#Dot’s little monologue is literally my favorite part of the whole comic
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llumimoon · 2 years ago
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The Talk (page 10)
Doodler AU post || start || previous || next ||
Decided to expand this bit of Dot’s dialogue to cover a couple pages bc I wanted to go ham with the visuals I was imagining tehe
This comic takes place shortly after the Doodler’s homunculus body was made. Lark and Sparrow try to figure out how they feel about the situation.
Dialogue under the cut!
Doodle: We are all connected. A piece of me will always be in you.. and a piece of you will always be in me.
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khadij-al-kubra · 6 years ago
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Punk FamILY AU...
If you know me, you know that I LOVE the Punk AU by @asofterfan and I know that they all end up together during college and stuff. So I just couldn’t help imagining all them grown up and becoming parents to a young punkling.
Buckle up friends, this is gonna be a long one. *cracks knuckles* I present to you, A Punk Family AU:
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One of the punks is home while the others are at work one day; let’s just say Virgil. And he hears something rifling through their trash can outside. When he goes to investigate if it’s a burglar or a raccoon, it turns out to be a little girl.
She’s skinny with dirty (literally and color-wise) blond hair tucked into a backwards baseball cap, a missing front tooth, beat-up high-tops with holes in them and overalls with a t-shirt that’s too big for her. She can’t be more than 10 or 11.
She jumps at being found and runs, but Virgil follows her. He catches up to her in an alley but as he corners her he holds his hands up and carefully tells her it’s okay. The Girl gets super prickly. Like straight up feral defensive wild child. (more like an angry kitten) She’s clearly been through a lot.
Somehow he manages to gently talk her down, promising he’s not gonna hurt her or call the police. He just wants to talk. He also notices that she’s got a slightly bruised cut on her cheek (something he recognizes easily) and offers her a band-aid and maybe something hot to eat.
She doesn’t know why but somehow this little girl sense she can trust this black clad spiky grown-up. Because even though he looks scary she can see something soft and kind in his eyes behind the purple (her favorite color) bangs; something she’s not used to seeing in adults.
Back at the apartment Virgil gets her cut cleaned up and feeds her some leftovers as well as some of Patton’s cookies. She practically inhales it all. When he gently asks her name she tells him it’s Morgan. That’s all he gets out of her for now, but as promised he wont call the cops. Virgil waits for the others to get back, hoping they can figure out what to do
Logan, Patton and Roman get home and of course are surprised to see Virgil drawing pictures with some strange kid in their living room. Like before, Morgan goes into feral defensive mode, but Virgil tells Morgan. they’re alright. They’re his...friends (getting into the whole polyamory thing isn’t priority now) and promises they won’t hurt her. The punks introduce themselves, and Virgil fills them in.
They all get a sense that this girl is in trouble and want to help. Patton is the most careful around her and Morgan actually softens up a bit. But the second he mentions he’s a social worker she bristles, screaming “I’m NOT GOING BACK TO THAT FOSTER HOUSE! YOU CANT MAKE ME!!” They’re all taken aback. Morgan looks like she’s about to cry but she holds her chin high, fists balled, tough and brave. A true punkling.
Logan calmly tells her that Patton doesn’t work with social services or foster care, and they aren’t going to bring her anywhere she doesn’t want to go. Roman promises on his honor that “you, little princess are safe with us, and may take shelter here for the night.” Logan worries logistically about this but they all agree. Virgil even lets her have his bed.
The next day they eventually get more info out of her. They find out, just as they suspected, that Morgan is a runaway foster kid who’s been in and out of the system. She was taken out of a bad Home situation when she was eight only to be passed around between similar families and people who just wanted a meal card or were abusive or neglectful in various ways to various degrees. After four days in her most recent foster home, she ran away, taking her few personal belongings in a duck taped backpack, and has been living in the streets for a week.
All four of their hearts go out to this tough little girl, but especially Logan and Virgil because SHES JUST LIKE THEY WERE!!! Roman’s a sniffling mess and Patton can’t help but immediately gently hug her, which after a stiff few seconds she melts into because it’s Patton and he’s just magic like that!
And all of them agree to help her somehow. They promise not to take her back and say that ‘if she wants to’ Morgan can stay with them for a while until they find her a safer situation. She looks at all these odd but kind adults, senses something in them that’s the same as her -especially Logan and Virgil- and nods her head yes. Besides, if she needs to, she can always sneak away. It wouldn’t be the first time.
But of course, she doesn’t. Instead they start to look after her. She hangs around and reads or draws or watches tv while they’re at work, and they spend time with her when Home. They shower her with love and kindness and slowly get her to open up to them.
Patton teaches her how to bake, finding out she’s super giggly and clumsy and sweet. When they cut out sugar cookies into shapes (Patton has star, Moon, and dinosaur cut outs) she makes hers look like little monsters and ices them various colors. Its adorable. He calls her kiddo all the time, to which she blushes, but actually really likes it. Better than being called ‘brat’ or ‘that kid’ or ‘good for nothing’ or— Patton stops her there and hugs her. He gives her new compliments and endearing nicknames for every unkind thing that’s ever possibly been said to her. He also tells her lots of Dad jokes, which she finds stupidly hilariously and snort laughs every time. Which makes Patton melt because HOLY HECK SO CUTE!
Turns out she’s also protective like Patton. One day he takes her to the park for fresh air and she pushed a bully into the sand after they were picking on some smaller kid with evident developmental problems, shouting “Eat my fists you monkey faced jerk! I WILL PHYSICALLY FIGHT YOU!!” Needless to say, he’s super proud, but he pulls her off the kid before they both draw too much attention. Then he takes her for ice cream and explains that while it’s great to stand up to bullies you also can’t go around biting people.
Roman practices lines in front of her and she interjects sometimes with her own made up lines that, yes, divert entirely from the plot, but are just too fun and interesting and he just goes along with it. He also brings her to the drama section of the books store to pick out a few plays to read on her own (she stumbles across a copy of Eve Ensler’s “The Vagina Monologues” but he takes it out of her hands saying, “let’s maybe save that one for when you’re a bit older, my little warrior princess.”) He even sews colorful patches onto her old backpack for her and offers to help put studs on her baseball cap.
Logan brings her some small assignments from the middle school he teaches at because runaway kid or not, he’s gonna make sure this little girl learns a thing or two damnit. Turns out she’s super bright and especially loves mythology and history. She’s always asking him to tell her about female historical figures especially, and is fascinated (albeit confused at first but eventually gets it) when he goes on his rants about the stupidity of the binary and toxic masculinity. “Oohhh you mean like how I think boys AND girls are pretty, and how you, Roman, Virgil and Patton all like-like each other?” And Logan’s Punk gay heart is so proud of this perceptive punklet.
Virgil though, oh Virgil bonds with Morgan the most. Not only does he share his past with her and thus she opens up more to him (she even shows him the scar on the back of her shoulder from her first foster parent), but they are SO much alike! Turns out not only do they have the same favorite color, foods and animal, but Virgil finds out that Morgan is also artistic too. She tells him about how she wants to draw comic books when she’s grown-up and they draw together all the time.
In a short amount of time (let’s say a few weeks) all four of them just fall in love with this feisty sweet and artsy little punk!! Suffice to say, they all vote they want to keep her. But eventually someone contacts Patton, finds out (through no fault of his own) that Morgan ran away, and has been with them the whole time.
Her old foster family didn’t report anything till now because they would’ve gotten find or something. Still, she’s in the system so they're preparing to send someone over to place her with a new family. Morgan overhears this and runs to Patton’s arms screaming and crying “DON’T LET THEM TAKE ME AWAY FROM YOU! PLEASE!!” They hug her tightly, promising she never has to go back.
They have to go through a LOT of hoops, paperwork, and red tape to keep their promise. Them being four grown poly men and at least half of them in (to their eyes) dubious jobs (ugh the Man), they aren’t exactly ideal or typical candidates for fostering, let alone adoption. However, they are impressed by and convinced by both Patton’s credentials as a therapist/social worker for inner city kids, as well as Logan’s educational background and teaching degree. (Plus, they are admittedly a bit intimidated by Logan and also Virgil)
Eventually (like say it takes a month or so) they are able to get around the system. They ask Morgan if she would want to be part of their family because, even though they love her so much, ultimately what she wants matters most. And Morgan, this little punk lost girl has come to love them too and practically jumps into their arms!! All four surround her in a hug.
Morgan moves in permanently and even officially gets her own room now (Virgil’s old studio, but it’s cool. The guys all share a bed most nights anyway). She’s also got Dot and Larry and Patton’s Mom as the best grandparents ever (they all adore and spoil her when they come over to visit the boys). And she gets also gets along really well with her uncle Thomas who plays ukulele and sings for her. He also tries to teach her how to sing, but it turns out she’s a bit tone deaf. (Oh well) And she’s got her godparent Elliot and her Aunty Remy too, who offers to do her first tattoo WHEN SHES OLDER! (You know her tattoo artist Dad isn’t gonna be the irresponsible parent and let his daughter do that too young, no matter how Punk a family they are)
Logan eventually enrolls Morgan into the school he teaches at too. Instead of being embarrassed to have her Pop as her teacher she brags about it. Like, “that’s right. My Pop is smarter than your dad. All four of them are! Weeeell maybe not Daddy as much.” (Roman: “Hey!”)
However, he does have to step in sometimes when she starts getting into arguments with the other kids when she starts shouting things like “SMASH the patriarchy!” or “I have the best dads in the world! FIGHT ME!” and “Gender’s a construct! The binary’s useless, bitches!!” First time the four of them have ever been called into the principals office because of someone else’s bad behavior XD. Eventually they teach her to tone it down and that there are ways of being punk and standing up for others without resorting to screaming and fighting first; something it took them years to learn and only now appreciate as adults.
Usually Papa Patton will come to pick her up after school and they’ll either go to the park or to home. Sometimes he’ll gently and subtly get her to talk a little about her past if he sees she’s been down lately and they’ll hug out the bad feelings. Sometimes her Daddy Roman will pick her up and take her to the theater he works at so she can hang out backstage. All the performers love her, and she even starts getting interested in and learning about tech work from the stage crew.
Family time for them includes laughing around the dinner table, them listening to Morgan’s stories, and movie marathons with cuddle piles. Either Disney movies or Marvel movies (usually the latter if Morgan pulled out the kitty eyes; the punks’ kryptonite.)
If she ever does have bad days or wakes up from nightmares about her old life, it’s usually her Dad Virgil who’ll be first to her bedside rocking her in his arms; then all four are there surrounding her with kisses and hugs and love. In short, Morgan is the happiest she’s ever been with her new loving punk family. And all four of the punks found the piece of their family they hadn’t even known was missing.
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