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rushingheadlong · 4 years ago

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Huge thanks to a very dear friend who bought this article out from underneath me from an ebay auction, and then sent to me as a surprise!

Originally published in Melody Maker in late 1974 (exact date unknown). Full article text below the read more.

The MERLIN File

EVOLUTION: Merlin's manager, Derek Chick, and Allan Love decided in May 1973 to form a new London-based group that would incorporate three basic essentials: musicianship, image and stage presentation. After extensive auditions and rehearsals the band was gigging by July under the name Madrigal, which was changed in February 1974 to Merlin.

PERSONNEL CHANGES: Jacob Magmusson (keyboards) left in October 1973 and Paul Taylor (bass) in September 1974.

ORIGIN OF NAME: Scully Wagon-Lit's idea in the van going to a gig.

FIRST PUBLIC APPEARANCE: Zero 6, Southend, 17/July/1973.

FIRST BROADCAST: BBC Radio One David Hamilton Show and Radio Luxembourg Power Play consecutively in March 1974.

FIRST TELEVISION: Scottish TV's Showcase in November 1973.

MANAGEMENT: Derek Chick, Chic's Own Music and Management Ltd, 246/248 Great Portland Street, London W1 (01-381 6192/3).

AGENT: Barry Collings Agency Ltd, 15 Claremont Road, Westcliff-on-Sea, Essex (0702-47343/43464).

RECORDING COMPANY: CBS Records Ltd, 28-30 Theobalds Road, London WC1 (01-242 9000).

RECORD PRODUCER: Roger Greenaway.

MUSIC PUBLISHING COMPANY: Shapiro, Bernstein and Co Ltd, 246/248 Great Portland Street, London W1 (01-387 6192) and Grenyoco Music Ltd, 108 Park Street, London W1 (01-493 6439).

FAN CLUB: Ling, 17 Gladstone Park Gardens, Cricklewood, London NW2.

BRITISH TOURS: 47 dates 1/March-28/April/1974 Top Rank ballrooms, clubs and colleges. Solo tour.

AMERICAN TOURS: None.

TRANSPORT: Ford DO607 3-ton truck for the equipment and Audi 100 for the group.

STAGE MANAGERS: Iain Ward (Sound Engineer), Chris Taylor (Lighting Engineer), "Speedy" (Stage Roadie), "Crystal" (Assistant Lighting Engineer).

SINGLES: "(Let Me) Put My Spell On You" c/w "Just ANother Fish On My Hook (CBS, 1/March/1974), "Alright" c/w "Pictures In My Mind" (CBS, 28/June/1974), "Wild Cat" c/w "Half A Man" (CBS, 1/Nov/1974).

ALBUMS: "Merlin" (CBS, 25/Oct/1974).

P.A.: 1400-watt JBL system comprising Kelsey 16-channel stereo custom mixer, 4 x DC3000 Crown amps, 4 x bass bins with 2 x 15 inch JBL speakers in each, 2 x mid range JBL horns, 2 x high-frequency JBL boxes with lens horns, two bullets. Microphones are 8 Sure Unidyne III 545, 2 AKG 190C, one AKG D12, 4 Calrec condensers, 4 Sims Watts condensers, 3 Sure Unisphere B. Binson Echorec and Mavis 3-way active stereo crossover with stage boxes, cables, etc. Lighting comprises 6 x 100 watt Strand Floods on stage, 30 x 200 watt Strand Floods on stage scaffolding, 3 x Strand 1,000-watt follow spots and stands, 2 x Strobes and a Strand dimmer board.

ALAN LOVE: Vocalist

BORN: Hampsted, North West London. 13/Dec./1952.

EDUCATED: Challoner School, Finchley, North London.

MUSICAL TRAINING: None.

MUSICAL CAREER: Has been professional for seven years, playing in Opal Butterfly from 1967 to 1969 with Simon King (Hawkwing) and Tom Doherty (Sting). Referendum from 1969 to 1973 and Madrigal/Merlin from 1973.

OTHER OCCUPATIONS: None.

MUSICAL INFLUENCES: Mick Jagger, Joe Cocker, Little Richard.

COMPOSITIONS: "Half A Man," "Space Raider" and co-wrote with Gary Hardwick "Getting Involved" all recorded by Merlin.

FAVOURITE SINGLES: "Something In The Air" (Thunderclap Newman), "McArthur Park" (Richard Harris).

FAVOURITE ALBUMS: "Tapestry" (Carol King), "Court Of The Crimson King" (King Crimson), "Bridge Over Troubled Waters" (Simon and Garfunkel).

FAVOURITE MUSICIANS: Paul McCartney, Steve Howe, Tom Doherty.

FAVOURITE SONGWRITERS: Lennon and McCartney, Cat Stevens, Carol King.

FAVOURITE SINGERS: Joe Cocker, Neil Diamond.

RESIDENCE: Bachelor flat in Wandsworth, South West London.

INSTRUMENTS: None.

GARY ALICE STRANGE: Bass, vocals and guitar.

BORN: Hampsted, London. 26/Oct./1952.

EDUCATED: Whitefield School, Barnet.

MUSICAL TRAINING: Three classical guitar lessons and then self taught.

MUSICAL CAREER: Various semi-pro bands and wrote first song aged 16 featured on ATV programme "Come Here Often." Former band with Dave Martin called March Hare and recorded LP for MAM. Group then changed to newly-formed Kinks Production Company, but after few months of touring with Kinks and recording, split up. Joined Merlin.

OTHER OCCUPATIONS: Director of La Starza Palace Studio.

MUSICAL INFLUENCES: Beatles, Stones, Free, Average White Band.

COMPOSITIONS: "Gipsy Rose Lee" and "Lay Me Down" for March Hare both issued as singles by MAM.

FAVOURITE SINGLES: "I Am A Walrus" (Beatles), "Need Your Love So Bad" (Fleetwood Mac), "Little Bit Of Love" (Free), "Amoureuse" (Kiki Dee).

FAVOURITE ALBUMS: "Elf" (Elf), "Sgt Pepper" (Beatles), "Talking Book" (Stevie Wonder).

FAVOURITE MUSICIANS: Andy Fraser, David Martin, Peter Green, Liberace.

FAVOURITE SONGWRITERS: Lennon and McCartney, Holland, Dozier and Holland, Lional Bart and Paul Simon.

FAVOURITE SINGERS: Paul Rodgers, Elvis Presley, Tina Turner, Rod Stewart.

RESIDENCE: Single and lives in Hampstead, North West London.

INSTRUMENTS: Fender Precision Bass with thin maple neck. Hagstrom six-string guitar with pick-up. Kemble baby grand piano. Rotosound Roundwound strings. Orange 120-watt amp with 2 x 15 inch reflex cabinets.

JAMIE MOSES: Lead guitar and vocals.

BORN: Ipswich, Suffolk, 30/Aug/1955.

EDUCATED: Schools in America and Japan. Shirley High School and Redhill Technical College in Surrey.

MUSICAL TRAINING: Self-taught.

MUSICAL CAREER: Given first guitar when ten, formed first band at 11. Formed the Inferno, 1969-71, in Japan, doing gigs, radio, TV. Came to England in 1971, worked with semi-pro bands and at a music shop in Croydon. Formed Angel with Scully 1972 and recorded LP of original material. Joined Madrigal July 1973.

MUSICAL INFLUENCES: Jimmy Page, Paul Kossoff, Beatles.

COMPOSITIONS: "Just Another Fish On My Hook", "Gypsy", and "He Thinks About You All The Time" all recorded by Merlin. Co-wrote "Angel" LP with Scully.

FAVOURITE SINGLES: "Livin' For The City" (Stevie Wonder), "Can't Get Enough" (Bad Company), "Joybringer" (Manfred Mann's Earthband).

FAVOURITE ALBUMS: "Foxtrot" by Genesis.

FAVOURITE MUSICIANS: Genesis, Steve Howe, Free, Scully Wagon-Lits.

FAVOURITE SONGWRITERS: Paul McCartney, Genesis, Stevie Wonder.

FAVOURITE SINGERS: Paul Rodgers, Peter Gabriel, Mario Lanza and David Coverdale.

RESIDENCE: Is single and lives with his parents at Sanderstead, Surrey.

INSTRUMENTS: White Les Paul Deluxe (1973) and black Les Paul Custom (1974), both with Rotosound ultra-light strings and Gibson plectrums. EKO 6-string acoustic guitar with La Bella strings. Hiwatt 100-watt amp fitted with half power switch for distortion and sustain at almost any volume. Two 2 x 15 Fender Dual Showman JBL Cabinets. A cheap Japanese fuzz box with a three-tone fuzz switch.

SCULLY WAGON-LITS: Keyboards, guitar and vocals.

BORN: Balham, South West London, 20/Dec./1953.

EDUCATED: Henry Cavendish (Balham), Bec School (Tooting) and Archbishop Tennison (South Croydon).

MUSICAL TRAINING: Guitar lessons at night school for one year aged eight, cello at school for three years and double bass for two months, but is self-taught on keyboards.

MUSICAL CAREER: Played guitar in band in Balham (1964-65), joined Angel with Jamie (1972-1973) as semi-pros and recorded an album. Turned pro June 1973 with Big Wheel in South France. Joined Madrigal October 1973.

OTHER OCCUPATIONS: Organ salesman at Western Music and Selmer.

MUSICAL INFLUENCES: Harry Stoneham, Miller Anderson, Keith Emerson, Christian Vander.

COMPOSITIONS: "Marina," "Takin' Part," "Pictures In My Mind," etc.

FAVOURITE SINGLES: "Rock Man" (Elton John), "Space Oddity" (David Bowie).

FAVOURITE ALBUMS: "Tarkis" (ELP), "Fire And Water" (Free), "Dark Side Of The Moon (Pink Floyd).

FAVOURITE MUSICIANS: Keith Emerson, Tony Banks, Steve Howe.

FAVOURITE SONGWRITERS: Paul McCartney.

FAVOURITE SINGERS: Paul Rodgers, Stevie Wonder, Peter Gabriel, Greg Lake

RESIDENCE: Single and lives in Surrey.

INSTRUMENTS: Hamond RT3 with additional height plynth and customised guts driven through Hiwatt amps and put out through one Leslie 145 and two RSE 1 x 15 inch JBL bins and three custom-made Werlin Bat rotating horn units. Muri-Moog (modified) through Hiwatt 100-watt amp with JBL Showman Cabinet. Hagspiel grand piano, with scaffolding, miked through PA. Black Gibson SB Les Paul Junior (1960) plugged into Moog.

DAVID WIGHTWICK: Drums and vocals.

BORN: Dunstable, Bedfordshire, 25/August/1950.

EDUCATED: Priory Secondary School, Dunstable.

MUSICAL TRAINING: Self-taught.

MUSICAL CAREER: Former member of Madrigal from 1967 to 1973. The band split and was reformed with new members and retitled Merlin.

OTHER OCCUPATIONS: Varied from soldier to postman.

MUSICAL INFLUENCES: Beatles, The Move, Genesis.

COMPOSITIONS: None.

FAVOURITE SINGLES: "Say You Don't Mind" (Colin Blunstone), "Motet Overture" (Abors), "Eleanor Rigby" (Beatles)

FAVOURITE ALBUMS: "Dark Side Of The Moon (Pink Floyd), "Erismore" (Colin Blunstone), "Tubular Bells" (Mike Oldfield), "Moving Waves" (Focus).

FAVOURITE MUSICIANS: Carl Palmer, Jon Bonham, Simon Kirke.

FAVOURITE SONGWRITERS: Lennon and McCartney, Colin Blunstone, Genesis.

FAVOURITE SINGERS: Ian Billan, Colin Blunstone, Karen Carpenter.

RESIDENCE: Flat in London.

INSTRUMENTS: Hayman see-through drumkit comprising 1 x 22 inch bass drum, 1 x 12 inch and 1 x 13 inch mounted tom-toms, 1 x 16 inch and 1 x 18 inch floor tom toms, 1 x 14 inch snare drum, Ludwig/Paiste 22 inch cymbal, 1 x 22 inch and 1 x 20 inch Zildjian ride cymbals, 1 x 18 inch Zildjian crash cymbal, 1 x 14 inch Zildjian hi-hat, Ludwig and Hayman accessories and Premier C and Selmer sticks.

#merlin band #jamie moses #(I continue to not tag the rest because everyone continues to not care)#long post //#text #jamie

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poboh · 4 years ago

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Untitled (Cityscape), Dozier Bell. American, born in 1957 - Charcoal Drawing -

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huariqueje · 9 days ago

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Starfield 5 - Dozier Bell , 2006.

American , b. 1957 -

Acrylic on linen , 62 x 66 in.

#Dozier Bell #american artist #stars

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atc74 · 4 years ago

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Soul to Souls - Six

Warnings: Mentions of a hunt, missing your “soulmate”, drinking mentions of sex, implied smut, a good ol’ girls night

Summary: Since she was four years old, Annaleigh has seen the same boy in her dreams. For twenty-five years, she grows to love the boy that has now turned into a man. Dean Winchester just lost the only family he has ever known. The guilt drives him to work harder than ever before. He works to forget the pain, until he meets Annaleigh and she turns his world upside down. What she learns changes both of their lives forever, but what will he do when he discovers the truth? Will he accept it or run back to the only life he has ever known?

Pairing: Dean x OC Annaleigh

Word Count: 2043

Beta’d by: @amanda-teaches, @katehuntington, thank you both for being my guides! Dividers and new cover art by the amazingly talented @talesmaniac89.

A/N: This was my very first series I ever wrote four years ago in September 2016 and I am so happy and proud to bring this back home.

Soul to Souls Master List

Dean heeded Annaleigh’s advice, taking a couple weeks to rest and recharge. Bobby understood when Dean called to tell him he was taking a much needed break. There wasn’t much to do in her small town, but he spent as much time with Annaleigh as possible, when she wasn’t working. They took small day trips and enjoyed the peace and quiet provided by the mountains.

Unfortunately, all good things must come to an end and that end came one morning in the form of a phone call from another hunter that needed backup. Dean reluctantly packed a bag and kissed his girl goodbye.

“I will be back as soon as I can, I promise you that, Red,” Dean vowed into her hair as he held her tightly to him.

“You better, God Himself has plans for us,” Annaleigh whispered back, not wanting to let go, now that she finally had him. She knew she could never ask him to leave the life behind, but it didn’t mean she wasn’t going to worry about him when he did take on a hunt.

Silent tears fell as she watched him drive away, but Annaleigh refused to go back inside until Baby’s tail lights disappeared from view. It was only then that she went back into the house and counted the days until he returned to her.

The days passed slowly without Dean beside her. Annaleigh continued with her appointments, as her clients still needed her, but she found herself increasingly restless the longer he was gone. With nothing better to do, she picked up a couple more shifts at the bar, just to keep herself busy.

The bar was pretty empty for a Thursday night. Annaleigh was just clearing a table, and thinking about calling it a night, when she heard the bell above the door. She turned to see who it was, surprised when it was Cora and Trista Dozier, two of her favorite people and the owners of Two Sisters. She greeted them at the door with huge hugs. “Girls! What brings you in tonight?” She smiled and turned to grab a couple of menus and take them to a table.

Trista wrapped her arm through Anna’s as she spoke. “Well, we haven’t seen your Adonis in flannel around lately so we thought we would keep you company, maybe get the scoop.”

“Oh no, missy!” It was Cora that spoke up this time when Annaleigh tried to seat them at a high top table for two. “Not here, we are going to need a much bigger table tonight!”

Anna looked at her, a confused look on her face. “But it’s just the two-?” She never got the words out as the bell on the front door rang again. Alyssa walked in, followed closely by Mandi, and made a beeline for the three ladies.

Cora ignored her question. “Girls’ Night, party of five, please! We are treating you to a good time, since Mr. Man is out of town on business.”

Annaleigh opened her mouth to protest, but Cora reached out and placed her hand under Anna’s chin and pushed it closed, effectively stopping any argument she might have attempted. “Okay, then. Let’s get started,” Cora chirped. Anna shook her head, knowing she wasn’t going to win this argument. Walking into the back room, she took off her apron, stored it in her locker and clocked out. Before heading to the table, she ordered a round of beers to get them all started.

“Anna! Get your ass over here! You are not on the clock anymore and it is time for you to have fun and let your hair down! We can get our own damn drinks, girl,” Alyssa yelled across the bar.

“Just this one round, I swear. Then, I will put myself at your mercy for the rest of the night, my Queens,” Annaleigh replied to her, pulling off a graceful curtsy before she carried the bottles back to the large table they picked in the corner, right next to the old jukebox. She swore that thing was older than all of them, but it was a classic, and so was the music.

The beers and shots flowed as the time passed. Annaleigh felt like a pretty lucky girl from where she sat. She had amazing friends that took a whole night for her just to make sure she was having fun and not alone. She had an amazing and sexy boyfriend that she could not wait to get her hands on again.

Mandi piped up from across the table, a wicked grin on her face. “So, tell me, Annaleigh...how is Dean in bed? He is so gorgeous! And those lips...oh man! I bet they can do things! Can’t they?”

Anna almost fell out of her chair at the turn of conversation. “Mandi! I am not telling you guys about our sex life!” She protested loudly. There weren’t that many people in the bar to overhear, but she still didn’t want to spill their secrets.

“Come on, Anna!” Trista was the next one to start in on her. “We live vicariously through you. Tell us something! Just one, or maybe two, teensey, weensey, little details. Please?” She begged, actually batting her damn eyelashes trying to get Annaleigh to cave.

Cora, who was generally the quiet and shy one, surprisingly chimed in as well, “Yeah, Anna! Just a couple of teensey, weensey nuggets of sexiness. With a body like that, he has to know how to use it! And I am willing to bet you bitches fifty bucks that it ain’t so teensey, weensey. Am I right? Or am I right?!”

Alyssa looked at Anna and blurted out, “Don’t leave anything out! I want all the dirt! ”

Anna threw her head back and let the laughter roll out of her. It felt good to be with all of her girls again. “You are all horrible! And relentless! Anything I tell you guys does not leave this table, understand?”

She eyed them all, to make sure they were all listening intently, before she spoke softly, leaning into the circle. “You all know that I don’t have a ton of experience, but Dean is the most incredible, thoughtful, and generous lover I have ever had, or could ever have imagined. He is so patient and really takes his time to make sure that I am satisfied. He never, and I mean NEVER, comes first. He says it is his job to make sure I am fully satisfied before he is.” Now their eyes are locked on her, hanging on her every word, mouths open, salivating. Dean is gonna love this when I tell him. He will appreciate the ego boost, she thought to herself, a grin playing at her lips.

Annaleigh swept her eyes around the table before she continued, “And those lips? Mmmm, God. That body is just made for sinning. And I love every inch of it; it’s soft but hard in all the right places. His eyes change color depending on his mood; like when we are in the heat of the moment they get darker, almost like a forest green. So, I know when they turn, I am in for it and done for - I won’t be able to walk straight the next day!” She threw her hand over her mouth, stopping herself before saying too much and getting all worked up, knowing she was still going home to an empty bed.

Alyssa reached out to grab her hand for more, but Annaleigh had already gotten up and wandered over to that ancient jukebox, looking for anything else but talk of her sex life to keep them occupied. The music selection varied across different genres, but most of it was classic rock. Dean would be so happy. She dropped a handful of quarters in the machine and started pushing buttons, picking a few of Dean’s favorites, a few of her own, and a few the girls could sing along to, now that the bar was nearly empty.

Anna got back to the table just as the bartender brought them another round, whiskey this time. Thanking him, Anna picked up her glass and looked at her girls. “To good times, great friends, strong drinks, and amazing lovers.”

“Amen, sister!” They all yelled and laughed as they downed the contents, slamming the glasses back down on the table, Alyssa howling like a wolf at the moon.

The sounds of Zeppelin floated through the bar as they talked about anything and everything. Trista and Cora filled them in on some new things they were trying out next week at the bakery, telling Annaleigh she needed to bring Dean in for their new pie flavor, since he was now their official taste tester. Mandi was excited about a new comic book series they got in this week. And Alyssa told them all about the new yoga classes she was teaching at the Community Center. Anna sipped on her beer as she listened to her friends talk and laugh, and she realized how much she had missed them and how badly she had needed this.

Mandi ordered a round of shots, something sweet and fruity this time, and Anna had to wash it down with a swig of her beer. Just then, the jukebox started a familiar tune Anna had not heard in forever. She jumped up out of her chair and sang into her bottle, pretending it was a microphone as she danced around the now empty bar, save the bartender.

The liquor was doing its job, and Annaleigh was well into the second verse when she heard the bell over the door, and she turned, her heart skipping a beat, but there was no one there. Just the wind, she thought to herself, slightly disappointed. Annaleigh resumed singing, channelling her inner diva the best she could.

When the song ended, Anna looked at the clock over the bar, realizing it was after one in the morning, and she was suddenly exhausted. Returning to the table, she hugged each of her girls, thanking them for the best girls’ night ever. Cora grabbed Anna’s face in her hands, saying, “I miss your face! Don’t keep it away so long next time.”

Annaleigh gave one final wave to the table and blew kisses to each of them before turning to get her things, but she stopped dead in her tracks.

There he was, leaning against the bar, with a drink in his hand, in that red shirt that reeked of sex and sin. The man that very well could be the love of her life. Somewhere she heard someone scream, but she quickly realized it was her and before she knew it, she was running into Dean’s arms. She jumped and wrapped her whole body around his. Anna kissed him with everything she had before he let her down.

“I missed you so much! When did you get back? How long have you been here?” Anna threw the questions at him as fast as they popped into her head.

Dean wrapped his arm around her as they walked to the back room. “I missed you, too, Red. I just got back a little while ago. And, I’ve been here long enough to see you put on a show.” He threw his head back and laughed at the memory of her singing. Her heart was happy, hearing him laugh in the flesh.

“Why didn’t you say something?!” she asked, playfully elbowing him in the ribs.

“You looked like you were having so much fun out with your girls, I didn’t want to intrude,” he admitted. “But, I think it’s high time we get out of here. Watching you like that does things to me, Honey.”

Annaleigh grabbed her stuff and bolted for the door, blowing one more kiss to the girls and giving a thumbs up. She turned back to Dean and gave him her best pout before belting out the chorus of the song she had been singing again.

He ran after her, picking her up and throwing her over his shoulder before striding out the door. Even in the parking lot, they could hear her friends cackling and Alyssa howling at the moon again.

Did you like it? The nicest thing you can do for a writer is reblog their work and tell them, and others, how much you like it!

Soul to Souls tags: @emoryhemsworth @flamencodiva @iwantthedean @jensengirl83 @deanwanddamons @smol-and-grumpy @kbl1313 @waywardbeanie @whatareyousearchingfordean @princessmisery666 @spnbaby-67 @shy-violet-soul @lastcallatrockysbar @winchesterxfamilybusiness @fangirlxwritesx67 @squirrelnotsam

#dean x annaleigh #dean winchester #dean winchester x ofc #dean winchester fanfiction #dean winchester angst #dean winchester fluff #dean winchester smut #dean x ofc #dean winchester soulmate

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soulmusicsongs · 4 years ago

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Funky Drums: 25 drum intro’s and breaks

The drum breaks from Funky Drummer by James Brown, Amen, Brother by the Winstons and Synthetic Substitution by Melvin Bliss are possibly three of the most sampled drum tracks ever. But there are more soul songs that have great funky drum openings, catchy intros and killer drum breaks.

Funky Drums

African Rhythms - Oneness Of Juju (African Rhythms, 1975)

Cookies - Brother Soul (Cookies / Do It Good, 1974)

Crumbs From The Table - The Young Disciples and Co. (Crumbs From The Table / Girls, Girls, Girls, 1968)

Dead! - Carolyn Sullivan (Dead! / Wow, 1967)

Doing It In The Street - The Black Hippies ‎(The Black Hippies, 1976)

Do It, Do It - Jackie Harris And The Exciters (Get Funky Sweet A Little Bit / Do It, Do It, 1969)

Flintstone Shuffle - Thomas Bailey and The Flintstone Band (Flintstone Shuffle / I Need You (Most Of All), 197?)

The Fuzz And Da Boog - Fuzzy Haskins (A Whole Nother Thang, 1976)

Gettin’ Down - Eugene Blacknell And The New Breed (Gettin’ Down / Cousin John, 196?)

Ghetto Man - Tony Clarke (Ghetto Man / Love Power, 1970)

Give It To You - UPP (UPP, 1975)

Got to Get a Knutt - The New Birth (Birth Day, 1972)

It Ain't My Fault Pt. 1 - Smokey Johnson It Ain't My Fault Pt. 1 / It Ain't My Fault Pt. 2, 1964)

Jesus Rhapsody (Part 1) - Preacher and The Saints (The Mailman Cometh / Jesus Rhapsody (Part 1), 1974)

Kashmere - Kashmere Stage Band (Kashmere “73” Live In Concert, 1973)

Kool Is Back - Funk Inc. (Funk Inc., 1971)

Last Night Changed It All (I Really Had A Ball) - Esther Williams (Let Me Show You, 1976)

New Generation - The Universals ‎(The Way A Girl Should Be / New Generation, 1970)

Noise With The Boys - Al White and The Hi-Liters (Noise With The Boys / Thread The Needle, 196?)

Poppin' Pop Corn - James Bell and The Highlighters (Amazing Love / Poppin' Pop Corn, 1969)

Steppin' Out (Instrumental) - Lionel Robinson (Steppin' Out / Steppin' Out (Instrumental), 1971)

Super Funk - Vern Blair Debate (Super Funk / Ooh-Ah-Ee, 1975)

Take Off Your Make Up - Lamont Dozier (Out Here On My Own, 1973)

You Said A Bad Word - Joe Tex (I Gotcha, 1972)

Zulu Stomp - Steve Grossman ‎(Some Shapes To Come, 1974)

More Soul Music Lists

Funky Harp: 10 soulful harp tracks

Steel Drum Soul

Funky Drums: 100 Tracks with the best Drum Intros and Breaks

#Funky Drums #Soul #Soul Music Songs #Music #Music Songs #Soul Music List #Soul Music

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wutbju · 4 years ago

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So all the students -- 124, btw, not 88 -- who were at Bob Jones College in that first year are as follows:

Perry Bestor Allen from Crichton, Alabama

Ella Louise Buckner from Headland, Alabama

Henry Seymour Blocker from Sandusky, Ohio

Mary Evelyn Brannon from Headland, Alabama

I. D. Barton from Andalusia, Alabama

Olin Comer Cleveland from Hartwell, Georgia

John Andrew Cherry from Dothan, Alabama

Hilary Herbert Clements from Pinckard, Alabama

Henry Mallory Chandler from Grady, Alabama

Dorothy Maxine Ceruti from Millville, Florida

Virgil Miller Culpepper from Ensley, Alabama

Asa Lee Carter from Ramer, Alabama

Leonidas Littlebury Colley from Brundidge, Alabama

Nollie Dykes from Ariton, Alabama

LeGare Day from Abbeville, Alabama

Dorothy Dowling from Enterprise, Alabama

Leonard LeRoy Dunlap from Meridian, Mississippi

Cecil Marvett Ellisor from Andalusia, Alabama

Bessie Ruby Enfinger from Skipperville, Alabama

Rawdon Lee Gallman from Tuscaloosa, Alabama

Samuel Willard Gates from Carrollton, Alabama

Johnnie Goare from Slocomb, Alabama

Joseph Leon Goodin from Opp, Alabama

Henry Edward Grube from Mobile, Alabama

Ariana Haymaker from Winona Lake, Indiana

Nellie Pauline Hallford from Slocomb, Alabama

Dorothy Vivian Harris from Valdosta, Georgia

John William Hightower from Brundidge, Alabama

Russell Clifford Hobbs from Lynn Haven , Florida

William Jennings Hughes from Brewton, Alabama

James Ottis Hays from Red Level, Alabama

Ottawa Grace Hall from Blountstown, Florida

Fannie Mae Holmes from Fort Deposit, Alabama

Bonclie Howell from Hartford, Alabama

Evenly Howell from Hartford, Alabama

Lonnie Coleman Henley from Ramer, Alabama

James Welborne Johnston from Panama City, Florida

Anna Louise Johnson from Lynn Haven , Florida

Frank Milner Jones from Daleville, Alabama

Isaac Godfrey King from Sneads, Florida

John Clifford Lewis from Red Level, Alabama

Marvin M. Larrimore from Dickinson, Alabama

Bertha Eloise Long from Clio, Alabama

Lillia V. Long from Clio, Alabama

Ruth Mowbray from St. Andrews, Florida

Margaret Massey from Luverne, Alabama

Kate McMillan from Wausau, Florida

Minnie Eunice Monk from Lynn Haven , Florida

Matha Virginia Monk from Clio, Alabama

Ruth Doris Mahan from Montgomery, Alabama

Ruth Ellen Miller from Vernon, Florida

Frances Eudora Moseley from Sylacauga, Alabama

Homer Napier from Dothan, Alabama

Laura Frances Porter from Sylacauga, Alabama

Frank Norris Pitts from Montgomery, Alabama

Graff Parish from Dozier, Alabama

Jesse Lamar Price from Eufala, Alabama

Jesse Lee Riley from Enterprise, Alabama

Eugene Clower Smith from Port St. Joe, Florida

Randolph Aenon Sparks from Aucilla, Florida

Miriam Burnett Sellers from Slocomb, Alabama

Eva May Silent from Slocomb, Alabama

Robert Paul Stough from Dothan, Alabama

James Monroe Strickland from Dothan, Alabama

Illah May Smith from Olustee, Florida

Gladys Alma Trawick from Skipperville, Alabama

Bowers Shipp Sandusky from Marianna, Florida

Evelyn Avery Urquhart from Montgomery, Alabama

Virginia Urquhart from Montgomery, Alabama

Alvine Herman Vanlandingham from Hartford, Alabama

Walter Bowden Venters from Chipley, Florida

Florrie Love Williams from Panama City, Florida

Ruby Woodham from Slocomb, Alabama

Lynwood Henry Wilson from Crewe, Virginia

Hugh Emmette Wilson from Sweetwater, Alabama

John Wesley Wilson from Goodwater, Alabama

Daniel Cleveland Whitsett from Abbeville, Alabama

Anthony Hamilton Warner from Montgomery, Alabama

Paul Jennings Ward from Geneva, Alabama

Marguerite Ward from Panama City, Florida

Bessie Lou Ward from Slocomb, Alabama

Alvin Lewis Walden from DeFuniak Springs, Florida

George J. Leslie Amos from Andalusia, Alabama

Olin B. Brooks from Birmingham, Alabama

Selden Temple Bristow from Lynn Haven , Florida

James Carl Bowden from Tennille, Alabama

I. Z. Bowden from Tennille, Alabama

Minnie Pearl Canterbury from Montgomery, Alabama

Oma Leonteen Cain from Panama City, Florida

Lucy Belle Canterbury from Panama City, Florida

Dora Lee Canterbury from Panama City, Florida

J. C. Dean from Ponce De Leon, Florida

Morrison Mosley Davis from McClenny, Florida

Charlie Herns Edenfield from Altha, Florida

Mildred Edwards from Dothan, Alabama

Maries Edwards from Dothan, Alabama

Annalee Folks from Panama City, Florida

Pat Hall from Thomasville, Alabama

Frances Catherine Glover from Panama City, Florida

James Lafayette Houston from Comer, Alabama

Steadman Eugene Hobbs from Panama City, Florida

Mrs. W. J. Hughes from Hartford, Alabama

Max Darby Jones from Port St. Joe, Florida

Bob Jr. Jones from College Point, Florida

James Walter Kelly from Slocomb, Alabama

Annie Louise Lee from Panama City, Florida

Lenna Elizabeth Leonard from Lynn Haven , Florida

Andrew Paul McKenzie from Panama City, Florida

Minnie Lois Mayers from Panama City, Florida

William Leonard Peters from St. Petersburg, Florida

William Hubbard Reynolds from Montgomery, Alabama

Gaston Robinson from Clanton, Alabama

Helen Kathryn Sims from Panama City, Florida

Howard William Sapp from Panama City, Florida

Martha Jane Surber from St. Andrews, Florida

Rea Steele from Panama City, Florida

Herbert Patton Sapp from Panama City, Florida

Minnie Beatrice Seay from Bartow, Florida

Mabel Thompson from St. Andrews, Florida

Graves Sim Urquhart from Montgomery, Alabama

Marion Kenneth Vickery from Flomaton, Alabama

Mike Litton Whaley from Ozark, Alabama

Edward Meredith Wilson from Goldwater, Alabama

Alcus Addis Walden from DeFuniak Springs, Florida

#Bob Jones University #Archive #1929 #Bob Jones College #Panama City #Florida #Enrollment

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blogalaskacreditrepair · 5 years ago

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Alaska Credit Repair

Credit Repair Alaska Credit Repair Starting $99 Monthly

Where Good Credit, Means Happy Life. est. 2019

Credit Monkey is now offering services in Alabama. We have a automatic software that disputes and challenges all of your negative and inaccurate items as well as inquires on your credit report. We make sure that all corrections are made with all 3 bureaus (Experian, TransUnion and Equifax). Credit monkey has a $0 enrollment fee. Yes, $0 FREE to start, We Don’t charge anything until your first letters are mailed. Rates start from $99 monthly (monthly payments depend on the plan that fits best for you). Join our 700 Credit Club and you will receive a 3 year warranty.

Credit Repair Alabama Call 877-701-7307 – Risk Free Promise

We have a easy sign up process all done online. Credit Monkey will Increase Your Credit Score by maintaining an account within our Cloud Based Credit Repair Monitoring (CRM) Software for clients in Alabama, so that they may follow their credit repair process in real-time, by seeing their scores, graphs, information and more on any Internet enabled device, (iOS & Android ) To get started with credit monkey just click the red button.

Credit Monkey, was ranked by Inc. Magazine as one of America’s 5,000 fastest growing companies 5 years running, is a financial technology firm.

Live Score Client Portal

Credit Monkey creates and maintains an account within our Live Score Client Portal for all of our clients in Alabama. This dynamic tool allows our clients to access their scores 24/7, without putting any inquiries on the clients credit history. Plus, as we remove items, the client gets a chart of the new updated scores and may compare them to their old scores.

Credit Monkey provides clients with our Credit Repair Alabama Training Academy, so that they may educate themselves on how to earn and maintain a high credit rating.

Credit Repair Alabama Starting $99 Monthly – Increase Your Credit Score – Clean your past

Did you know that the simplest mistake on your credit report can improve your credit score? Anything in the past you may have accidentally encountered with can be taken off your report and instantly boost your credit score. Nobody is perfect, we also remove all your negative items with all 3 bureaus and creditors.

Keep track of the present

Credit Monkey has east access to your account, with that you will be able to keep track of everything that happening with your credit. You may access your account from your phone or browser, anytime and anywhere.

Look at a new direction

We will provide you with the best service and knowledge to help you improve your scores. Maximize your scores so that you’re able to achive your goals and learn how to keep it up. We maximize your score so you can achieve your goals and learn how to maintain your amazing credit, even after our work is finished.

How does credit impact you?

Credit scores can impact you in multiple ways. With only one mistake on your credit report can drop your scores a lot even up to 120 points which will affect your ability to get a car, loan a car and a mortgage and lower your interest rates on your credit cards. Increase Your Credit Score with Credit Repair in Alabama.

Do not let simple mistakes on your report to stop you from upturning your goals. A good credit score makes a big difference between getting approved or denied. We will Increase Your Credit Score with Credit Repair in Alabama.

Credit Repair Alabama Starting $99 Monthly – How does work?

Once you sign up we remove your negative inaccurate items from Experian, TransUnion and Equifax which will increase your scores once your negative inaccurate items are removed.

We set you with credit monitoring tools and service to give you access to your status anytime, just got to log in. Accessing your account 24/7.

We provide the right tools for you to maintain a great credit score. With some plans we also help you open you 5 Credit rebuild programs which we can get you approved to help you re-establish your credit.

We try the best of our knowledge to help you understand credit, and how it works. By Customizing each client with the correct understanding of their credit, we set up a plan. Rest assured we employ the fastest, most effective approach to credit repair, that is why we take the time to set up the plan.

Signup Increase Your Credit Score – We give you consultation and credit analysis

Relax while we work on your credit and negative items on your report

See Results Easily Log in to portal have real time status every step of the way

Typical Credit Repair Companies:

They Charge Thousands Of Dollars

They Have Startup Costs Or Set Up Fees

Takes Them Over 6 Months To Fix Credit

Takes A Lot Of Going Back And Forth “Credit Repair Specialists”

They Don’t Offer Guarantees

How we do things differently:

$0 Enrollment. Yes, $0 FREE To Start

We Don’t Charge Thousands, Plans Starting At Only $99 Monthly

No Charge Until Your Letters Are Mailed

We Include Opening 5 Active Credit Accounts

Dispute The Negative Inaccurate Items Fast Same Day

We Don’t Need To Have Any Phone Calls We Are All Automated

Notifications Of All Changes In Your Credit Report Monthly

We Offer A 90 Day Guarantee

License & Location:

Bonded And Licenses

Address: 505 20th St N, Birmingham, AL 35203

If you are interested in starting your own Credit Repair Company in Alabama or Becoming A Credit Repair Agent Click Here

YOU WILL NOT BE CHARGED UNTIL YOUR LETTERS ARE MAILED OUT – WE WILL NOT PLACE A INQUIRY ON YOUR CREDIT REPORT

Processed Over 1.2 Million disputes

Bonded & Registered With The California Department Of Justice!

Credit Repair Alabama – Cities

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