#Estonian Cinema

[habitual-sadness]

Allika poole mineja, Peeter Tooming, 1979

[honeygleam]

varastatud kohtumine (1989) dir. leida laius

[annoyingthemesong]

SUBLIME CINEMA #649 - DEAD MOUNTAINEER’S HOTEL

Bonkers Estonian sci fi which nobody I know has heard of. It’s a kind of mystery story with occult flourishes which really opens up and gets full weird in the third act. And there’s a Saint Bernard which guides people around this mysterious mountain resort and shows people to their rooms, which is the kind of detail I love in movies like this. 

[gregor-samsung]

Päevad, mis ajasid segadusse [The Days That Confused] (Triin Ruumet - 2016)

[teddybeartoji]

i survived the movie premiere and i only had a few sightings which is very good but . i feel like i just got beat up. in an alleyway idk there is no other way to describe what i'm feeling rn. the movie was about just some guy who quits his lame cashier job and then struggles to find a job he actually likes (me). who loves to watch movies, who loves to go to a cinema and who prefers to sit in the last row and who wants to eat popcorn (me)(since this was an estonian film he was talking about THE exact cinema i go to btw)(there are so many other cinemas here). who wanted to go and study something creative but then just.. didn't (me). who does nothing all day long (me). who feels like every opportunity has already passed and that it's too late to really pick up anything now because it's just way too fucking embarrassing (me). who feels like he has nothing to offer (me). and who feels like he's just an interesting "hello" and nothing more (me).

extra (me) points for when he and his girlfriend went to hang out with her father and then after it he went "i think it's amazing how well you get along with your dad" . as if that isn't something i have said .. countless times before😭😭😭

[memegod-meme-blog]

tf one

No spoilers mentioned!!!

So today I went to see Transformers one with a friend. And to my utter shock and terror when I realized that the movie had been dubbed over into our language (Estonian) made me almost lose it. Estonian dubs aren't that good, even for cinema, sometimes there's only 3 voice actors for the whole film and to make the characters sound different they try to change their voice but it never works. Aside from the VA constantly talking unnaturally (with no depth like yelling or screaming) the translations also suck and are filled with grammar errors. But what was actually surprisingly funny to hear was every time a character said the word "surface", it translates to "Pind" with no other meaning other than "splinter" but GenZ are also using this word to describe...frat parties..but like...eastern European probs underage drinking type of parties. So every time a they would be mad/happy about someone going/coming from the surface, in the dub it was them being mad about a frat party xddd. Just thought it was funny and wanted to share.

[doctor-octiddius]

Went on a rant to myself once again about how odd it is that there's just not a single peep about Deliver Us in Estonian media nor anything since like... Usually Estonia goes CRAZY for anything Estonia related (like my mum pointed out, usually it's like "OMG ESTONIA MENTION IN A RANDOM TV SHOW !!!!!!!!!" etc but there's just NOTHING about this movie here). Did some searching around once again because I am not the type to give up, the movie may have come out globally in September already, but that won't stop me from looking around AND GUESS WHAT !!! It's finally in Estonian cinemas at the end of December !!!!!!!!!!! I'M SO FUCKING HYPE !!!!!!!!!!!!!!

[mybeingthere]

Estonian graphic artist Marju Mutsu (1941 - 1980) produced beautiful etchings. She studied graphics at the Estonian Academy of Arts and worked mainly in the 70s.

.

She also collaborated with the journal Noorus, where her aphorisms and articles about theatre, sports, cinema and young people's life were published. Marju wrote and illustrated a children’s book Vappu ja valge hobune [Vappu and the white horse, 1973], she also wrote a play called Igavene võluriik [The eternal magic kingdom].

Marju Mutsu offered a very distinct depiction of the body. The way she deconstructed the body (Valikuvõimalus [An alternative choice], 1979) – often presenting only parts of it, or visualising the dynamics of the body – was exceptional in the context of late Soviet Estonian art. Objects and people that M. Mutsu depicted are usually positioned in an empty space and seem to be in constant motion.

[smileymoth]

Maybe I’m so lenient on artists changing their sound because... well even if I don’t listen to AA’s new stuff that much, I listen to so many different genres of music, like Idc if AA is classified as butt rock nowadays. If you can’t listen to different genres and enjoy them that's a you problem.

Maybe it’s just because I’ve been grown up on 80s pop, 90s Estonian pop, 80s rock, Middle Eastern dance music (?? i hope that’s a correct way to call it... my mom loves that stuff) and just Arabic music in passing, Russian 90s pop that both my parents and grandma liked,  LOL..., süldibändid (i can’t even translate that lmao that’s like our very own special music genre that they play at village parties n shit. like pop+country+folk+rock, but something feels off and wrong about it), then I started listening to mf NU-METAL out of all things, regular rock, msi (i cant even classify that...), like man i fucking LOVED Hollywood Undead, Korn and Papa Roach, as well as Mr Brightside but who DOESN’T love that??? Then actual goth music, emo/scene music, literally all flavours of it, even hyperpop gets added in the mix, in 2015 i loved lo-fi depression music (elvis depressedly, coma cinema, alex g), in 2020 i discovered yugoslavian 80s underground music from this 1 youtube guy who just keeps uploading stuff constantly (i love you Dronemf S.)  , i love lovejoy too and Marina was my queen back in the day and i will listen to doja cat and lil nas and idk some other popular pop music rapper like  ... GET SOME DIVERSITY IN YOUR MUSIC PEOPLE you can’t just listen to one fucking genre and think that that’s the end all be all of music!!! you’re BORING. like fuck off if i can listen to 5MIINUST  then you can listen to alone again by AA

[filingfillets]

Meeli Truu, Taevo Gans / Cinema of Villa Andropow / 1979 / Pärnu, Estonia

_____

source:

photos:

http://www.ostarchitektur.com/buildings/estland/parnu/raine-karp-villa-andropow-2/index.html#previous-photo

plan:

©︎Museum of Estonian Architecture

http://wiki.azw.at/sovietmodernism_database/home.php?il=28&l=deu&findall=&function=&land=estonia&act=print

[mediamixs]

 10 Prequel Horror Movies That Expand on Classic Franchises

 Horror prequels can be a risky endeavor, but when done right, they can provide fascinating backstories and breathe new life into beloved franchises. Here are 10 prequel horror movies that successfully expanded on classic horror stories:

 1. **Pearl (2022)**

Ti West's prequel to his 2022 slasher film X takes us back to 1918, where we meet the young and repressed Pearl, played brilliantly by Mia Goth. Trapped on a farm with her abusive parents and dreaming of becoming a movie star, Pearl begins a murderous rampage. Goth's outstanding performance makes you empathize with the future killer, a remarkable feat in horror.

2. **Annabelle: Creation (2017)**

This prequel to 2014's Annabelle and part of The Conjuring universe, directed by David F. Sandberg, tells the story of how the demonic doll came to be. Set in 1955, it follows a dollmaker and his wife who welcome a nun and several girls from a shuttered orphanage into their home, where the Annabelle doll resides. The film features great performances and the birth of a modern horror icon.

3. **Ouija: Origin of Evil (2016)**

Mike Flanagan's prequel to 2014's Ouija is set in 1967 and follows a widow who incorporates a Ouija board into her séance scam, unknowingly opening the door for a demonic entity to possess her youngest daughter. Flanagan's visual style and young Lulu Wilson's chilli.

4. **Prometheus (2012)**

Ridley Scott's prequel to his 1979 sci-fi horror classic Alien introduces the concept of humanity's origins while staying true to the franchise. A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. While divisive, Prometheus is a solid space horror film that expands the Alien mythos.

5. **Orphan: First Kill (2022)**

This prequel to 2009's Orphan follows the story of Esther, a dangerous psychiatric patient who escapes from an Estonian psychiatric facility and travels to America by impersonating the missing daughter of a wealthy family. Madeleine Coghlan's performance as the young Esther is chilling, and the film is a risky but successful prequel.

6. **Hannibal Rising (2007)**

This prequel to the Hannibal Lecter series explores the origins of the iconic cannibal, played by Gaspard Ulliel. Set during World War II, it follows the young Hannibal as he seeks revenge for the murder of his sister. While not as acclaimed as the other films in the franchise, it provides an interesting look at the beginnings of one of cinema's most notorious villains.

7. **Carrie (2013)**

While not as well-received as the original 1976 film, this made-for-TV prequel explores the early life of Carrie White, the telekinetic protagonist of Stephen King's novel. Starring Chloe Grace Moretz, it delves into Carrie's troubled relationship with her abusive, religious fanatic mother, played by Julianne Moore, and the bullying she endures at school.

8. **Vampires: Los Muertos (2002)**

This direct-to-video prequel to John Carpenter's 1998 film Vampires follows a group of vampire hunters led by a new character, Derek Bliss, as they track down a centuries-old vampire in Mexico. While not as well-known as its predecessor, it provides an entertaining expansion of the vampire-hunting world established in the original film.

9. **Exorcist: The Beginning (2004)**

This prequel to The Exorcist follows a young Father Lankester Merrin in 1940s Kenya as he confronts the demon Pazuzu for the first time. While the film was heavily reshot and recut from an earlier version directed by Paul Schrader, it offers an intriguing look at the origins of the demon that would later possess Regan MacNeil in the original film.

10. **Wolves at the Door (2016)**

This low-budget prequel to the 1969 Manson murders follows a group of friends celebrating a birthday party in Los Angeles in 1969. While not directly related to the Manson Family, the film builds tension as the killers lurk in the shadows, waiting to strike. It provides a chilling glimpse of the real-life horror that would soon unfold.

These prequels demonstrate that when executed well, they can add depth and intrigue to classic horror stories, while also standing on their own as compelling films. They expand the mythos of beloved franchises and introduce new characters and storylines that keep fans engaged and eager for more.

[inapat17]

Animation shows: The art of drawing society (3/4)

Flee

Cartoons are a colorful medium that creators like to use to depict their vision of our modern world. Therefore, this series of articles will be dedicated to animated TV, internet shows and movies of this last year which humorously describes our contemporary society. The animated documentary “Flee” will be our guide for today as we examine the art of cartooning real-life events.

Animation and cartooning can be used in all cinema genres, even the most realistic ones. Flee is an animated documentary directed by Jona Poher-Rasmussen. It was first screened in 2021 during the Sundance Festival. Then, the film reached a much larger audience when it was broadcast on Arte in August 2022. It took the public one and a half hours to discover Amin’s tragic life story, it took 20 years for Jonas Poher Rasmussen to get his friend to tell the painful truth about his past. Until now Amin was telling the story that the smuggler taught him for fear of losing his refugee status. He told his best friend Jonas and his partner Kasper that his entire family had died, and that he had made the journey from Afghanistan to Denmark all by himself. In reality, his family is still alive and scattered across Europe, but Amin's story is not any less tragic.

Amin, lying on a colorful carpet, remembers his carefree childhood in Kabul. He was dancing in the street with his walkman on the hit song “Take on me” by the band A-ha. The young boy already has his first crush: the very popular Jean-Claude Van Damme. These pleasant memories are followed by one of his dad’s arrests by mujahedin. War is about to break out and Amin's brother hides to escape conscription. The family first fled to Russia. Illegal immigrants are being roughed up by the police. Amin’s sisters are the first to escape the situation, they cross Europe in horrible conditions nearly suffocating alongside other immigrants in a container ship. Although they survived, they were left scarred for life. Amin, his brother and mother leave on a miniscule boat navigating on the Baltic Sea. After nearly drowning, they come across a cruise ship. Whereas the tourist takes pictures of the tragic spectacle, the ship crew tells them that the Estonian police are on their way to send them back to Russia. Due to the unsustainable situation in Moscow, the family decides to send Amin to Sweden alone. The smuggler, or human trafficker as Amin prefers to call them, sends Amin to Denmark instead of Sweden. Amin lies to the Danish authorities to gain refugee status and claims to be the sole survivor of his family. It was in high school that he met Jonas, the director of the movie. Amin made a lot of sacrifices in order to get a good job and support his family, now that he is on the verge of marrying his boyfriend Kasper he tells us his story.

The documentary mixes animated sequences with archive footage. Animation serves first and foremost to preserve the characters. Indeed, Amin confides to his friends his most intimate story, he recounts his first loves, his fears, and the distrust he has developed towards others who cannot fully understand how his experiences have shaped him. Animation allows the man to remain anonymous. Although his story is very personal, the writing of the film and dialogues, as well as the animation make the story almost universal as the jury of the 2021 Sundance Festival said :“This film blends the personal and the universal. It's a remarkable blend of genres that manages to raise awareness of a global issue while following an intimate narrative.”

Animation is also a way of showing personal memories in the absence of real images. Historical events are illustrated by real archival footage. The memories of Amin's daily life are portrayed in classic, colorful animation. The memories that are too hard and cruel are drawn in charcoal with blurred lines and a shaky animation. Thanks to this combination, the audience can fully immerse themselves in these memories. They are heartbreaking but conveyed by Amin with great tenderness. 

The film tells the story of a man who has gone through hell to build a stable life. It's also the story of a young man experiencing his first love stories. And it's the story of a long friendship between Amin and Jonas. They have a beautiful trusting relationship that allows them to move forward in their personal and professional lives. Since the Taliban invasion in 2021, the rights of men and women in Afghanistan have crumbled. This film, resounding at the time, has lost none of its splendor. It allows the public to have a better understanding of what people fleeing from conflicts have to go through in order to be accepted and live a happy life. 

[shattered-pieces]

Reviews: Born American - IMDb

I watched this movie last year.

There were a lot of reviews saying it was bad, part because it was "unrealistic", it was propaganda, Russia wasn't like that.

Then we get a review from someone who actually lived there:

valkalab18 February 2007 A good film I am a 60-year old Russian born in Estonia (a Baltic country annexed and occupied by Russia 1940-1991). I have travelled a lot by hitch-hike around the USSR and seen what the life was like there. I know the grim Russian reality first-hand. That is why I disagree with a comment saying that Born American "is a bad, bad film and it's made worse by the fact that it portrays every level of Russian society in a very unflattering manner". In fact, the film is realistic -- therefore its portrait of the Russian society is unflattering. The Finnish producer seems to know much more about the real life in Russia than many in the West. Later the film turns into an 'action'. But the general picture of the Soviet-time Russia is true. Until the Soviet bloc collapsed this film could not be demonstrated here: it was banned. Moreover, Moscow made a protest to the Finnish government, even demanding that the film be banned from cinemas in Finland! Can there be a better proof that the film demonstrates the Soviet/Russian reality in a honest way? Indeed, for a person in the West it may be hard to believe that such reality can exist. But may I tell you that an elderly Estonian exile once told of having cried watching a film about Russian slave labour camps, while other western audience laughed. People just couldn't believe it was possible -- but she knew, and she cried. Valeri Kalabugin Tallinn, Estonia

[vitapictura]

The Spiritual Warrior | Documentary | Trailer from Vita Pictura on Vimeo.

In the heart of Max's youth, coach Juri Solovjov steers him away from a life of crime, unlocking the door to kickboxing. Success in the Netherlands under mentor Ramon Dekkers propels Max to the top. However, a brutal injury before Golden Glory in New York derails his career overnight.

Returning home, Max faces financial crises and the sudden death of mentor Ramon Dekkers, spiraling into deep depression. The feature documentary delves into Max's inner battle, capturing the struggle for hope and the energy to exit the ring with dignity. "The Spiritual Warrior" unfolds as a poignant tale of resilience, tracing Max's journey from triumph to despair and his quest for redemption beyond the ring.

In cinemas: April 2024

Original Idea: Georgius Misjura Written by: Lauri Lippmaa Directed by: Georgius Misjura & Aleksei Kulikov Produced by: Ervin Roots & Aleksei Kulikov Production company: Vita Pictura Supported by: Estonian Film Institute, Ministry of Culture

Co-producers: Jana Churkina, Jekaterina Minkova, Roman Pototski Principal Photography: Aleksei Kulikov, Maksim Kazmirevski Best boy: Karl Robert Vain, Clyde Sistach Electrician: Martin Raid Gaffers: Maksim Kazmirevski, Jako Krull Additional camera: Nikita Jegorov, Nikita Kurashov Drone operator: Andri Peetso Drone pilot: Taaniel Karp Underwater assistant: Stepan Radkin

Editors: Lev Kovalenko, Georgius Misjura, Aleksei Sharapanjuk Assistant editors: Grete-Elisabeth Lauri, Mihhail Tkats, Nikita Kurashov Sound recordists: Dmitri Morjakin, Dmitri Natalevich Color Grading & Sound Mixing: Dmitri Morjakin CGI: Kaupo Kuusemäe, Dmitri Morjakin Music by: YASMYN, Caspar Mágus, Moeazy, Rayzak, Viktor Jazokov, Tsoi V.

PR: Dagmar Reinolt Social media marketing manager: Anastasia Zazhitskaya Poster design: Mike Elizarov Teaser idea & editor: Axel Barde BTS operator: Mihhail Tkats

Translation and subtitles: Film Tower, Roman Pototski

» Connect with Vita Pictura Facebook → facebook.com/vitapictura Twitter → twitter.com/vitapictura Instagram → instagram.com/vitapictura Youtube → youtube.com/vitapictura Vimeo → vimeo.com/vitapictura

Contact us via E-Mail: info@vitapictura.co

[magneticgroup]

Meet our Customers: Nicolaas Hemmer from Stratos

In the current interview, we had a chance to talk to a representative of Stratos, Nicolaas Hemmer. He shares the impressions of the first collaboration between Stratos and magnetic group MRO, thoughts about Tallinn, and cultural aspects of the Netherlands and Estonia.

How would you describe the first cooperation between Stratos and Magnetic MRO?

Very promising. Magnetic MRO was very responsive and quickly put a quotation together and provided a slot, making the decision to partner with them an easy one.

What makes Magnetic MRO different from other MROs?

While Magnetic MRO shares similarities with other MROs, the difference is in the detail. I like the personal attention that representatives receive.

Prior to your arrival in Tallinn, what impressions did you have about Estonia?

I didnÕt know much about Estonia, except for the accident with the ferry at the end of the 90s, so I decided to read into the history of the Baltic states and its people.

Could you share your most significant memory related to Tallinn and your experience with Magnetic MRO?

The old city is very pretty, and I will always remember this. My experience with magnetic leasing MRO has been good so far, the project is well managed, and people are very open about issues that arise.

In your opinion, what are the similarities and differences between the Dutch and Estonians?

I donÕt think that there are major differences between the Dutch and Estonians, although people in Tallinn seem to be more self-oriented while the Dutch seem more curious about other people.

What places do you enjoy the most visiting in both Tallinn and Amsterdam?

I like to visit cinemas, museums and when the weather permits, the beach.

Could you share a go-to dish you like to prepare for yourself and is there a story behind why itÕs your favorite?

I have not been eating meat for several years now, but when I still did, my daughter used to ask me to prepare duck on a salad with mango compote, which was indeed delicious!