choosing to protect Ahmed, killing one of the soldiers. Maybe it’s not actually helping. Maybe it’s using Ahmed for its own purposes. Back with the others, Nida’s interrogated by Laxmi, who wants to know the truth. The woman does not believe in the Ghul. Nida lulls her into complacency, then bites into her. She gets on top of the major, locking her around the neck. It’s revealed by Laxmi what Saeed said to the captain in the initial episode when they found him: he was repeating Nida’s name, asking for her. The Ghul was summoned by her father. He’s the one we witnessed at the very beginning performing the ritual “out of the smokeless fire of hatred.” I’d not thought of that for a minute. Amazing, and dark as hell. Dig it. This all doubles as allegory, about the horrors war and terrorism bring on normal people, turned against one another – like they are when the Ghul inhabits a person’s form – by their government, believing anybody can be a terrorist, or, to follow through on the metaphorical level, a Ghul. Nida and Lt. Col. Dacunha, hoping to atone for their sins, are left searching Meghdoot 31’s facilities for the Ghul. They come to the colonel’s office, where soldiers and Ahmed are waiting. One of the soldiers has already killed another, too. Suspicions are high amongst them. Nida tries taking charge, urging everybody to stay paranoid, keeping their weapons drawn in case the Ghul emerges. She then has Ahmed go to the colonel’s tapes, finding her father Shawanaz’s recording. She hears her father speak of her as his “betrayer,” calling for the Ghul. It is the punishment for all the sins within Meghdoot 31’s walls. We hear Dacunha on the tape, ordering a “confused old man” to death knowing full well he wasn’t a terrorist. Then Nida urges the Ghul to finish its task with her help. She puts out the lights with her shotgun, and everybody cowers in fear. The evil being starts terrorising the soldiers, biting into them. Guns fire off all over the place. Nina takes this chance to bust a window and get herself and Ahmed outside. Dacunha pulls the pin on a grenade inside, killing himself, and, he hopes, the Ghul. Outside, Nida tells soldiers waiting with guns: “Everyone is dead.” Exactly like the man from the first episode they found in the abandoned building. Not long after, Dacunha emerges, bloody and hurt. Nida tries to tell them it’s the Ghul. Armed soldiers urge her to drop the weapon, or they’ll kill her. Ghul or not, Nida knows the colonel is “a monster.” so she blows his head off and surrenders. Nida is taken in and obviously nobody will believe her Ghul story. She’s charged with executing a “war hero.” She insists the whole place was corrupt. The authorities insist she’s the one who’s not followed rules. In the end, she’s considered a terrorist, and the “daughter of a terrorist.” Through it all, she’s wound up right where she put her own father. So, what’s left to do? Summon another Ghul. You bet! Fuck! I LOVED THIS SERIES! Netflix did great here. Loved the cast, loved the cinematography. The story and directing from Graham was truly top notch. I’d enjoy another extension of Ghoul in some way. Doesn’t have to be a direct sequel series, but I dig the mythology being used, and the end of this one with Nida in the cell is SO DAMN GOOD. I could watch these three episodes over again, back to back. I hope others will enjoy it as much as Father Gore.

Ghoul – Episode 3: “Reveal Their Guilt, Eat Their Flesh” Netflix's Ghoul Episode 3: "Reveal Their Guilt, Eat Their Flesh" Directed & Written by Patrick Graham…

[moviesteem]

Ghoul Season 1 Episode 3 Recap

Ghoul Season 1 Episode 3 Recap

Ghoul Season 1 Episode 3 Recap

In the previous episode of Netflix’s Ghoul, we received clues that Ali Saeed is being used by a spirit for nefarious purposes. Let’s find out as we recap Ghoul season 1 episode 3, ‘Reveal Their Guilt, Eat Their Flesh!’

Ghul Time

Faulad Singh arrived in the interrogation chamber and got to work immediately on Ali Saeed, Nida was left to stand guard outside the…

[kayetra-spade-queen]

YDA AU One-Shot: Light Through The Window

Note: Please keep in mind that this story will had headcanons and variety of non-canon things that do not happened in the series. This is purely fanfiction, and this fanfiction is set on an alternate universe of the original universe of the series.

Everyone knew that Squad 17 is no ordinary team Faulad Singh had made.

Aside that it consists of children who's not even 10 years old yet.

And that they have abilities that shouldn't have been made possible for normal human beings.

Shivaji with ice powers.

Chinnu with the power of plants and nature.

Veer with shape shifting and super strength.

Little Singham with powers resembles real lions and fire.

They're an unusual bunch.

No, it's not those that made them stood out.

It's the aura they gave out whenever all the squads from squad 1 to 20 had gathered in the same room together.

Everyone expect that they'd be slightly loud, but still polite. They are children after all.

But oh how they're surprised.

The attitude, and the air surrounding them, felt like...

Intimidating, terrifying even.

Although of course, they're not actively trying to look intimidating (and succeeding in the process without themselves even knowing) to everyone, they're just being polite because they're aware they're younger than everyone else.

2 of the members do look familiar.

Little Singham, and Veer.

It clicked; Little Singham looks so much like the special agent Black Shadow, hence his mother. He really do look like an exact copy of her, from appearance to his no-nonsense attitude. The scorn look in his face that could send anyone a shiver down their spines is the exact same one Black Shadow has.

While Veer looked like the retired military man, Sujjan sir, aka his grandfather. He was a tough one to crack in his past, strict and always focused on the target.

All of the members of Squad 17 are powerful by their own rights.

Their own individual auras are quite powerful itself, but for different reasons.

Shivaji's is cold, yet pleasing. His personality is one of a social butterfly anyways, so it's no surprise people are always around him.

Chinnu's is fresh and somewhat melodious. People will have a sense of calmness when they're around her.

Veer's is tough, but he's still approachable. His slightly gullible nature makes people find him cute, and he is free as a bird, so he mingles with people fairly easily.

Little Singham is a different story on his own. Of course, it's not like he's unapproachable, it's the opposite. But he's a lot more quiet and reserved, and there's this certain aura of mysterious elegance surrounding him.

All of them together create this domain within them, a world completely different from anyone else. The air will suddenly change if you're near them.

Although they're not necessarily intimidating, or even trying to, it doesn't stop other people from being intimidated by them in any other forms.

They are capable of doing incredible feats that no other people could do, and treated it like it's another Thursday for them.

Of course, sometimes they can be a bit goofy at times, but it's part of their charms. They're still children regardless of how you look at them.

They could be what the world feared the most and made all evil tremble by just their presence, or your regular neighborhood children playing at the parks after school.

But one thing's for certain.

Piss one of them off, piss all of them off. Escaping from their grip is futile.

End of One-Shot.

[kayetra-spade-queen]

Little Singham Super Squad AU: Youth Defense Academy Masterpost

A silly little AU out of the very squad that took over my interests of this entire show.

What if the Super Squad attends the same school together? It seems that the chaos that could only be ensues whenever they're on missions together as a team, had became a frequent activity in their daily lives.

Art by: me

One-Shots:

From Under The Shards of Glass

Light Through The Window

Sounds of Silence (TBA)

Outfit Designs:

School uniforms (TBA)

Casual wear (TBA)

Main Characters:

Little Singham

Veer

Chinnu

Shivaji

Support Characters:

Joy

Babli

Lattu

Prof. Avishkar

Black Shadow/Akira

Fire Hawk/VJ

Mantriji

Inspector Kavya

Hawaldar Karate

Faulad Singh

Villain Characters (because of course):

Janvar (previously known as Rocky)

Anggar

Wolf Man

[kayetra-spade-queen]

Ok- hold on- is Shivaji actually an orphan??

I've checked the movie (thanks to a friend after a long ass scowl), and it was shown that Shivaji has a "big family".

There's a lot of kids who lives with him, which I honestly doubt that they are his biological siblings.

"The house is big because the family is big"

RELIANCE, WHAT ARE YOU TRYING TO SAY HERE??

Another thing is that Shivaji was experimented 3 years before the show's timeline.

Assuming Faulad Singh found him 3 years later, how come no one searched for him when he got kidnapped by Anggar?

And when Faulad found him, he didn't recognized who Shivaji is.

So this means that Shivaji didn't have any parents; he was an orphan, probably didn't have a home at the time before he was placed to the group home. When he got kidnapped, no one knew about it.

And why did I say that the kids couldn't be his bio siblings?

They don't remotely look alike.

And they looked extremely close in age.

Ain't no way a single woman could give birth to that many children in a single year like a fucking rabbit dawg 😭

So yeah

Shivaji is actually an orphan

YDS Student Info: Shivaji

Last but not least, the group's charismatic member (after Little Singham)!

[Note: Please keep in mind that there will be add-ons to the bio. The character mentioned in this introductory post is an alternate version of the original character with some of my own personal headcanons]

Name: Shivaji

Age: 9

Gender: Male

Birth Date: [Currently Unknown]

Duty Position: Rapid Action Force soldier

State Residency: Tamil Nadu

Abilities:

Summoning ice and snow

Manipulate the shape and force of ice and snow

Known Family Members:

Vaishnavi (mother)

Strong Point Studies: Civics

Assigned Squad: Squad 17 (Super Squad)

Attack Style:

Long-distance offense

Support

Defense

Student Description:

A confident child who had great sense of justice. Capable of manipulating ice at will, and maintaining order among the citizens. Somehow able to attract troubles and got himself and/or his colleagues into said troubles. Assigned as a member of Squad 17.

[bollywoodirect]

Tributes to GS Kohli, one of the immensely talented music composers of Hindi Cinema, on his 22nd death anniversary today. GS Kohli (Gurusharan Singh Kohli) was born in Punjab in 1928. He was an expert in playing Dholak and many instruments. When Dalsukh M. Panchol gave OP Nayyar his first break with Aasmaan (1952), OP Nayyar chose Kohli as his assistant. Kohli remained his assistant till 1968, even after becoming an independent Composer himself.’ Till 1960, Kohli had contributed significantly in OP Nayyar’s popular films like CID, Mr. and Mrs 55, Aar Paar, Hum sab chor hain, Naya Daur, Mujrim, Do Ustaad, Kashmir Ki Kali etc. In 1960 Kohli ‘s First film as an independent Music Director came - 'Lambe Haath'. His second film was Mr.India (1961) and then came Faulad, Shikari, Chaar Darvesh, Adventures of Robin Hood, Namasteji, Do Matwaale, Naujawan, Sangdil, Jung aur Aman and Gunda. His last film was Jaalsaaz in 1969. Though Kohli was exceptional as an arranger for OP Nayyar and as a composer, he could not shine independently and had only B and C grade movies for music. Only Shikari and Namasteji songs had become popular. The famous songs "Chaman ke phool bhi tujhko" and " Agar main poochhoon jawaab doge” were from Shikari (1963). And how can one forget Mohammed Rafi's soulful melody "Maana mere haseen sanam" from 'The Adventures Of Robinhood' (1965)? He was not so famous as a music director, but if anyone listen to his songs, he will definitely be surprised that why he was not so famous and why success has eluded him in spite of having abundant talent. GS Kohli passed away on 25th July1996. 

[bollywoodirect]

Wishing #Mumtaz many happy returns of the day on her 70th birthday.

Mumtaz Madhvani, formerly Mumtaz (born 31 July 1947), is a Hindi film actress.

Mumtaz appeared as a child actress in Sone Ki Chidiya (1958). As a teenager, she acted as an extra in Vallah Kya Baat Hai, Stree and Sehra in the early 1960s. As an adult, her first role in A-grade films was that of the role of sister of the hero in O. P. Ralhan's Gehra Daag. She got small roles in successful films such as Mujhe Jeene Do. Later, she got the role of the main lead heroine in 16 action films, including Faulad, Veer Bhimsen, Tarzan Comes to Delhi, Sikandar-E-Azam, Rustom-E-Hind, Raaka, and Daku Mangal Singh, with freestyle wrestler Dara Singh, and was labelled as a stunt-film heroine. In the films that the pair Dara Singh-Mumtaz did together, Dara's remuneration was INR 450,000 per film, and Mumtaz's salary was INR 250,000 per film.

It took Raj Khosla's blockbuster Do Raaste (1969), starring Rajesh Khanna, to finally make Mumtaz a full-fledged star. Although Mumtaz had a minor role, director Khosla filmed four songs with her. The film made her popular, and she acknowledged that even though she had a small role, it was still one of her favourite films. In 1969, her films Do Raaste and Bandhan, with Rajesh Khanna, became top grossers of the year, earning around 65 million and 28 million respectively. She played Rajendra Kumar's leading lady in Tangewala. Shashi Kapoor, who had earlier refused to work with her in Saccha Jootha because she was a "stunt-film heroine", now wanted her to be his heroine in Chor Machaye Shor (1973). She acted opposite Dharmendra as the lead heroine in films like Loafer and Jheel Ke Us Paar (1973).

She won the Filmfare Best Actress Award for one of her favourite films Khilona in 1970, and she was "very happy that the audience accepted her in an emotional role". Mumtaz frequently acted with Feroz Khan in hits like Mela (1971), Apradh (1973) and Nagin (1976). Her pairing with Rajesh Khanna was the most successful in a total of 10 films. She quit films after her film Aaina (1977) to concentrate on her family. She made a comeback 13 years later with her final film Aandhiyan in 1990.

Like बॉलीवुड डायरेक्ट Bollywoodirect