#Dunki In Theatres

[thenewsfactsnow]

Taapsee Pannu Opens Up About the Serendipitous Start to 'Dunki

Actress Taapsee Pannu, portraying Manu in Rajkumar Hirani’s ‘Dunki,’ unveiled an intriguing origin story, highlighting how it all commenced with a rumor that ultimately materialized into reality. Reflecting on the initial phone call she received for ‘Dunki,’ Pannu shared a tale marked by skepticism and surprise. “The first call I received for ‘Dunki’ was actually quite funny for me because it…

[i-got-the-feels]

Dunki is raj kumar hirani s's best film tbh.

[lastofthe20thcenturygirls]

he's the prettiest old man in existence

[anotherfanaccount]

A long (spoilers included) review of Dunki.

Because I think I should just write it all out.

Starts with classic Hirani flavour. A main character on a wheelchair plotting an escape. And they succeed. Mannu runs away to meet her lawyer to ask about her visa condition. The answer is negative but she's desperate to be back home now. So comes the names of Hardy, a guy who she hasn't met in 25 years now.

Cue Hardayal Singh Dhillon, in all his greys and old age cramps running a race and also winning it but well a call from Mannu, who cares about a damn race. He answers no I'm not coming to get you and she smiles saying 'kand' ho gaya hai. And how can the 'Banda' refuse.

This was the introduction of a tale so simple, yet so real. Why do people leave their homes? The homes even with the poverty still has the warmth and love. But what could be more glaring than poverty for unemployed youth. Sometimes it's heartbreaking love, a love so powerful that people decide to end themselves instead of trying to survive through. That's Sukhi and Jassi's subplot, which only propels Hardy to decide on the donkey route, a decision that'll change all their lives forever.

And so starts the dunki, shown very aesthetically if I might say the horrors and the dangers. But you know your leads survive so you hold on. They wade underwater, scared and tired. They hide in freezers, cold. They walk through the desert among skeletons and evilness. Mannu has a cathartic experience here. And you wonder what exactly is the point of going through all this trouble without any guarantee. But they manage to reach their destination.

And now awaits another horror. Immigrants are looked down upon. They aren't humans in the eye of the citizens and don't get the dignity to live like humans either. Toiling through odd jobs, sending fake pictures to assure their families and to give them a better life is their only cause now. But Hardy doesn't have any of that. He's there for Mannu, so he starts the point of going back. But necessity is larger than lives for some people.

So they get caught and the rest seek asylum but Hardy can't lie, won't lie that it was his country that's unsafe for him. So he's sent back.

Fascinatingly dark that deported people get to travel safely back to the places they tried so hard to escape. It's along the same line as punishing people attempting suicide. This helps no-one.

Anyway 25 years pass offscreen. We get to know in passing that the families back home are doing well enough but our 3 asylum seekers are not getting the visa to return home. But trust Hardy, he can do it.

And Hardy does, with a bit of cunning and so much old man charm, the old man does it for his Mannu. But Mannu is dying. And ah well. What beats a tragic love story.

What beats a movie with so much heart and love and pain underlying the humour and constant laughter.

You just end up sitting a bit longer in the theatre and hoping to gather your thoughts because there's so much and yet there's this numbness. Is it because you saw the best movie, maybe. There's no best movie as per me honestly. Is it because this topic is way too real but so far from your reality that it shocks you a bit more. Is it because you love the man frontlining these moving images and you can see no fault.

Honestly I don't even want to conclude. If I could I would like to hug Sukhi right after the phone call, and Hardy after the court and at the terrace. But I'm guessing Hardy will be fine. Wo sambhal lega apne ko. Mannu I hope you had happy moments, even if they were the bare minimum.

[sidthedarklord]

get to know me <3

Thank you @cultofsappho for the tag <333

Last song: Call It Dreaming by Iron & Wine, and also been listening to Chaleya like literally non-stop!

Last film: I watched Dunki in the theatre last week (yes yes i watched it again don't @ me) and honestly just needed a little Shahrukh Khan in my life.

Currently reading: I have such bad fanfiction brainrot that you cannot convince me to read anything else.

Currently watching: Young Sheldon because why the hell not.

Currently consuming: Semolina pancakes, i will die on the hill that this is top-tier food.

Currently craving: Chicken Hyderabadi Biryani and this weird little kebab pizza by sister's place in Italy. I am having dreams about that pizza y'all.

Open tags for anyone who wants to participate!! <3

[playermagic23]

Biz Talk: The box office business of Fighter and Dunki indicates a BIG divide between Urban centres and Mass pockets

URBAN CENTRES VS MASS POCKETS: THE BIG DIVIDE… The BO response to Dunki [Dec 2023] and Fighter [Jan 2024] - both driven by star names, on and off screen - clearly indicates the big divide in film biz today.

The fault doesn’t lie with the moviegoing audience, but filmmakers / storytellers, who aren’t able to deliver content that strike a chord with audiences beyond metros… The disparity in film biz is for all to see, with urban centres embracing the films, but mass centres staying away from it.

Let’s face it, the outcome of Dunki as well as Fighter is underwhelming, despite the merits… The BO numbers should’ve been much, much better and while the makers will recover the investment thanks to non-theatrical avenues, even book profits, the industry needs to open its eyes to the fact that you need to make films for all-India audience, not restrict it to a handful of metros.

The participation of mass pockets in film biz is most vital for the well-being and sustainability in the long run… Even in the 1970s and 1980s, I distinctly remember, the mass circuits were major revenue generators and the contribution from these circuits would take the film to the winning post… Several films would fetch handsome prices for re-issue rights - even after 5/10 years of first release - since these films would attract repeat audience in theatres… Sadly, the repeat audience is missing today thanks to the stories we choose to narrate, which clearly alienates the mass circuits.

In the past, Pushpa [Hindi version] found takers, despite its presence on OTT… In the recent times, 12th Fail and Animal continue to attract footfalls in cinemas, despite the presence on OTT platforms… Additionally, the Nostalgia Film Festival - organised by YRF, showcasing popular titles like Dil To Pagal Hai, DDLJ, Darr, Mohabbatein, Veer Zaara and RNBDJ - is a huge success… There’s a strong message for filmmakers here.

The audience wants well-made, entertainment-driven content and it’s important that we hear them and cater to their demands, if the BO has to flourish.

[sszeemedia]

Yash Raj Films celebrates Shah Rukh Khan's cinematic legacy in ‘Nostalgia Film Festival’

Yash Raj Films dedicated last week to Shah Rukh Khan and his cinematic masterpieces during its ‘Nostalgia Film Festival’, held from January 19 to 22. Going down memory lane, the banner re-released three of Shah Rukh Khan’s blockbusters, including ‘Dilwale Dulhania Le Jayenge’, ‘Dil To Pagal Hai’ and ‘Chak De India’, in theatres alongside Khan’s regular release ‘Dunki’ and the recent release…

[torley]

Shah Rukh Khan's newly announced film 'Jawan' has left his die-hard fans excited. Superstar Shah Rukh Khan on Friday released the teaser of action-entertainer “Jawan”, his long-anticipated collaboration with Tamil filmmaker Atlee. The film marks SRK’s maiden project with Atlee, known for directing blockbuster movies “Raja Rani”, “Their”, “Mersal” and “Bigil”. InstagramAfter Shah Rukh Khan's look from 'Jawan' was released, fans have been raving about it. But the internet has an interesting take on it. ScreengrabMany on the internet started pointing out that SRK's look from 'Jawan' could be inspired by Liam Neeson's bandaged look from Darkman. After Shah Rukh Khan's look from 'Jawan' was released, fans have been raving about it. Web Screen GrabDie-hard cinema lovers were quick enough to point out that SRK’s Jawan might be an adaptation of Darkman. ScreengrabFans also started comparing SRK’s look to that of Neeson’s: SRK fans have already declared 'Jawan' a hit, saying it has 'SRK written all over it. JawanSharing the teaser of ‘explosive entertainer’ Jawan, SRK on Friday wrote: "An action-packed 2023!! Bringing #Jawan to you, an explosive entertainer in cinemas 2nd June 2023. In Hindi, Tamil, Telugu, Malayalam, and Kannada." The movie is also special because it marks Nayanthara's Bollywood debut. According to reports, the film also stars Priyamani, Suniel Grover, and Sanya Malhotra. Talking about Jawan, SRK said, "Jawan is a universal story that goes beyond languages and geographies and is for all to enjoy. Credit goes to Atlee for creating this unique film, which has also been a fantastic experience for me as I love action films! The teaser is the just tip of the iceberg and gives a glimpse into what’s to come".2022 is a treat for Shah Rukh fans as this is the third film starring the megastar announced.Earlier, SRK gave a sneak-peek into Pathaan. The Siddharth Anand film stars Deepika Padukone and John Abraham. Shahrukh Khan Shah Rukh's upcoming film with Rajkumar Hirani—Dunki, starring Taapsee Pannu, was also announced. Jawan will hit the theatres on June 2nd, 2023. (To get the latest updates from Bollywood and Hollywood, keep reading Indiatimes Entertainment.)

[bolllywoodhungama]

Box Office: Dunki enters double digits, Salaar (Hindi) grows, over Rs. 20 crores come on the last day of 2023 :Bollywood Box Office — Bollywood Hungama

In a year that saw numerous all-time records been set, the last day saw satisfactory results come in. Over Rs. 20 crores were collected between Dunki and Salaar: Part 1 — Ceasefire (Hindi) on Sunday and given the fact that the year’s beginning wasn’t good at all with only Pathaan kicks-tarting the proceedings say deep down on 25 January with so many barren days before it, one can’t complain with the way 2023 has come to a close.

To think of it, both the films have seen a mixed response coming their way. Moreover, the clash has hurt both of them. Still, now they have got into a sustained mode though honestly, it has to be seen how the two run from here on right till 25 January when Hrithik Roshan’s Fighter arrives. Yet again, Siddharth Anand is the director and Deepika Padukone is the leading lady (after Pathaan), so the onus could well be falling on them to get big bucks coming at the box office.

Coming to what’s playing currently, Dunki gathered Rs. 10.80 crores more at the box office with family audiences getting back to theatres, especially at the urban centres and key multiplexes. That has pushed the total to Rs. 175.57 crores. The film should cross Rs. 200 crores between today and tomorrow. On the other hand, Salaar (Hindi) is running primarily on the strength of the masses in interiors and that’s what ensures that a near double digit score came in with Rs. 9.25 crores been collected. The Prabhas starrer now stands at Rs. 117.95 crores and while Rs. 140 crores would be crossed eventually, the race would be towards Rs. 150 crores lifetime total.

Note: All collections as per production and distribution sources

[hinahasan]

dunki the munki flat ho gyi disaster hai disaster

Dunki midnight madness in SuratBuzz is that 4 Pairs of lovers booked the entire auditorium for themselves to spend the night in theatre watching #Dunki and some say watching sleepy movies helps before doing exercise.#DunkiBoxOfficeScam pic.twitter.com/rDR5YtBV5L— Shyam (@DhonifiedRebel) December 29, 2023

[djarshaddj]

Dunki Worldwide Box Office Collection Day 4: Shah Rukh Khan's much awaited film enters ₹ 200 Cr club at Worldwide Box Office

Dunki Worldwide Box Office Collection Day 4: Director Rajkumar Hirani comes back after 5 years of hiatus with the highly anticipated comedy drama “Dunki.” The film was released on December 21st, a day prior Prabhas starrer Salaar: Part 1 – Ceasefire arrived in theatres. The film’s star cast includes Shah Rukh Khan, Taapsee Pannu, Vicky Kaushal, Boman Irani, and others. Images Credit:…

[rahimi10]

Dunki’ box office report: Shah Rukh Khan’s film earns Rs 30 crore nett on day one

Dunki’, a comedy drama directed by Rajkumar Hirani, was released in theatres worldwide on Thursday

Full Video

[cinemapremi]

Salaar Movie Review and Release LIVE Updates: Box Office Collection Expected To Cross Rs 50 crore on 1st Day!

Salaar, directed by Prashanth Neel, is making waves in cinemas. Starring Prabhas and Prithviraj Sukumaran, this review breaks down what makes Salaar a must-watch. Dunki: Shah Rukh Khan’s New Movie Box Office Collection on Day 1 Exciting Reunion: Akshay Kumar Welcomes Sanjay Dutt in “Welcome 3” Neru Movie Review: Mohanlal’s Return to Form in a Riveting Courtroom Drama

The Movie Overview:

Salaar promises action, drama, and a gripping storyline. After a three-year wait, it's finally on the big screen, creating high expectations.

Who's in the Movie?:

Featuring Prabhas, Prithviraj, Shruthi Haasan, and more, Salaar boasts a stellar cast. Prashanth Neel directs the film, adding to the anticipation.

What's the Story?:

The plot revolves around Deva (Prabhas) and Varadharaja Mannar (Prithviraj). Once friends, now enemies, their conflict unfolds in the crime-ridden city of Khansaar.

What's Good about the Movie?:

Fans rejoice as Prabhas returns in a power-packed action role, seamlessly fitting into the character of Deva. Prithviraj's proficiency in Telugu and impactful scenes enhance the movie's appeal. https://twitter.com/cheppanubengey/status/1737985178633388155

What Could be Better?:

While the first half keeps a good pace, the second half's narration could be smoother. Some scenes might remind you of KGF, affecting the movie's originality.

Behind the Scenes:

Prashanth Neel's direction shines, especially in the first half. The music by Ravi Basrur, cinematography by Bhuwan Gowda, and stunts by Anbarivu contribute to the film's appeal.

Should You Watch It?:

Salaar: Part 1 – Ceasefire stands out as an intense action drama. Despite a dragging second half and some violence, it's a must-watch for Prabhas fans and action movie enthusiasts. https://twitter.com/goutham4098/status/1735547382488768903

Real-Time Updates:

Stay tuned for live updates on Salaar's release and reviews. Early indications suggest a blockbuster, with the first-day box office expected to surpass Rs 50 crore. https://twitter.com/ThisIsBhargavN/status/1738039732163297475

Public Reviews

Salaar's story is just right—not too complicated, not too simple. The movie's dark tone and impressive visuals capture the intense moments well. It's cool that they skipped random dance scenes; the story flows better. Prabhas did well, but it's not his best. The second half could be edited better, and Shruti Hasan's acting isn't great. The action scenes are the best part—very cool and memorable. Overall, Salaar is a solid 4-star film, especially if you like dark themes. One of the best action movies in 2023, directed by Prashanth Neel, is thrilling and full of energy with just a few flaws. The film beautifully portrays the strong friendship between Prabhas and Prithviraj. The action scenes are reminiscent of KGF, and the cinematography is excellent. Prashant Neel's unique style shines through, making it feel like a comeback for Prabhas. It's a powerful mix of action and emotions. Firstly, for those criticizing without watching, I've got one thing to say. Now, onto the story—it's gripping, with goosebumps every 10 minutes. The BGM is fantastic. Prabhas makes a strong comeback with his powerful presence. Prithvi Raj delivers his best. Shruti Hassan has a small role. Prashant Neel's direction defines violence. In conclusion, it's a masterclass deserving of 5/5!

Free Tickets Giveaway:

Nikhil Siddhartha is giving away 100 free tickets for the 1 am show at SriRamulu Theatre. A treat for die-hard fans of Prabhas.

Director's Insight:

Prashanth Neel shares his vision for Salaar, emphasizing its unique world, massive action, strong characters, and emotional storytelling. Get a glimpse into the director's creative journey. In a nutshell, Salaar is an action-packed treat with some drawbacks. If you love Prabhas or high-octane action, it's worth a watch this weekend. Is Salaar a sequel to KGF? No, Salaar is a standalone film, not a sequel to KGF. How is Prabhas's performance? Prabhas delivers a powerful performance, especially in action sequences. Is it suitable for family audiences? The abundance of violence might not be suitable for all family members. Why the A certificate? The film aimed for a U/A certificate, but rules changed, leading to an A certificate. How different is Salaar from other action films? Salaar offers a unique storyline and intense action, setting it apart from the usual action fare. Also checkout: Read the full article

[thenewsfactsnow]

On Dunki Morning, Shah Rukh Khan's LOL Reply To Post On Fans' Wrestling Match Outside Cinema

The wait is over. Superstar Shah Rukh Khan’s third release of the year, Dunki, has finally been released in theatres and fans are thrilled. To celebrate the grand release, fans gathered at Mumbai’s iconic Gaiety theatre and indulged in a playful wrestling session. A video of two men wrestling with the crowd holding posters cheering for “Team Hardy” [SRK’s character in the film] was shared on…

[localreport]

Salaar Part 1: Ceasefire vs Dunki – Here's why the Telugu film may not screen at these theatre chains in the south

[playermagic23]

SHOCKING: Near House-Full shows of Hanuman replaced with that of Mahesh Babu’s Guntur Kaaram

Last month, the screen sharing issues over Shah Rukh Khan-starrer Dunki and Prabhas-starrer Salaar became the talk of the town. Bollywood Hungama was the first to report the viral news that Salaar makers had decided to pull their film from PVR Inox and Miraj properties in the South after they accused the multiplex chains of ‘unfair trade practice’. A few hours later, thanks to the impact of the article, all parties renegotiated the deal. It was expected that show-sharing would take place. Alas, it didn’t happen. Instead, exhibitors were asked to play either of the two films. As a result, some opted for Dunki while others decided to play Salaar. However, what unfolded in the Telugu industry over the last few days is much more shocking than Salaar vs Dunki screen sharing fight.

On Monday, the exhibition sector across the country got a shock when the famous Prasads Multiplex, Hyderabad cancelled nearly sold-out shows of Hanuman and replaced them with that of Mahesh Babu-starrer Guntur Kaaram. The social media was abuzz with pictures of the famous theatre’s booking page. Earlier, Hanuman had 15 shows and later, the 1:00 pm, 1:30 pm and 7:50 pm shows of Hanuman were cancelled. Meanwhile, Guntur Kaaram was earlier playing in 7 shows. Later on, it got four more shows. A similar scenario was also reported in other centres in Telangana.

An exhibition source told us, “It’s unheard of to see a show, which is nearly house full, being replaced by shows of a film which is not doing as well. This is unacceptable and it would have been understandable if Guntur Kaaram had a huge demand too. However, it hasn’t performed as per expectations while shows of Hanuman are full everywhere. The demand for it is crazy and yet, it’s getting a raw deal.”

Another exhibition insider commented, “Theatres have the power to reduce or increase shows. But this happens as per the demand and supply usually. In an ideal scenario, Hanuman’s shows should have increased while that of Guntur Kaaram should have reduced since the latter is a crowd-puller. But in this scenario, the opposite has happened.”

On Saturday, January 13, a complaint was filed with the Telugu Film Producers Council (TFPC) by Hanuman’s makers alleging unfair theatre practices. TFPC released a statement stating that Mythri Movies Distributors LLP (the distributor) had made an agreement with some theatres in Telangana to screen Hanuman from January 12. But some theatres did not honour the agreement and failed to show the film. Hence, the distributor and producer, Niranjan Reddy, filed a complaint with the TFPC.

The statement remarked that “The theatres did not screen the movie Hanuman as per the agreement. The distributors and producers suffered huge losses. So these theatres must immediately start showing the movie Hanuman and bear the loss so far”. It also said that “Such moves affect the entire Telugu film industry which runs based on faith, morality and justice”.

Hanuman and Guntur Kaaram were not the only Telugu releases during the Sankranthi festival week. Venkatesh-starrer Saindhav released on January 13 while Nagarjuna-starrer Naa Saami Ranga arrived in cinemas on January 14. Hanuman, nevertheless, has emerged as the dark horse as it collected more than Rs. 50 crores in four days and is set for a huge run. Even in Hindi, it has performed beyond expectations.

Meanwhile, On Tuesday, January 16, Prasads Multiplex is playing just 6 shows of Hanuman while Guntur Kaaram has been provided with 8 shows. Interestingly, on Wednesday, January 17, the situation will be reversed as the modern mythological entertainer will have as many as 10 shows while the Trivikram-directorial has been allotted only 6 shows.