#Fadeless
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No tienes derecho a reclamarme y no me pienso sentir mal por avanzar.
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Tunesmith eternal In a splendid, fadeless home: Master Cardiac.
(Haiku acrostic, written October 2023. In memory of Tim Smith.)
#Cardiacs#Tim Smith#Home of Fadeless Splendour#Alphabet Business Concern#haiku#original haiku#acrostic#acrostic poem#haikulibrary
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Touchstarved Demo Music
Decided to have a productive weekend and search for every song in the ts demo bc I’m a hungry bird and I need my crumbs🐤
Some were easy to find, others required manually going through artists’ discographies that might have the song I was looking for help (in order of appearance)
Sonata to Melancholy – Crypt of Insomnia
Fabric of Night – Crypt of Insomnia
Suspense Drums Trailer – ARCHIMUSIC
Dance Macabre – Crypt of Insomnia
Reverie – MARiAN
Mystery – EightBallAudio
Medieval Harp Ambient – Orchestralis (all 3 versions are used)
Cold Dark Place – Crypt of Insomnia
Shards of Night Light – Crypt of Insomnia
Late Night Ode – Crypt of Insomnia
Rivendell Sunset – Crypt of Insomnia
Love Will Never End – VICTORMUSIC
Tango – Blacksmith
Fadeless Memories – Crypt of Insomnia
Slow Baroque Strings – Orchestralis
Once Upon a Dark Time – Allen Grey
Scorched Earth – Crypt of Insomnia
Ethnic Ritual – Nuclearmetal
Dark Ethnic Suspense – Allen Grey
Persian Beat – MARiAN
Deserted – Crypt of Insomnia
After Dark – Crypt of Insomnia
Beautiful and Tragic – Crypt of Insomnia
The Harp – SilverHoof
The End of the Journey – Crypt of Insomnia
Individual routes:
Ais
Unearthly Love - Crypt of Insomnia
Dangerous Middle East – iCENTURY
In The Time of Romance – MusicDog (also in Kuras' and Mhin's individual routes)
Kuras
Pizzicato Comedy – Orchestralis
Sorrowful Storytelling – Crypt of Insomnia
Mhin
Rains Will Come – Andrea Baroni
Vere
Sad Tango Violins – Korolkov
Delusion – Crypt of Insomnia
Bonus:
Gothic Emotional Suspense Riser - Allen Grey (homescreen music; edited)
Horror Atmosphere - Orchestralis (ominous music; when Soulless/threat is nearby)
#touchstarved game#ost#music#kuras#mhin#ais#leander#vere#touchstarved kuras#touchstarved mhin#touchstarved ais#touchstarved vere#touchstarved leander#bird crumbs𓅪
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YES YES THATS WHAT IM TALKIN ABOUT
hey guys lets talk about how lonely and melancholy Leander's CG theme is. i dont know music very well but lets Talk about it. this one:
-the minor key
-the only slightly distorted electric guitar
-how often the melody repeats (so much repetition)
-there's pretty minimal percussion & otherwise the guitar is Alone. grabbing you all by the shoulders and shaking lets discuss this hlello hi hehy hi hi hey hello
#someone in the discord server im in found an artist whose discography includes some of the themes in the game actually#Not all of them are on their YT but some. i think they couldve done the entire soundtrack#let me try to remember who it was holy fuck#CRYPT OF INSOMNIA. beautiful and tragic is mhins theme#fadeless memories from their same ep is also in the game
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𝐀𝐦𝐚𝐫𝐚𝐧𝐭(𝐡)
1. An imaginary flower reputed never to fade; a fadeless flower (as a poetic conception).
2. A genus of ornamental plants (Amarantus, N.O. Amarantacex) with coloured foliage, of which the Prince’s Feather and Love-Lies-Bleeding are species.
3. A dark reddish purple colour, being that of the foliage of Amarantus
#dark academia#light academia#litblr#langblr#english language#oxford english dictionary#words#spilled ink#spilled words#beautiful words#writers and poets#writing#creative writing#writeblr#writer#writers on tumblr#writerscommunity#resources for writers#writebrl#writing inspiration#writing advice#writing prompt#writing ideas#writing community#definition#vocabulary#vocab#language
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LIVE2024 HERESY LIMITED 【HETERODOXY Vol.3-IMMORTAL CREED-】 2024.09.12 Toyosu PIT - spice.eplus Live report
At every live show, the GazettE's vocalist RUKI always says, “First, thank you for sharing this time with us.” These words are not just a formality; they come from his heart, and during this two-hour performance, it became evident that this is the reality of their world. Thousands of fans filling the venue chose to share the same space and time with the GazettE, directly meeting the members’ gaze and creating an intense sense of unity. What seems like a "usual" sight for their live shows—a sea of fans and the band connecting deeply—is, in fact, a miraculous and irreplaceable experience. This night served as a profound testament to that truth, and it will surely stand as an enormous “trace” (shouseki) in the band’s future path.
In April of this year, the band’s bassist REITA passed away, and this was their first live performance after the memorial concert "HERESY LIMITED 'SIX GUN'S,'" held on May 27th. This show was part of their fan club exclusive series 'HETERODOXY' Vol. 3. Ahead of the performance, vocalist RUKI stated that the setlist would be chosen from across the three-disc best-of album they released about two years ago (the GazettE 20TH ANNIVERSARY BEST ALBUM HETERODOXY -DIVIDED 3 CONCEPTS-). He also explained that the title, "IMMORTAL CREED," carried the meaning of an "undying belief." In other words, the purpose of this concert was to reflect on the band’s journey so far, while reaffirming their unchanging commitment, no matter what happens. After watching the two-hour show, this became an undeniable conviction.
As the start time approached, the SE track "HETERODOXY" played, and five flags, adorned with the logo of their fan club ‘HERESY,’ slowly rose. With the five spirits gathered on stage, the intro to "Filth in the beauty" began, featuring graceful female vocals. This unexpected opening song sparked a cheer from the audience. When this single was released in 2006, its innovative blend of heavy rock and R&B created a buzz, and the floor shook with movement as fans jumped and headbanged at RUKI’s command. Applauding the sight, RUKI then transitioned the applause into clapping, signaling the start of "VENOMOUS SPIDER'S WEB." As the distorted guitar sound filled the venue, laser beams, like spider webs, crisscrossed the inside of Toyosu PIT. Uruha (Gt) and Aoi (Gt) exchanged guitar riffs while Kai (Dr) drove the beat forward, overwhelming the space with the band’s signature heaviness.
“Tokyo! Show me how cool you can be!” RUKI shouted as "VORTEX" began. Uruha had already taken the center stage platform, and RUKI moved fiercely from side to side, riling up the crowd with clapping and headbanging. In the powerful chorus, you could clearly hear REITA’s (Ba) voice, and the excitement in the room continued to rise. This unusually fast ignition of energy showed that the band truly craved the live performance setting, something RUKI hinted at in his next MC.
“Can I be honest with you? I’m so happy to see you. Really, live shows are a place where you can let out any feelings, any emotions, so feel free to do whatever. Show me any face you want. You don’t have to worry; we’ll lead you.”
Next, they performed "GABRIEL ON THE GALLOWS," a hard-hitting, vertical-headbanging song, followed by "FADELESS," a catchy melody wrapped in loud rock. Both numbers combined the decadent theme of ‘falling from grace’ after losing wings, delivering a clear narrative. During the latter’s outro, the spotlight turned to the rhythm section, placing the focus on the bass, and chants of “REITA!” echoed through the venue, etching his presence into that space.
RUKI’s vocals, both smooth and on the verge of breaking with sharp shouts, were bathed in blue lighting and smoke, reminiscent of water's surface, as he walked unsteadily, expressing loneliness through "DRIPPING INSANITY." The song introduced a world of quiet sorrow. In "QUIET," where the powerful drumming felt like it could blow everything away, RUKI sang "For now it's goodbye" but didn’t complete the line "The habit of leaving an empty space by your side." This left the audience with a tightness in their chest. After the poignant guitar echoes faded completely, applause filled the venue. RUKI’s silhouette swayed like a shadow puppet under the heavy, drumbeat-like drumming of Kai, while Aoi unleashed the maddeningly beautiful intro phrase of "GODDESS." The performance, drenched in red light, ends with RUKI singing of a broken mind, and just as he repeats the words "Are you testing me?" the curtain lifts on "BABYLON'S TABOO." The red lights flickered like candy threads across the hall, while RUKI whispered the spell-like phrase "ADE DUE DAMBALLA," creating a dark and unsettling atmosphere akin to a ritual. The band's heavy, technical, and tricky performance was captivating. No matter how aggressively they stormed through the songs, the deep tracks that followed were always integral, forming the foundation of the GazettE’s profound world.
"After all, live shows are great. Standing here, I feel like this is a place where you can release any emotion. So, everyone, don’t hold back. Let it all out, everything, and follow us from here," RUKI said.
Emphasizing the word "everything," the band’s physical power began to push the emotions of everyone present. In "TWO OF A KIND," RUKI incited headbanging with calls of "Head! Head! Head!" while the audience unleashed their wild energy under the weighty and brisk sound. But it wasn’t just their bodies that trembled—the lyrics like "Knowing the same pain" and "Every time we share our scars" shook their hearts as well. Under the laser beams, "VERMIN" painted a thrilling sight as the crowd leaped high during the chorus, while REITA’s gritty bass lines intertwined with Uruha’s swirling guitar. When the intro to "ATTITUDE" kicked off, the crowd exploded into a massive sing-along and clapping to "Until die!" RUKI rallied the crowd, shouting, "Come on, shout from your gut! Make it reach!" as the guitarists quickly switched positions, driving the audience into a frenzy.
"You're doing great, Tokyo! Can you keep going? You can do more, right? This isn't all you’ve been holding back! Bring it on!" RUKI roared as the crushing low bass of "ABHOR GOD" reverberated through the venue, sparking a storm of headbanging. As the crowd clapped in unison, Uruha and Aoi stood side by side, strumming their riffs, electrifying the audience with their presence. The intense blast beats of Kai and RUKI’s death growl brought the madness of the final moments to a thrilling close.
Then, as RUKI shouted, "Can you handle the last one? The last one!" and Kai hit the bass drum with a steady four-on-the-floor beat, the audience instantly responded with claps and cheers. In perfect harmony with the crowd, the band launched into "TOMORROW NEVER DIES." When RUKI shouted, "I’m singing for you guys!" fists were raised high, and the front members of the band freely ran across the stage, filled with the joy of performing. As the crowd erupted into cheers before the final chorus, RUKI looked up to the sky, repeatedly asking, "Do you hear it!?" The voices from the audience grew louder with each repetition. Needless to say, by the end of the song, RUKI let out a roar, pouring out all of his feelings.
Though REITA’s physical presence couldn’t be seen, his sound, his spirit, and his soul were unmistakably there. Because through the GazettE’s songs, the memories and presence of REITA were etched into the hearts of everyone in the venue.
"First of all, I want to thank you for sharing this time with us. You all have your jobs and daily lives, yet you chose to come to our live show today, and I’m really grateful for that. Truly, I’m genuinely so happy. No matter what expression you have, show me your faces clearly. To be able to meet again on the day we promised—honestly, I think that’s such a blessing. Time is something that inevitably passes equally for everyone, but today, every single second, let’s make this an unforgettable and amazing moment together, you and us."
Responding to the encore, the band reappeared, and RUKI expressed his gratitude as always, speaking about the happiness of being able to gather for the live show, which was met with applause. He followed it with these touching words: "Memories, you know... they're treasures that will never disappear for a lifetime." Then, he began singing the deeply emotional "Anata no Tame no Kono Inochi." (This Life is for You) with heartfelt love and melodic grace.
As he called out, "Let me hear you!" a huge chorus erupted, and during another early song, "Akai One Piece", the crowd joined in with claps, fists, and headbanging, creating a truly spectacular scene. "Go wild and go home! Can you do it?" he shouted, as they launched into "INCUBUS," sending heavy bass through the venue and creating a sea of raised fists, shaking the hall. This led seamlessly into "Hyena," where REITA's shout echoed across the venue from the start. Although REITA's voice and bassline were not live, the overwhelming live experience born in that moment, with the drums, twin guitars, vocals, and the audience's chorus all coming together, seemed to possess a mysterious, superhuman power.
The last song RUKI signaled was "UNFINISHED," a track that unmistakably declared that the GazettE’s journey is far from over, and they have yet to reach their final or complete form. Aoi leaned against Uruha, layering their sound together, while RUKI brought the lyrics "I'll take your hand" to life by gesturing as if pulling the crowd’s hands into his own. The audience responded with all the voice they had, and the unforgettable stage reached its emotional finale.
"Thanks to all of you, we were able to create an unforgettable and amazing day. Thank you. And next year, thanks to your support, the GazettE will be entering its 23rd year. As a surprise, we've prepared a promise for when we can meet again. We'll be waiting for you like this once more. Please spend your precious time with us again. Thank you for giving us such an incredible day today and for always supporting us. Please continue to support the GazettE from here on. Let's meet again. I love you."
As RUKI spoke these raw and sincere words, he gazed across the floor filled with applause before leaving the stage. On his way out, Kai embraced the bass amp. The flyers distributed at the venue's exit announced the tour 'the GazettE LIVE 2025 23rd ANNIVERSARY TOUR Shouseki,' which will take place in January through March next year. The tour will begin at Nagoya's DIAMOND HALL on January 16, continue at Osaka's Namba Hatch on February 6, and culminate on March 10 at the Tokyo Garden Theater, marking the band's 23rd anniversary.
The title of the tour, "Shouseki" ('traces or a trail that will serve as proof in the future'), reflects their earnest desire to leave behind a solid mark as the GazettE continues its journey. What kind of "trail" they will create along the way will depend on the audience who loves them.
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Tracklist:
The Alphabet Business Concern (Home Of Fadeless Splendour) • She Is Hiding Behind The Shed • March • Goodbye Grace • Anything I Can't Eat • Helen And Heven • Bodysbad • For Good And All • Core • Day is Gone • Snakes-a-Sleeping
Spotify ♪ Bandcamp ♪ YouTube
#hyltta-polls#polls#artist: cardiacs#language: english#decade: 1990s#Art Punk#Progressive Rock#Zolo#Experimental Rock#Progressive Pop
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Advertisement for Putnam Fadeless Dyes-Tints, signed ‘WMY’, from the late 1920s (source)
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the GazettE - FADELESS (2013)
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Yet west they wandered by ways of thirst, and haggard hunger, hunted often, and hiding in holes and hollow caverns, by their fate defended. At the furthest end of Dor-na-Fauglith's dusty spaces to a mighty mound in the moon looming they came at midnight: it was crowned with mist, bedewed as by drops of drooping tears. 'A! green that hill with grass fadeless, where sleep the swords of seven kindreds, where the folk of Faërie once fell uncounted. There was fought the field by folk naméd Nirnaith Ornoth, Unnumbered Tears. 'Twas built with the blood of the beaten people; neath moon nor sun is it mounted ever by Man nor Elf; not Morgoth's host ever dare for dread to delve therein.' Thus Flinding faltered, faintly stirring Túrin's heaviness, that he turned his hand toward Thangorodrim, and thrice he cursed the maker of mourning, Morgoth Bauglir.
-The Lay of the Children of Hurin
#silmarillion#tolkien#children of hurin#turin#gwindor#lay of the children of hurin#this was one of those moments where I was like 'ok i HAVE to draw this'#though i'm kind of 'meh' on the result#i don't really know how light works#and i mostly just messed around until i came to something i was ok with
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Love endures long and is patient and kind; love never is envious nor boils over with jealousy, is not boastful or vainglorious, does not display itself haughtily. It is not conceited (arrogant and inflated with pride); it is not rude (unmannerly) and does not act unbecomingly. Love (God's love in us) does not insist on its own rights or its own way, for it is not self-seeking; it is not touchy or fretful or resentful; it takes no account of the evil done to it [it pays no attention to a suffered wrong]. It does not rejoice at injustice and unrighteousness, but rejoices when right and truth prevail. Love bears up under anything and everything that comes, is ever ready to believe the best of every person, its hopes are fadeless under all circumstances, and it endures everything [without weakening]. -1 Corinthians 13:4-7 ampc
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For Lilliandra from your cool ask game, 1, 14, and 22 :)
Thank you, thank you!! I'm so glad people are liking my silly little game!
TES OC Interview Game
1. What class do they fall under? Anything they specialize in? (ex: Mage > Illusionist) Have they changed their class over their lifetime or stayed the same?
More than anything, she's a bard through and through, given that she uses Thaumavocalism to cast magic. Though she doesn't need to use it to cast magic, she prefers to! Charm the masses with a song!
But realistically, she's an Illusionist, and fear mage at that. Through her century living, she has adjusted her class as she traveled Tamriel. She was initially a mage, and knew little of phyiscal fighting, but she had to adapt to the situations thrown at her.
She kinda goes from Mage > Warrior > Thief and then circles back around with all kinds of skills picked up from each.
14. Any motifs or symbolism for this character? Flowers, animals, etc.
HELL YEAH. Thank you for asking one of the best questions! :D
So interestingly, Lilliandra having the nickname of Lilli/Lily was picked before I got a book on flower/plant meanings. It was like a happy little accident!!
Lilies: Devotion; Divinity; Exalted and unapproachable; Honor; Magnificence, Pride; Supreme; Unity of heart. Lilies do have different meanings, like roses, depending on the color. Yellow, for Lilliandra's golden theme, is: Falsehood, Lies
Belladonna Lily | Oxblood Lili: Artistic endeavors; Pride; Scholastic achievements; Splendid beauty
Moon Laurel: Fadeless affection; Fame; Glory; I change but in death; Immortality; Notability; Praise; Renown; Victory Laurel wreath means Fame, Glory, Merit
Elderberry: Creativity; Cycles; Death; Endings; Rebirth; Transformation; Zeal
As for animals: Scarabs, Hawks/Eagles, and Moths
These seem like a lot. But the flowers and animals symbolize three different stages in her life. :)
22. Ignoring time, what Elder Scrolls NPC would they get along with the most? Or the worst?
Sanguine! They threw one hell of a party in Gondalon Bay in High Isles. Drinks, drugs, song, dance - from tavern to streets to tavern and all around! Lilli threw on a show mixed with a little bit of charming magic, encouraging those that were hesitant to party with them.
THANK YOU FOR THE QUESTIONS!! :DD
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i forbid anyone in the 70's and 80's from using fading in videos forever and if they DO use it they will be confined to my house and forced to make gifs for me so that they understand how evil it is and then i will release them to make more fadeless band videos for me
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