#DemiánBichir

[teragames]

ViX y Movistar Plus+ lanzarán serie de suspenso que protagoniza el mexicano Demián Bichir

La plataforma @ViX anunció que graba una nueva serie de suspense protagonizada por el mexicano @DemiánBichir, nominado al Óscar como mejor actor de reparto, que lleva como nombre provisional "El dentista" y está coproducida con @MovistarPlus.

Agencias, Ciudad de México.- La plataforma ViX anunció que graba una nueva serie de suspense protagonizada por el mexicano Demián Bichir, nominado al Óscar como mejor actor de reparto, que lleva como nombre provisional “El dentista” y está coproducida con Movistar Plus+. La serie, basada en la novela “El visitante extranjero” del chileno Julio Rojas, también estará protagonizada por Camila Sodi y…

[doomonfilm]

Thoughts : Land (2021)

We need to take a minute and talk about Robin Wright.  With almost 40 years of acting experience under her belt, one would think that she would be a celebrated and award-adorned individual, but outside of her numerous Emmy wins for House of Cards, she has surprisingly received very little recognition during awards season.  We’re talking about a career that includes The Princess Bride, Toys, Forrest Gump, Unbreakable, Nine Lives, Moneyball, The Congress, Blade Runner 2049 and so much more, and yet, when the Golden Globes or the Oscars roll around, her name is not called.  That may change soon, however, as Land, her most recent film, not only finds her in the starring role, but also finds her in the director’s chair for the first time, making this the kind of project that raises attention.

Robin Wright has always been an immense talent, so it makes sense that her directorial debut would look and feel like the work of a seasoned veteran with a clear vision.  Wright wisely takes a story with a relatively simple framework and premise that has plenty of room for introspective moments and character-based drama, the second half of which is the Robin Wright wheelhouse, and she works it for all that it is worth, and in turn, creates an impressive piece of work that will likely garner her some award buzz on both the acting and production sides.  The film is a very patient one in the way that it doles out information while still leaving room for retrospective inference, such as the way we question Edee’s hesitancy to use a weapon at the cost of starvation, only to learn later just how deep that particular line of emotion and rationality pierces Edee’s soul.  The film expertly deals with both the dark and light aspects of how Edee attempts to run away from her past, and through giving the self to the process, is able to find some sort of peace and personal evolution.

Perhaps the most interesting aspect of Land is the way that it asks some deeply philosophical questions about life, existence and nature.  Though not explicitly stated, Edee’s disconnection from society is indicated to be a personal choice to end her life by succumbing to forces of nature.  While nature is extremely tough on her, the happenstance aspect of her cabin being in Miguel’s hunting path ends up being the thing that saves her life, both literally and philosophically.  Through Miguel and Alawa’s kind and selfless actions, not to mention their choice to respect Edee’s wishes to keep her business personal, nature is positioned as inherently kind, selfless and ultimately pro-survival.  Through this natural insistence and persistence, Edee is transformed from a traumatized victim looking for escape into a functional loner reconnecting with herself and her understanding of what life is.  Though Miguel is present as a source of assistance and education, he is not presented as Edee’s saving grace or Prince Charming, which allows Edee (and in turn, Robin Wright) to empower and express herself in both the journey of the character and Wright as a first time director.   

Wyoming is shown in all of its natural glory, both in its warm greens, browns and blues of the Spring and its harsh, unforgiving snow-covered Winter, not to mention some beautiful twilight and magic hour moments of the Sun setting over the horizon line.  The mixture of symphonic score with bluegrass-based elements like banjo, fiddle and guitar helps capture both the grandness of the setting and the extremely deep personal nature of the story, serving as a bridge between it all that helps us immerse and put ourselves into Edee’s journey emotionally.  The camerawork helps with this emotional osmosis, often placing us either directly over Edee’s shoulder or in the position of a loved one casually observing her, with the exception of the dramatic overhead shots during her times of distress and the fabulous second unit location photography.  The amount and array of wildlife captured on camera is also a testament to the natural beauty of Wyoming, with bears, deer, elk, coyotes, wolves and more all finding moments to make appearances.  

Robin Wright is certainly an actor’s actor, and she digs deep into her bag of tricks to carry the majority of the film in isolation, meaning that all of the pain, regret, fear, sadness and eventual personal pride she internalizes is all communicated through her eyes and facial expressions.  When Demián Bichir enters the picture, he and Wright are given the opportunity to delve into dramatic wells of personal regret and hurt, with each using their character’s family drama as a way to connect before eventually moving on to connecting on a primal level through the art of sharing survival skills.  Sarah Dawn Pledge is a kind but firm presence, continuing the thread of natural kindness while still allowing room for human inquiry and doubt to be present.  Appearances by Kim Dickens, Brad Leland and a small handful of others round out the intimate cast.     

I’ll be looking forward to seeing if Robin Wright gets the props she rightfully deserves this upcoming February, but with the history of shining talents being overlooked, not to mention the lack of stability in the industry at the moment, it wouldn’t be a surprise to me if the ball of recognition got dropped.  That being said, if you have HBOMax and 90 free minutes, and you don’t mind a direct shot to the feels, you should go ahead and give Land your time and attention.

[cinemaleumas]

Godzilla Vs Kong 🐲🆚🦍 (Review/Opinión) https://youtu.be/ry4umTP47jE ¡Llega a HBO Max la batalla de titanes más épica del año! 💥 #AlexanderSkarsgård #MillieBobbyBrown, #EizaGonzález #KyleChandler #JulianDennison #RebeccaHall #DemiánBichir #AdamWingard #HBOMax #Godzilla #Kong #KingKong #Legendary #WarnerMedia #WarnerBros #Warner (en Hong Kong) https://www.instagram.com/p/CRala3IlNPI/?utm_medium=tumblr

[netflixcenter]

🎬 The Midnight Sky [TRAILER] Coming to Netflix December 23, 2020 FULL POST: 🔗 https://netflixcenter.com/the-midnight-sky-netflix-trailer/ Original Netflix Sci-Fi / Drama Film... The Midnight Sky   Our humanity always endures. This post-apocalyptic tale follows Augustine (George Clooney), a lonely scientist in the Arctic, as he races to stop Sully (Felicity Jones) and her fellow astronauts from returning home to Earth, where a mysterious global catastrophe has taken pla...

[fernandorabell]

Hace justo un año estaba en la Cátedra Actoral con Demián Bichir en el Guanajuato International Film Festival. #GIFF #MásCinePorFavor #Cine #Querétaro #Guanajuato #DemiánBichir #Bichir #FernandoRabell #SoyActor #LaVidaDelActor #Teatro #Reconocimiento

[frogdeals-blog]

#Lowriders A teenage graffiti artist (Gabriel Chavarria) paints murals on the hoods of lowrider cars to help his older brother (Theo Rossi) win an upcoming competition. Starring #DemiánBichir, #GabrielChavarria, #TheoRossi, #MelissaBenoist, #TonyRevolori, #EvaLongoria #Frogdeals offers #cinema tickets and concessions at discounted prices to #movie #lovers. So why not sign up now, and win some cinema tickets! www.frogdeals.co.uk #Frogsters #cinema #Movies #film #enjoyment #theatre

[futurepreviews]

Cast interviews from world premiere #AlienCovenant [link in bio] #FuturePreviews . . . . #MichaelFassbender #KatherineWaterston #BillyCrudup #DannyMcBride #DemiánBichir #JussieSmollett #alien #aliens #alienmovie #alienfilm #actor #actors #actorslife #actorslifestyle #actorslifestyle🎬 #actress #actresses #actresslifestyle #actresslife #actresslife🎥 #movietrailer #movies #movietrailers #moviefan #moviefans

[thehipsterzombiejointexperience]

#Repost @alexvaldez1992 ・・・ #GodzillavsKong New Cast! #Repost @cinematicsource #godzilla #kingkong #godzillavskingkong #alexanderskarsgard #milliebobbybrown #danaigurira #briantyreehenry #eizagonzalez #ziyizhang #shunoguri #jessicahenwick #rebeccahall #zhangziyi #kylechandler #juliandennison #demiánbichir #scifi #monstermovies #actionmovies #adventure #movienews #film #godzillakingofthemonsters #kingofthemonsters #kongskullisland #monsterverse https://www.instagram.com/p/BqTHvtyjlR_/?utm_source=ig_tumblr_share&igshid=riw011bmftfz

[doomonfilm]

Review : Chaos Walking (2021)

It seems that two types of films emerged from the depths created for the entertainment industry by COVID-19.  The first were the films too big to release in the midst of a pandemic : movies like Black Widow, A Quiet Place II and No Time To Die already had promotional campaigns in place prior to theaters and studios grinding to a halt.  The second type of film, however, were the notorious properties studios had wrapped production on but were afraid to pull the trigger on.  Previously, I covered one of these films in the form of The Woman in the Window, and I found that not knowing about the film’s rocky path towards release helped me enjoy it on its own merits.  This is what built my fascination for Chaos Walking, a film that took nearly a decade to release and another couple to see the light of day.

There are some good ideas going on in this film.  For starters, the premise of the noise is definitely one that works in narrative form, but with the old adage of film being “show, don’t tell”, translating this concept to a visual medium is already an uphill battle.  There is quite a bit of inconsistency in how this device is used… not so much from person to person, as it is explained numerous times that some men are better at hiding their noise than others (a nod to how well some men swallow their trauma rather than address it), but mostly in the portrayal of Todd, our protagonist, who is prone to fits of random explicit language in his normal processing, but completely silent in a life or death fight, where I feel the noise would be savagely overwhelming and distracting.  The noise works the best as a tool for examining the patriarchal framework, be it David Prentiss and his fatherhood figurehead status backed with ideals, Todd and his toxic disillusionment in regards to what makes a man, or perhaps most tragically, in the form of Aaron, a supposed man of faith filled with a rage caused by his maniacal obsession with the possible demonic origins of his noise.  Maybe the analogy is a bit heavy-handed, especially when held in comparison to the women, whose silence seems to imply either a devious nature or a lesser prowess in terms of whatever symbol of thought the noise portrays, but with the film acting as a hopeful entry point for a supposed trilogy, one can hope and/or assume that this dynamic would be flipped in terms of examination eventually.

Where the film really falters, however, is in the number of elements it tries to hang importance upon, as the imbalance comes off as distractions in the bigger picture.  Perhaps the biggest of these unnecessary elements is the entire idea of the new planet and the unfulfilled threat that is the Spackle.  Like some sort of antagonist straw man, the Spackle are presented as a genocidal threat, positioned as a possible moral dilemma via their existence at the same time a hint of their ability to be a threat is shown, but in the end, they have such little impact on the story that the film may as well take place on a post-apocalyptic Earth.  If anything, having Viola arrive via a spacecraft is redundant, like bringing sand to a beach (even if she is a woman)... perhaps she could have been a humanoid alien, or an alien mimicking humans, especially in light of the fact that isolated colonies with completely different political and social structures exist in this world.  The number of conflicts that exist in the film work for a long form story, but come off as a bit convoluted, with Todd’s mother and father’s past, the dark history of Prentisstown, the inherent conflict from the community of Farbranch and even the Spackle all deserving more time and focus in a non-shared capacity.  The community of Prentisstown was also a bit too populated for a community full of men, and would have been better served to be David Prentiss, his son, a handful of faithful followers and Todd, the reluctant adopted son of someone surviving on the outskirts of the community.

The special effect meant to symbolize the noise worked very well all things considered, thought the logic of people being able to project multiple objects that will physically impede another individual is a bit far-reaching, especially when the average visual is a small multi-colored haze.  For small-scale action, the sequences do add a boost of energy into the somewhat monotonous story arc, with the overarching narrative really only consisting of 2 or 3 significant beats.  The special effects used to create the environments are able to simulate believable worlds that mirror aspects of Earth, but with an overrun or uncharted feel being the dominant environmental presence, mostly to a great effect.  The tower set and the downed spaceship near the end of the film in particular serve as two very memorable locations in terms of their aesthetic quality and utility in terms of progressing the narrative.  The worst part of the disarming production design for the Spackle was that it was underused.  The writing is ok, with a few good ideas present, but it is 100% elevated by the cast.

Tom Holland has the troubled youth role on lock these days, with Chaos Walking continuing to show his range in terms of teenage angst, uncertainty and fear about supposed accepted illustrations of manhood.  Daisy Ridley does find herself being used mostly in a modified “damsel in distress” capacity, leading to most of her important story beats serving as reactionary to Holland’s characterization of Todd... perhaps she was to have more to do in the following films, but likely, these films will not be made, leaving her character the most underdeveloped of the film.  Mads Mikkelsen brings a heightened sense of dignity meant to mask a troubled and deeply regretful leader who has bought too far into his own lie to face the truth.  Nick Jonas, though entertaining in his oafishness and bruteness, also falls a bit into the one-note category.  David Oyelowo brings the most personal tension to the table of all the characters, with his faith working in tandem with his fear to tear his soul and psyche apart.  Kurt Sutter and Demián Bichir play the adoptive fathers to the Todd character, with Bichir especially getting moments to shine in terms of showing parental unconditional love and compassion.  Cynthia Erivo turns in a brief but powerful performance as the antithesis to the Prentiss presentation of women, while Ray McKinnon, Bethany Anne Lind, Harrison Osterfield and others round out the remaining cast.

While Chaos Walking isn’t the disaster that the masses are chalking it up to be, it is a movie with obvious flaws that, unfortunately, will not likely get a chance to redeem itself via sequels.  With a wealth of dystopian YA films already out on the market that have explored the complete spectrum of teenage issues, Chaos Walking doesn’t bring enough new to the table to stand out from the crowd, and if not for a stellar cast, it would likely be as forgettable in theory as it is mocked in reality.  Seeing that I went into the viewing expecting bad, I can say that I actually enjoyed my watch, but I couldn’t honestly tell you if or when I would revisit this film.

[gcastillor]

#undíacomohoy nace: Demián Bichir, nacido en Torreón, Coahuila, México, el 1 de agosto de 1963, es un actor mexicano de cine y televisión. En 2012, se convirtió en el segundo actor mexicano en ser nominado al Óscar a Mejor actor por su interpretación en A better life. #demianbichirnájera #demiánbichir #actor #cine #televisión #nació1agosto1963 #felizcumpleaños🎉🎈🎁🎂 #GcastilloR

[bbottone]

Today's choice: "Alien: Covenant". #HollywoodCiak #Alien #Covenant #AlienCovenant #RidleyScott #MichaelFassbender #KatherineWaterston #BillyCrudup #DannyMcBride #DemiánBichir #CarmenEjogo #Prometheus #sequel #todayschoice #followme

[collectorscoalition-blog]

Bean is praising his alien gods. #collectorscoalition #movies #podcast #midnightrelease #aliencovenant #ridleyscott #michaelfassbender #katherinewaterston #billycrudup #dannymcbride #carmenejogo #demiánbichir #20thcenturyfox (at Cinemark Palace 20)

[amosartstudio]

@sefijaonline #Lowriders in theaters May 12. Starring #DemiánBichir #EvaLongoria #TheoRossi #GabrielChavarria #MelissaBenoist #TonyRevolori and directed by #RicardodeMontreal. #SeFijaOnline #LatinoHollywood #LatinoFilms #amosart #Familia #family (at Wilshire Screening Room)

[jamieroxx]

Happy Birthday. Today, Aug 1, 1963 – Demián Bichir, Mexican-American actor and producer was born. (https://en.wikipedia.org/wiki/Demi%C3%A1n_Bichir) #DemiánBichir

[jamest541975]

HALLOWEEN-A-THON 2021 Video 68: ALIEN #halloweenathon #halloweenathon2021 #alien #alienmovie #ellenripley #sigourneyweaver #kane #johnhurt #ash #ianholm #lambert #veronicacartwright #parker #yaphetkotto #dallas #tomskerritt #brett #harrydeanstanton #katherinewaterston #bolajibadejo #helenhorton #dannymcbride #billycrudup #carmenejogo #demiánbichir #jussiesmollett #nathanieldean https://www.instagram.com/p/CTa-nAqFPOO/?utm_medium=tumblr

[rukeme5e6]

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A dystopian world where there are no women and all living creatures can hear each other’s thoughts in a stream of images, words, and sounds called Noise. Director: Doug Liman Writers: Patrick Ness (screenplay by), Christopher Ford (screenplay by) Stars: Tom Holland, Mads Mikkelsen, Daisy Ridley

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There are coins and seals and lots of jibber jabber about High Table manners and then “Game of Thrones” star Jerome Flynn shows up as a Bronn-like business type who’s a bit too greedy for his own good (it’s hard to tell what accent Flynn is doing here, but he’s most definitely doing it). When the bullets fly, Sofia’s very Chaos Walking lend a valuable assist, and Stahelski has to open things up in order to frame the dogs as they chew on fresh corpses. The sequence is very “John Wick” and horribly terrific in a hand-over-your-mouth kind of way; it does more than any of the tossed-off business with the Bowery King (Laurence Fishburn) or the Continental Hotel owner (Ian McShane) to whet our appetites for another adventure. Anjelica Huston is also somewhat wasted as the matriarch of a Harlem ballet academy with ties to Wick’s past, but her scenes are so immaculately shot that you’re willing to let it slide.

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