#Dublin Snag List

[newhomesurveys]

Understanding a Dublin Snag List: What’s in It and How to Use It

Are you planning to build or buy a newly built house in Dublin? If so, don’t let your excitement cause you to forget or overlook the importance of a snag list.

Buying or building a new house is one huge financial expense. So, when this grand project begins, it’s crucial to have a firm grasp on the essential steps that guarantee a successful and satisfying outcome. One such step is getting a Dublin snag list—a powerful tool that unveils hidden defects and ensures your property meets the highest standards.

But what exactly is a snagging or snag list? How do you use it? In this blog post, we’ll answer those questions and more, so you’ll know how to use the list to your advantage and be confident that your property is free from defects and up to standard.

What Is a Dublin Snag List?

A snag list is a comprehensive checklist or document that outlines any defects, imperfections, and unfinished work issues found in a newly constructed property in Dublin. Contrary to popular belief, a snag list can also be prepared for renovated houses or buildings.

It’s usually created by a professional snagging company that meticulously inspects every aspect of the house, from electrical installations to paintwork. The snag list is a crucial tool for homebuyers and builders to ensure that the property meets the desired standards of quality.

Simply put, a snag list highlights any areas that require attention before finalising the purchase or signing off on the construction project. Its purpose is to ensure the property is safe, functional, and up to standards before the buyer moves in.

Why Is a Snag List Necessary for New Build Homes in Dublin?

In recent years, the construction boom in Dublin has brought about numerous newly built houses across the city. However, this rapid growth has also given rise to concerns about the quality and workmanship of these properties. Many houses have been constructed hastily, leading to a higher likelihood of hidden defects, unfinished work, and non-compliance with building regulations.

Even the media has taken stock of this issue. They have published several reports on the alarming number of houses in Dublin that were built haphazardly. Data indicate that shortcuts were taken during the construction process. This includes subpar materials, inadequate workmanship, or non-adherence to building codes.

Without a snag list, many new build homebuyers uncovered the issues only after the sale was completed, which led to frustrations and financial burdens. One of the biggest challenges that these buyers faced was the difficulty of getting builders to address these post-sale issues. While they are legally obliged to rectify the snags, some developers and builders were reluctant to take responsibility for the problems when the sale was finalised. As they were less willing to rectify the snags, repairs were either delayed or never done.

Given the quality issues hounding the construction industry in Dublin, a snag list is undoubtedly a crucial tool in mitigating the risks of getting a defective and non-compliant new build house. By identifying and documenting any issues with the property before the sale is completed, you can avoid disputes with builders and ensure that your investment meets the required standards. It’s an essential step in the home-buying process that can save you time, money, and stress in the long run.

What Items Are Included in a Dublin Snag List?

A snag list, also called a snagging report, typically includes a detailed list of defects or issues found in a property, along with their location and severity. These issues can be classified into three categories:

Cosmetic defects, such as paintwork, tiling, or flooring issues.

Functional issues, such as plumbing, electrical, or heating problems.

Safety concerns, such as loose bannisters, faulty locks, or uneven floors.

Here’s an example of items you’ll see on a snagging report:

Electrical Installations:

Master bedroom: Loose electrical outlet cover

Living room: Light switch not functioning properly

Kitchen: Missing cover on electrical junction box

Plumbing and Sanitary Fixtures:

Bathroom 1: Water leakage from shower faucet

Bathroom 2: Toilet not securely fastened to the floor

Utility room: Slow drainage in the sink

Flooring and Tiling:

Entryway: Loose floor tile near the front door

Bedroom 2: Uneven flooring in the corner

Kitchen: Missing grout between tiles near the stove

Paintwork and Finishes:

Dining room: Patchy paint on the wall

Master bathroom: Uneven paint finish on the ceiling

Staircase: Paint drip marks on the handrail

Doors, Windows, and Fittings:

Bedroom 3: Door not closing properly

Living room: Window handle missing

Bathroom 1: Loose towel rack

Exterior Areas:

Front porch: Cracked step

Backyard: Insufficient drainage, resulting in pooling water

Garage: Damaged weatherstripping on the overhead door

Nowadays, snagging reports include photographs or videos of the issues identified to provide a clear understanding of the problem.

What Are the Most Common Snags in New Build Dublin Homes?

When it comes to newly built houses in Dublin, the usual defects or issues found during snagging surveys include:

Finishing and Decoration

Patchy or uneven paintwork on walls, ceilings, or woodwork.

Misaligned or poorly fitted skirting boards, architraves, or cornices.

Damaged or poorly finished plasterwork.

Electrical

Loose or improperly installed electrical switches, sockets, or fixtures.

Inadequate or insufficient electrical outlets in rooms.

Faulty or non-functional light fixtures or switches.

Plumbing and Heating

Leaking pipes or fixtures.

Poor water pressure or inconsistent hot water supply.

Malfunctioning or incorrectly installed radiators or heating systems.

Kitchen and Bathroom

Defective or damaged kitchen appliances.

Misaligned or poorly fitted kitchen cabinets or countertops.

Leaking taps or faulty shower controls.

Incomplete or inadequate grouting or sealing around tiles.

Windows and Doors

Windows or doors that do not open or close properly.

Poorly fitted or misaligned frames, resulting in drafts or leaks.

Defective locks, handles, or hinges.

Insulation and Energy Efficiency

Insufficient insulation leading to heat loss or energy inefficiency.

Inadequate or poorly installed ventilation systems.

Structural Issues

Cracks or damages to walls, ceilings, or floors.

Uneven or sagging floors.

Poorly executed structural elements, such as beams or supports.

Exterior

Damaged or missing roof tiles or shingles.

Incomplete or defective guttering and downpipes.

Issues with external drainage or grading, leading to water pooling.

It’s important to note that while these snags are common, it doesn’t mean they will be present in your new build house. Remember, each property is unique, and the specific issues may vary.

How to Use a Dublin Snag List

Getting a snagging inspection is a proactive move towards ensuring that defects are uncovered before you move in. Here are some tips to help you get the most out of your snag list:

1. Hire a Professional Snagging Company

Engaging an experienced professional can offer expertise and an unbiased assessment of the property. They will have an eye for detail and a comprehensive understanding of building regulations. Their expertise will ensure the issues are swiftly uncovered, adequately assessed, well documented, and properly addressed. Snagging specialists in Dublin can even help you decide which defects require immediate repairs.

2. Thoroughly Review the Snag List

Take the time to carefully review the snag list and understand each issue that has been identified. Familiarise yourself with the details and location of each problem.

3. Prioritise the Issues

Assess the severity and impact of each snag on your daily life and the overall functionality of the property. Prioritise the issues based on their importance and potential consequences. This will help you address the most critical problems first.

4. Communicate Effectively

Maintain clear and open communication with the builders or developers. Provide them with a detailed copy of the snag list and clearly explain your expectations for resolving the issues. Keep a record of all communications, including dates, names, and the actions agreed upon.

5. Keep a Record of Actions Taken

Document all the actions taken to address the identified snags. Keep a record of any repairs, replacements, or adjustments made by the builders or developers. This documentation will serve as evidence and provide a reference in case any issues arise in the future.

6. Regular Follow-Up

Stay engaged throughout the snag resolution process. Conduct regular follow-ups with the builders or developers to ensure the necessary repairs and fixes are carried out according to the agreed timeline. Be proactive in addressing any delays or unsatisfactory resolutions.

7. Final Inspection

Once the builders or developers have addressed the identified issues, conduct a final inspection, also called re-snagging, to verify that all snags have been successfully resolved. Take your time to thoroughly check each item on the snag list and ensure you are satisfied with the outcomes.

In conclusion, a snag list is an indispensable tool for anyone looking to buy or build a newly constructed property in Dublin. By using the tips we’ve outlined, including reviewing the list thoroughly, prioritising issues, and working with a professional, you can address any defects or issues before moving into your new build home.

Remember, addressing snags immediately will not only ensure your safety and comfort but also increase your property’s value and help you avoid expensive repair costs. So, make the smart choice of prioritising the integrity of your investment by incorporating a snagging survey into your plans. Your dream home awaits, and a comprehensive snag list is your trusted ally on this exciting path.

Are you in need of professional snag list services in Dublin? Look no further! Choose New Home Surveys – Ireland’s most trusted snagging company! We have experienced snagging specialists who are always ready to help ensure your property is in top shape. Call us now on 085 256 3277 or leave us a message here.

[conspectie]

Ag Iniúchadh ar Sheirbhísí Cigireachta Réadmhaoine i nDroichead Rochfort

Is céim ríthábhachtach i bpróiseas idirbheartaíochta eastáit réadaigh iad cigireachtaí réadmhaoine, a chinntiú go dtuigeann ceannaitheoirí agus díoltóirí riocht maoine sula dtéann siad ar aghaidh le díol. I nDroichead Rochfort, cuireann seirbhísí gairmiúla ar nós suirbhéanna struchtúracha agus cigireachtaí foirgníochta cosaint ar infheistíochtaí agus síocháin intinne a sholáthar.

Tábhacht Suirbhé Struchtúrach Críochnúil

Nuair a bhíonn ceannach aon réadmhaoine á mheas, tá suirbhé struchtúrach críochnúil ríthábhachtach. Déanann an measúnacht mhionsonraithe seo meastóireacht ar neart agus cobhsaíocht bhonnádúir agus comhpháirteanna struchtúracha foirgnimh. Ní hamháin go n-aithníonn suirbhé struchtúrach críochnúil fadhbanna féideartha a d'fhéadfadh costais shuntasacha deisiúcháin a bheith mar thoradh orthu, ach cuidíonn sé freisin le cinntí eolasacha a dhéanamh faoi leanúint ar aghaidh le ceannach réadmhaoine. Trí gach rud ón díon go dtí an íoslach a mheas, is féidir le ceannaitheoirí tí ionchasacha costais gan choinne a sheachaint agus a chinntiú go bhfuil an réadmhaoin sábháilte agus fuaime.

Cé Mhéad a Chosnaíonn Suirbhé Tí?

Ceann de na chéad cheisteanna a bhíonn ag go leor ceannaitheoirí ionchasacha ná faoi chostas suirbhéir tí. Is féidir leis an gcostas athrú go mór ag brath ar roinnt fachtóirí, lena n-áirítear méid na réadmhaoine, a haois, agus doimhneacht an tsuirbhé atá ag teastáil. I nDroichead Rochfort, cabhraíonn tuiscint a fháil ar na costais seo roimh ré le ceannaitheoirí buiséad a phleanáil i gceart don tseirbhís riachtanach seo. Is féidir le hinfheistíocht i suirbhé réadmhaoine iontaofa airgead a shábháil sa deireadh trí dheisiúcháin chostasacha a d'fhéadfadh dul gan faoi deara gan measúnú gairmiúil.

Buntáistí Suirbhé Foirgníochta

Níos faide ná ionracas struchtúrach, téann suirbhé foirgneamh isteach i réimsí criticiúla eile mar chórais leictreacha, pluiméireacht, insliú, agus fadhbanna féideartha lotnaidí. Cinntíonn an seiceáil chuimsitheach seo go bhfuil gach gné den réadmhaoin suas go caighdeán agus go gcomhlíonann sé rialacháin áitiúla tógála. Do dhuine ar bith atá ag iarraidh ceannach i nDroichead Rochfort, cuireann suirbhé foirgníochta sraith slándála ar fáil, ag cinntiú nach bhfuil fadhbanna ceilte sa réadmhaoin a d'fhéadfadh tinneas cinn a chur ar chúrsaí amach anseo.

Cibé an bhfuil tú ag ceannach do chéad tí nó ag cur le do phunann réadmhaoine, tá sé ríthábhachtach tuiscint iomlán a fháil ar an méid atá á cheannach agat. Ag Conspect Engineering & Fuinneamh In-athnuaite, cuirimid cigireachtaí agus suirbhéanna mionsonraithe ar fáil chun a chinntiú go bhfuil gach eolas atá uait agat chun infheistíocht shlán a dhéanamh. Leis an saineolas atá againn i suirbhéanna struchtúracha agus foirgníochta, is féidir leat bogadh isteach i do réadmhaoin nua i nDroichead Rochfort le muinín, agus a fhios agat go bhfuil gach mionsonra seiceáilte go cúramach.

[the-clockwork-three]

Seachtain na Gaeilge 2023 Masterpost

Seachtain na Gaeilge, or Irish Language Week, runs from the 1st until the 17th of March every year. I am running a little event to celebrate. This event is open to anyone who wants to join.

As I only have the skills required to give about seven short lessons in Irish grammar, I will post the lessons from the 11th to the 17th, and I'll post something creative on every odd numbered day leading up to that point.

Further information below the cut :)

Timetable:

Wed 1: Folk song cover

Fri 3: Story based on an Irish myth

Sun 5: Lil' film club of an Irish short film (TW: onscreen character death & ableism)

Tue 7: Irish cover of an English song

Thu 9: Story in Irish (English translation in second chapter)

Sat 11: Simple Phrases

Sun 12: Possession, Seimhiú, and Urú

Mon 13: Counting and Numbers

Tue 14: Verbs

Wed 15: Prepositions

Thu 16: The Genitive Case

Fri 17: Tying it all together, and Saint Patrick's Day

I'll be uploading at 4pm Irish time (+00:00 GMT)

There may be smaller posts in-between these on the even numbered days, on the culture of "Irish names", a recipe for a Dublin desert, and so on so forth.

Anyone is welcome to join, whether its along with my vague upload schedule, or based on your own ideas around the Irish language or culture. If you would like your post to be linked in the masterpost, just tag me in the post and I'll add it to a list. Also Paddy's day pics will always be appreciated

The tag to block or use is "SnaG 2023"

Also if anyone wants to join a taglist, just say :)

Slán libh,

Rowan (nó Ruadhán)

[3rseo]

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Safeguarding Your Premises: Comprehensive Guide to Fire Stopping Services in Ireland

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Snag List Kildare Cost: How Much Should You Spend on …

The article provides information about the cost of snag list services in Kildare, Ireland. On average, these services range from €190 to €600 per inspection. The cost varies depending on the size and complexity of the property. New Home Surveys is a trusted provider of snagging services in Kildare, known for their detailed inspections and high-quality reports. The article emphasizes the importance of professional snagging services in identifying and rectifying construction errors in new homes, thereby saving homeowners potential repair costs in the future.

A Comprehensive Guide to Locksmith Services for Businesses in Ireland

The article highlights the importance of locksmith services in ensuring the safety and security of commercial properties. Professional locksmiths offer a wide range of services, from handling emergency lockouts to installing advanced security systems. They help businesses identify security vulnerabilities and recommend appropriate solutions. Services also include key control systems, regular maintenance, and security upgrades. The article emphasizes the need for businesses to choose a reputable locksmith service provider to enhance their security measures and protect their premises, assets, and employees effectively.

Silverfish Alert: Why They Appear in Autumn in Ireland

The article explains why silverfish infestations are prevalent in Ireland during autumn. The drop in temperature and rise in humidity create ideal conditions for these pests to thrive. They seek out indoor spaces for warmth and moisture, leading to increased sightings in homes and buildings. Although seemingly harmless, silverfish can damage personal belongings and potentially trigger allergic reactions. The article emphasizes the importance of professional pest control services, like Pest Pros, for effectively handling silverfish infestations. It also provides preventive measures, such as reducing home humidity and sealing cracks where silverfish may enter.

Tire Pressure Monitor Fault: What Is It and How Do You Resolve It?

The article discusses the occurrence of a tire pressure monitor fault, which can affect vehicle stability, control, and fuel efficiency. It provides troubleshooting tips such as resetting the Tire Pressure Monitoring System (TPMS), checking tire pressure, and inspecting sensors. The article also suggests the use of a TPMS bypass emulator to silence the TPMS warning light permanently. It underscores the importance of proactive maintenance, like maintaining proper tire pressure and taking care of TPMS sensors, to prevent such faults and ensure optimal tire wear, fuel efficiency, and safe driving.

Discover Ethical Elegance: Mulberry Silk Pyjamas for Luxurious Comfort in Ireland

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Stress-Induced Hair Loss? Alopecia Solutions to Get Your Mane Back

The article highlights the connection between chronic stress and hair loss, particularly a condition called Telogen effluvium. It emphasizes the importance of early detection and proper management of this condition to prevent significant hair loss and potential baldness. Treatment options include lifestyle changes, topical and oral medications, laser therapy, microneedling, platelet-rich plasma therapy, and hair transplant surgery. The piece also provides useful tips for reducing stress and promoting hair regrowth, underscoring the role of a balanced lifestyle in maintaining healthy hair.

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[gra-sonas]

You went to a Harry Styles concert???

YES, I DID, AND IT WAS THE MOST GLORIOUS NIGHT EVER!

(not my pic but I'm in it - somewhere left to the yellow polka dots)

50K (!!!) people were there

and we all sang and danced for 2hrs straight (not that anyone was straight at that concert, I've never seen so many pride flags in one place, and that alone made me unbelievably happy 🥹).

Today, I have basically no voice (no calls scheduled, phew), I keep scrolling through millions of pics and videos, and I'm just so (SO) grateful that I got to have this experience. 🥹

Harry was in such a good mood, and I like to believe that he felt all the love being yelled/screamed/sung back at him. 🥰

We had a coming out (YOU GO, LISA 🏳️‍🌈), a baby gender reveal ("IT'S A GIRL!"), he counted to 20 in German (it's the little things, y'know xD), and nearing the end of the concert, he grabbed a "MY BODY MY CHOICE" sign from someone, held it up, and then placed it against the drum kit, visible to everyone for the rest of the concert. 🙌

(not my pic, but that's him with the sign)

I'll admit that I wasn't a huge Harry fan before. I liked his music well enough, thought he's quite cool, adored his queer-positivity etc (and imo his sense of fashion is also something everyone should aspire to have 💯👌), but that was the extent of me being a fan of his. I didn't even plan to go to the concert initially (it was sold out so fast months ago, there wasn't much time to think about it anyway).

But then I kept seeing all the pics and vids from the earlier [European] HSLOT concerts, and I was like "I WANT THAT 🥺". Then, last Sunday (!) evening, I was lucky enough to snag a ticket someone'd returned, and so I went.

BEST. DECISION. EVER!!! It was absolutely incredible, the audience was ON FIRE, and we all kept singing at the top of our lungs throughout the concert (I'm so glad that I listened to nothing but a playlist of the HSLOT set list for the past week, I was able to keep up with all the singing and knew my lyrics 🤓).

Apparently, last night's venue's one of the largest he'll play during his tour (only Wembley's bigger, and I think the stadium in Dublin is around the same size as the one last night), and a bunch of his fans had organized a "rainbow lights project". They handed out tiny stickers and crêpe paper in rainbow colors ahead of the concert, for people to cover their flashlights, and during "Love of my Life", we held up our colored "flashlights" and projected a rainbow throughout the stadium. GOOSEBUMPS! 🥺😭

(pic via OWildeLarry on Twitter) - the pic is a bit too bright (thanks, modern phone cameras xD), irl the rainbow colors were more visible. Harry noticed and thanked us mid-song. 😭

Gosh, he's so precious, I adore him. 🥺🥺🥺

Anyway, I'm definitely a HARRY FAN™ now, and the next time he's coming to Northern Germany, I'LL BE THERE! 💃

(Hopefully, Covid will be more manageable then, I was pretty much the only person wearing a mask throughout the concert - inconvenient and annoying, but I really REALLY don't want to catch Covid - and dancing/singing without a damp FFP2 mask covering half of my face would the THE DREAM 🤪)

[theellenflynn-blog]

If you need the best company which help you to give the 'Snag List in Dublin 14' visit New Home Snags. An essential service! They provide detail-oriented, independent snag lists for your builders, ensuring your new home is as perfect as you deserve. Located in Dublin 14 and serving all of Dublin and surrounding areas.

[soniafragadias]

Para quem tem um quintal,um jardim é uma bela opção de tomar seu café da manhã. Respira ar puro e ainda mantém o distanciamento Cuidem Evitem aglomerações Fiquem em casa (quem pode) Lavem as mãos. Um por todos,todos por um ______________________________________________________________ @xat21 . . . Follow 👉@soniafragadias👈 xat21 Hi everyone 👋 I hope you're all enjoying your day and you all had a great weekend. . I've had the busiest few weeks trying to tick off everything I could off a ginormous snag list in the house and garden which was long as my arm, and I have to say I'm exhausted. Do you ever feel like hiding away from everyone and just sleeping for a week? 😂 . In other news we traveled down to the south of Ireland to see my parents on Saturday and it was great seeing them both. . My daughter was supposed to have a few friends in the garden for her birthday but it rained so she came with us. She had it on Sunday instead and the weather was glorious 🙌 . It's my youngest daughter's graduation tomorrow and because of covid we can't attend 😞 But they'll make the most of their day I'm sure and I'm a little sad as its the end of an era and my last child in school. I won't miss making all the lunches and her school is around the corner so I haven't done a school run in 5 years 👍 I'm happy sad 😉😂 . Well I'm off for my vaccination and it's halfway accross Dublin 🤪 Wish me luck 🙏 . Have a wonderful day everyone xx . . . . . . . . . #diydecor #sodomino #myeclecticmix #mypinterest #mybhghome #decorinspo #bohohomedecor #scandiinspo #homestyle #interior_and_home #interior4inspo #interior_and_living #outdoorspaces #designsponge #howwedwell #bolig #hyggeligt #pocketofmyhome #interiorwarrior #gardendecor #upcycledfurniture #outdoorliving #timeouthomes #originmagazine #apartmenttherapy #insearchofjoy #modernrustic #myhousebeautiful #secretsofahostess #soniafragadiasdesigner (em Em Casa) https://www.instagram.com/p/CPA2khFphHo/?utm_medium=tumblr

[officefruitdublin]

Can You Buy Fresh Vegetables Online?

The accessibility of information has convinced many to DIY stuff instead of hiring professionals. It’s not unusual these days to see people taking on projects in their homes, from painting their walls to full-on renovations. Some even opt for a DIY snagging survey of their new build house instead of getting professional new home snagging services.

DIY New Home Snagging – Not Worth the Risk

If you are thinking of doing the same thing – inspecting your brand new home on your own, you have to be absolutely sure that you’ll be able to do it well. Otherwise, your first months in your house would be spent doing repairs instead of simply relaxing.

Furthermore, you might end up spending more instead of saving. A lot of people go the DIY route to reduce their expense on the project as they wouldn’t have to pay for labour. But this is not what usually happens as a handful of DIYers find themselves wanting to redo their work because they are not satisfied with the output.

The repercussions are more severe though for a sloppy snagging survey. For one, it can jeopardise your safety, particularly when structural issues are missed.

It can be difficult to believe that a newly built home can be poorly built and endanger its inhabitants, but it does happen. In fact, in 2019, news about a canopy in a Kildare estate collapsing sparked discussions as to whether or not Irish properties were built to standard.

Poorly done surveys also result in additional expense. Homebuyers shouldn’t be worrying about spending for the repair of these snags, especially if they are found within the warranty period. Under the law, the developers or builders should fix the defects at no additional cost for the buyers.

But many owners of new build homes, specifically those who have moved in already, end up paying for the repairs as contractors take too long to address the issues. This is why it is important to have a comprehensive survey before you finalise the sale of the house and not after you’ve moved in.

By going the DIY route, you may end up spending more and putting your family at risk if you fail to do the inspection properly. So, if you have no experience doing a snagging survey, it is best to let qualified people do the task.

Benefits of Getting Professional Home Snagging

Thorough Inspection

You can count on professional snaggers to methodically inspect your home, leaving no area or part unchecked. With their trained eye, they can spot defects that inexperienced people might miss.

Proper Survey

Snagging a property is not just about being able to check everything – every nook and cranny. It is also about knowing how to inspect these areas or parts.

Whereas amateur snaggers would only do a visual inspection of surfaces, professionals would touch them when they recognise that there is a need for it.

Aside from their knowledge and skills, they also have the tools necessary to conduct a proper inspection.

Quick Turnaround Time

Professional snaggers understand that the completion of the inspection has an effect on your move-in date. If they do not finish it ASAP, then you’ll have a longer waiting time.

So, reputable companies schedule the survey immediately and complete the report in a day or two. When they accomplish their task right away, the developer or builder can start working on the issues and hopefully, get your house ready in time for your move-in date.

Avoid Being Questioned

Once you receive the snagging report, the next step is to show it to your developer or builder. It is not unusual for them to question some items on the list, even refuse to fix them.

But you can expect more resistance from them if you show a DIY snag list. Due to your inexperience, they might not find the inspection to be credible or proper.

In summary, getting professional new home snagging is a hassle-free way of ensuring that you are buying a high-quality property – one that is snag-free and safe. The amount you spend on a professional snagging inspection is nothing compared to the peace of mind you’ll get later on.

For professional new home snagging in Dublin and Wicklow areas, only trust New Home Surveys – experienced snaggers & comprehensive snag lists delivered in 24 hours. Call us now on 0852563277 or email us at info@newhomesurveys.ie to book your appointment!

[newhomesurveys]

Beyond Cosmetic Fixes: How Snag List Services Ensure New Build Longevity

In Ireland’s ever-growing construction industry, the completion of a new building is a momentous achievement. However, the finish line is not always the end of the road for builders and developers. The final phase of construction often involves addressing the snag list, a comprehensive checklist of issues and defects that need rectification before a project is considered complete. Snag list services play a crucial role in ensuring the longevity and quality of newly constructed buildings. In this article, we will explore what snag list services are, why they are essential, and how they contribute to the durability and longevity of new builds in Ireland.

Understanding the Snag List

A snag list, sometimes called a punch list or a snagging report, is a detailed inventory of defects, imperfections, and incomplete work that is compiled after the construction phase is nearly finished. It is typically created by a professional snag list service provider or a construction consultant. The list covers a wide range of issues, including:

Cosmetic flaws like paint imperfections and scuff marks.

Structural defects such as cracks in walls or ceilings.

Electrical and plumbing issues like faulty switches or leaks.

Missing or incomplete installations, like doors, windows, or fixtures.

Health and safety concerns such as uneven flooring or exposed wiring.

The snag list serves as a roadmap for builders and contractors to address these issues before the project is considered complete.

Why Snag List Services are Essential

Quality Assurance: Snag list services act as a quality control mechanism, ensuring that all aspects of the construction meet the required standards and specifications. By identifying and rectifying defects, builders can deliver a higher-quality product to their clients.

Legal Compliance: Compliance with building regulations and safety standards is crucial in Ireland. Snag lists help identify and rectify any non-compliance issues, protecting both builders and property owners from potential legal complications.

Client Satisfaction: Homeowners and property buyers have high expectations for their new builds. A thorough snag list process ensures that the property is handed over in the best possible condition, leading to higher levels of client satisfaction and trust in the construction industry.

Longevity and Durability: Addressing defects and issues at an early stage helps prevent them from becoming more significant problems in the future. This proactive approach contributes to the longevity and durability of the building.

How Snag List Services Work

Inspection: A professional snag list service provider inspects the entire property, documenting all identified issues. Every square inch is inspected to ensure that all snags are identified.

Documentation: The issues are carefully documented, including their location, severity, and recommended actions for rectification.

Reporting: A comprehensive snag list report is generated, often with photographic evidence, and presented to the builder or developer.

Rectification: The builder or developer uses the snag list report to address the issues systematically, ensuring each item is resolved to the client’s satisfaction.

Re-inspection: After the builder completes the necessary work, a re-inspection is performed to verify that all items on the snag list have been properly addressed.

In Ireland’s construction industry, snag list services play a vital role in ensuring the longevity and quality of newly built properties. They act as a quality control mechanism, helping builders and developers address defects and issues before handing over the property to its owners. By ensuring compliance with building regulations, enhancing client satisfaction, and preventing potential future problems, snag list services contribute significantly to the overall success of construction projects in Ireland. Builders and developers should consider snag list services as an essential step towards building lasting and high-quality structures that stand the test of time.

Are you looking for snag list services for your new build home? Our team is available to address your questions or concerns. Call us at 085 256 3277 or click here to contact us today!

[conspectie]

Conspect Engineering Surveyors - Snag lists - pre purchase surveys

Welcome to our handy contact form page, send our team a message here to get a snag list quote or pre purchase survey quote. Got a question and not sure if you need an engineer or construction professional, please feel free to ask we are here to help & advise.

[dthjoey]

Kilkenny

This was something I wrote for my fiction class. I didn’t really get into the groove of it,  but this is what I got. Some of my classmates liked it, some did not. But here we are. Nothing graphic or unsettling, mentions of death but it’s like a band aid. Over before you know it. 

It was the first to get tucked into the truck. In the beginning the driver paid no mind as they took the tablet from their coworker. Today, like others, was busy as the other trucks around were loaded with different items of size and color. Taking one look at the bed of the van, the driver signs off with a quick count and loads themselves into the truck cab. Pulling themselves together: seat belt, seat shift, lit cigarette. The driver starts the process of backing up and down the morning road. 

Mornings like this, when the sun is just starting to rise, she keeps her eyes on the horizon. Watching as the colors begin to change, from pale midnight to a golden color. Flipping on the radio, a soft melody fills the cabin and the driver’s eyes stay on the horizon. Rolling ever closer, charging forward to capture the morning light. Soon the signs of life begin to fill her view, a building alone in the middle of the field. After a few miles it turns into two. Ten more and the road begins to split off, branching into the bustling city.

Just as the melody slowly begins to quiet, the van pulls past the city limit. Kilkenny Ireland is empty in the morning glow. A few shop keepers can be seen working on the inside of window displays. Polishing and organizing so that everything is ready by morning open. Stubbing out their cigarette, the driver slows as she comes down Dublin road and parks just outside a small little shop. Pulling their clip board close, she scans over the details of the first drop off and she simply rolls her eyes.

Shutting down the truck, she hops out and proceed around to the back of the van. Glancing around the empty streets, the driver opens it up and steps into the dark container. With a deep sigh, she pulls off a flashlight from the wall and begins to scan the items around. The items the store needs are nested in the middle of the truck, stacking one on top of the other, shutting off the light, pocket it, and begin the task of lifting the two items out.

“Mornin.” Comes the greeting as she steps down from the back of the van. With a flick of her foot, the doors close and they look to the young man who stands in the open door of the small antique shop. He seems to bounce from one foot to the other as the driver begins to walk the items over. Stepping past the man the driver moves into the shop and smiles as an elderly man leans over the counter and smiles wide.            “Thought you might have gotten lost.” He comments as she places the packages down and picks up the tablet from the top. Scanning the screen, she chuckles as the old man makes a show of rushed hand gestures.            “Close the door ya daft boy, want them to start coming in.” The old man grumbles as the driver holds out the tablet with a pen in hand.              “Go easy on him Conner.” The driver comments as she pulls the old man’s attention away from the man at the door. Connor grumbles as he takes the pen and begins to place his signature along the bottom.            “I’ll not hear it from you, good workers are hard to come by. He’d rather watch the pretty girls go by, then stock the shelves.” Chuckling, the driver takes back her pen and gives a small salute to Connor. The old man huffs before turning to his items and opening them up. The man at the door opens it up and gives the driver a lopsided smile.            “He can complain all he wants, still hasn’t fired me. Even after the last time you visited…sorry about that.” He looks a bit sheepish as the driver moves passed and exits the little shop. Turning to the man she gives him a small smile before tipping their cap at the man.            “Water under the bridge boyo.” Comes her honeyed reply. Loading herself back into the cab, the driver feels a shiver run down her spine as she feels herself start to cringe at the last encounter. She tries to buckle in just as the memories of the last time she was here takes over.

           Dillion had been innocent enough; he’d been polite when he’d opened the door a week ago. But as the driver had made her way into the store, he seemed to get a little too close to the driver as she set down the packages. Dillion had tried to chat her up, asking about her route, wondering when quitting time was. All the questions had been deflected as she tapped nervous fingers along the glass of the counter. Connor had called from the back of the store, but Dillion pressed closer as he looked over the packages.            “Come back later today, promise we’ll hit the town with a bang.” His voice rough in her ear as he stepped even closer. With a quick jab, the driver turns and pushes Dillion back against a case. A few things inside falling over or tumbling down, seeming to draw Connor’s attention finally.            “Lass, we okay out here?” Connor’s voice is strong and honed to snap if needed again. The question hangs in the air as the driver turns sideways, keeping both men in her sites. With a quick nod, Conner signs the board and she snag it before he can say anymore.

*

Down the road, as far away from the antique shop as they can be. Down Dublin road and onto Castlecomer New road. She rolls her shoulders and takes a deep breath. Alleyways and little suburbs line the way as she follows along the River Nore and further into The Weir View. The driver takes it slow as the busy streets turn into suburbs with houses of pale yellow and dark roof tops. She lights another cigarette as she comes to a crossroad and waits for mothers and fathers to escort children across.            Glancing quick the driver grins as they drive into the roundabout known as The Grove. She takes a long drag before stubbing it out and coming to stop at the entrance. Of all the stops, the driver knows this place well. She sits and looks out upon the houses, leaning back as the smoke fills the small van cabin.  

           A boy and a girl sit among the grass, in the middle of the round. Sitting side by side as they watch the bugs under them. Crawling over legs and hands, while admiring ants devouring cookies and sweets. The girls laugh is carefree and wild while she lifts her hands up into the air to see them walk along her skin with the sun shining down. Red hair wild and green eyes wide as she counts the ants. The boy gives a cry as he sits away from the crumbled-up treats. His fascination is over with and he wants nothing to do with her new friends. His blue eyes fill with tears as his red hair falls into his eyes.

Shaking her head, she gathers her thoughts back and snubs out the smoke. Grabbing the tablet and scanning the list, she starts the task of searching for the next delivery. Light streams in and gives just enough light for the driver. Finding it quicker, she takes the small little box, shuts the back and begins the walk around. The house in the middle, with blinds drawn and lawn over run, pulls them closer. Stepping up the drive, the driver watches as the blinds shift and move from one window to the other. The shout of a child sounds within and she smiles walking closer and tapping on the door.

More shouts sound but it’s the stomping of little feet that make her frown. Little fingers push the mail slot open and the driver watches as it opens and closes a bit. Taking a step back, she squats down and glances in.            “Ma’s not home.” Large brown eyes narrow as they look the driver over. Glancing down at her hands, she holds up the item and gives a small shake. Nothing sounds from within, but the driver can see the large brown eyes widen and look at the held item.            “Ma said ta leave it.” A second set of eyes join the first, four brown eyes fighting to look through the mail slot. The mail slot snaps shut as bangs against the door sound and push up from within. Placing the item down, closer to the shadows of the potted plant just to the left. The driver takes a step back and glances at the slot before moving further away.            “Thank you, Lady!” Comes a shout as the slot pushes open again followed by hushed voices and then another shout.            “Thank you, Lady!”

*

           The day goes on and the drive takes them to the outskirts of Kilkenny. Along Dean Street and down Dominic street, they come to a small crisscross of streets. Pulling up to the large stone church, the driver circles around twice before coming to park just to the side of it. With a quick cross over her chest, she pulls her cap down a bit more before pulling the tablet close and scanning the mostly delivered list. Looking over the cut lawn, it’s in this quiet moment that they finally take in everything around them.

               The day had started out sunny and calm for the most part, but as the day had progressed, the clouds had moved in. Making the day turn cold. Stepping out of cab, she looks around the parking lot and seems to drag her feet as she comes to the back of the van and opens it up. Looking to the last item, a long brown box with a red and white sticker. Setting the tablet on the package, they pick it all up and with a free hand closes the van.

           “Cael!”

           “Come on Mama’s gonna get mad!” A boy stands in the middle of the road. Dressed in his Sunday clothes. A pair of pressed dark pants and white button down. His blue eyes wide as he waves an arm over his head calling to someone. A girl with long red hair comes to stand before the boy. Her back to the driver. She’s dressed in a white and blue dress.

           Walking past the memory of the two, she walks along the side of the church and comes to a side door within the garden area. Setting down the package on the bench beside the door. The driver turns to look upon the garden. She watches as the two children run behind hedges and cross before the side fence. Stepping away from the door, she walks closer to the fence and looks over all the different ornaments.

           “When you were three, you brought us that little frog.” She doesn’t take her eyes off the fence as from behind a priest steps forward. He comes to stand just next to the driver as she eyes a little painted frog. It was nestled among other odd animals and spray-painted art.

           “Mum use to show it every Sunday.” Her voice is solemn as she pulls off her work cap. Running her hand through her short red hair, she steps closer and runs a hand over the little frog.

           “You brought the frog and two years later, Jacob brought us the little duck.” The priest steps with her, watching as she reaches out and runs her hand over the spray-painted duck. She frowns a bit, remembering it being a bright red compared to the dull pink it now is. Turning she looks to the priest and watches as he scans over the trinkets and looks to her.

           “I’ve a package for you Father.” She glances over at the sitting item and he simply smiles as he turns to look as well. Moving away from her, he sits beside the package and like a lost child she follows. Taking the tablet off she lets the priest work on opening it up.

           “It’s been many years Cael, it’s time you come back.” He says as he smiles down. Pushing each of the sides out and away he keeps his eyes on the contents. He doesn’t notice when her hat goes back on. Or when the rain begins to fall. She doesn’t turn back as she makes her way back to the van.

           Cael is standing, an awkward teen. She fiddles with her dress as she watches people file into the large church. She stands with her father. A man hunched over, weeping into his hands while a woman with features like Cael’s stands on the other side. The woman’s face is blank, but tears trail down her face. Glancing up at the dais, Cael looks to the picture of Jacob, red hair and blue eyes. Resting just beside a small casket.

           Slightly damp, she sits in the cab of the van. Tablet set aside and new cigarette back at her lips. Strapping in and lighting up, she lets the memories of this place swirl around her. Taking a deep breath Cael pulls away from the Black Abbey of Kilkenny.

[3rseo]

SEO Optimised Content in your Blog attracts more clients!

In the dynamic realm of digital information, the power of well-crafted content is unparalleled. At 3R SEO & Marketing, we take pride in not just creating content, but in crafting meaningful narratives that resonate with audiences and drive SEO success. Today, we’re thrilled to showcase ten exemplary blog entries that we’ve meticulously penned on behalf of our clients as part of our commitment to their SEO growth journey.

Discover the power of SEO-optimized content with 3R SEO & Marketing! Dive into our portfolio of ten exceptional blog entries from August 2023, meticulously crafted to enhance our clients’ SEO success.

Explore diverse topics, from relationship guidance to property assessments, fire safety to home extensions. Each blog showcases our commitment to creating informative and engaging content that resonates with your audience.

1. Access Counselling

Here is the insightful blog authored for Access Counselling, a beacon of guidance in relationship nurturing. Our collaborative effort has resulted in a blog that offers invaluable insights into selecting the right pre-marriage course in Dublin. This piece delves deep into the significance of aligning courses with couples’ needs and values, underlining keywords like “pre-marriage courses Dublin” and “choose the right pre-marriage course.” As readers explore this blog, they’re invited to explore the world of healthy relationships and successful marriages through the lens of Access Counselling’s expertise.

2. New Home Surveys

Read this blog we’ve created for New Home Surveys, a dedicated authority in property assessments. This blog distinguishes between the terms “snagging checklist” and “snag list” within the context of new home inspections. In a comprehensive exploration, we shed light on the nuanced meanings and usages of these terms, emphasizing keywords like “snagging checklist,” “snag list,” and “new home inspections.” As readers delve into this blog, they gain clarity about crucial aspects of property assessment, all while appreciating the depth of knowledge that New Home Surveys brings to the table.

3. Diamond Shine Cleaners

Here we share five key tips for achieving a high standard of cleanliness in a Dublin office. These suggestions include selecting appropriate cleaning products, using them correctly on different surfaces, and implementing effective cleaning methods like dusting before vacuuming and adopting a top-to-bottom approach. The importance of maintaining a regular cleaning routine and paying attention to details, including frequently touched areas and commonly used office equipment, is also emphasized. The benefits of professional cleaning services are highlighted, particularly their role in fostering a positive work environment. The article also promotes the use of eco-friendly cleaning products and the preventative and health-boosting benefits of regular cleaning.

4. ePower

The blog post for ePower discusses the growing electric vehicle (EV) market and the need for EV chargers at service stations. It notes that these locations are ideal for chargers due to their accessibility. Fast-charging options, which can charge most EVs in under 30 minutes, are highlighted as crucial. The post concludes that installing EV chargers at service stations is key to supporting the shift towards electric mobility.

5. Flame Stop

The blog article for Flame Stop Ltd. underscores the criticality of fire safety in data centres in Ireland, extending beyond merely cybersecurity. The piece highlights three main facets of fire safety: Mitigation, Detection, and Suppression. It recommends the use of fire-resistant materials in construction and insulation, strict housekeeping measures, and frequent equipment maintenance checks. It stresses the value of early detection systems and swift suppression systems. Prevention is key, with careful management of combustible materials and strict housekeeping emphasized. Regular upkeep of electrical and mechanical equipment and thorough fire safety training for all staff is also advised. The article concludes that comprehensive fire protection provides data centres with financial security, data integrity, a good reputation, legal compliance, and peace of mind.

6. Greenoak Construction

Greenoak Construction’s blog post emphasizes the benefits of house extensions in Dublin and tips for a successful project. They highlight their commitment to quality workmanship, ensuring that extensions not only add value but also blend seamlessly with existing structures. Their process is designed to be stress-free, with dedicated project managers handling everything from initial consultation to construction. Greenoak Construction also uses energy-efficient construction solutions to promote sustainable living and reduce energy bills. They recommend clients to clarify their purpose for the extension, set a realistic budget, think long-term, and choose a reliable partner like themselves for the project. The company prides itself on client satisfaction and comprehensive solutions, aiming to transform homes into spaces that resonate with clients’ lifestyle and aspirations.

7. Kildare Tarmac & Asphalt

The blog post “Crafting Stunning Pathways: 7 Tips for Idyllic Rural House Walkways” on Kildare Tarmac & Asphalt’s website provides valuable advice on creating beautiful walkways for rural homes in Ireland. It emphasizes the importance of thoughtful design, use of quality materials like natural stone or concrete pavers, and harmony with nature. The blog suggests optimal pathway placement to enhance scenery, aesthetic night-time lighting, and attention to kerb details for an overall stunning look. Customization is encouraged to reflect personal style and resonate with the property’s theme. Kildare Tarmac & Asphalt, serving Dublin, Kildare, Meath, Westmeath, Wexford, Wicklow, and Louth, offer expert Paths & Kerb Laying services, guiding clients through the creative process. The blog concludes with testimonials praising their services and contact information for a free estimate.

8. New Style Driveways

The blog post on New Style Driveways discusses how to design an easy-to-maintain tarmacadam driveway. It emphasizes the importance of careful planning, which includes assessing personal needs and preferences, and considering the size of the driveway. New Style Driveways is a local Dublin business experienced in managing projects of various sizes, specializing in tarmac, asphalt, paving, and concrete. The company also provides quality driveways, patio installations, decking, and fencing. The article mentions that with proper care and regular maintenance, the lifespan of a tarmac driveway can be substantially extended beyond the average range. Furthermore, the company offers a no-maintenance tarmac driveway option, which is completed with a silver granite cobble border. The post concludes by encouraging potential customers to get in contact for a free consultation.

9. National Training Centre

The blog post on the National Training Centre (NTC) website outlines the cost and other details of obtaining a Pilates Instructor Certification in Dublin. It highlights the fact that becoming a certified Pilates instructor can be a rewarding career path, but also emphasizes that it requires a significant investment of both time and money. The total cost for the certification program is €2,750, which includes the course fee, examination fee, and course materials. This comprehensive course covers in-depth theoretical knowledge, practical skills, and professional competencies required to teach Pilates effectively. It also provides students with a nationally and internationally recognized qualification. The post concludes by stating that the cost of the certification is justified by the quality of the training and the potential income opportunities it presents.

10. Universal Hair Clinic

The blog post on Universal Hair Clinic’s website emphasizes the importance of consulting a trichologist for hair loss treatment in Dublin. It notes that generic advice and over-the-counter products often fail to provide satisfactory results, as they don’t account for individual factors like genetics, nutrition, and underlying health conditions. The post warns against relying solely on online recommendations, which may lack scientific validation and be influenced by commercial interests. Trichologists, as professionals specializing in hair and scalp issues, offer accurate diagnoses and personalized treatments. They provide guidance on proper hair care practices, nutritional advice for hair health, stress management techniques, and can diagnose various hair and scalp conditions. The post recommends researching and reading reviews when choosing a trichologist, considering their qualifications and experience. It concludes by asserting that hair loss should be treated with the same seriousness as any other health issue and highlights the services of Universal Hair Clinic in Dublin for expert trichologist consultations.

These blog entries stand as a testament to our commitment to creating informative, engaging, and SEO-optimized content that bolsters our clients’ digital presence. As you immerse yourself in these insightful pieces, we invite you to explore the worlds of our clients. Let these blogs serve as a reminder of our dedication to enhancing SEO-driven content creation, paving the way for our clients’ success in the digital landscape.

🚀 Ready to boost your digital presence? 🚀

Don’t miss out on the opportunity to elevate your digital presence and attract more clients. Contact us today to embark on your SEO growth journey with 3R SEO Consulting!

[jonjost]

It happened as much of life does, rather by accident. My friend Jonathan Rosenbaum was in Tehran for some film conference, posting on Facebook, and I saw it and popped him a note asking he stick a foot in the door for me there. I’d for decades wanted to see Persian architecture, having once studied architecture and seeing many photos of the wonderful mosques and such in that part of the world. As it happened he’d already returned to Chicago, but the day of his arrival home he’d received a note from his hosts in Iran, inquiring who might be good to invite for a conference on digital filmmaking. Bingo. He in turn suggested me, and not inclined to wait, I wrote the party and made my case. I was invited.

This all occurred in the midst of other changes in my life. My wife Marcella and I are going separate ways, amicably – though that is a dubious word here. There is nothing “wrong” about our relationship, except that I am 75 and she is 42, and she needs and deserves things I cannot offer. A younger companion, and not to be be caught at 45 or 55 suddenly single because I have properly slipped the planet. With my encouragement and prompt to keep her eyes open for someone, and, also by accident she did:  Ryan Air put us in separate seats on a flight from Berlin to Belfast and her seat mate was a nice fellow she talked to and… .  One thing led to the next, all with my nod, and she’s now with a nice man of her age, things are going well for them, and it is time for me to leave go. I do so with a touch of anxiety but with love for Marcella. It is mutual. Though at 75, and a kind of blank canvas lies ahead, a little of a challenge – though my life has been like this all along. Used to it.  So I jumped into this journey, clearly but the first step in a longer one.

Sorted out the visa, which I had to pick up in the Iranian Embassy in Dublin, and on the first leg got snagged by travel snafus. Out on the tarmac in a Turkish Airline plane we wheeled to take off point, waited as usual, hit the accelerator. Whoosh, pushed back in the seat and then, not normal, the plane suddenly decelerated, braked and trundled off to some other area of the tarmac. Take-off aborted said the captain a bit later, with no explanation why. We sat a few hours with no further word until he announced the reason for the non-take-off was “operational problems”. I saw no vehicles come to do some fix, and surely along with the other passengers, pondered “wassup?” About an hour later, with no explication, we taxied and took off, the air slightly weighted with unexplained nervousness. I assume a computer programming glitch or perhaps air traffic control something.

Needless to say the long delay resulted in missing the next connection and a near sleepless night during the long early a.m. layover in Istanbul.  Airport slumbers not the best.   The wages of the present state of jet-setting. No party.

Arriving in Iran it was straight to my hotel through a bedraggled landscape leading into Tehran from airport: empty rusting billboards looming over desiccated sands, occasional cars wheezed out, intermittently parked their last time on the roadside, a few hitchhikers looking for a lift into the urban vortex. A weirdly placed golden domed mosque, for a not long ago immam, former head of the government, like a flying saucer dumped on the far edges of town, not much around it. And then into the southern flank of the city, reminding of the desolate zones east of LA, Hockney’s Pear Blossom Highway world.

The highway choked with dinged up cars, denser and denser as one approached the city center, the driving style Italianate in ignoring the marked traffic lanes, un-Italian in the lack of honking and cursing from the windows – a sign of resignation to the daily jam-up?

Checked into hotel, and a brief hello from Amir, my host from the National Film School. Shortly abandoned, I took an instant nap to try to make up for lost in-transit sleep. Outside rain blocked any view, which in the next days would prove to be a vast “modern city” array of vertical towers, here in uniform sand color, residences and office blocks receding endlessly into the distance, reminding me a touch of Seoul with its mountainous backdrops.

The conference for which I’d come, titled International Conference on Cinema in the Digital Age, under the wing of the Iranian National School of Cinema, commenced the next morning. A grab bag of figures, “international,” populated the list of speakers – myself (on the opening page as if I were “someone”), another American, Nicholas Rombes – an academic with a handful of books to his credit including one on the Ramones, along with “Cinema in the Digital Age,” several French game and virtual reality experts, Romain Bonnin and Bruno Massi; Ira Bhaskar, a woman from India, dean of a School of Arts & Aesthetics in Delhi; and Monica Manganelli, a woman from Italy – an art director whose credits include Cloud Atlas, and finally a Iranian American academic, Mehdi Semati, from Illinois rounded out the foreigner list. The balance of the participants were Iranians, both academics and film makers, producers and technicians from the media world.

As usual for such affairs the opening words were formalities, thanks and welcome and a string of speakers saying so. And then, in a rather crammed fashion, a few talks were given, simultaneously translated into English for those in need, and shortly it was my turn. I’d had a slight glimpse at what the other speakers were going to say, and tried to direct my talk towards the kind of aesthetics which Leighton Pierce and Scott Barley, myself and a few others took with digital tools.  Curiously the fellow who’d written the book on digital cinema had never heard of these, or, I suspect, of me.  (See my talk at the bottom).

I opened with a kind of apology for America’s dubious politics relative to Iran – since forever it seems, from 1952 overthrowing an elected socialist govt and installing “our Shah” and on to the current newly imposed sanctions and Trump’s abandonment of the nuclear treaty. I made clear I have not supported the US government in any of this and noted many other Americans share my view. This begot the loudest applause I heard during the conference.

Mirrored mosque interior located beside the Tehran bazaar

During my talk I screened a handful of clips from my own work, little pieces which showed some of the variety of things possible in digital which are not “film-like”. One of these clips was a split- screen bit from 6 Easy Pieces, with a woman on the right shooting with a high-tech rifle, an Olympic competitive sport thing; and on the left a Portuguese dancer and performance artist, Vera Mantero, doing a piece in a body stocking, slightly see-through, but obscured by multiple out-of-phase layers. On the next clip, a painterly abstract thing of water the projection stopped, and I went to computer desk to see what had gone wrong. The clip was running on the computer, so it wasn’t that and I figured some projector problem. As a technician came up to me to check or something, he inquired if there were any nudity coming in next clips. Ah, I got it. I answered nope, no more neked girls, and learned a bit about current Iranian social realities.

Roof of bath complex in Kashan

I attended some of the talks, but being academic or about things I am not much interested in, I skipped out on a good bit of it – perhaps bad form, but I don’t feel obliged out of courtesy to pretend I am interested when I am not.  Instead I asked to be taken to some museums and to see the city a bit.

Tina, on the right

My stay in Tehran was accompanied by a young woman of 21, Tina, whose English was virtually flawless. She was studying film and volunteering for the conference, and had read up on me. She said she was anxious about meeting me, that I’d be, oh…, some kind of demanding prima donna sort, and she’d practiced her introductory talk for meeting me. I think that got dispelled in a matter of minutes and we hit it off very nicely. She asked if I found her accent in English off, and I said she didn’t seem to have one, and except for the occasional word with maybe a misplaced accent I would figure she was American from the mid-west. She was very surprised at that and I asked how she learned the language and was her teacher an American native speaker.  She said she never studied and learned it all from watching movies since she was 14 ! Mostly American movies. I was amazed to hear this. We had some nice long talks, about personal things, which gave me a nice insight into Iranian culture. Tina had some visible tats, and was by the standards there, rather the rebel. A kindred spirit.

One of the museums Tina took me to was the calligraphy museum.  I had long been interested and curious about Arabic and Persian calligraphy as I had noted the varying styles and qualities, but knew nothing about it at all except that I found it beautiful.  So being curious I asked the person who was there about it – and found that, no, my assumption that the long lines in some did not tell you how to pronounce it or change the meaning, as, for example, in some Asian languages a dot, or squiggle will change the intonation and meaning.  I learned that it is read right to left, and that all the stylistic changes – in my Western sense of it, varying fonts – had to do with a kind of artistic boredom.  Islam prohibiting “graven images” artists were confined to writing texts of the Koran or prayers, or, for other work, concocting beautiful geometries and somewhat organic patterns.  With the texts, different regions would come up with differing modes of writing, and then the local governmental heads would act as curators and request that the text be written in this or that mode.   I suspect there is more to it than I was told, and imagine that as the society became more decadent, the calligraphy fell further and further into abstraction, with the Islamic text becoming more or less unreadable.  In some other life-time perhaps I will research this and write a thesis!

Towards the end of the conference, when I had skipped out, apparently all the guests were asked (if they would like) to go to the Holy War Museum, and a few balked, and being absent I had dodged it by absentia. However Tina was there and at some juncture asked whoever was prodding the visitors to go just why he had to inject (Islamist) ideology into everything. This begot an apparently heated discussion in which Tina accused the man of being a fascist, and she was summarily fired. I talked to her after this, and got the story and said I’d try to talk to whomever, but she demurred, though later, without my intervention, she was reinstated.  More lessons on the culture.

Rabeahe, Hori, Uday and Ira

Wrapping up in Tehran, of which I saw little owing to rain each day, and the conference taking most the time, I and the Indian couple were taken first to Kashan for a short tourist stop at a famed garden, and then an old bath complex, and then on to Isfahan. This part of the trip was accompanied by another young woman, Rebeahe, whose English was not as good as Tina’s, but quite workable.  She though had relatives who lived in Isfahan, and so knew the city well.  This proved a nice virtue.

Put up in a rather luxurious once-upon-a-time palatial residence, gutted and converted into some kind of non-hotel, there were a few days to explore the city.  And what a gorgeous city at its center it was, well justifying its reputation.  And as well the famed “friendliness” of its citizens was similarly warranted, as we were stopped on the street for photos, for small and not so small talks.  It was wonderful.  As was the architecture, which had cast its spell on me 50 years ago.

With Rebeahe I was taken to the old part of the city, with its many stunning bridges (though these days they are not over troubled water, but no water), and a huge central plaza in which one could stick five Piazza Navona’s!  It was flanked with an endless bazaar and several huge and stunning mosques.

From one of these mosques, in process of being restored, I was drawn by wonderful singing which echoed off the domed ceiling.  Entering I saw a young man standing in the center of the dome, his voice beautiful, and enchanting.  He finished and a small cluster of people applauded, though shortly afterwards an official-looking man approached and seemed to berate him, and from that ensued a 20 minute or more argument.  I later asked what the story was and was told that one of the songs was from the Persian poet Hafez, and the other was from the Koran.  Apparently the official had found the secular song offensive, despite the reality that at least for now the place was not being used as a mosque with the religious aspects involved.   More cultural lessons.

The young man who sang Hafez

Reflecting pool in Meidan Emam, a UNESCO World Heritage site.

Ubiquitous, these images everywhere.

Under the press of the United States sanctions, the Iranian rial is in terms of international currencies, extremely weak.  Which, for an American with a few dollars, makes it very cheap.  I went to a pharmacy to get an over-the-counter antibiotic for an infection in my eye and for a tube that would have been $7 or so in the USA, the price was…… ten cents.  While not so exaggerated as that, food and most things in Iran, were, using the exchange rate (which changed hourly) absurdly cheap.  Nice for a tourist; not so wonderful for Iranians.

One of the 500 year old bridges, a kind of minimalist Persian architecture.

My time in Iran only whetted my appetite, and on leaving I offered up the thought of returning to teach at the National Film School, or to do some workshops.  Back in Belfast I reiterated that in an email, and the response was positive.  Hoping it will all work out and I can return in the late winter/spring of 2019, and stay for some months.

  Talk given at conference, Tehran.

Hello and thank you for the invitation to be here. I know it is a time of heightened tension thanks to the belligerent but utterly customary behavior of the government of my country – the usual American practice of economic blackmail backed up with military threats. I do not and haven’t supported the American government for more or less my whole life. I hope you will accept my regrets for my society’s deep illnesses which tend to be inflicted on others – including you, ever since the early 1950’s (and actually before then). I don’t ask you to forgive, but understand there are many in America who do not approve the government and its policies at all. I am one of those.

And so to place my talk in perspective I’d like to offer a bit of biographical information so you can understand the context.

I have been a filmmaker since 1963 – 55 years. I’m self-taught, and have always worked far from the “industry” – I make films that make no money, either in the process of making them or afterwards. What I do covers a broad range which gets described variously as “new narrative” “avant garde” “experimental” “documentary essay” “indie” and many other such labels.

To me they are just “films” or “videos” – the way I happen to make them. Here and there I’ve been told what I do is worthwhile in some form or another – I regularly am invited to festivals, have received grants and honorary awards. In 1991 I had a full retrospective at MoMA in NYC, with 12 celluloid films; other institutions in America and Europe replicated this as well. After those I made a few more celluloid films – 35mm Panavision – but then in 1996, rather by accident, I got a DV camera and instantly decided I would never work in celluloid film again. And I haven’t. Since then I’ve made 25 long form films and many many shorts, and a few installations, all in digital video.

My reasons for shifting were mixed. It meant I could almost completely leave the film world behind – never have to talk to anyone about money, or have the pressure to make my work fit a formula that would make money once done. This was all because DV once one had access to a camera and computer was almost cost-free. And thus very liberating. The other major reason was because, even in the early phases, when critics described digital films as “gritty” or “ugly” and other such negative things, I found the beauty and aesthetic potential of digital media to be entirely enticing, and in my very first digital films I aggressively used the media for what it could do. At the same time the digital world was swamped with efforts to make it “film-like” with software and technical adaptations attempting to make DV and HD “look like film.”

Personally I was tired to death of the limitations which film imposed, which I think was very visible in my last celluloid works. I was though very excited and happy with the elasticity which digital media offered – in the camera, and on the editing time-line. The two aspects together opened a broad new field of aesthetic possibilities simply not possible in film. I jumped on it like a child. Few others shared this view – most sought that holy “film-look”. To me that was a fool’s errand – as if to make water colors look like oil paintings, as if the characteristics of each media was not itself of interest.

Technological changes – not only in media, but in any realm – always incur changes in society, and in how society expresses itself. To take an example in Europe: much of early visual two dimensional imagery was done either in frescoes, or if desiring something more permanent, mosaics. Mosaics, by their nature are somewhat rigid, we might even say a bit digital. The imagery derived from them tends to express the reality of what it is made of – little bits of colored stone or ceramics. Fresco is a bit clumsy, but still more fluid than mosaic, and this technological difference expresses itself with another mode of imagery. And then, as oil painting was developed, imagery shifted still more, giving birth to the Baroque era, and flamboyantly curved and shaded imagery which simply was not possible in mosaics. Later painting exploited this fluid nature such that the medium itself became the “content” of the painting.

I cite these examples from one of the arts, to point to the technological shift which digital image making brought to “cinema.”

While celluloid cinema offers a very broad range of possible aesthetics which we can see in normal commercial/theatrical productions from Hollywood to Bollywood, and then in so-called “art house” films and on through experimental filmmaking, it remains bound to the limits of celluloid. Digital introduces other elements, rooted in technological aspects of the medium. So I’d like to go through these, and make the connections of those basic elements to what they have provoked in the media.

Economics. The first, and perhaps most drastic shift which digital technology has brought – as it has to many other realms – is a very radical change in the economics of making a film/video. These days an iPhone or Samsung will secure you imagery and sound that not long ago would have cost a fair amount of money. Just for the price of a phone and a simple cheap computer for editing. As well most any digital still camera or consumer level video camera will produce excellent imagery and sound for the cost of what, say, a 10 minute roll of 35mm film and processing would have cost 15 years ago. In sum, digital media has driven the costs so low that it is almost negligible. This in turn has impacted what is made. Now frankly most of what is made is of little aesthetic value, and literal mountains of shots, films, long and short, have been made which are only of interest from a sociological standpoint. One could write a long essay discussing why so many people spend their time making such vast amounts of pure garbage – survey YouTube and Vimeo, or just your Facebook feed to see what I am talking about. It is a plague of mental trash which unfortunately has real world consequences: it covers up and hides the occasional gems which are also made. The beautiful and wonderful things which are possible are buried in the volumes of junk.

So from this basic factor – the minimal costs of digital work – the production of material has exploded beyond real comprehension, for better and worse. Mountains of garbage, and then the infrequent magical work that otherwise might not have been made at all had the earlier celluloid financial hurdles remained.

Inside this bracket of low costs, some aesthetic matters have shifted.

One is that as shooting has minimal fiscal costs, new cinematic “movements” have emerged. In the USA one early one was so-called “mumble-core” which by and large involves rather conventional cinematic language and forms, and content, but in which improvisation plays a large part since it costs nothing to shoot and shoot and shoot. For me these films are mostly unwatchable. In Europe something similar occurred with the Dogme movement triggered by Lars von Trier and friends – again the works involved much improvisation and bare-bones technique, and though willfully a bit more provocative in intent, and more skillfully done, they still were basically conventional-theatrical works in filmic terms. Aside from the costs being shrunk to virtually nothing, the balance of these were traditional old-fashioned low-budget film-making, perhaps a bit looser owing to the low costs and the inexperience of many of the filmmakers involved.

Linked to this came another movement, also built on the low-costs, but harnessed to an aesthetic that embraced a specific technological change which digital brought with it. In celluloid, as a rule of thumb, one could do shots of a maximum of ten minutes before the film runs out. Digital has no such constraint – one can do a shot of 20 minutes or if you really want, 20 hours. Or even more.

A little tale: a good friend of mine, James Benning, when working in 16mm, had made a number of films in which the 10 minute limit on shots became part of his aesthetic: a static shot would last 10 minutes, and then the next and so on. For a decade I urged James to switch to digital for cost reasons but he resisted – he had more or less good reason as DV is a bit low resolution for landscapes and wide-shots, which were dominant in his work. On the arrival of reasonably priced HD however, he shifted to it. On his switch I found myself wondering what changes this would bring in his style and approach. On seeing his first digital film, a formalist kind of documentary on the German industrial area of the Ruhr – also the title of his film – the first hour of the film had maybe 8 or so static shots of various urban landscapes and things, the lengths of the shots not being rigidly fixed. The second hour of the film consisted of one static camera shot of a steel making industrial structure, one used to make coke. The structure is a 10 story block under which industrial sized train cars loaded with red-hot coal are pulled and then tons of water are then dropped on it, producing a massive steam cloud. On a cycle of once every ten minutes. I was transfixed by this shot (others left or fell asleep), and when the film was over I was rather irritated with myself in not having guessed that one of the changes digital media would bring to his style was that he would do even longer shots than 10 minutes – much longer shots. Since that film he has made many other films using really long shots.

So this long-take capacity of digital in turn gave birth to a movement called “slow film” in which long takes are one of the aesthetics given. Alexander Sokurov’s Russian Ark might be cited as the first of such films, it being a single moving take inside the Hermitage in St Peterburg – though I would argue it isn’t really a slow film in its sense of tempo. Just as the Oscar winning Birdman, a seeming single take film, also doesn’t really fit into the “slow film” category.

Lav Diaz of the Philippines is a better example of this – he makes films 8 or more hours in length, and inside them are many extremely long shots and indeed, the sense of pacing is glacial. He calls it Malay time. It can be argued that this kind of film existed before in Bela Tarr’s work, but digital media has allowed it to flourish and develop its own strategies and qualities. Though once again, most of these are still well-encased in more or less traditional cinematic forms, and remain essentially theatrical. Like most of cinema.

What I have touched on thus far – the economic shift and its consequences, and on one of the changes technologically – shot duration – and how it has altered film styles in the hands of some makers (including a handful of Iranian filmmakers I am aware of), for myself these remain somewhat marginal matters, and are but modest alterations on traditional cinema – just variations on the historical record, nothing genuinely radical.

So I would like now to shift and discuss what can be done, cinematically, with digital technology, something which is not just a modest extension of what was, but is potentially a genuinely radical change.

As noted earlier, when relatively low cost consumer digital video cameras came out in the mid-1990’s, there seemed an urgent insistence in the filmmaking community to figure out how to make the images look more like film. Algorithms, and filters and such were devised in this attempt. In short order video cameras were produced that shot at 24 fps as if there were some sacrosanct cinematic holy grail to be found in that number. At the same time many of the early cameras had an array of settings which were purely electronic – one could shift the shutter speed to 1/3rd or 1/4 of a second, or conversely a 10,000th of a second. Or use an electronic solarizing setting, or break the image into clearly discreet digital clumps by shooting in “mosaic”. Or one could do an in-camera setting, usually called strobe, that functioned as a real-time live-shooting optical printer. There were many settings, and frankly used directly they were rather stupid, and clearly the idea of an electronics guy as camera designer and not a filmmaker. But they were there, and in fact, in the hands of a curious artist, beautiful things could be done with them, and by a handful of people they were. I was one of those people. Unfortunately in my view, 10 years later, in the name of “professionalization” those choices no longer exist, and one must fight with the camera to get anything but a very clean slick “professional” digital TV image. The charms of earlier DV have been stripped away in the name of a kind of conformity. So I’d like to show a few clips of some of those early films of mine shot in older lower resolution digital video, as well of a few recent ones done in HD format.

(Clips of various DV and HDV films.)

If we can I will let Muri Romani carry on as I continue and finish:

I hope those give a hint of some of the qualities which I was speaking of. At the conclusion of this I’d like to show a few clips of works I think carry this much further.

The remaining aspect which digital media has radically altered is that of distribution and exhibition, which again, can change the nature of cinema. I have with me a hard-disk, a small portable one, and on it are files of  almost my entire life’s work: 40 long films, many of my shorts, a few installation works. 20 years ago to have brought all this would have required a small truck. In the form on this disk – digital files – this work can be sent across the globe in a handful of minutes, or, as I already have it all uploaded onto my Vimeo VOD site, they can be streamed or downloaded now. Those 2 decades ago one would have had to seek out some esoteric festival or exhibitor, to have a one-time chance to see them.

To say courtesy of digital media in all its facets, works such as mine are now readily accessible rather than hidden far away. Of course the same problem still exists as does on the production side: one must compete with the tsunami of junk equally available. But at least there is a space for work to be seen. And that is a radical change from the past. And again, that does impact the possibilities of what cinema can and will be.

  Travels Notes: Iran It happened as much of life does, rather by accident. My friend Jonathan Rosenbaum was in Tehran for some film conference, posting on Facebook, and I saw it and popped him a note asking he stick a foot in the door for me there.

[orbemnews]

Evaluation: Brexit is lastly achieved. It is going to go away the UK poorer UK firms are heaving a collective sigh of aid at retaining tariff-free commerce with a market of 450 million shoppers that buys greater than 40% of Britain’s exports and supplies greater than half its imports. The nation left the European Union on Jan. 31 however had continued to take pleasure in its earlier commerce privileges beneath transitional preparations. “The UK has chosen to go away the European Union and the one market, to resign the advantages and benefits held by member states,” EU chief negotiator Michel Barnier advised reporters. “Our settlement doesn’t reproduce these rights and advantages, and subsequently regardless of this settlement there will likely be actual modifications in a couple of days from now.” The brand new relationship is anticipated to result in a long-run lack of output of round 4% in comparison with remaining within the European Union, in accordance with the UK Workplace for Finances Duty, which produces financial forecasts for the federal government. Leaving the EU’s single market and customs space means larger prices for UK firms, which might result in larger shopper costs and much more job losses, in addition to lowered export prospects, economists say. One other disadvantage: The deal seems to principally cowl commerce in items, the place the UK has a deficit with its EU neighbors, and excludes key service industries like finance, the place it at present enjoys a surplus. “The excellent news is {that a} disruptive and acrimonious ‘no deal’ has been prevented,” JPMorgan’s Malcolm Barr wrote in a analysis observe Thursday earlier than the deal was finalized. “The dangerous information for the UK, in our view, is that the EU seems to have secured a deal which permits it to retain practically all the benefits it derives from its buying and selling relationship with the UK, whereas giving it the power to make use of regulatory buildings to cherry decide among the many sectors the place the UK had beforehand loved benefits within the buying and selling relationship.” Listed below are among the main challenges going through the battered UK financial system when the Brexit transition ends on Jan. 1. Commerce limitations UK firms are dropping unfettered entry to the European Union. Whereas a deal signifies that exporters have been spared the ache of getting expensive tariffs slapped on their items, new import and export declarations alone will price UK firms £7.5 billion ($10.3 billion) yearly, in accordance with Britain’s income authority. Prices will rise quickly if new customs checks delay items on the border and snarl provide chains, forcing factories to pause manufacturing. UK ports are already gridlocked, partly on account of stockpiling forward of Brexit, with trade teams representing retailers and meals producers warning that strain will solely improve when the transition interval ends. Even earlier than France abruptly closed the border following a warning from UK officers of a brand new, extra infectious coronavirus variant, Honda was pressured to halt manufacturing at a serious plant in England for 3 days in December as a result of it could not get the components it wanted. Whereas the federal government will part in border checks over the approaching months to keep away from choking off important provides, truckers and transportation firms are amongst these warning of dire penalties. Rod McKenzie, head of coverage and public affairs on the Street Haulage Affiliation, advised CNN Enterprise earlier this month that provide chain hiccups might imply that factories aren’t capable of work. There may be “gaps on grocery store cabinets,” he added. That state of affairs may very well be made worse by backups from this week. Whereas France has reopened ferry ports and the Eurotunnel rail hyperlink, 1000’s of vans remained stranded Wednesday morning with their drivers ready for the unfavorable Covid-19 exams they should journey. Supermarkets similar to Tesco (TSCDY) and Sainsbury’s (JSAIY) have been struggling to maintain their cabinets stocked with recent fruit and greens, and Toyota (TM) closed its UK and French vegetation early for Christmas. “The clock continues to be very a lot ticking for companies,” Jonathan Geldart, director normal of the Institute of Administrators, a foyer group, mentioned in an announcement Thursday. “Digesting what the modifications imply in observe and adapting, in the course of a pandemic and the festive season whereas border disruptions proceed, is a large ask.” Employee shortages Britain’s new immigration system, which takes impact in January, is designed to cut back the variety of unskilled staff coming to the UK and finish what the federal government describes because the nation’s “reliance on low-cost, low-skilled labor.” Immigration was a key problem within the 2016 Brexit referendum. As an EU member, Britain was a part of a bloc that allowed the free motion of individuals. That meant firms have been ready to simply make use of EU residents in sectors similar to farming, social care and the Nationwide Well being Service. The variety of EU staff coming to the UK has fallen sharply since 2016, and employers are apprehensive about labor shortages, despite the fact that immigration from non-EU nations has been on the rise. UK farms want 70,000 to 80,000 seasonal staff annually for a profitable harvest, in accordance with the Nationwide Farmers’ Union. The NFU is lobbying authorities to introduce a seasonal employee program, with out which some farmers have warned that within the worst case crops may very well be left within the fields to rot. “Staff from outdoors the UK are completely important to the success of our horticultural sector,” NFU vp Tom Bradshaw advised CNN Enterprise final week. “We’re at a crucial time in recruitment for a lot of growers. As freedom of motion ends on Dec. 31, [growers] nonetheless do not know the place they may recruit skilled staff from.” Lack of funding Years of uncertainty over the long run phrases of EU commerce have already broken the UK financial system. GDP development within the three years after the June 2016 Brexit referendum slowed to 1.6% as enterprise funding stagnated, in accordance with analysts at Berenberg. Better readability over Britain’s future relationship with the European Union might assist. A survey carried out by EY in April discovered that 24% of buyers regard Brexit as a danger issue, down from 38% final 12 months. In keeping with EY, there was a slight improve within the variety of inbound international direct funding tasks into Britain in 2019, ending three years of decline. “A deal [will] unlock important funding in UK and assist the restoration as soon as the continuing coronavirus shock begins to fade,” Berenberg economists advised shoppers Thursday. However there’s nonetheless a danger that international firms, together with Japanese carmakers similar to Nissan (NSANF) and Honda (HMC), will now not view the UK as a launchpad into Europe. Which will already be taking place. Chinese language funding throughout the entire of Europe has elevated for the reason that Brexit referendum however declined in the UK, mentioned EY. International banks have been transferring a few of their operations out of London to cities within the European Union. Monetary companies snags Worries that London would shortly lose its standing as Europe’s monetary capital to the likes of Frankfurt or Paris after the Brexit vote in 2016 have turned out to be overstated. The UK stays the world’s greatest web exporter of economic companies, with its £60.3 billion ($81.6 billion) commerce surplus in 2019 outpacing rivals together with the US, Switzerland and Singapore, in accordance with a report by TheCityUK, a foyer group. Nonetheless, worldwide monetary companies corporations have migrated £1.2 trillion ($1.6 trillion) price of property and relocated 7,500 jobs from Britain to the European Union for the reason that 2016 referendum, in accordance with publicly accessible knowledge tracked by EY. Dublin, Luxembourg, Frankfurt and Paris have been the key beneficiaries. The European Union and United Kingdom haven’t but struck a deal that can give UK banks and asset managers entry to European markets. EU regulators are unlikely to let London maintain the advantages of the one market with out its obligations. “Whereas a deal is welcome, monetary and associated skilled companies are clear-eyed in regards to the want for each side to proceed to develop the connection in companies within the years forward,” Miles Celic, CEO of TheCityUK, mentioned in an announcement Thursday. Some outdoors nations obtain preferential market entry rights from the European Union, a typical generally known as “equivalence.” The extent of market entry is worse than what the UK at present enjoys, however it’s the perfect the nation can hope for as soon as outdoors the European Union. Main banks say they’ve ready for Brexit, and the brand new phrases of commerce with the European Union will not disrupt their operations whereas negotiations proceed over equivalence. Supply hyperlink #4waystheUKeconomywillbepoorerafterBrexitdespitedeal-CNN #Analysis #Brexit #Business #FINALLY #leave #poorer

[carbatterycharliebuzj074-blog]

How The 10 Worst Car Towing Dublin Fails Of All Time Could Have Been Prevented

Seeming after your vehicle effectively may suggest you're constantly discovering, from screening tire tensions to fitting spares as well as topping up oil amounts. But there is actually one capability numerous motorists are however to master-- just how to tow an automobile.

Whether it's your automobile that's damaged down or a family participant needs your aid, knowing exactly how to tow will definitely imply you can quickly and also safely obtain the auto where it needs to have to be, whether that is actually back property or to the garage.

This helpful resource includes all you need to have to find out about towing an automobile:

 Rules for towing an auto

 What is actually the law on towing automobiles?

The rules for towing a cars towing247 and truck vary relying on exactly how several years you've been driving. If you passed your driving examination after 1st January 1997 and also have not sat a certain vehicle and trailer exam, limitations administer-- the GOV.UK web site has additional details.

By law, the cracked down automobile must show an 'On Tow' indication at the rear whilst being actually towed, while the individual behind the tire needs to be a certified chauffeur.

Are you made it possible for to tow an automobile along with a rope?

If you're pondering just how to tow a cars and truck without a tow club, you can use a rope or even chain, though as the RAC details, the range between the automobiles can not go over 4.5 metres. If the distance is actually greater than 1.5 metres, the rope or even chain should be actually created clearly apparent to street users coming from each edges-- for case, through linking a bright piece of textile around the middle.

The most effective technique to tow an automobile is actually to utilize a details tow strap, which has hooks on each ends that simply connect to each vehicles' towing snags. If you are actually making use of links, it's possible for the links to flex and damage under the pressure.

Can you tow a vehicle without insurance policy?

If the auto's steering wheels produce call with the street, it needs to be guaranteed. Even when it is actually broken, there's still a possibility the vehicle might be entailed in an incident en route, with car insurance policy you are actually safeguarding versus these activities. And also insurance policy, the cars and truck needs to be actually tired as well as possess an authentic MOT, if relevant.

Can you tow a vehicle on the freeway?

You can't tow an auto on the motorway if it failed to damage down on the motorway. The rate of other cars journeying on the carriageway will create it exceptionally dangerous for you, the various other motorist plus all http://edition.cnn.com/search/?text=car towing other street users.

Can I tow an auto obstructing my driveway?

If you awaken to discover an auto obstructing your driveway, the very first thing to carry out is inquire your neighbors if they recognize who owns it.

The Ask the Police site reveals that, in a lot of places, neighborhood councils have taken on the accountability of executing auto parking provisions under the Civil Parking Enforcement (CPE). Inspect if your local area council uses CPEs-- or even, look at contacting your neighborhood cops.

Just how to tow an auto

 Right now you understand the policies, listed here are actually some recommendations for towing a car:

Before you triggered

Simply cars with hand-operated transmissions could be dragged, so you'll need specialist assistance if your car's automated.

Create certain you check out the rope, establishment or even band for weak spots or even damage just before triggering.

Concede an option with the various other vehicle driver in advance, essentially one that stays clear of built-up locations and also will not demand you to carry out a considerable amount of stop-starting.

Do not attach the steel hooks to the bumpers, as it's very likely they'll be actually scammed.

While driving

Use the clutch to draw away delicately to avoid quick activities which might trigger the rope to damage.

Slow-moving as well as stable outdistance, certainly never surpass 15mph.

Avoid unexpected bursting when you're in transportation. A convenient pointer is to touch lightly on the brake ahead of any real stopping to advise the various other chauffeur.

Suggest in loads of time so the various other vehicle driver can easily prepare.

Inspect your mirrors routinely to make certain whatever's OK behind you and also draw over if you see improvements in your oil stress or even temperature gauge.

If you're the motorist being actually lugged

Leave the ignition switch on to release the steerage hair. If the vehicle has power steerage or power-assisted brakes, you'll need to use a little bit of elbow joint oil to work it when the engine's off and also it is actually being towed.

If it's black, you need to turn on the illuminations as usual.

Ensure the car remains in neutral and the handbrake is off prior to you start moving.

Check out the driver in front end whatsoever times-- steer and brake in balance along with all of them and look out for brake lightings and also indicators.

Purpose to keep the band, rope or even chain limited in all opportunities to prevent jolting-- this may be managed through tapping gently on the brake.

Frequently asked concerns regarding towing

 Perform you require an essential to tow a car?

Yes, you'll need your cars and truck secrets to start the ignition. A car can easily be actually pulled without an essential however this generally calls for specialist devices to elevate the vehicle off the ground.

Can towing a vehicle damage it?

 As long as you observe each of the above guidance for secure towing, there is actually no reason that either auto ought to obtain wrecked en route.

 OFF HIGHWAY TOWING TIPS & TECHNIQUES

 Any type of trailer or campers ought to be actually driven at rates relative to the landscapes being travelled over, the lots lugged as well as treatment of both the caravan as well as towing car.

Off-highway towing has extra difficulties as well as is actually just advised for professional off-highway motorists.

Regularly drive within your abilities.

Regularly travel properly for the road/track situations. Certain automobile set up and/or order roadside assistance dublin online driving procedures might be required for harsh roadways, corrugations, and also high or narrow keep tracks of.

Ensure that your caravan style appropriates for usage off the motorway. If not sure, inquire coming from the campers producer.

Inspect your manufacturer's warranty protection, as some items may not be actually paid for off-highway driving.

Be actually practical as to where you are going. A large "off-road" caravan is actually unacceptable for the majority of 4WD/Fire routes as they are too expensive (looming branches etc).

Make use of a suited car; most of the times a Low assortment competent vehicle is needed.

Use an "off-road" style combining which enables a bigger series of movement on the combining.

Contend least fundamental 4WD skills, understanding of recovery procedures, selecting the finest line, using the right gear, comprehending the modern technology in the car and so on.

Have electric brakes suited to the trailer/caravan. Also recognize how to put together and use the electrical brake operator the right way.

In an "off-road/highway" situation set the bias on the trailer brakes to make sure that the trailer tires will secure up just before the car, therefore preventing the trailer attempting to overtake the car.

Know your method, ramp over and also departure positions as well as additionally the perspectives connected with the drawbar and trailer.

Know where the vulnerable/low aspects are underneath both the Car as well as Trailer.

Know where the wheels of the automobile and trailer are taking a trip. Are the trailer steering wheels broader apart or narrower than the Tow Vehicle wheels.

Prevent side slopes as the trailer may effortlessly pull the back of the auto sideways leading to roll-over.

Stay away from travelling alone.

Technique turning around skills as you require the capacity to be able to reverse the combo up or down steep slopes and/or around sections on slender tracks.

Technique recovery skills as well as bring the ideal recovery equipment.

Guarantee that the trailer/caravan has actually measured recovery factors.

Guarantee that the bunch is actually found properly in or even on the trailer and is actually firmly fastened.

Make certain that you perform certainly not surpass the Aggregate Trailer Mass as stated on the observance layer and you additionally carry out certainly not surpass the Tow Vehicles rated tow capacity.

Ensure that you perform not go beyond the Tow Vehicles Gross Combined Mass. (I.e. the overall weight of the automobile and also trailer). This need to remain in the palm publication.

Some automobiles possess a "off Road" tow capability and/or a velocity restriction.

Bring appropriate spares to satisfy the trailer as well as automobile. For the trailer you should be actually carrying a minimum of spare bearings, steering wheel nuts as well as studs.

Have a suited port that can easily be actually used to increase the trailer for changing a level tire or even repositioning the trailer. You also require to have a suitable steering wheel bandage that fits the nuts on the trailer.

Important Links: Road Safety Advice, National Transport Authority, FTA

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[newhomesurveys]

Snag List Price in Dublin – Is It More Expensive Than in Other Places in Ireland?

When you buy a new home, it’s normal to want everything to be perfect. And if there are any issues that need fixing before you move in, it’s important to know what they are so you can have them repaired. That’s where the snag list comes in. The snag list contains all the problems or defects that need addressing before you move into your home.

In this article, we’ll tell you about snag lists, the snag list price inside and outside the Dublin area – as well as what a snag list is and when you might need one!

What Is a Snag List?

What exactly is a snag list? What does it contain and what is it for? A snag list is a list of defects or problems in a property. When you’re buying a new house, the developer usually agrees to do all the repairs needed to ensure there are no snags when you move in. Snag lists are documents that are completed by an inspector. This serves as the basis for the repairs that developers would be doing before the sale is closed and before you move into the house.

If you’re thinking about buying or building your next home, consider using an independent snagging inspector so that he or she can create a thorough and accurate snag list.

When Would You Need a Snag List?

When do you exactly need a snag list? It’s not after you move in. It’s also not when the house is still being built. If you’re buying a new home, you would need a snag list before you close the sale. When you’re having one built, you would need a snag list when the house construction is almost done. Upon inspection and identification of the snags, your developers should repair the snags. After the repairs are finished, use the snag list to check if the snags have all been fixed.

Snag List Price Inside and Outside Dublin

Factors affecting snag list prices can vary depending on the size and type of property. Aside from these factors, location can also affect the price of having a snag list done. If you’re looking to buy a new 1 bedroom house or build one in Dublin, you’ll likely pay around €175 to €200 for a snag list. A medium to large sized home would cost around €210 to €300 for a snag list. The biggest houses would cost around €320 to €340.

Since Dublin is a capital city, most of the products and services there are expected to be more expensive compared to areas outside Dublin. This includes the prices for snagging inspection services. While that is the common notion, there are professional snag list companies that actually charge the same rate inside and outside Dublin.

Keep in mind, though, that some providers who are based in Dublin may charge extra if your house is outside Dublin. Similarly, providers who are based in other cities may charge extra as well if the house to be inspected is located in Dublin or other cities.

When looking for snagging inspectors, call them one by one so you could assess their company. Make sure you choose a professional, experienced team to do the work for you.Before you make a decision, get a quote from different companies and compare the prices available. It’s important to understand that the price of a snag list is not fixed. Instead, it will vary depending on factors like the location, type and size of the property.

Do you have a new home? Do you need to have a snag list done? Our experienced inspectors are ready to answer your questions.