#Desaparacido

[undergroundmysteries]

¿Reconoce a este hombre hispano no identificado que fue encontrado en San Diego, California en 1993?

¿Reconoce a este hombre hispano no identificado que fue encontrado en San Diego, California en 1993? #SanDiegoCA #SanDiego #noidentificado #personadesaparecida #desaparecidos #UndergroundMysteries #coldcase

1 de diciembre de 2023: Misterios Subterráneos (Underground Mysteries) El hombre que ves en la reconstrucción fotográfica de arriba no ha sido identificado desde 1993. Falleció en Balboa Park, San Diego, California, el 12 de abril de 1993, después de haber sido apuñalado varias veces en el cuello. Las autoridades que llevan su caso creen que era hispano. Tenía el pelo largo y castaño oscuro…

[ilpianistasultetto]

Siccome non m'e' mai piaciuto seguire i pifferi dei "fregnacciari di potere" ma preferisco seguire la mia testa ( che reputo fortemente intelligente), provo a lasciarvi uno specchietto sulle guerre nel mondo (almeno le piu' importanti) dopo la seconda guerra mondiale:

- anni '60 - Usa contro il Vietnam (comunista) e USA contro Cuba (comunista)

- anni 70 - Gli USA organizzano il colpo di stato in Cile contro Allende (comunista) sostituendolo con il macellaio fascista Pinochet. Sempre gli Usa organizzano il colpo di stato in Argentina contro Isabel Peron (comunista) sostituendola con il generale fascista Videla.

- anni '80. Gli Usa invadono Grenada e Panama per paura di una loro saldatura con la Cuba Comunista.

- anni '90 - gli USA e la Nato mettono i loro scaponi sul suolo ex slavo per evitare che la Serbia (comunista) facesse boccone degli altri Stati dell'ex repubblica socialista.

Poi e' stata la volta degli Usa in Iran, Afganistan e in Libia perche' Saddam Hussein, Bin Laden e Gheddafi non erano graditi agli yankiee. (Ve la ricordate quella famosa truffa sulle armi di distruzione di massa iraniane?)

Migliaia e migliaia di morti, migliaia di desaparacidos e centinaia di migliaia di esuli, in 70anni di guerre USA..

E ora i cattivoni sono Putin e Russi?

Per come la vedo io, un gran vaffa a Putin e 10 vaffa a tutti i Presidenti USA degli ultimi 70 anni.. @ilpianistasultetto

[danyx]

Oggi, 40 anni fa, spariva nel NULLA e per SEMPRE Héctor Oesterheld, sceneggiatore di quel capolavoro del fumetto mondiale che L'eternauta, prelevato da una squadra armata nella Argentina sotto la dittatura di Videla

[conor-sorbet]

Conor Oberst // 2017

[mikimik23-blog]

“80 günde devriâlem, neden değiştin böyle madem

Sen böyle değildin olanlar oldu, kime inandın söyle âdem” demiş Bendeniz 😂

@desaparacido

[indicalink]

[putingpluma]

Bata, bata... Paano ka ginawa? Bata, bata... Bakit ka nawala?

"Hustisya!" ito ang sigaw ng masa.

Apat na pu't walong na taon na ang nakaraan simula noong talamak ang abuso sa kalayaan nating mga Pilipino. Sa kabila nito, patuloy pa rin tayong binibisita ng multo ng ating nakaraan—lalo na ang mga inabuso at biktima ng karahasan pati na rin ang mga pamilyang naiwan. Hanggang ngayon, hindi pa rin natatanggal ang bigat sa dibdib ng mga pamilyang naulila sa kanilang mga mahal sa buhay. Umaalingawngaw pa rin ang ungol ng isang inang walang humapay na naghahanap ng katarungan sa kanyang anak. Isa itong pagtalaga sa walang kapaguran na paglalakbay sa landas na patuloy hinahanap—ang landas na tila'y hindi na muli matatamaan ng sinag ng araw. 

Noong idineklara ng dating presidenteng Marcos ang Batas Militar noong ika- 29 ng Septyembre taong 1972, laganap ang mga 'desaparacidos' o ang mga taong biglaang nawawala nang hindi alam ang dahilan[1]. Kung tutuusin, ang mga karaniwang nawawala ay ang mga tumututol sa pamamahala ng Batas Militar tulad ng mga estudyanteng aktibista. Maging ang pangkaraniwang mamamayan na walang kalaban-laban ay walang awang inaapi ng isang diktador. 

Noong ika-20 Marso 1986, nagsampa ng kaso si Agapita Trajano sa United States District Court for the District of Hawaii[2] Isa lamang si Archimedes Trajano sa mga biktimang patuloy na tinatago sa ilalim ng baul. Bukod pa rito, nakaukit din sa kasaysayan ang mga pangalan n Ishmael Quimpo at ng kanyang pamilya, Liliosa Hilao, Boni Ilagan, Judy Taguiwalo, atbp. Iilan lamang 'yan sa mga biktima ng mapangahas at mapangabusong pamamalakad ni Marcos— paano pa kaya ang mga namatay nang walang kalaban laban? O kaya naman ang mga humingi ng tulong nang walang nakarinig? Ayon sa Asian Federation Against Involuntary Disappearances (AFAD), 2,000 ang bilang ng kaso ng 'desaparacidos' noong rehimen ng mga Marcos[3]. Malaki ang posibilidad na marami pang katawan ang patuloy pa ring hinahanap hanggang ngayon, at ang iba dito ay maaring hindi pa kasama sa bilang ng dokumentadong nawawala; marahil ay ang mga inaamag na katawan ng mga naulila ay nakalibing lamang sa tinutulugan ng iba. 

Walang nakakaalam. Walang makapagsasabi.

Patuloy tayong tinatanggalan boses at hinuhubarad ng karapatan. Ito ang siyang ating dapat nating kaakibat habang pinagyayaman natin ang ating kamalayan patungkol sa lipunan; bagamat isa sa dapat nating isabuhay ang kasabihan na: 

“Mahirap na muling pumikit matapos mamulat sa totoong kinalalagyan ng ating bansa.” 

Nararapat lamang na ating panatilihin ang masidhing pagliyab ng apoy ng paninindigan, kasabay ng malawak na paglakbay sa mundong walang kawalan ng pag-asa. Iukit natin ang pangalan ng mga bayaning bitbit ang watawat sa kanang kamay at puso sa kabila sa lapida ng mapaminsalang sistema. Unti-unti, mababalik natin ang asul sa kalangitan— ang simbolo ng kapayapaan. Hanggang ngayon, ang ating kasaysayan ay patuloy pa ring sinusulat; gamitan man ito ng pluma na laging binubura ng iba, patuloy pa ring mananaig ang katotohan at pagdating ng araw, isisigaw natin ito hangga't marinig ito ng buong bayan.

Sanggunian: [1] Bantayog ng mga bayani. "The torture and death of Archimedes Trajano" http://www.bantayog.org/the-torture-and-death-of- archimedes-trajano/

[2] Cepeda, Cody. "44 years too long: The martial-law victims, ‘desaparecidos’ and the families left behind". https://businessmirror.com.ph/2016/09/16/44-years- too-long-the-martial-law-victims-desaparecidos-and-the- families-left-behind/

[3] ABS-CBN News. "1,993 'desaparecidos' since Marcos: human rights federation". https://news.abs- cbn.com/news/05/27/18/1993-desaparecidos-since-marcos- human-rights-federation Photo source (1): Leanne Jazul from Rappler  Photo source (2): Bullit Marquez from Philstar

[el-saloon-radio]

Se viene otro especial de El Saloon Radio de fin de semana. Ésta vez le rendiremos homenaje al recientemente desaparacido Justin Townes Earle. Lo haremos reproduciendo su octavo y último trabajo llamado "The Saint Of Lost Causes". Te esperamos el sábado y domingo a las 20 horas. Conducción César González. El Saloon Radio www.elsaloon.com / TuneIn / OnlineRadioBox / Radio.es/ Radios.com.uy. https://www.instagram.com/p/CEwnMe6HWJ6/?igshid=x8sg4p6mv8y

[idthellyeah-blog]

IDT "The Fest" Interview 2015

Being involved with The Fest was a wild time. I started going just to see bands and get out of Nebraska every year and eventually wound up making lots of friends and running a comedy stage. My friend Sarah (her favorite movie is The Love Guru) interviewed me before we were friends and I was wildly honored for it to be the guide book that year. Those years were awesome and this interview is a good reminder of how fun and cool punk rock is. Originally published in the guide book for The Fest in Gainesville, FL. October 2015)  

How did you become Tony’s comedy point-person? Did you & Tony just bond over pro wrestling? We only recently bonded over wrestling when I was telling him about being a manager for a wrestling stable here in Denver called The Denim Club.  I inherited the booking from Kyle Kinane, based off of him trusting me from shows I'd ran in Omaha and the Crom Comedy Festival.  Earning Tony's trust was huge because he is a festival wizard and someone I've always looked up to.  Being the person in charge of booking is great because it is awesome to create awesome shows, and shitty because hundreds of people get mad at me every year for not booking them on things. Do you have a longer history of Fest? The community? Had you been to Gainesville before? I have been coming down to Fest since Fest 4 off an on and considered it my one big vacation every year.  A lot of my favorite bands rarely or never came out to Omaha, so it was my chance to see Paint It Black or Iron Chic.  The first year that comedy was added I was in the audience watching Kinane and John-Michael Bond and it really inspired me.  Seeing comedians I loved performing at my favorite punk festival was so awesome, and I made it my goal to be involved the next year.  I love Gainesville and have so many awesome memories from Fest over the years that I can't imagine my life without it. Is there anyone in particular you’re excited to see perform this year? Pup.  Hands down. I love those dudes and they destroyed at Pre-Fest and Fest last year.  They were just in Denver at Riot Fest but I missed it so I'm on a mission to see them. I'm also really stoked to see Beach Slang, Lagwagon, The Gamits, Jeff Rosenstock, Elway, The Dirty Nil, Desaparacidos, and all of my comedy pals.  I'm an older dude so going to local shows always feels like I'm hanging out with a bunch of cool teens...Fest rules because there are other old dudes all over the place so I can still feel kind of young at heart and at least see other people getting sleepy during late shows.  When did you start Crom Fest? Think quick summary. (Also just wanted to add, sponsored by Yelp?! Dang. Big leagues, man.) We started Crom three years ago as a way to showcase how awesome the Omaha indie comedy scene was and as a way to unite all of the people we'd met from putting on shows and touring in places like Denver, Atlanta, and Los Angeles. (Yelp has local chapters in most cities..so it isn't as cool as it seems.  All of our sponsors were promotional sponsors, so Yelp just added us to their email newsletter that month.  We go broke every year and it rules) How has it changed/grown over the last few years? The first year was a gathering of friends and friends of friends.  The second year we stepped it up and tried to bring in some bigger comedians and added more shows and another night.  Last year we added Crom West in Denver the weekend after Omaha (which was nuts).  This year we are adding Atlanta (Crom South) for a total of three weekends in a row in three different time zones.  It is going to be wild.  This year we are also changing venues to the Slowdown which is owned by Saddle Creek Records, so I'm super stoked to have those dudes on board. We also are adding Lucha Libre & Laughs wrestling shows to each festival and are planning a Cannonball Run style "race" between Atlanta and Omaha with three teams of comics doing shows each night and filming the whole thing.  This is the year I hope we finally break even and maybe get more sponsors involved.  We've been extremely DIY about the whole thing and its mind boggling how much it has grown. Where do you see it going? Is there a goal or have you already reached it? I joke about building it up to the point where Crom becomes a less douchey Warped Tour but with comedy and pro wrestling.  That would be pretty huge.  Right now I'm just stoked about it getting bigger next year. How do you find comedians? Or do they seek you out? Is it a lot of watching mediocre YouTube videos? Initially it was just friends and friends of friends, all kinds of networking and knowing who the cool people in each scene were.  Last year was the first time we used submissions, which was kind of terrifying.  Adding a gatekeeper paradigm to our DIY festival felt weird, but it wound up exposing us to a ton of amazing comedians that we would have otherwise not known of.  Watching all of those videos to make selections was an ordeal that I'm not looking forward too again this year. Last year, you traveled over with a few of the comedians as a little bit of a tour to Fest. You’re doing that again this year, right? Do you enjoy touring? I love it!  Before getting in to stand up I was in a bunch of unsuccessful punk bands for a decade and got a little taste.  Touring as a comedian is so much easier.  No equipment, you can just use a normal car, no worrying about a group of other people...its the best.  This year I'm touring with two other Denver comics who will also be at Fest (and Pre-Fest) that starts in New Orleans at a comedy festival and goes all month until we do St. Augustine (a place I completely fell in love with on tour last year) after Fest.  Earlier this year, I watched “I Am Road Comic,” and about halfway through I thought “man, that’s just what bands do, why did this guy make a doc about it?” Has the world of comedy been changing lately, and I just never knew it? More accessible? More talent? Comedy definitely became more DIY and more punk rock in a lot of ways.  Instead of touring through little weird comedy clubs in the midwest comics are now setting up tours in music venues and dive bars.  It is way more accessible now than ever.  Instead of waiting and grinding your way up a comedy club's roster you can just go out and build whatever you want.  It is so incredibly similar to being in a band. There are so many cool scenes across the country that a lot of people don't know about like Minneapolis, Denver, Austin, New Orleans, Atlanta, Omaha, and so many more.  They can be hard to find for people who aren't "in the know" but that's what makes them so exciting and interesting.  Had I just been ignorant of this whole kind of “indie comedy” world? Yeah, but don't feel bad about it.  I had no idea there was anything outside of shitty club stand up until I heard Kyle Kinane's "Death of the Party" album.  Omaha only had one open mic in a town 40 minutes away before we started going nuts and trying to create a scene.  We also had the huge benefit of having allies in the music world who would help us with venues (the guys in Cursive own an amazing bar called O'Leaver's that is my home away from home) and encourage us because they saw that what we were trying to do was similar to them building up the indie scene in town.  Its all about community with anything I do and trying to be the best person I can and make things that are cool and diverse and fun.  The good news is that so many other scenes have people like me.  The same spirit that makes punk rock great definitely flows through comedy right now.  Do you have some podcast recommendations I should check out? What do you listen to? Dave Ross's podcast Terrified, Stone Cold Steve Austin's podcast, Superego (a crazy improvised character based podcast), These Things Matter (probably the best pop culture podcast ever), My Dining Room Table by Adam Cayton-Holland, and my podcast that I do with a pro wrestler Brian Keith Nelson (Xander Kreed) called The Dude Sweet podcast.  Those are the ones I listen to the most, I used to listen to more but only have time on long drives. Anything I left out that you want to add? Not really, this was great!  Thank you.  Hell yeah. (Sarah rules and you can follow her on Twitter @sarahbochat)

[capnmariam]

The “travel rules in play” posts here have desaparacidoed, but obstacles were met, circumnavigated, and (though I may have broken a toe kicking that hubcap in a quick fit of pique,) many miles have been walked and things seen to offset the distance gone for work purposes.

Well played with the street art, graffiti français.

[pacienciaras]

México inicia sistema de búsqueda de desaparecidos en marzo

A través de una conferencia realizada este lunes, el funcionario de la Secretaría del Gobierno de México, Alejandro Encinas, informó que para el mes de marzo se espera que el Sistema Nacional de Búqueda (SNB) se encuentre en funcionamiento, contando con el apoyo y la asesoría técnica brindada por la Oficina del Alto Comisionado de las Naciones Unidas para los Derechos Humanos (ONU-DH), la Cruz Roja Internacional, la Comisión Interamericana de Derechos Humanos (CIDH) y la Agencia de la ONU para los Refugiados (Acnur)...

[neatneatneatrecords]

Some cool, some rare 7" pieces that are hitting the floor right now! #desaparacidos #brighteyes #cursive #saddlecreek @saddlecreek @cursivetheband @conoroberst #neatneatneatrecords #fortwayne #7in #recordstoresarecool (at Neat Neat Neat Records and Music)

[thephotoregistry]

Desaparacidos, Buenos Aires, 1984

Mario Algaze

[heavyspliff]

all this terror and panic from people about dt like i get it but.....yall formin an echo chamber of death. we will resist whatever happens; i guess the opposition has to drum up some form of doomsday to mobilize like-minded folks. i can see this era getting bad though, and i have a premonition that bloodshed will come in the form of troublemakers and homeless people getting desaparacidoed. hopefully now the left in america will wake up to the idea that owning a firearm aint all that dum...

[buttrockfanfic]

Day 943, 1586:59, 2956-2962

2956. Cave In - Sacrifice Poles - Sonic explorations in darkness. Groovy but not my favorite of theirs. The acoustic in the last handful of tracks is a nice texture.

2957. Modest Mouse - Sad Sappy Sucker - Super rough, they make a lot of cool moves.

2958. The Saddest Landscape/Pianos Become the Teeth - split - Can’t really tell them apart but both tracks are pretty cool and fast.

2959. Desaparacidos - Saddle Creek 50 - “Poppin Off at the F” is pretty sick but until I wrote this I thought it was Titus Andronicus.

2960. The Caution Children - Safe Crusades / No Judgements / And Baby - A hidden gem of Flannel Gurl Records’s discography. Jams like Recitation-era Envy, all bright and fuzzy.

2961. Ice Nine Kills - Safe Is Just A Shadow - INK was one of my favorite metalcore bands but between The Burning and this record their best writer/lyricist left and they never made up for it. They (mostly Spencer) really bought into their own hype, crowdsourcing song titles and stuff like they were a national headliner. Safe was and still is mostly a letdown with some great moments. The lyrics are garbage and they force choruses into every song despite not flowing that well. There are some standout guitar lines if you can get past the vocals but that’s a big ask.

2962. The Appleseed Cast - Sagarmatha - Verbed-out emo, they really pick a thing and run with it.

[smivic]

The War Upon Us

What’s that sound? Fingernails on a chalkboard,  scraping, waves of insulting, bullying, attacking, fabulosity, promising, lying, threatening, trashing language, wild corruption and churlish catcalls for “civility”, all it mob bossy. 

The scraping continues, at his new round of rallies, Him screeching about Himself, desperately demanding adoration; in his mind seeing images, newly hung in our White House, of the cruelest of dictators, staring adoringly at the images, ogling the cruelty, craving the power; the Mob Boss of the cult, the Supreme Leader.

His redhat cult stands at attention, needing to blame someone, manipulated, following orders, attacking some “them” based on ginned-up hate and His whim, ready for War, wreaking havoc on decency, humanity, democracy, America.

His minister of War delivers a prayer, then shuffles out, judged insane by the sane: 

“O Lord our God, help us tear their soldiers to bloody shreds with our shells…help us to turn them out roofless with their little children to wander unfriended in the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames in summer and the icy winds of winter, broken in spirit, worn with travail, imploring thee for the refuge of the grave and denied it.” (As reported by Mark Twain)

Meanwhile, on our southern border we see Him follow the classic script of demagogues and authoritarians (Putin, Chavez): invent a crisis, the “border”, and an enemy, people of color, dehumanize them, recruit cultists to ”rough ‘em up”, kidnap and brutalize the children, the Desaparacido, pawns in His cruel War, “family separation” as a “deterrent”. All this while attacking the courts, the media, the Congress, the Rule of Law. 

Welcome to latest Trumpian War Zone, where a raging need for power and plunder through cruelty is supreme, where America is tromped. 

When the green-shirt-dark-sunglass ogres steal the children of the (“breeder”, “infestation”, “invader”) people, are we looking away?

Divide and conquer; no one is safe.

Will it stop at the “border”?

When they come for the rest of us, will anyone look our way?

Silence will not save us. 

We, the majority, must save us.

We must look everywhere, then act. We must believe in the importance of truth and of moral and ethical leadership. We must believe in the Constitution and the Rule of Law. We must believe in the importance of immigrants and native-born, and must honor our immigrant heritage. We must fix the damage, the betrayal.

This is now a War.

He and the War Criminals, must lose.