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0akulture · 6 years

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Sizzla Kalonji

Last Saturday night at the UC Theater, Sizzla Kalonji reigned supreme. With the US democracy continuing to crumble under the weight of Trumpski–a soap opera replete with tabloid-worthy state visits, kangaroo-court government hearings, flip-flops on election-hacking, and general unrest seemingly everywhere, there couldn’t have been a better time for the fiery roots dancehall artist to make a Bay Area appearance.

Babylon, or at least the present-day version of it, appeared to be (finally) falling. Amidst the chaos of an unstable and uncertain future, Sizzla presented himself as a diplomatic spokesman for the ghetto youth platform and everyone down with it. It wasn’t hard to catch a contact high from all the spliffs raised in tribute to the music–and the message.

Sizzla’s kinetic live show is not for the faint of heart or slow of foot. For 90 minutes, he let of contagious, infectious flurries of energy, punctuating vocals which were at times sung, screamed, delivered in rapid-fire multi-syllabic bursts. His lyrical gymnastics were accentuated with wild gyrations and raised-fist poses. Performing a mix of deep catalog cuts— among them, “Azanido,” “Show Us the Way,”“Be Strong,” “Like Mountains,” “Praise Ye Jah” and ”Dem A Wonder”—along with less-celebrated (but no less intense) cuts (and a cover of The Wailers'”Rastaman Chant”), Sizzla left no doubt as to why he’s remained at the top of the dancehall bunch for more than 20 years.

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The seemingly-ageless Boboshanti dread emerged dressed nattily in a suit jacket, button-down shirt, and signature turban — looking every bit a dignified yardie. His pace was relentless, and bereft of any sense he was biding for time at any point during the show. At times jumping into the air, at others cocking his turban to the side as if receiving a personal message from the Almighty Jah, Sizzla seemed like an artist who was very much still in his prime.

At an age when many of his peers from the late 90s and early 2000s have hung up their microphones or slowed down their artistic output, Sizzla has remained both prolific and relevant. Recent singles include a blazing, roots-revivalist duet with singer Jr. Kelly, “All I See Is War,” and a capable excursion on a JonFX-produced trap beat, “My Girl.” Although Sizzla hasn’t appeared on as many remixes as, say, Junior Reid or Bounty Killer, his ability to genre-stretch speaks to both his versatility and longevity.

The UC Theater show, though, was all roots-dancehall, and there was absolutely no cause for complaint from the crowd. The backing band, equally-steeped in reggae aesthetics, made nary a misstep, filling the large hall with the slightly off-kilter rriddims, contrasting melodic guitar runs with pulsating drum-and-bass intersections. Sizzla was preceded by warm-up artists Marlon Asher, Orlando Octave, Meleku Izac King, Zyanigh, and DJs Green B and Young Fyah. Following the lion’s share of the headline set, A gaggle of guest vocalists–including–Oakland emcee Ras Ceylon, who has a current single, “Gunz R Killing Dem,” with Kalonji– took the stage for the final legs of the show, before Sizzla returned to seal the deal. The crowd was mostly well-satisfied, but seemed like they could have gone for a few encores. The playfulness of the show was evident. Yet it was also apparent Sizzla is d(r)ead serious about being a flagbearer for a rebel culture, a de facto leader of a resistance movement which relies on joyful noise, not drone strikes.

EXCLUSIVE: Sizzla Burns As Babylon Turns (PHOTOSET/REVIEW) Last Saturday night at the UC Theater, Sizzla Kalonji reigned supreme. With the US democracy continuing to crumble under the weight of Trumpski--a soap opera replete with tabloid-worthy state visits, kangaroo-court government hearings, flip-flops on election-hacking, and general unrest seemingly everywhere, there couldn’t have been a better time for the fiery roots dancehall artist to make a Bay Area appearance.

#Babylon #Boboshanti #Dancehall #EKAphotography #music #photoset #Ras Ceylon #roots #Sizzla Kalonji #UC Theater

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0akulture · 10 years

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Live Music Review/ Oakland Mardi Gras Celebration, Feb. 17, New Parish.

The tradition of Mardi Gras, or Fat Tuesday, is one of New Orleans’ most enduring. But it’s also taken up residence in the Bay Area, as evidenced by Mardi Gras parades and celebration concerts on both sides of the Bay Bridge last week. Both parades were curated by the Parish Entertainment Group, owners of the New Parish and Leo’s in Oakland, and Brick and Mortar and Place Pigalle in San Francisco. The Oakland parade featured a Grand Marshal, several brass bands, and dozens of costumed revelers with the signature colored beads which are a symbol of Mardi Gras. Oakland isn’t a city which misses many chances for dancing in the streets, and who doesn’t love a good second line? While local Mardi Gras festivities can’t rival New Orleans’, they still offer an opportunity to bring out one’s inner spirit of joyous revelry, as well as make the OAK-NOLA bond even tighter.

The parade began in front of Awaken Café at 15th and Broadway, and slowly marched its way down to San Pablo, in front of the New Parish, where it became a full-fledged street party. The celebration continued on into the night, as the party moved indoors to the New Parish. There, two brass bands continued to horn in on the groove, setting the stage for headliner Katdelic, a funk-rock outfit in the P-Funk mold. After all that brass, the change of musical style sounded refreshing, and frontman Ronkat was on a mission to funk up the venue (which proved successful). Ronkat showed his groovalliegance to the funk with a killer set, including a rendition of Parliament’s “Funkentelechy,” then brought MJ’s Brass Boppers to the stage for the final few numbers. The show ended with the Brass Boppers descending to the dancefloor level, which in turn encouraged the booty-shakers to work it out even more seismically.

Check out the pics from Oakulture shutterbug EKAphotography, which offer some visual clues as to how much fun was being had:

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#gallery-0-5-slideshow .slideshow-slide img { max-height: 410px; /* Emulate max-height in IE 6 */ _height: expression(this.scrollHeight >= 410 ? '410px' : 'auto'); } Oakland Mardi Gras Celebration [Photoset] Live Music Review/ Oakland Mardi Gras Celebration, Feb. 17, New Parish. The tradition of Mardi Gras, or Fat Tuesday, is one of New Orleans’ most enduring.

#EKAphotography #Katdelic #Mardi gras 2015 #MJ&039;s Brass Boppers #New Orleans #Oakland

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