#F sharp not G flat and G sharp or A flat interchangeably
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hey musicians. reblog & put in the tags what your preferred name is for all the accidentals
#like for me#it’s C sharp not D flat. E flat not D sharp#F sharp not G flat and G sharp or A flat interchangeably#always B flat NEVER A sharp#and anyone who calls B ‘C flat’ or F ‘E sharp’ can die by my blade
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Chromatic scales
CHROMATIC SCALES MOD
CHROMATIC SCALES SERIES
The Chromatic Scale arranged for guitar in several fingerings.The chromatic scale consists of all 12 notes of the musical alphabet.^ a b Benward, Bruce Saker, Marilyn Nadine (2003).^ a b c Forte, Allen, Tonal Harmony, third edition (S.l.: Holt, Rinehart, and Wilson, 1979): pp."All Through the Night" (Cole Porter song).
CHROMATIC SCALES SERIES
The series of twelve notes known as the twelve lü were simply a series of fundamental notes from which scales could be constructed." However, "from the standpoint of tonal music is not an independent scale, but derives from the diatonic scale," making the Western chromatic scale a gamut of fundamental notes from which scales could be constructed as well. However, "it should not be imagined that this gamut ever functioned as a scale, and it is erroneous to refer to the 'Chinese chromatic scale', as some Western writers have done. The ancient Chinese chromatic scale is called Shí-èr-lǜ. Just intonation tuning can be approximated by 19-EDO tuning (P5 = 11 steps = 694.74 cents). The fractions 9⁄ 8 and 10⁄ 9, 6⁄ 5 and 32⁄ 27, 5⁄ 4 and 81⁄ 64, 4⁄ 3 and 27⁄ 20, and many other pairs are interchangeable, as 81⁄ 80 (the syntonic comma) is tempered out. In 5-limit just intonation the chromatic scale, Ptolemy's intense chromatic scale, is as follows, with flats higher than their enharmonic sharps, and new notes between E–F and B–C (cents rounded to one decimal): Main article: Just intonation § Twelve-tone scale The chromatic scale in Pythagorean tuning can be tempered to the 17-EDO tuning (P5 = 10 steps = 705.88 cents). Where 256⁄ 243 is a diatonic semitone ( Pythagorean limma) and 2187⁄ 2048 is a chromatic semitone ( Pythagorean apotome). 3-limit just intonation) the chromatic scale is tuned as follows, in perfect fifths from G ♭ to A ♯ centered on D (in bold) (G ♭–D ♭–A ♭–E ♭–B ♭–F–C–G– D–A–E–B–F ♯–C ♯–G ♯–D ♯–A ♯), with sharps higher than their enharmonic flats (cents rounded to one decimal): Many other tuning systems, developed in the ensuing centuries, share a similar asymmetry. Thus, the scale is not perfectly symmetric. Due to a different tuning technique, the twelve semitones in this scale have two slightly different sizes. The most common conception of the chromatic scale before the 13th century was the Pythagorean chromatic scale ( Play ( help Tone rows, orderings used in the twelve-tone technique, are often considered this way due to the increased ease of comparing inverse intervals and forms ( inversional equivalence).
CHROMATIC SCALES MOD
The rising scale is Do, Di, Re, Ri, Mi, Fa, Fi, Sol, Si, La, Li, Ti and the descending is Ti, Te/Ta, La, Le/Lo, Sol, Se, Fa, Mi, Me/Ma, Re, Ra, Do, However, once 0 is given to a note, due to octave equivalence, the chromatic scale may be indicated unambiguously by the numbers 0-11 mod twelve. Similarly, some notes of the chromatic scale have enharmonic equivalents in solfege. It is also notated so that no scale degree is used more than twice in succession (for instance, G ♭ – G ♮ – G ♯). In general, the chromatic scale is usually notated with sharp signs when ascending and flat signs when descending. Its spelling is, however, often dependent upon major or minor key signatures and whether the scale is ascending or descending. The chromatic scale has no set enharmonic spelling that is always used. The circle of fifths drawn within the chromatic circle as a star dodecagram.
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An Introduction to the B Flat Minor Scale
You may think that learning about minor scales is a difficult task. After all, they consist of keys that are rarely used, right?
First off, musicians use minor keys quite a bit in intermediate and advanced works of music. Secondly, they aren’t challenging at all for any beginner to learn and understand.
Before you actually get into learning the scales on your instrument, you need to know more about what they are. Today, we’re going to learn more about a rather popular scale, the B flat minor.
The B flat minor scale is an impressive scale to learn, and when you understand how it works, you’ll certainly be using it for many of your future music selections. Keep reading to learn more.
B Flat Minor: the Basics
The first thing you should know is, like other scales, you can play the B flat minor scale (also written as “Bb minor scale”) on both the treble and the bass.
Like every natural flat note, the B flat minor scale can also go by another name: the A sharp (A#).
The reason why one would use the terms Bb and A# interchangeably would be for two reasons.
The first would be to better fit the all the notes used in the composition. The second would be in the case that an accidental (a note used outside of the stated key or keys) is used within the piece.
Minor scales are known for their use in darker or edgier music, and the B flat minor scale is no exception. But, there are three different scales to play the Bb chord on – the natural, harmonic, and melodic minor scales.
Each scale is a slight alteration of the B flat scale.
The natural scale is the most common of the three and is used in many musical performances. This is the same scale that follows the A# natural minor scale mentioned earlier in this article.
On the piano, the notes would be as follows: Bb, C, Db, Eb, F, Gb, Ab, Bb.
The next scale, the B flat harmonic minor scale, is a very slight change to the natural minor scale. With the harmonic scale, you simply raise the seventh key by a half step.
On the piano, it will look like: Bb, C, Db, Eb, F, Gb, A, Bb.
The final scale is Bb melodic minor scale.
The melodic minor scale may be a bit tricky to learn at first due to the placement of the keys. That’s because instead of simply moving the seventh note by a half step, you must move both the sixth and seventh notes by a half step.
With this in mind, the chord should look like: Bb, C, Db, Eb, F, G, A, Bb.
The harmonic and melodic minor scales are not as common as the natural minor scale; but, they are present in many higher level works.
Now that you know the basics of the Bb minor scale, as well as the notes with which to play it, you are well on your way to playing it yourself. Happy learning!
The post An Introduction to the B Flat Minor Scale appeared first on Music Advisor.
from Music Advisor https://musicadvisor.com/b-flat-minor-scale/
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