#Emily pegg

[jackaycola]

let him get up.

[arkarti]

I can see your William and Henry being the kind of friends who everyone wonders if they are or aren't together. Definitely have kissed while buzzed, maybe after opening day's success. William would be the more openly flirty of the two for sure. But it's like silly flirting, teasing, taking Henry's hand and swinging his arm like a child while walking into the pizzeria, kissing Henry on the cheek and calling him brilliant when there's a new design, stuff like that!

aww - yes absolutely 🥺 The day/week of the grand opening and William is genuinely happy that their restaurant is a success, and in the spur of the moment gives Henry a kiss on the cheek.

Definitely Henry being a bit more "professional" in public but is equally as silly/ poking fun at William when they're alone.

[oliviatom]

Tom and his co-starts 💕

[randofanficrecs]

From the Public History (webseries) fandom, today's random fic is Romantic Getaway Reloaded by trans_chickens

Rating: General Audiences

Archive Warning: No Archive Warnings Apply

Categories: F/F, F/M, M/M

Fandom: Public History (webseries)

Relationships: Emily Khalil/Tommy Traddles, David Copperfield/Jason Steerforth (one-sided), David Copperfield/OFC

Characters: David Copperfield, Tommy Traddles, Emily Khalil, Cameron Pegg, Original Female Character(s)

Additional Tags: Romance, Lesbians, Coming Out, Friendship

Language: English

Series: Part 2 of Public History prompts

Words: 2,608

Chapters: 4/7

Summery: After graduation, David goes to visit the Pegg's place in Yarmouth again, this time taking Tommy with him. Little does he know that his best friend's taste in girls is just as bad as his own - but while Tommy is convinced that this will end just as badly for her as it did for David, David actually thinks that Tommy might have a chance...

[innuendostudios]

new video about Edgar Wright's Cornetto Trilogy, and how everyone* keeps getting them wrong! this video is sponsored by Nebula, a place where you can watch the original version of this video before I had to tweak it for YouTube's copyright bots. (by clicking that link, you can get an annual subscription for 40% off.) or you can just back me on Patreon, which is also cool and good.

transcript below the cut.

I adore Edgar Wright’s Cornetto Trilogy. I flirted with making a video about it ages ago, had a draft of a script, but ultimately decided it wasn’t about anything except “here’s a thing I like, and here are its (I thought) very obvious themes.” So I shelved it. But, in the years since, I have seen multiple video essayists on this here website claim that these movies are about growing up and taking responsibility. (I say “multiple.” It’s not a lot. But it’s more than one! And that’s enough.)

These people are 100% wrong.

Lemme lay it out: the Cornetto Trilogy is not about growing up. It is not about taking responsibility. It is the exact opposite, and that’s not subtext. It is three movies about stunted manchildren thrust into extraordinary circumstances, and each, in the end, is saved - is redeemed - by abandoning his character arc and failing to grow or change. It is a three-part love letter to immaturity.

And I guess I have to set the record straight.

Sometimes making a video about a thing you love is an act of appreciation. And sometimes it’s out of spite.

The Cornetto Trilogy is three movies: Shaun of the Dead, Hot Fuzz, and The World’s End. All three are written by Simon Pegg and Edgar Wright; Pegg stars, and Wright directs; all three center on a relationship between Pegg and real-life best friend Nick Frost, which makes each film a reunion of the core team behind Spaced (excepting, but for a small role in Shaun of the Dead, Jessica Hynes). The three films span three genres: zombie apocalypse, buddy cop, alien invasion; each features a Cornetto ice cream cone: strawberry to represent blood, original blue to represent the police, and mint to represent little green men; this is a joking nod to Krzysztof Kieślowski’s Trois Couleur films, Bleu, Blanc, and Rouge, which were based on the colors and themes of the French flag (I don’t care what you say, Emily: #TeamRouge); that nod is funny because Trois Couleur is high-art drama and these are comedies. All three are parodies of, tributes to, and actually surprisingly good executions of their respective genres. And the hook, the gag at the center of all these movies, is that Simon Pegg plays a character wholly unsuited to be starring in this kind of film.

Shaun, the burnout, is the wrong person to survive the zombie apocalypse; by-the-book British bobby Nicholas is the wrong person to lead an American-style bombastic actioner; and alcoholic asshole Gary is the last person to save the world from aliens.

And I think that’s where people get stuck. Because “schlub finds himself protagonist of a genre film” is the elevator pitch for like a dozen Adam Sandler movies. The genre trappings may be as mundane as parenthood or mandated anger management classes, or as high-concept as action movie, whodunnit, or time travel It’s a Wonderful Life if Clarence were Christopher Walken as the angel of death (that… that makes it sound good, it’s not, don’t see Click; leave Frank Capra alone, Adam). But all these movies have the same basic shape: an extraordinary situation forces a guy to confront his shortcomings, which always stem from having never grown up. And you probably haven’t seen all of these movies, but if you’ve seen any, I bet you have assumptions about how the rest end: even though “Adam Sandler acts like a child” is generally the selling point of an Adam Sandler movie, they all end with some lip service toward becoming an adult: hey man, grow up a bit; appreciate your family a little more; square your shoulders; clean your room. This is so standard, it was parodied mercilessly in Funny People.

And this was a formative microgenre for my generation! Whole universe turns itself upside down to teach some shitty dude to, like, do the dishes and pay his wife a compliment now and then - Liar Liar, Bruce and Evan Almighty (all directed by the same guy, by the way). So I don’t blame people of a certain age for seeing the first act of Shaun of the Dead and thinking “I know where this is going.” And when, at the last minute, it swerves and goes someplace else, you could read that as a gag, a final subversion of expectation, still the same basic shape. But no! No! Once is a gag - thrice??? Thrice is a thematic statement!

So lemme make my case. I’ma take you through these movies one by one - we’ll talk about the manchildren and the expectations set by the genre, and then we’ll talk about that last-minute swerve and what it means. And then you’ll tell me I’m right and apologize!

Shaun of the Dead:

Shaun is a man in his twenties. What kind of manchild is he? He’s the slacker.

What is his problem? He needs to sort his life out. Shaun doesn’t know how to take action. He hasn’t advanced since college - he’s been working the kind of job a teen takes over the summer for like a decade, lives with the same best friend, has the same petty fights with his stepdad, goes to the same pub every week with the same group of people. He can’t make a reservation, he can’t manage a calendar, he’s a washup. This makes his girlfriend, Liz, feel stifled, trapped; he is a weight around her ankle, taking her on the same date week after week, keeping her from living her own dreams, having her own adventures. She gives him one last chance to prove he can sort his life out, and he blows it, and she dumps him.

And then: a zombie movie happens.

The genre forces him to confront his shortcomings: to survive, and save his loved ones, he’ll have to take action, make plans, be decisive. This is a common fantasy: when you feel ground down by the mundanity of life, you might imagine, oh, if only a crisis would happen, like a zombie virus outbreak, where my normal-life problems like “am I gonna make rent,” “is my girl gonna take me back,” “is my roommate gonna kick out my stoner buddy who’s crashing on the couch” become meaningless, and it’s immediately clear what’s really important, what matters. Then I’d know exactly what to do. It’s why disaster movies work as escapism: a necromantic plague - or at least the fantasy of one - is sometime preferable to normal life.

Hot Fuzz:

Nicholas is a man in his thirties. What kind of manchild is he? He’s the hall monitor.

What is his problem? He can’t switch off. He is a hypercompetant police officer with a rulebook where his brain should be. He’s so good at being a cop that he’s spotting and unraveling crimes even on his day off. He can’t maintain a relationship, has no friends, all his coworkers hate him because he keeps finishing their work for them, and his stats show up the rest of the force so badly that they scuttle him out to the country.

Now you might be thinking, “Mmm. A fastidious police officer who can’t have fun? How is that a manchild? Sounds pretty grown-up to me. You’re reaching, bud.” Ohhhh ho ho, smartass, do you remember this scene? [bar scene] Yeah! Nicholas Angel has a five-year-old’s notion of law and order. He’s still playing cops and robbers.

And that’s a problem, because then: an action movie happens.

It doesn’t happen all at once: he goes out to the country and finds they do things a bit differently there. They are (ostensibly) less concerned with rules than what than the rules are for: if the purpose of drinking laws is to keep the streets safe and orderly, and letting some people off with a warning or allowing kids drink so long as they do it inside achieves that end, the rule can be bent. That’s a judgment grown-ups can make; I mean, they’re the ones who wrote the rules in the first place. So be lenient with shoplifters, don’t hassle people for speeding; this isn’t the Big City, you can use your better judgment. But Nicholas never got past doing whatever Mom & Dad said; obedience, and trusting whoever’s up the chain, is his entire moral framework. He can’t accept that bending the law could be more righteous than following it.

But also maybe there’s a criminal conspiracy murdering people and writing it off as accidents and the police chief might be in on it. Or maybe Nicholas is so desperate for a big case with no moral ambiguity that he’s seeing things where they aren’t. 

The genre forces him to confront his shortcomings: either there’s nothing going on and he needs to chill out about procedure, or the department is corrupt and he’ll have to go rogue like it’s Point Break - and this is how he experiences Point Break. [“paperwork”]

No matter what, he’ll have to bend the rules, which he constitutionally cannot do.

The World’s End:

Gary is a man in his forties. What kind of manchild is he? He’s the delinquent.

What’s his problem? Pfffft. What isn’t his problem? Gary is a manipulative, narcissistic, lying, self-destructive, ignorant, violent, thieving, shit-talking, unapologetic asshole who peaked in high school when being all those things was still kind of badass. The greatest night of his life was the drunken pub crawl after graduation he and his friends didn’t even finish, and he’s been tumbling downhill ever since. He’s spent his life ruining everyone who knows him until there’s no one left to ruin but Gary King. So now it’s time to bully the old gang into going back home with him to relive that night by finishing the pub crawl, because, in his own words, it’s all he’s got. And he and his friends have to confront how home has changed since they left - the bars have gentrified, not everyone recognizes them; the defining, epic deeds of Gary’s youth have been forgotten. You can’t actually go back because that place doesn’t exist anymore.

And then: a sci-fi movie happens.

Turns out the town’s been taken over by aliens, and all the people who couldn’t conform to their new order have been replaced with robots! That’s why no one recognizes them! And that’s why the pubs all look the same: the aliens are homogenizing everything! And it’s clear, if they can’t get Gary and his friends to play ball, they’ll roboticize them as well! The obvious move is to get the hell out of town, but Gary keeps inventing excuses to stay and finish the pub crawl, and they sound pretty sensible because the group’s already five pints in. The genre forces him to confront his shortcomings: sooner or later he’s gonna have to give up on recapturing his youth and do what’s best for him and his friends now, even if it means running back to the city where all his problems live.

So there we have it: the characters cross the threshold into an unfamiliar world where an external conflict cannot be addressed without resolving the tension within. The slacker will have to get his shit sorted, the hall monitor will have to break the rules, and the delinquent will have to do what’s good for him. And, to an extent, all three know this! The movies Wright and Pegg pay homage to exist in these stories - Shaun knows what a zombie is, Danny keeps Nicholas up watching Point Break and Bad Boys II, and Gary and friends know bodysnatcher movies so well they have philosophical debates with the robots about whether “robot” is the PC term.

So, yeah, if you turned the movies off there, I could forgive you for thinking that’s where they’re headed. But you goofballs watched them to the end and then made content about them, what is wrong with you???

What actually happens in the second halves of these movies?

Shaun twigs that he’s in a zombie movie and, at first, tries to play the part - his survival plans are miniature hero’s journeys with him as protagonist, wherein he’ll save the day by neatly confronting all his flaws. He’ll resolve parental conflict by saving his mom from his zombified stepdad, resolve romantic conflict by showing his girl he can come through when it counts, and resolve internal conflict by being a man who saves the day. And all his plans suck! It’s just the same plan he always comes up with! Dragging around the same useless liability of a bestie, collecting the same group of people, and holing up in the same pub! He doesn’t save his mom: his stepdad apologizes, resolving their conflict for him, and then survives in zombie form but Shaun’s mom gets killed; most of the friend group gets killed because the crisis does not actually suspend but in fact amplifies their personal grievances; and he doesn’t save the day, just manages not to die long enough for the military to show up.

But… well, Liz wanted adventure and now she’s had enough for a lifetime, so… she’s down to just be boring with him for a while - sit on the couch, watch TV, hit the pub. Beats running for your life. Tensions with the roommate are gone cuz roommate died, but rent is covered cuz Liz moved in. Zombies don’t get eradicated, just folded into normal life, so Shaun can mindlessly play video games with his bestie forever, and it’s not a problem that bestie doesn’t have an income cuz he doesn’t need food or shelter.

The zombie apocalypse doesn’t make Shaun sort his life out, it changes the world til he doesn’t have to.

When Nicholas discovers that, yes, there is definitely a murderous criminal conspiracy inside the police department, he recognizes the only way to bring about justice is to become what Danny has always wanted and go Dirty Harry on the town. It’s either that or just swallow the crimes. But he does neither. He and Danny go on an epic shooting spree, recreating famous movie scenes, taking out the entire criminal organization against all odds, and spouting badass one-liners… but everyone who helps them is a cop, they don’t actually kill anyone, all perps are formally arrested, and they fill out all the paperwork. I think he even properly signs out the weapons. He never switches off, never breaks a rule, does absolutely everything by the book, only… louder. And this violent showdown saves him from the chill town with lax rules he thought he’d moved to. Now he, with his five-year-old notion of right and wrong, is in charge of the police department.

The buddy cop actioner doesn’t make Nicholas bend the rules, it changes the world til he doesn’t have to.

Gary knows exactly how a movie of this sort is supposed to go and spends the whole movie running from it. Friends and secondary characters keep sharing these poignant moments with him, because they know this story, too: yeah, he’s gonna reject help at first, but sooner or later he’ll hit rock bottom and then someone will get through to him. And, as the night goes on, and the characters get drunker and drunker, and Gary passes up more and more opportunities to abandon the pub crawl and go home, these moments take a tone of desperation. They start to sound more like interventions; like, Gary, we all know you’re going to come to your senses but could you hurry up with it??? How many of your friends need to literally die for you to shape up? Are you gonna get them all killed?

And the answer is: Gary will never shape up! To Gary the Human Dril Tweet, his friends trying to save him, psychiatrists trying to treat him, and aliens trying to assimilate him are all the same thing. He doggedly makes it to the end of the pub crawl and confronts the alien overlord who tells him all the technological advancements of the past few decades - all the efficiency and homogenization that’ve changed the face of his home town - are their doing. The Information Age is an intervention on behalf of Earth, a pan-galactic effort to save humanity from itself. And the reason they’ve been replacing people with robots is some people are too fucked up to go along with it.

And here’s Gary, King of the Fuckups, brashly declaring that fucking up is what makes us human. There is no freedom without the freedom to ruin your life. We are endowed by our creator with the right to be drunken, ornery pieces of shit.

He tells the aliens to piss off and he’s so fucking annoying that they do, and they take the Information Age with them.

Now… I know… ugh… I know a lot of people love this movie, say it’s the best of the three. Some friends who’ve struggled with mental health or just being an adult under late capitalism really identify with Gary, and the valorization of being a mess. I see you, you’re not wrong, I get it, I really do. But can we just… not “but” but “also” can we… can we also admit that this ending is… this is Space Brexit.

Like, literally it’s an alien invasion but symbolically this is Gary rejecting the adult world of rules and authority and doing what’s best for the community and that’s how Brexiters view the EU. And people keep telling him “Gary, this is in your best interest” and Gary says, I don’t want my best interest! I am registered in the anti-Gary’s Face Party and I will cast my vote by cutting my nose! I choose to do what’s bad for me.

And, like a true Brexiter, he chooses for everybody.

Now tell me that’s a movie about growing up. Gary collapses human civilization in its entirety rather than change, and in the world that follows, he thrives… by being an immature, irresponsible bag of garbage.

To Wright and Pegg, growing up is death, and these are movies about being alive. These characters don’t cross the threshold back into the ordinary world with the ultimate boon of character growth; all three stay in the extraordinary world. The zombies remain, the robots remain, Nicholas is offered his London job back and chooses to stay in the country. These are stories about normal life spontaneously turning into a genre film, and they are made with deep love for those genres; why would they end with leaving those genres behind? Because it’s what Adam Sandler would do?

So there you have it. I rest my case.

“Okay Ian. Why does this matter?”

…what was that?

“You’ve made your point: these movies aren’t about growing up or taking responsibility. So what?”

Uhhhh.

“Bring it home for us.”

…

“Why do you care so much?

[breath]

I wrote the first draft of this script when I was around Shaun and Nicholas’ age, and “so what?” is why I shelved it. Now I’m Gary’s age, this video’s been in the back of my brain the whole time, but I got this far and “so what” is where I got stuck, again. This is why the CO-VIDs came out quicker, cuz I let myself end with “so that’s interesting!” and got on with my life. But there’s clearly something sticky here, more than “someone is wrong on the internet.” (Also, to the YouTubers I’m vaguebooking, who said these were movies about growing up - I’m way more annoyed at the folks I’ve argued with on Twitter about this, you just made a better rhetorical device; you do not owe me an apology!) (Also, to the commentariat: I am not extrapolating this from like two data points, this is chronic and recurring and has been bothering me for years.)

There are a few directions I could take this to give it some “cultural weight.” I could put on my social justice hat and talk about how the “crisis of adulthood” doesn’t play as broad comedy unless you look like Adam Sandler or Simon Pegg, or put on my class analysis hat and talk about how signifiers of adulthood are, traditionally, ways of spending and accruing capital which are, today, often inaccessible to people under 40.

And that’s all legit, but here’s the real deal: I’m just mad at Gary. The world changed around Shaun such that he could stay a child. And Nicholas ended up somewhere he could stay a child. If you missed that, you’re wrong, but whatever. But to say that Gary grew up grinds me, because Gary chose this. The whole movie is people telling him to grow up, and he says no! He says it out loud! He says it to the literal end of the world. To walk out of the theater and say “that’s a movie about growing up” is more than a mistake, it’s a refusal. It’s trying to “fix” the movie by fitting it into a more familiar shape, so it doesn’t say what it says, so Gary isn’t who he is, who he chooses to be.

I’m being cheeky when I say this because he’s a fictional character, but saying Gary grew up is enabling.

Gary says there’s no freedom without the freedom to ruin your life, which is the problem with alcoholics and libertarians: it’s not just your life, Gary! You live in a community, a culture, and an ecosystem! Your actions - everybody’s actions - impact other people! That’s just the way the world is! You can’t shit yourself at the bar without other people having to smell it. We’re all fuckin’ connected, man! You don’t want anyone’s will imposed on you; you spend the whole movie imposing your will on everyone else! You say humans don’t wanna be told what to do, and then you decide humanity’s future by yourself with no input or consent from anyone!

People point to Gary ordering water in the last scene instead of beer as evidence that he got sober, like that’s proof that he did grow up in the end, which are you fucking joking??? Getting sober is a shorthand for maturity the way buying a house is, it doesn’t signify anything in and of itself! Gary drank to escape the adult world of rules and responsibilities! So, yeah, under normal circumstances getting sober would mean he’s made peace with that world and is ready to integrate. But that’s not what happened! The thing he was escaping doesn’t exist anymore! He literally destroyed it!! People died! Probably millions! Now he lives a happy life LARPing as Omega Doom - no I don’t expect you to catch that reference! He doesn’t need to drink! He is literally reliving the best day of his life forever. And even if it did mean personal growth, the idea that a person could make what would be, unequivocally, the most selfish decision in human history, and then spend his life celebrating the outcome, oh but if he overcame a personal demon in the process then on balance that’s maturity? That is lightspeed solipsism! Who are you if you think that way? Are you all Adam Sandler???

And none of that makes this a bad ending, or Gary a bad character. I mean, he is the reason The World’s End is my least favorite, and I don’t like the ending, but I don’t think it’s bad that I don’t like the ending. Rather than watch another addict pull his life together or destroy himself, we watch a downward spiral with so much gravity the whole world self-destructs alongside him. And that’s why The World’s End is the most interesting of the three: it is a bold choice, and I think we are free to feel however we want about the conclusion Gary engineered for himself. I don’t think it’s valid to pretend it didn’t happen.

In the context of the trilogy, we see that Shaun’s immaturity is mostly a problem for Shaun: he would be, at worst, a footnote in the lives of the people who love him; “yeah, I liked Shaun a lot, but I couldn’t carry him through life anymore.” Nicholas is the kind of overachiever that is useful if pointed in the right direction; juvenile code of ethics aside, he is, empirically, helping the community (within the entirely fictional framework where that’s a thing police do). If the world hadn’t changed to turn their flaws into strengths, they would still be relatively harmless. Gary is what happens when immaturity isn’t harmless, and shows us how a world built by that immaturity would look.

There is an appeal to Gary King, a wish fulfillment. Letting your id fully off the leash because you no longer care what anybody thinks - it’s why some people drink, and it’s why some people would like to drink with Gary. But if that’s not just your Friday night, not just your twenties, but that’s your life? There is a destination at the end of that road, and it’s Gary doing something truly ugly. And we see that ugly thing the way Gary sees it: as awesome. But then you see the reality: the Monday morning after the Friday night. We went out with Gary and he did something terrible.

And I’m not telling you to hate Gary for it; I’m not saying Gary can’t be forgiven. In fact, seeing it for what it is is the only way Gary could be forgiven, because, if he “grew up and took responsibility,” there’s nothing to forgive.

I think this is the only way the trilogy could have ended. I mean, you make stories about boys who get older and older and don’t grow up, it eventually becomes a problem. There’s only two ways to resolve it: you either end with a guy actually sorting his shit out, or you go for broke and show what happens if he doesn’t. And I think some of us boys saw that and said, “no, noooo, they did grow up! all three of them!” rather than say, “haha! hahaaa! ……………shit.”

[iwant-fuitgummi]

my headcanons for genshin characters' full names (plus some canon ones lol) ^-^

Travelers:

Aether Sirius Viator

Lumine Spica Viator

Paimon Alycone Merope

Mondstadt:

Albedo Erich Kreideprinz

Amber Ida Hasenkamp-Xia

Astrologist Mona Magdalena Megistus

Barbara “Barbie” Liselotte Pegg

Bennett Anselm Mallory

Dahlia Bram Batz

Diluc Bastian Ragnvindr

Diona Dafni Kätzlein

Eula Babette Lawrence

Fischl von Luftschloss Narfidort

Jeanette “Jean” Elke Gunnhildr

Kaeya Rivaan Alberich / Ragnvindr

Klee Käthe Kessler

Lisa Fiorella Minci

Michael “Mika” Clemens Schmidt

Noelle Petra Desroche

Razor Rolf Minci

Rosaria Karoline Nacht

Vanda “Sucrose” Anneliese Hertz

Varka Johann Bahl

Venti Detlef Daiber / Barbatos

Liyue:

Bai Chongyun

Cai Yanfei

Dai Yaoyao

Ding Xiao

Fei Xingqiu

Hu Tao

Huang Zhongli / Morax / Rex Lapis / Deus Auri

Lei Beidou

Lu Xinyan

Luo Ganyu

Luo Shenhe

Luo Xianyun

Mao Xiangling

Xue Baizhu

Xue Qiqi

Yan Yelan

Yao Ningguang

Yip Gaming

Yun Jin

Zhuang Keqing

Inazuma:

Arataki Itto

Kaedehara Kazuha

Kamisato Ayaka

Kamisato Ayato

Koizumi Chiori

Kujou Sara

Kuki Shinobu

Naganohara Yoimiya

Nekoba Kirara

Raiden Ei / Beelzebul

Raiden Shogun

Sangonomiya Kokomi

Shikanoin Heizou

Shikanoin Sayu

Takeishi Gorou

Thomas Oskar Rothschild / Akatsuki Thoma

Yae Miko

Sumeru:

Al-Haitham ibn Jamir ibn Zaid Sader

Candace bint Hamza ibn Ahmar Asim

Collei bint Tighnari ibn Zayd Habib

Cyno Cyrus Bamoun El-Hafez

Dehya bint Kusayla ibn Malek Hashim

Dori Yildiz / “Dori Sangemah Bay”

Faruzan Azimi

Imai Kunimitsu (Wanderer)

Kaveh Roshan

Layla Yildiz

Nahida Ijaz / Lesser Lord Kusanali / Buer

Nilou Golshan

Sethos Cyrus Bamoun El-Abdelfatteh

Tighnari ibn Zayd ibn Kyree Jubran

Fontaine:

Charlotte Benoîte LaFramboise

Chevreuse Cosette Caideux

Clorinde Maëlle Archambault

Emilie Rose Lavande

Freminet Corentin Snezhevich

Furina Regine Babineaux / “Furina de Fontaine”

Lynette Veronique Alarie-Snezhevna

Lyney Valentin Alarie-Snezhevich

Marion Devereaux Neuvillette

Navia Reine Caspar

Sigewinne Elyna Arquette

Warren Gaultier Wriothesley

Natlan:

Chasca Rivas

Citlali Xahuentitla

Iansan Kẹyinde

Kachina Nanatzcayan

Kinich Canek

Mavuika Whakatāne / Haborym

Mualani Ka’aukai

Oluwatoke Kọlade

Xilonen Nocelotl

Fatui (pretty much all of these will change as the game progresses):

Ajax Klimentovich Melnik / Tartaglia

Ceylse Aurelia Valerian / Columbina

Cosette Margot Bourreau / Sandrone

Crepus Arnfried Ragnvindr / Brighella

Jin Chaoxing / Pantalone

Peruere Genevieve Snezhevna / Arlecchino

Raiden Kunikuzushi / Scaramouche

Rosalyne-Kruzchka Lohefalter / La Signora

Rurik Vadimovich Vorobyev / Pulcinella

Ulrik Agnar Ingolf / Pierro

Tatiana Snezhevna Agapov / the Tsaritsa

Tlacelel Itzcuintlan / Il Captiano

Zandik Nazeri / Il Dottore

Hexenzirkel (again, will change):

Alice Thekla Kessler / "A"

Anya M. Andersdotter / "M"

Astromancer Barbeloth Oda Trismegistus / "B"

Inessa Ivanova Nikulina / "J"

Nicole Reeyn-Ragnvindr / "N"

Octavia Campana / "O"

Idun “Gold” Rhinedottir / "R"

NPCS!!!

(I HAVE A CLEAR FAVORITE NATION)

Mondstadt NPCs:

Adelinde Nett

Adelram Kreideprinz / Durin

Anna and Anthony Heilbrunn

Charles Schenck

Callirhoe Dupuis

Chloris and Flora Diefenbach

Cyrus Laukkanen

Donna Fenimore

Draff Kätzlein

Edith Rayne / Dr. Edith

Ella Musk

Ellin Sheridan

Elzer Boivin

Eury and Nimrod Poirot

Glory Taggart

Godwin Cross

Grace Kappel

Herrik Huffman

Hertha Bonamy

Maeve Livingstone / Dr. Livingstone

Margaret Winfrey

Marjorie Brightwen

Mellan König / Decarabian

Neven Gale / Dvalin

Patchi Driscoll

Patton Schüttmann

Sara Küchler

Siegfria Knochenmus

Timaeus Kloet

Vennessa Aguilar

Victoria Strohkirch

Vile Gagnon

Wagner McGowan

Liyue NPCs:

Gao Haixia / Beisht

Gao Shui / Osial

Huichen Guizhong / Haagentus

Mao Chaoxiang / Chef Mao

Mao Guoba / Marchosius / God of the Stove

Qui Tianlong / Azhdaha

Yi Nuo / Havria

Inazuma NPCs:

Arataki Takuya

Hinoyama Enjou

Raiden Makoto / Baal

Sumeru NPCs:

Amun Al-Ahmar / Deshret

Lilavati Trygve Alberich (post-marriage)'/ Lilavati Kartik Mishra (pre-marriage) / Kaeya's Mom

Nabu Malikata

Parisa Rukkhadevata

Fontaine NPCs:

Alouette Désirée Dupont / Egeria

Elynas Arsène Auclair

Fanchone Océane de Fontaine / Focalors

Remus Berceuse Adagio

all melusines (aside from sigewinne) have the surname "Auclair"

Snezhnaya NPCs:

Aleksander Klimentovich Melnik

Andronika Klimentevna Melnik

Anton Klimentovich Melnik

Teucer Klimentovich Melnik

Theodor Klimentovich Melnik

Tonia Klimentevna Melnik

Khaenri'ah NPCs:

Anfortas Asgeir Alberich

Caribert Alvar Alberich

Chlothar Flosi Alberich

Dainsleif Olan Asketill

Halfdan Munin Lien

Trygve Einar Alberich / Kaeya's Dad

Vedrfolnir Asketill / "the Sinner"

[olympain]

Comic Con Liverpool 2023 photo ops with Nick Frost and Simon Pegg: A Compilation

Just met a couple of comedy legends. Nick Frost and Simon Pegg!!!

Preserving a very nerdy and happy moment on the insta grid. Buzzing. Got my Shaun of the Dead Cricket bat signed. @mjeeps even made Simon and Nick laugh, which I’m very proud of 😌☺️ Best Birthday Gift Ever. 🧟‍♀️ 🏏 🩸 🍺 👮‍♂️ 🦢 🚓

At Nick’s request… 🕸️🕸️👀💚

One of my favourite ever comic con photos - @friedgold and @simonpegg were an absolute pleasure to meet and we had a right giggle at the photo session! @alan01797

Sadly didn’t have any jaffa cakes in my coat pocket </3 These two are my biggest inspirations for wanting to get into this industry, and it was honestly such a pleasure to meet them both. Such kind and lovely people. :,) I’ll never get over this 😭

Still absolutely dying (positively) from meeting @simonpegg and @friedgold at @comicconlpool !!! They were so lovely + recognised me dressed as Gary King!! Bonus pictures of me and Emily in the hot fuzz cop car. she locked herself in i had to get her out. Met lots of lovely Shaun’s (of the Dead!) and another Gary King :]

So, this happened! The legend @simonpegg very kindly jumped in our prop photo! Absolutely amazing, made my year! ❤️🤘

Simon wants nick all to himself! 🤣

Fantastic day at @comicconlpool Meeting amazing people! Getting pictures with @warwickadavis @simonpegg and @realmickfoley

@simonpegg and Nick frost … Omg my autism kicked in and I told them they could do any pose, even grab an ass cheek if they wanted and nicks reaction made me cry 😂

@simonpegg had such a pleasure meeting thease two omg they are so funny hope they bring yours two back next year ❤️

Fab day at #comicconliverpool met some amazing guests

Met the amazing @simonpegg at Liverpool Comic Con today and presented him with my artwork I completed of him. Thank you Simon for your wonderful comments, glad you liked it 💜✏️🫶

Woohoooo!🎉 We met @friedgold and @simonpegg! 👽 Now to return back to America again some day to visits other bits they filmed Paul at like we did in 2019 🖖🏻

Yassssss 🤟 #liverpoolcomiccon #simonpegg #nickfrost

Guests met Day 1 #ComicConLiverpool with my sister.

Simon pegg & nick frost 😱😱 cornetto achieved

Just met the legendary duo Simon Pegg and Nick Frost with my dad at Liverpool comic con. Such amazing and nice people.

[cloudlessly-light]

Would you ever write a fic where emily tops Aaron? Like him having never been touched like that before but being curious and a bit reluctant about it and she peggs him or gives him a prostate massage and him enjoying it a lot and it becomes a regular thing xD

Hey there Anon!

I think everyone knows I tend to write Aaron as the top/dom, but I have written a pegging fic that you can read here

I also have this fic, with shy and inexperienced Aaron, read here

And a few other chapters from fics that can be read as stand alone fics that have Emily being in control but no pegging or anything like that here, here and here

[queen-ofsunflowers]

Sparkle Teyvat/Charmix Club Masterlist

A Genshin Impact/Winx Club AU where Genshin characters take on the roles of fairies, witches and wizards to fight the forces of the Fatui in the Magic Dimension. The plot mostly takes from Winx Club with some changes here and there.

Main Tag: sparkle teyvat au

Main Story:

You're Magic Now (season 1) [ Chapters 5/25 ] : Lumine is an ordinary girl living on Earth... or at least she was, until a chance encounter leads her to discovering that, in reality, she's a fairy. She enrolls at Alfea College for Fairies where she finds friends in Barbara, Ayaka, Keqing and Lynette. The adventure that Lumine expects in her future is more than she bargained for as the year ahead is filled with secrets of a destroyed kingdom, memories of a long forgotten past and hidden enemies that seek to steal the very power of the heavens itself.

Designs

Main Cast/Base Forms:

Lumine, Fairy of Night Light and Keeper of the Lunar Drive

Aether, Fairy of Day's Light and Keeper of the Solar Drive

Barbara Pegg, Fairy of Song

Bennett, Fairy of Fortune

Keqing, Fairy of Weather

Xiao, Wizard of Dreams

Kamisato Ayaka, Fairy of Snow

Kaedehara Kazuha, Fairy of Sound

Collei, Fairy of Forests

Alhaitham, Fonterossa Specialist and Teaching Aide

Lynette, Fairy of Shadows

Lyney, Witch of Illusions

Alfea Staff:

Navia Caspar - Alfea Headmistress and Fairy of Roses

Clorinde- Deputy Headmistress, Professor of Self-Defense and Fairy of Victory

Albedo -Alchemy and Potions Professor, and Sucrose - Teaching Assistant & Fairy of Sweets

Venti - Transfiguration and Metamorphosis Professor, Fairy of Freedom and Nymph of Mondstadt

Kaeya Alberich - Fairy of Frost and Practical Magic Professor

Kaveh - Professor of Magical Philisophy and Technomagic and Fairy of Architecture

Xianyun - History of Magic Professor and Fairy of Innovation

Baizhu - Professor of Botany and Elemental Magic, Wizard of Nature

Eula Lawerence - Physical Education Professor and Fairy of Dance

Emilie - Alfea's School Nurse and Fairy of Chemistry

Faruzan - Alfea's Librarain and Fairy of Mechanics

The Fatui: TBA

Pixies: TBA

Main Cast Enchantix

Season 1 Main Cast Designs: Girls | Boys

Art

TBA

Other

TBA

[ulkaralakbarova]

An orphaned boy raised by underground creatures called Boxtrolls comes up from the sewers and out of his box to save his family and the town from the evil exterminator, Archibald Snatcher. Credits: TheMovieDb. Film Cast: Archibald Snatcher (voice): Ben Kingsley Eggs (voice): Isaac Hempstead-Wright Winnie Portley-Rind (voice): Elle Fanning Fish / Wheels / Bucket (voice): Dee Bradley Baker Lady Cynthia Portley-Rind (voice): Toni Collette Lord Portley-Rind (voice): Jared Harris Mr. Trout (voice): Nick Frost Mr. Pickles (voice): Richard Ayoade Mr. Gristle (voice): Tracy Morgan Herbert Trubshaw (voice): Simon Pegg Oil Can / Knickers (voice): Nika Futterman Fragile / Sweets (voice): Pat Fraley Clocks / Specs (voice): Fred Tatasciore Sir Langsdale (voice): Maurice LaMarche Sir Broderick / Male Workman 1 / Male Workman 2 (voice): James Urbaniak Boulanger / Male Aristocrat (voice): Brian George Female Aristocrat (voice): Lori Tritel Shoe / Sparky (voice): Steve Blum Female Townsfolk 1 / Female Townsfolk 2 (voice): Laraine Newman Background Boy (voice): Reckless Jack Baby Eggs (voice): Max Mitchell Film Crew: Screenplay: Irena Brignull Director: Graham Annable Adaptation: Anthony Stacchi Novel: Alan Snow Music: Dario Marianelli Animation: Travis Knight Screenplay: Adam Pava Animation: Stephen Bodin Animation: Malcolm Lamont Animation: Matias Liebrecht Animation: Brian Leif Hansen Animation: Payton Curtis Animation: Joon Soo Song Animation: Adam Lawthers Animation: Shane Prigmore Animation: Chris Tootell Animation: Kyle Williams Animation: Mike Hollenbeck Animation: Danail Kraev Animation: Kristien Vanden Bussche Animation: Adam Fisher Animation: Anthony Straus Animation: Sean Burns Animation: Mael Gourmelen Animation: David Vandervoort Animation: Dan MacKenzie Animation Supervisor: Brad Schiff Animation: Kevin Parry Adaptation: Phil Dale Producer: David Bleiman Ichioka Animation: Jon David Buffam Animation: Rachelle Lambden Animation: Gabe Sprenger Animation: Philippe Tardif Animation: Ian Whitlock Animation: Daniel Alderson Animation: Charles Greenfield Animation: Jason Stalman Casting: Mary Hidalgo Line Producer: Matthew Fried Sculptor: Toby Froud Visual Effects Coordinator: Jeremy Fenske Choreographer: Nicole Cuevas Visual Effects Coordinator: Claudia Amatulli Sculptor: Benjamin William Adams Set Designer: Emily Greene Additional Editing: Ralph Foster Visual Effects Editor: Todd Gilchrist Set Designer: Carl B. Hamilton Sculptor: Scott Foster Production Design: Paul Lasaine Production Coordinator: Jocelyn Pascall Editor: Edie Ichioka Art Direction: Curt Enderle Editorial Coordinator: Dave Davenport Art Department Coordinator: Zach Sheehan CG Supervisor: Rick Sevy Music Supervisor: Maggie Rodford Music Editor: James Bellany Songs: Eric Idle Visual Effects Supervisor: Steve Emerson Costume Design: Deborah Cook Production Manager: Dan Pascall Additional Writing: Vera Brosgol Post Production Supervisor: David Dresher Editorial Manager: Trevor Cable Visual Effects Supervisor: Brian Van’t Hul Additional Editing: Christopher Murrie Director of Photography: John Ashlee Prat Set Designer: Polly Allen Robbins Visual Effects Producer: Annie Pomeranz Sound Re-Recording Mixer: Ren Klyce ADR Voice Casting: Barbara Harris Gaffer: James WilderHancock Modeling: Paul Mack Publicist: Maggie Begley Sound Re-Recording Mixer: Tom Myers Production Design: Michel Breton Prop Designer: Alan Cook Animation: Paul Andrew Bailey Assistant Art Director: Phil Brotherton Executive In Charge Of Post Production: Ben Urquhart First Assistant Director: Samuel Wilson Layout: Daniel R. Casey Layout: Simon Dunsdon Orchestrator: Geoff Alexander Set Dresser: Duncan Gillis Third Assistant Director: David J. Epstein Animation: Anthony Elworthy Animation: Dan Ramsay Animation: Jan-Erik Maas CG Animator: Carolyn Vale Digital Compositors: Daniel Leatherdale Digital Compositors: James McPherson Foley Editor: Thom Brennan Production Illustrator: Ean McNamara Sound Effects Editor: David C. Hughes Finance: Erin Baldwin Finance: Jason Bryant CG Animator: Jeff Croke Con...

[jackaycola]

air planes…

[fawninthewinter]

Tom Cruise 30 day challenge

Day 27: Favorite co-star?

Simon Pegg of course! I am super fond of Emily Blunt as Rita in Edge of Tomorrow as well.

[renyen808]

2023 Movies You Need to Watch (Part Two)

Hi there, I’m sorry that I lied, I’m back now and everything is okay! I will be posting a review of Percy Jackson this Friday, but today we are going to finish this and get back on schedule.

Mission Impossible: Dead Reckoning (Released July 12th)

(Credit: Amazon)

Starring: Tom Cruise, Haley Atwell, Ving Rhames, Simon Pegg

Director: Christopher McQuarrie

I have loved the Mission Impossible series since the beginning, and this is no exception. Tom Cruise still has it as Ethan Hunt. This movie plays around with the real threat of AI, which scared President Biden. This movie is the perfect way to showcase just how terrifying AI can be, while also being a fun action packed movie. 

(Credit: IMDb)

This movie will leave you gripping on your arm rest as you watch the intense thriller portions. While I may not be a fan of Haley Atwell’s character (and she is in here a lot), I can overlook that for more Benji (love him) and the other characters. I cannot wait for the sequel to come out, but until then, I’ll be patiently waiting.

Barbie (Released July 21st)

(Credit: Microsoft)

Starring: Margot Robbie, Ryan Gosling, America Ferrera, Kate McKinnon

Director: Greta Gerwig

Now, onto the powerhouses of the summer. First, I want to talk about Barbie, which I watched second after Oppenheimer. Barbie was an amazing movie! I loved everything about it. From the perfect Barbie and Ken castings to the story of Barbie learning about the real world was something I didn't know I needed. 

(Credit: Deadline)

I have been a woman studies student for a while, and this movie literally answers everything that we discuss in our classes. I remember taking my boyfriend to watch this during the iMAX rerelease, and he cried during the montage part, and he squeezed my hand. He loves the movie, I love the movie, it’s great.

Oppenheimer (Released July 21st)

(Credit: IMDb)

Starring: Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr. 

Director: Christopher Nolan

Oh, Oppenheimer. What a powerhouse. Fun fact, I did a History research project on Oppenheimer with two other classmates. We won our county’s competition. My portion was on the aftermath of the bombings, which included the Strauss’ hearings and the security clearance meetings. This movie was a masterpiece, visually, musically, every aspect was created with such care. 

(Credit: The Lantern)

And to everyone who thinks this movie is pro bomb, rewatch it. I promise you it is not. If you rewatch it and still come to that conclusion, I don’t know how much else to tell you than...you're dumb, I don’t know. Another fun fact, the first time I watched this, a guy gave me COVID.

Blue Beetle (Released August 18th)

(Credit: IMDb)

Starring: Xolo Maridueña, Adriana Barraza, Damián Alcázar, Elpidia Carrillo

Director: Angel Manuel Soto

Blue Beetle, the beginning of the James Gunn led DC Universe. Honestly, this is a great one to start on. Sure, it is a little predictable with the plot, what really sells it is Jaime (Xolo Maridueña) and his relationship with his family. This movie would not be what it is if it were not for the supporting casts’ relationship with Maridueña. 

(Credit: The Washington Post)

Maridueña also excels in this role as Jaime. I haven’t watched Cobra Kai, which is what he is known for, but I am completely sold on him just from this performance alone. He becomes the hero that not only his family needs, but the DC universe. I am disappointed it didn’t do as well as it deserved, so if you haven’t watched it yet, WATCH IT!

Five Nights at Freddy’s (Released October 27th)

(Credit: Wikipedia)

Starting: Josh Hutcherson, Elizabeth Lail, Piper Rubio, Mary Stuart

Director: Emma Tammi

Oh my gods, Five Nights at Freddy’s. I have loved the series since its release in 2014, which is where I was introduced to Markiplier. So, since I was a big fan of the game, I have been waiting for an adaptation forever. Honestly though, I was concerned as to how they were going to do it, since there wasn’t really a cinematic story when it came to the first game. I mean, the first Game Theory video on Five Nights at Freddy, MatPat linked it to a real Chuck E Cheese Massacre. What they came up with was not what I was expecting in the best way possible. 

(Credit: AP News)

This was a crazy ass movie, and it needed to be. Also, love that Living Tombstones had their song in the credits, I still listen to that song to this day. Along with that, Josh Hutcherson is amazing in this movie, carrying it, and my favorite, Matthew Lillard, steals the show. One critique I must say is that I wish they didn’t share that he was Purple Guy, honestly. Seeing the reveal would have been incredible, and with him saying his iconic line, it was a masterpiece.

The Boy and the Heron (Released December 8th)

(Credit: IMDb)

Starting: Luca Padovan, Robert Pattinson, Karen Fukuhara, Gemma Chan

Director: Hayao Miyazaki

The Boy and the Heron is one of, if not, the best animated film of the year. I love it so much, and hope to one day watch the sub version. This is an amazing story that shows the journey of a boy going through life in the wake of his mother’s passing. He ventures into a mysterious realm to save his stepmother. I love Miyazaki films, and this is no exception. 

(Credit: IGN)

He brings it in this film, especially casting Robert Pattinson as the titular Heron for the English dub. If nobody told me that it was Pattinson, I would not be able to tell. This movie relies on many different characters and the way they interact with the titular Boy, Mahito. It is honestly a joy to watch, and while it is a little jarring to hear some familiar voices in there, it doesn’t take you out of the movie.

Okay, I have some more movies, but we will do a quick Honorable Mention thing.

Honorable Mention Quick Round

Leave the World Behind

This Netflix movie is a must watch for those who are reliant on technology. This movie shows just what might happen when America falls victim to a cyberattack.

Fast X

This series never ceases to catch my attention. While this installment might be weaker than ones before it, I believe it is still an entertaining movie that will keep you entertained. 

The Marvels

The latest movie in the MCU was a fun, action packed film. Iman Vallani is a standout in this movie, carrying it on her shoulders. It was also nice to see Zawe Ashton, Tom Hiddleston’s fiancee, in a role.

Air

This movie based on the Air Jordan shoes is an interesting movie that showed the legacy of the shoe that became one of the best selling shoes in the world. I would give this another watch on a rainy day.

Quiz Lady

This straight to Hulu movie brings Awkwafina and Sandra Oh as sisters trying to get their dog back by going on a quiz show. This is a cute movie, which especially shows just how far siblings are willing to go for one another.

Indiana Jones and the Dial of Destiny

Indiana Jones’ latest adventure was an action filled, well, adventure. I really enjoyed it, but this movie also suffered from an unlikeable sidekick in the form of Phoebe Waller-Bridges character. 

The Iron Claw

A heartbreaking movie that I had known nothing about going in, and I was devastated by the end, crying until I had no more tears to give. Also, Zac Efron is unrecognizable in the role as Kevin Von Erich. Best role he has ever done, in my opinion.

Well, thanks for reading! I’m sorry it took me so long to get this out, but I am back now and I will make sure to meet my deadlines this time. This Friday is Percy Jackson and for the time being, I will be doing Wednesday and Friday releases, and it will literally be whatever I feel like writing about.

[musemuseum]

Muses | J

Jack Frost | unknown | Harris Dickinson | Spirit of Winter | Extra Info | Verses

Jack Starling | 30 | Zac Efron | Actor | Extra Info | Verses

Jasmine Joy | 37 | A.J. Cook | BAU Profiler | Extra Info | Verses

Jasper Craig | 53 | Simon Pegg | Computer Science Teacher | Extra Info | Verses

Jaxon Ireland | 37 | Chris Evans | Paramedic | Extra Info | Verses

Jean-Marie de la Fleur | 41 | Emilie de Ravin | Librarian | Extra Info | Verses

Jefferson Gray | 26 | Joe Jonas | Veterinarian | Extra Info | Verses

Jeraldine Cooper | 24 | Elizabeth Gillies | Gang Leader | Extra Info | Verses

Jericho Hall | 25 | Tyler Posey | Figure Skater | Extra Info | Verses

Jersey Spieler | 30 | Josh Hutcherson | Security Guard | Extra Info | Verses

Jett Black | 25 | Fairuza Balk | Occult Shop Owner | Extra Info | Verses

Jewels Craine | 33 | Charles Melton | Jeweller | Extra Info | Verses

Jonathan Hunt | 52 | Justin Theroux | Wildlife Photographer | Extra Info | Verses

Josephine Owens | 56 | Nicole Kidman | Herbalist/Witch | Extra Info | Verses

Julia Kline | 34 | Anna Popplewell | Personal Support Worker | Extra Info | Verses

Juliet Diaz | 21 | Maya Hawke | Oddity Shop Employee | Extra Info | Verses

Julius Carrow | 55 | Aleks Paunovic | Boxer/Bodyguard | Extra Info | Verses

[alexlacquemanne]

Juillet MMXXIII

Films

Indiana Jones et le Cadran de la destinée (Indiana Jones and the Dial of Destiny) (2023) de James Mangold avec Harrison Ford, Phoebe Waller-Bridge, Mads Mikkelsen, John Rhys-Davies, Thomas Kretschmann et Boyd Holbrook

Un mariage de rêve (Easy Virtue) (2008) de Stephan Elliott avec Jessica Biel, Ben Barnes, Kristin Scott Thomas, Colin Firth, Kimberley Nixon, Katherine Parkinson et Kris Marshall

Douze Heures d'horloge (1959) de Géza von Radványi avec Lino Ventura, Laurent Terzieff, Hannes Messemer, Eva Bartok, Lucien Raimbourg, Suzy Prim, Gert Fröbe et Guy Tréjan

Dies iræ (2003) d'Alexandre Astier avec Tony Saba, Thomas Cousseau, Lionnel Astier, Alexis Hénon, Nicolas Gabion, Franck Pitiot, Jean-Christophe Hembert, Alexandre Astier, Jean-Robert Lombard et Jacques Chambon

La Vérité sur Bébé Donge (1952) d'Henri Decoin avec Jean Gabin, Danielle Darrieux, Gabrielle Dorziat, Claude Génia, Marcel André, Jacques Castelot et Daniel Lecourtois

Sorcerer (1977) de William Friedkin avec Roy Scheider, Bruno Cremer, Francisco Rabal, Amidou, Ramon Bieri, Peter Capell, Karl John et Friedrich von Ledebur

La moutarde me monte au nez (1974) de Claude Zidi avec Pierre Richard, Jane Birkin, Claude Piéplu, Jean Martin, Danielle Minazzoli, Vittorio Caprioli, Julien Guiomar et Henri Guybet

Mission impossible : Dead Reckoning, partie 1 (Mission: Impossible – Dead Reckoning Part One) (2023) de Christopher McQuarrie avec Tom Cruise, Simon Pegg, Rebecca Ferguson, Ving Rhames, Vanessa Kirby, Hayley Atwell et Pom Klementieff

Demain ne meurt jamais (Tomorrow Never Dies) (1997) de Roger Spottiswoode avec Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Ricky Jay, Götz Otto et Joe Don Baker

Plus dure sera la chute (The Harder They Fall) (1956) de Mark Robson avec Humphrey Bogart, Rod Steiger, Nehemiah Persoff, Mike Lane, Jan Sterling et Max Baer

La Guerre des polices (1979) de Robin Davis avec Claude Brasseur, Claude Rich, Marlène Jobert, Georges Staquet, Jean-François Stévenin, Étienne Chicot, David Jalil, Gérard Desarthe, Jean Rougerie et Jean-Pierre Kalfon

Oppenheimer (2023) de Christopher Nolan avec Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek et Kenneth Branagh

L'Odyssée de Pi (Life of Pi) (2012) d'Ang Lee avec Suraj Sharma, Irrfan Khan, Ayush Tandon, Tabu, Adil Hussain, Ayan Khan, Vibish Sivakumar et Rafe Spall

L'Histoire d'Adèle H. (1975) de François Truffaut avec Isabelle Adjani, Bruce Robinson, Sylvia Marriott, Joseph Blatchley, Ivry Gitlis et Ruben Dorey

Meurs un autre jour (Die Another Day) (2002) de Lee Tamahori avec Pierce Brosnan, Halle Berry, Toby Stephens, Rosamund Pike et Rick Yune

La Tulipe noire (1964) de Christian-Jaque avec Alain Delon, Virna Lisi, Dawn Addams, Akim Tamiroff, Adolfo Marsillach, Robert Manuel et Francis Blanche

Séries

Friends Saison 10

Celui qui n'arrivait pas à se confier - Celui qui allait très bien - Celui qui avait décidé de bronzer - Celui qui transformait le gâteau d'anniversaire - Celui qui écrivait une lettre de recommandation - Celui qui a failli avoir la subvention - Celui qui bluffait l'assistante sociale - Celui qui ratait Thanksgiving - Ceux qui rencontraient la mère biologique - Celui qui se faisait coincer - Celui qui trahissait le pacte - Celui qui jouait le rôle du père - Celui qui baragouinait - Celui qui n'aimait pas la maison - Celui qui faisait tout pour retenir Rachel - Celui qui n'aimait pas les adieux - Ceux qui s'en allaient

Inspecteur Barnaby Saison 10

Danse avec la mort - L'Oncle d'Amérique - La Chasse au trésor - Le Blues de l'assassin - Le Flash de la mort - Le Télescope de la mort

Coffre à Catch

#122 : Finlay prend la trique et Ichtou jette l'éponge ! - #123 : Finlay à domicile pour le titre ECW ! - #124 : Les Survivor Series : Des bangers en veux-tu en voilà! - #125 : Beliaroth INFILTRE l'Univers d'Agius! - #126 : MVP et Matt Hardy: de partenaires à adversaires !

Kaamelott Livre I

Le Duel - L'Invasion viking - La Bataille rangée - La Romance de Perceval - Les Funérailles d'Ulfin - Le Chevalier femme - La Carte - Le Repas de famille - Le Répurgateur - Le Labyrinthe - Heat - Les Tartes aux myrtilles - La Table de Breccan - Le Chevalier mystère - Le Fléau de Dieu - Le Garde du corps - Des nouvelles du monde - Codes et Stratégies - Le Maître d’armes - Le Négociateur - Dîner dansant - Le Sixième Sens - Arthur et la Question - Monogame - Les Défis de Merlin - Le Banquet des chefs - Le Signe - En forme de Graal - Le Repos du guerrier - La Dent de requin - La Taxe militaire - La Queue du scorpion - La Potion de fécondité - L’Interprète - Le Sacrifice - À la volette - De retour de Judée - La Botte secrète - L’Assassin de Kaamelott - Le Trois de cœur - Basidiomycètes - L’Imposteur - Compagnons de chambrée - La Grotte de Padraig - Ambidextrie - Raison d’argent - La Romance de Lancelot - Merlin et les Loups - Le Cas Yvain - L’Adoubement - Arthur et les Ténèbres - Le Zoomorphe - La Coccinelle de Madenn - Patience dans la plaine - Le Oud - Le Code de chevalerie - Létal - Azénor - Le Sort de rage - Les Nouveaux Frères - Enluminures - Haunted - Le Secret de Lancelot - Le Serpent géant - Guenièvre et les Oiseaux - Le Dernier Empereur - Perceval relance de quinze - Le Coup d’épée - La Jupe de Calogrenant - Le Prodige du fakir - Un bruit dans la nuit - Feu l’âne de Guethenoc - Goustan le Cruel - Le Chaudron rutilant - La Visite d’Ygerne - Les Clandestins - La Kleptomane - Le Pain - La Mort le Roy Artu - Le Problème du chou - Un roi à la taverne - Les Fesses de Guenièvre - Le Billet doux - Guenièvre et l’Orage - Eunuques et Chauds Lapins - Choc frontal - Le Forage - Le Discobole - L’Expurgation de Merlin - Les Volontaires - Polymorphie - Décibels nocturnes - La Fête de l’hiver - Gladiator - La Blessure mortelle - Le Dragon des tunnels - Retour de campagne - L’Escorte - Tel un chevalier - La Pâte d’amande - La Fureur du dragon - Vox populi - Unagi - L’Éclaireur - Lacrimosa - La Quête des deux renards - Agnus Dei - Le Tourment - La Retraite - La Vraie Nature du Graal

Affaires Sensibles

Le Tour de France fantôme - Tom Simpson : une funeste passion - Lance Armstrong, le héros déchu - 21 juillet 1969 : objectif Lune

Castle Saison 2

Une rose pour l’éternité - Le Contrat - Le Troisième Homme - Le Batteur battu - Journal d'une dominatrice - Messages par balles - La Mort de Nikki - La Malédiction de la momie

Orgueil et Préjugés

Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6

Raison et Sentiments

Episode 1 - Episode 2 - Episode 3

Spectacles

John Fogerty : Premonition (1997)

Eddy Mitchell au Casino de Paris (1990)

Livres

Pourquoi vous faisez ça ? de Pablo Mira

Gaston , Tome 2 de André Franquin et Jidékeur

Le péplum, un mauvais genre de Claude Aziza

Hero Corp, Tome 2 : Chroniques de Simon Astier, Louis et Stéphane Créty