#Ernestine Wade

[kwebtv]

From the Golden Age of Television

Series Premiere

The Amos 'N Andy Show - Kingfish Gets Drafted - CBS - June 28, 1951

Sitcom

Running Time: 30 minutes

Written by Joe Connelly, Bob Mosher and Bob Ross

Produced by James Fonda

Directed by Charles Barton

Stars:

Alvin Childress as Amos Jones / Narrator

Spencer Williams as Andy Brown

Tim Moore as George "Kingfish" Stevens

Ernestine Wade as Sapphire Stevens

Johnny Lee as Algonquin J. Calhoun

Amanda Randolph as Mama (Ramona Smith)

Nick Stewart  as Lightning (billed as Nick O'Demus)

Jester Hairston as Henry Van Porter

[shewhoworshipscarlin]

Ernestine Wade

By Life Magazine via Google Images-Photographer Loomis Dean., Fair use, https://en.wikipedia.org/w/index.php?curid=28885998

Ernestine Wade (August 7, 1906 – April 15, 1983) was an American actress. She was best known for playing the role of Sapphire Stevens on both the radio and TV versions of The Amos 'n' Andy Show.

Born in Jackson, Mississippi, Wade was trained as a singer and organist. Her family had a strong connection to the theater. Her mother, Hazel Wade, worked in vaudeville as a performer, while her maternal grandmother, Mrs. Johnson, worked for the Lincoln Theater in Baltimore, Maryland.

Ernestine grew up in Los Angeles and started her acting career at age four. In 1935, Ernestine was a member of the Four Hot Chocolates singing group. She appeared in bit parts in films and did the voice performance of a butterfly in the 1946 Walt Disney production Song of the South. Wade was a member of the choir organized by actress-singer Anne Brown for the filming of the George Gershwin biographical film Rhapsody in Blue (1945) and appeared in the film as one of the "Catfish Row" residents in the Porgy and Bess segment. She enjoyed the highest level of prominence on Amos 'n Andy by playing the shrewish, demanding and manipulative wife of George "Kingfish" Stevens. Wade, Johnny Lee, and Lillian Randolph, Amanda Randolph, Jester Hairston, Roy Glenn (and several others) were among the Amos 'n' Andy radio cast members to also appear in the TV series.

Ernestine began playing Sapphire Stevens in 1939, but originally came to the Amos 'n' Andy radio show in the role of Valada Green, a lady who believed she had married Andy. In her interview that is part of the documentary Amos 'n' Andy: Anatomy of a Controversy, Wade related how she got the job with the radio show. Initially there for a singing role, she was asked if she could "do lines". When the answer was yes, she was first asked to say "I do" and then to scream; the scream got her the role of Valada Green. Ernestine also played the radio roles of The Widow Armbruster, Sara Fletcher, and Mrs. Van Porter.

In a 1979 interview, Ernestine related that she would often be stopped by strangers who recognized her from the television show, saying "I know who you are and I want to ask you, is that your real husband?" At her home, she had framed signed photos from the members of the Amos 'n' Andy television show cast. Tim Moore, her TV husband, wrote the following on his photo: "My Best Wishes to My Darling Battle Ax from the Kingfish Tim Moore".

Wade defended her character against criticism of being a negative stereotype of African American women. In a 1973 interview, she stated "I know there were those who were offended by it, but I still have people stop me on the street to tell me how much they enjoyed it. And many of those people are black members of the NAACP." The documentary Amos 'n' Andy: Anatomy of a Controversy covered the history of the radio and television shows as well as interviews with surviving cast members. Ernestine was among them, and she continued her defense of the show and those with roles in it. She believed that the roles she and her colleagues played made it possible for African-American actors who came later to be cast in a wider variety of roles. She also considered the early typecast roles, where women most often were cast as maids, not to be damaging, seeing them in the sense of someone being either given the role of the hero or the part of the villain.

In later years, she continued as an actress, doing more voice work for radio and cartoons. After Amos 'n' Andy, Wade did voice work in television and radio commercials. Ernestine also did office work and played the organ.

She also appeared in a 1967 episode of TV's Family Affair as a maid working for a stage actress played by Joan Blondell.

Ernestine Wade is buried in Angelus-Rosedale Cemetery in Los Angeles, California. Because she had no headstone, the West Adams Heritage Association marked her grave with a plaque

[sleepynegress]

HEADS UP!!!!

Two Misha Green produced jewels, that she was HONESTLY screwed out of a longer run for BOTH...

ARE NOW STREAMING FOR FREE!!! ON TUBITV...at least for Februrary. That's UNDERGROUND, which despite having the highest ratings in the history of the WGN network was cancelled to make way for a Sinclair Media buy-out, in which WGN was to become a 24 hour alt-right news network. There were legality issues and the deal fell through despite that, and few other beloved cult shows already being cancelled.... AND

LOVECRAFT COUNTRY... which despite having a shakey finish, still got 13 Emmy nods (!!) only to be cancelled by the newly Discovery-Time Warner allied HBO.

Both shows did something I think flew over the heads of even black audiences... And that is stretch the typical gaze of blackness, even when that gaze is other black people. She delved into uncomfortable unconfronted spaces in an entertaining way, instead of the typical mopey trod-upon thing that is the most often done thing when dealing with "black history". She made the runaway ex-enslaved, a heroic misfit crime caper group, stealing themselves away. Instead of superficial platitudes, UNDERGROUND showed what it really took to be a white ally in that time and place. Instead of the same ol' wade in the water fare, she scored this with a pulsating modern soundtrack, keeping that gaze and it's continuing affects, modern in the eyes of the viewer, which honestly is brilliantly ahead of it's time. In the case of LOVECRAFT COUNTRY, she dealt with generational traumas and secrets within black families head-on, -in particular queerphobia/self-hatred/abuses without flinching, toxic black masculinity, and colorism w/in a queer interracial context, where the skinny yt girl was masculine coded(!) and the gorgeous fat dark-skinned black woman is coded as femme (which honestly, the queer aspects are what I speculate is why a lot of black viewers didn't get onboard). And yeah, that should have been Micheal K. Williams posthumus Emmy-win, point-blank.

When you think of all the mediocre yt produced shows that got five seasons+.... Yeah, I'll remain mad about it. As I said... she got screwed twice and I'm pissed because I love both shows. That said, at least we got Amirah Vann, who was exclusively a stage actor before her turn on UNDERGROUND as Ernestine aka "'Stine" (another one that should've gotten an Emmy nod) and is now a common face on Primetime TV. Those two shows will stay getting that #ThisIsARec from me, and that goes especially for it being Black History Month. The two best episodes of UNDERGROUND are Cradle and Ache, respectively...And the best episodes of LOVECRAFT COUNTRY are the pilot, the jiggaboo curse ep, Hippolyta's interdimensional ep., and IMO, Ruby's potion Ep. (because that one was so bold). Anyway... plug the titles into the search bar on TubiTV.com to watch for free and legally, likely for a limited time.

[byneddiedingo]

Robert Lynen in Poil de Carotte (Julien Duvivier, 1932)

Cast: Robert Lynen, Harry Baur, Louis Gauthier, Simone Aubry, Maxime Fromiot, Colette Segall, Marthe Marty, Christiane Dor, Catherine Fonteney. Screenplay: Julien Duvivier, based on a novel by Jules Renard. Cinematography: Monniot, Armand Thirard. Art direction: Lucien Aguettand, Lucien Carré. Film editing: Marthe Poncin. Music: Alexander Tansman.

Poil de Carotte -- which means "carrot top" -- is a curious amalgam of fairytale themes and psychological realism. The film evokes fairytales with its story of a neglected and exploited child who has a kindly godparent, set in a picturesque French village that, except for the absence of a castle with a prince in it, could have doubled for the setting of Cinderella. We first meet the film's Cinderella analog, François Lepic (Robert Lynen), known universally as "Poil de carotte," as he is about to leave school for a vacation back home. He doesn't really want to go: When we first see him, he is being criticized by a teacher for having written in an essay, "A family is a group of people forced to live together under one roof who can't stand one another." We soon find out how he comes by this cynical definition when he arrives home to his vaguely neglectful father (Harry Baur), his icy, controlling mother (Catherine Fonteney), and his spoiled older siblings, Ernestine (Simone Aubry) and Félix (Maxime Fromiot). His status in the family becomes apparent at the dinner table, where he sits licking his lips in anticipation of the dish of melon slices being passed around, only to have his mother say he doesn't want any, apparently because she doesn't like melons. After dinner, he is sent to take the melon rinds -- he gnaws on them once he's outside -- to the rabbits and to shut the gate to the chicken yard. He protests: It's dark outside and he's scared. But his sister and brother refuse the task because they're both reading, and he's sent out into the night, which he imagines to be full of ghosts dancing in a ring. His only escape from the chores, his mother's harshness, and his father's indifference is to visit his godfather (Louis Gauthier), a cheerful idler, where he wades in the brook and has a mock wedding with a little neighbor girl, Mathilde (Colette Segall), presided over by the godfather playing a tune on his hurdy-gurdy. It's a lovely little pastoral idyll that ends all too soon. As he returns home, Poil de Carotte realizes how lonely and unloved he is, and he begins to contemplate suicide. This abrupt reversal of mood comes from an 1894 novella by Jules Renard that writer-director Julien Duvivier first adapted for a silent movie version in 1926. It's a little too abrupt for a work of psychological truth: Poil de Carotte has been seen as resilient and resourceful up to this point, and his deep depression comes upon him all too suddenly. When he finally achieves a connection with his father, in a scene that despite the dramatic flaws of the film is quite touching, it's explained to us that Poil de Carotte was conceived by accident, long after the husband and wife had ceased to love each other. He therefore became an object of resentment by both parents. At the end, the father vows that everyone will call him François, not Poil de Carotte, henceforth. The performances by Lynen and Baur make this second reversal plausible, if not entirely convincing. Duvivier's direction is more solid than his screenplay, and the film is at its best in the scenes of village life, beautifully shot by Armand Thirard.    

[slayercain]

If memorial time for Barthes speaks to the living-death of any given mythical relation, where meaning signifies life and myth death, [Hortense] Spillers’s memorial time is a corpse of a corpse of a corpse. . . . There is no end in sight, no original meaning, no previously living substance from which the corpse of myth endures; rather, there is an accumulation of corpses that speak to us from an unmarked grave. The corpse of “Peaches,” a protagonist in Nina Simone’s 1966 song “Four Women,” the corpse of “Brown Sugar,” a character in the Rolling Stones’ 1971 hit by the same name, and the corpse of “Sapphire,” Ernestine Wade’s character in The Amos ’n’ Andy Show circa 1951–1953, each describe a fragmented figure that, despite our greatest efforts, is originally dispossessed without any possibility of unification. Even as she emerges from the “layers of attenuated meanings,” the act of self-ascription would merely be a construction of another name from the fragments of attenuated meanings. Any “truer” word would be just as compromised as another, as the captive does not emerge unscathed from the a priori moment(s) of splitting. Zakiyyah Iman Jackson clarifies that there is no referent for “the black female body”. If this is the case, there is no primary semiological order from which myth can steal, all that remains is an accumulation of substitutions that pre-figure the figuration of “the black female body”. Following Jackson, we can conclude that Spillers’s myths do not conceal a prior order from which they maintain and stabilize themselves. Instead, myth operates as a self-referential system, where “Peaches” is merely one of many signifiers that exist among a series of nominative terms that in their multiplicity generate a single effect, the “black woman.” As a signifier, “black woman” has no real signified, there’s no “real” black woman to which these signifiers adhere or conceal, and thus, no essential character that we can retrieve from beneath the accumulation of nominative properties. Spillers writes, “In order for me to speak a truer word concerning myself, I must strip down through layers of attenuated meanings, made an excess in time, over time, assigned by a particular historical order, and there await whatever marvels of my own inventiveness”. Here, Spillers gestures towards a figure for whom myth is the totality of her being, that we can only know through the names in quotations, and were we to take on the task of exhuming something from this grave, it would merely be a fantasy where one would be tasked yet again with the performance of naming. Though the reference to the “marvels of my own inventiveness” suggests that Spillers believes there is a real black woman that can emerge from the depths of ascribed meaning, my reading suggests something more pessimistic. Spillers’s acknowledgement of the inventiveness of language rather than its truth or essential meaning allows us to see that whatever “truer” word she may look for would never arrive at a thing-in-itself, but rather a thing that is constructed, challenging any true notion of a “black woman.” Spillers resists any return to a true, unified, and proper term of blackness and as such, “Mama’s Baby” throws Barthes’s mythology into crises where myth can only be myth if it has a primary order from which to nourish itself. Primary meaning does not capture “the black woman” in any real history, her history is capture, she is always already captured, is always already a myth, foreclosing any theory of myth that relies on a primary linguistic order of meaning.

Leah A. Kaplan, What’s in a Mark? or, Black Time and the Hieroglyphics of the Flesh

[oldshowbiz]

Ernestine Wade played Sapphire on television’s The Amos n’ Andy Show 

[michigandrifter]

Fort Petticoat 1957

[soyoudontcareaboutblackwome-blog]

Misogynoir

How Stereotypes Last Forever: Misogynoir

When I think of Black Women I think of my mother and strong black females leader such as Angela Davis and Assata Shakur. As I come into Adulthood I recognize that society doesn’t appreciate Black women. Some people see Black women as undesirable,uneducated, and revolting. This perception of Black women dates back to the dehumanization of a thousand years dating back to slavery. Black women are discriminated against, victimized, always made to be the underdog and not recognized for their value. This is commonly perpetrated by the media.

You may say not everything has to do with slavery but this particular issue does. Black women being mistreated is not anything new we have been victimized by society. In the days of slavery black women were used as chattel to cook,clean, and birth children to make more slaves to be bought and sold. The job that was forced upon them came with physical,verbal,mental, and sexual abuse, In 2015 Macias stated “And while Black Women were also producing children who would inevitably be stolen and forced to enter the the labor market via chattel slavery, they were also simultaneously forced to work plantations and be sexually available to both black and white men.” Kelly Macias comments on the invisibility of Black women. I witnessed that disgusting situation in the Academy Award Winning film “12 Years a Slave” based on a the memoir  of the same name by Solomon Northup. Northup was a black man from New York who was tricked into slavery. While working on a plantation he befriends a young slave girl named Patsey played by actress Lupita Nyongo. In the film she is repeatedly sexually assaulted by her white male slave owner Edwin Epps portrayed by Michael Fassbender. The very graphic depictions of the abuse Patsey suffered stuck with me. One particular scene was the beating she endured for asking another slave owner for soap. Edwin Epps savagely beats Patsey to please his jealous wife. Mrs. Epps is well aware of the sexual assaults but is still very jealous of the fact that her husband would rather leave from their bed in the middle of the night to rape an underage Black girl than have sex with her. Patsey is tied to a wooden stake and is humiliated and beaten. Her back is whipped continuously in front of an audience.

That image stuck in my mind. I did some research on Patsey. I discovered that at the time of her suffering that abuse she was only 12 or 13 years old. I felt ill while reading it I kept thinking about humiliating that and degraded she felt. Patsey wasn't the only slave girl exploited by a white man. America’s third president Thomas Jefferson had a 37 year relationship with a slave girl named Sarah “Sally” Hemmings and had 6 children with her. She was underage when the relationship started.

After Slavery three stereotypes of Black women were created from tv and false perceptions. On a popular TV show Amos n’ Andy from the 1950s actress Ernestine Wade played Sapphire Stevens. Wade’s character was emasculating, loud, aggressive, angry, stubborn, and unfeminine. What people of that time did not grasp was that Sapphire was european males perceptions of black women. Even though she was not a real person due to lack of race representation Sapphire became a toxic blue print of black women. 

Those negative stereotypes were portrayed again in the 1985 film “The Color Purple” based on the novel of the same name. ��It was a box office success and was nominated for 11 Academy Awards and 5 Golden Globes.  It was both Oprah Winfrey and Whoopi Goldberg’s film debut. The film showcased examples of domestic violence, incest, pedophilia, poverty, racism, and sexism.  Winfrey’s character in the film Sofia Johnson has the same traits as Sapphire.  Sofia is married to Harpo played my actor Willard Pugh. Harpo is very submissive of his wife and makes several unsuccessful tries to dominate her. Equipped with poor advice from Celie played by Whoopi Goldberg  Harpo attempts to physically abuse her.  Sofia confronts Celie giving birth to the famous line “All my life I had to fight” Sofia continues her statement with brief recap of abuse she endured by her family during her upbringing. Although one of my favorite movies it pushes a faulty generalization that strong black women have been abused. 

The Jezebel stereotype was used to sexualize black women. When European explorers came to Africa they were fascinated by the nudity of black women due to their hot climate and cultural wear. They sexualized the nudity of African women and equated it to promiscuity. If you’ve ever read the bible you know the biblical character Jezebel was the Queen of Israel she was hypersexual, seductive, manipulative, and an exploiter of Men’s weaknesses. This stereotype was used to victim blame black women when they were sexually abused or assaulted by white men. This particular stereotype holds a strong hand to the control and constant judgement of black women expressing their sexuality. 

The third stereotype is Mammy. Mammy is self-sacrificing, nurturing, loving, and assexual. This stereotype was first introduced in 1852 in the anti-slavery novel Uncle Tom’s Cabin with a character named Aunt Chloe. In the 1939 film Gone with the Wind Mammy is played by Hattie McDaniel. “The basic description of Mammy is generally a very fat black woman with huge breasts capable of breastfeeding all the white children of the world. She is a domestic, and was born to it. She cooks like no one else, and has the best recipes. She is loyal and kind, superstitious, religious, gives cleaning tips, is always at the ready to advise housewives and their daughters — a great friend!, but what’s essential is using her image to emphasize a supposedly good relationship between masters and slaves that attempts to mask the glaring power relationship actually going on.” Suzanne Jardim explained in 2016. Although Jardim is afro-brazilian she details how these stereotypes have traveled to her native country .

 Last but not least is the Welfare Queen. This Welfare Queen Stereotype comes from former US President Ronald Reagan. The welfare queen is irresponsible, unwed, and single. She has several children with different fathers who don’t help raise the children. This stereotype opened up the door to the common myth that Black men don’t take care of their children.  “At a campaign rally in 1976, Ronald Reagan introduced the welfare queen into the public conversation about poverty: “She used 80 names, 30 addresses, 15 telephone numbers to collect food stamps, Social Security, veterans’ benefits for four nonexistent deceased veteran husbands, as well as welfare. Her tax-free cash income alone has been running $150,000 a year.” Said by Rachel Black and Aleta Sprauge when addressing the ridicule of Black women receiving government assistance. This false narrative has been branded on the backs of Black women. Shaming and accusing them of being lazy and not being able to take care of themselves.

These stereotypes are ugly and untrue they became a hasty generalization making it very difficult for black women to respected in society. Due to the these things black women are discriminated against disrespected and misrepresented starting at a very young age                                                                                                         

In 2017 Georgetown Law published a study titled Girlhood Interrupted: The Erasure of Black Girls’ Childhood.  Georgetown Law used the word adultification to define the discrimination of black girls. The study applied statistics from 325 adults of various racial and ethnic backgrounds and educational levels. A questionnaire was conducted and revealed that from ages 4-19 black girls are seen as more mature to adults. The data from the study recovered that adults perceive black girls as more educated on sex and less needing of protection than white girls. The study presented statistics stating that black girls are more 2 times more likely to be suspended for minor infractions than white girls and our 2.7 times more likely to be referred to the juvenile justice system.  “These findings show that pervasive stereotypes of black women as hypersexualized and combative are reaching into our schools and playgrounds and helping rob black girls of the protections other children enjoy,” said report coauthor Jamilia Blake, an associate professor at Texas A&M University.  “We urge legislators, advocates and policymakers to examine the disparities that exist for black girls in the education and juvenile justice systems and to pursue reforms that preserve childhood for all.”  The use of the Zero Tolerance policy in the school system only intensifies the bias and violence against black girls.  This policy was created during the Gun Free School of 1994. ZTP is a strict enforcement of regulations and bans against undesirable behaviors or possessions of items.  1 in 3 Black Females are suspected to be incarcerated in their lifetime. The focus of the pipeline to prison have shifted from the focus of Black and Latino males to Black females. The use of excessive force in school is commonly pressed on black females students. “The 2012 arrest of 6-year-old Salecia Johnson, a Black female student in Georgia who was handcuffed at school and removed in a police car, raises questions about how disciplinary policies are enacted at the micro level in classrooms.” Dorothy Hines- Datiri and Dorinda J. Carter Andrews examined how the Zero Tolerance Policy criminalizes Black girls and affects their education.

Here we have a video of a school resource officer using excessive force on a black female student

These injustices that I have just explained is called Misogynoir. Misogynoir is misogyny directed towards black women where race and gender both play roles in bias. It was coined by queer black feminist Moya Bailey, who created the term to address misogyny directed toward black women in American visual and popular culture. Bailey used the term in 2010 on an essay titled “They aren’t talking about me…” posted on The Crunk Feminist Collective blog .” I was looking for precise language to describe why Renisha McBride would be shot in the face, or why The Onion would think it’s okay to talk about Quvenzhané the way they did, or the hypervisibility of Black women on reality TV, ”  Bailey stated in an interview. 

Misogynoir can easily be prevented by educating yourself and others about the dangers of sexism and racism. I suggest reading books about intersectional feminism and race relations in America. These books are titled “Women, Race, and Class” written by Angela Davis former Professor and the first Female Black Panther member “Between the World and Me” Written by Ta-nehisi Coates an American author and correspondent for the Atlantic. As a victim and former perpetrator of Misogynoir I recommend expanding your horizons and open your eyes to the versatility of Black women. Watch Tv shows with Black female leads or all Black female cast that aren't reality shows such as Insecure which was created and produced by a Black woman. Let’s remove the label of Black women having to be modest to respected and stop shaming them for the way they dress,speak, or wear their hair. Remove the label of Black women only being singers or actresses we are more than entertainers we are entrepreneurs,educators, writer, lawyers, athletes,business owners, and activist. In 2014 the Black Lives Matter Movement was created by three black women Alicia Garza, Patrisse Cullors, and Opal Tometi. Their movement has been called racist,unorganized, and anti-police. These Black women stayed strong and refused to be discouraged by criticism. 

  What I’m saying is Black women deserve respect,recognition and protection. They are more than stereotypes and statistics they are human beings. Living in a post-racial society where color does matter and we have to take consideration the disadvantages that black women face in America.  

[chroniclackofselfpreservation]

Creatures of the Night

Chapter 18 - to get burnt by an imitation

Back to the Beginning   < Previous chapter / Next chapter >   

AO3

Masterlist

(TW: pain, verbal abuse, mild violence)

(The title of the chapter comes from "A Promise" by Ernestine Northover)

So many variables, Logan thought, knocking the back of his head against the wall. He’d been sitting on the floor outside the cellar door for who knows how long now, mulling over the plan Virgil had proposed.

“She’ll be back any day now,” he’d explained. “After doing strong magic like that again, I’d be surprised if she wasn’t curious. We’ll have to ambush her. As far as she knows, the curse is still active. She doesn’t have any reason to suspect that Dorian will be on our side.”

“That’s assuming he’s willing to help out,” Roman had pointed out. “The whole reason he accepted the deal was so he wouldn’t have to battle Ursula. I would.”

“We all would,” Patton corrected.

Logan had remained all but silent throughout the process. The others let him be, under the pretense of “intense brainstorming,” but in reality, he was drawing a blank.

He knew nothing about Ursula or her powers, though from what Virgil had described, she sounded pretty invincible. Roman had supposed powers, but knew next to nothing about how they worked, Patton’s ability was more of a passive talent than a weapon, and Virgil was too high on the excitement of having his talisman back to think up a proper, coherent plan. Logan had stepped away, claiming he needed time to think things through—which wasn’t a total lie—and had ended up sitting in the hallway, thinking of nothing.

His eyes flitted over the symbol scorched into the door, its faint purple light pulsing every few seconds.

Is no one in this house normal aside from Logan?

He snorted at the memory of Roman’s words. Normal might be an objective term, but useless wasn’t. He knew any sort of plan that had even a chance of success didn’t involve him. He didn’t have magic. He didn’t have a year’s worth of experience fighting a demon. He had no supernatural ability to tell the future.

Logan was an elementary school teacher. He was that loser from the next class over who thought that looking at bugs during lunch hour was more interesting than talking to real people. He wasn’t a brave knight ready to defend his friend’s honor to an immortal witch.

The only thing he was good at was logic. Being ruthlessly objective. It didn’t take a genius to figure out that he shouldn’t attend the mission. Really, he shouldn’t be involved at all.

Right. So stop being a baby about it and go tell them, he thought harshly.

Stuffing down the dread mounting inside of him, Logan forced himself to his feet and back into the living room.

Things had quieted down after the fiasco that was trapping a goblin in their cellar. Virgil had only given them the barest of details: he was Ursula’s henchman, powerful when he wanted to be, and a total jerk. Now that Virgil’s secret was out, however, he seemed content to roam the house in his feline form. Patton followed him around, making casual conversation despite the fact that Virgil was incapable of replying. The four thin gashes Remus had clawed into his cheek stood out against Patton’s otherwise blemish-free face. He looked like a walking oxymoron. Such a sweet, harmless person looking like he’d tangled with a raccoon over scraps of garbage. Patton had several small scars on his hands, but he’d explained that they were from accidents with hot glue guns and X-Acto knives while crafting with Dot.

“I’m too clumsy for my own good,” he’d say with a shrug and a laugh. Logan would fail to mention the fact that Patton almost never wore short sleeves, and the sneaking suspicion he had that his friend was hiding something. Or maybe he just likes cardigans. Stop being so paranoid.

Roman sat on one of the kitchen stools, a mug of tea Patton had prepared held close to his chest. His knee bounced restlessly as he stared at the ruby-red amulet on the counter in front of him, like he was waiting for it to jump out and bite him. His sun-tanned skin from the summer was starting to fade, which also meant the disappearance of Roman’s annual freckles. He always seemed to develop them in a swath across his nose, making him and Patton look almost related.

Logan blinked, realizing he’d been staring, and walked over. He pulled out the other stool and took a seat. Roman’s head twitched in his direction, like he’d recognized that Logan was there, but couldn’t quite pull himself out of whatever deep thoughts he’d been wading through. His shoulders were tense again.

Logan leaned over. “What tea is that?”

“Lavender.”

“Have you had any of it?”

“No.”

Logan reached out and grabbed the amulet.

Roman’s knuckles went white.

Logan held the jewel up to the light, examining it. “I think we should throw this thing away.”

“But I… need it,” he said, tripping on the words coming out of his mouth.

Logan cocked an eyebrow. “Really? I would think you’d want nothing more to do with it.”

Roman tapped a nail against the mug. “Well, yeah, I hate it. But that doesn’t mean we’re not going to need it when we go up against Ursula.”

“Speaking of which, I’ve come to a conclusion,” Logan said, setting the amulet down. Roman relaxed a bit.

“What’s that?”

“You all will be much better off without me on this mission.”

Patton looked up from the corner of the living room, Virgil trotting easily across the back of the couch. He put his hands on his hips. “What is this wacky talk? Lo, weren’t you the one who wanted us all to stick together from now on?”

“Well, yes,” Logan admitted, “but I’m merely being objective. I don’t have any special skills to contribute, have no unique knowledge about the enemy, and will only be a hindrance to you three.”

Virgil leaped to the ground and resumed his human form, something Logan was still trying to get used to. “You aren’t useless, Logan. You contribute plenty.”

“Well…” Roman said. Virgil shot him an incredulous look. “No! Of course Logan isn’t useless. That’s not what I mean at all,” he amended, holding out a hand. “All I’m saying is that Logan might have a point. Virgil’s the most powerful one here, and I’m what this whole thing is about, not to mention I have a lot more experience with… this kind of stuff.”

“What about me? You can’t possibly think I’m more helpful than Logan, can you?” Patton demanded. “Unless you want me sleeping through the battle, there’s really not much I can offer either.”

“That’s not entirely true,” Virgil said. “You have inherent magic in you, so you can see the truth of things no matter what.”

“The truth of things?”

“That’s how you were able to see Remus and talk to him,” he explained, looking slightly uncomfortable at the amount of attention on him. “Magical creatures like him, or even some spells can be hidden from mortal eyes—like the spell on the cellar door. If… If I wanted to, I could make it so Logan couldn’t see any of it,” he finished haltingly as Logan’s expression wilted.

“It’s settled, then,” Logan said, though it pained him. This was Roman’s curse all over again, except now, he would be sitting at home, alone in the dark, waiting for three of his best friends to return hopefully in one piece.

“No!” Patton cried, looking desperate. “Virgil, if Ursula’s really so powerful, who’s to say she doesn’t come and attack the house while we’re out looking for her? If she’s seen through your eyes like you say she has, then she knows all of our faces. Logan would be alone. We’re safer if we all stay together.”

Logan sighed. “Patton—”

“No, he has a point,” Virgil cut in. “That does seem like something she’d do. I agree with Patton. We can keep each other safer if we’re all together.”

Roman bit his lip. “Okay... I still don’t like it, but you know her best, Virge. So, if you think we’ll be better off together, I’ll go with it.”

“I won’t be dead weight for you guys to carry around,” Logan implored.

Roman put a hand on his shoulder. “You’ll definitely be more dead than weight if you stay here alone, Lo. Trust us on this. Besides,” he said, his face ticking up into that perfect smile that hid his fear, “I wouldn’t want you anywhere else. You know that, don’t you?”

“Of course I do, Roman.” There. We’ll lie to each other and call it even.

Virgil suddenly swayed. He squeezed his eyes shut and grabbed Roman’s shoulder, steadying himself.

Patton’s smile vanished. “Virgil? What’s wrong?”

He shook his head, grimacing. “It’s Ursula. She’s—gah!” Virgil cried out, clutching his head.

“Here. Sit down,” Logan said, carefully guiding him to the dining table. Virgil collapsed into the seat and pressed his forehead against the tabletop, hands tangled in his hair. Logan watched helplessly as his friend whimpered through gritted teeth, trying to control his breathing. At least this feeling of uselessness wasn’t new. Though they now knew the source of Virgil’s sudden headaches, they’d seen him deal with them for years. Each time, the most all three of them could do was sit and keep him company through the worst of it.

Patton placed a comforting hand on Virgil’s back, and Roman watched him suffer with a barely restrained rage burning behind his eyes. Virgil’s shoulder bunched, climbing toward his ears, his shoulder blades cutting sharp angles on his back. His breathing was short and shallow, punctuated by occasional groans or whimpers.

It was strange, seeing Virgil like this after having just seen him so energetic and excited after using the full potential of his powers again.

“Stop it!” Virgil growled, bristling. Patton jerked his hand away, and Logan shot him a comforting look. Patton nodded, though he looked extremely conflicted. They all knew he wasn’t talking to them. Virgil began to tremble, and a strangled sob escaped his lips. Logan’s chest caught. This was getting bad. Worse than most other episodes he’d had.

Patton made a soft, miserable sound.

Roman began pacing, shoulders starting to climb nearly as high as Virgil’s. His hand worked the air, like he was trying to grasp a weapon that wasn’t there.

Something clicked in Logan’s head. Something about seeing his friends like this shoved whatever feelings of uselessness he’d had out of his mind. He may not be able to do much himself in the way of fighting Ursula, but he could support those who could.

“Virgil, listen to me,” Logan said, lips inches from Virgil’s ear. “You can do this. I know you can. We have a plan, and we’re going to beat her.”

Virgil stilled, his trembling fading away. His shoulders relaxed, and he lifted his head. He turned and looked at Logan, a mirthy laugh bubbling out of him. Logan’s blood ran cold.

“You think so, do you?” he said, his lips quirking into a confident smirk.

“What…?” Logan managed through his fumbling mind. The dots were there, he just couldn't connect them. Or maybe he simply didn’t want to. Roman’s head snapped around at Virgil’s words and he stormed forward.

“You leave Virgil alone,” he growled, his voice taking on that tone that made Logan’s skin crawl. Like nails on a chalkboard, but ten times worse.

Virgil stood, the chair squeaking against the tile. His head cocked to the side. “My, my, little prince. You’ve grown, haven’t you! And it’s only been a year. How’s the curse holding up? Oh,” he chuckled, his voice lilting and patronizing, “you must be exhausted. Why don’t you sit down?” Virgil pressed his palm against Roman’s chest. Violet light pulsed outward and Roman flew back into the cabinets.

“Roman!” Patton cried rushing over. Virgil’s neck and arm spasmed, and he looked down at it, as if surprised.

“You’ve gotten more powerful, kitty,” he muttered. “What did you do to poor Remus?”

“We killed him,” Logan said, hoping to hide the tremor in his voice. They couldn’t fight Ursula like this. Not when it was Virgil they’d really be hurting.

Virgil’s attention snapped to him, a smile playing at his lips. “Really? You?”

“We all did,” Logan replied, as if it were the most obvious thing in the world. “Patton has the scars to prove it.”

Virgil glanced at Patton, who touched his wounds a little self-consciously. He shrugged. “Alright, maybe you did. Makes no difference. You, on the other hand,” he said, his hand shooting out and clamping around Logan’s throat. “Tell me this so-called plan of yours.”

Logan grabbed Virgil’s wrist, but couldn’t pull away. His grip was like iron, though he hadn’t cut off Logan’s airway… yet.

Remain calm. “That would defeat the purpose.”

His nose wrinkled in a snarl. “I could snap your neck like a toothpick.” Virgil’s hand trembled, and he glanced at it angrily. Hope blossomed in Logan’s chest.

“I know you’re in there Virgil.”

“Shut up, you useless mortal. What chance do any of you have against me?” he snapped, his hold tightening. Logan wheezed. “Roman’s the most powerful one here, and he can’t even access his own powers. You’re all weak.”

“Let him go!” Roman bellowed standing.

Virgil threw back his head in a fit of laughter. “Or what? You’ll attack your friend? You can’t touch me, little prince.”

Roman paled.

“You underestimate them,” Logan choked out, the pressure in his head building.

Virgil pulled him closer, their faces inches apart. “Please, you’re the least interesting one here,” he sneered. “I’d kill you out of sheer boredom before you were anywhere close to an actual threat.”

“I know that,” Logan rasped. “But as long as they’re here, you don’t have a chance. Roman is the strongest person I know. Patton is incredible, even if he won’t show it. And Virgil is stronger than you.”

“Really? Well, I think it’s time you took a little nap,” Virgil growled, his lip curling. Instead of constricting, his fingers flew apart, releasing Logan—who collapsed to the ground, gasping and coughing. Virgil stumbled back, his whole frame shaking.

“You insolent little whelp!” he screeched, his voice high and stringy. “Stop it! I am your witch! Worthless, undeserving SCUM YOU CAN’T—” Virgil’s voice cut out and his whole body sagged, like the strings holding him up had been cut.

“Virgil?” Patton asked carefully.

Virgil lifted his head, panting. He gave a shaky thumbs up, then his eyes promptly rolled up into his skull. Roman shot forward, catching him before he could collapse completely.

Logan let out a sigh of relief, flopping onto his back and staring up that the ceiling.

Yes, he might be useless, but he’d definitely be there to make sure his friends weren’t.

[mochasandwords]

Hello, Dolan!

Heyo, it’s me again! Yes with another AU! (I need to stop...) I’m still working on my Greater Beings AU and a one-shot I’m debating on doing, but my school is putting on Hello Dolly and this idea came to me. I want to do more of these, but I don’t know which scenes to do more of. I will definitely be taking suggestions if anyone has a preference!

Dolly Levi= Deceit (Dolan) Lyre

Horace Vandergelder= Logan Vattel

Irene Molloy= Roman Monarch

Cornelius Hackle= Remy Hiatos

Minnie Fay= Emile Falloppio

Barnaby Tucker= Virgil Turnus

Ambrose Kemper= Remus King

Ermengarde = Patton Bennet

Ernestine = Wade Sanders (Wrath)  

Words: 1818

Pairings: Intruality, platonic Sleepxiety, implied Logince, implied Loceit

Warnings: death mention, kinda mean rich person? Idk let me know if I need to add anything!

Logan sighed and rubbed his eyes, moving his glasses as he did so. The sound of his nephew sobbing next to him was preventing him from working. He stood up, turning to look at Patton.

“How can I be expected to work with all that bellowing in my ears?” He asked, trying to keep his voice calm.

“I can’t help it, Uncle! I love Remus King!” Patton cried, tugging at his light blue dress.

“And I say you’re too young to be in love with anybody!” Logan said, groaning. He had fallen in love way too early in life. While he had loved his wife in the ways required of him, the two never truly connected. Logan was gay.  

His wife had died a decade ago, and Logan was finally ready to try again at love. That did not mean Patton was ready though. Logan did not want his nephew to jump into love as he had.

“I’m not too young! I’m seventeen, and in another year, I’ll be an old bachelor!” Patton stomped his foot, and Logan tried not to crumble under Patton’s puppy-dog eyes.

“Well, I forbid it! And stop crying near the store windows!”

“I can’t help it! I’m unhappy!” He announced.  

“Then by the stars, you’ll go and weep for a while in New York! Now go upstairs and start packing your trunk, and don’t get any tears on the lock! It was just oiled!” Logan called after Patton as the young man rushed upstairs, still crying. Logan sighed and sat back down at his desk. He hated being harsh on Patton, but he followed his heart too much. Remus King was a painter and brash man. Logan was afraid he would hurt Patton. Intentionally or unintentionally. He turned his mind to New York, where he and Patton were going soon to meet Logan’s fiancé: a hat maker named Roman.

“Speaking of being away….” Logan muttered, stomping his foot three times, “Remy! Virgil!” A muttering came from the basement, and a few seconds later, the trapdoor to the basement opened and two men emerged. Both wore brown pants and a white shirt and apron. Remy’s apron was black while Virgil’s was a pale purple. Remy was the taller and older one, he was also the more experienced one, having worked with Logan longer. They were both hard workers, usually. Virgil went into anxiety attacks when he did something wrong or Logan raised his voice too much. Remy worked late and ended up falling asleep during the day. Logan tried to tell him to leave when his shift was over, but the man wouldn’t let himself be convinced.

“You stamped, Mr. Vattel?” Remy asked, voice gravelly as if he had just woken up. His sunglasses were slightly askew but still hid his eyes. Logan suppressed a sigh.

“I did. I have news for you both. As you know, I am going to New York this afternoon to march in the Nineteenth Street Association Parade. What I haven’t told you is when I come back, you’re going to have a paramour.” Virgil’s green eyes grew wide.

“I-I’m too young Mr. Vattel!” He stuttered. Logan groaned.

“Not yours, Virgil, mine! I mean,” he turned to Remy, “I’m getting married again. And in honor of that occasion, I’ve decided to promote you, Remy, to chief clerk.” Remy’s eyebrow raised.

“And what am I now…?” He asked, slightly sarcastic.

“You’re an exhausted fool, that’s what you are. And I’m promoting you from exhausted fool to chief clerk. Any more questions?” Logan stood up and held his hands behind his back. Remy yawned slightly.

“Yeah, actually.”

“What?”

“Does the chief clerk get one evening off a week?” Remy asked. Logan paused and took a deep breath.

“You already have that, Remy. More than one, in fact. You refuse to take them. So no, you’re not getting an extra one. Now, get back to work, your break was over a while ago. And don’t forget to put the lid on the sheep dip.” The two went to the back of the store to work, Remy saluting Logan as he left. Logan ran his hand through his hair and decided to get some fresh air. He walked outside of his store and stared at the small town around him. A band marched by, playing a familiar tune.  

“Three cheers for femininity! Rah! Rah! Rah! – Rah! Rah! Rah! FEM-ITY. / And in the winter…” They sang. Logan snorted at the misspelling of femininity and watched as the band continued on. Clapping from next to him caught his attention and he turned to see Mr. Dolan Lyre. The man he had hired to find Logan a husband.  

“Amusing, aren’t they? Though I do not like the hidden message of women being more maids than wives…. Anyway, a thousand congratulations!” Mr. Lyre greeted. He wore a yellow button-up blouse with a black, long skirt and a black hat that had black lace that covered half of his face. A golden necklace with a snake charm hung around his neck. Logan’s stomach did a summersault but he pushed it off.

“What?” He asked, bringing his mind back to Mr. Lyre’s mismatched eyes. One hazel and one green.  

“I said congratulations, Mr. Vattel! All New York is buzzing with the news that you’ve practically proposed to Roman Monarch. The streets are lined with eligible young men prostrate with grief. All my congratulations and sympathy-.”

“Sympathy?” Logan asked, fully turning to Mr. Lyre.

“Did I say that? A slip of the tongue, that’s all. No, I’m delighted with the happy news, after all, he wasn’t easy to unload – by that I mean you know what people said. Although I for one never believed the rumors, no, I didn’t.” He hummed, placing his hand on Logan’s arm and guiding them to sitting on the steps that led to Logan’s store.  

“Rumors? What… rumors?”

“Oh, nothing to be upset about, Mr. Vattel. I mean according to all known facts, his first husband passed on quite naturally. It’s just that he went so sudden…. A few spoons of chowder he made special for him and well…. But it could happen to anyone. No, there’s no truth in it. Though, just one word of advice, Mr. Vattel: eat out!” Mr. Lyre chuckled at his joke. Logan raised an eyebrow.

“Now hold on, Mr. Lyre, you mean to say that Mr. Monarch-?”

“I mean to say nothing, Mr. Vattel. Just friendly advice. Keep away from the chowder. Oh! By the way, he’s just ordered his wedding gown, beautiful; you should see it – black! Being a hat designer you’d think he had more taste.” Mr. Lyre stood up and brushed off his skirt, “Well, as I said before, rest in… I mean, may guardian angels watch over you both. Particularly at dinner.” Mr. Lyre muttered, a hint of resentment in his eyes. He started to walk away, but Logan scrambled to his feet and grabbed Mr. Lyre’s arm.

“Look here, Mr. Lyre. You introduced me to Mr. Monarch, and rumors or not I intend calling on him this afternoon as arranged!” Mr. Lyre pulled himself out of Logan’s grip. He seemed to stiffen slightly, but the lace was covering the part of his face that was toward Logan, preventing him from seeing Mr. Lyre’s eyes.

“Very well, Mr. Vattel, then there’s nothing more for me to do but go back to New York, after I finish my other errands of course, and tell the other man, the heir, not to wait….” Logan froze and walked in front of Mr. Lyre, stopping him.

“What did you say?”

“Nothing. Well, a word. Heir.”

“His name?”

“His name? Um… Sanders? Yes, that’s it. Wade Sanders.”

“…A lovely name.” Logan hummed. While he was rich, he could always use a bit more. Especially to find Patton a good school and a proper match. Patton would need the money as well as a second parent.

“Picture, if you will, hair as shiny as a newly minted penny… eyes as big as round silver dollars… skin as soft and mossy as an old greenback. Age 36; weight, a hundred and eighty-six -. Now, I could arrange for you to meet this Thomas this very afternoon.” Mr. Lyre said with a slight smile.

“I don’t have the time, Mr. Lyre. I have to bring my nephew Patton to New York this afternoon until he forgets a certain Remus King!” Logan sighed, remembering his previous plans for the day.  

“I could do that with you, Mr. Vattel.” Mr. Lyre said, moving a bit closer to Logan, “I know just how to handle such things.” Logan felt himself gulp.

“I’m marching in the Nineteenth Street Association Parade after.”

“Well, what an amazing coincidence. Mr. Sanders has been chosen to ride the float for the parade. His mother was a Cash you know.” He spoke that last part quietly. Like he was sharing a secret. Logan bit his lip then nodded.

“Alright, Mr. Lyre. I’ll meet Mr. Sanders at the parade, but I still intend on paying another meeting with Mr. Monarch first.” Logan said, voice unwavering. Mr. Lyre pulled back abruptly and turned to Logan’s store and home.  

“Oh dear, what races you make me run!” He sighed, “Very well, Mr. Vattel! I’ll meet you on that bench in front of Mr. Monarch’s hat shop at two-thirty as usual.” The two walked into the shop together.

“One more thing, Mr. Lyre. Suppose I decide against Mr. Monarch and I don’t like Mr. Sanders either?” Logan asked quietly. He didn’t know what pushed him to ask, but something had forced it out of him. Mr. Lyre paused from grabbing Logan’s hat and coat from the coat rack.

“Well, I happen to have one more name on my list, Mr. Vattel. A name I know as well as my own, but let’s not go into that now.” He handed Logan his hat and helped him into his coat, “It’ll come up by itself all in good time. Don’t you worry about it!” Mr. Lyre patted Logan on the back and started to push him out of the store, “Oh! But wait until you see Wade, Logan! A vision! A dream!” Logan chuckled.  

“All right, all right. I’ll leave it up to you. I’m trusting you, Dolan.” He smiled. Mr. Lyre smiled softly back.  

“You can, Logan. Patton will forget about Mr. King and you’ll find your husband all before the end of the day.” He announced. Logan tipped his hat and walked out of the store. He hadn’t even gotten a few feet when he heard Mr. Lyre start to sing.

“Yes, it takes a man… to bring you the sweet things in life.”  

--------------------------------------------------------------------------------

@queer-sprite hey girl you wanted to read this when I was done?

[bdscuatui]

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Mia, 41.000 đô la. • 275 Davidson, Patricia Ann Thomas đến 275 Davidson LLC, 40.000 đô la. • 1501 Genesee St., Jhura Corp; Jhura Inc đến Mafiz ký kết Inc, 40.000 đô la. • 393 Northampton, Mohammed Ashak đến Kamrul Hassan Bhuiyan, 39.000 đô la. • 56 Wick St., Kevin Clark đến Md Jahangir Alam, 37.100 đô la. • 2166 Bailey Ave. Cứu Grace Min Ministry Inc cho Sadaf Hina Jawed; Muhammad Arslan Yousaf, 36.000 đô la. • 225 Hagen St., Lindenhurst Gas Corp đến Rozina Akhter; Jamal Hossain, 35.000 đô la. • 354 Florida, Michael A. Seaman; Thành phố Buffalo cho người nổi tiếng bất động sản Hoa Kỳ Inc, 34.000 đô la. • 87 Alma, Thành phố trâu đến Nilufa Yeasmin Mosammat, 33.000 đô la. • 94 Krettner St., Timothy James Andulchat; Mary L. Coston đến Esb Group LLC, $ 32,800. • 58 Maryland St., Geoff Wade; Geoffrey lội đến Bonkuka Fnu Kwayo Ithe, 30.000 đô la. • 128 Carl, Michael A. Seaman; Thành phố Buffalo đến Amirul Hồi giáo, 27.000 đô la. • 43 B, Elora Saied đến Aklima Karim Khan, 21.000 đô la. Ngân hàng Hoa Kỳ NA Tr đến Hzmy LLC, $ 17,622.CHEEKTOWAGA • 68 Ad Windwood Court, Windwood Place LLC đến 3095 Harlem Road Inc, $ 425.000. • 121 Groell Ave., Zabihollah Khaiber đến Mushtaq A. Mohamed, $ 275.000. Dorothy A. Coyle; Ronald J. Coyle đến 3200 Genesee St. LLC, 220.000 đô la. • 51 Goering Ave., Standard Property Management LLC đến Cyprian L. Mbeke; Kai E. Mbeke, 210.000 đô la. • 35 Crandon, Ralph Tweetsey đến Shahin Ahmed; Nele Begum, $ 167.500. • 116 Yvonne Ave., James E. Kolhoff; Marcella J. Kolhoff cho Humayyah Lee Hayward, 165.000 đô la. • 503 Walton Drive, Briana L. Niland cho Richard A. Hall Jr., 162.500 đô la. • 461 Darwin Drive, Janice Tucker cho Joseph L. Coleman IV, 149.000 đô la. • 99 Lou Ann Lái xe, Syte LLC đến Jenna Willis, 146.900 đô la. • 148 Đường Briarcliff, Jeremy B. Hoover đến Nathaniel B. Niver, 145.000 đô la. • 50 Wells Ave., Susan Casucci; Susan B. Casucci đến Sabrina N. Casucci, 145.000 đô la. • 195 Mcnaughton Ave., Michael P. Wendel đến Laurie A. Yaeger, 140.000 đô la. • 307 Parker St., Malwina Lubonski đến Daniel R. Bunch Jr., 125.000 đô la. • 20 Lái xe Parkedge, Brian D. Richards; Renee C. Richards đến Willie Frank Cickyham; Lucy Shannon, 100.000 đô la. • 142 Elmwood Ave., David J. Bartochowski; Bartochowski Irene M tháng 12; Norbert L. Bartochowski cho David Anderson; Melissa Anderson, 90.100 đô la. • 114 Glidden St., Helen A. Piatkowski; Jeanette Ruperti; Chester J. Wrobel; Thomas J. Wrobel đến Hdh Realty Inc, 90.000 đô la. • 107 Olanta St., Guinevere C. Horst; Thomas E. Horst đến James Haley III, 66.000 đô la. • 94 Woodell Ave., Sandra A. Piatek đến Amanda L. Fliss; Virginia Szalczewski, $ 52.500. • 18 Helenbrook Lane, Suzanne M. Kowal; Barbara M. Stanton đến William A. Scholz, 50.000 đô la. • 1591 East Delavan Ave., Douglas J. Stone; Nancy A. Stone đến Ks State Inc, 36.000 đô la. • 19 Vera Ave., Darlene R. Dudzic; Vincent Lotempio đến Cơ quan thế chấp của tiểu bang New York, $ 33,174. • 114 Glidden St., Schlant Mark J Bkr Tr; Wrobel Thomas J Bkr Tr đến Hdh Realty Inc, 30.000 đô la. • 1272 & 1280 Walden Ave., Scott A. Bylewski; Quận Erie đến 1280 Walden LLC, 17.000 đô la. • Đất trống 3048 William St., James Roberts đến Raas Lending Corp, 15.000 đô la. • 89 Henry St., James Hill đến Kevin Wiess, 15.000 đô la. LỚN • 5354 Briannas Nook, Forbes Homes Inc tới Jeffrey M. Meissner, 492.215 đô la. • 5733 Waterford Lane, Essex Ngôi nhà của WNY Inc cho Kevin D. Callahan; Mary J. Callahan, 450.145 đô la. • 9409 Bonnie Fay Drive, Edward M. Bartel; Rebecca L. Bartel đến Karalyn A. Freitag; Peter J. Freitag, 440.000 đô la. • 9640 Cao St., Ashley S. Tibbetts; Evan R. Tibbetts đến Emily A. Adolf; Kurt C. Adolf, $ 390,000. • 8061 Clarherst Drive, Walter J Floss Jr Tin tưởng có thể hủy bỏ 081806 Tr cho Jonathan D. Schierer; Shirley Schierer, 350.000 đô la. • 6125 Đường Goodrich, Barbara Schmid đến Konrad H. Diehl, 205.000 đô la. • 8885 Tòa án Williams, Karin M. Ryan; Robert J. Ryan đến Mcw Const Inc, 155.000 đô la. • 5861 1c Goodrich Road, Thaddeus Reszel; Thaddeus F. Reszel Jr. đến John E. Thur; Susanne K. Thur, 140.000 đô la. • 8928 Willyoungs Nhìn ra, Cimato Enterprises Inc đến Marrano / marc Equity Corporation, 130.000 đô la. • 8783 Stahley Road, Keepsake Homes Inc cho Rosado Manuel E Garcia; Torres Johanne I Batiz, 85.000 USD. • Vùng đất trống Sheridan Drive, Christopher D. Carollo; Richard C. Reinhold đến Ehsan Afshani; Victoria Skurski, 60.000 đô la. • 8150 Hampalinger Road, Betty Lou Fiegl đến Christopher Lavocat; Meredith Lavocat, 50.000 đô la Mỹ. 7751 Đường Ailen, Lawrence J. Calleri; Paula J. Calleri cho Jennifer R. Hoffman; Todd Hoffman, 285.000 đô la Mỹ. 2274 Orchard Place, Irvine J. Gaffney; Richard C. Gaffney to Jammy Noyes, $ 118,000.CONCORD • 9206 Middle Road, Deborah A. Bruno đến Ryan A. Bruno, 155.000.ELMA • 140 Jackman Lane, Charles Agnello; Debra Agnello to Dane D. Đếm; Renee L. Koppenhaver, $ 580,000. • 2751 Bowen Road, David A Ross & diane M Ross Renovation31 LLC đến Joyce M. Chlebek; Mark P. Chlebek, 394.000 đô la. • 6 Hidden Valley Drive, Costa Family Trust 112211 Tr cho Jason Brostko; Julie Brostko, $ 287.500. • 91 Đường Hickory Hill, Michael C. Walczak; Sharon S. Walczak đến Nicole K. Sobol; Spencer L. Sobol, 285.000 đô la. TIẾNG VIỆT • 6694 Prescott Drive, David W. Bates; Paula M. Bates; Bethany Rubin đến Bank of America NA, $ 150,862. • 9729 Versailles Road, Catherine J. Piall đến Darlene M. Ignasiak, $ 101,017. • 8191 Erie Road, Jean Guenot tới Duncan Tyler Jewitt, $ 80.000.FARNHAM • 580 Thương mại St. Orlando; Nicholas J. Orlando; Paul C. Orlando đến Devon Richards, 82.000 USD. ĐẢO ĐẢO • 301 Thuộc địa, Neil F. Hoffman; Heidi C. Martin đến Breanne Rhoads; Kyle M. Rhoads, $ 189.000. • 153 Riverdale Drive, Scott M. Green đến Michele L. Wanko, $ 163.000 .AMAM • 5566 Camp Road, Dc Sw Cleburne LLC đến Micropropericat One LLC, $ 1,011,050. • 2296 Agassiz Drive, Marrano / marc Tập đoàn đến Jason C. Walsh, $ 344,612. • 53 Nice Ave., Ruth S. Wood cho Eric M. Herman; Laura Herman, $ 245,000. • 6671 Đường Burke, George H. Yoviene đến Maryann Miller; Thomas D. Miller, 220.000 đô la. • 4330-berkley Pl & 14075, Mark Leas; Nancy Vitale Leas to Mark C Leas 2015 Revocable Trust Tr, $ 40,000. LACKAWANNA • 95 South Shore, Kyle Wheeler đến Maureen T. Sweeney, 202.500 đô la. • 87 Shamokin Drive, Salvatore A. Monaco đến Debra J. Pytlak; Richard J. Pytlak, 150.000 đô la. • 50 knowlton Ave., Brett J. Gage đến Megan L. Sobocinski; Timothy M. Wilton, 146.810 đô la. • 37 Vincent Ave., Ethan W. Collins; Kenneth Gutschall cho Rmac Trust Series 2016-Ctt Tr; Ngân hàng Hoa Kỳ NA Tr, $ 117,458.LANCASTER • 6291 Broadway, Cheryl A. Derkovitz; Peter A. Derkovitz đến Kim Obllin Bucci; Rudolf D. Bucci, $ 635,000. • 105 Avian Way, Marrano / marc Equity Corporation cho Jamie L. Fletcher; Jonathan R. Fletcher, $ 420,908. • 19 Cây thông, Linda E. Stephens; Richard A. Stephens đến Ari H. Almqvist; Domenika C. Bryant, 360.000 USD. • 26 ngõ Logan, Ann Marie Pickard; James N. Pickard đến Beverly Skorupa; Robert Skorupa, 343.000 đô la. • 25 Willow Ridge, Vera Dziadyk; Zenart J. Dziadyk đến Jeannine Haak; Scott Haak, $ 295.000. • 47 Tín hiệu ổ đĩa, Robin M. Dickman; Scott J. Dickman; Scott Dickman; Robin M. Greene; Robin Greene; Michael J. Herberger đến Fannie Mae, $ 211,712. • 30 Hess Place, Thomas P Schuster Ira Ben; Công ty ủy thác cổ phần đối với Elizabeth Kreppel; Joseph R. Kreppel, $ 208,000. • 76 Robert Drive, Jeannine A. Haak; Scott M. Haak đến Nina N. Mohsini, 198.000 đô la. • 2a St Anthony St., William Severyn đến Ambitious Enterprises Inc, 35.000 đô la. • 2b St Anthony St., William Severyn đến Ambitious Enterprises Inc, 35.000 đô la.MARILLA • 11518 Jamison Road, Justin Enterprises của Marilla Inc đến C & c Snyder Properties LLC, 350.000 đô la. XEM LẠI • Đường đất trống, Đường sân kh��u, Candy L. Zackey; Thomas S. Zackey cho John E. Thur; Susanne K. Thur, 130.000 đô la. BỘ SƯU TẬP • 10637 Elm St., Danielle C. Diltz đến Kristen Thomas, $ 118,450.ORCHARD PARK • 124 Breezewood Drive, Michael J. Sullivan Jr. đến Chandler Reid Ferguson, $ 420.000. Edward M. Kruk; Sharon Kruk đến Kelly D. Pomana, 200.000 USD. • 29 Burbank Drive, Delphine A. Rollek; Delphine Ann Rollek đến Thomas Anthony Rollek; Wendy Sue Rollek, 180.000 đô la. • 5661 Scherff, David F. Allan; Diane M. Finger; John Finger cho Bobbi Jo Clark, 150.500 đô la. • 3904 Đường Abbott, Danie E. Brick; Debbie Mcdonell; Deborah M. Mcdonell; Deborah Mcdonell; Joseph D. Mcdonell; Joseph Mcdonell đến Ngân hàng M & t, $ 77,732.SARDINIA • Đường Olean, Mark I LLC đến Mark A. Kless, $ 76,560.CITY OF TONAWANDA • 60 Broad St., D Avid Commercial Properties LLC đến Veg Properties LLC, $ 210.000. • 739 Fletcher St. , Maryann S. Miller; Thomas D. Miller đến Salvatore Niro; Samantha Niro, 152.000 đô la. • 145 Syracuse St., Richard George Sửa sang Bradley N. Sciandra; Raelyn A. Sciandra, 130.000 đô la. • 43 Schuler Ave., Justina Heerdt; Richard Heerdt đến Paige Gore; Luke William Koren, 125.000 đô la.TONAWANDA • 1840 Military Road, Borowski Enterprises LLC đến Classic Lanes Realty LLC, 950.000 đô la. • 167 Irving Terrace, Karolynne M. Walters đến Ye Wu, 214.900 đô la. • 80 Marquette Ave., Ryann Hartmayer cho Kathryn R. Eskew; Ron W. Eskew, 180.000 đô la. • 19-25 Hale Court, V & f Property Management LLC đến G & w Capital Real Real LLC, 165.000 đô la. • 45 Fairlane Ave., Willard A. Sanscrainte Sr. đến Dawn L. Patton; Jonathan Patton, 155.000 đô la. • 111 Westfall, James V. Bartkowski; Thomas V. Bartkowski; Patricia M. Grundtisch; Kathryn M. Ryan đến John H. Callowhill, 134.000 đô la. • 48 Warburton Place, Joseph E. Barry đến Matthew R. Braun, 125.600 đô la. • 463 Harrison Ave., Flower City Properties LLC đến Samantha Williams, 112.000 đô la. • 306 Abbington Ave. , Mark S. Aquino; Ethel Rakowski cho Paul J. Tagliarino, 110.600 đô la. • 471 Delkn Ave., Bertha Tejada đến Roy F. Thurston; Sherry L. Thurston, 101.000 đô la. CÁCH • Đất trống Hunters Creek Road, Mary Munn; Richard Munn đến 606 Oakwood LLC, 84.500 đô la. • 6234 Đường Vermont Hill, Norman R. Daruszka Jr. đến Lsf9 Master Sự tham gia của Master Tr; Ngân hàng Hoa Kỳ NA Tr, 79,733 đô la. SENECA TỐT NHẤT • 69 Tracy Lynn Lane, David J. Nagy; Rosanne M. Nagy đến Kelly A. Gorczyca; Matthew C. Gorczyca, 250.000 đô la. • 273 Garry Drive, Lsf9 Master Trion Trust Tr; Ngân hàng Hoa Kỳ NA Tr đến Tracy tháng 5, $ 200.000. • 33 Arrowhead Drive, Jennifer R. Hoffman; Todd D. Hoffman đến Ronnie Hartman, $ 193,300. • 77 Barnett Drive, Gerald M. Kane; John P. Kane; Joseph M. Kane; Karen E. Kane; Mary C. Kane; Michael F. Kane; Paul A. Kane; Peter T. Kane; Maureen A. Orayfig; Sheila P. Pierce cho Joseph M. Kane; Michelle Kane, 180.000 đô la. • 120 Burch Ave., Liebner Kinda; Mary K. Schwartzmeyer; Thomas J. Schwartzmeyer gửi Ngân hàng Hoa Kỳ NA, $ 172,986. • 51 Greymont Ave., Steven Melock; Charles C. Siwy đến La bàn mạo hiểm của WNY LLC, 120.000 đô la. • 57 Elmsford Drive, Victor Paul Olejniczak đến My Place của WNY LLC, 118.500 đô la. • 4099 Seneca St., Bank of America NA đến Tamsitu Holdings LLC, $ 7.980. [ad_2] Nguồn

[blairemclaren]

Ernestine Wade Death - Obituary | Ernestine Beasley Wade Has Died

Ernestine Wade Death - Obituary: On July 23rd, 2021, InsideEko Media learned about the death of Ernestine Wade through social media publications made on Twitter. Click to read and leave tributes

Ernestine Wade Death – Obituary: On July 23rd, 2021, InsideEko Media learned about the death of Ernestine Wade through social media publications made on Twitter. InsideEko is yet to confirm Ernestine Wade’s cause of death as no health issues, accident or other causes of death have been learned to be associated with the passing. This death has caused a lot of friends and family of Wade so much…

[winsonsaw2003]

Looking For Family Of Paul August Felix David (1874-1938)

Born in 1874 Rutlandshire.Son of Peter Julius Paul David & Auguste Christen.Educated at Trinity College,Glenalmond.He died in 1938.

.He married Edith Lucille Ernestine Herdman.She married 1stly,William Claude Gardiner.

Their issue:-

i) Anthony Julian Claude Gardiner (1917-1942).

His siblings:-

i) William Wolfgang David (1867). ii) Louise Caroline Charlotte David (1868-1958) married Samuel Gottlieb Fricker. Their issue:-

ai) Barbara Elise Fricker(1900-1973) married Harold Blackhouse Fuller Sandwith.

aii) Pauline Annette Fricker (1908-1997) married Vivian Rene Broadway Smallwood.

Their issue:-

bi) John Adam Vivian Smallwood.

bii) David Paul Smallwood(1943-2012) married Janet Lorelei Marshall.

His issue:-

ci) Annette Joy Smallwood.

cii) Lucy Helen Smallwood married Robert Barker.

Their issue:-

di) Arlo Barker.

dii) Mathilda Barker.

biii) Richard Henry Smallwood.

biv) Catherine Annette Smallwood married Keith Stuart Marsh. Their issue:-

ci) Alexandra Catherine Marsh married David Reeves.

Their issue:-

di) Felix James Reeves. dii) Annabelle Sarah Reeves. cii) Sarah Marsh married Christopher Disney. Their issue:-

di) Florence Rose Disney. dii) Chester Disney. bv) Nicholas Quentin Smallwood married Yolande Bell.

His issue:-

ci) Amy Helen Pauline Smallwood married Luke Parfitt. Their issue:-

di) Finley Parfitt.

iii) Ferdinand August Peter David (1870-1971) married Grace Mary Roland. His issue:-

ai) Felix Percy Ferdinand David (1895-1962) married Mabel Geraldine Peyton. His issue:-

bi) Brian C David (1921-2001).

bii) Lorene Mabel David(1926-2005) married 1stly,William Edwin Proctor and 2ndly, Grover Charles Boyer Jr. Their issue:-

ci) David Craig Proctor(1951-1977).

cii) Daniel Keith Proctor married Rhonda Dunham.

ciii) Raye Peyton Boyer (1943-2019) married Benjamin Frank Foster Jr. Their issue:- di) Benjamin Frank Foster III married Scarlett E Ryan.

dii) David Peyton Foster married Wendy J Forbes.

diii) Katherine Raye Foster married Jim

civ) Kelly Lee Boyer married Bryan W Holder.

aii) Paul David (1897). aiii) Gwendolyn Irene David (1899-?). aiv) Edith Pauline David (1902-1911).

av) Elsie Grace David (1903-1995) married ( Andrew Klaiber) John William Claybert.

Their issue:- bi)  Bruce Robert Claybert (1932-1999) married Edith ?. His issue:- ci) Dennis Claybert (1958-2020) married  Linda Ulliac ?. His issue:- di)  Wesley Lillico Claybert.

dii)  Sarah Claybert married ?. Scott. diii)  Kori Claybert married ?.Brent. div)  Maki Claybert. dv)  Shelby Claybert. cii) Gordon Wade Claybert (1962-2017) married Marilyn Ann ?. His issue:- di) Karla Claybert married ?. Adams. dii) Matt Claybert. di) Cody Chase Jake Claybert (1986-2002).

ciii) Clayton Claybert married Doreen ?. civ) Dennis Claybert married Linda ?. cv) Sandra Evans Claybert married ? Bill. cvi)  Waverly Spencer Claybert married ?. Ed cvii)  Kirby Claybert married  Gaylene ?. avi) Harry Noel David (1910-1987). iv) Caroline Marie Auguste David (1871-1923) married Robert Noel Douglas. Their issue:-

ai) Vera Helen Douglas. Please contact me at :- winsonsaw20032000@yahoo.com

[kwebtv]

      Passages - The Amos ‘n Andy Show

Alvin Childress  (September 15, 1907 – April 19, 1986)

Spencer Williams  (July 14, 1893 – December 13, 1969)

Tim Moore  (December 9, 1887 – December 13, 1958)

Ernestine Wade  (August 7, 1906 – April 15, 1983)

Amanda Randolph  (September 2, 1896 – August 24, 1967)

Johnny Lee  (July 4, 1898 – December 12, 1965)

Nick Stewart  (March 15, 1910 – December 18, 2000)

[winningthesweepstakes]

Ernestine's Milky Way by Kerry Madden-Lunsford, illustrated by Emily Sutton

Ernestine’s Milky Way by Kerry Madden-Lunsford, illustrated by Emily Sutton

 Ernestine’s Milky Way by Kerry Madden-Lunsford, illustrated by Emily Sutton, schwartz and wade, (9781524714840), 2019

Format: Hardcover

Rating: 1-5 (5 is an excellent or a Starred review) 4

Genre:  Historical fiction picture book

What did you like about the book? Ernestine lives in a little house with her mother (her father is off fighting in WWII), who is pregnant with twins. They have a…

[mimivontease]

Today's actress, Ernestine Wade. Ernestine Wade (August 7, 1906 – April 15, 1983) was an American actress who is best known for playing the role of Sapphire Stevens on both the radio and TV versions of The Amos 'n' Andy Show. #mimivontease #blackbarbiechronicles #blackhistorymonth #ernestinewade #tbt #throwbackthursday #blackactress #blackactors