#Errol Morris interview

[the-woman-upstairs]

Either Daniel decided “pivoting to video” was a brilliant move in his nascent career as a vampire journalist or Lestat only consented to an interview if he got to be on camera for it and I can't decide which is funnier.

[metronn]

“The documentary interview, with its implicit promise of exposure or self-revelation, is the most obvious site for audiences to be cued to search for traces of emotional depth and to seek evidence of veracity or dishonesty in the details of the face.

For example, Morris frequently invites viewer examination of his subjects by filming them in closeup and medium closeup from a number of angles, using his Megatron system.

This technique “allows the speaker to face the camera, the viewer, and the interviewer at the same time. The Interrotron, an apparatus designed especially for this purpose, is ‘essentially a series of modified teleprompters ... [which] bounces a live image of Morris onto a glass plate in front of the interviewee; the interviewee respond[s] to an image of Morris that floats directly in line with the camera’.”

When twenty or more cameras are used in this system, Morris calls it a Megatron.”

-- Austin, Thomas. “Interiority, Identity and the Limits of Knowledge in Documentary Film.” Screen (London) 57, no. 4 (2016): 414–30. https://doi.org/10.1093/screen/hjw044.

damn so errol morris is kinda fucked up ey

[jkottke]

In this interview, Errol Morris talks about truth, documentary filmmaking, and AI. “Truth, I like to remind people — whether we’re talking about filmmaking, or film journalism, or journalism, whatever — it’s a quest.”

[larrywilmore]

Errol Morris on interviews vs interrogations

I had a chat with Academy Award-winning director, Errol Morris about his fascinating new Apple TV+ doc, "The Pigeon Tunnel", based on the novel by John le Carré this week. Here we discuss interviews vs. interrogations.

More of the episode at: https://open.spotify.com/episode/4PM23KGyKq8S8Rx5FdSvpx?si=XDtq6EcpRhuvtu4tDp6NFw

[virtualmemoriespodcast]

Episode 560 - Adam Sisman

With The Secret Life of John le Carré (Harper), Adam Sisman reveals the secrets he couldn't publish in 2015's John le Carré: The Biography, and explores how serial deception & betrayals — through the multiple affairs le Carré (a.k.a. David Cornwell) conducted during both of his marriages — can provide a key to understanding the late, great spy novelist. We get into how Adam became a combo detective-psychoanalyst-confessor during his work on the biography, how he learned of le Carré's messy private life, why he decided to wait until after the author and his wife had died before publishing this new book, and whether he felt le Carré was manipulating him during their interviews. We talk about le Carré's monumental achievements chronicling the Cold War and Britain's decline (& his top 3 le Carré novels), the man's undeniable charm & his self-mythologizing, the times when he thought the biography might not happen, how he felt when le Carré published a memoir after Adam's biography came out, and the ways in which le Carré's upbringing — abandoned by his mother, reared by a con man father he struggled to escape from — may have contributed to his devotion to duplicity & seduction. We also discuss the moment Adam realized that biography is a human process, his thoughts on the new Errol Morris documentary with le Carré, the limits of interviews in general (NO!), what it means to put le Carré behind him with this new book, and plenty more. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Check out the new episode of The Virtual Memories Show

[allmusic]

AllMusic Staff Pick: Philip Glass The Thin Blue Line [Original Soundtrack]

The soundtrack to this Errol Morris documentary emphasizes story over music; the interviews which make up the majority of the film -- a crusading effort which led to the release of its subject, Randall Adams, from a Texas prison -- are presented on record as they were on screen, with Glass' chamber orchestra music hovering in the background. The result is a soundtrack which comes remarkably close to capturing the power of its source film. Even without the moving images, this is a chilling document.

- Jason Ankeny

[enlightenedpictures]

Documentary Films That Changed the World: A Look at Iconic Examples

Documentary films have the unique ability to inform, inspire, and provoke thought. Unlike fictional narratives, documentaries present real-life stories, issues, and events, often shedding light on subjects that are overlooked or misunderstood. Throughout history, certain documentaries have transcended their medium, influencing public opinion, shaping culture, and even driving social change. This article examines some of the most iconic documentary films that have made a significant impact on the world.

The Power of Documentary Filmmaking

Documentaries serve as powerful tools for storytelling, allowing filmmakers to present facts and personal experiences in compelling ways. They combine visual imagery with narrative techniques to engage audiences emotionally and intellectually. The objective of a documentary is not merely to inform but also to inspire action and awareness. This unique capability has led to documentaries being instrumental in various social movements, environmental initiatives, and human rights campaigns.

Iconic Documentary Films

1. "The Thin Blue Line" (1988)

Directed by Errol Morris, "The Thin Blue Line" is a groundbreaking documentary that examines the case of Randall Dale Adams, who was wrongfully convicted of murder. The film combines interviews, reenactments, and a haunting score to present a compelling narrative that questions the reliability of eyewitness testimony and the American justice system. The documentary ultimately led to Adams' release from prison, showcasing the potential of film to influence real-world outcomes.

2. "Bowling for Columbine" (2002)

Michael Moore’s "Bowling for Columbine" explores the complex issues surrounding gun violence in America. Through interviews, animations, and poignant storytelling, Moore delves into topics such as the culture of fear, media manipulation, and the impact of violence on society. The film sparked widespread discussions about gun control and the role of the media in shaping public perceptions. Its success at the Academy Awards further solidified its place as a significant cultural commentary.

3. "An Inconvenient Truth" (2006)

Al Gore’s "An Inconvenient Truth" is a pivotal documentary that addresses climate change and global warming. Using a combination of scientific data, personal anecdotes, and compelling visuals, Gore aims to educate the public about the urgent need for environmental action. The film played a crucial role in raising awareness about climate issues and inspired a generation of activists to advocate for sustainability and policy change. Its impact on public discourse regarding climate change cannot be overstated.

4. "13th" (2016)

Ava DuVernay's "13th" examines the intersection of race, justice, and mass incarceration in the United States. The title refers to the 13th Amendment, which abolished slavery but also allowed for involuntary servitude as punishment for crime. Through powerful interviews, historical footage, and expert analysis, the film lays bare the systemic racism embedded in American laws and institutions. "13th" has become a crucial resource for understanding the complexities of racial inequality in America and has spurred discussions about criminal justice reform.

5. "March of the Penguins" (2005)

While focusing on the life cycle of Emperor penguins in Antarctica, "March of the Penguins," directed by Luc Jacquet, highlights broader themes of resilience, survival, and the fragility of ecosystems. The film’s stunning cinematography and engaging narration captivated audiences worldwide, leading to a renewed interest in wildlife conservation. It emphasizes the importance of protecting natural habitats and the challenges faced by species due to climate change.

6. "The Act of Killing" (2012)

Directed by Joshua Oppenheimer, "The Act of Killing" challenges former Indonesian death squad leaders to reenact their real-life killings in whatever cinematic genres they wish. This chilling exploration of guilt, memory, and the nature of evil forces viewers to confront the brutal realities of genocide and political violence. The film pushes boundaries in documentary filmmaking, compelling audiences to grapple with complex moral questions.

7. "Won't You Be My Neighbor?" (2018)

This documentary on Fred Rogers, the beloved host of "Mister Rogers' Neighborhood," delves into his philosophy of kindness, empathy, and understanding. The film celebrates Rogers' dedication to children's emotional and moral development and explores his impact on American culture. In a time of increasing division, the film serves as a reminder of the importance of compassion and the power of media to foster positive change.

8. "The Fog of War" (2003)

In "The Fog of War," director Errol Morris interviews former U.S. Secretary of Defense Robert S. McNamara, reflecting on his experiences during pivotal moments in American history, including the Vietnam War. The film provides a nuanced perspective on the complexities of war, decision-making, and morality. McNamara’s candid reflections serve as a stark reminder of the human cost of conflict and the importance of understanding history to prevent future mistakes.

9. "Citizenfour" (2014)

Laura Poitras’ "Citizenfour" follows Edward Snowden as he reveals classified information regarding the National Security Agency’s surveillance programs. The film provides an intimate look at the ethical implications of government surveillance and the fight for privacy in the digital age. By documenting Snowden’s journey, "Citizenfour" has sparked vital conversations about civil liberties, security, and the role of whistleblowers in democracy.

10. "The Social Dilemma" (2020)

"The Social Dilemma" explores the dark side of social media and its impact on society. Through interviews with former tech industry insiders, the film reveals how algorithms manipulate user behavior, contribute to addiction, and spread misinformation. By combining documentary elements with dramatizations, the film raises critical awareness about the ethical responsibilities of tech companies and the need for societal change in how we engage with technology.

The Impact of Documentaries on Society

Documentaries have the power to reshape narratives, challenge perceptions, and motivate action. They often act as catalysts for social change, prompting viewers to question their beliefs and take a stand on important issues. The films discussed here serve as prime examples of how documentary filmmaking can illuminate truths, foster empathy, and inspire movements.

Conclusion

The enduring influence of documentary films is evident in the way they provoke thought, inspire dialogue, and drive social change. From examining systemic injustice to highlighting environmental issues, these films have etched themselves into the collective consciousness, urging society to confront uncomfortable truths and strive for a better world. As we continue to navigate complex global challenges, the importance of powerful storytelling through documentaries cannot be overstated. They remind us of our shared humanity and the potential for change when we dare to look beyond the surface.

[this-is-the-ticket]

023 Show Notes

Perlego Study Guide on "Queer Temporality"

Kiss Me Kate trailer - a Taming of the Shrew musical about making a musical version of The Taming of the Shrew

Senses of Cinema piece on John Cassavetes’ directing style

Alien: Romulus teaser - best movie ever incoming

Werner Herzog Eats His Shoe… because Errol Morris finished Gates of Heaven

Criterion Casey - 3 Women

Roger Ebert's 1980 interview with Shelley Duvall

Roger Ebert's analysis of 3 Women

Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean - shockingly "modern" and compassionate portrayal of transness

[thedurvin]

It’s great when animators flex and exercise by taking little clips from podcasts and standup and adding visuals, but I’d love to see fewer McElroy Brothers and more classic interview-documentaries like Errol Morris and the Maysles Brothers, most of them available free on YouTube. “Grey Gardens” is the most famous one but check out “Vernon FL”, like this clip in which an elderly Floridian talks about how brains work

Or this one from “Garlic Is As Good As Ten Mothers” that appears to be an energy vampire explaining how energy vampires work

Also y’all should just watch more of these during Movies With Pals type events, they’re great

[watchingalotofmovies]

The Pigeon Tunnel

The Pigeon Tunnel ��  [trailer]

Spans six decades as John le Carré gives his final and most personal interview, interrupted with rare archival footage and dramatic anecdotes. It is set against the stormy Cold War backdrop that extends into the present day.

Given Errol Morris' style of interviewing his subjects, this is more conversational, almost psychoanalytical, than a traditional, 'events in the life of' doc. Which makes it interesting given the experiences and the work of le Carré.

But it also makes it more subjective. You sometimes wonder to what degree le Carré built a character based on himself. And since it's so much about betrayal, the omission - only briefly covered towards the end with one sentence - of his many affairs is noteworthy, especially in connection with his father.

Nevertheless, a fascinating doc.

[movienation]

Documentary Review: A Master Spy Novelist and his "interrogator" lead us down "The Pigeon Tunnel"

“The Pigeon Tunnel,” a documentary built around the dark but playful the 2016 memoir and consisting of the last and longest interview the greatest spy fiction novelist David Cornwell, aka John le Carré, ever gave, isn’t an expose, a confrontation between interviewer/interrogator and subject. That’s the way Errol Morris, perhaps at Apple TV+’s direction, edited trailers for the film. It would be…

[qudachuk]

Errol Morris’s gentle interview allows the mesmeric writer to hold forth on how his relationship with dodgy dad Ronnie informed his life as a spy and novelistErrol Morris’s interview with the great English novelist John le Carré (born David...

[666tchort666]

Errol Morris Enters John le Carré’s Shadowy World In Trailer for Author’s Final Interview The Pigeon Tunnel

http://dlvr.it/SvPGGP

[dsiiiafilm]

Statement

Mātakitaki-a-Kupe Documentary Statement

Our documentary is a mix of the poetic and the observational. We choose as its subject Mātakitaki-a-Kupe, otherwise known as Palliser Bay, a promontory located at the very south-east of Aotearoa’s north island; our aim was to paint a portrait of this place using the language of a video documentary. The film includes imagery shot across this landscape, with a particular focus on the township of Ngāwī, a fishing village with a population of around 20 permanent residents, situated towards the cape’s southern point, the most geographically severe of the area. A tundra-like hill scape scattered with intense cliff-faces sits directly at the back of the village, which is met at the roadside by the vast expanse of the cook-strait, the weather in Ngāwī - which translates into English as ‘Howl of the Wind’ - is consistently fierce. This sublime landscape and the thought of the personalities that choose to exist within it drew us to the area. We set out to meet the characters of the place, curious about the nature of life in an isolated and extreme environment: what makes up their lives? What are their attitudes towards the land? A 2.5-hour drive from Wellington City, this locality exists at the very fringe of what we recognise as the Greater Wellington Region, and it was this distance between our everyday lives and Mātakitaki-a-Kupe that was so intriguing. Our position as outsiders was something we intentionally maintained our awareness of throughout the duration of the project, and instead of conducting prior investigative research into potential interview subjects, we made the decision to enter the area with little preconceptions, beyond a broad list of questions to ask the people we met. Through a string of connections we came across the eventual subjects of the film: Sid Tatana a retired sheep-shearer who was brought to the area decades ago through his work, and now plans to live out his retirement in this land, and John Priest the owner of a local camping village whose family have lived in the bay for generations. Their historical knowledge and devotion toward Mātakitaki-a-Kupe guided the narrative of the documentary, exploring their personal relationships with the land. Our approach to making this documentary was informed primarily by two precedential films: Errol Morris’s Vernon Florida and Florian Habicht's Kaikohe Demolition. Technical decisions such as the use of static shots, extended takes, and exact compositions were influenced by the visual language of these two films, as were the tone of our interviews, which are intended to feel intimate and naturalistic, exploring in a subtle way the personal philosophies existent in small-town life.

Blaze

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