#FLA Return
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The Essential Guide to the FLA Return
Navigating regulatory requirements can be a complex task, especially when dealing with foreign investments. One key regulatory document for Indian businesses with foreign investment is the Foreign Liabilities and Assets (FLA) Return. This annual report, managed by the Reserve Bank of India (RBI), is crucial for ensuring compliance with foreign exchange regulations. In this blog, we'll delve into what the FLA Return is, why it matters, who needs to file it, and how to complete it efficiently.
What is the FLA Return?
The FLA Return is a mandatory report that companies with foreign investments must submit to the RBI. Its primary purpose is to provide a detailed account of a company’s foreign liabilities and assets. This helps the RBI monitor foreign investment flows and manage India’s foreign exchange reserves.
Key Components of the FLA Return
Foreign Liabilities: This section includes details of all foreign investments in the company, such as equity shares, loans, and other financial instruments. It provides a snapshot of the company's foreign funding.
Foreign Assets: This details any investments made by the company outside of India. It includes stakes in foreign companies and other international assets.
Financial Statements: The FLA Return requires the submission of financial statements, including balance sheets and profit and loss accounts. These documents offer insight into the company's financial health.
Investment Details: Information about the nature of foreign investments, the countries from which they originate, and the percentage of foreign ownership is also required.
Why is the FLA Return Important?
Regulatory Compliance: Filing the FLA Return is a legal requirement for companies with foreign investments. Failure to comply can lead to penalties and other regulatory issues.
Economic Monitoring: The FLA Return helps the RBI track trends in foreign investments and manage India’s foreign exchange reserves, contributing to economic stability.
Transparency: Detailed reporting promotes transparency in foreign investments, which helps build investor confidence and supports market integrity.
Strategic Insights: For businesses, understanding foreign investment trends and compliance requirements is crucial for effective strategic planning and financial management.
Who Needs to File the FLA Return?
The FLA Return must be filed by:
Public and Private Limited Companies: Any company with foreign investment needs to file the return.
Limited Liability Partnerships (LLPs): LLPs with foreign investments are also required to file.
Other Entities: Any business entity in India that has received foreign capital falls under this requirement.
How to File the FLA Return: A Step-by-Step Guide
Collect Required Information: Gather all relevant data about foreign liabilities, assets, and financial statements. Ensure accuracy and completeness of the information.
Access the RBI Portal: The FLA Return is submitted online through the RBI’s FLA Reporting Portal. Make sure you have the necessary login credentials to access the portal.
Fill Out the Form: Enter the required details into the FLA Return form. Accuracy is critical, so double-check all entries before proceeding.
Submit the Return: After filling out the form, review it thoroughly for any errors. Submit the form through the portal, and you will receive an acknowledgment from the RBI.
Retain Records: Keep copies of the submitted return and all related documents for future reference and compliance checks.
Common Challenges and Tips for a Smooth Filing
Accuracy: Ensure all figures and information are accurate and align with your financial records to avoid discrepancies.
Deadlines: The FLA Return is due by July 15 each year for the previous financial year. Meeting this deadline is crucial to avoid fines.
Technical Issues: Familiarize yourself with the RBI’s portal and address any technical issues well before the deadline to avoid last-minute problems.
Professional Help: If you’re unsure about any part of the FLA Return process, consider consulting a financial advisor or compliance expert for guidance.
Conclusion
The FLA Return is a critical compliance requirement for Indian companies with foreign investments. By understanding its components and adhering to filing requirements, businesses can ensure they meet legal obligations and contribute to economic transparency. Accurate and timely submission of the FLA Return helps maintain regulatory compliance and supports the broader economic stability of India.
Whether you’re new to the process or a seasoned professional, staying informed about the FLA Return is key to managing foreign investments effectively. If you have any questions or need additional assistance, don’t hesitate to seek professional advice.
Feel free to share this guide with colleagues or partners who might benefit from a clearer understanding of the FLA Return. For further questions or comments, we’re here to help!
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Cross-border investments and raising finance is not an unusual thing. As the economies are opening and business-friendly policies are being developed, more and more businesses are trying to raise finances from international sources. Startups are a great example of raising finances from offshore investors. But, as these transactions involve huge amounts and are susceptible to manipulations, the government has placed measures to ensure transparency. You are compulsorily required to file FLA return online in case you satisfy the above criteria. The penalty for not filing a FLA return attracts violation under FEMA. In case you need any assistance in filing FLA return, feel free to contact the ASC Group.
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FLA Return - Foreign Liabilities and Assets (FLA) is an annual filing requirement in India that aims to gather information about the foreign financial assets and liabilities of Indian entities.
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Sunrise, FL // Sep 24th 2022 // Caitlyn McGonigal
#mikey way#fi#gw#rt#whole gang#jamie muhoberac#mcr#live#return#2022#sep 2022#9/24/22#2022 na tour#sunrise#fla live arena#photo#originals
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Foreign Liabilities and Assets (FLA) is an annual return that shall be filed by every company that has either received foreign direct investments or has made any overseas investments. Therefore, it is important to comply with the requirements of FLA returns. In case of any assistance in FEMA compliances, please feel free to contact the ASC Group.
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a prize to be won - capitano x fem!reader (5.3k)
you are not there for the destruction of your home. but you are there for the aftermath, when you catch the eye of the captain.
cw: dark content. kidnapped 'spoils of war' reader, descriptions of a razed village and death of everyone reader knows. explicitly fem reader. dubious consent, alcohol. based on this post.
this was a commissioned work.
You have never seen so much destruction.
You have never even thought you would see so much destruction, truth be told; the very idea of such things has never crossed your mind, when your village is ordinarily so calm and peaceful. You have loved your home fiercely and protectively your whole life - you have done everything asked of you, you have shared in the joys and the sorrows of your neighbours. Your home life is a humble one - your father a baker, your mother his assistant, your older brother set to inherit the bakery with the understanding you would work in it until the end of your life too - but it is not one you have ever maligned!
You've felt, perhaps, a rumbling of discontent once or twice - the thought that out there, there might be something more than what you have always dreamed about - but it has always been quickly quashed when you've been called to work, or your father has smiled at you or your friends embraced you. This is a good life you lead, and you are happy to live it.
Your village is supposed to be peaceful.
Your village has stood for years and years; was here for your grandparents and their grandparents before them. There are people who say the great tree in the village square is a thousand years old or more, who'll tell stories about the settlement that sprung up beside it with a laugh about how it will probably stand for a thousand more--
And yet, in front of you is the heart-rending proof that this is not to be so.
You feel yourself start to shake.
You had only gone out for a few hours; to gather some flowers for the bakery's window, some herbs that grew in the woods that your father would turn into deliciously flavoured bread. You had expected to come home, as you have so many times before, to the exact same place that you had left. Who would expect anything else?
But before you--
You can hear shouting and screaming, the beat of boots on the ground. Great plumes of smoke rise up from the houses that you know just as well as your own, as fire devours thatch and wattle and everything else the walls are made from - your own home is on the other side of the village, and it makes your stomach twist and ache to think that it could be following the same fate.
You do not understand.
You drop the basket you're holding, your arms suddenly feeling far too weak to support even themselves, let alone your spoils. Your feet drag against grass as you numbly, desperately, try to make yourself approach the smouldering ruins of your home. Nobody has seen you, not yet - but as you walk, as the smoke stings at your eyes and your throat, you can begin to make out figures striding amongst the carnage.
Big-booted, armoured and weapon-furnished figures, in helmets and furs, barking out orders in an accent you can only just place.
The Fatui.
But why here? Why now? Why your village?
It would be foolish, you know, to go any further. A clever girl would turn tail and run and hide out amongst the forest and the wilderness until the threat has gone and then maybe return to her home to see what the damage that has been wrought is. Your family have always been proud of you for being that kind of clever girl, when you've found errors in the accounting or remembered some little detail or other your harum-scarum brother is too bright and bouncy to keep in his head.
It is not clever of you to duck beneath the fence of the nearest home, to sidle into the garden, and to pick yourself a path behind the houses to try and stay out of sight.
You cannot simply go into the wilderness, not fully knowing if perhaps within that cacophony of flame and noise and horrors your family may still be alive and frightened and able to be saved. You have never thought yourself a particularly brave person, but it turns out that when one is in dire straits a hidden well of courage may be tapped into, and that is how it feels as you work your way through the grassy back gardens, ducking behind hedges and trees and walls and begging all of the Archons you can think of for their aid in staying hidden.
You hear screams, sometimes, and wet plunges and noises that are worse, and you cannot bear to think of what is happening to your friends and your neighbours. If they catch you, what will happen? Will they throw you to the fire? Will they plunge blades into the soft flesh of your body, will they tear you limb from limb, will you even have time to beg for your life before the rush of death is upon you?
You try not to think about it.
You're doing well, you think. You get closer and closer to the side of your village that your own home is on (you cannot go past the bakery - it is far too central, and has probably already been ransacked. You can only ask the Archons for their grace that your family was not inside of it when the Fatui squadron arrives).
And why are the Fatui here anyway? Simply for the pleasure of murder and pain and suffering? There are no riches in this village - there is nobody important, nothing that ought to have dragged a whole army down onto you--
You slide yourself into a small alleyway between two houses. With the sun setting, you are more hidden - and you must cross the centre of the village in order to reach your own home. You cannot stay on this one side forever. The spot is sheltered in shadows, at least, and you will yourself to peer into the murk of the darkness to ascertain whether you can dart out without too much attention.
You hear a crunch of leaves underfoot and your heart flees into your throat. You stop dead where you are, but as the noise gets louder and louder, you realise you have been found. You will not reach your home before the Fatui reaches you. You will not get to give your father one more kiss, your brother one more whisper of how proud he makes you, and bury your face in the sweet powdery scent of your mother's apron for one last moment.
He rounds the edge of the alley and stands there, an impressive figure caught in strands of moonlight, a visor down over his face, a cloak billowing around him. Trembling, you raise your chin to look your death straight in his face.
When the figure speaks, his voice is low and dark and rasping.
"Well," he says. "What do we have here?"
Everything about this man tells you that he is more than just some Fatui grunt. There is a certainty in the way he stands and surveys you, a craftsmanship to his armour that you have not seen in any of the other soldiers, a commanding tone to his voice than can only belong to a man who is used to issuing orders and even more used to those orders being followed to the letter. You are still trembling, and you do not lower your gaze.
You wish you could tell if he was smiling, or if he was preparing to strike you down - but behind his armour, his face remains a mystery to you, no matter how badly you may wish to know.
"Who are you?" He asks you, surprising you. You are expecting death, truth be told; the rest of your village, it seems, is burning around you. There is no reason to suspect you may be spared that fate.
You tell him your name, still trying desperately to cling onto the bravery that has made you lift your chin and stand proudly instead of running away. Far better to die staring it down, you remind yourself, even as it feels that your insides are a snarl of knots begging you to run. You even tell him that your family owns a bakery in the village. Even, at the end, you find yourself asking this;
"And who are you?"
It is enough to surprise a laugh out of him - a strange noise, half low velvet and half wheeze, as if he is unaccustomed to making merriment. That helmet stays levelled at you, and you see a hint of blue fire behind the darkness where his eyes should be, and you get the distinct impression that you are being observed. Sized up. Considered.
"I am the Captain," he says, eventually. He does not elaborate beyond that, but you do not need him to.
Rumours do not often make it this far out, but the exploits of Il Capitano have certainly preceded him. You have heard tell that he is a monster of a man, that his men will kill you as soon as look at you, that he leaves a trail of ruined cities in his wake, let alone villages. If this is truly the Captain before you, then you are in even worse trouble than you anticipated, and any last-minute desperate hopes that your family may be alive vanish on the wind as you swallow back tears.
He must be able to see the shake in your shoulders and the sway in your knees, but you do not let yourself show any more weakness than that. Your gaze stays steady, even as you feel a tear roll down the apple of your cheek.
"Then I suppose I am going to die here," you say, your tone final. You swallow. You lift your chin even more, exposing the soft and vulnerable skin of your throat, hoping he will make it quick. You are all the more aware of your clothing now than you were before - the simple peasant dress, well-made but worn, the skirts and the aprons you had just a few hours earlier gathered herbs in. It feels like almost nothing, standing before Capitano in furs and silver and armour, but it is yours. And a peasant girl dies as a peasant girl lives.
You prepare yourself for the swing of a sword, the gush of hot blood down your neck - but Capitano does not so much as place his hand upon his sword. He simply continues to look at you in that terribly interested way, as if you are a puzzle he desires to solve.
"You would give your life to me so easily?" He asks you. "Give everything up, little flower, and die here?"
"It is no more than everyone else in my village has done," you say, trying to be careful with your words. If you are too rude, perhaps he will drag you into the town square - perhaps he will make an example out of you, before his men. And though you are prepared and expecting to face your death, you would rather not make it even worse than it has to be.
A figure appears at Capitano's side, and then another; two of his men, who immediately fall to their knees and do not pay you a whit of attention.
"We're done here, My Lord," they say, in the voices of sycophants. "We have no useful information. No intel at all."
Is that what they were looking for in your little humble village? Intel about what? Nobody here goes further than the next village over! What could they possibly know that would be of any use?
"Very good," Capitano says, without turning his helmet from you. The two grunts laboriously pull themselves up from their knees, finally sneaking a glance at the peasant girl still standing, wondering what you must be doing here. Wondering if Capitano is about to kill you. "One more thing," he says - the men straighten to attention, waiting for whatever orders their leader is about to give.
You think you hear the ghost of a smile in his voice.
"I wish to take a souvenir," he says. "Bring this one back to camp and put her in my tent."
You are not fool enough to struggle against the Fatui who come to you, who take you by your arms - gentler than you'd expected - to march you on your way. You suppose they do not want to risk hurting you, when Capitano has expressed such an interest - but it rankles in the back of your throat that you are nothing more than a 'souvenir', some thing that can be taken and placed as and where the Captain pleases.
But you are lucky to not have been killed where you stand.
They march you out of your village, and you try not to look at the burnt-out husks that were once your neighbour's homes - you try not to let your eyes desperately seek out the shell that was once your family's bakery, or worse, your home. You keep your chin high and your lips pressed tight together, and all of the thoughts and feelings that are spooling around your head remain silently trapped within there. You do not think you would like anything you will hear from these soldier's mouths.
The campground is more alive than you would expect - and it simply makes you feel worse. When they have meat aplenty, to roast on open fires, when they have fine furs to drape over their tents and books to read . . . why ransack your home? Why not just search for this so-called 'intel' and leave? But you cannot say this aloud. You bite your tongue.
Before you know it, you are brought to the biggest tent of all. It stands tall and royal-blue, imposing and regal in the insignias and crests embroidered upon it. The two Fatui guards push you inside, and you hear the sound of something zipping, and see their shadows take guard outside to make sure you make no attempt at running.
As if you would.
You would not get a hair's-breadth from the tent before you found yourself shot or stabbed or grabbed or worse, and all the more painful they will make it when they realise you are running from their leader. You bring a hand up to smooth over your hair, noting ruefully that in your morning activities foraging and your attempts to sneak around, you are dusty and dirty and out of place. The tent is a strangely clean place, for all of the bloodshed that its occupant must regularly indulge in.
You take a moment to peek around it. There are those fine, expensive furs - there are bottles of wine and alcohol stacked together, a makeshift desk scattered with papers and quills and ink, a bedroll far bigger than any you've ever seen festooned with pillows and blankets and more of those same white pelts. It is only a tent, only designed to be brought from place to place, somewhere to sleep at night and nothing more - and yet within it, there is more luxury than you would have ever seen in your humble cottage home.
Voices from outside.
A low rumble that you now recognise as the Captain makes you stand up, stock-still and straight, from the books you were crouching to read the spines of. You press your hands into fists at your side and wait for the flaps of the tent to open and for the Captain to come in, to kill you or worse, all fury and blood and desire.
It does not happen like that.
Il Capitano does enter the tent, and you notice that he dismisses the two grunts standing guard outside with an order ending '. . . and bring it back here'. You wonder what it is they are to bring back - something to dispose of your body, perhaps? But he does not rush at you. In fact, he strips his sword from his side to rest it in a rack by the entrance of the tent, and then he stands there, regarding you once more.
The silence stretches between the two of you like a thing that can be seen, a shroud of fear on your side and amusement on his. Finally, you break:
"Are you going to kill me now?" You ask him, hating the tremble of your voice. It is difficult to get a read on whatever it is he is thinking, with the mask covering his face, but he tilts his head to the side.
"I would not have brought you here to kill you, little flower," he says. "What do you think I wish to do?"
"I . . ." You swallow. There are hundreds of possibilities running through your head, and you do not like a single one of them. "I don't know."
"I'm not going to hurt you," he says, after a pause, your fear shimmering in the air. "I would not have wasted my time."
"Why not?" That one falls from your lips before you can deadfall it, and your shoulders draw in, all fear. You shouldn't be questioning why he doesn't wish to rip you limb from limb! You should be grateful to still have all of your internal organs on the right side of your body! But . . . you are nothing special, and you do not understand what it is that has saved you thus far.
Capitano crosses the room instead of answering you, and one of his gauntlet-clawed fingers tilts up your chin instead, to look down at you with that inscrutable blue-fire gaze behind the mask he wears.
"You didn't run," he says to you, after a moment. "You didn't scream. You're terribly sweet to look at. You trembled and shook like a leaf, all big wide deer-eyes - and yet you stood firm and strong and brave. Why do you think I had you brought back to my tent, little doe?"
You are saved from answering the question by the tent opening - and those two Fatui grunts from earlier enter, hauling between them what looks like a large tin bath. One of them goes to a corner and begins to poke and prod at a fire, and then they place it before the fire and bow respectfully at Capitano. A creeping tendril of dread strokes down your spine as you look at it, and Capitano calls out a thanks as they leave.
He turns back to you.
"You're filthy," he tells you, and that gauntleted hand strokes over your cheek now, and further down, until it rests against the bare skin of your collarbone. "Will you undress for me and let me bathe you, or do I have to unclothe you myself?"
Oh. Oh.
"I--" You fumble, the truth crashing about you like a tidal wave. Your hands flutter helplessly. But there is no escape, is there? And if you wish to keep your life-- "I can undress myself," you say, swallowing back more protestations and begging. You strip off your apron, and move to the buttons of your blouse - through it all, Capitano's eyes remain hidden by his mask, just a flash of blue fire. But you know he is looking at you. You know he is watching, as your skirt falls to the ground, and then your chemise, and then you are standing bare and shivering in his tent.
"Beautiful," he says, after a moment. "And you'll be all the more beautiful once clean. In the bath, please, little flower."
You give one last lingering look to your pile of clothes - the last remnant of your home life - and hope he will not have them destroyed, before you cross the short distance to the tub before the fire. You lower yourself into it gingerly, expecting it to be either boiling hot or freezing cold - but as you dip a toe in, you find that the temperature is perfect. It soothes the aches and bruises you have from your adventures today, and you can't stop the soft sigh of pleasure that falls from your lips as you fold yourself into it. You hear Capitano let out a low chuckle - and then he is kneeling beside you.
You notice he has shed his gauntlets, now - but he still wears dark gloves beneath them, and he seems not to care if they get wet as he reaches forward to tuck a strand of hair behind your ear.
"I shan't hurt you," he reminds you, in that low voice like the churning of an ocean. "Submit to me. Let me take care of you."
It is a strange thing to hear after everything he has done, but you are at his merch, so all you do is give him a stiff little nod. You wonder if he smiles at your acquiescence beneath the helmet, even as he reaches to a small shelf beside the fire and pulls out a collection of jars and bottles and washcloths and sponges, in colours and shapes and sizes that feels like an excess to you.
He pours something sweet-smelling and floral into the bath water, uses one hand to swish it through so that the sweet scent will permeate your body, and it seems it flows up from the surface of the water in almost-visible swirling curlicues.
(At home you are used to bathing in a similar tin bath, but there is one washcloth for each of you, a communal bar of soap, and the thought of anything so luxurious as bath oils or your own shampoo would get you a scolding for the waste of money. You have never wanted for such things - you are content with your life - but the thought that Capitano would use them, on you, a lowly peasant girl--)
The first thing he does is reach into the water, to swell the sponge - and your breath catches as he leans closer, and then the sponge is slowly working over your body, to clean the dirt and the dust of the day from your skin. You feel like you cannot breathe at his closeness - and you expect him to take advantage, to use this as a way to touch you more--
But he does not. You find it rather strange how his body does not seem to kick off any heat, but he is so close as he leans to work at a particularly stubborn grass stain on your shoulder that you cannot give it more than a single moment's thought.
The way he cleans you is almost worshipful - ritualistic, slow and careful and thorough. Your breath shakes in your chest, as he reaches the curve of your breast. And though he does indeed clean it, though the sponge does indeed brush over your nipple and make it pebble and harden, he does not linger any longer than he needs to in order to ensure your cleanliness.
Even when he switches to a washcloth and he dips it between your thighs - he notices, from the brief tense of his shoulders, that you react to the sensation - he does not push further.
"Your hair, now," he intones, and he moves to kneel behind you - and with those same fingers that washed you like he was a postulant in a church, he works through the tangles, smooths and cleans it, until it lays about your shoulders in clean wet strands.
You think this is to be it, but Capitano is not yet done in this strange pampering - he reaches for other things, for other bottles full of ointments and lotions and potions, and he works those, too, into your skin where it is red or bruising. You can do nothing but stay there in the tin bath, as he calmly continues.
"You will want for nothing, now," he tells you, as he dabs something sweet smelling on your collar bones, behind your ears - you think this is perfume oil, though you've never been able to afford it. "I will take care of you, little flower. You will be my most prized of all."
Your hair, as he works more floral oil through it. And then he is standing, taking your arms to help you up - your knees feel strangely weak, like they will buckle beneath you. You have never felt quite so clean, even after baths at home. Flour always seemed to linger in the cracks of your palms, dough beneath your nails. But you feel as if you move in a cloud of fresh-scented air, as Capitano's massive bulk lifts you from the bath as easily as if you were a doll and wraps a fluffy towel about your body, thicker and more luxurious than the scratchy old ones that you have - had - at home.
You feel strange. Warm and hot and wanted, and fearful at the same time of what Capitano will want from you now he has cleaned you. You can feel a strange stirring between your thighs - an awareness of your body that you are not used to. You have never given much thought to the men of your village. You have always thought one day you would marry, of course . . . but no men have ever caught your attention.
And though Capitano is your kidnapper, though he has lain waste to everything you have ever known - he is broad and mysterious and far more gentle than you would have expected, and him being the first one to touch you in such a way has ignited a fire within you that you do not know how to quell.
"Come over to the bed, little lamb," he says to you - and like a lamb, docile and obedient, you follow him.
This must be it, you think. This is when he will shove you onto his bedroll and have his way with you, wanting as only a man can, using you as nothing more than a receptacle - and then you can once more hate him, and these strange feelings whirling in your stomach will finally abate, and life will put itself back on an axis you understand.
It is still not as you expect. You should not have thought anything would be, in this strange new existence you have found yourself in.
Instead, he cups your cheek and murmurs against your ear;
"Are you hungry? Thirsty?"
You realise you have not eaten all day, and you feel your cheeks heat as you give him a nod. It still feels frightening to let him know of your weaknesses - but as you say it, he produces a tray laden with breads and cheeses, and places it upon the bed between you. You go to take a slice, but Capitano stops you - and then he is hand-feeding you, as delicately and with as much care as he had washed you.
It's delicious. You are used to freshly baked bread, as a baker's daughter, but the soft sweetness in your mouth is something else - you are almost glad that he's feeding you himself, for after the day you have had you are hungry, and you are not sure you wouldn't shame yourself falling upon it like a wolf.
"Pace yourself," Capitano says, and though you cannot see his face there is a smile in his voice. "There is more where it came from. You will not want for anything, my sweet flower. Not ever again."
He decides when you have had enough - your stomach comfortably full, as he moves the tray and takes it across the room for some lowly other Fatui member, you're sure, to clean up. You feel that fear again, as he moves towards you, and you realise the wide bedroll you are on is draped all over with furs and cushions, and you are still in nothing more than the towel he wrapped you in after bathing you.
"A drink," he says, and it is not a request. He brings a bottle of wine and one glass over to you, and you watch as he pours the viscous red liquid into the glass, so like the colour of blood that you have to dampen the fear that goes coursing through your veins. He must notice that you have tensed, for he softens his words as he says; "It will make you relax. It will make this easier. I have no desire to hurt you, little lamb."
So you let him wrap one of his strong, big hands around the back of your head, cradling you as gently as one would cradle a lover. You let him lift the glass to your lips and tilt it, until the red wine - sweet and thick and cloying - slips down your throat as easily as silk. You have drank before, but never something so rich, never something so expensive - never with a man like Capitano beside you.
"There," he murmurs against your ear, cradling you, holding you, his body still cold but firm and strong behind you. "Another sip. Good. Good girl." You swallow what he gives you, and in time - as you're laid there for him, as you're held and coddled and treated as precious glass - you feel that familiar sensation.
A warmth that spreads to your toes and makes you feel as though you're floating on air - a soft kind of airiness, as if the things that are happening around you are not truly real. Capitano does not lean down to kiss you, but you understand why he has carefully gotten you just drunk enough to feel light and expectant when he peels your towel away and tosses it aside, leaving you utterly bared before him on his bed.
"Beautiful," he murmurs, and this time he does let his hands learn the shape of you. This is no quick attempt to clean you - he is not intending gentlemanly cleaning now. This is a desire to hold you and touch you--
And yet he still does not wrest control from you, as you had feared he might.
"I have promised," he murmurs, "that I would not hurt you." The curve of his palm, taking hold of the heavy weight of your breast - your nipple gently tugged between thumb and forefinger, just enough so that your back arches involuntarily and a soft whine escapes your mouth that makes him sigh. "I do not break my agreements, little flower. You are safe."
You ought not to feel safe. You ought to be terrified - you ought to be wondering if, when he has had his fill of your body, he will toss you aside. You ought to be wondering how much of this is a lie. But Capitano's hands are stroking over your waist, your hips, the softness of your thighs. When he urges you to spread them, you cannot help but do so.
"Exquisite," he breathes, as he uses his thumbs to spread open your sex, the coolness of the air hitting it and making you fight back the squirming. You do not want him to touch you. You want him to touch you more than you've ever wanted anything before.
"Lovely," he murmurs, when he leans down and presses his helmet up just enough for a mouth - strangely cold, again, a tongue harder and longer than you're expecting - to wrap around your nipple, for teeth to graze the sensitive skin and your body to go on high alert that he will bite and eat you alive the way that fairy stories and rumours of the Fatui have said that they so enjoy doing.
"Perfect," he murmurs, when he brings his thumb to your mouth and you - terrified and brave, afraid and yielding, unsure and battling with your own conscience - open your lips to let him slide the tip of it past your lips, to rest there.
And when he moves, when he covers you, when you feel the stiffness of something impossibly hard and big pressing against your inner thigh, he murmurs;
"Will you be good for me, little lamb? Will you be my spoils?"
Your throat is dry when you answer him; the only answer you can really give. An answer that gives up your personhood, that reduces you to nothing more than a prize to be won - but an answer that wins you, at least, your life.
"Yes, My Lord. Yes."
#genshin impact posting#not sfw text#dub con for ts#alcohol for ts#commissioned work#writing#capitano x reader#dark content
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| 𝐇𝐎𝐌𝐄 𝐈𝐒 𝐖𝐇𝐄𝐑𝐄 𝐇𝐄 𝐈𝐒. ( lando norris. ) |

ꕥ pairing: lando norris x reader
ꕥ summary: you don't want him to go
ꕥ author note: first imagine :3 it's been sitting in my drafts for months because I was too scared to post but reading it back, it low-key eats.
“COME ON DARLING…you’ve got to let me go…” lando’s voice muffled softly against the skin of my neck, a chuckle escaping his lips and the vibrations sent butterflies fluttering through my body.
the belgian grand prix had finished days ago, and lando was eager to get back to his flat in the uk for summer break. despite my adamant protests, we flew out the very next morning and was happily greeted by max fewtrell when we’d arrived.
days later, lando’s trainer insisted on getting some training done, he wouldn't be gone for long, i knew it well
but still not wanting him to leave, i clung to him, shrouding him in my arms to prevent him from leaving. i reached around his neck, standing on the tips of my toes to haul him down to meet my height and suffocate him in my embrace. his head naturally fell between the crevice of my neck, chuckling lowly when i did so.
his breath fanned across my neck like warm winds in autumn, goosebumps forming on my skin.
i hate the effect he has on me.
yet i’d continue to hold him captive, his body heat radiating onto to me like a heated blanket. his hands placed firmly on my waist, his thumb dragging across the exposed skin, the result of my shirt riding up. his finger occasionally disappearing under the fabric.
the way he held me…
“baby…” his voice was slightly hoarse, unnecessarily dragging out the ‘y’ as he spoke lowly. his fingers pressed tighter against my exposed waist in a pulsating manner.
god, the way he spoke to me…
“don't go…” i muttered against the soft fabric of his hoodie he wore to combat the cool air and soft sprinkling of rain drops. my voice was muffled, almost lost in the layers of his clothes.
i slowly inhaled after i spoke, taking in his faded cologne that resided on his hoodie. it was like a drug and i couldn't get enough.
“i've got to…” he reiterated with an amused tone, but made no effort to be the first to let go, “i’ll be back later…”
i groaned faintly into his hoodie, my arms firmly looped around his nape loosened gradually. i lifted my head from the spot on his hoodie, which prompted him to pull his head away.
his soft curls grazed across my neck, emanating a soft ticklish sensation through my skin. his hands remained by my sides as his body pulled away from mine. the comfort of having him quickly dissipated and i was left with the abnormally cold air to keep me company.
the last touch of warmth i had from him left as he’d removed his hands from my waist, though quickly replacing it on my chin.
his hand pushed against the underside of my chin, making me meet his gaze as he looked down on me. his green eyes were enthralling.
oh how I love his eyes.
my pupils dilated as i stared into his, and i was stuck in his half-lidded gaze. my eyes flickered when i had realized his forehead had come to rest against mine. his finger brushed against the side of my face, inciting a sharp inhale as he tucked loose strands of hair behind my ear.
his forehead was warm against mine, the warmth i so desperately craved from him. His nose bumped against mine softly, heat spreading across my face as i felt his breath pan across my face.
his lips ghosted over mine. it was a slight contact but not enough.
i needed more.
and as i watched his tired eyes continuously as they glanced from my dilated eyes down to my irritated lips when his lips began to press against mine.
the contact i needed, that I craved from him…I finally had as his lips pressed mine, taking his time as he moved against me.
the comfort of his body returned to me again, like it'd never even left. his hand tangled in my hair as he pushed me closer to him. his other hand traced along my jaw before resting by my ear.
he felt like sitting by a fireplace, watching the flames flicker and ashes fly as you sat by on the floor.
he felt like home.
and as his lips moved against mine, i feel a fire igniting in my chest, as it always did, and my lips sting softly. a curse of biting them regularly.
though the sting of having his lips against mine is an odd comfort, it's a mere familiarity that brings content.
the moment feels like it lasts forever, like it could last forever, and it would if we allowed it to
but when he pulls away, the warmth, the contact, the comfort i desperately crave from him, had quickly went with it. as if i never had it to begin with.
he paused for a second, taking in a breath before leaning in again, but this time only connecting our lips for a short second.
and then i was craving warmth and homeliness i already had as his body remained on mine but knowing it was coming to an end.
he chuckled softly, the ghostly vibrations fell over my lips as he pulled away, pursing his lips to hide his toothy smile.
“i’ll be back, you know i will…” he muttered , his eyes transfixed on his hand, running my hair between the pads of his fingers. he pulled away, the lack of heat caused goosebumps to arise across my skin.
it was like throwing a heated blanket off your body, except i didn't want him to go.
home is where he is.
“bye darling…”
I'm not home when he isn't here.
#formula 1#lando norris#lando norris imagine#f1 x reader#f1 fanfic#f1 imagine#f1#mclaren#lando norris x reader#lando norris x you#lando norris fluff#fluff#lando imagine#lando x reader
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-ˋˏ THROUGH THICK AND THIN ˎˊ



SYNOPSIS. with your kin swept away by the cataclysm, you have no one to rely on other than your wits. the curse of being immortal has you start fresh in the modern world as a citizen of inazuma, living alongside humans and yokai. throughout your life in the moral realm, you’ve met many interesting people. out of all of them, one becomes your rock and a shoulder to cry on. out of the blue, you say whatever is in your heart. they’ll reach out for your hand to let you know they're listening.
CHARACTERS. arataki itto, gorou, yoimiya
CONTENT. gn!reader. canon-compliant. immortal au. hurt/comfort. 0.5k wc. rewrite of phase six at my old main blog @/verxsyon. itto is half- immortal due to his oni blood. gorou is fully immortal due to him being some sort of yokai. yoimiya stays mortal. references to voicelines when you ascend characters to phase six, or in other words, from level 80 to 90. they’re part of the dialogue, which will be italicized.
VERA. you can tell from the old title that i’m terrible with titles. what even is phase six? good thing rewrites exist, amirite?

𝄞༉‧₊˚. ARATAKI ITTO
once an oni, always an oni. that’s a farewell from the villagers when they drove him out of his home for an incident he wasn’t involved in, just because of his half-immortal heritage. the streets ridiculed him; he spent so long fending off for himself until he met granny oni. you remind him of his younger self, even the strongest people need support the most.
“this is the cliff that me and the boys go to sing our hearts out to, you know, loosen up,” he says. “if you want, make sure you’re loud and clear so the ocean can hear you. i gotta warn you though, my voice is so amazing that it’ll blow you away.”
“but in all seriousness…” he helps you up on your feet, and you’re able to see the beauty of the world down below — the ocean that is waiting to hear you sing and the unknown ahead. “just because i made it to the top doesn't mean i’m gonna forget all the things you've done for me, okay? i’ve still got your back, anytime, anywhere.”

𝄞༉‧₊˚. GOROU
top dog. the ever-victorious pointy-eared general. those nicknames are what he believed he didn’t deserve. an immortal like yourself, he has lived through and fought in countless wars for centuries to be acquainted with loneliness. most of his best soldiers are gone. that kid teppei, one of his brightest, is gone. he’s never been so afraid.
“out of all the wars i fought in, this war against the shogun scared me the most,” he confesses, squeezing your hand tightly. “i wasn’t ready to face any more casualties after teppei. i wasn’t ready to lose both kazuha and the traveler after almost getting executed by her judgment. and when i thought all hope was lost…”
“… you were there beside me to assure me that it’s not. i should be the one thanking you. to return the favor, i’m always here to listen if you need me.” his face lights up and his tail starts to wag. “with momentum on our side and close camaraderie, we are unstoppable. thank you for your guidance. this is a victory that belongs to the both of us.”

𝄞༉‧₊˚. YOIMIYA
despite being a mortal, she understands the perspective of an immortal through fireworks. mortal lives are fleeting, she had said to the traveler. once launched into the sky, they disappear. whereas for immortal lives, they can keep watching them disappear forever and ever. she knows that she’ll be gone while you continue to live on, but it doesn’t explain her rather cheerful demeanor.
“oh, why am i happy?” she tilts her head to the side. “well, it’s not because i’m about to leave eventually. it’s because you’re here with me. i’m glad to be able to spend this moment with you. whenever i look at my creations, i don’t think of them being a representation of every mortal living here.”
“i think about the enjoyment i had watching them with my pops, my friends, and my special someone. even when i’m gone, you still believe i’m here.” she stands firm and proud, flashing a peace at you. “never fear, yoimiya is here! evil begone! justice prevails! think this is a good way to introduce the powers you've taught me to the children? isn’t it cool? hehe! hey, tell me if anyone picks on you, too. i’ll stick up for you!”

#♪ .fics#house of solis occasum#genshin impact#genshin impact x reader#genshin x reader#gi x reader#gorou x reader#arataki itto x reader#yoimiya x reader#genshin impact fluff#genshin fluff#gi fluff
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── .✦ Simple thing
Masterlist
Pairing : Han Jisung x reader
Word : 828
Genre : fluff
Warning : none
It had been a year and a half since they'd been together. A year and a half since Han had fallen in love with a girl like few others: Yn. A girl so simple it was almost disconcerting.
She never wore brand names, never went crazy for luxury items, never asked for anything. She lived with little, and was sincerely happy about it. That was the beauty of it. The most disarming. Han, who had seen it all, experienced it all, owned it all... he'd been marked by it. By this simplicity that could not be faked. Yn calculated nothing. She was content with what she had, and she did it with such touching naturalness that it was enough to turn his heart inside out.
And yet, despite that-or because of it-she hadn't wanted him at first.
"You're an idol, Han."
She'd looked him straight in the eye as she said this, arms crossed and face serious.
"You're just the opposite of me. I have a normal life. I'm simple. You don't need someone like me."
But he'd just smiled. Because he already knew he wanted her. He hadn't let go. He'd insisted, redoubled his efforts, found a thousand excuses to bump into her, a thousand pretexts to talk to her. It had taken weeks for her simply to give him her number, and even longer for her to agree to see him again. And today, every second spent with her reminded him why he'd fought. Yn was his peace.
That day, he received a call in the middle of the afternoon.
- Hello?" he answered, his voice still a little sleepy.
- Han... I've got something to ask you. A bit embarrassing...
From her voice alone, he knew she was uncomfortable.
- Have you been crying? What's the matter, baby?" he asked, straightening up on his bed.
- No... no, it's nothing serious. I'm just embarrassed to ask you this.
- Don't worry, tell me.
A little silence.
- Would you like to... buy me something? I'm really sorry to ask this, I swear I'll pay you back as soon as I can. But I don't have any change on me, and my mom took my card...
Han frowned, confused.
- Wait, what? Your mother took your card? But you're over 18, you've been vaccinated, you're working, you've got your own income, how can she take away your bank card?
- I don't know... it's my mother. She says I make too many successive purchases... successive? Is that how you say it?
- ...Yeah, I think so," he replied, smiling in spite of himself.
- There you go. So she took my card. And I just wanted to buy a little something. I swear, it's nothing. And I'll give you the money back, I promise.
Han breathed softly.
- Yn... you've got to stop apologizing for existing, you know. Come to the dormitory. I'll give you my card. And you don't have to pay me back.
- Are you sure...?
- I'm in love, not stupid. Come on.
A little later, she arrived at the dormitory in an old hoodie that hung over her shoulders, a crumpled tote bag in her hand. He opened the door and immediately drew her into his arms. She snuggled in without saying a word. Her perfume smelled of fresh sheets and hand cream. He kissed her hair before taking out his card.
- Here. Go buy your "little things". Take your time.
She left after a final kiss on his cheek.
He received no messages for two hours. Then she returned, exactly as she had left. Except that she was holding a large glass jar in her arms, which she placed carefully on the table before handing him back his card.
- Thanks Han...
- Stop it... tell me what you bought.
- Felt-tip pens," she replied with a small smile.
- ...Felt-tips?
- Yeah, felt-tips. All mine are dead. They're for coloring. And... I made something for you.
She gently pushed the glass jar towards him. Inside, hundreds of tiny pink paper hearts, all meticulously folded, filled the jar to the rim.
- A heart for every day I've thought of you. Right from the start. I used to make them on the sly, on the nights you didn't sleep at home, when you were on tour, or in the studio.
He stood there, mouth open, completely flabbergasted.
- You used my card... to buy markers?
- Well, yes. I told you it wasn't much...
He looked at her, then at the jar, then at her again. Then, without a word, he stood up to take her in his arms, squeezing her so hard she had to tell him to breathe.
- You have no idea how much I love you.
- If you keep squeezing like that, I won't even have enough air left to say "me too", she murmured with a smile.
He laughed softly against her, his heart swelling with quiet, immense, simple love - just like her.
#skz#skz stray kids#skz x reader#x yn#stray kids#han jisung#han x reader#han x y/n#han jisung skz#stray kids jisung#skz han#han x you#x reader
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the one that got away ❆ l. williamson



pairing: leah williamson x fem!reader
summary: after you had torn your acl, it was deemed that you weren't able to return to your football career. so, what happens when you pursued something different, that the one you love, ended up being the one who got away? singer!reader
agony was what the blonde defender felt, it was the agony of losing you - the one that got away, for the english captain it was a relentless ache, the haunting melody of memories that lingers long after the music has stopped. her silent screams, the tumultuois storm of her emotions that threatens to consume every one of her thoughts and feelings. it was definitely a rollercoaster ride of emotions, the experience you both had together as a couple - the deep sense of grief and loss, the emptiness feeling that was impossible to feel, how every thought is consumed by the memories of you - how you'd both dance in the rain, her watching in amusement as you would always make blanket forts during movie nights, how she held onto you close as if you were going to disappear, and lastly, her favorite - the way she'd kiss you in private, how she showed you what it's like to be loved.
yet there it was, the winter of 2011 - you had suffered an anterior cruciate ligament injury making everything fall down, as much as you tried there was nothing that you could do. and so, you had left the football world, despite being the arsenal prodigy. a knock was heard, as you gazed at your bedroom door - the blonde defender had carefully opened the door, she looked at your eyes to see them filled with tears, knowing how this moment would change everything. your career ending injury, the one you sustained was not just a blow to your body, but a devestating blow to your dreams. you had worked so hard, sacrificed so much, to reach the pinnacle of yourcareer, only to have it all taken away in an instant.
"i won't be playing alongside you, as we thought, lee." your voice broke as you buried your face into the crook of her neck. the blonde reaching to softly rub your back, in an attempt to calm you which it did. the sniffles was heard throughout the house, yet all she could do was be there for you. it took you a while to accept circumstance, so you moved onto something else - music was the second, no third thing you loved - besides football, and the english defender. a year later, you took off into the music industry with a storm - you decided to form a band with your childhood friends, performing in sold-out stadiums, releasing a whole album - and it was even worse when the band had even gotten more famous.
in the early days, the love between you two was a bright flame, burning fiercely and passionately. but as your music career soared to unimaginable heights, the glare of fame cast a shadow over their relationship, changing everything. you had never anticipated the level of fame and scrutiny that would come with the band's success. everywhere you went, you were followed by a throng of fans and paparazzi, eager for a glimpse into your glamorous life. in which the pressure to maintain your image became suffocating, and you knew that any hint of scandal could spell disaster for your career. asmuch as you loved the blonde defender, you also knew that being seen with her in public could invite unwanted attention and speculation. that's why you couldn't bear the thought of her being surrounded by the media, or having her privacy invaded - as she loved being private. and so, with a heavy heart, you made the painful decision to push her away, thinking it was for the best.
at first, lee was confused and hurt with the way you acted, the unnesscary coldness. you tried to explain it, to make her understand the pressure you were under, but the damage had already been done, the trust between you two had been shattered, despite your best intentions - it couldn't be repaired. so as the distance between you two grew, your love began to wither and fade - the bright flame that had once burned so brightly was now nothing more than a flicker, barely illuminating the darkness that crept into the relationship. in the end, you were alone - your fame and success, a hollow comfort for the love that you'd lost. you often find yourself pondering, if you made the right choice, if pushing her away had been the only option, but deep down, you knew that the price of fame had been too high, and that you'd always regret the day that you'd let her slip away.
yet there you were, in front of her eyes - performing in front of 90,000 fans. she still loves you, and a part of her is hoping that you still do. and you do, you still do - there are countless nights were you're looking up at the hotel ceiling, a lingering ache in your heart for the love you had lost, the one that could've been yours if fate had not intervened. you'd often wondered how things could've been different if the acl injury had never happened, perhaps you would've never pursued music with such fervor, instead choosing a quieter life by her side. the lazy mornings spent in bed, tangeled in each other's embrace, and peaceful evenings watching as the sun would set, hand in hand. but reality was cruel, and the injury shattered not just your dreams but also the future you had envisioned with her. and as the final notes of your song had faded away, you closed your eyes, imagining for a brief moment that she was there in the crowd, that the blue eyes you had fallen in love with - and when you opened them, she was. a wide smile was seen on her face, as you noticed the tears in her eyes that were begging to drop, she was watching you with pride and love.
the crowd had cheered, as you looked away - greeted them with a small smile, as you bid goodbye. her eyes followed as you left the stage, a concerned look was seen throughout your bandmate's eyes. the crowd began to leave, one by one - yet a dazed look was shown on her face, you saw her, yet you haven't made the effort to do anything. maybe you shouldn't, maybe you couldn't or maybe you didn't have to.
"come on, lee - the concert is done." beth, her club and national teammate said, as a soft sigh was heard. she didn't notice a tour staff had walked her way. you had given orders to invite her teammate's backstage. the defender had only looked up when she took note of the unfamiliar ones, her eyes locked onto someone in uniform, the lanyard confirming that she worked for, or with you.
"ms. williamson, i presume? i was ordered to give you these backstage passes, as well as to escort you backstage." the worker said, as her eyes gazed to the passes in her hands, beth and a few others, their eyes had widened in shock. she slowly stood up before nodding to the girl, as every step began to feel a bit heavy for the defender, you walked back in forth in your changing room - wondering if it was the right choice.
it was, as the team had been led backstage, leah had caught the eyes of your three childhood best friends - people that she also knows, as she formed a friendship with the trio while you were dating. an amused look was seen on oliver's face, as he stood up to greet the team.
"never thought i'd see you again, lee." oliver's charming voice was heard, catching the eyes of his two other bandmate's "childhood friends". a soft smile was shown on archie's and adeline's face.
"neither did i" the english captain's voice was calm, gaining the attention of oliver who softly hummed.
"we've missed you, but she misses you more." oliver replied, he gazed at your dressing room door - it opened, revealing you.
#woso x reader#woso imagine#arsenal wfc imagine#engwnt x reader#lionesses x reader#leah williamson#leah williamson x reader#leah williamson imagine
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mastermind | d3
Description: Ms. L/N turns to Mrs. L/N. In which, you ponder where you've been - and where you are now.
Pairing: daniel ricciardo/singer!reader
yournameupdates: There's a lot to unpack with Y/N's new album. The consensus is 7 of the songs written are about her ex-boyfriend: Tom Hiddleston, while Style (ft. Taylor Swift) is about Harry Styles? What could be the reason for the L/N-Hiddleston breakup?
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danielricciardo: More interested to hear about the record-breaking awards she's going to earn after this. - yournameupdates: She's definitely in for the records.
archianana29: I think it's because Hiddleston wants to seem like a bachelor?? Because of his new marvel film. - wannna82: she's not any better, she's profiting off his success. - - oceansdeap0: @wanna82 mind you, she came out of nowhere. - - - wannna82: @oceansdeap0 exacto! publicity stunt?
yournamehiddleston: According to Y/N's newest single: All You Had To Do Was Stay. Tom Hiddleston was the first one who called things off - but after a few months of being alone, he wanted to get back with her. Hence her explaination. All he had to do was stay :(
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f1multistan: Daniel is everywhere these days - watchasay8: Who? - - f1multistan: the f1 racer
hesaysme129: 'YOU WERE ALL I WANTED' it's over I think.
yn1989era: I love how it's her first album and she already has 1000m fans 😭 - katyandyn: Teenage Dream and 1989 are no skip albums
Daniel Ricciardo couldn't believe that he was invited to attend the Grammys. It wasn't like he did anything groundbreaking in the realm of the music industry - but thanks to his amazing management - he was finally there. Normally, he hated award shows because of the cameras that were shoved in his face.
But he couldn't find himself hating this award show.
His favorite singer, Y/N L/N, was going to be in the same table as him. He crossed his fingers - maybe even beside him?
"God, I'm so sorry for being late. There was a mile long traffic back there," you ran to embrace Beyonce, pressing a soft kiss to her cheek as you settled in your seat. Daniel began to realize that he was extremely lucky to be seating where he was.
"Daniel Ricciardo, right?" you smiled at him with those pensive E/C eyes - pulling him back into reality. "Yes, I'm a big fan." he shook your hand, feeling those soft palms press against his.
If this was a dream, he didn't want to wake up.
"Is it your first time in the Grammys?" you inquired, gently fiddling with the hems of your dress. "Yeah," he scratched the back of his head - oblivious to the cameras that were planted on the both of you. "It's nice to have someone to relate to," you chuckled as it was also your first time. "I heard that award shows could get pretty boring," you consulted in him.
Daniel felt so fucking special in that moment.
You were sitting beside Beyonce, but chose to speak to him. Fuck, does that mean that he was better than Beyonce? Nope, that's blasphemy - but still, it was flattering to think that you'd choose him.
"Tell me when you get bored, there's an ice-cream place just around the corner. We could grab a few bites." he offered - taking a leap of fate. "Sounds like a plan," you smiled and he could feel the crimson blush creep up his cheeks.
✧✧✧
This was something that he'd never forget. He couldn't wait to return to the paddocks and tell Sebastian that he had ice cream with THE Y/N L/N. "Is strawberry your favorite?" he asked, seeing you gobble down the large sized roll. "Yep, I put it in everything." you smiled.
It's been a month since you last tasted strawberry ice cream - you almost forgot how good it tasted. "I'm having a lot of fun, Dan." you complimented - seeing that the tip of his nose was coated with a chocolate syrup. "Darling, there's a little something -" you motioned.
He almost forgot how to move after hearing you call him that.
He flashed you his toothy grinned smile, before wiping the syrup off his nose. "So uhh, I'd like to get your number - so we can hang out another time." you asked, staring deep into his eyes.
Daniel realized that this was the chance of a lifetime. He almost reached for his phone to give you his number - but then he realized. He left his phone at home and he didn't memorize his number.
So instead of giving you his number - he came up with something that he'd regret until the day he died - or until the day he met you again. "No." he answered with confidence. "What?" your eyes narrowed, and he smiled again.
"I'll ask for your number the next time that I see you. To check if fate is really on our side." he explained and you could only smile back.
yournameupdates: Y/N L/N and Richard Madden are confirmed to be dating! Congratulations, she's finally found her Prince Charming.
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theyn_ln: He's certainly a Prince Charming! LOL - yournameupdates: 🥺
hennalova9: THEY LOOK SO PERFECT TOGETHER I'M SO HAPPY THAT SHE MOVED ON 😭
heysistersoul23: THIS IS ENDGAME
danielricciardo: You didn't hear it from me folks, but @theyn_ln is releasing a song tonight. 😉
liked by theyn_ln, maddenrichard and 1,291,192 others
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theyn_ln: Well, I rarely break promises.
maddenrichard: 🔥
formulalover91: DANIEL AND Y/N? THE BEST OF BOTH WORLDS
theyn_ln: Message in a Bottle MV will be released MIDNIGHT EST. @danielricciardo I always believed in you.
liked by danielricciardo and 1,290,120 likes
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danielricciardo: meetup when?
maddenrichard: I'm very proud of you - theyn_ln: thank you mi amor ❤️
yournameupdates: According to some insiders, Richard Madden proposed to Lilly James this March 4, 2017. But where does that leave Y/N? We demand an explaination. @maddenrichard
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theyn_ln: I honestly don't know what's happening right now. Please give me space luv ❤️ - yournameupdates: Yes ma'am
thisloveis1989: The way that she saw a future with him and he threw it away. 1 YEAR TOGETHER AND HE THREW IT AWAY?
thismyrealspace9: the album finna hit
theyn_ln: You are not the exception. You will never learn your lesson.
💜 Foolish One and Better Man out MIDNIGHT EST.
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danielricciardo: The songs will be beautiful, but I hope that you're OK. - theyn_ln: Getting there!
taylorynkatyuniverse: FOOLISH ONE HURTS! BETTER MAN HURTS EVEN MORE 😭
icedamericano4: I see the permanent damage you did to me. RICHARD MADDEN YOU ARE PUBLIC ENEMY #1.
Daniel couldn't believe his fucking eyes. It was you.
"Y/N." his eyebrows softened, seeing the familiar posture. "Dan," you turned to look at him - inviting him with a warm embrace. "It's been 5 years since we've last seen each other," you buried your face in his shoulders, inhaling his scent of vanilla and chocolate.
"I thought I lost you for a second," he chuckled, completely forgetting about the drivers that were waiting for him back in the yacht. "Maybe this time you'll finally give me your number," you suggested and a nervous chuckle left his lips. "I'll be honest with you," he began.
"- I totally forgot my phone back at home the first time you asked me." he confessed, pulling his phone out of his pocket and offering it to you. "But I'm not letting you go this time." he smiled.
(2021)

theyn_ln: 7 years overdue, but here she is. My 2nd studio album 'folklore' will be out on September 23. Pre-order is available. You can also order @danielricciardo 's merch while you're at it hehe.
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danielricciardo: The album is 10000/10 - theyn_ln: glad to have ur opinion
carlossainz55: Are we invited to the listening party? - danielricciardo: Already happened buddy, the invitation must've gotten lost in the mail. 😭
maxverstappen1: 💜
theyn_ln: Officially Mrs. L/N-Ricciardo. 💍
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danielricciardo: Mr. L/N-Ricciardo is officially my job title.
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@lpab07 @ietss @shouq @fdl305 @iloveyou3000morgan
#f1 x reader#f1 x female reader#f1 imagines#social media au#fake instagram imagines#daniel ricciardo x y/n#daniel ricciardo x you#daniel ricciardo x reader#daniel ricciardo#daniel ricciardo instagram au#daniel ricciardo imagine#daniel ricciardo au#f1 instagram au#f1 imagine#tom hiddleston x reader
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Oh my god that ID anon — Same!! Work at the orange house store and any time we do no receipt returns or we have to look up your credit card (for a bill payment or for a purchase) we NEED that ID. I’ve had customers get mad that I can’t take a bill payment because we had to look up their card and they don’t have their ID or know their ID number, and their wallet is at home. Their argument is that they’re paying a bill and no one would pay a random persons bill so I should just skip it (as if I have the option) and they don’t get when I tell them that the system doesn’t recognize you’re making a payment it just sees that we looked up the account manually and it wants the ID to continue.
WHY ARE YOU PEOPLE NOT TAKING YOUR WALLETS WITH YOU??? ESPECIALLY WHY ARE YOU LEAVING THEM HOME AND DRIVING AROUND WITHOUT THEM
I joke that my wife is psychically unable to drive without her ID because she will flat out refuse to drive if it's not on her.
But knowing the ID number is going to be a hard one for us in Fla as they are changing our drivers license numbers when we renew than as the old numbers give away too much of our personal info. The new one is suppose to be the same format but random numbers. I have known my ID number since my first job at 16. I'm 51 now so that's gonna suck when I renew next year.
-Rodney
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FLA Return - Foreign Liabilities and Assets (FLA) is an annual filing requirement in India that aims to gather information about the foreign financial assets and liabilities of Indian entities.
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FLA Live Arena, Sunrise, FL, USA // Sep 24, 2022 // Caitlyn McGonigal
#mikey way#gw#mcr#live#return#2022#sep 2022#9/24/22#2022 na tour#sunrise#fla live arena#photo#originals
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Also preserved in our archive
Boy! We sure went "back to normal" with no problems "post-pandemic"!
#mask up#wear a mask#still coviding#covid#covid 19#pandemic#wear a respirator#sars cov 2#coronavirus#public health#tuberculosis
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