#Dulquer Salman

[tfgadgets]

‘Lucky Baskhar’ movie review: An entertaining drama from Venky Atluri and Dulquer Salmaan

Dulquer Salmaan and Meenakshi Chaudhary in ‘Lucky Baskhar’ | Photo Credit: Special Arrangement Lucky Baskhar, the Telugu film written and directed by Venky Atluri, employs the narrative technique of creating tense moments before a twist, then retracing a few steps to reveal the events that led to it, at sporadic intervals. The first time this happens, it is an indication of what the titular…

[cinematic-explorations]

(via Sita Ramam — a legendary tale of divine love that showcases the enormous capabilities of Indian filmmakers | by Surabhi Mathur | TheFilmProfileBlog | Medium)

[iishtar]

There’s a legend that warns of what can happen if a human were to take a siren’s heart.

[cinearticles]

King of Kotha Trailer to be Released with Jailer Movie: A Smart Marketing Move by Dulquer Salmaan

Fans of Dulquer Salmaan are eagerly waiting for the release of his upcoming Malayalam action thriller film King of Kotha, directed by Abhilash Joshiy and produced by Wayfarer Films and Zee Studios. The film, which also stars Prasanna, Shabeer Kallarakkal, Gokul Suresh, Aishwarya Lekshmi, Nyla Usha, and others, is scheduled to release worldwide on 24 August 2023 during Onam. The makers of King of…

[thecrazyinktrovert]

God took an extra day to create THEM. Fave male characters Ft Tollywood

1. Dulquer Salman Lieutenant Ram in Sita Ramam (2022)

2. Nani as Shyam Singha Roy in Shyam Singha Roy (2021)

3. Rahul Ravindran as Goutham in Andala Rakshasi (2012)

Comment/reblog your favourite characters below!

[whippersnappersbookworm]

I am once again going through my Dulquer Salman phase...i mean just look at him!

Why so cute ? 😭😭

[tamlindudley]

Fave tamil actors/actresses?

Vango vango! Kollywood pathi pesa vango!

Lol ok so actors, Vikram VIKRAM VIKRAAAAMMMM! Underrated King. Also Vijay and Simbu. I had the hots for Arya at some point lol. And Rajini films are always great but in a "going to theatre with friends and watching" kinda vibe, actually I also like Vijay more in that vibe tbh. Honorary mention (they aren't tamil but acted in tamil) - Dulquer Salman & Fahadh Faasil.

As for actresses, Trisha (insert vadivel meme here) More Trisha. Lol. I adore Trisha. Also, not actually Tamil but act in Tamil -- I love Nithiya Menon and Aishwarya Rai, and always have a soft spot for Jyothika and Shriya.

[anirudhslosercore]

I watched kalki on my birthday on the day it released with lots of hopes and both my sister and i ended up dissapointed asf 😭 i still don't understand all the hype around the film really. The only parts I liked were :

- pre-interval scene

- Arjun das' voice for Krishna and krishnakumar as Krishna

- the final fight where bhairava turns into karna

And that's literally it..

The dialogues, dubbing, (apart from krishna because we couldn't see his face) acting, songs, cgi of ashwatthama's face in Mahabharat scenes, pacing of the film, fight scenes, 'romantic' scenes with roxy, 'sad backstory' with dulquer Salman and so many other things i remember not liking in the film.

Just none of them hit hard. Only screamed my lungs out the ending when bhairava was revealed to be reincarnation of Karna because I'm a prabhas fan. And i was really dissapointed because prabhas played karna ☠️ but still shouted because I love them both and I was reminded of bahubali prabhas.

Over-all the film looks below average to me and I give it a 3/5

[madhyanas]

loved guns & gulaabs.. my favourite character takeaways r as follows:

tipu is such a fun protagonist. he so clearly has some latent anger issues but he's such a fun polite nice guy otherwise. cool kid

chandralekha is actually quite sneaky! she does like tipu as a person but is only interested in him once he becomes 'spanner tipu' (+ therefore shows he can further her ambitions and otherwise make her life easier. via protection + a general don't fuck with me reputation). she has sm potential if they explore her cunning and pragmatism more. i <3 manipulative english teachers

AATMARAM......... he has a flair 4 the dramatic. a knife. a willingness to kill basically anyone including children. jokes in the most serious situations. a mullet. a silly little giggle. swagger. and he's even trans

arjun varma was BORING 2 the max :( dulquer salman u have let us down today (him speaking hindi with no trace of a mallu accent was impressive though)

bunty was great. no notes

[geektrashfan]

Because I don't see enough love for South Asian blorbos on this site

Aditya Roy Kapoor (top left)

Ranbir Kapoor (top right)

Dulquer Salman (bottom left)

Ranveer Singh (bottom right)

[melancholic-academia]

Dulquer Salman . That's it . That's the post .

[weebotaku21]

Can someone explain why me and my cousins are watching Dulquer Salman's new movie with rollers in our hair when we need to do wedding prep

[todayworldnews2k21]

Lucky Baskhar OTT Release Date and Platform

The recent crime thriller Lucky Bhaskar, featuring Dulquer Salman has impressed the audience and achieved a strong response at the box office. The film is directed by Venky Atluri. This film marks the first time Dulquer Salman and Meenakshi Choudhary as the pair. The film has received high praise for its cinematography and production quality. The story centers on Bhaskar, who is a middle-class…

[vijaymeenakshi]

Happy Birthday Chocolate boy Dulquer Salman 🎂

[hemanth]

Review: O Kadhal Kanmani

Originally posted elsewhere on 16th April 2015

Disclaimer: I'm an unqualified reviewer. For a list of people who are qualified to write about OK Kanamani, please consult Suhasini Maniratnam

Despite how old you've gotten watching Mani Ratnam, the excitement of watching his next never diminishes. Especially, when the movie works - part experience and part nostalgia. OK Kanmani is as simple as Mani Ratnam gets and as profound as any of his classic films on love. No non-linear timelines, no metaphors, no value judgements and no message, just a straight love story from the Mani Ratnam we thought we'd lost.

Yes, OK Kanmani is going to be branded by many as an update on 'Alaipayuthe'. While there's superficial merits to parallels, any such comparison is missing a larger point. OK Kanmani is an affirmation that love endures anything, even the age of instant gratification, fleeting relationships and self-centered ambitions. A reassurance that love, like an stubborn virus evolves and trumps even the most testing environments.

Many filmmakers find the divisions in an ever-changing India. Mani Ratnam finds his in the grind between a conservative past and the liberal ideas of the present. O Kadhal Kanmani balances a society that holds its nose to anything unconventional against the attitudes of millennials for whom living together is a convenience and signing up for a commitment is a shallow formality - an after-thought.

Aadi (Dulquer Salman) and Tara (Nithya Menen) rush into an open relationship and a live-in arrangement with no intent of settling down. Her architect scholarship's about to take her to Paris; his gaming-dev skills have currency in the US. Can their casual, time-boxed courtship fall turn into a commitment they both dread and declare taboo? Sounds very time-worn and ripe for sentimental pickings. Mani Ratnam, of course, dresses it up with his unwavering sense of aesthetics and his insane level of insight into the Gen Y's mind.

For multitudes of us, falling in love or cherishing the feeling of love is a brief high, a phase of life that we leave behind, in our rush to get on with the challenges and rigours our life; not for Mani Ratnam. He is that rare director who can lead you back into that corner of your heart that once used to throb with the excitement of living the moments of love. His comfort with dealing a romance can give any young or even semi-seasoned (uh hmm, GVM) director a complex.

Mani Ratnam's been repeating his rule on casting for decades now - "50% of the film is casting". Although, at times we've felt he doesn't follow his own advice. Not with OKK. There are four primary characters and each one of them pivots the story with maturity and confidence. Prakash Raj, Nithya Menen & Dulquer (in that order) light up the screen with such familiarity and freshness, like regular folks plucked from their living rooms, their pajamas still on. Prakash Raj's hamming could have been a major problem 'cause he shoulders a sizable portion of the movie and is the emotional core of OKK. He's in a league of his own here - a completely winsome performer.

Rahman's presence in a Mani Ratnam film cannot be anything along expected lines. As with all Mani Ratnamm movies, none of the songs you've heard going into the movie remain the same (shortened, remixed and reimagined) and there's the on-screen-exclusive thukda songs that are used aplenty here too. Waiting to get my hands on the background classical-funky fusion track (Kalyani's theme), in particular.

As if to mock folks calling out Mani's pattern of using of trains and stations, almost every scene features a loco compartment. The opening scene, staged on the platforms of Mumbai's CS terminus is a kicker, Mani goes one better on his usually impressive starting sequence. Mani and PC Sriram put on a show that reminds us why people still whistle to title cards bearing their names. Same with the rain too - no shying away from them, plenty of emotions drained and drenched under it. The MR-PC combination pulls off magical moments on screen that should lay to rest any claims to "next Mani Ratnam" or "next PC Sriram".

OK Kanmani

[hinahasan]

dilquer salman

https://www.ottplay.com/news/king-of-kotha-star-dulquer-salmaan-reveals-his-heartwarming-love-story-with-wife-amaal-sufiya/a443d54260516