#Explore Hagia Sophia

[travelhagiasophia]

When visiting Hagia Sophia, consider these helpful tips to make the most of your experience. Firstly, plan your visit for weekdays, preferably Tuesdays to Thursdays, to avoid the weekend crowds. Arriving early in the morning shortly after the opening time allows for a more peaceful and immersive exploration of the monument. If possible, visit during the shoulder seasons of spring (April to May) or autumn (September to October) to avoid peak tourist numbers. Be mindful of local events and holidays to plan your trip around potential busy periods. Lastly, respect the cultural significance of Hagia Sophia, and dress modestly out of respect for its religious history and current status. Love Hagia Sophia! Learn about some amazing facts about Hagia Sophia here: 8 Amazing Historical Facts About Hagia Sophia

[travellingcontent]

Discovering the Enchanting Hagia Sophia Dome: A Timeless Wonder

Hagia Sophia, meaning "Holy Wisdom" in Greek, was originally built as a Christian cathedral during the reign of Emperor Justinian I in the 6th century. The construction of the Hagia Sophia Dome began in 532 CE and was a feat of engineering brilliance. It took only five years to complete, a remarkable achievement considering its complexity.

The Marvelous Dome Architecture The Hagia Sophia Dome is a true marvel of architectural innovation. Designed by gifted architects Anthemius of Tralles and Isidore of Miletus, the dome's construction was groundbreaking. It features an ingenious pendentive construction—a triangular, curved segment that supports the dome's transition from its circular base to the square walls below.

The architects used a combination of bricks and lightweight mortar to reduce the overall weight on the pendentives, allowing the dome to soar to a height of approximately 55.6 meters (182 feet). The result is a breathtakingly beautiful and structurally sound dome that continues to inspire architects and engineers to this day.

A Tale of Symbolism and Transitions Over the centuries, the Hagia Sophia Dome has witnessed significant transitions and transformations. Originally a Christian cathedral, it hosted numerous religious ceremonies and imperial events. With the conquest of Constantinople by the Ottoman Empire in 1453, it was converted into a mosque, adorned with Islamic elements such as minarets, mihrabs, and calligraphy.

In 1935, under the administration of Mustafa Kemal Atatürk, Hagia Sophia was transformed into a museum, becoming a symbol of secularism and celebrating Turkey's diverse history and cultural heritage. This cultural treasure has served as a bridge between different cultures and religions, representing unity and understanding.

The Controversy Despite its historical significance, the Hagia Sophia Dome has been a subject of controversy in modern times. The debates revolve around its status as a museum, mosque, or interfaith space. While its past transitions are a testament to its ability to adapt and embrace change, the question of its current purpose sparks passionate discussions among various stakeholders.

Preserving the Treasure Recognizing its value as a UNESCO World Heritage Site, the Turkish government, along with international organizations, has devoted considerable efforts to preserve and restore the Hagia Sophia Dome. The goal is to ensure that this extraordinary monument stands tall for generations to come, enchanting visitors from all corners of the world.

A Timeless Wonder The Hagia Sophia Dome remains a timeless wonder, weaving together the threads of history, art, and architecture. Its breathtaking design and rich history offer a glimpse into the human spirit's creativity and perseverance. As you stand beneath its awe-inspiring dome, you can't help but be transported back in time, feeling the echoes of the past and the weight of history.

Visiting the Hagia Sophia Dome is an unforgettable experience, where you can immerse yourself in the cultural tapestry of Turkey and marvel at the brilliance of ancient architecture. Each intricate detail of the dome tells a story, and every corner holds secrets waiting to be discovered.

Whether you are an architecture enthusiast, a history buff, or simply a curious traveler, the Hagia Sophia Dome will leave an indelible mark on your soul. Its allure, beauty, and significance will continue to inspire generations, reminding us of the remarkable achievements of humanity and the importance of preserving our cultural heritage.

So, the next time you find yourself in Istanbul, don't miss the opportunity to experience the enchantment of the Hagia Sophia Dome—a timeless wonder that stands as a testament to the ingenuity and creativity of human civilization.

[vintagegeekculture]

In the colossal, cathedral sized water tank beneath the Hagia Sophia in Istanbul, Turkey, several heads of Medusa have been used as pillar bases for the past 1.500 years. It is not entirely known where the heads came from, but they were believed to be taken from some other Roman ruin. The heads are upside down or sideways to inhibit the power of the Gorgon Medusa's gaze.

The water tank's existence was forgotten for hundreds of years, despite being beneath the Hagia Sophia. When it was rediscovered, explorers found fish inside of it.

[heexplores]

Istanbul ♡

https://www.youtube.com/heexplores

https://www.instagram.com/exploredbyhim

[masirat]

BEYONDTRAVEL - PRO+

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Embark on a journey through the rich history and vibrant culture of istanbul tour with Beyond Travel. Visit iconic landmarks such as Hagia Sophia, Topkapi Palace, and the Blue Mosque as you immerse yourself in the enchanting atmosphere of this historic city.

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[shitsndgiggs]

hey can you make a story about Arda güler x danish girl.

where the danish girl goes to Turkey and meets Arda, where they spend a lot of time together and fall in love with each other

i love you story's

LOVE IN ISTANBUL - ARDA GÜLER

When you meet a guy on your vacation to Turkey, things turn for the better

Arda Güler x danish! reader

︵‿୨♡୧‿︵‿︵‿୨♡୧‿︵‿︵‿୨♡୧‿︵‿

The sun was shining brightly as I stepped off the plane in Istanbul, the city where East meets West.

This was my first vacation in Turkey, and I was excited to immerse myself in its rich culture and history.

My plan was to start with a visit to the Basilica Cistern, before heading to the famous Hagia Sophia.

After checking into my hotel, I made my way to the Basilica Cistern. The cool, dimly lit underground space was a stark contrast to the bustling city above.

I wandered through the columns, admiring the reflections in the shallow water. As I was taking pictures, I heard a voice behind me.

"Beautiful, isn't it?"

I turned around to see a tall, handsome man with a warm smile. "Yes, it's stunning," I replied.

He extended his hand. "I'm Arda."

“Y/N,” I said, shaking his hand.

"Are you here on vacation?" he asked, his english clear but tinged with a turkish accent.

"Yes, it's my first time in Turkey," I replied. "What about you?"

"I'm actually a local, but I love coming here. It's one of the quieter spots in the city," he said. "If you need any recommendations or a guide, I'd be happy to help."

"That would be great," I said, grateful for the offer.

Over the next few days, Arda and I explored Istanbul together. He showed me the city's hidden gems and shared stories about its history.

We visited the bustling Grand Bazaar, took a boat ride on the Bosphorus, and enjoyed delicious turkish food at local eateries.

One evening, we found ourselves at a cozy café near the Galata Tower. As we sipped our turkish tea, Arda looked at me with a playful glint in his eyes.

"How about I teach you some turkish?" he suggested.

"Sure, I'd love that," I replied eagerly.

"Okay, let's start with something simple. 'Merhaba' means 'hello,'" he said.

"Merhaba," I repeated, trying to mimic his pronunciation.

"Perfect! Now, 'Teşekkür ederim' means 'thank you,'" Arda continued.

"Teşekkür ederim," I said, feeling a bit more confident.

"Great job! And if you want to say 'I love you,' you say 'Seni seviyorum,'" he added, his eyes locking onto mine.

"Seni seviyorum," I whispered, feeling a blush creep up my cheeks.

Arda laughed softly. "You learn fast. How do you say ‘I love you’ in danish?”

“You say ‘Jeg elsker dig’, ” I said, looking into his eyes

"Jeg elsker dig," he echoed softly, his gaze filled with warmth.

As the sun dipped below the horizon, I realized how much I cherished these moments with Arda.

Despite knowing that my vacation would soon come to an end, I felt hopeful for our future.

On my last day in Istanbul, Arda insisted on taking me to the airport. As we stood near the departure gate, I felt a lump form in my throat.

"I can't believe my trip is already over," I said, trying to hold back tears.

"I know," Arda replied, his voice filled with emotion. "But this isn't goodbye, Y/N. We can stay in touch and visit each other."

I nodded, grateful for his words. "Thank you for everything, Arda. You've made this trip unforgettable."

He took my hands in his, his eyes serious. "Seni seviyorum, Y/N.”

"Seni seviyorum, Arda," I replied, my heart swelling with love.

As we shared a final hug, I knew this was just the beginning of our story.

[collectionmak]

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[mnrpardiman]

The Fall of Constantinople in 1453 marked a significant turning point in world history, with profound effects on Europe, the Islamic world, and global trade routes. Here’s an overview of the event and its implications for European conquest:

The Fall of Constantinople:

- Background: Constantinople, the capital of the Byzantine Empire, was a major center of trade, culture, and Christianity. It had been under increasing pressure from the expanding Ottoman Empire.

- Siege of 1453: The city was besieged by Sultan Mehmed II and the Ottoman forces. The Ottomans employed advanced military technology, including large cannons, to breach the city's formidable walls.

- Capture: After a prolonged siege, Constantinople fell on May 29, 1453. This event marked the end of the Byzantine Empire and solidified Ottoman control over the eastern Mediterranean.

Immediate Impacts:

- Religious Shift: The fall led to the transformation of Constantinople into Istanbul, with the Hagia Sophia converted into a mosque, symbolizing the shift in religious power from Christianity to Islam in the region.

- Cultural Exchange: The event accelerated the movement of scholars, particularly Greek ones, to the West. This influx helped ignite the Renaissance by reintroducing classical Greek and Roman knowledge to Europe.

Rise of European Conquest:

- Shift in Power Dynamics: With the Byzantine Empire’s collapse, Western Europe no longer had a powerful Christian state to counter the Ottomans. This void spurred exploration and colonial ambitions among European nations.

- Exploration: European powers, particularly Spain and Portugal, sought new trade routes to access the riches of Asia. This led to significant maritime exploration, including voyages by figures like Christopher Columbus and Vasco da Gama.

- Colonial Expansion: The discovery of the New World and sea routes to India allowed for the establishment of colonies and trade networks, leading to the rise of European empires in the Americas, Africa, and Asia.

- Military and Technological Advancements: The experiences of warfare during the siege and subsequent confrontations with the Ottomans prompted advancements in military technology and tactics in Europe, which facilitated further conquests.

Conclusion:

The Fall of Constantinople was not just a pivotal moment in the history of the Eastern Mediterranean; it profoundly affected European political, cultural, and economic trajectories. The resulting shift in power dynamics set the stage for the Age of Exploration and colonial expansion, reshaping the world in ways that are still evident today.

[orkuncelik]

Istanbul is one of the most significant cities in the world, both historically and culturally. Connecting Asia and Europe, the city has always been of strategic importance due to its unique geographical location. The history of Istanbul dates back to its time as the capital of both the Byzantine and Ottoman Empires. Iconic landmarks such as Hagia Sophia, Topkapi Palace, and the Blue Mosque are symbols of the city’s rich past. Structures like the Galata Tower and Maiden’s Tower also contribute to the aesthetic skyline of Istanbul.

The Bosphorus is a unique waterway that divides Istanbul between two continents. Bosphorus cruises are one of the best ways to experience this natural beauty up close. The historical mansions and bridges on either side of the Bosphorus showcase the city’s blend of modern and traditional architecture. The streets of Istanbul are like an open-air museum, where you can find traces of various civilizations on every corner.

Istanbul also has a rich culinary culture. Street foods such as simit, fish sandwiches, and döner are integral parts of the city’s food scene. Additionally, modern cafés and traditional tea gardens are perfect spots to relax while exploring the city.

The city stands out with its art and cultural events. Festivals such as the Istanbul Film Festival, Biennial, and music festivals bring together both local and international art lovers. Modern art galleries and museums keep the creative spirit of the city alive.

One of the captivating aspects of Istanbul is the harmonious coexistence of modern life with its historical texture. While skyscrapers rise on one side, Ottoman-era bazaars still thrive on the other. The Grand Bazaar and Spice Bazaar offer both shopping and a cultural experience.

Finally, Istanbul is a city that offers different beauties in every season. In spring, it blooms with tulips, in summer you can cool off by the Bosphorus, in autumn you can enjoy walks through its historic streets, and in winter you can admire the snow-covered minarets.

[baharlivings]

Istanbul boasts renowned historical sites like the Blue Mosque and Hagia Sophia, drawing crowds. However, the city offers lesser-known, crowd-free attractions worth exploring. While visiting iconic landmarks is crucial for cultural immersion, exploring Istanbul's unique attractions adds depth to your experience. After exploring the main tourist spots, delve into Istanbul’s hidden gems

[viettna]

What’s Hagianity?

I put it in my bio when I was first exploring the foundations of my beliefs as a Christopagan. At that time, I felt a deep need for a specific label as I was coming out of Catholicism. It's really just a word I made up to summarize my view of an Abrahamic pantheon, based out of Hagia Sophia, who had been my main focus at the time. Embarassingly enough, I was also hoping someone would ask me about it so I could share without feeling like I was trying to proselytize (ironic lol)

My practice is more so centered around Amaris than Sophia at the moment but I still think Hagianity is a decent term that parallels Christianity in the centering of the Daughter/Son without needing to inherently diminish the Mother/Father. I wouldn't now feel the need to try to find a term for myself or to put it in my bio, but it's already there and there isn't any reason to get rid of it. And hey, someone did end up asking so past me technically accomplished one of flair goals, even if it's not my goal anymore lol

[salantami]

In the colossal, cathedral sized water tank beneath the Hagia Sophia in Istanbul, Türkiye, several heads of Medusa have been used as pillar bases for the past 1,500 years. It is not entirely known where the heads came from, but they were believed to be taken from some other Roman ruin. The heads are upside down or sideways to inhibit the power of the Gorgon Medusa's gaze. The water tank's existence was forgotten for hundreds of years, despite being beneath the Hagia Sophia. When it was rediscovered, explorers found fish inside of it.

[buildingislam]

Religion in Islamic Architecture

Even though there are some parts of Islamic architecture that to modern knowledge lack symbolic religious significance, there are, nevertheless, connections to religion. Islam, which believes that everything and anything created by God is under his order and should not be idolised, does not sensationalise living things, in contract to Christianity.

The monotheistic religion of Islam has its own tenets and traditions, such as charity, fasting during Ramadan, and if possible, a pilgrimage to Mecca - even though it shares the prophetic history of Judaism and Christianity. Although it can he challenging to define Islamic art, it is understood that not all Islamic art is religious and that not all artists who produce said art must be Muslims (Artsy Net., 2023).

With regards to architecture, as mentioned, there can often be no symbolic links to religion, and the connections that are made, are often portrayed through the use of calligraphy, colour and geometry - the hallmark characteristics of Islamic architecture.

This specific blog post will explore the architecture of some of the most outstanding examples of religious institutions within Islamic style architecture - beginning with The Blue Mosque in Istanbul.

Sultanahmet Mosque (The Blue Mosque)

The Blue Mosque, Istanbul, 1723.

The Sultanahmet Mosque (Sultanahmet Camii) more commonly known as The Blue Mosque was constructed between 1609 and 1616 during the rule of Ahmed I by architect Sedefkâr Mehmed Agha - the detailed workbook of the construction of this mosque consists of eight volumes and still lies in the Topkapi Palace library. The recognised name of 'The Blue Mosque' being attached to the building is due to the hand-painted blue tiles that adorn the interior walls, alongside the blue cast that envelopes the mosque of a night time as a result of lights framing the mosque's five main domes, six minarets and eight secondary domes.

The Blue Mosque features two main sections: a large unified prayer hall crowned by the main dome and an equally spacious courtyard (Smart History., 2023). As mentioned, the Mosque has six minarets (the only other mosque in the world with this many minarets was the Haram Mosque of Mecca - this led to the religious leaders of the time to become outraged and send out the Sultan's architect to Mecca to build a seventh minaret so that the holiest of mosques could retain 'superior status') and eight secondary domes, and its design was a culmination of two centuries of Ottoman Mosque design, with an incorporation of Byzantine elements of the neighbouring architectural masterpiece Hagia Sophia with traditional Islamic architecture and is considered to be the last great mosque of the classical period. Sedefkâr Mehmed Agha, the architect, synthesised the ideas of his master Sinan, aiming for overwhelming size, majesty and splendour (Architectuul., 2023).

Tall wooden gates envelop the courtyard of the mosque, and the mosque itself is revealed behind the gates presenting spectacular dove-grey domes, marble walls and gold-tipped minarets. Tourists are recommended to use the south door of the Mosque as to allow worshippers to enter through the main door only, and allows for the prayer sections of the Mosque to retain its sacred air.

Upon entrance of the mosque, there is an introduction to the more than 20,000 blue Iznik tiles in traditional Ottoman patterns adorn the walls and ceilings. Lilies, carnations and tulips are depicted throughout. The Blue Mosque's interior domes are tiled intricately, painted and decorated with verses from the Quran and the sayings of prophet Muhammed (The Travel Bunny., 2021). Many of them written by Seyyid Karim Gubari, a 17th century Ottoman artist celebrated as one of the most accomplished calligraphers of his time.

The upper levels of the building have more than 200 stained glassed windows - the coloured glass for the windows were a gift from the Signoria of Venice to the Sultan - with beautiful designs allowing natural light to ascend the interior, as of modern day there are chandeliers to aid the lighting in the building. On the chandeliers, ostrich eggs are found that were meant to avoid cobwebs inside the mosque by repelling spiders.

The floors wear carpets that are regularly replaced by donations due to them getting worn out because of the number of visitors that walk upon it.

According to architectuul.com, the most important element of the interior of the mosque is the mihrab, which is finely carved and sculptured marble, with a stalactite niche and a double inscriptive panel above it. Surrounded by many windows - the adjacent walls are sheathed in ceramic tiles.

Mihrab of Sultanahmet. The Blue Mosque.

Architecturally, the best way to enter The Blue Mosque is to approach it from the hippodrome (west side of the mosque) - non-muslim tourists are encouraged to visit the mosque, however, they are not allowed in during prayer time, which is of course five times a day - the mosque closes for 90 minuted each time. Shoes have to be removed from your person, and it is vital that you are dressed appropriately, women should wear a head covering - but they are freely available upon entrance of the establishment. For everyone, legs and shoulders should be covered.

It is absolutely required that tourists do not use flash photography and remain quiet always - this is not just an architectural masterpiece, but a place of worship, and that should be respected always.

Selimiye Mosque

The second religious institution to be analysed on Building Islam is another Turkish mosque called Selimiye Mosque in Edirne, and started construction in 1568 with its completion in 1574 by architect Mimar Sinan - a famous architect of the time who will be explored in the upcoming blog post.

The Selimiye Mosque was built at the peak of the Ottoman military and cultural power, Sultan Selim II - the son and successor of Suleiman the Magnificent, chose Edirne instead of Istanbul as the location to build his own sultan mosque. It is debated amongst historians as to why this location was chosen with some speculating Selim II had a passion for the city as he serves as governer between 1548 and 1550, and others speculating it is because Selim II had not commanded a victorious military campaign which Islamic scholars believe to have been a requirement for building a sultanic mosque in Istanbul. The construction of this mosque was funded by the help of the sultan's share of the spoils from the successful conquest of Cyprus, Selim II died in December 1574 meaning he never saw the mosque fully completed (UNESCO., 2023).

The Selimiye Mosque is considered to be the masterpiece of architect Sinan's entire career, and is thought to be one of the most important buildings in the history of the world - architecturally and monumentality. The mosque, together with the two madrasas on its southeast and southwest is located within a courtyard. A row of shops and recitation school (darülkurra) to the west of the courtyard were added to the complex by architect Davud Aga in the reign of the Sultan Murad III (1574-95).

The mosque has a rectangular, borderline square, prayer hall and on the north side, a courtyard with porticoes. There are three entrances to the courtyard, north, east and west. In the centre of the courtyard is a 12-sided fountain. Each corner of the prayer hall features a 71m high minaret each with a balcony. The mentioned balconies are accessed by three separate corners on the northeast and northwest corners (Discover Islamic Art., 2023). The approach to the north façade of the mosque is dramatic with aligned gates of the outer precinct wall and forecourt focus the eye upwards towards the intricately designed dome.

The dome rests on eight muqarnas-corbelled squinches that are in turn supported by eight large piers.

Muqarnas are faceted decorative forms used in Islamic architecture to bridge a point of transition - in relation to the Selimiye Mosque, the broad base of the dome above and the slender piers below (Khan Academy., 2023). A complex system of exterior buttresses support the east and west piers and do most of the handling for the weight of the dome. The buttresses are purposely hidden amongst the exterior porticos and galleries. The interior allows for galleries to fill the spaces in between the walls and the piers. The Qibla wall (the wall facing Mecca) projects outwards to emphasise the vast interior space. Another unusual thing that was decided upon through construction by architect Sinan, was the placement of the muezzins platform - under the centre of the dome. From the platform, the muezzins who lead prayer chant to congregation, and art historians have compared its positioning within the mosque to that of a church altar - a raised stand for biblical readings - supporting the fact that Sinan was interested in surpassing Christian architecture. The platform also creates a vertical alignment of square, octagon and circle, using geometry to refer to earthly and heavenly spaces.

Through the centuries since the construction of the Selimiye Mosque, the interior had changed as it has been repainted and then extensively restored in the 20th century. The polychrome Iznik tiles remain largely untouched since the 16th century, but in the 19th century Sultan Abdülmecid I had most of the painted decoration including arabesque motifs, plant of flower motifs, and calligraphic inscriptions added for his ordered restoration.

The sultan's private balcony for prayers, is set to the eastern corner of the mosque in an elevated position and is intricately decorated with Iznik tiles also.

Iznik tiles next to the mihrab.

The Selimiye Mosque was not only an architectural masterpiece in relation to Mimar Sinan's incredible career but in regards to the influence it had on later mosque constructions. The form of Laleli Mosque in Istanbul built in the 18th century is based on the Selimiye Mosque, as well as the modern Sabancı Merkez Camii in Adana (1988). Despite being 80% the size of the Selimiye Mosque, the Nizamiye Mosque in South Africa is modelled on it and remains the largest in the Southern hemisphere.

Laleli Mosque, Istanbul Turkey.

Sabancı Merkez Camii, Istanbul Turkey.

Nizamiye Mosque, South Africa.

Having now discussed two architectural pieces of religious institutions in the Islamic architectural style, the following blog post will focus on the work of three of the most celebrated Islamic architects and their works containing Mosques.

The production of this blog took much longer than anticipated but to finalise this post, I will share that in the next couple of posts I will be incorporating images of my own families homes and local mosques in Pakistan - the incorporation of my personal family and life has come about thanks to a group of fellow students named The Blog Club that help me with deciding what to talk about next! And hopefully create an informal, comfortable space for everyone to discuss their thoughts and opinions!

P.S. The Blue Mosque and The Selimiye Mosque are some of my favourite examples of Islamic architecture!

Summer Marshall-Miller

BIBLIOGRAPHY:

THE BLUE MOSQUE

Artsy Net (2023) Islamic Art and Architecture. Available at: https://www.artsy.net/gene/islamic-art-and-architecture (Accessed: February 15, 2023).

Smart History (2023) The Blue Mosque (Sultan Ahmet Camii). Available at: https://smarthistory.org/the-blue-mosque-sultan-ahmet-camii/ (Accessed: February 15, 2023).

Architectuul (2023) Blue Mosque. Available at: https://architectuul.com/architecture/blue-mosque (Accessed: February 15, 2023).

The Travel Money (2021) Istanbul and the Beauty of the Blue Mosque. Available at: https://thetravelbunny.com/istanbul-blue-mosque/ (Accessed: February 15, 2023). 

Blue Mosque (2023) Blue Mosque Mosque in Turkey. Available at: https://bluemosque.co/en/ (Accessed: February 15, 2023). 

THE SELIMIYE MOSQUE

UNESCO (2023) Selimiye Mosque and its Social Complex. Available at: https://whc.unesco.org/en/list/1366/ (Accessed: February 20, 2023). 

Discover Islamic Art (2023) Selimiye Mosque. Available at: https://islamicart.museumwnf.org/database_item.php?id=monument;isl;tr;mon01;23;en (Accessed: February 20, 2023).

[sakura--hanami]

Architecture appreciation post from my travel/exploration spam!

Right to left:

St Patrick's Cathedral, Pakistan- an example of the Gothic Revival architecture of the British colonial era

Hindu Gymkhana, Pakistan- Indo-Sarcacenic style, a blend of Indian, Islamic and European architectural elements

Heydar Aliyev Center, Azerbaijan- Neo-futurism, by none other than Zaha Hadid

Topkapi Palace, Turkiye - Ottoman-Baroque style! I think eastern and western fusions really create the best styles out there

Hagia Sophia, Turkiye- Byzantine era architecture, and possibly my favorite building in the whole world

Hadrian's gate, Turkiye- OG Roman era structure, the carvings on the coffers were a mind blowing discovery for me personally

Sharda Peeth, Pakistan - I can't find the style, but it's a Hindu Temple/learning center. Very original, interesting structure, although it's in ruins, sadly.

[nkp1981]

The Water Tank's Existence Was Forgotten For Hundreds Of Years, Despite Being Beneath The Hagia Sophia. When It Was Rediscovered, Explorers Found Fish Inside Of It.

[blueiscoool]

TIFFANY STUDIOS Study for the 'Heroes and Heroines of the Homeric Story' Mosaic Frieze for Alexander Hall, Princeton University, New Jersey, circa 1896-1897.

Designed by Jacob Adolphus Holzer (1858-1938). Favrile glass, painted wood frame. 24 5/8 in. (62.5 cm) high, 24 1/2 in. (62.2 cm) wide (sight).

Buildings adorned with tile, stone, shell or glass mosaic has always been a part of ancient architecture. For many centuries, glass mosaics have been a sign of wealth and luxury. As described by Seneca in 64 AD: “a man feels poor and mean if his vaults are not hidden by glass”. Admiring these masterworks during his European travels as a young man would later inspire Louis Tiffany to explore this ancient art form.

In 1896, the Tiffany Glass and Decorating Company published a volume entitled Glass Mosaics, and in it praised the virtues of mosaics, claiming that they were "unrestricted in color, impervious to moisture and absolutely permanent". The booklet referred to the ancient mosaics of Pompeii and Rome and described the interior of Constantinople's Hagia Sophia as "the most wonderful creation in glass-mosaic the world has ever seen."

Tiffany used glass mosaics in his interiors as early as in 1879 for the Union League Club of New York. In 1893, he designed a spectacular Byzantine chapel for the World’s Columbian Exposition in Chicago, which brought him international acclaim.

In August 1896, the New York Times reported: “The Tiffany Glass and Decorating Company has on exhibition at Charles Scribner & Co.’s, on Fifth Avenue, a mosaic in glass which will ultimately be placed in the Alexander Memorial Hall at Princeton University… It is intended that three panels be placed beneath the three children, representing science, literature, and art, respectively taken from certain scenes of Homer’s Iliad, so that they will be both historical and typical.”

Completed in 1894, Princeton’s Alexander Hall was designed by architect William Appleton Potter. The Richardson Auditorium which was enclosed within the main structure would be completed a few years later in 1896. The glass mosaic ‘Heroes and Heroines of the Homeric Story’, commissioned from Tiffany Studios, was designed by Swiss-born artist Jacob A. Holzer (1858-1938). Measuring 10 by 35 feet, this impressive project took two years to execute and included more than thirty figures, six horses, and an elaborately decorated background and frieze.

For each major mosaic commission, Tiffany’s artists would submit a watercolor of the overall design. A sample panel, such as the present lot, which represents the profile of one of the young boys, was often executed for the client’s approval. Once the commission was accepted, a full scale cartoon was created to enable Tiffany’s artists to complete the project. As described by the New York Times, “the process for making the glass mosaic figures [was] peculiar from the fact that the glass is always in front of the artist, so that he can work and correct mistakes as he progresses. In Europe, on the other hand, the ordinary way is to work from the back of the mosaic”. 

Remarkable for the gracefulness of his face and his refined curly hair, but most especially for the delicate tone of his translucent skin, the child’s figure is complemented by the Byzantine-inspired gold background. This mosaic sample, likely representing Science, was the perfect subject to showcase Tiffany’s exceptional virtuosity in glass.