#Do you like the meanings of songs being blocked by an impenetrable wall of metaphor so opaque

[bayofalgecirascranes]

Hawaii: part II is the album that made me see full albums as a form of abstract art.

It is very much a concept album, but I couldn't tell you what the heck its concept is.

[mdwatchestv]

Game of Thrones 7x01: Shall We Begin?

Yooooo it's Thrones time baby! I know a ton of people are going to write about this season and I originally wasn't going to, but then I wasn't writing about anything else and the gaping pit of self doubt and shame that lives just beneath the surface of all my thoughts was beginning to open up again so I thought fuck it I'll write about it because you only live once. Unless you're Jon Snow.

Game of Thrones is one of the only shows I continue to watch live, and there is truly no greater television joy than hearing that theme song swell. Game of Thrones has led the vanguard of must see TV for the past six years and facing a world without it is a dark prospect indeed. But winter is here friends, and we are facing a cold eternal darkness without Westeros. So let us return, together, for the second to the last time, to our favorite blood-spurting, boob-baring, dragon-wrangling, power-plotting, Stark-slaughtering show. 

Shall we begin? 

Season seven begins with a cold open, and it is the COLDEST of opens. Mysteriously we are back with Walder Frey (as unwelcome as he may be, a scenery chewing performance from David Bradley is always extremely welcome) who we witnessed Arya kill in the most delicious way possible at the end of season six. The clearly still living Walder has gathered his miserable brood in celebration, even treating them to fancy wine. However his speech of celebration becomes increasingly pointed, accusing the gathered of celebrating the death of an unborn child as well as a hardworking mother of five. That's because twist- Walder is really Arya Motherfucking Stark and she has come to MURDER EVERYONE. THE NORTH REMEMBERS SMASH TO-

Doo doo do do doo doo do do doooooo. 

Not only is Arya cold as ice, she can now literally be any character at any time. I am super cool with this. We are all Arya. Arya is me. Anyway moving on we get treated to a sweeping dramatic shot of the the army of the Night King, it is big as hell and includes many giants. Winter is coming indeed. Also Meera Reed has hauled Bran all the way to the Wall in a sled.  What a metaphor for life. 

In Winterfell we pick up with King of the North Jon Snow and Sansa talking Night Army strategy. Lyanna Mormont of Bear Island is also there smashing the patriarchy and repping Bear Island. Truly my all time favorite character on any show. Westeros could burn to the ground, or freeze into a block of ice, and Bear Island will still be an impenetrable fortress filled with men, women and children all armed to the teeth and ready to fuck you up. Long live Lyanna.

Anyway the idealogical rift between Jon and Sansa is only getting wider coming to a head when Sansa calls Jon out for choosing not to punish the Karstark and Umber families for fighting alongside the Boltons. Sansa believes the keeps of these traitor families should be given to knights loyal to the Starks, while in Jon's view the offending family members have already paid with their lives on the field of battle. Jon gets his way and has the surviving member of each house (who are literal children) swear an oath of fealty. Sansa is pissed and rightly so. Yes Jon's choice may seem like the magnanimous one, but it is not necessarily the wisest. Rewarding the fortresses of the Karstarks and Umbers to loyal families seemed to be the popular choice among the Stark banner men, a group whose loyalty he will need to retain when things start getting cold and scary. Whats more the two fortresses in question are in critical tactical positions north of Winterfell and he has handed them over to inexperienced children. Sansa is on point when she tells Jon he needs to be smarter than Ned and Rob, especially when Jon himself has already been betrayed to his death (once again by a child). Sansa is also correct that while Cersei may be a distant threat, she doesn't need to march an army to Winterfell to cut down the Starks. Jon is wary of Cersei's influence on Sansa, but he should be putting the lessons of King's Landing to use! Yes there was political maneuvering at the Wall, but none of those crows has ANYTHING on the Lannisters and in this arena Jon truly knows nothing (sorry).

 One of the many (many) beautiful aspects of Game of Thrones is the storytelling work done in costuming. in this episode Sansa is rendered in a black dress with severe, chain-like metal detailing. The costume suggests the threat of war, the confines of duty, the acquisition of power and resolve. it also mirrors....

The new Queen of the Seven (more like three) Kingdoms Cersei Lannister! While she may be queen, Cersei has now lost all her children, leaving her only with  the warm embrace of the iron throne and Jamie's semi-terrified love to prop up what remains of her humanity. But despite looming threats from every cardinal direction, Cersei is still on her game and looking to get into bed (perhaps literally) with Westeros' hottest new family to ally with - the Greyjoys! More specifically Euron Greyjoy who has a new look and party attitude! I don't remember him being this much fun last season, but I welcome it. 

Meanwhile Arya is walking through the woods and comes upon a wild Ed Sheeran, as one does. The success of Game of Thrones means that they can integrate higher profile names into the show (see Jim Broadbent) without breaking the ~*~*~illusion~*~*~ of the world. Personally, I felt like Ed was a little too extra... I couldn't stop thinking "That's Ed Sheeran sitting next to Arya. Do the Lannisters know that Ed Sheeran is in their army? What does ‘Shape of You’ sound like on a lute?" I was assuaged by the knowledge that he was hired as a treat for Maisie Williams, who deserves treats, so I will let it slide. Other than the presence of the Ginger One, this was a nice counterpoint to Arya's brutal opener. While she may be a hardened killer, she is still a young girl, just as most of the cannon fodder in the Lannister army are young boys (and Ed Sheeran), and this scene offered a poignant contextualization for the cost of war in Westeros.

Phew, I forgot how many things happen on Game of Thrones. The Hound comes across the man and child he doomed seasons earlier and feels remorse (character growth!) He also has a chilling fire-vision of the Army of the Dead marching away by a mountain (or maybe THE Mountain? Never let the dream of Clegane Bowl die). 

Sweet Samwell is essentially a house elf at Maester HQ, and instead of learning about how to kill White Walkers, he is carrying poop and organs around. We also find out that poor greyscale infected Jorah is locked up there likely in hopes of being cured. While his outside may be peely and gross, his profile remains as rugged as ever. All that out of the way, we did learn some important plot stuff here too. Sam steals a book from the Restricted Section filled with tips and tricks to slicing and dicing White Walkers. White Walker kryptonite is dragonglass, which we kind of knew from Jon Snow and company's misadventures north of the Wall. But what is more interesting is that we learn the Targaryen built fortress of Dragonstone (hey that's the name of the episode) is built on a giant pile of dragonglass (convenient!). If you cast your mind back to previous seasons, or even just the previously on at the beginning of the episode, that castle is where Stannis (lol remember him) had his base. In my experience Previously Ons are often the Rosetta Stone of television and the premiere's held additional clues as well.  Not only did the Previously On remind us that Dragonstone was where Stannis hung out, it also made sure to show us that the ill-fated Shireen spent quite a bit of time there too. Shireen who miraculously recovered from her greyscale after living on a giant pile of dragonglass, suggesting perhaps that dragonglass could be the solution to more than one problem...

And speaking of Dragonstone, we finally come to the titular location. Seemingly completely abandoned since Stannis bounced, Khaleesi and her crew roll up as their first landing in Westeros. In a beautiful silent sequence Dany mounts the stairs of the throne  but eschews the seat of power for the strategic promise of the war room. And she might as well be addressing the audience itself with her final cool query.

Oh my god that was so much writing. I'm going to bold keywords so you skimmers can anchor on to the topics you want to read about.

MVP: Arya Sheeran-Stark

XO MD

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