#Devis Beejakshara | Explore Tumblr posts and blogs

artandculturalaesthetics · 6 years ago

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Introduction :

Article is all about the dancer attaining the spirituality consciousness while dancing using the krithis of Deekshitar and thayagaraja. What happens during the dancing time.What are the ways to attain this spiritual consciousness aspect of the dancer. This has been a very significant feature of the dancer which happens unknowingly. Though dance done as an entertainment, however it has the spiritual consciousness aspect added to it at the end of the presentation. This happens unknowingly.

Idea behind the writing this article :

1) Showing the importance of thyagaraja and Deekshitar's krithis.

2)Importance of sound frequencies that help one to get the positive energy source to think properly and have a decent life.

3)Importance of srividya's tatva and to come to a conclusion that dancer not only an entertainer but he or she is sri vidya upasaka activating ida pingala shishmna nadi with 72000 nadis out of which 16500 happen to function real dynamically.

Explaining you furthur in detailed way :

Sections A :

Dealing with krithis of the Thyagaraja and Muttuswamy Deekshitars and its effects on the parts of the individual namely ida pingala Shishumna nadi covering whole of the navavarana concept of shrividya tatva taking the individual into the highest level of knowledge leading to spiritual consciousness aspect of the individual :

Here we need to talk about the krithis of the thyagaraja and dheekshitar who have composed beautifull tunes to fecilitate the dancer. As I always believe that dancer is srividya upasaka and has those navavarana composition in the body which could be explained in detailed way in brief . Though unable to attach the pics for reference though can be explained in following way: ida, pingala, shishumna nadi which gets activated with the beejaksharas ome/aim/hreem shreem/kleem/souhu/ however all of these are the culmination of the saptha swaras which again have definite frequencies. Now The point to be noted here is that, out mind has limited capacity to withhold the energy beyond which it cannot think. However keeping in view all of these deekshitar composed beautiful tunes which were so calculative that every singer or percussionist needs to understand. What if the frequencies cross even a milli micro seconds there will be definitely a change in the way a mind starts to think in a negative way. However there were very few of them who could handle that much power. The once who could handle the power were Ramakrishna Parmahamsa / Ramana maharishi. The thinking capacity of these great people was awesome. They had that power to handle that extra ordinary power.

Section B :

Deals with the 72000 nadis of which 16500 nadis necessarily happen to work using the ragas as medium to transmitt that energy force with certain amount of frequencies which help the body to generate that energy force:

The deekshitars and Thyagarajas krithis are based on the following beej aksharas which are primaryly aum shreem souh klim hrim gloum and aim. These are the furthur translated into saptha swaras sa re ga ma pa dha ni sa. The great ness of krithis are the following :

1) they have been given different frequencies as to which has to be stressed hard. Say we stress on the sounds during the recitation the specific beejamantra gets activated accordingly. That is the reason why you see the musician and dancers having that agility and lively nature through out their dancing career.

2) The moment percussionist starts to sing the raga using the raga say ananda bhairavi raga, the mood of the dancer or singer or the one who sees the dance gets to that mode.The question here is that he or she who is practicing using the krithis of Deekshitar's or Thyagarajas or Tansen who have had that purification of the mind, gets to have that aura coming in their body. To me we should thank panini who translated the maheshwara raga that came from damaruka to 14 swaras which furthur become 108 like wise.

3) The attainment of this leads to the ultimate goal of reaching mother godess's lotus feat for both the dancer and percusionist and the audience as well.

4) When reciting the beeja mantra, there is typical nature of the mantra to reach the audience. This phenomina is nothing bana mathi technique in a more positive way. Today i see that if we are speaking about the banamati people get to think about the black magic which is prevailing mostly in north and some parts of kerala. Sad thing is that banamathi is a very beautiful technique that can cure most of the ailments pertaining to the mind, specially for the mentally retarted and autism kids. There is definitely a way to get to it. The moment dancer who dances starts to focus his or her mind on the child who is suffering from certain disorders, can take control over the body of the disorders and, vertually tell his or her mind that do this, definitely the disordered kid or patient will improve merely by seeing the dance based on navavarana.

5)Nava avarana means nine bodies which constitute the human body, What deekshitar or Thyagaraja did was, they collated all the swaras and created certain raga with a frequency range. This in turn creates certain vibrations in the air and dancer who dances also emits certain frequencies which will generate certain energy in a positive way. This goes to the audience and thus the positive energy is generated. Then comes the claps from the audience. The audience receive that positive energy which this in turn comes in claps form.

Example:

To give you a live a example When i started to write or do research on dance or music i did not get any momentum. But when i started to chant the beeja mantra ome aim hreem shreem kleem, thats when i started to get the thought process going . Here my point of emphasis is that, mantra meaning (mananath thrayite iti mantraha) which i did religious using the mudras that i do on a daily basis during my sandhya vandanamusing the five plus five ten fingers in various different permutations and combinations gave that extra energy source in more positive way to reach that micro and macro cosmic energy source that cannot be seen. But can be felt by the individual who is practicing. Today if i see i am able to write or tell what is or will happen is all due the chanting of the beeja mantra on the regular day to day activities along with the nav avarana krithis by Deekshitaar and Thyagaraja.Today i can see what is happening in my whole body and can see that uneasiness happening to me well in advance before anyone can say you are uneasy.

Now if the dancer who dances to the tunes gets to that feeling of the energy sources that are being emitted during the performance and after perfomance. As i was speaking about the 72000 nadis and 16500 active nadis in our body during this course of time has the shat chakras which gets activated as per the below 5 diagram touching every organs and five fingers denoting the pancha bhauthick tatva which are existing in nature. The navarana krithis typical activate all of your indriyas in the body and purify you mind consciousness leading to the salvation of one's own self . Though during the dance the dancer uses various mudras using the middle finger, little finger, thumb finger etc during the course of which the panch mahabhootas jala, prithvi, akasha, varuna and agni get activated. When you hear the Thyaga raja or Deekshitar's krithis you will tend to hear about the devi kadga mala's animadi laghimadi etc. Indirectly listening to these krithis by Thyaga raja or Deekshitar will activate whole of the bodyly parts and gets you connected to the organs. Again upasaka or dancer has to really have that focus of the mind towards this, which will follow through. This touching the ida, pingala, shishmuna nadi with all the chakras. With the sun channel, moon channel and middle, and the seven chakras which are explaind in the diagram below.

With the hand moments itself if we see it is touching most of the organs and full body parts for the activation purposes.

Now looking at these pics one cannot deny of the fact that our body is having around 72000 nadis out of which, 16500 nadis necessarily happen to work round the clock and, when a dancer dances all these nadis start getting activated at certain frequency levels. Though as I was speaking before starting to write on this article there is standard set of frequencies that our body can handle, beyond which if it goes even milli micros fraction seconds also will disturb whole of the human anatomy starts taking the changes. Meaning which our mind will start working in negative direction. Though there have been scientist who can use the brain to 4.5 out of ten scale and to the best it can be 7.5. Once it touches the scale of 7.5 the brain functioning starts to get detiriated. However for the one to handle more than this he or she needs to have that extra ordinary level of handling the frequencies. That is reason why if you see the saptha swaras or samaveda has standard music pattern and is sung at that pace. Though in dance we see that this is converted to the lines but sung at certain frequency level and it will be not more or less but exactly to that frequency as it has to be. Thus the dancer gets to the state where he or she realizes that this is the ultimate truth.

Practicing of the dance for the nav avarana krithis:

1) Need to have that pure and guileless nature which will help the upasaka to get in sync with the frequency of the krithi with which it is recited or composed.

2) Need to have that urge to catch to that speed with which the sound of the beejakshara travels. Need to be more focused towards that attainment of that energy. To be able to handle that force which is not very easy to handle. Initially had that difficulty in taking control over that higher range frequency sound which was so forceful that it was like sitting on the fire. But overcame after a long practice of for almost five months. Though i used to practice the meditation right through my childhood.The tests you will have will be very strong and you may have to face that thwart of insecure which will see how you are going to overcome that. Yet the compassion and that commitment or delegency really should not die.

all in all with regards to practice one has to have that patience and that kindness, guilelesness, helping attitude, and open towards the failures and trying to surge ahead is what required during the practice. Listening to the navarana krithis or dancing on the navarana krithis is all the more easy, yet very tough as it requires your body's body frequency matching the frequencies of the krithis, only then the positive outcome would be there, else it would be like more to say a mere dance.

Dancer's or listeners takes:

1) If the nav avarana is delligently heard and practiced using the mudras for sure his or her outlook will change in fraction of seconds. The best part of nav avarana krithis is An individual does not know that changes have happened. They happen without your knowledge. Just like me, When i started to think about nav avarana it was like an uphill task. I had asked many of the dancers, but none could help me in this regards. SAo what i did was searched for the krithis and checked if i can do or not. Read an article about the confidence within yourself, what they say is nothing impossible, so i proceeded ahead and still continuing to do the same. Today i can say not only me anyone who thinks yes i can do, this will give world of confidence. Frankly speaking i am neither a dancer nor a musician , but continued my research with a aim and going with that. Today i have published around 5 to 6 articles on dance which i got it out of sheer perseverence. Nobody taught me nor gave me any special lessons. The only thing or help i got from the dancers was only one word which is like that of an hint, and i did the research. This is what nav avarana krithis which we listen or hear or dance will give you. loka samastha sukhinaha bhavanthu.

Limitations :

Is today's dancer capable to achieving the same with the increasing competition for the survival of the existence. Today's dancers are mostly focusing on the beauty part which will come automatically. One really need not concentrate more on this. Though this is just my perception. Not to offend any dancer for the same.

Conclusion :

Dancer is not only can be used as entertainment purpose but this leads to the salvation of the individuals, without their knowledge as the frequency at which the enrgy source hits the body generated such energy force that creates a positive vibes which gets to the brain and thus attaining the salvation.

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