#Enteral Feeding Devices Market Scope

[mitalipingale]

The Enteral Feeding Devices Market in 2023 is US$ 3.96 billion, and is expected to reach US$ 6.87 billion by 2031 at a CAGR of 7.12%.

[marketprofessional]

Nutrition Meets Innovation: The Rise of Enteral Feeding Device Market 🚀🧪

Industrial Snapshot of Enteral Feeding Devices Market

The Enteral Feeding Devices Market Report is a treasured source of insightful data for business strategists. It provides an in-depth assessment of numerous features of industries like market overview, present progress valuations, historical and future Studies, current trends, SWOT valuations, and clients operating in several regions. The study provides valuable information to magnify the understanding, scope, and segments of this report. The report covers a comprehensive analysis of Enteral Feeding Devices Market segmentation, regional and country breakdowns. This research will offer a clear and exact idea about the whole industry to the readers to make beneficial decisions.

According to Straits Research, the global Enteral Feeding Devices market size was valued at USD 3.27 Billion in 2022. It is projected to reach from USD XX Billion in 2023 to USD 5.24 Billion by 2031, growing at a CAGR of 5.4% during the forecast period (2023–2031).

This study pinpoints noteworthy trends influencing the trajectory of the Gesture Recognition market's expansion. Within this recently issued report, crucial dynamics encompassing drivers, limitations, and prospects are underscored. These aspects hold relevance for well-established market entities as well as emerging stakeholders engaged in the realms of production and supply.

Request a Sample Report @ https://straitsresearch.com/report/enteral-feeding-devices-market/request-sample

Competitive Analysis

The report contains an in-depth analysis of the vendor’s profile, including financial health, business units, key business priorities, SWOT, strategies, and views.

Kimberly-Clark Corporation

Abbott Nutrition

ConMed Corporation

Moog Inc.

C.R.Bard

Danone

Cook Medical

Boston Scientific Corporation

Amsino International Inc.

Braun Melsungen AG

Fresenius SE & Co. KGaA

Vygon SA

Applied Medical Technology Inc.

Avanos Medical Inc.

Cardinal Health Inc.

Fidmi Medical

ALCOR Scientific Inc.

The vendors have been identified based on the portfolio, geographical presence, marketing & distribution channels, revenue generation, and significant R&D investments.

Request Sample Report of Global Enteral Feeding Devices Market @ https://straitsresearch.com/report/enteral-feeding-devices-market/request-sample

Vendors across different verticals are planning for high investments in this market, and as a result, the market is expected to grow at an impressive rate in the upcoming years. The key players are adopting various organic and inorganic growth strategies such as mergers & acquisitions, collaboration & partnerships, joint ventures, and a few other strategies to be in a strong position in the global market.

Market Segmentation Analysis

The report provides a wide-ranging evaluation of the market, providing in-depth qualitative insights, historical data, and supportable projections along with the assumptions about the Enteral Feeding Devices Market size. The projections featured in the report have been derived using proven research methodologies and assumptions based on the vendor’s portfolio, blogs, white papers, and vendor presentations. Thus, the research report represents every side of the Enteral Feeding Devices Market and is segmented on the basis of regional markets, offerings, applications, and end-users.

By Product

Enteral Feeding Pumps

Enteral Feeding Tubes

Enteral Syringes

Giving Sets

Consumables

By Age Group

Adults

Pediatrics

By End User

Hospitals

Ambulatory Surgical Centers

Home Care

By Application

Gastrointestinal Diseases

Cancer

Malnutrition

Neurological Disorders 

Access Detailed Segmentation @ https://straitsresearch.com/report/enteral-feeding-devices-market/segmentation

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Smartphone 3D Camera Market Current Scenario and Future Prospects by 2032

Smartphone 3D Camera Market provides in-depth analysis of the market state of Smartphone 3D Camera manufacturers, including best facts and figures, overview, definition, SWOT analysis, expert opinions, and the most current global developments. The research also calculates market size, price, revenue, cost structure, gross margin, sales, and market share, as well as forecasts and growth rates. The report assists in determining the revenue earned by the selling of this report and technology across different application areas.

Geographically, this report is segmented into several key regions, with sales, revenue, market share and growth Rate of Smartphone 3D Camera in these regions till the forecast period

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Europe

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Browse More Details On This Report at @https://www.globalgrowthinsights.com/market-reports/smartphone-3d-camera-market-100574

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Global Enteral Feeding Devices Market Competitive Strategies and Forecasts to 2031

The Enteral Feeding Devices Global Market Report 2021-31 by The Business Research Company describes and explains the global enteral feeding devices market and covers 2016 to 2021, termed the historic period, and 2022 to 2026, termed the forecast period, along with further forecasts for the period 2026-2031. The report evaluates the market across each region and for the major economies within each region.

The Enteral Feeding Devices Global Market Report 2022 covers enteral feeding devices market drivers, enteral feeding devices market trends, enteral feeding devices market segments, enteral feeding devices market growth rate, enteral feeding devices market major players, and enteral feeding devices market size.

View Complete Report:

The enteral feeding devices market report provides in-depth analysis of the impact of COVID-19 on the global enteral feeding devices industry along with revised market numbers due to the effects of the coronavirus and the expected enteral feeding devices market growth numbers for 2022-2031.

The global enteral feeding devices market size is expected to grow from $3.60 billion in 2021 to $3.84 billion in 2022 at a compound annual growth rate (CAGR) of 6.53%. The growth in the market is mainly due to the companies resuming their operations and adapting to the new normal while recovering from the COVID-19 impact, which had earlier led to restrictive containment measures involving social distancing, remote working, and the closure of commercial activities that resulted in operational challenges. The global enteral feeding device market share is expected to reach $4.87 billion in 2026 at a CAGR of 6.12%.

Request Report Sample Now: https://www.thebusinessresearchcompany.com/sample.aspx?id=5686&type=smp

Enteral Feeding Devices Global Market Report 2022 is the most comprehensive report available on this market and will help gain a truly global perspective as it covers 60 geographies. The chapter on the impact of COVID-19 gives valuable insights on supply chain disruptions, logistical challenges, and other economic implications of the virus on the market. The chapter also covers markets which have been positively affected by the pandemic.

TBRC’s report covers the enteral feeding devices market segments- 1) By Product: Enteral Feeding Tubes, Enteral Feeding Pumps, Administration Sets, Enteral Syringes, Others

2) By Application: Oncology, Gastrointestinal Diseases, Neurological Disorders, Diabetes, Others

3) By End-User: Hospitals, Home Care Settings, Ambulatory Care Settings, Others

Table Of Contents

1. Executive Summary

2. Enteral Feeding Devices Market Characteristics

3. Enteral Feeding Devices Market Trends And Strategies

4. Impact Of COVID-19 On Enteral Feeding Devices

5. Enteral Feeding Devices Market Size And Growth

.

.

26. Africa Enteral Feeding Devices Market 

27. Enteral Feeding Devices Market Competitive Landscape And Company Profiles

28. Key Mergers And Acquisitions In The Enteral Feeding Devices Market

29. Enteral Feeding Devices Market Future Outlook and Potential Analysis

30. Appendix

About The Business Research Company:  The Business Research Company is a market intelligence firm that excels in company, market, and consumer research. Located globally it has specialist consultants in a wide range of industries including manufacturing, healthcare, financial services, chemicals, and technology. It has offices in the UK, the US and India and a network of trained researchers in 20+ countries globally.  

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[is6621]

VSCO and Gen Z: There’s More to the Story by Hannah Fay

Last week I presented on VSCO as a platform for brands to reach Generation Z in a way that feels more organic than traditional social media channels. It gets much of its appeal from a lack of ads, a sense of authenticity, and a reputation as a place of refuge from the pressures of more evaluative platforms like Instagram and Facebook. I was surprised to find that most of the class was generally unfamiliar with the app (other than name recognition)! Below I’ll talk about some of the points that I didn’t get to during my presentation and address some of the questions the class asked a little bit more in-depth.

USING VSCO

During the questions portion, I got asked a lot about the mechanics of the app. Here’s an example of the steps a user might take to edit and post a picture (see replies as well). You’ll notice that not even close to all of the options available are used -- this is where VSCO’s appeal for photo-editing comes in. A seemingly endless array of tools like “white balance,” “shadows tint,” “grain,” and “vignette” enable users to create an infinite amount of filter combinations even before taking the presets (or VSCO-developed filters) into account. A certain amount of the presets come free to use upon downloading the app, and some can be purchased in-app (more on that later). They’re designed, according to CEO & Co-Founder Joe Flory, to recreate the look and feel of real film, lending a sense of authenticity that Generation Z can appreciate.

This is where VSCO can differentiate itself from Instagram, and why the two are able to coexist. Instagram simply does not offer the scope of editing tools that VSCO does -- users will often edit a photo on VSCO and later export it to post on Instagram. For users like this, VSCO is the artistic medium, and Instagram is the means for social connection. This is something that the company’s creators would be OK with, seeing themselves as running a creative company -- not a social company. I’ve also included some screenshots below to illustrate what the user sees in-feed in lieu of a display of likes/reposts. While the user could admittedly count the number of likes and republishes their image receives by hand, this is not the primary focus of the app.

HOW THEY MONETIZE

The app is free to download and free to use for all. Most editing tools are available for free, along with a healthy amount of presets (aka filters). The branded filters I’ll discuss more below are also available for free. And, again, VSCO does not allow ads on their platform. So how in the world do they make money? In the past, essentially the only way was to sell filters. A “shop” icon leads the user to a store offering packs of filters in sets of 4, 6, 8, 10, and 12 for prices ranging from $0.99 to $3.99. But this was difficult in that the purchases were one-time and therefore a somewhat limited source of revenue.

Enter VSCO X, the company’s subscription service rolled out as an invite-only exclusive in late 2016. It’s since then expanded to be available to all users, and is mainly responsible for the company’s 91% growth in revenue in 2017. For $20 a year, the 1 million plus members of VSCO X get unlimited access to all filters and presets, including some created to emulate the look of Fuji and Kodak film, and including some that cannot be purchased separately in-app. Users can access additional editing tools for color balance, and can utilize VSCO’s Sens technology to edit videos with all available filters and tools. Check the video here (or the replies) for an idea of just how extensive the filter library really is. 

Why does VSCO X appeal specifically to Gen Z? For this generation more than any other, their online presence is as much an expression of self as their physical presence. The ability to get their photos to appear exactly as they’d like with relative ease matters. Also important is the fact that the influencers Gen Z knows and loves use VSCO for their own editing. They’re already well accustomed to paying for services like Netflix, Spotify, Hulu, and more on a monthly basis. Although $20 sounds like a lot, it translates to roughly $1.60 per month. That’s much less than other common subscription services seen now as a necessity -- so what’s the harm in one more?

BRANDS THAT USE VSCO

I mentioned in my presentation that brands could work with VSCO in two main ways: one, they could collaborate on branded filters and collections, or two, they could use the VSCO Connect Beta to be matched with content creators.

Nike, Levi’s, and Oakley are some of the best-known brands that debuted their own VSCO filters. When said presets are released, users receive an in-app popup inviting them to download for free and giving a little background information on why the brand has chosen to work with VSCO and what the filter represents. For example, Nike’s TECH preset was released “to celebrate the release of the new Nike Tech Pack,” and invites the user to share their own photos using the TECH preset and #techpack hashtag. As for all branded presets, photos tagged in this way are added to a grid or collection of other user generated images. VSCO further aids the brand by inviting the user to view said collection via a linked post in their normal feed. Generation Z would, in general, form an affinity for brands that interact with them in this way: “How cool is it that Levi’s (or Oakley, or Krochet Kids, or Nike…) provided me with a brand new filter, for free, that fits my aesthetic perfectly?”

Chobani, Strava, Nike (again), and Timberland, on the other hand, are some of the better-known brands that worked with the VSCO Connect Beta. As discussed in class, any company that wanted to take part in the service was asked to submit a brief creative summary stating the goals of the campaign and/or brand and the vision to be realized. VSCO would then have their AI technology (called AVA) step in to scan millions of profiles and match companies with five or so content creators that align with company vision. At this point, companies can select one of the five to produce content in about four weeks’ time. The finished product resembles user-generated content more heavily, lending brands a sense of  authenticity that Gen Z appreciates. Gen Z will also be happy to know that the brand is giving lesser-known content creators not signed with agencies a chance to further their careers -- marketing with a cause.

MORE ABOUT AVA

The biggest rising star of VSCO is their AI technology, AVA. AVA does more than simply recognize that an image is of a dog or a tree or a slice of cake. According to VSCO co-founders, AVA can assess the mood of the photo, and what feelings it might evoke. How does it manage to do this? Its technology rests upon four years of human “tagging” data, during which time human VSCO employees rated photos on how it made them feel, what it reminded them of, and what they thought about it. Still, AVA is not left to her own devices, so to speak, now that the main tagging project is over. Employees at VSCO continue to screen her results and in case she gets something “wrong.” This data further hones AVA’s ability to view art and photography in a way somewhat more abstract than the average AI technology.

This explains why the technology had become the backbone of the VSCO Connect process. Chances are, a company does not care about finding a content creator that only photographs shoes or flowers or pine trees. It’s far more likely that a company might say they want their upcoming ad campaign to be bright, clean, and upbeat -- AVA can discern which creators are best at capturing those feelings much more quickly and efficiently than the human eye.

CITATIONS

[technicalnextstuff]

Emergency Shutdown Systems Marke Market 2022 Sales Overview, Growth Opportunities and Restraint to 2024

Emergency Shutdown Systems Marke Market 2022 Sales Overview, Growth Opportunities and Restraint to 2024

“Enteral Feeding Devices Market” is the process of conveying a good quality service to customers. focuses on identifying hidden needs or requirements of customers. Report defines the scope of the Enteral Feeding Devices market, identifying potential of the Enteral Feeding Devices markets and determining optimal pricing for the market, it encouraging potential customers to purchase, and finding…

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iPaaS Market Size, Share, Forecast [2032]

iPaaS Market provides in-depth analysis of the market state of iPaaS manufacturers, including best facts and figures, overview, definition, SWOT analysis, expert opinions, and the most current global developments. The research also calculates market size, price, revenue, cost structure, gross margin, sales, and market share, as well as forecasts and growth rates. The report assists in determining the revenue earned by the selling of this report and technology across different application areas.

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The report offers a comprehensive and broad perspective on the global iPaaS Market.

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[shital1998]

Enteral Feeding Devices Market - Global Opportunity Analysis And Industry Forecast (2022-2029)

Meticulous Research®—leading global market research company published a research report titled ‘Enteral Feeding Devices Market by Product (Feeding Pumps, Feeding Tubes, Enteral Syringes, Giving Sets, Accessories), Age Group (Adults, Pediatrics), Application (Oncology, Gastrointestinal Diseases, Neurological Disorders, Diabetes), End User (Hospitals, Home Care, Ambulatory Care), and Geography—Forecast to 2029.’

According to this latest publication from Meticulous Research, the enteral feeding devices market is expected to reach $4.72 billion by 2029, at a CAGR of 6.5% during the forecast period.

The increasing need for enteral feeding devices due to the growing aging population and the associated increase in the prevalence of chronic diseases, the shift from parenteral nutrition to enteral nutrition, technological advancements in enteral feeding devices, and the growing demand for enteral feeding in home care settings are major factors driving the growth of this market.

In addition, the growing scope of enteral nutrition in emerging countries is expected to create significant growth opportunities for the players operating in this market. However, insufficient reimbursements for enteral nutrition are expected to hinder the growth of this market.

Enteral Feeding Devices Market: Future Outlook

The enteral feeding devices market study presents historical market data in terms of values (2020 and 2021), estimated current data (2022), and forecasts for 2029. The market is segmented by Product (Enteral Feeding Pumps, Enteral Feeding Tubes, Enteral Syringes, Giving Sets/Administration Sets, and Accessories), Age Group (Adults, Pediatrics), Application (Oncology, Gastrointestinal Diseases, Neurological Disorders, Diabetes, Hypermetabolism, and Other Applications), End User (Hospitals, Home Care Settings, and Ambulatory Care Settings), and Geography. The study also evaluates industry competitors and analyzes the market at the regional and country levels.

Download Sample of This Strategic Report: https://www.meticulousresearch.com/download-sample-report/cp_id=5244

Scope of the Study:

Enteral Feeding Devices Market, by Product

 Enterostomy      Feeding Tubes

 Nasoenteric      Feeding Tubes

 Oroenteric      Feeding Tubes

Enteral Feeding Devices Market, by Age Group

Adults

Pediatrics

Enteral Feeding Devices Market, by Application

Oncology

Gastrointestinal     Diseases

Neurological     Disorders

Diabetes

Hypermetabolism

Other     Applications

Enteral Feeding Devices Market, by End User

Hospitals

Home     Care Settings

Ambulatory     Care Settings

Enteral Feeding Devices Market, by Geography

 U.S.

 Canada

 Germany

 France

 U.K.

 Italy

 Spain

 Rest      of Europe (RoE)

 China

 Japan

 India

 Rest      of APAC (RoAPAC)

Check complete table of contents with a list of table and figures: https://www.meticulousresearch.com/product/enteral-feeding-devices-market-5244

Based on product, the enteral feeding pumps segment is expected to account for the largest share of the enteral feeding devices market in 2022. The segment's large share is attributed to the increasing adoption of enteral feeding pumps due to their advanced features and advantages, such as precision, safety, and feasibility over other devices.

Based on age group, the pediatrics segment is expected to record the higher CAGR during the forecast period due to the high prevalence of preterm births across the globe.

Based on end user, the hospitals segment is expected to account for the largest share of the enteral feeding devices market, which is attributed to the growing number of patients visiting hospitals for surgeries, the rapid proliferation of hospitals, and the high availability and usage of enteral feeding devices in hospitals.

Speak with Our Analyst

Geographic Review 

This research report analyzes major geographies and provides a comprehensive analysis for North America (U.S. and Canada), Europe (Germany, France, U.K., Italy, Spain, and Rest of Europe), Asia-Pacific (China, Japan, India, and Rest of Asia-Pacific), Latin America, and the Middle East & Africa.

In 2022 North America is expected to account for the largest share of the enteral feeding devices market, followed by Europe and Asia-Pacific. North America’s large share is attributed to the high prevalence of chronic diseases in the region, organizational initiatives promoting enteral nutrition, the availability of reimbursement policies for Home Enteral Nutrition (HEN), and the region’s well-developed healthcare infrastructure.

Key Players

The key players operating in the enteral feeding devices market are Becton, Dickinson and Company (U.S.), Cardinal Health, Inc. (U.S.), Fresenius SE & Co. KGaA (Germany), Avanos Medical, Inc. (U.S.), Boston Scientific Corporation (U.S.), CONMED Corporation (U.S.), B. Braun Melsungen AG (Germany), Moog Inc. (U.S.), Amsino International Inc. (U.S.), Cook Medical LLC (U.S.), and Applied Medical Technology, Inc. (U.S.).

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Key Questions Answered in the Report:

Which are the high-growth market     segments in terms of product, age group, application, end user, and     geography?

What was the historical market size     of the global enteral feeding devices market?

What are the market forecasts and     estimates for the period 2022–2029?

What are the major drivers,     restraints, challenges, opportunities, and trends in the enteral feeding     devices market?

Who are the major players in the     enteral feeding devices market?

How is the competitive landscape     and who are the market leaders in the enteral feeding devices market?

What are the recent developments in     the enteral feeding devices market?

What are the various strategies     adopted by major players in the enteral feeding devices market?

What are the geographical trends,     and which are the high-growth regions/countries?

Contact Us:

Meticulous Research® Email- sales@meticulousresearch.com Contact Sales- +1-646-781-8004 Connect with us on LinkedIn- https://www.linkedin.com/company/meticulous-research

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Global Enteral Feeding Devices Market Size and Challenges to 2028

Global Enteral Feeding Devices Market will exhibit a growth of 6.03% for the forecast period of 2021-2028

 Global Enteral Feeding Devices Market Analysis and Insights:

The enteral feeding devices market is expected to witness market growth at a rate of 6.03% in the forecast period of 2021 to 2028. Data Bridge Market Research report on enteral feeding devices market provides analysis and insights regarding the various factors expected to be prevalent throughout the forecast period while providing their impacts on the market’s growth. The growing advancements in feeding pumps are escalating the growth of enteral feeding devices market.

Enteral feeding refers to the process of intake of food through the gastrointestinal tract including oral and tube feeding. These feedings are generally utilized in the case when an individual is not able to complete the nutritional needs of the body. The major types of enteral feedings devices available are nasogastric tube (NGT), orogastric tube (OGT), jejunostomy tube, nasoenteric tube and oroenteric tube.

Global Enteral Feeding Devices Market Scope and Market Size:

On the basis of age group, the enteral feeding devices market is segmented into adult and pediatrics.

On the basis of end user, the enteral feeding devices market is segmented into hospital, homecare setting and ambulatory care settings.

On the basis of application, the enteral feeding devices market is segmented into oncology, gastroenterology, neurology, diabetes, hyper metabolism and others.

Global Enteral Feeding Devices Market Country Level Analysis:

The countries covered in the global enteral feeding devices market report are the U.S., Canada and Mexico in North America, Germany, France, U.K., Netherlands, Switzerland, Belgium, Russia, Italy, Spain, Turkey, Rest of Europe in Europe, China, Japan, India, South Korea, Singapore, Malaysia, Australia, Thailand, Indonesia, Philippines, Rest of Asia-Pacific (APAC) in the Asia-Pacific (APAC), Saudi Arabia, U.A.E, South Africa, Egypt, Israel, Rest of Middle East and Africa (MEA) as a part of Middle East and Africa (MEA), Brazil, Argentina and Rest of South America as part of South America.

Get Sample Report here: https://www.databridgemarketresearch.com/request-a-sample/?dbmr=global-enteral-feeding-devices-market

Get full Report: https://www.databridgemarketresearch.com/reports/global-enteral-feeding-devices-market  

Competitive Landscape & Enteral Feeding Devices Market Share Analysis:

The enteral feeding devices market competitive landscape provides details by competitor. Details included are company overview, company financials, revenue generated, market potential, investment in research and development, new market initiatives, global presence, production sites and facilities, production capacities, company strengths and weaknesses, product launch, product width and breadth, application dominance. The above data points provided are only related to the companies’ focus related to enteral feeding devices market.

 Major Players:

 Nestlé, DANONE

B. Braun Melsungen AG

Cook, Moog Inc.

CONMED Corporation

Boston Scientific Corporation

Abbot

 Major TOC of the Report:

Chapter One: Introduction

Chapter Two: Market Segmentation

Chapter Three: Market Overview      

Chapter Four: Executive Summary

Chapter Five: Premium Insight

Chapter Six: COVID-19 Impact on Global Enteral Feeding Devices Market

 Get TOC here: https://www.databridgemarketresearch.com/toc/?dbmr=global-enteral-feeding-devices-market

 About Us:

Data Bridge Market Research set forth itself as an unconventional and neoteric Market research and consulting firm with unparalleled level of resilience and integrated approaches. We are determined to unearth the best market opportunities and foster efficient information for your business to thrive in the market.

Contact:

Data Bridge Market Research

Tel: +1-888-387-2818

Email: Sopan.gedam@databridgemarketresearch.com

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[ladylibertypress]

Reading ‘Publishing as an Artistic Toolbox’ in the Digital Age

Publishing infiltrated the art world as an art in and of itself in magazines, on the Internet, in libraries, artistic collections to notions of the bookshop and round table discussions on and off-site in Publishing as an Artistic Toolbox at Kunsthalle Wien from November 2017 to January 2018. 

Nowadays, we even consume the analog as a digital experience. This lens i.e. “But is it instagramable?” or "Can I look it up online?” might at first, seem like a basic method but was a means to navigate the books on display.

Red tiled rooftops shape bookcases, replicated in three rows, symbolizing “home is where the books are” . Explanatory meta text is written on the walls, setting its timeline from 1989 to the present, marking the fall of the Berlin Wall and the beginning of the world wide web. This transformation from analog to digital shapes the perception of the show, spanning and panning the many mutations since publishing became an artistic practice.

Exhibition view: Publishing as an Artistic Toolbox: 1989-2017: Foto: Jorit Aust

Experience digitally

   Similar to the world wide web the show is vast in scope but mostly material. Rather than walk each red-roofed aisle like the wet dream of bibliophile, surf it like the Internet. Each publication opens up its own vortex in your hands or via clicks. A large screen hovers over a pedestal, displaying The Post-Digital Publishing Archive, a section in its own right. This project itself is an infinite exhibition. Worth clicking your way through from the comfort of your MacBook for the museum struggles to display post-internet art in interesting ways. The cultural value of this piece gets lost here. So take a look here, on your browser: http://p-dpa.net. Expand your resources of published data online wider by following up your search with the revolutionary UbuWeb, a platform from 1996 that opened up another galaxy to share avant-garde fine art.  What catches your eye? This is the mantra for the impatient digital reader. 

Fixated like a junkie, insatiable like a foodie; the viewer is blinded by bibliophilia. All the curators or rather collectors, headed by Luca Lo Pinto, and the authors, artists, publishers, binders, and coders involved are bibliophiles. Therefore, visiting this show feels like a crash course in library studies or creating an annotated bibliography for your Ph.D. in art. You have to be a true bibliophile —A minor fetishist to the endless textures, multiple formats and content of artist books—to appreciate this interactive index. Listicles are cool here. It’s paper on paper, on paper and on the Internet. 

   Upon entry you receive a booklet, the #toolbox17 index. Next to your iPhone camera, this proves just as important a device to roam and browse the exhibition. Another tool is an oversized newspaper —with no pictures— dryly explaining in small, tight paragraphs the background stories to the individual books in detail. You might have to meticulously read these manuals from front to back before you can even fathom understanding the deep contextual underpinnings of what your vision discloses. 

   The tricky almost virtual method to reading this show is to cross-reference between numbered and titled paragraphs on the wall, corresponding to a red-roofed shelf pew in Real Life. Then match the lists of typed book titles in your booklet with the real book or magazine. Eleven sections in total. On the sensory bright side, you may, however, touch the books individually, smell them, rifle through them, take a picture of a picture or text, and enhance your social media. This system  compares to an encyclopedic video game. The reader has been shrunk to a mouse cursor, and is now stuck in a very colorful version of Wikipedia, doomed to forever roam, browse and cross-reference. After reading on reading, a tiredness sets in similar to the affect after scrolling through your news feed or after reading this article.

Tabs

   Though the show sets up clear sections, there is an algorithmic randomness to what jumps out at the viewer. Each book is click-bait. You will come across dick picks such as the cover of Schism-zine as well as news on news and printed landmarks of sub and high culture. In the section Artist-run Magazines, The Magazine as Medium, you can find radical pieces of paper such as the fanzine Heyt Be! Created by Denis Beser, Sedef Karakas, and Bari’s Sinsi, it represents the Austrian local underground zine scene as well as the alternative and political printing culture in Turkey. These red roofs house a global village in their breath of artistic periodicals. Heyt Be! and the Swiss, Austrian and Berlin-ese art periodical Ztscrpt — each issue is named after a different Word Font— can also be purchased in the actual museum gift shop.

Heyt be!, Photo Credit: Nina Prader

Don’t confuse the gift shop with the art bookstore, you enter the show through. The latter is art, curated by Motto distribution and Gregorio Magnani, usually found in Berlin on Skalitzer Strasse as a shop. On display are meta books such as The Book on Books on Artist Books, exemplary of eternal and viral mirroring effects that suck a reader in to open another book tab. The museum guard mentions that he sometimes has to act as the bookkeeper here. On the wall, a text proclaims the relevance of the distributor and the bookshop to the art world. Aptly titled The Bookshop as a Medium (section 11), the implication uncovers one example from the spectrum of art book distributor practices. From a circulating gift economy, not-for-profit structures, non-profit, not-enough-for-profit to veritable art book gangsters, they all operate and advertise under the ideological belief that the notion of the book is the purest symbol for freedom of speech on the dog-eat-dog art market.

Filters

   Artists that read and make books is the overarching theme to the show’s theoretical filters. Each book has its own set of filters in turn. In the section Artist’s Library, the canonical artist chose inspiring works, relating to artistic publishing. Paul Chan’s choices: Self-Publishing for Dummies, H.P. Lovecraft’s Grimoire, a textbook of magic: Necronomicon and the University of Chicago’s A Manual of Style prove ironically helpful to understanding the show.

    To the book nerd, all the pretty books are markers of printed matter history. Celebrating icons of the printed matter magazine renaissances from the early 80s such as General Idea’s FILE Magazine’s final issues and Starship and Index from the turn of the Millennium. A contemporary response on the timeline is the New York-based independent online-culture, post-internet Sex Magazine, paying tribute to digital-natives and the unregulated Internet. 

File Magazine, Photo Credit: Nina Prader

   Also worth a skim to get that friction between analog versus Instagram photography vibe, SKULPI, annually published by Roman Schramm, is mostly matt technicolor photography, exploring different ways to express sculpture. Follow that up, with the 3-D materialization of the magazine THE THING Quarterly, a periodical that literally is an object edition. It takes the shape as 1 of 1000 hand-crafted numbered ceramic lottery balls. Does the one on display contain a diamond at its center or just a zirconia like the other 999? The message is the medium, worth a snapshot.

2.THE THING Quarterly Issue 28, 2015 THE THING Quarterly Issue 28, 2015, Foto: Kunsthalle Wien 2017

This is Not a Newspaper

   Artistic publishing is a collection of glitches —illy camouflaged— with which artists hack the public. The section The Message as Medium contains artists masking their message in newspapers and periodicals. Pop-culture activist and rabble-rousers like the Yes-Men, Steve Lambert, and Andy Bichlbaum, made a special edition of The New York Times with visions of a better America on July 4, 2009, with the headline piece: “Iraq War Ends”. This section juxtaposes well with the takeaway meta-newspaper NEW YORK POST flag profile by Michalis Pichler at the entrance of the exhibition. On its mostly white pages, this compilation counts flags from newspapers like The New York Times, New York Post, Village Voice around 9/11. Sometimes the absence of text acts self-explanatory like an emoji. In a similiar vein, the Profil magazine facsimile from 2000 by Hans-Peter Feldmann (Austria’s equivalent of the German Spiegel) has a blackened cover. The original rests next to it, Austria’s political mess best described in imagery as an emptied cover of political mourning. These alternative forms of mediating news resonate as artistic fake news with substance.

   On the whole, the show is a haptic google image search. How much you will actually see in full remains a mystery. A heap of book culture from a very specific time frame crystallizes in the shape of an index. There is much room to read or not read in between the lines. The publishing toolbox is obtuse. What is still legible in the age of digitization? Though a feeling of over-saturation, paired with attention deficit disorder sets in, the book remains a monumental signifier for knowledge and freedom of speech, everyone can subscribe, maybe even read one.

Profil by Andy Bichlbaum, Photo Credit: Nina Prader

Written as an Online Review for SLEEK Magazine January 2018

Exhibition Publishing as an Artistic Toolbox: 1989-2017  8/11 2017 - 28/1 2018 at Kunsthalle Wien

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Personal Cloud Storage Market Analysis Analysis, Segments, Key Players, Drivers, Trends, and Forecast 2016 – 2027

Overview

The Global Personal Cloud Storage Market is expected to register a CAGR of 35.6% during the review period, 2020–2027.

Personal cloud storage (PCS) is local network-attached storage (NAS) device that lets users store data, photos, music, videos, and other files; it is also optimized for media streaming. The personal cloud storage devices are a way for home users to experience the advantages of high-capacity, cloud-based storage without losing control of their data. Users can access content on their PC devices from multiple computers using a web browser, while mobile apps provide access from iOS and Android mobile devices. Files can be shared without using a public cloud service.

The Global Personal Cloud Storage Market is dominated by a few major players, however, new players are expected to enter the market due to new revenue opportunities in regions such as Asia-Pacific, the Middle East and Africa, and South America. The entry of new players is expected to increase the competition in the market.

The personal cloud storage market is driven by the increase in demand for cost-efficient storage, data sharing, ease in data access, use of portable devices, and safety against data loss. Cloud market services provide improved accessibility, sharing users’ data, and increased security features and storage facilities, leading to improved user experience and ease of access. The market has also benefited from the upsurge of broadband connections and smartphones. It is expected that these services shall be in demand among business customers and individuals owing to the need for data storage platforms, leading to the enhanced adoption of cloud solutions and services. However, delivering safe data storage is one of the challenges faced by cloud service providers whereas, lack of consumer awareness, security concerns, and low funding are expected to hinder the growth over the upcoming years.

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Competitive Analysis

Some of the Key Players in the market are Amazon, Apple, Google, Seagate, Box, Microsoft, Dropbox, Engyte, Buffalo Technology, Sygarsync., Lima Technology, Gemalto, MEGA Ltd., D-Link Corporation, ElephantDrive, Mozy Inc., POLKAST LLC, and Dell among others.

Segmental Analysis

The Global Personal Cloud Storage Market has been segmented based on revenue Type, User Type, Hosting Type, and Region.

By Revenue Type, the market has been segmented into direct revenue and indirect revenue.

By User Type, the market has been divided into individual, small business and medium business. The individual user segment is expected to dominate the market over the forecast period.

By hosting type, the market has been divided into providers hosting and users hosting. The demand for user-hosted cloud storage is expected to be high due to the easy availability and cost-effectiveness of cloud solutions from service providers. However, the provider-hosted segment is expected to dominate the industry over the forecast period.

The regions included in the study are North America, Europe, Asia-Pacific, the Middle East and Africa, and South America. North America dominates the personal cloud storage market owing to the advent of new technologies and increased awareness among the consumers in the region. Asia-Pacific is estimated to grow rapidly with the highest CAGR and is expected to contribute immensely to the market revenue.

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Table of Contents

1 Executive Summary

2 Scope of The Report

2.1 Market Definition

2.2 Scope of The Study

2.2.1 Research Objectives

2.2.2 Assumptions & Limitations

2.3 Market Structure

Continued…

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Global Enteral Feeding Market Size, Manufacturers, Supply Chain, Sales Channel and Clients, 2021-2027

Enteral feeding device is a medical device which delivers nutrition or medications directly in the stomach or intestine. Enteral feeding devices are commonly used to feed the specialized diets in elderly or bedridden patients suffering from chronic ailments.

Market competition is intense. Fresenius Kabi, Danone, Cardinal Health, Nestle are the leaders of the industry, and hold key technologies, with high-end customers, they are also the main international exporters. However, with further expanding market, there will be more manufactures in the future.

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Market Analysis and Insights: Global Enteral Feeding Market

In 2020, the global Enteral Feeding market size was US$ XX million and it is expected to reach US$ XX million by the end of 2027, with a CAGR of XX% during 2021-2027.

Global Enteral Feeding Scope and Market Size

Enteral Feeding market is segmented by region, by country, company, type, application and by sales channels. Players, stakeholders, and other participants in the global Enteral Feeding market will be able to gain the upper hand as they use the report as a powerful resource. The segmental analysis focuses on sales, revenue and forecast by region, by country, company, type, application and by sales channels for the period 2016-2027.

Segment by Type, the Enteral Feeding market is segmented into

Enteral Feeding Pumps

Enteral Feeding Tubes

Consumables

Segment by Application, the Enteral Feeding market is segmented into

Hospitals

Home Care

Regional and Country-level Analysis:

North America

United States

Canada

Asia-Pacific

China

Japan

South Korea

India

Southeast Asia

Australia

Rest of Asia-Pacific

Europe

Germany

France

U.K.

Italy

Russia

Nordic Countries

Rest of Europe

Latin America

Mexico

Brazil

Rest of Latin America

Middle East & Africa

Turkey

Saudi Arabia

UAE

Rest of MEA

Competitive Landscape and Enteral Feeding Market Share Analysis

Enteral Feeding market competitive landscape provides details and data information by companies. The report offers comprehensive analysis and accurate statistics on revenue by the player for the period 2016-2021. It also offers detailed analysis supported by reliable statistics on sale and revenue by players for the period 2016-2021. Details included are company description, major business, Enteral Feeding product introduction, recent developments, Enteral Feeding sales by region, type, application and by sales channel.

The major companies include:

Fresenius Kabi

Danone

Cardinal Health

Nestle

Avanos Medical

B. Braun

Abbott

Moog

Applied Medical Technology

Cook Medical

Boston Scientific

Vygon

ConMed

BARD

Alcor Scientific

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Table of content

1 Study Coverage 1.1 Enteral Feeding Product Introduction 1.2 Market by Type 1.2.1 Global Enteral Feeding Market Size Growth Rate by Type 1.2.2 Enteral Feeding Pumps 1.2.3 Enteral Feeding Tubes 1.2.4 Consumables 1.3 Market by Application 1.3.1 Global Enteral Feeding Market Size Growth Rate by Application 1.3.2 Hospitals 1.3.3 Home Care 1.4 Study Objectives 1.5 Years Considered 2 Executive Summary 2.1 Global Enteral Feeding Market Size Estimates and Forecasts 2.1.1 Global Enteral Feeding Revenue 2016-2027 2.1.2 Global Enteral Feeding Sales 2016-2027 2.2 Enteral Feeding Market Size by Region: 2021 Versus 2027 2.3 Enteral Feeding Sales by Region (2016-2027) 2.3.1 Global Enteral Feeding Sales by Region: 2016-2021 2.3.2 Global Enteral Feeding Sales Forecast by Region (2022-2027) 2.3.3 Global Enteral Feeding Sales Market Share by Region (2016-2027) 2.4 Enteral Feeding Market Estimates and Projections by Region (2022-2027) 2.4.1 Global Enteral Feeding Revenue by Region: 2016-2021 2.4.2 Global Enteral Feeding Revenue Forecast by Region (2022-2027) 2.4.3 Global Enteral Feeding Revenue Market Share by Region (2016-2027) 3 Global Enteral Feeding by Manufacturers 3.1 Global Top Enteral Feeding Manufacturers by Sales 3.1.1 Global Enteral Feeding Sales by Manufacturer (2016-2021) 3.1.

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