#Far east movies
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blank-house · 10 days ago
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hey there, blank house! just poppin' in to say that I REALLYYY really love keyframes, Elio is such a cutie patootie and boooy im the mother of the group in my irl circle of friends and that's bleeding into my keyframes mc with deja and cam HWDKSBSJ but may i just ask this? because picture my very pleasant surprise when reynah spoke tagalog! i was like — WAIT WHAT is there a fellow filipino in the team of one of my fave vns? as a writer myself, seeing filipino representation in games (not necessarily needed for a filipino to be in the team of devs) really inspires me to write more because! so yah, that's my question, i'm just reaaaally curious! thank you so much for releasing this lovely game AAA
AYYYY KABABAYANNN 🇵🇭☀️
But yeah haha hi! It’s me, the sole filo amongst the leads— buuuut I’m happy to report I’m not the only filo in the team. Two of our voice actors are Filipino as well!
FILO NATION RISE AHHH
But glad to hear you’re enjoying the game and even more that you’re inspired to write because of us. Happy to report that there’s tons more of us in the indie community too. ^^
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gregor-samsung · 8 months ago
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少年的你 [Better Days] (Derek Tsang, 2019)
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neonfeel · 4 months ago
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Long Day's Journey into Night (2018)
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indigokashmir · 10 months ago
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1920s Style
This tale follows Dr Walter, who marries the enchanting Kitty, only to discover her infidelity. As he navigates life's challenges, he embarks on a journey to China to combat a devastating disease plaguing a village. This cinematic adaptation is inspired by W. Somerset Maugham's novel.
If you're a fan of 1920s aesthetics, then this film is a splendid choice. It delves into the intricacies of human differences, the triumph over adversity, and the acceptance of our unique personalities. However, do brace yourself, as this is a poignant yet sensually restrained and beautifully crafted cinematic experience.
Isn't it truly fascinating how a film's aesthetics can transport us to a bygone era, immersing us in the essence of that time? This is the magic of creative minds and those who dare to think beyond the conventional boundaries.
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Behind the scenes.
We found the movie to be even more captivating than the original novel, with particular admiration for the cinematography and the exquisite depiction of Dr. Walter's rural Chinese residence. The creative genius behind the production design is none other than the Australian talent, Peta Lawson.
As per Ms. Lawson's website, she boasts extensive experience in film and movie production design. A graduate of the 'Sydney College of the Arts,' Lawesom has been at the forefront of creativity in numerous Australian feature films, television movies, mini-series, and TV shows. Her talents have also graced international productions from France, Germany, China, and, of course, Australia.
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Dr Walter and Kitty's Cabin.
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reanimatedgh0ul · 1 year ago
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glad to see ppl are appreciating and/or enjoying the gay and trans aspects of nimona's story but ngl i kinda want to see more ppl acknowledge and/or discussing the fact that both of the leading men are asian and how that is relevant to overall message of this movie actually
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bagofbonesmp3 · 10 months ago
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the way they're talking to that Croatian blogger about how they clearly don't understand English enough to understand the problem would be very different if it was to a person who wasn't from an European country lmao
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lostinmac · 1 year ago
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Heaven is Still Far Away (2016)
Dir. Ryusuke Hamaguchi
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bijoumikhawal · 9 months ago
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I got it in to my head "huh I've never actually seen the Kingsman movies" and I've been pissed off before the 2 minute mark enough to not want to continue
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angelsdean · 2 years ago
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the struggle of wanting to plop young dean down in new jersey like literally where i live for a fic but not wanting to say where i live sjkdfjsf 
#john rents out a cheap basement apartment and leaves them there for like almost a full school yr#while he takes on cases up and down the east coast#i'm thinking dean's like 17 post-nun burning and is gonna have a lil coming of age movie arc#they live close enough to the local schools that they can walk bc dean doesnt have the impala yet#and dean also takes the train (nj transit babeyyy. horrible awful transportation system) and goes to like asbury for punk shows#ends up at a gay bar and has a good honest eye opening chat with an older man (who may or may not be time traveling cas idk yet)#if it's Not part of my series of sort of interconnected time traveling cas one shots then maybe it could be an AU where cas is the same age#idk tho. im not rly that far into the details. just a broad dreamy sketch of the story#oh also they live close to a horse farm (there are. many around here) and dean goes for walks and passes it a lot and waves to the horses#and one day the guy who works there gets to talking w him and invites him to meet the horses and walk around the ranch (a girl can dream)#maybe he ends up getting a little job there cleaning the stables idk#and all throughout there's also this longing to go to the shore. and it's. very close by like they are not far from the beach#but it feels untouchable it feels like a place he can never go and it's all in his head and he's holding himself back and its a metaphor ofc#anyways yeah. i think putting him in jersey could fix him or give him new issues. one of those#vic.txt
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danortizdigital · 1 year ago
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Tencent: Legends Live Forever
Tencent’s In-House agency created a spot with hand-drawn animation to shine a light on the classic tales that have carried on China’s cultural values for over five thousand years and served as a beacon for those seeking a cultural compass by introducing classic Chinese literature to a new audience inspiring readers to create their own reimagined and newly expressed classic tales.
CREDITS
Tencent In-house creative team GM: Vincent Li ECD: Akae Wang Copywriter: Akae Wang/ Yuanmeng Liu / Kurt Yang Art Director: Ken Lin/ Dong Xia/ Sonja Xu Creative Studio: Stink Studios
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cassiesc0rner · 5 months ago
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Impurities
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Synopsis: You’re the new girl at East Highland High, your only goal is to get through school. Until you come across Nate Jacobs
Genre: suggestive, slight angst,
Pairing: Nate x fem!reader
Warnings: manipulation, lying, misogyny, slutshaming, reader has a negative body image/implied body dismorphia, dark themes, slightly suggestive but no smut in this one, let me know if I missed something
Song rec: music to watch boys to - lana del rey
WC: +8.6k (oops)
Other parts: previous part, next part
A/N: This is my first upload on tumblr help?? Also English isn’t my first language so please keep that in mind and be nice :,) feedback is always appreciated!! Currently working on part 2 ᥫ᭡
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You were the perfect prey for Nate
You were cute, just so fucking cute that it almost drove him crazy, and so polite during lessons, never refusing anyone anything, whether they asked for a pen, or if they could copy your homework, which you always had ready. In his eyes, you were perfect, the only right choice for him.
He knew you wouldn’t fuck up the way Cassie or Maddy did, you wouldn’t disappoint him like they did.
Sure, your style wasn't his thing at all -not that you dressed awful or anything, you were really into y2k, and just loved wearing baggy jeans or any jeans for that matter, and graphic tops combined with sparkly accessories, chains and rings.
He wished you'd wear something more... feminine, like skirts and cute dresses, that show off your assumingly perfect body, he also wished you'd wear brighter colors.
Another thing he loved about you, was that you were really smart and didn't seem to pay attention to boys at all, which surprised him because he was used to girls being all over boys, only wanting one thing from them and he hated it because they were all so predictable.
But you weren’t.
It also kind of scared him at the same time though, because what if you just really weren't into boys to begin with?
He didn't know much about you except for the fact that you loved music, movies and tv shows. Or at least that's what you said, when you had to introduce yourself to the new class.
It had been just a few days prior that he had broken up with Cassie at that time, but he was sure that in this moment, when you stood there in front of the class, with your trembling hands, shy smile and quiet voice, he was head over heels for you.
You just enrolled to East Highland High, you knew no one yet. That had to be his biggest advantage ever, since you didn't know about any of the bad things Nate has done so far, and no one could take you away from him once he earned your trust. Because why would you trust anyone else more than him?
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It was your third day at the new school when he decided to approach you.
During lunch break you sat alone, listening to music as you tried to subtly look around the huge cafeteria, searching for someone else who was alone.
Everyone shared their table with at least two other students, except for you and some other girl that sat alone as well.
You considered approaching her and sitting with her, maybe she was nice and maybe she had other friends? But you decided not to do it, because maybe you'd disturb her or something. You sighed and scrolled through your phone, when you suddenly noticed someone standing in front of your table.
You slowly looked up and noticed it was one of your classmates. You quickly fished one of your earbuds out and stopped the music "Hey.." You said, as you smiled at him. He smiled back at you, the smile genuine as he replied "Hey, can I sit for a moment?" he gestured towards the chair in front of you.
You were confused.
Confused because he wanted to sit with you? Yes, you were new to East Highland High, but this wasn't the first school you ever attended. You could tell who's popular and who isn't.
And Nate Jacobs was definitely popular. He had to be.
Quaterback, extremely tall, and extremely good looking, there was no way he just wanted to sit and talk to someone like you. What if he's gonna bully me? Take my lunch money and beat me up? But that would be absurd.. right?
You nodded before removing the other earbud as well. "What're you listening to?" He asked, genuinely curious "Oh... um... just Lana Del Rey." You said nervously as you looked at your phone, too scared to look him in the eyes.
"Oh cool.. which song?" He'd be lying if he said he knew literally any Lana Del Rey song besides Summertime Sadness and Video Games, but he wanted to know nonetheless. Maybe he'd listen to it at home to check out what kind of music you listen to "It's called..." You hesitated for a moment before finally saying "'Music to watch boys to'" You knew how that sounded.
Nate chuckled once he heard the name of the song and saw your flustered expression "Is that what you're doing? Listening to music while you're watching the boys here?" He joked. You chuckled nervously "No, really that's the last thing I'd do. I'm trying not to look at anyone longer than a second." You smiled as you locked eyes with him for seemingly less than 0.5 seconds.
Nate nodded "Yeah, I can tell." He cleared his throat "Just came over to introduce myself since you're new and everything." He reached over the table, stopping right in front of your phone, inviting you to shake his hand "I'm Nate."
You knew that already, since the two of you had classes together and you paid attention during attendance, to memorize the names of some of your classmates.
You carefully reached over and shook his extremely large hand. "I'm y/n, but you probably know that already." You once again chuckled nervously, thinking back to the painful introduction you went through at each and every new lesson you went to.
"Yeah, right." He nodded, smiling as his mind went there as well. During maths, arts, and English, he was lucky enough to see you introduce yourself over and over again. You slowly retrieved your hand again and Nate couldn't help but feel sad at the loss of contact.
He took a look around the cafeteria before setting his gaze back onto you "So, why are you sitting here all alone?" He asked in a slightly less playful tone "Hm.. I don't know," You shrugged "I guess I just don't know how to approach people." You smiled again.
What Nate had noticed in this short amount of time, is how often you smiled at him, and how you tried to keep that expression.
He didn't only notice it in this moment while he sat in front of you, but also during lessons, whenever someone talked to you, you rarely kept a neutral expression, always a friendly smile on your lips.
You were unbelievably insecure.
Always trying to remain friendly, out of fear of being perceived as unfriendly or unapproachable or anything that could be perceived as negative. He got you figured out faster than you could've imagined.
When he didn't respond, you continued "I actually considered talking to that girl over there, since she's alone as well.."
Nate looked over to the girl you were referring to before smirking and looking back to you "I wouldn't do that." You frowned in confusion "Why? Is she mean or something?" Nate shook his head "She just... doesn't talk, I don't think I've ever seen her talk to anyone before. She always sits alone and stares... into the void or something, even during lessons she barely responds to the teachers." he pointed out.
You sighed "Wow... And I thought I was socially incompetent." He chuckled and shook his head "No believe me, it can always be worse." You nodded and smiled again. Once you didn't reply, Nate continued "But, to be honest, you don't seem socially incompetent at all. You actually seem fun to be around."
You looked up at him again, this time for a bit longer than 0,5 seconds, and raised your eyebrows "You think so?" Nate nodded "Yeah, of course, you don't?"
You thought for a moment am I actually fun to be around? It had honestly been ages since you had actual friends. Sure, you had classmates at your previous schools, who met up with you from time to time. But it never felt like an actual friendship, with trust and sincerity.
You figured that you just weren't easy or fun to be around, that you just bored them eventually, even though you tried to be as fun as possible.
But your parents also played a big role.
Your mom has been strict and didn't want you to go out with friends too much, because she was scared you'd get hurt. She constantly fought with you and your father, because neither you nor your dad shared the same amount of paranoia she seemed to have.
And your dad was constantly moving cities, and even states with the two of you, whenever he had a new, better job offer. East Highland High was probably your third highschool so far, and even if you wanted to stay polite and make friends, you didn't want them to get too close to you, because the moment you had to move it'd be over anyways.
"I don't... know.." You said, and for the first time your smile actually faded. Not into a sad expression, but your smile just seemed to slip, and Nate felt like he got just the slightest bit closer to you.
"I don't really have any friends outside of school, and since I have none here either.." You shrugged again, not sure what to tell him. He nodded "Well.. you have me now, we can be friends." You looked up at him again, your eyes wide. You waited for him to laugh and tell you that all of this was a prank or something, but he didn't.
"Um... Thank you, but you really don't have to do that. I bet you already have plenty of friends." Nate shook his head and said "You can never have enough friends," He had a point, not everyone lived a socially awkward life like you did "besides, as I said, you seem cool to be around." He added.
"Thank you, I'd love to be your friend." You responded with another smile. Nate couldn't believe that he got this close to you in just five minutes, and that you didn't seem to question any of his intentions at all. In his eyes, he didn't only achieve his goals for the day, he also did you a huge favour.
You had someone you could count on, someone to hang out with, you weren’t alone anymore.
Then the doorbell rang, informing everyone that the break was over now.
"Alright, we have maths now, let’s go together, yeah?" He asked as he got up. You nodded and grabbed your phone, stuffing it in your bag before you got up as well.
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Two weeks passed after you first talked to Nate, and as it turns out, he really seemed to be your friend.
You went shopping together, spent time mostly at your place, because your mom wanted to keep an eye on him since he was a stranger and most importantly a boy, and you even went to his football game once. You seemed truly happy whenever you were with him.
A little too happy for your own liking.
Because deep down you knew you might have to leave him behind eventually, or that he'd get bored of you at some point.
Not to mention that you, against your own will, developed a small crush on him. But who could blame you when he was the first boy who ever truly cared for you like he did? Or bought you gifts and showered you with affection like he did?
Yeah that was another thing that Nate did. He loved buying things for you.
At first it were just small things like ice cream from the gas station, or snacks from vending machines. But eventually, the gifts got bigger and bigger despite you telling him that you couldn’t possibly pay him back.
Sure, your dad's job did pay him a lot, but you were sure that Nate's dad had to earn at least twice as much for his son to be able to buy that many things.
Last time you two went to the mall and he saw a pair of earrings for more than 200$, he dragged you along with him and showed them to you saying "They'd look so pretty on you." It almost felt like he was your boyfriend.
Usually the girls in the movies you watched would pressure their boyfriends into buying them expensive jewelry, and into spending their money on them, but Nate seemed to be the other way he around.
He was pressuring you into allowing him to spend his money on you.
Just like that day when the two of you went into another boutique, because Nate convinced you that "it'll be fun!", to put it in his words.
The moment you stepped into the boutique, you felt somewhat uneasy. You walked in with your ripped jeans and tank top on, and the only clothes you saw were dresses, skirts, and tops that you'd never consider buying. Not to mention the shoes that they sold, looked nowhere near as comfortable as your sneakers did.
Nate knew that.
He only had to look at your face for a split second to know what you're feeling. You felt like you wouldn't fit in, or like these clothes wouldn't suit you. But he knew how to convince you.
He spent two entire weeks with you after all.
Any normal person would say that's not enough to fully know somebody, but Nate had his ways of finding out almost every insecurity, fear and worry of yours, just by subtly asking the right questions.
And none of them shocked him, since he already figured out that you were socially anxious and insecure.
But he also knew what you needed. You craved someone who loves you and gives you constant reassurance, someone who tells you what to do and who to go out with, like your mom did, because that's all you knew your entire life.
You needed to be loved and touched, craving intimacy with literally anyone, because you never had friends who'd hug you tightly when you were anxious, or hold you close when you needed it, and your parents didn't either.
And he could give you all of that and more, once the time was right.
He also figured that you haven't had a boyfriend yet, or haven't been intimate with anyone yet, and that thought alone made him crave you even more, if that was even possible.
The fact that he would be your first everything, was enough to get him going, and motivated him to show you your true potential.
And he knows that you’d let him.
He always dreamt about how easily you'd let him have his way with you, and how he'd corrupt you. Nate had sadistic thoughts as well, fantasizing about making you cry and beg him for forgiveness for something that wasn’t even your fault.
He also dreamt of leaving marks and bruises all over your body, so that you and everyone else knew you’re his.
But he wouldn't want to hurt you, he knew from experience how bad that could end for him.
And the moment he saw your innocent eyes looking up at him and your smile while doing so, the violent thoughts got replaced with the need to protect you from any man that even just walked near you.
"You okay?" He asked casually before he walked towards one of the racks with skirts. "Mhm.. I just don't think I want to buy anything here, Nate..." You said as you nervously looked down at your feet, feeling bad for possibly disappointing him.
Nate turned around and looked at you "Don't you want to try something on at least?" Before he let you respond, he came up with an idea "How about this, I'll put together an outfit and you can try it on and see for yourself if you like it or not." He asked, but it was more of a demand than a question.
You sighed and looked around the store, noticing that they also had jeans skirts, and a dark red leather skirt that you thought was really pretty. Nate's eyes followed your gaze and he immediately started searching for something he wanted you to try on.
Sure, a jeans skirt might be a good start as well, since it might make you feel a bit more comfortable and at least show off your legs, but the leather skirt was just absolutely slutty in his eyes. He didn't want you to walk around at school -or anywhere for that matter- like that, like you're 'asking for it'.
While you walked towards the two skirts, Nate walked towards another section. He picked out a pastel pink short sleeve top, with a bow in the middle and a sweetheart neckline. He smirked as he imagined you inside the rather tight top, knowing that he's the only guy that would be near you while all the other boys could only dream of being close to you.
He then picked out a pair of black flats, which he knew you wouldn't be opposed to, simply because of the color alone, white stockings and a white and pink plaid mini skirt.
Then he walked over to you, as you still looked at the various skirts. "y/n, your outfit is ready!" Nate exclaimed once he was behind you, and you couldn't help but flinch as he pulled you out of your daydream.
You turned around and looked at his full hands, trying not to grimace at the bright colours. The shoes looked alright however, and where the only dark piece of clothing. "Nate, that won't suit me," you said as he handed you the clothes over "are you sure you want me to try it on?" you didn't even finish the question before he nodded.
You sighed before walking towards the changing room. "I'll wait outside until you're done." he said before you closed the door.
Once it was closed you sighed once more and started to undress. You liked Nate, more than just in a friendly platonic way, and if any other guy would've told you to dress up like that, you definitely would've refused.
But Nate did so many nice things for you, the least you could do was to make him laugh for a bit. Because you already expected that that's what he'll do once he sees you in this outfit.
Once you were left in your underwear you looked into the mirror, feeling insecure. You didn't like your body at all. You just weren't shaped like the girls on the cheer squad, and you also didn't seem to have their proportions. And now you had to wear a skirt that would expose your huge legs and belly.
You felt sick at the thought of Nate seeing you in this outfit. You looked at the skirt and panicked because what if he thought you're skinnier, and he picked the wrong size? You'd have to tell him to get you a size bigger, and it would be super embarrassing.
You put on the top first and gulped when you noticed how tight it was, your chest on display. But you were sure it was supposed to sit a bit tighter. Then you shakily grabbed the skirt and put it on, and surprisingly it closed and sat perfectly fine. Except for the fact that it was quite short.
You then put on the stockings which ended right above your knee, and the shoes. You looked into the mirror again and turned to the side, throwing various poses to check it out from different angles.
And then you frowned, because for some reason the fit looked pretty cute, but... would you actually go out like this? Definitely no- "Are you ready?" Nate asked impatiently. You started to contemplate whether or not you wanted Nate to actually see you like that.
"Um... y-yes but it looks really stupid i'm gonna undress again-""No!" he almost yelled, startling you "Please let me see, I bet it looks good." he rolled his eyes, glad that you couldn't see him behind that door.
He liked that you weren't too confident or too sure of yourself and needed his reassurance, but he really wished you'd actually listen to him right now.
And then you finally opened the door "Come in.." and it really took everything in him to not rip the door open and gawk at you.
He gently opened the door and looked at you, his eyes wandering from your head, which was hung low as if in shame, to your exposed cleavage, to the way the stockings hugged your legs, to your shoes.
He had to control himself or else he'd pop a boner right here, right in front of you, because, god you looked so pretty. With the way your hands were fidgeting again just like the first time he saw you. You looked so shy and submissive under his gaze.
"You look so pretty..." he said in a serious tone, so serious in fact, that you immediately looked up at him. "Really? I feel kinda..." you didn't dare to finish the sentence.
The last time you called yourself fat in front of him, he almost lost it. He got just as serious as he was right now, saying that you looked fine and that there was absolutely nothing wrong with you.
Sure you weren't shaped like Maddy was, and you didn't have the perfect thigh gap, but Nate was aware that you were extremely pretty nonetheless. You were almost perfect, and everything that wasn't perfect would be taken care of.
Like your style.
This was a small step for him but a huge one for you, and it would be an even bigger step for you to dress like that on the daily, but he's sure he can help you with that.
"Seriously, you look absolutely.. wow." he added, and it only got you more flustered. Maybe dressing like this isn't so bad if Nate thinks it's pretty, hell even if he's the only who thinks so, his words affected you more than anything anyone at East Highland High could possibly say. "Wow.. Thank you.."
He cleared his throat and took a step closer, towering over you even more. "You obviously don't have to listen to me,” he lied “but... I personally think it looks better than your usual dark outfits." When you looked back into the mirror he continued "You shouldn't hide behind those… wide pants and loose tops, you should wear more outfits like this and show everyone how pretty you look."
When he saw you smile, he knew he had you where he wanted you. It wasn't just a forced smile, it was a real one, a flustered one. You loved that he found you pretty, even if you couldn't see it for yourself. And he knew how important his opinion was to you.
Hearing his compliments alone made you want to change your style a little, just so that he doesn't change his opinion. "You really think this fits me?" You asked one more time to make sure that he actually meant it.
He nodded eagerly placing his hands onto your shoulders "I promise." He felt like he could melt with the way you were looking up at him "I would never lie to you, you know that, right?" As if in trance you looked into his eyes and nodded.
"Yeah of course." You smiled up at him, feeling so small in front of him. "I'll try to check for cheaper options though, if you don't mind. Maybe something that isn't from an expensive boutique." you chuckled. He frowned instantly before responding "No, keep the outfit, I'll pay for it."
You shook your head right away, thinking back to the expensive things he had bought you already. "Nate, you need to stop spending so much money on me, I mean it. I highly doubt that i'm the only friend you spend that much money on."
Nate tried not to laugh at your statement. Of course you were the only person he spent that much money on.
As if he'd buy McKay, or any of his other 'friends' for that matter, anything above 10 bucks. "Y/n, I promise I’m not spending too much money." You wanted to believe him, but deep down you knew why Nate did all this.
Or at least you thought you did.
He was used to being used for money by his friends, there couldn't be another explanation, it had to be the reason. Why else would he feel the need to buy you, who he saw as his friend, so many expensive things?
"And also I kinda forced you to try it on, it's the right thing to do, trust me." You sighed shaking your head in disbelief "Fine, but you really don't have to, you know that?" He nodded as a smile made its way onto his lips.
He wished he could kiss you right now, but needless to say that wasn't possible yet. He couldn't wait for the day he would finally have you to himself, safe and happy with him. Walking next to you, with your hand in his, he could already imagine Cassie's and Maddy's faces when they see the two of you.
Nate wasn't blind nor oblivious, he saw the way Cassie eyed you like she wanted to murder you, or the way Maddy would shake her head whenever she looked at the two of you walking down the hallway.
Sure he had to come up with a plausible story before one of them could get to you without him noticing, and ruin his perfect plan. He honestly doesn't know what would happen to them if they decided to ruin his plan.
But that wasn't important right now.
What mattered was that you finally owned the perfect outfit, only because of him, and you’d only wear it for him too. You didn't even talk back or hesitate as much as he had expected.
Everything was going according to plan, and it was only a matter of time until you would cave in fully and listen to him all the time.
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The next day you got ready for school, and decided to put on the outfit Nate had gotten you the day prior, but combined with a long cardigan to prevent you from flashing anyone at school.
Not to mention your mom who would probably freak out once she saw your outfit for school.
You brushed your hair, and put on the earrings Nate bought you previously. They were beautiful, dangling bows with a small diamond in the middle.
You told Nate he didn't have to buy them for you and that you'd find a cheaper variant online, but he insisted nonetheless.
You wondered what it would be like to be his girlfriend as you applied your lipstick.
Not that you'd actually ever be his girlfriend. He probably wouldn't even consider dating me.. was all you could think. And you also wouldn't ever consider actually dating him.
What if you'd have to move again? It wouldn't only break your heart, but his too.
"Y/n?" Your mom pulled you out of your thoughts as she stood in front of your now open door -because knocking was completely overrated anyways.
She gave you a disapproving look as her eyes moved up and down your frame. You hadn't put on the cardigan yet, so you could only assume what she's thinking. "What are you wearing?" She finally spoke.
You sighed as you looked down at your feet. "Mom I-" She immediately shook her head "Nate told you to wear this, didn't he?" You groaned in frustration, all hopes of avoiding any confrontation now gone.
Your mom scoffed at your lack of response. "Have you seen yourself? You look like..." You raised your head and looked at your mom "Like what?" She crossed her arms and sighed "Like someone else!"
You knew that this wasn't what came to her mind first, but decided not to comment on it. "No one forced me to wear this. I wanted to wear this." Your mom frowned, not believing you one bit.
And even if you wanted to go to school like that, she felt sick at the thought of all the boys seeing her daughter in such an outfit. "Get changed, right now."  Was all she said before turning around and leaving your room.
You stomped after her "I'm going to be late to school if I change now!" you yelled as you followed her into the kitchen where your dad sat, completely unfazed by the argument which was taking place.
"That's your own fault, and don't yell at me like that." She responded, not even looking at you. "Mom, I'm not going to change."
She turned around once she grabbed her mug from the kitchen counter. "Oh but you are already. You are changing, because you would never wear something like this, especially not to school."
"Am I not allowed to change my style once in a while? You never approve of the way I dress anyways so why are you making a big deal out of this now?." She shook her head once again "You don't get it, y/n. You're... changing, as in ‘you’re becoming someone that you’re not’!" you scoffed in disbelief "I'm a teenager, of course I'm changing."
You turned away from your parents, and made your way to the hallway to put your shoes on. Once you reached your shoes you heard footsteps following you "You're really gonna go to school like that?" Your mom asked.
Once you slipped into one shoe you turned around and nodded. "You're grounded young lady, I hope you're aware of that." You slipped into the other shoe as you responded "I've been grounded my entire life, mom. Try harder." you said as you pushed past her to get your backpack.
Your mother just stood in the hallway, completely baffled. But before she could think of anything to say, you left the house already. Quickly making your way to Nate's truck.
Nate loved picking you up from home.
He wished you'd let him pick you up anywhere anytime, no matter where you were, but you only let him pick you up when you both had the same lessons in the morning.
He had told you that he'd pick you up even if you started earlier than him, but you immediately brushed it off.
Once you saw him your frown disappeared and you tried to smile again.
But Nate noticed. He always noticed when you were frowning, and when he saw your outfit he could already imagine what or specifically who made you frown.
To say that Nate disliked your parents would be an understatement. Whenever he would come over to your place, your mom would eye him and make snarky remarks.
Not only that, but she would sometimes enter your room -without knocking of course- every ten minutes to check on you, always with some sort of excuse as to why, just to make sure that the two of you weren't doing anything she would disapprove of.
He couldn't even hug you goodbye when he'd leave because when he did it once, your mom eyed him as if he was hurting you.
And your dad? He didn't know if he hated him even more.
He was barely there when Nate came over, and whenever you'd talk about him you would complain about him never caring about your arguments with your mom. He simply stayed out of it until it would annoy him, then he'd simply tell his wife to 'calm down' and that you 'shouldn't overreact'
And if you still wouldn't stop fighting with her, he'd simply get up and smoke outside or drive off to god knows where.
Having an overbearing mother and an absent father didn't do you any good, he'd gladly just have you move in with him, but his dad was probably even worse to live with than yours was.
"Everything alright?" Nate asked once you stepped inside the car, put your seatbelt on and sighed. You nodded, not looking at him "My mom's just mad at me because I'm wearing this to school today.." you explained as you fidgeted with your skirt.
That's when you noticed that you totally forgot to put on your cardigan in the heat of the moment. You mentally face palmed, knowing that you'd have to walk around like that without being able to hide at least a little bit of your body.
Nate nodded as he started the car. "I'm sorry to hear that... She’s always picking fights with you for no reason..." You nodded as you looked out of the passenger's window.
He looked at your thighs, which were just slightly on display, and fuck he would do everything just to touch them.
He decided to test the waters and reassuringly placed his hand on your thigh. You flinched slightly, not expecting the sudden gesture, but you didn't react in any way, which relieved him a lot.
"Don't be too hard on yourself, yeah? You can always come to my place or call me and I'll be there to pick you up and get your mind off things, alright?" You nodded with a soft smile on your lips.
You slowly turned back to him "Where have you been all my life? I would've needed you way sooner." Nate tried to contain his happiness.
You telling him you needed him, letting him touch your thigh and wearing his outfit? He was sure that he was the happiest man alive right now.
"Yeah, I also wish I could've been there sooner. But I'm here now, and I'm not gonna leave again." he assured. You placed your hand atop his on your thigh and nodded "Thank you.."
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Everything was going so so well, until this Jake guy from your arts class decided to speak to you. He must've seen you with Nate, the two of you were almost inseparable after all. Did he have a death wish or something?
The way he looked at you as well, it made him sick.
You didn't even notice it, you were your usual friendly self, telling him something Nate couldn't make out from his seat, two rows behind the two of you. But it couldn't have possibly been funny enough for him to laugh so hard, that he had to place his hand on your shoulder for support.
He never cared much about Jake, never even talked to the guy, but he'd love to beat the shit out of him right now. Only stopping when you tell him to.
But based on your personality, you'd probably stop him right away.
Nate had more than enough however, when the guy still had his hand on your shoulder after ten seconds.
Nate got up, the sound of the chair scraping along the tiles on the floor so loud, that both you and Jake turned around right away.
Nate stared daggers into Jake as he made his way to the two of you, resulting in Jake's eyes widening slightly and him finally removing his hand from your shoulder "Move." was all Nate needed to say for Jake to smile at you one last time before immediately getting up and walking to his friend's desk.
You frowned at Nate not sure what had gotten into him. "Are you mad? Is everything okay?" You asked, worry evident on your face.
He was more than happy that you reacted this way and didn't ask him what the fuck was wrong with him for scaring the poor guy like that.
He shook his head before smiling "Everything's fine don't worry.. Jake's just really flirty with every girl that he sees, I just wanted to protect you." he reasoned.
You frowned, not aware that Jake has ever flirted with any girls in your classes, or you to begin with. He just seemed friendly, but you brushed it off nonetheless, knowing that Nate probably knew him better than you did.
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"Wait, you’ve never had a boyfriend?" Nate asked in feigned disbelief, as you two sat in his living room after school one day. You shook your head in response as you waited for Nate to laugh at you.
Except, he didn't.
It only made him happier that you finally confirmed his theory.
He didn't expect you to have any ex-partners, since you told him you never really socialized or had stable friendships with anyone in the past.
He figured you also hadn't been in a relationship as well then. But your confirmation only made him happier. And you didn't seem like the type to just sleep with the next best boy you meet so he figured you also must be a virgin.
And he was eating it up.
Whenever he'd jerk himself off, he’d think about you and how fucking amazing you'd feel around him. How shy you would be in front of him once you two got intimate for the first time.
And after every time he came, he craved you even more. It took everything within him to refrain from picking you up and carrying you in his bed whenever you came over.
But he always told himself that the wait would be worth it.
He'd wait just for you, no matter how long it'd take.
"I just never got to form that kind of connection with anyone, since I barely talk to people.." You said as you played with the hem of your red sundress.
Yeah, you also started wearing dresses.
You told yourself that Nate wasn't the reason for it, but you knew that without him, you would have never considered wearing them in the first place.
You saw the way he looked at that one cheerleader, during one of his games last week and despite the fact that you never wanted to date him, you couldn't help but feel the urge to be... perfect in front of him.
Nate also noticed that.
Before, you'd just wear your baggy jeans to school, preferring comfort over style. But ever since last week, you seemed to constantly wear dresses and skirts.
Not only that, but you also did your best to appeal to him. You wore more make up, you shaved your arms despite not being too hairy to begin with. You pout so much effort into looking even more beautiful than you were already.
He wasn't sure why though, because he didn't push you that much after you went to the boutique. He was praying that you only do it for him and not to impress any other boy at school though.
"Besides, it's useless anyways. Who knows when my father is gonna move again.." You said, suddenly feeling sad as you thought about your life without Nate.
Nate considered that as well.
He didn't like the idea at all and he'd do anything to stop that from happening. To stop your parents from taking you away from him.
Hell, he'd buy you a flat somewhere if he has to, or have you move in with him if that's what it took.
Nate took your hand in his, brushing his thumb over your knuckles "Hey, don't think about that alright? We'll find a solution if that should happen." he said reassuringly.
You nodded, a small smile on your face. You loved it when Nate was affectionate. You seemed to be the only person he was genuinely nice to.
"What about you though? I bet you had plenty of relationships." You grinned, his hand still comfortably wrapped around yours.
Nate chuckled "Yeah I didn't have that many relationships, but the ones I had were… intense." He answered "Oh, that bad?" you asked as you frowned at him.
He was more than glad you asked, because now he could finally tell you about Maddy and Cassie in a subtle way.
Once he was done, you’d never even consider believing them.
He nodded in response "Yeah... I was with Maddy for a pretty long time, do you know her?" he asked, hoping to find out whether she's talked to you or not.
You thought for a moment before nodding your head. "I think she's in one of my classes. Maddy... Perez?" Nate nodded, swallowing hard.
He was hoping you didn't know her, praying that the both of you never cross paths. But that was hopeless considering how popular she was.
"She's.. definitely something." You chuckled dryly as you couldn't help but compare yourself to her.
You didn't stand a chance with Nate if that's his type.
You always thought she was really pretty, and since she was on the cheerleading team, you knew she must be popular too. You always saw her with her group of friends and you admired her style, her beauty, her confidence, everything.
But she always seemed to give you weird looks and now you could imagine why. She probably was still in love with Nate, and didn’t like him having female friends.
Nate noticed the smile on your face falter just a slight bit, and he could only assume that she must've treated you badly that bitch, always causing fucking problems
"What do you mean?" You shrugged, unsure of how to explain it "She just... She's really pretty and I like her style. I wanted to compliment her before but she always gives me this look." You responded, your gaze locked onto the carpet.
Nate frowned at the thought of her.
How dare she even look your way? And how dare she make you feel uncomfortable? He could imagine why she was looking at you though, probably annoyed by how much time you and him spend, and how obedient you were already.
Something she could never do.
"But maybe I'm just imagining things, I might be a bit paranoid.. She's really pretty though, I bet the two of you looked great together.." Nate cringed at your words.
He couldn’t stand her, and the thought of everything he did for her, despite her acting like a bitch all the time, made his blood boil. The sound of her voice alone gave him chills, reminding him of how often she’d yell at him in front of her friends.
He's sure that you and him would look way better together.
"I'm honestly glad we're not together anymore.. She was awfully mean, and just so ungrateful." he sighed as he looked to the ground. "She constantly blamed me for everything when she was clearly at fault, fuck, she even..."
You weren't sure if you've seen Nate so vulnerable before, so hurt and all because of that girl. "…She even cheated on me at a party, in front of everyone, just because we had an argument." your eyes widened.
You did not expect Maddy to be such a bad person. Especially to someone like Nate, he seemed like he'd give his all to the person he loves. He was giving you his all and you weren't even his girlfriend.
You removed your hand from his, and scooted closer to him, wrapping your arm around his firm back and leaning your head against his arm. "I'm so sorry Nate.. you didn't deserve that.." You said as you stroked his back.
Nate suddenly got goosebumps, not expecting you to hug him like that. He was convinced he deserved an oscar for that performance, that's for sure. He leaned into your touch, enjoying how close he was to you, and the sweet scent of your perfume.
"It's alright... I got over it eventually. Sometimes people just disappoint you and you have to learn to live with it." he responded.
Which was an absolute fucking lie.
He still wanted to hurt her for humiliating him like that back at the pool, and he also still prays for her downfall and a chance to humiliate her just as bad.
You lifted your head and looked at him "We don't have to speak about her anymore if you don't want to. I'll even slap her for you if you want." you said half jokingly.
You'd never purposefully hurt anyone, or risk being the center of attention at school. But you just wanted to see Nate happy. He seemed so sad right now and even if he said he's over it, you knew he wasn't.
Nate chuckled before wrapping his arm around your shoulder and pulling you flat against his chest "There's no need for that. I'm just glad that you're here right now, you're all I need." He said as he stroked your shoulder.
You tried not to freak out.
The fact that he held you so close and literally told you that you're all he needed made you feel things, you didn't want to feel.
You didn't want to feel like he liked you more than just in a platonic way. You didn't want to get your hopes up, hell you didn't even want to have a crush on him.
You were so sure that you didn't have a chance, especially when he told you who his ex girlfriend was, but then why did he treat you like that? Why did he tell you you were all he needed?
“Do you also know Cassie, by chance?” he asked after a moment of silence. You thought for a moment, before shaking your head. He sighed, both in relief and in annoyance as he remembered her.
“Cassie and I also used to date. But she turned into an absolute psycho after some time. She was totally obsessed with me…” Nate explained before he sighed. “If she ever talks to you, tell me, alright? Same with Maddy, don’t talk to any of them.” he added suddenly very serious.
You nodded in response “What exactly did she do..? If you don’t mind me asking.” You asked carefully, since it seemed to be a touchy subject for him.
“She was.. possessive, unpredictable, and insecure. I was scared of her sometimes I can’t even lie... She just has this insane look in her eyes, at first I didn’t notice it but as our relationship progressed, I couldn’t ignore it anymore.”
Your eyes widened once again. If she really was that possessive over Nate, what if she thinks you two are together? Would she actually hurt you? You swallowed hard at the thought.
Nate observed your reaction, taking notice of how pale you became suddenly He didn't mean to scare you, but he had to warn you, in order to protect you from both of them.
"Jeez, that's... actually scary." you chuckled dryly, not sure how to react to the newfound information. "Don't worry though, I'll protect you from them, you got nothing to worry about." he said as he looked at you longingly.
Would it be too soon to ask you to be his now?
Probably the wrong moment to ask you, since he just told you about his crazy ex girlfriends. But he didn't want to wait any longer, he couldn't wait much longer.
Not when his need for you became stronger and stronger.
Sure, being your friend and spending time with you was amazing. You were sweet, funny and you wouldn't refuse him a thing. But it wasn't enough for him, not really.
He needed to act soon, because it frustrated him more and more each day. Nate just had to catch you talking to a boy from your class and it made him furious.
Not to mention how sexually frustrated he was.
His hand was not enough to satisfy him anymore, he craved so much more and that only caused him to be insufferable at times, unable to relax and always in a bad mood.
He really tried his hardest not to lash out on you like he did on McKay or his teammates. He was sure that if Cassie dared to approach him or you he'd absolutely lose his shit.
“Didn’t know you were home yet.”
You and Nate turned towards the person who just entered the living room in unison. It was Nate’s brother Aaron.
Great.
Nate rolled his eyes and sighed. Why was he home already? “Yeah, school ended earlier today.” He replied drily. He did not want Aaron to interact with you in any way, since he knew how off putting he could be.
“Let’s go,” Nate got up as he looked at you with a cold expression. You knew not to ask any questions when he got like this, so you just nodded and got up from the sofa.
“Woah, who are you? New girlfriend?” Your eyes widened as you laughed nervously “Oh, n-no we’re just really good friends.” You stated as you smiled at his brother.
And it bothered Nate so much. Why were you smiling at him? He knew you only wanted to be polite, but it bothered him because Aaron wasn’t worthy of your politeness or smile.
He wanted to be the only guy you smile at, even though that’s basically impossible with how fucking nice you were.
Aaron smiled back at you, as he playfully tilted his head to the side “That’s surprising, d’you have a boyfriend already?” He asked before he looked you up and down “Because you’re definitely Nate’s type.”
The room fell silent for a moment, mostly because you didn’t know what to say to that at all, and because Nate tried his hardest not to turn into an aggressive asshole in front of you.
You once again chuckled nervously, before you swallowed the lump in your throat, feeling like your heart would jump out any moment. “Um… I don’t have a boyfriend and I’m sure that I’m not Nate’s type.”
You didn’t even know why you said the last part, because you could tell that Nate was fuming more and more with each word you said to him. Before Aaron could respond, Nate did “Alright enough, Aaron, we’ll head upstairs now if you don’t mind.”
Aaron sighed exaggeratedly “That’s too bad, I really enjoyed the company of…?” he said as he looked towards you now “Y/n.” You responded, and Aaron nodded “Y/n, go ahead, you know where my room is.” Nate commanded.
You really wish it didn’t, but his demanding tone and sudden change of persona really did something to you. It excited you in a way.
You nodded and walked towards the hallway, where Aaron was standing. Before you could pass him though, he moved in front of you, looking down at you with a predatory grin “You know, if Nate doesn’t want you, I’d be totally down-”
Your eyes widened in response as you heard Nate stomping towards the two of you.
Nate had more than enough by now, “Shut the fuck up already!” He almost yelled. Aaron chuckled “I was just joking around why’re you so mean in front of your cute little friend?” He mocked before smirking at you again.
Nate turned towards you, this time even more irritated “Go upstairs, now.” You gulped and finally moved towards the stairs again, quickly making your way up.
You were sitting on Nate’s bed as you could hear his deep voice downstairs and you were sure he’d actually beat his brother up. You couldn’t make out what he was saying except for a very loud “Stay the fuck away from her!”
You didn’t have to wait for long until Nate entered the room, slamming the door shut behind him. He eyed you with a mixture of possessiveness and longing but also with a hint of softness.
His mind was currently occupied with fantasies about fucking you on his bed, while you moan about how good he feels, and how he’s the only one you need, while his brother is forced to listen to your moans that echo through the entire house. Knowing he could never be lucky enough to be in his spot.
He wondered if you’d be into that? If you had this corrupt side that no one knew about. Maybe you fantasized about him as well?
“Sorry about my brother, he’s a fucking asshole.” Nate stated as he walked towards you. “I hope he didn’t make you feel too uncomfortable..” He added as his gaze softened.
You shook your head, your signature smile on your lips “No, don’t worry. Are you okay though? I hope you guys didn’t fight too hard..”
He loved how considerate you were despite everything that happened. Despite Nate being somewhat rude to you earlier, and his brother making you uncomfortable, you still cared for Nate.
“No, not much more than we usually do, don’t worry.” He sighed as he plopped down on the bed next to you. “Wanna watch a movie?” He asked as he tilted his head to the side. You smiled and nodded in response.
Nate turned his TV on and grabbed the remote before he plopped down onto his bed again. He scooted towards you, wrapping his arm around you and you could’ve sworn you’ve never felt more at peace than in moments like these. Nestled against him, comfortably on his bed.
And Nate felt the same way, if not even more at peace.
You were his escape from his fucked up family just as much as he was yours, and you were the only one he truly cared for besides himself. He couldn’t wait until he could finally call you his.
In his eyes you were his already, from the moment he first laid eyes on you. And he’s come so far, molded you into perfection. There’s no way he’d let you go.
All that was left now, was to make you officially his.
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✎ Thank you so so so much for reading I hope you liked it :3 again don’t be shy to give me honest feedback, likes and reblogs are appreciated!! ♡
- Cassandra
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fans4wga · 1 year ago
Text
26 July update from WGA's Chris Keyser
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From the WGA: With SAG-AFTRA now on strike and new levels of solidarity across all Hollywood unions, we are witnessing the spectacular failure of the AMPTP’s negotiating strategy. In this video, WGA Negotiating Committee Co-Chair Chris Keyser lays out what this moment means and how we move forward. To learn more about the WGA strike, visit https://www.wgastrike.org.
FULL TRANSCRIPT:
Fellow members of the WGA East and West. It's been a while since our last video and quite a bit has happened in the meantime. So on behalf of the negotiating committee and leadership, I wanted to give you an update on where we are and what the near future at least is likely to bring.
We've been walking side by side on picket lines in New York and Los Angeles for a little over 12 weeks now. Only now we're joined by thousands upon thousands of members of SAG-AFTRA who, like us, have finally had enough.
This is the endpoint and the fruit of the AMPTP’s game plan. For 11 weeks, they negotiated with everyone but us. They claimed it was just practicality, that they could only do one thing at a time, which is not normally a point of pride. But events have made clear what we knew from the start: that not only was it a strategy, it was their only strategy. Negotiate a deal with a single guild and impose that deal on every other guild and union in Hollywood, whether it addresses the needs of those unions or not, all with the implicit threat: if you want more, strike for it.
Wow. It’s their 2007-8 playbook applied to 2023 as if nothing has changed, as if the accumulation of economic insults and injuries inflicted on us over the past decade would be borne in perpetual silence, as if the giant of labor had not awakened. But it has. And you only need to look as far as the front gates of every studio in LA and New York to see the evidence.
Two unions on strike willing to exercise their power, despite the pain, to ensure their members get the contract they deserve. For us, that means addressing the relentless mistreatment of screenwriters, which has only been exacerbated by the move to streaming; the continued denial of full MBA protection to comedy variety and other appendix A writers when they work in streaming; and the self-destructive unsustainable dismantling of the process by which episodic television is made and episodic television writers are paid.
It means addressing the existential threat of AI and the insufficiency of streaming residual formulas, including the need for transparency and a success-based component. All of these will need to be addressed for there to be a deal because in this strike it is our power and not their pattern that matters, not their strategy. Their strategy has failed them. Now they're in the midst of a streaming war with each other, an admittedly difficult transition. And as they face the future, their interests and business models could not be more different from Disney to Sony to Netflix to Amazon.
We root for their success, all of them. They root for each other's failure. We are the creative ammunition through which they will succeed. They are each other's apex predators. And yet, in a singular shared dedication to denying labor, they have shackled themselves together in what increasingly seems like a mutual suicide pact, as the 2023-24 broadcast season and the 2024-25 movie schedule and its streaming shows disappear, melt away week by week.
So what does this mean? What does it mean going forward? How do you play chess against an opponent who insists on screaming checkmate at every move regardless of how the board looks and the game is going?
You stay firm, you stay resolved, because our cause is no less existential than when we started and our leverage is increasing every day. Alone we withheld our labor with the support of our union siblings and the Teamsters and IATSE and the Crafts, we were able to delay the vast majority of production. Now with SAG-AFTRA on strike, those few studio projects that remained have also shut down. And it's not just the obvious delays. If this strike drags on, it's the actors with conflicting obligations and the directors and the double-booked studio facilities and release date chaos that the companies must now also contend with. Some of their most valuable product could well be delayed for years.
Add to that, no promotion of movies or television shows and famous faces on the picket lines and social media speaking directly to their customers. For the tech companies and the mega corporations, that should be their nightmare scenario: WGA and SAG-AFTRA side by side. Our bargaining agenda may not be identical, but our cause is the same. Our army of labor, defending labor has increased 17-fold in the past two weeks alone.
Even so, even with all this wind at our backs this negotiation won't happen overnight. It's not because the negotiations themselves are so complex. Once the companies fully engage, it could go very quickly, but because their strategy of many decades has just fallen apart and they didn't see it coming, and it's going to take them a minute to regroup, 'cause the companies have things to work out internally, and saying no to labor in unison is a lot easier than saying yes. So either together or separately, as their divergent interests might suggest, they will come back to us, despite their understandable concern about how they've navigated this transition to streaming, which is on their heads and not ours; and their worries about costs and their worries about Wall Street; despite this being a season of doom and gloom, none of them are walking away from the riches of this business, and certainly not over the equitable minimum compensation to writers.
They didn't get the deal they wanted; that's fine, it happens all the time. They're not taking their ball and going home over it. And since we know they come from union families themselves, and since they've denied that “even-in-Hollywood-you-have-got-to-be-kidding-me” ugliness of threatening to starve us out and leave us homeless (which we assume they understand also means making our children homeless,) they will come back to us. Although I will say they took a long time to deny that statement, longer than I would have had it been ascribed to me.
But what does it matter? You can starve a labor force slowly or quickly. The effect is the same. It's not like day rates for comedy variety writers and endless free drafts for screenwriters in exchange for a single paid one in four-week mini-rooms isn't cruelty. It's just cruelty written in contract language instead of a press quote.
So what can we expect from the companies as all of this plays itself out? They will try to convince Wall Street that taking a strike, prolonging it unnecessarily, losing their content stream in the process—that all of that is just smart business and no reason for investor concern. We will be talking to Wall Street too, and reminding them that for all these companies, all of 'em including Netflix, the bill, the price for making nothing, will eventually come due. And Wall Street is listening already. Here's Michael Pachter, managing director of equity research at Wedbush on Yahoo Finance the other day: “I think the studios are completely wrong on this one. Content is their lifeblood. They're feeling really foolish about this."
Wall Street isn't the only one listening. We've been talking to union pension funds too about the risks the companies are taking. We talked to CalPERS, the largest public pension plan in the country, talked about the loss of programming and the cost to the industry, and we heard strong support from its board for our struggle and the promise that the companies will be hearing from them, from CalPERS, and demanding answers on behalf of its 2 million members.
To us, of course, they will continue to plead temporary poverty, but we know the drill. These companies support billions into the streaming wars and taken short-term losses these past three years, because they know that to the winner will go the spoils. We're patient, will they share that with us when the time comes? What are the chances?
Since 2017, the last time the studios negotiated with us outside of COVID, the big six companies alone have made $150 billion in profits off our work, while they slashed our pay and degraded our working conditions. Maybe if they had shared a tiny piece of that then, made $1 billion or so less, this year wouldn't seem so costly. As it is, there is no iron law that these companies are entitled to record profits every year, and it isn't some great travesty if their shareholders or their CEOs get a slightly smaller slice of the massive profits we helped create if some balance is restored.
Look, no one denies that corporations exist to make a profit and no one wants our employers to be profitable more than we do, but the singular pursuit of corporate profits to the exclusion of their social and human cost is a real problem in this country—it’s a real problem. A corporation's bottom line is not the same as the world’s, and there is nothing in our studio's bottom lines today that accounts for the quality of our lives or for our dignity, for the comfort of our retirement or the security of our families. Their numbers have no conscience, but the people who report them as victories ought to.
In their refusal to recognize that, these companies have also extracted an awful price, which is laid at their feet and for which they are responsible. Losses to the economies of New York and Los Angeles and everywhere that film and television are made, terrible losses that mount every day, thousands of people out of work; not just us, all the crews, the crafts, the janitors, the drivers, the businesses that thrive when Hollywood thrives, the restaurants, the stores—for what? For nothing. So they could avoid coming to the table to negotiate the deal they will one day give us. Measured today that is the painfully mixed legacy of our employers, weighed against every beautiful piece of work we have made with them.
And if history is a guide, they have only temporary stewardship over a kind of national trust, which is Hollywood. Our story, our sometimes conscience, our public conversation, our diversion of the worst and best of times, our greatest export, the repository of our imagination. They have some obligation to more than just their shareholders to behave accordingly.
Unfortunately, it seems big tech, mega corporations, and some of the people who run them, as the saying goes know the price of everything and the value of nothing. So they have built a business model that no longer works for human beings who cannot be paid minimum for 10 to 20 weeks a year and make a career out of that, be paid for one draft of a screenplay that demands a year of labor, be paid a few episodic fees for a show about which to take years to decide be paid a daily rate.
And now we have a first glimpse of what they offered our actor colleagues. We are not 170,000 Willy Lomans to be used and then discarded. We know what the companies believe they have the power to do. We know what they think machines can do and do without any of us. Oh yeah, we've seen the writing on the wall and it's plagiarized.
The thing is this: the difference between what you CAN do and what you SHOULD do is the greatest single difference in the world. Knowing that is the only real protection we have against a dystopian future. And if the companies sometimes forget that, writers will do it for them.
I can't know exactly how long it will take this revolutionary moment, and you've heard again and again what is happening today has not happened in 63 years, but I know that's not always how it feels, revolutionary and defining, even though we celebrate that on picket lines together, which is the right thing to do. That's not always how it feels when you go home at night. I know how tough this is: to strike, to hold the line. I know it gets tougher every day even with SAG-AFTRA marching beside us, how hard it is to face the uncertainty of when it will end, when we'll get back to work, how we'll pay the bills. I know it's hardest for those who've just gotten started, for those for whom the world opens doors more reluctantly, battled their whole life just to get here; but hard too for those struggling to maintain their long careers, who find work tougher and tougher to come by, or those with families with children or parents to take care of.
These companies understand the cruelty of what they're doing. It's their plan to starve us just a little, to exact as much pain as they can so that we wish more for the pain to end than for the better life we dreamed up. That we're more afraid of the uncertainty of the present than the certain devastation of the future. It's societally acceptable economic torture inflicted by management on labor every day, then blamed on labor for daring to fight back, for refusing to be complicit in its own mistreatment.
Here's how I know that's not going to work. Not with us, not with the writers, because we haven't come all this way, fought to have these careers in the first place, all the adversity, and marched together for all these months, only to let it slip away on our watch—because there is no point in rushing back to jobs that may not be there in a year or two anyway. Because the business, as the companies have twisted it, is now untenable, unsurvivable for so many of us, because even success is not enough to keep going, because this guild is younger than it's ever been and more diverse. And this young diverse membership knows from hard personal experience the system is broken and that it will not be fixed unless they fix it. And those of us who came before them will not let them down, because we and the writer's guild are the beneficiaries of all those who came before us who gave up everything for us.
Like the writers of 1960, the year I was born, who struck for 22 weeks and who gave away all the TV residuals for all the movies they had ever written so that we could have a health insurance and pension plan and residuals from that date forward. $15 billion flowed to writers and their benefit plans because of that sacrifice. Because writers are brave, because now it's our turn.
So what's our job? Even as we welcome SAG-AFTRA to our side, we are still responsible for our own deal, and so we must remain focused and diligent. We must continue to march, picket signs in hand. But we should also remember this and with pride, that before there was SAG-AFTRA, before even the Teamsters and IATSE and the laborers and the electrical workers and the musicians and the plasterers came to our side, there was the writers. Alone then, we looked at the blank page and began to imagine the future. With no net but each other we typed the words, what if?
And then we took a step into the darkness and found that it was light. And then we were joined by the crews and the drivers and the actors. The actors got a bit more fanfare when they showed up, but that's okay, we wrote the script. The WGA, still small, not alone anymore after all these decades. Hollywood labor has finally linked arms and found its voice, and that voice says enough. There is no road to longterm prosperity that burns a path through your own workforce. We are not your enemies. We are not merely a cost to be borne. We are your partners and your greatest asset. And we are, as you acknowledge yourselves, irreplaceable, but by accident or design and it doesn't really matter anymore, the business you are running no longer works for those who work for you.
What is the point in continuing to deny that? Why deny it when everyone else in the business to a person tells you it's true? Do you think it's a coincidence that two unions are on strike against you for the first time since Eisenhower was president? You can't exactly accuse us of being quick on the trigger. The effect has a cause, it has a cause. And there is no profit in insisting on the answers to the past for the questions of the future.
But if you want instead to invest in something that will reap you fortunes, I have a tip. And if you are visionaries, envision a solution, not a stalemate. Because this isn't a war we're in, it's a negotiation, it's just a negotiation. There is no face-saving here for either side, because there is no winner or loser. It's just a deal. And when you come to remember that again we will be here as we have been here all along.
And at this point with 170,000 writers and actors aligned against your intransigence, that is as generous as I can be, as close to an olive branch as I can offer. But if you insist instead on the same threatening rhetoric, on saying you would rather starve us than pay us, I would remind you of this: You are fighting for a dollar, we are fighting for survival. We are fighting for our home: writing is where we live, and we will defend that home with a bravery and stamina and ferocity that you will come to understand someday, which is why you cannot break us. You cannot outlast us, you cannot.
And not just because we have the will, because we have power. Nothing in this business happens until we start to write. And we will not start to write until we are paid.
Union now. Union forever.
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gregor-samsung · 30 days ago
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サバイバルファミリー [Survival family] (Shinobu Yaguchi - 2016)
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neonfeel · 5 months ago
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Prisoners of the Ghostland (2021)
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pocji · 2 years ago
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I only have one nct song on that 100 songs and it’s fucking TWO BADDIES fncjdkfjejf I swear those 100 songs are conspiring against me.
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vaspider · 6 months ago
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Okay so someone shared this link on the server for the Chronicles of Darkness game I've been running since 2020 and I looked at the link and went 'yeah right' and then I read the article and went 'hunh' and then I watched the first three episodes of 'Knuckles,' which didn't take long because each episode is about half an hour long, and actually I fucking cried my eyes out at the big fight that is referenced because like... it's ... good, actually?
The show is very silly, and a lot of the humor is very childish, which makes a lot of sense, right, because it's about a fucking video game, but, at least so far, it's an extremely sincere show.
The siblings in this show act like highly exaggerated siblings. Of course adults wouldn't act like this, but it doesn't matter, because that's not really who the show is for. The show is for kids. It's goofy. The heart of sibling rivalry is there. The heart of hurting over a parent who abandoned you is there. The heart of a parent missing a family tradition is there.
The jokes that are made are made with love for Jewishness. Whoever made the food jokes has eaten a lot of gefilte fish and matzoh ball soup. Whoever wrote the episode understands how important it is that nothing puts out the Shabbat candles. Whoever wrote the episode understands the importance of minhagim -- the traditions that are unique to your family, to your synagogue, whatever.
Clearly they're not shomer Shabbos because their traditions include watching movies after Shabbat dinner, but that's not presented as them being Bad Jews -- it's just their family tradition, and that's just how it is.
Mom's bracha for the candles has the 'Adenoy' pronunciation which is so very New York Older Ashkenazi Jewish that it made my heart ache and made me powerfully homesick for the East Coast, since so many of the older people at my old shul used that specific pronunciation.
The fact that they literally centered a pair of Shabbas candles (with what are clearly kosher candles burning!!) in the fight, and the entire fight revolves around those candles? It just hit me right in the middle of the chest.
There's a difference between a show being silly and a show being insincere, and Knuckles is silly but it's not insincere. I will fully admit that I watched the first three episodes to get to the episode entitled The Shabbat Dinner, but you know... I might just finish the series? It's got heart, and all of the actors are clearly having such a good time. It's one of those projects that I refer to as a Summer Camp Show/Movie, where everybody's getting a nice paycheck and having a very good time and not taking themselves too seriously.
Plus, Christopher Lloyd made me laugh until I choked.
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