#Dharmendra kissing scene

[banglakhobor]

Sunny Deol on Dharmendra On screen kiss: পর্দায় শাবানাকে চুম্বন ধর্মেন্দ্রর, ‘বাবা যা ইচ্ছা করতে পারে...’ অস্বস্তিতে সানি!

জি ২৪ ঘণ্টা ডিজিটাল ব্যুরো: ‘রকি অউর রানি কি প্রেম কাহানি’(Rocky Aur Rani Ki Prem Kahani) ছবির অনেক দৃশ্য নিয়ে সোশ্যাল মিডিয়ায়(Social Media) হইচই চলছে, তবে যে সিন নিয়ে সবচেয়ে বেশি কথা হচ্ছে, তা হল আশি উর্দ্ধ ধর্মেন্দ্রর(Dharmendra) শাবানা আজমির(Shabana Azmi) সঙ্গে চুম্বনের দৃশ্য। করণ জোহরের ছবির সেই দৃশ্য নিয়ে ইতিমধ্যেই কথা বলতে শোনা গিয়েছে হেমা মালিনীকে(Hema Malini)। এবার সেই দৃশ্য প্রসঙ্গে মুখ…

[rajeevpradhan]

[cinemapremi]

Koffee With Karan 8: Bobby Deol and Sunny Deol special episode

Aryan Khan's Big Debut: Bobby Deol Takes the Lead in Exciting New Show! Introduction Bobby Deol, the charismatic Bollywood actor, recently graced the sets of Karan Johar's popular chat show, 'Koffee With Karan 8,' alongside his brother Sunny Deol. The episode provided a fascinating glimpse into Bobby's career journey, the support he received from Shah Rukh Khan's Red Chillies Entertainment, and exciting revelations about his upcoming projects. https://www.youtube.com/watch?v=J2kgis771W4

A Rocky Path to Stardom

During the show, Bobby Deol candidly discussed the challenging phase in his career when opportunities were scarce. He emphasized the necessity of hard work and determination, stressing that success is not handed to anyone on a silver platter. "I had to work hard," he stated, reflecting on his journey. He also revealed his passion for subjects like those in 'Class of 83,' which he longed to explore but rarely found the opportunity to do so.

The Lifeline: Red Chillies Entertainment

Bobby's career took an exciting turn when he began collaborating with Red Chillies Entertainment. He commended the production house for consistently providing him with "good stuff." This fruitful relationship started with 'Class of 83' and expanded to include Aryan Khan's directorial debut web show and 'Love Hostel.' The actor's gratitude towards Red Chillies Entertainment was evident as he acknowledged their pivotal role in his recent successes.

Overcoming Industry Challenges

The entertainment industry is known for its challenges and uncertainties. Bobby Deol shared an incident where a producer required him to seek approval from the lead star of a film before casting him. He emphasized that the industry values individuals when they are of use, a lesson he learned over the years. However, these challenges only served to strengthen his resolve and determination.

A Stellar Lineup Ahead

Bobby Deol's journey continues with the highly anticipated film 'Animal,' directed by Sandeep Reddy Vanga. This action-packed thriller not only features Bobby Deol but also stars Ranbir Kapoor, Anil Kapoor, and Rashmika Mandanna in prominent roles. Fans can mark their calendars for the release of 'Animal' on December 1, as it promises to be a cinematic treat. https://www.instagram.com/p/CxpLJWxNJ5k/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==

The Candid Moment with Dharmendra

Karan Johar also shared an interesting anecdote during the episode, narrating how he felt "shy and awkward" while explaining a kiss scene to the legendary actor Dharmendra in 'Rocky Aur Rani Kii Prem Kahaani.' However, the senior actor's response was unexpected and candid. Dharmendra simply asked, "Toh problem kya hai?" (So what is the problem?), revealing his nonchalant approach to the scene, given his extensive experience in the industry.

A Magical Father

Bobby Deol shared a light-hearted moment as he described his father, Dharmendra, as "magical." He humorously mentioned how they often joke that their father can perform on-screen kisses effortlessly, yet audiences still find him endearing. Sunny Deol, Bobby's brother, joined the fun by stating that their father could do as he pleased and always received a positive response. Bobby praised Dharmendra's exceptional performance and emphasized that no one else could have portrayed his roles as effectively.

Conclusion

Bobby Deol's journey is a testament to the significance of hard work and persistence in the entertainment industry. His association with Red Chillies Entertainment and the upcoming release of 'Animal' add exciting chapters to his career. As we eagerly await the film's release on December 1, it's evident that Bobby Deol's dedication and talent continue to shine. FAQs What was Bobby Deol's pivotal moment in his career discussed on 'Koffee With Karan 8'? Bobby Deol candidly discussed the challenging phase in his career when opportunities were scarce and the importance of hard work. How has Red Chillies Entertainment contributed to Bobby Deol's success? Red Chillies Entertainment consistently provided Bobby Deol with "good stuff," kickstarting with 'Class of 83' and extending to Aryan Khan's directorial debut web show and 'Love Hostel.' What challenges did Bobby Deol face in the film industry? Bobby Deol shared an incident where a producer required him to seek approval from the lead star of a film before casting him, highlighting the industry's demand for utility. When is 'Animal' set to be released, and who are the prominent actors in the film? 'Animal' is scheduled for release on December 1 and features Bobby Deol, Ranbir Kapoor, Anil Kapoor, and Rashmika Mandanna. What was the candid moment shared by Karan Johar regarding Dharmendra during the episode? Karan Johar revealed feeling "shy and awkward" when explaining a kiss scene to Dharmendra in 'Rocky Aur Rani Kii Prem Kahaani.' Also checkout: Read the full article

[blogynews]

Hema Malini Reveals Jaw-Dropping Secrets About On-Screen Kissing, Just Like Her Husband Dharmendra: Prepare to be Amazed!

Renowned actress and politician Hema Malini recently addressed the question of whether she is comfortable with on-screen kissing, similar to her actor-husband Dharmendra. Dharmendra gained attention recently for a kissing scene with Shabana Azmi in Karan Johar’s film “Rocky Aur Rani Kii Prem Kahaani.” During a recent interview, Hema Malini disclosed that she has yet to see Dharmendra’s film but…

[blogynewz]

Hema Malini Reveals Jaw-Dropping Secrets About On-Screen Kissing, Just Like Her Husband Dharmendra: Prepare to be Amazed!

Renowned actress and politician Hema Malini recently addressed the question of whether she is comfortable with on-screen kissing, similar to her actor-husband Dharmendra. Dharmendra gained attention recently for a kissing scene with Shabana Azmi in Karan Johar’s film “Rocky Aur Rani Kii Prem Kahaani.” During a recent interview, Hema Malini disclosed that she has yet to see Dharmendra’s film but…

[blogynewsz]

Hema Malini Reveals Jaw-Dropping Secrets About On-Screen Kissing, Just Like Her Husband Dharmendra: Prepare to be Amazed!

Renowned actress and politician Hema Malini recently addressed the question of whether she is comfortable with on-screen kissing, similar to her actor-husband Dharmendra. Dharmendra gained attention recently for a kissing scene with Shabana Azmi in Karan Johar’s film “Rocky Aur Rani Kii Prem Kahaani.” During a recent interview, Hema Malini disclosed that she has yet to see Dharmendra’s film but…

[richdadpoor]

Dharmendra Kisses Dev Anand In Viral Photo, Recalls Standing In Line To Watch His Films

Last Updated: August 20, 2023, 19:04 IST Dharmendra with late actor Dev Anand in an unseen photo In the black-and-white picture, both legends are seen sharing a cheeky moment. Dharmendra has been winning fans’ hearts with his performance in Rocky Aur Rani Kii Prem Kahaani. The film has performed extremely well at the box office. However, his kissing scene with Shabana Azmi equally went viral.…

[rajexpresshindi]

Dharmendra Shabana Azmi kiss scene: Dharam Paaji lip-locked at the age of 87

Bollywood film 'Rocky Aur Rani Ki Prem Kahani,' with Ranveer Singh and Alia Bhatt, is grabbing attention in theaters. Dharmendra's character and lip-lock scene with Shaban Azmi have surprised the audience. Social media has diverse reactions, with both praise and criticism. Dharmendra has responded to the criticisms. Get all the details here.

[mayapurimagazine]

Dharmendra-Shabana Kissing Scene In RARKPK :-

[bollywoodirect]

Wishing yesteryear shining star, Nimmi happy birthday as she turns 86 years today. Nimmi was a highly popular star right through the 1950s acting with all the top heroes of her time and working with directors like Raj Kapoor, Kidar Sharma, Mehboob Khan, Amiya Chakravarty, S.U. Sunny and KA Abbas. However, her larger than life gestures and eye-popping theatrics have not always held up well and admittedly many of her performances look stilted today. But there’s no denying her stardom and popularity in her heyday. In fact, one of her greatest admirers was no less than Ismail Merchant! She gained popularity playing spirited village belle type characters but also appeared in diverse genres such as fantasy and social films. Here, Nimmi speaks about her first break in films: "Raj Kapoor noticed me on the sets of “Andaz” in 1948 and offered me the role of a prominent character opposite his brother-in-law Prem Nath in “Barsaat” in 1949. I was thrilled at the opportunity of working with established actors like Raj Kapoor and Nargis. At the same time, I also feared being sandwiched between heavyweights like them. Though it was his second film as a director, Raj Kapoor showed ample promise both behind and in front of the camera. Since he himself was a natural actor, he did not believe in theatricals and gave equal footage to all actors. Raj Kapoor was one director who never kept the camera focused too much on himself. During the shooting of “Barsaat”, I emoted more than required in some of my pathos scenes. Raj Kapoor maintained his cool and then told me, “Don't overdo. Remember, you are a normal human being who has been ditched by her playboy lover. Be conscious whilst delivering your shots but again don't get over conscious.” These words from Raj Kapoor were like an inspirational mantra for me. I followed them throughout my career. After the success of “Barsaat”, I was flooded with offers. Mehboob Khan cast me opposite Dilip Kumar in his technicolor costume drama “Aan” in 1951. I had to perform an absurd scene of dancing even after consuming poison in “Aan”. I was not convinced but Mehboob Khan, the grand director that he was, explained to me that it was fantasy and not a realistic film as such. With Dilip Kumar I formed a successful pair and we starred in hit after hit like “Uran Khatola”, “Daag”, “Amar” and “Deedar”. Dilip was and still is fond of me. He affectionately addresses me as Pagli. I still don't forget how after the shooting of the “Aye Mere Dil Kahin Aur Chal” sequence in “Daag”, picturized on me, he softy kissed my forehead and said, “Brilliant”. Whilst Raj was a born actor, spontaneous in approach, Dilip is studied, method and versatile. Another gifted actor of those times, Dev Anand, worked with me in “Saaza” and “Aandhiyan”. Handsome and romantic, Dev Anand simply conquered all hearts with his smile. “Aandhiyan” is a memorable film of mine directed with expertise by Dev's elder brother Chetan Anand. He and cinematographer Jal Mistry waited for seven days to shoot the storm sequence in “Aandhiyan” on Dev and me. They waited to get the reddish sky before the storm. I consider “Anjali” as my best film and the entire credit for it goes to the imaginative Chetan Anand for extracting commendable work out of me as the Chandalini. “Mere Mehboob” was a beautiful Muslim social I enjoyed working in but my true challenge was as the dumb lover of Ashok Kumar in “Akash Deep” in 1964, in which Dharmendra also showed his acting skills very well."

[techiecynews]

Nafisa Ali Sodhi on a kiss scene with Dharmendra in "Life In A Metro": they are old lovers

Nafisa Ali Sodhi on a kiss scene with Dharmendra in “Life In A Metro”: they are old lovers

Actress Nafisa Ali Sodhi will soon be making her big screen comeback. In a recent Instagram post, the actress also shared her enthusiasm for returning to the movies after a decade. With a selfie, she wrote: “Read a movie script after centuries. Off to Mumbai to take action after years with my cancer in remission. I look forward to creative support. The seasoned actress is best known for her roles…

[arko006-blog]

When Dharmendra Did A Kissing Scene With Dimple Kapadia - Blast from the Past

When Dharmendra Did A Kissing Scene With Dimple Kapadia – Blast from the Past

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Dharmendra, apne Dharam Paaji, is one of the kindest and most compassionate souls in Bollywood. So what was  he thinking when he did a smooching scene with  Dimple Kapadia in a long-forgotten trashy film called Dushman Devta released in 1992? This was a period when Dharamendra did a lot of bad films that could be said to represent the worst of the 80s and early 90s. 

First of all, Dharme…

[tumbledsom]

Karan Deol Says it was Awkward to Do Kissing Scene in Front of Dad Sunny Deol Veteran actor Dharmendra's grandson and Sunny Deol's son Karan Deol is all set to make his Bollywood debut with Pal Pal Dil Ke Paas opposite Sahher Bamba. via Top Movies News- News18.com

[asksabhaniblog]

A Book on Rekha looks at the Bollywood diva’s life with sympathy and awe The young Rekha was body and slut-shamed and sexually harassed. She rose above it all to become the ultimate Hindi film leading lady. Yasser Usman, author of a new book on the star writes that Bollywood’s cruelty pushed her to become a recluse..

Rekha and Naseeruddin Shah on the sets of Umrao Jaan (1981),

the crowning glory of her career. Rekha won the National Award for best actress for the film.She wasn’t high up in the pecking order of Bollywood stars for a child of the 1980s. But I am intrigued, even moved, by her: Rekha seems wracked by loneliness and sadness, but it wasn’t always this way. Something drastic happened around 1990 that fundamentally changed her. Rekha went from being the Kim Kardashian of the 1970s and ’80s – attention-seeking, exuberant and sexually frank to a degree not seen in India even today – to a Greta Garbo-esqe figure, tragic and reclusive. So what happened to make Rekha clam up? The exhaustion, and the trauma, of years of combating vicious sexist attacks by colleagues in the film industry and the press, at a scale unimaginable today, had finally caught up with her. Had Bollywood ultimately managed to break Rekha?

It all started when she was born in 1954. Bhanurekha was the “illegitimate” and unacknowledged daughter of the polygamous Tamil film star Gemini Ganesan. She was unrelentingly teased in school as a “lotta”, Tamil for bastard. Such cruelty was to be her fate for years to come.

When she was pulled out of school and hustled into films in her early teens – she was even beaten by her brother when she refused – Rekha discovered that acting came with a generous dose of sexual harassment. And when she moved from Madras to Bombay in 1969 to support her bankrupt mother, Rekha was jeopardized by the absence of a father – or a godfather. In the male-dominated world of Bollywood, this gave licence to lecherous directors and producers. In her own words, “It was one of the most frightening phases of my life… Guys did try and take advantage of my vulnerability.”

Gold Spot advertisement (1969).

Before any of Rekha’s Bollywood films were out, she modelled for ads to earn extra money. This one was shot by Shyam Benegal. (Shyam Benegal; source: Shahid Mansoori)

Perhaps the most egregious example of the harassment – assault, really – that Rekha had to endure took place on a film set when she was fourteen. At a shoot for Anjana Safar, later renamed Do Shikari, producer Kuljeet Pal, director Raja Nawathe and lead actor Biswajeet conspired to force Rekha into a kissing scene. When the director called “action”, Biswajeet grabbed Rekha and forced himself on her while the camera was rolling. The director didn’t call “cut” for five long minutes. Rekha couldn’t protest for fear of the consequences; and rather than being damned and proceeded against by the law, the producer was celebrated for the discovery of a “bold sex kitten”, that most obnoxious of phrases.

If this wasn’t outrageous enough, consider the harrowing body-shaming Rekha was subjected to. Her 33-inch waist was a source of mirth and much commented on, as was the colour of her skin. For instance, when Kuljeet Pal cast Rekha for his film, the actor Raaj Kumar, of Mother India and Waqt fame, reportedly remarked to the Nairobi-based Pal, “You’re from Africa. No wonder you like black girls!” Similarly, when Navin Nischol found out that Rekha had been signed as his co-star for Sawan Bhadon, he complained to the producer: “From where did you pick out this namoona [character]? Itni kaali-kalooti [So dark and ugly]!” Even the great Shashi Kapoor, who was later a good friend to Rekha, harshly remarked at the premier of one of her early films, “How is this dark, plump and gauche actress ever going to make it?”

Poster of Ram Balram (1980).

 Starring both Rekha and Amitabh, the film didn’t do well and marked a low point in Amitabh’s career. The press had begun to write him off. That Rekha seems lost in public memory; she underwent a dramatic makeover and weight-loss in the years after she met Amitabh Bachchan. But during those days of humiliation, Rekha put up a brave front. She withstood the shaming and ridicule, and even the demeaning body-painting to make her skin lighter in films. She later said that though she felt “deeply hurt” at the time, it also steeled her resolve to “make it big”. Indeed, Rekha was irrepressible. And this, perhaps, unsettled people even more. How dare she be so unaffected?

Rekha’s sexual openness, too, was revolutionary, even by modern standards, and won her yet more ire. It is impossible to imagine a young starlet today saying some of the things Rekha said four decades ago: “You can’t come close, really close, to a man without making love”, “It is sheer fluke that I have never got pregnant so far” and “Premarital sex is very natural. And all those prudes who say that a single woman should have sex only on her suhaag raat are talking bull”! Rekha was totally open about being sexual and about her boyfriends. But the backlash for her candour – and sexual independence – was immense, and painful.

Rekha’s reported first marriage to Vinod Mehra in the early ’70s ended – and the humiliating details were splashed all over the press – with a violent confrontation with her mother-in-law on the landing outside Vinod’s apartment, before Rekha could even cross the threshold. Mrs Mehra, in Rekha’s words, couldn’t stand her “rotten past and reputation for being a sex maniac”.

In typically sexist style, the film industry and the press repeatedly singled out Rekha and maligned her, never her partners, for her supposed relationships. After reports of affairs with Jeetendra, Dharmendra, Sunil Dutt and Amitabh Bachchan, among others, Rekha was projected as a woman who posed a “threat” to the happiness of married couples in Bollywood. The press uninventively called her a “man eater” and a “nymphomaniac”. Even someone of Nargis Dutt’s stature unwisely pitched in: “She gives the impression to men that she is easily available... I’ve worked with a lot of children with a lot of psychological problems in my time. She’s lost. She needs a strong man.” Dimple Kapadia was pithy and direct: “Stay away from my husband,” she said, as if her husband Rajesh Khanna had no agency in the matter. Even with no one seemingly on her side, Rekha went on to become a superstar, and the highest paid actress of her time.

Rekha and Mukesh Agarwal at their friend Neeraj Kumar’s house in Delhi in 1990.

 Mukesh was a businessman who was known to mount an enormous stallion to receive guests at his farmhouse in Delhi. To everybody’s shock, Rekha married Mukesh on 4 March 1990 in Bombay. (Mala Kumar) But perhaps the most devastating blow, the proverbial last straw, was the reaction to the suicide, in 1990, of Mukesh Agarwal, Rekha’s estranged husband of a few months who had been clinically depressed for years. In spite of Rekha having worked in Bollywood for two decades by that time, Shashi Kapoor was the only industry insider who condoled with her. The rest were either coldly silent or nastily and baselessly blamed Rekha for the suicide. Subhash Ghai railed: “Rekha has put such a blot on the face of the film industry... No conscientious director will work with her ever again.” A prominent male co-star thundered: “She’s become the national vamp. Professionally and personally, I think its curtains for her. I mean I don’t know how will I react to her if I come face to face with her”. Film magazines tried to implicate Rekha using flimsy and unverified trivia like that Mukesh hanged himself using her dupatta, and ran irresponsible and scurrilous headlines like “The Black Widow” and “How Rekha drove Mukesh to Attempt Suicide”. Her film that was playing at that time, Sheshnaag, was boycotted, and vandals blackened her face on its posters.

Author Yasser Usman (Picture courtesy the author)

Rekha, understandably, withdrew deep into a shell after this witch-hunt. And who could blame her? Her shocking story seems without parallel. Bollywood just couldn’t stomach the idea of an outspoken, sexually independent and successful woman. And so they chipped away at her till she clammed up and became the recluse we know today. Order was restored once again: that troublesome and vulgar woman was nowhere to be seen. Rekha had finally been subdued and broken