#EXTRA EXTRA CONCERNING

[junglejim4322]

Something that I have noticed is I know almost nobody my age that goes to a food pantry. I know people who regularly run out of money for food and in general have to eat an unsuitable diet because that’s what they can afford and they still don’t go to a food bank, im not sure if it’s because they’re embarrassed or maybe if you didn’t grow up going you don’t know much about it but if you’re financially struggling I really recommend it. And look into other options for food assistance too like community fridges and gardens and other programs that can assist you, where I live Salvation Army pays for an allotted amount of grocery delivery for low income people every month, in the summer farmers take excess produce to the library to be taken by anyone who needs it, etc. There are a LOT of resources for free food that you can look into especially if you are literally not eating because of your financial situation

[mydetheturk]

man. other people have put it better than i will but... the whole situation with vash and knives and the angel arm really is assault.

vash is afraid of knives. full stop. vash is afraid.

knives triggering the angel arm is a violation of vash's bodily autonomy and then using vash to try to destroy juneora rock only compounds vash's trauma. vash already can't remember july, which implies what happened there was worse.

and with the way nightow draws the scene? vash is in pain. he hurts. he's crying, openly sobbing, doesn't want to be doing this -

knives is smiling.

[coochiequeens]

The dude got the fatherhood bonus before the kid even arrived.

[detectivekirigirislays]

why are ppl so negative on the ending for mha like yea they haven't spoke in a while but that's because they're all busy and their schedules don't line up... it's not that they're purposefully ignoring him or anything😭 plus they could've talked like idk a month or two ago, just maybe not in a while in their time since they have diff scheds, theyre all working adults anyway so they prolly dont got the chance to meet up or chat often😭

bakugo works his fucking ass off just to get a damn paycheck for the support gear, and the others also care enough to fund for the support gear too, ofc they care, they're just busy😭 support gear with a similar quirk design to Ofa could singlehandedly be crazily expensive and ofc since bakugo and allmight were the heart of the operation, theyd want it top notch quality and the best for izuku, so it mustve really took a long and hard time for things to work out in the end 🙁

"They prolly have a gc without him!" Yea for the fucking surprise support gear 💀 i bet they even tell ochako and katsuki not to freak out and snitch about it to izuku anyway😭

Also bakugo called out to the HERO DEKU💞

[gingermintpepper]

hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts

Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.

For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.

The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.

Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[c1trvswurld]

Someone write a 300k+ fanfic of jimmy and curly throughout the years of high-school and college till now that shows the complex nature of their dynamic and how there was always 'signs' of what jimmy could do but was always somehow enabled yet held back by curly because that's how codependent they are...

Pretty pleeease

[tumblingxelian]

Having been reminded there's a whole genre of reaction videos along the lines of Ex-Mob Boss Plays Mafia 2. I think there should be RWBY fanfics where Blake Belladonna provides realistic commentary on depictions of: Revolutionaries, terrorists & criminal syndicates.

They could be set anywhere from pre Faunus reveal in volume 1, post reveal, or as far forward as Atlas when they're having a night off. Any variant can be funny, incisive or character driven, n& even educational given what the author is going for.

[reineydraws]

been thinking about an age reversal au where max is the teenager and billy is her tiny fighty feral little brother and they're ride or die siblings

[d8tl55c]

chosen watches the Cursor fly away. this time, it doesn't disappear at the top of... whatever must have happened during the fight. maybe from His perspective, the window was very small. that would explain the scale... and anyway, now, it must be fullscreen.

can ALAN see the whole world from out there?

the Cursor flies up, up, up, up, up and away to the little hole chosen poked in the IP address shell. hopefully ALAN won't be mad about that.

little colorful dots climb off of the Cursor, and hop back through the Wi-Fi tunnel.

then the Cursor starts to get bigger. whuh?

no, wait, it's getting closer.

shit. is He mad?????

chosen watches it fly back down, with that strange halting acceleration. going, going, GOING, and slow slow slowing. it takes only three swipes to return to sea level.

the Cursor hovers next to them. they feel themself being watched, but this time they can't watch back; only infer His perspective, from the angle of ALAN's sole limb in the digital world.

they can't help but turn to look where ALAN sees from anyway. empty air. creepy. but turning again, they see the Cursor wiggling gently. a little wave. disturbingly cute.

ALAN scoots the Cursor upward. brings it down. up, and down. up. up?

it takes a second to translate. of course, they can't hear each other, so they both have to infer from context clues.

"Do you want to come with?"

before they can think, they're already shaking their head. "no," i can't.

the Cursor scoots down, hiding much of itself below the cliff they're standing on, only the tip peeking over. somehow it still translates.

sheepishly, "please?"

it could mean several other things. "why not?" or, "okay," or, "im sorry." it could be another invitation to step on, and return to that sanctuary (PRISON PRISON PRISON PRISON PRISON PRISON) over the clouds. chosen doesn't know. they shake their head.

they shake their head, quick, several times.

they refuse it all.

they turn away from ALAN, and jump into the air, arms splayed in a maneuver they've done thousands of times before.

the fire doesn't catch right in their hands. it sputters, blasts too hard on one and not the other, and then shuts off completely.

they've been stupid, just now, and overestimated themself.

they're going to hit the water spinning out of control.

.

and then, they're not.

the Cursor has them by the back.

fear shoots through exhausted limbs. it flows, as it always does, from their core to their head to their fingers, and this time they...

...let it wash through them. excess stress chemicals stopper and fade. nothing is left behind.

the Cursor sets them so, so gently on their feet. they want to crumple and take a nap right now in the dirt, but they desperately don't want to offend His kindness.

still, their body is not cooperative at present, and it loses it for just enough time to trip their balance.

the Cursor is there again for them to lean on.

chosen is blindsided by anger.

why is He still here? shouldn't He be playing with His new pets??

chosen pushes off from the Cursor, hard, so they land a short distance away at the edge of the cliff ledge. they sit in the dirt, pull their knees in tight, and refuse to look at it any more.

waves sploosh against the rocks, one after the other.

the bay is a relatively calm offshoot of the local sea. too rough for normal swimmers; the perfect private spot for a pair of HI-PWR hollowheads.

green flashbangs fire in their memory. they squeeze their eyes shut, then open them, afraid of seeing something worse left alone with their imagination.

one after the other, waves sploosh against the rocks.

chosen peeks over their shoulder.

the Cursor is still there.

it doesn't fit into the landscape at all. it hovers with a distinct anxiety, too nervous to move a single pixel, yet aching to do something. as chosen looks back, it shifts a little closer- then quickly moves back to its original spot. the picture of, "nonthreatening." on another day, chosen would laugh at it.

they wave their hand in a repetitive motion. "shoo! go home."

the Cursor returns to peeking over the top of the ledge. it doesn't budge.

"GO HOME!" chosen gestures more sharply at the sky to the tunnel that leads to that place where no one would know where they'd gone and they might be (not not not not not not) safe. they feel nothing.

then He does something different. it's the same up, down, up, down gesture, but this time at an angle. chosen traces it along the cliffside, right to... the top. it's-

He's offering a ride to the top.

not all the way up to His domain.

just a lift to stable ground.

just to help.

a little nothing something.

just for them.

all thoughts leave their brain.

whatever this is, is

unfathomable.

they nod, once, outside of themself. why not?

the Cursor darts to attention- remembers itself- and moves in, slowly.

chosen gathers enough wits to stop it before it can click their back again.

to their relief, it complies.

they climb aboard its upper slope.

each movement is precisely calculated to hide signs of weakness.

it's warm to the touch on the black surfaces, like a rock under the sun. it's............

... nice.

when they're settled, ALAN moves the Cursor up the slightest bit - maybe ten pixels. "Ready?"

the way He treats them like such a fragile thing is starting to feel weird.

chosen grips the Cursor and spits a small burst of fire towards the loose rocks. "get a move on!"

and so, He does. He pilots the Cursor (smoothly, carefully) up over the cliff, then down, settling it as close to the grass as it can go without touching.

chosen slides off the slope.

the Cursor recoils back into the air. it hangs there, motionless, anxious again.

or maybe they're projecting.

whatever.

waves sploosh against the rocks, far below, quieter now. it's so quiet away from the trees. exposed. they should probably get out of here.

chosen stands on the cliffside.

the Cursor hovers in the air.

...

their peripheral vision detects it rapidly changing shape, and draws their head to follow the motion.

the Cursor is flipping between different Flash tools; Box, Hand, Line, Transform. it stops at, Text.

then ALAN types something into a floating text box.

[Im sorry]

so that is what he was trying to say earlier.

or maybe it wasn't, and this is only what he's trying to say, now.

or maybe

maybe chosen is far too tired for any of this.

they're tired, and they hurt, everywhere, and of course dark had to be late to lunch AGAIN for his stupid fucking secret surprise project, so chosen had to go fetch him, and now-

-is that-?

they reach up, and pluck ALAN's apology out of the sky.

the Cursor twitches, but doesn't intervene, as they tear it into its individual charset characters, piece by piece, and lay them in the grass.

when they're finished, they pick up the 's,' and stuff it in their mouth.

it's Times New fucking Roman.

a shot of savoury-sweet explodes on their tongue in singular taste, the way only charset can.

they eat both 'r's and the 'o' before slowing down.

the 'm' and 'I' are fine, but it's the 'y' that gives them pause.

they snap off its tail, and are left with a 'v.' TNR is nicely modular like that.

the 'v,' they hold up to ALAN (still lurking overhead).

the Cursor wiggles incomprehensibly.

chosen waves the 'v,' pointing at it for extra emphasis.

He scrolls back to the Text Tool, and chosen nods.

He summons a second 'v.'

chosen grabs it. now they have two 'v's: this is the moment of truth.

chosen holds up both of them, one next to the other, so they look like a-

ALAN types a 'w' into the text box.

chosen nods rapidly!

they toss the 'v's to the side.

then, they gesture at the 'w' - without taking it - and widen their hands, vertically.

it's quiet while ALAN thinks, in that unknown dimension outside of the screen.

He deletes the 'w,' and types a 'W' - and not just one, either. He summons a whole mess of them, overflowing onto several new lines of the text box!

chosen leaps at the wall of charset as though afraid it's a mirage. they crash through, landing in a pile of the things, and seize a 'W' from the air.

they bite from the left-hand leg where the ascender is thickest.

it's unspeakably delicious. it's been too long since they've had their favorite food. they've had a terrible morning, and a horrible afternoon, and it's all over and done with and noo- and ALAN brought them TNR again-

right now, He's copying ever more 'W's, pasting batches in the text box and chipping them off with the Cursor. it looks like manufacturing hard candy. chosen wants to laugh again.

they also want to cry, really, really hard.

later.

chosen chews their 'W' and hopes pathetic weeping isn't rendered on ALAN's screen.

and the Cursor works away, chipping, chipping, chipping, until a real pile forms in the clearing by the cliff over the bay.

...

eventually, the authorities will rise from their asses and come investigate the source of the explosion. the burnt trench leading directly from the brand new caldera to this cliffside, where a conspicuous amount charset is piled would be a dead giveaway of something going on. chosen will stash it somewhere under the trees or something, later. they don't care right now.

ALAN does.

[Will you be okay?]

it's odd.

chosen plucks out the extra 'W,' tosses it in their pile, and simply knocks down the rest so only, [okay] remains.

the Cursor sways gently. He deletes his message, then re-types, [okay.]

...

[If you need anything you can use The]- He halts, and carefully deletes the capital T.

[you can use the console again. To reach me.]

chosen nods, not knowing how.

[okay]

...

there's nothing left to say.

ALAN switches back to the Cursor.

chosen stands up from the grass.

He moves to leave.

they stay still.

He moves a little further, then stops.

wiggles.

waving goodbye.

waiting for their response.

what a strange creature.

chosen waves back, this time. so He'll go away.

[muirmarie]

i do think one of the funniest things people do is, sometimes when we have a group of friends, you just know that someone doesn't like you. i don't mean they hate your guts or anything, but they just Do Not Like You. but you're in the same group of friends, so it's whatever, you're both nice and polite to each other, and if you ever told another of your friends, they'd be like nooo, don't be silly, so-and-so absolutely likes you! so you just don't mention it, and they don't mention it, and sometimes you end up in situations with just the two of you, and it feels vaguely like you're making polite small talk with your worst coworker, and the two of you never admit what you're both absolutely aware of, and this can easily go on for years. i just think that's a funny thing we do.

[yourfandompersn]

꒷꒦✧˖°🫀⋆｡𖦹꒷꒦Are you tired of Murderface being undervalued, underappreciated, and made to feel like he isn't deserving of love? If you are, join this amazing server where we love, value, and admire all that is Murderface! We offer:ʚ┊Sigma peopleʚ┊Awesome roles and fun botsʚ┊Amazing roleplayʚ┊Murderface-image-of-the-day and fun polls!ʚ┊Non toxic environmentCan't wait to see you there!! (and tell ur friends about us too!)🔪 🩸 -<333

[jaeyunverse]

how am i supposed to be normal when he’s looking at me like he’s in love w me

[cirr0stratus]

just finished episode 6 of band of brothers!

ANYWAY

[i3utterflyeffect]

What if stick!Alan gains powers at some point? He’s fidgeting with a random item and accidentally resizes it somehow, and he just silently stares at it wondering how that just happened and what it means

god that'd be funny. SC is so excited because HOLY FUCK THAT'S SO COOL!!!!! and alan is just unsure if he should be worried about this ability or not. i think it'd be fun if he could do similar things to what agent does with his array of tools as well. plus like. that'd be hella interesting when vic comes around

[tenojan-in-tevinter]

Varric in inquisition: "he was dead! For sure! we checked his pulse and everything, he couldn't have been deader"

Corypheus, waking up after da2: "ugh, finally. Now that those freaks are gone-"