#Deep Sehgal

[ilyricshub]

Vailpuna Lyrics - Jordan Sandhu | From Je Jatt Vigarh Gaya

Vailpuna Lyrics - Jordan Sandhu | From Je Jatt Vigarh Gaya #Vailpuna #JordanSandhu #PunjabiMusic #JayyRandhawa #DeepSehgal #Preeta #DesiCrew #JeJattVigarhGaya

[entertainmentyomovies]

Pune Highway — A Gripping Tale of Survival, Suspense, and Secrets

Pune Highway (2024) brings to life an intense psychological thriller that blurs the line between friendship and fear, survival and suspicion. This film, adapted from the acclaimed stage play of the same name by Rahul da Cunha, unfolds in real-time and keeps you at the edge of your seat. It brilliantly captures how trauma, truth, and tension collide during one fateful night on the Pune Highway.

With a gripping script, strong performances, and atmospheric direction, Pune Highway stands out as one of the most engaging thrillers of the year.

The Storyline of Pune Highway

Set over the course of a single night, Pune Highway tells the story of three friends — each carrying emotional baggage — who are unexpectedly thrust into a dangerous situation. After the brutal murder of a close friend, the trio finds themselves stranded in a rundown hotel room on the Pune Highway. What follows is a gripping chain of events that tests their bond, uncovers secrets, and forces them to confront both external threats and internal fears.

The story progresses in real-time, adding a layer of urgency. As suspicion rises and paranoia takes hold, viewers are pulled into the dark psychological labyrinth where no one is truly safe, and nothing is quite what it seems.

Cast and Crew

Directed by Bugs Bhargava Krishna Known for his sharp storytelling, Bugs Bhargava Krishna handles Pune Highway with cinematic flair, staying true to the play’s original intensity while adapting it effectively for the screen.

Star Cast:

Suhail Nayyar

Sonal Sehgal

Kritika Kamra

Abhishek Chauhan

Ritwik Bhowmik

Each cast member delivers a performance rich in emotion and realism. The chemistry between the characters, coupled with the isolation of the setting, amplifies the tension at every turn.

A Cinematic Adaptation That Holds Up

Translating a stage play into a full-length feature can be challenging, but Pune Highway achieves it with precision. The film retains the claustrophobic energy of the original while making smart cinematic choices — tight close-ups, moody lighting, and confined spaces that evoke unease.

The direction doesn’t rely on jump scares or action-packed chases. Instead, it leans on psychological suspense and unpredictable character dynamics. This makes Pune Highway more engaging for viewers who prefer thrillers rooted in realism.

Themes that Hit Hard

Pune Highway explores a variety of hard-hitting themes:

Trust vs. Betrayal: The foundation of friendships is shaken as secrets come to light.

Guilt and Grief: The characters are forced to process traumatic memories amidst chaos.

Survival Instincts: What will a person do when cornered — fight, flee, or betray?

Through clever writing and layered performances, the movie turns a simple overnight stay into a deep psychological experience. The Pune Highway becomes more than just a road — it’s a metaphor for the characters’ uncertain emotional journey.

A Thriller with a Unique Setting

Set largely in a dilapidated hotel room, the film builds tension with its minimalist setting. The closed-door environment reflects the psychological pressure mounting inside each character. The Pune Highway outside serves as both an escape route and a looming threat, adding to the film’s suspenseful atmosphere.

Sound design and lighting play a crucial role. Flickering lights, distant sounds of vehicles, and sudden silences keep the audience as unsettled as the characters.

Performance-Driven Drama

Pune Highway thrives on its performances. Suhail Nayyar portrays anxiety and desperation with remarkable depth. Kritika Kamra and Ritwik Bhowmik add layers of emotional complexity, showing how trauma and mistrust eat away at old friendships.

Rather than rely on over-the-top action, the film focuses on expression, silence, and confrontation. These choices elevate Pune Highway into a thinking man’s thriller.

Audience Response

Since its release, Pune Highway has received appreciation from fans of character-driven thrillers. It’s been praised for staying away from clichés and offering a more mature, emotionally intense narrative. For viewers who enjoy edge-of-your-seat suspense backed by intelligent writing, this film is a must-watch.

Watch Pune Highway Online on YoMovies

Looking to stream Pune Highway in HD without ads or subscriptions? Visit YoMovies now and dive into this gripping thriller that masterfully blends suspense, emotion, and cinematic excellence. Don’t miss out on Pune Highway and more edge-of-your-seat dramas — only on YoMovies.

Source URL:- Pune Highway — A Gripping Tale of Survival, Suspense, and Secrets

[dmtrecordspvtltd]

The Evolution of Bollywood Music – A Journey Through Time

Music is an integral part of Indian culture, and Bollywood has played a significant role in shaping the country’s musical landscape. Over the decades, Bollywood music has evolved, reflecting social changes, technological advancements, and global influences. From the soulful melodies of the golden era to the high-energy tracks of the modern digital age, Bollywood music continues to capture hearts across generations. Today, trending songs in India feature a diverse range of sounds, blending traditional Indian instruments with contemporary beats.

The Golden Era of Bollywood Music (1950s–1980s)

The golden era of Bollywood music was marked by timeless melodies and classical influences. The 1950s and 1960s were dominated by legendary playback singers like Lata Mangeshkar, Kishore Kumar, Mohammed Rafi, and Mukesh, who delivered some of the most iconic songs in Indian cinema. Music composers such as S.D. Burman, R.D. Burman, Naushad, and Madan Mohan created masterpieces that are still revered today. The orchestration was largely inspired by Indian classical music, with sitars, tablas, and harmoniums playing a significant role in compositions.

During this time, songs carried deep emotions and poetic lyrics, often penned by great lyricists like Sahir Ludhianvi, Shailendra, and Anand Bakshi. Tracks like "Pyaar Hua Ikraar Hua," "Ajeeb Dastan Hai Yeh," and "Mere Sapno Ki Rani" became household favorites and are still frequently played on radio stations and streaming platforms.

The Disco and Bollywood Pop Era (1980s–1990s)

As Bollywood entered the 1980s, there was a significant shift in music style. The influence of Western music, particularly disco and rock, started to emerge. The rise of Bappi Lahiri and R.D. Burman brought a fresh wave of electronic beats, disco-inspired songs, and peppy dance numbers. The late 1980s saw the entry of Kumar Sanu, Udit Narayan, and Alka Yagnik, who became the voices of the next generation.

The 1990s became a defining era for Bollywood music, with a blend of melodious romantic numbers, energetic dance tracks, and soulful ghazals. The emergence of A.R. Rahman changed the industry forever. His fusion of Indian classical music with international sounds set a new benchmark for Bollywood music. Songs from movies like "Dil Se," "Taal," and "Roja" showcased his ability to blend traditional instruments with modern electronic beats.

This period also saw the growth of Bollywood pop, with independent artists gaining popularity alongside film music. Singers like Alisha Chinai, Baba Sehgal, and Lucky Ali carved their niche in the industry. Pop albums became a rage, with songs like "Made in India" and "O Sanam" receiving massive love from audiences.

The Digital Revolution and Bollywood's Musical Shift (2000s–2010s)

The early 2000s witnessed the increasing dominance of playback singers like Sonu Nigam, Shaan, Shreya Ghoshal, and Sunidhi Chauhan. Music composers such as Vishal-Shekhar, Pritam, and Shankar-Ehsaan-Loy brought a contemporary twist to Bollywood soundtracks, experimenting with rock, R&B, and hip-hop influences.

With the digital revolution, the way people consumed music changed drastically. The rise of MP3 players, online streaming platforms, and YouTube altered the music distribution system. Songs no longer depended solely on radio and television for promotion; they could now reach global audiences instantly.

Bollywood also embraced the trend of remixing old classics, bringing them back into mainstream culture with modern beats and electronic elements. While some remixes received appreciation, purists criticized them for diluting the originality of the classics. Nevertheless, remixes became an inseparable part of Bollywood music.

The Social Media Era and Independent Music Boom (2010s–Present)

Today, Bollywood music is heavily influenced by social media platforms like Instagram, YouTube, and TikTok. Viral trends and dance challenges dictate what becomes popular, often leading to non-Bollywood songs achieving mainstream success. Independent artists are now competing with Bollywood playback singers, thanks to digital music platforms like Spotify, JioSaavn, and Apple Music.

Trending songs in India now include a mix of Bollywood film tracks, independent music, and international collaborations. The audience is more open to diverse sounds, from Punjabi beats and lo-fi music to rap and electronic dance music (EDM).

Another significant trend is the rise of regional music in Bollywood. Punjabi, Marathi, and Tamil music influences have seamlessly blended into mainstream Hindi cinema, giving Bollywood soundtracks a fresh and vibrant appeal. Artists like Diljit Dosanjh, Badshah, and Guru Randhawa have successfully bridged the gap between regional and Bollywood music.

The Future of Bollywood Music

With the rapid advancement of technology and the growing dominance of artificial intelligence (AI)-driven music recommendations, the future of Bollywood music is unpredictable yet promising. AI-generated compositions and virtual artists could become the next big thing in the music industry. At the same time, the demand for raw, meaningful music remains strong, ensuring that timeless melodies will always have their place.

Related Articles:

For further reading, explore these related articles:

Celebrating the Beautiful Bond: Best Brother and Sister Songs

The Best Rappers of All Time: Celebrating Legends Who Changed Hip-Hop Forever

Best Girl Songs – Music That Inspires, Celebrates, and Brings Joy

Female Rappers: Breaking Barriers and Inspiring the World

For additional resources on music marketing and distribution, visit DMT Records Private Limited.

[sehgalkamal]

Kamal Sehgal: A Visionary Leader and Influential Thinker

Kamal Sehgal is a name synonymous with innovation, leadership, and excellence. With a multifaceted career spanning various industries, Kamal Sehgal has emerged as a dynamic individual known for driving impactful changes and inspiring others. Through a unique blend of strategic insight and a commitment to continuous learning, Kamal Sehgal has become a beacon of inspiration and a role model for aspiring professionals.

The Journey of Kamal Sehgal

The journey of Kamal Sehgal is marked by determination, resilience, and a quest for knowledge. From humble beginnings to becoming a recognized figure in multiple domains, Kamal Sehgal's story is a testament to the power of hard work and a visionary mindset. This journey is not just about personal success but also about empowering others to achieve their goals.

Professional Achievements

Kamal Sehgal has consistently demonstrated exceptional leadership and innovation in various fields. Known for strategic thinking and the ability to execute complex projects, Kamal Sehgal has been instrumental in driving success. Key highlights include:

Leadership Excellence: Kamal Sehgal has taken on leadership roles, steering teams toward achieving organizational goals while fostering a culture of collaboration.

Innovation and Strategy: By staying ahead of market trends and embracing cutting-edge technologies, Kamal Sehgal has implemented transformative solutions that yield long-term benefits.

Mentorship and Growth: Kamal Sehgal has actively mentored young professionals, providing guidance and fostering growth in the next generation of leaders.

The Core Values of Kamal Sehgal

Kamal Sehgal’s journey is guided by a set of unwavering core values that form the foundation of every endeavor:

Integrity: A commitment to ethical practices and transparency in all actions.

Excellence: Striving for the highest standards of quality and performance.

Empathy: A genuine focus on understanding and supporting the needs of others.

Innovation: Continually seeking new and better ways to solve problems and create value.

Beyond Professional Success

While Kamal Sehgal is celebrated for professional accomplishments, the impact goes far beyond business. Engaging in philanthropic activities and community service, Kamal Sehgal demonstrates a deep commitment to societal development. From supporting education initiatives to promoting sustainability, Kamal Sehgal is actively involved in creating a positive and lasting impact.

Inspiring Change Through Vision

One of the most remarkable aspects of Kamal Sehgal’s career is the ability to inspire change. By addressing challenges with innovative solutions and fostering an environment of collaboration, Kamal Sehgal has built a legacy of transformative impact. This vision extends to mentoring young talent and encouraging them to think beyond conventional boundaries.

Key Attributes That Define Kamal Sehgal

Several attributes make Kamal Sehgal a standout leader and innovator:

Adaptability: Thriving in dynamic environments and turning challenges into opportunities.

Proactive Thinking: Anticipating trends and preparing for the future with well-thought-out strategies.

Strong Communication: Building meaningful connections and effectively conveying ideas to drive action.

A Vision for the Future

Kamal Sehgal envisions a future where innovation and collaboration drive sustainable growth. By leveraging expertise and fostering partnerships, Kamal Sehgal is dedicated to creating solutions that benefit both businesses and communities. This forward-thinking approach positions Kamal Sehgal as a thought leader who consistently strives for progress.

The Legacy of Kamal Sehgal

The journey of Kamal Sehgal is not just about personal achievements but about building a legacy that inspires others. From leading successful projects to contributing to societal welfare, Kamal Sehgal embodies the spirit of a visionary leader who believes in the power of collective success.

Why Kamal Sehgal Stands Out

In a world filled with challenges, Kamal Sehgal stands out as a problem-solver and a beacon of hope. By combining strategic insight with a genuine commitment to making a difference, Kamal Sehgal has earned respect and admiration from peers, colleagues, and the broader community.

Conclusion

Kamal Sehgal’s story is a powerful reminder of what can be achieved with dedication, innovation, and a clear vision. As a leader, mentor, and changemaker, Kamal Sehgal continues to inspire others to dream big and work toward achieving their full potential.

The journey of Kamal Sehgal is far from over. With a focus on driving meaningful change and fostering growth, Kamal Sehgal remains committed to shaping a better future for individuals, organizations, and society at large.

[fastestrank]

OYO alumni have gone on to launch over 50 startups!!

here is a list of some notable startups founded by OYO alumni: - Zolostays: Founded by Abhishek Kumar and Sandeep Saxena, Zolostays is a hospitality platform that provides managed housing solutions for students and young professionals. - Nestaway: Founded by Amitava Saha and Smruti Juneja, Nestaway is a furniture rental startup offering managed housing solutions. - Stanza Living: Founded by Anindya Dutta and Vineet Kumar, Stanza Living is a student housing startup that provides fully furnished apartments with amenities like housekeeping and laundry services. - OYO Life: Founded by Ritesh Agarwal, OYO Life is a co-living startup that provides shared living spaces for young professionals. - Revv: Founded by Kunal Kumar and Karan Jain, Revv is a car rental startup that offers self-drive car rentals in multiple cities in India. - Ola Electric: Founded by Bhavish Aggarwal, Ola Electric is an electric vehicle company that manufactures and sells electric scooters and is working on developing electric cars. - Urban Company: Founded by Abhiraj Bhal, Raghav Chandra, and Varun Khaitan, Urban Company is a home services platform that provides services like cleaning, plumbing, and pest control. - MyGlamm: Founded by Darpan Sanghvi, Priyanka Gill, and Sanjaya Sehgal, MyGlamm is a beauty brand that sells cosmetics and personal care products online and through its stores. - Pepperfry: Founded by Ambareesh Murthy and Ashish Shah, Pepperfry is an online furniture and home decor marketplace. - Policybazaar: Founded by Yashish Dahiya and Alok Bansal, Policybazaar is an online insurance marketplace that allows users to compare and buy insurance policies.

launch over 50 startups!! This is just a small sample of the many startups that OYO alumni have founded. Many other successful ventures are out there, and the list continues to grow.

What could be the reason that OYO alumni have gone on to launch over 50 startups!!

There are several possible reasons why OYO alumni have launched over 50 startups: Exposure and experience: Working at OYO, a high-growth startup, would have exposed its employees to various aspects of running a business, from product development and marketing to fundraising and operations. This firsthand experience could equip them with the skills and knowledge needed to launch their ventures. Network and support: OYO has built a strong network of investors, mentors, and partners. Alumni might leverage these connections to secure funding, advice, and support for their startups. Additionally, the alumni network itself could serve as a valuable source of collaboration and support. Entrepreneurial culture: OYO's fast-paced, dynamic environment might have fostered an entrepreneurial spirit among its employees. They might have been encouraged to take risks, innovate, and think outside the box, qualities that are crucial for entrepreneurs. Industry understanding: Many OYO alumni launch startups within the hospitality or related industries. Their experience at OYO would have given them a deep understanding of the market, its challenges, and opportunities, which could be valuable assets for their businesses. Financial incentives: OYO offered ESOPs (Employee Stock Ownership Plans) to its employees, which could have provided them with financial resources to start their ventures upon leaving the company. Market opportunity: The Indian startup ecosystem is booming, with increasing access to funding and support. This favorable environment could make launching a startup more attractive to OYO alumni. It's important to note that these are just some potential reasons, and the specific motivations of each OYO alumnus who launched a startup would vary. Here are some additional points to consider: - The number of startups launched by OYO alumni is impressive, but it's worth noting that not all of them will be successful. - Launching a startup is a risky endeavor, and many factors contribute to success or failure. - While OYO's experience may have played a role in the success of some alumni startups, it's not the only factor. Overall, the high number of startups launched by OYO alumni is a testament to the company's impact on its employees and the broader Indian startup ecosystem. Read the full article

[kamalsehgalaus]

Just How a Realty Agent can make a difference in your Australian Home Journey

The Australian property market is a dynamic as well as affordable landscape, where purchasing or selling a property entails a myriad of ins and outs. For both seasoned investors and also novice buyers, the procedure can be overwhelming and full of obstacles. Nevertheless, employing the solutions of an expert property agent can prove to be a game-changer. Here's why employing a realty agent in Australia is of vital value:

Kamal Sehgal

Expert Guidance via the Market:

The Australian building market is diverse as well as ever-changing, differing dramatically from one city or region to another. Real estate representatives have a deep understanding of neighborhood markets, including fads, building values, as well as area characteristics. They can offer important assistance on which locations line up with your preferences as well as spending plan, making your residential property search more targeted and efficient.

Matching Demands with Qualities:

Whether you're looking for your desire residence or a financial investment possibility, a property agent can match your specific requirements and also preferences with ideal homes. They have access to an extensive database of listings, including off-market properties, allowing you to explore a wider series of options.

Experienced Settlement Strategies:

Working out the most effective bargain is a crucial aspect of any kind of property transaction. Realty representatives have superb settlement skills honed via experience. They can discuss in your place to safeguard the best cost for your purchase or achieve the greatest worth for your residential property sale.

Documentation as well as Legalities Made Easy:

The paperwork associated with home purchases can be elaborate and time-consuming. From contracts to compliance certificates as well as title actions, property representatives are well-versed in taking care of the paperwork efficiently as well as properly. This makes sure that your transaction proceeds smoothly and also remains in compliance with all legal demands.

Access to Networks as well as Resources:

Realty agents have considerable networks within the sector, including home mortgage brokers, conveyancers, as well as house assessors. They can attach you with trusted professionals, conserving you the effort of finding them individually. This network of sources streamlines the whole process, making it more convenient for you.

Expert Insights on Home Valuations:

Figuring out the proper worth of a home is crucial, whether you're acquiring or selling. Property agents have accessibility to historical information, current sales, and also market analytics, enabling them to give precise residential or commercial property assessments. This understanding ensures that you're not paying too much as a customer or underselling as a vendor.

Peace of Mind and Support:

Navigating the property market can be difficult as well as emotionally billed. A property agent gives emotional support and satisfaction throughout the process. They resolve your worries, address your concerns, as well as serve as a reliable source of information and guidance.

Finally, employing a realty agent in Australia is a critical move that can favorably influence your residential property journey. From their market knowledge and arrangement expertise to accessibility to exclusive listings as well as support services, realty agents bring substantial value to the table.

[mahisblog]

•BANJARE KO GHAR•

A couple was shown arguing with eachother and we could hear yelling and it was increasing with each second

"I wish I never met you" The boy angrily said and leaves the house smacking the door hard

"I wish I never met you" This words roamed in the girl's head and a tear escaped from her eyes

"Na jaane humari bhul kya thi, unse pyaar karna ya unki parwah karna"

She tried to calm herself but that was not enough, tears were falling down her cheeks without any hurdles

She remembered the time she met him for the first time and found her self falling for him

“Tumne jo dard diye the usske sahare jeete hai

Ye dard ko hum yun Haas ke sehte hai

Na jaane tumse ishq karna sahi tha ya galat

Tumse pyaar karke bhi tumse sab chipate hai”

It was first day of college and ofcourse she was worried about it, soon she reached the college gate and took a deep breath and walked in with a smile

"Bela, you here in Mumbai?" a shocked voice called her

"Hii Vish, yeah I got admission here" she replied with a small smile

"Wow!! I'm so excited, you know I missed you so muchh" as soon as the words were left, Bela was caged in a tight, breath taking, hug from her childhood bestie

"Vish, I- I can't breath and I missed you equally"

"Hehe, sorry"

"Btw how is uncle and aunty?"

"They are great and where are you living?"

"At my place, dad bought it some year ago and after his dead this place was transferred to my name"

There was a long but comfortable silence between them, Vish side-hugged her and squeezed her shoulder lightly

They both got to know that they have only 2 lectures with each other, first and second and after that they have all different lectures

Bela was in the classroom, sitting in the corner just when the lecture was about to start, a boy came and sat beside her

"Hi, I'm Mahir, Mahir Sehgal" and forwarded his hand

Bela shaked hand with him and replied, "I'm Bela Sharma"

Both nodded at each other and focused on the lecture

Few months passed like this and now Bela and Mahir was close friends, in the meantime they got to know that Vish is in relationship with Mahir's younger brother, Yuvraj Sehgal

She had 2 more friends, Darshan Raval and Anu Mittal they both lives with each other as they are childhood sweethearts

They were happy for YuVish, they were a perfect couple as Yuvi can be reckless sometimes but only Vish can make him responsible man, meanwhile Bela was also feeling something for Mahir but choosed to ignore the feeling coz it can affect her friendship with him

"Darte reh gaye hum kuch

keh na paaye,

Unke aache dost banke reh gaye, Ishq na ban paaye,

Mohobbat ki khata bhi aasa na thi, naa to hum unke the, nahi unko hum apna bana paaye,

Unko na paane ke aas mein aur khone ke daar mein hi hum ek tarfa ashiqui kar paaye"

Few weeks later they got to know that there is singing competition between college and nobody knows that Bela loves to sing expect Mahir and right now he is requesting her to take part in it

"Pls Albela take part na, you loves to sing then why you aren't participating?"

"Mahi I'm not good enough"

"Nonsense, you are talented enough to be a professional singer"

And they continued to argue about this for half an hour and finally Bela said, "Okay baba I'll take part"

Mahir hugged her tightly and smiled

Soon the day came when the competition was held on, Bela practiced song written by herself

Not even Mahir, YuVish or DarshAnu knew the name or the lyrics because Bela said that will be surprise for them

It was Bela's turn to sing,

"Umm... Hey! I'm Bela Sharma from XYZ college and I'm going to sing a song written and composed by me only, hope you'll like it"

"What is the title?" one of the judge asked

"Ohh it's called Banjare Ko Ghar"

"Okay you may start now"

Bela nodded at them and closed her eyes and opened them, looking at Mahir and the gang and smiled at them

"Jise zindagi dhoondh rahi hai

Kya ye woh makaam mera hai

Yahaan chain se bas ruk jaaun

Kyun dil ye mujhe kehta hai

Jazbaat naye se mile hain

Jaane kya asar ye huaa hai

Ik aas mili phir mujhko

Jo qubool kisi ne kiya hai"

She remembers the day she meet him and found unknown peace in his presence

The times when she was close to breaking down and Mahir was the one to console her

"Haan...

Kisi shaayar ki ghazal

Jo de rooh ko sukoon ke pal

Koi mujhko yun mila hai

Jaise banjaare ko ghar

Naye mausam ki sehar

Yaa sard mein dopahar

Koi mujhko yun mila hai

Jaise banjare ko ghar

Hmm..."

He was a beautiful sin for her, she knew he wasn't going to be hers yet she didn't let her hopes down and wished for him to be hers

"Jaise koi kinaara

Deta ho sahaara

Mujhe wo mila kisi mod par

Koi raat ka taara

Karta ho ujaala

Waise hi roshan

kare woh shehar"

He was the Sunshine she wants to protect, she remembered the time when an party's decoration was going on and Mahir was helping them without taking rest and doing almost work alone

"Dard mere woh

bhula hi gayaa

Kuch aisa asar huaa

Jeena mujhe phir se

woh sikha raha"

She forgot her pain when she was with him

There was a time when she decided to commit suicide but now she feels like there is a reason to live and that is Mahir

"Hmm.. Jaise

baarish kar de tar

Yaa marham dard par

Koi mujhko yun mila hai

Jaise banjare ko ghar

Naye mausam ki sehar

Yaa sard mein dopahar

Koi mujhko yun mila hai

Jaise banjaare ko ghar"

She remembered his pranks on her and him pacifying her

"Muskaata yeh chehra

Deta hai jo pehraa

Jaane chhupata kya

dil ka samandar

Auron ko toh har

dum saaya deta hai

Woh dhoop mein

hai khada khud magar"

Now Mahir remembers her selfless works, even if she was in hurry she never let anyone down who asked her for any

type of help

She is the mystery he wants to solve

"Chot lagi hai usey,

Phir kyun mehsoos

mujhe ho raha hai

Dil tu bata de kya

hai iraada tera"

Even if Mahir was the one who get hurts but Bela was the only who feel pains

"Main parinda besabar

Tha uda jo darbadar

Koi mujhko yun mila hai

Jaise banjarey ko ghar

Naye mausam ki sehar

Yaa sard mein dopahar

Koi mujhko yun mila hai

Jaise banjarey ko ghar"

She longed for love, not friends' love but a lover's

She wanted someone to rely on, someone on whom she can trust with her life

"Koi mujhko yun mila hai

Jaise banjare ko ghar

Jaise banjare ko ghar..

Jaise banjare ko ghar...

Jaise banjare ko ghar...."

Bela opened her eyes and looked at the audiance, her group were the one cheering most, she made an eye contact with Mahir and smiled, she had decided to confess to Mahir through this Song as after meeting Mahir, Bela really thought she found home

But guess what? Mahir had a surprise for her, introducing her to his girlfriend, Bani Singhania

Bela compared herself to her and found that Bani is above her in each category and she will be best for Mahri though she didn't let this affect her friendship with Mahir and was as close as before

But someone was not happy with their bonding, She wanted them to be separate, she tried to create misunderstanding between them but nothing worked

Few days later, Bela found Mahir drunk at her doorstep

She made him sit inside and was about to go when Mahir held her hand and made her turn towards him and hugged her, resting his head on her chest

He was crying, and murmuring things like, “Why she did that?” “Wasn't I enough for her?” “She wanted to separate you from me, separate me from my albela”

Bela was shocked but got to know that Bani cheated on him and she was the one who tried to create misunderstanding between them

Bela called Darsh and Yuvi and asked them to take him home carefully

Next day when she goes to him home, she found YuVish and DarshAnu there sitting with sad face, she asked them what happened and they told her that Mahir went to London for forever without informing anyone just leaving a note

She was so sad that he went without saying anything, she was again turned into the quiet girl

She remembered why they were arguing

"I love Ruhi" Mahir said those words looking directly into her eyes

"Why?" that was only question that was able to come out of her

"She treated me like I was somebody" he whispered

"But will she love you when you will be nobody?" she silently asked him

"No one loved me when I was nobody" he yelled

"I did" she almost screamed

Mahir was taken back by it and stood stunned

"Before the money and before the fame, before the success and before everything" Bela couldn't hide it anymore, he needs to know

"I loved you Mahir, when you were just yourself not any arrogant CEO, when you used to be careful and you used to come to me when there was any problem not drinking so much that you don't know what happened last night, when you used to be a gentleman who respect women, not a Playboy who use woman as a tissue!

You don't know how much it hurts to see you with someone else, how difficult it is to behave that we are just friends when my feelings for you are more than just friends"

Mahir didn't said anything for good 5 mins because he was so shocked to say something

"You.... You are lying, right?" He stammers

"Why would I Mahir? you became my world, you were the one I thought I would rely on, the one who would never judge me, and then you also disappeared!"

Bela was not stopping she was saying all the things she wished to say him earlier

"What was my fault Mahir? Where was I wrong? I did everything to make you happy from saving you from professors to being there whenever you were down! But you didn't hesitate to leave me, you never care Mahir, never!"

Now she was a crying mess, she was letting her feelings flow which she hided for years but not now

He needs to know what she suffered when he left her all alone by herself

Here Mahir was getting irritated because of her crying because it somehows still effects him, so to make her stop he said something which he knew will broke her completely

"I wish I never meet you"

Back to Present

"Tum bhi ye galti na kar na jis galti ke liye humein nazar

andaaz karte ho,

Kisi din aake ye na keh dena ki ab tum bhi humse pyaar karte ho"

Bela stopped crying and goes to washroom to wash her face, her eyes fells on something and she smiled sarcastically, she picked it up and it was razor blades

She puts her selves up and turn on that, she again looked at it and cuts her arm, she felt satisfied after seeing the blood oozing from the their

There were faded scars on their arms, she made 4-5 more cuts and puts the razor blades down, there were no sign of hurt or anything like that on her face, it was just pure satisfied smile

She has changed very much, it was the first thought of Mahir who came back to Bela's apartment after knowing what he meant for her and what he had done, it brokes his heart to see her in this condition, he can't see his love hurting herself

Yeah his love, she was her first love which he didn't realised earlier, he realised his love and missed her when he was in London, yes earlier whatever he said in the argument he was forced to do that

He is now a businessman and he have many enemies behind him who can hurt her, he didn't want her to get hurt that's why he wanted her to hate him

And it wasn't like his wanted to leave her at first place, he was forced by Bani to leave her or else she will leak some pictures of Bela taken from the wrong angles and some photoshopped pics of her kissing different different boys and then Bela's reputation will be gone

Earlier when Mahir stromed out of the apartment, he got call from Darshan

“Hello Mahir did you met Bela?”

“Yes, I met her”

“Don't tell me you hurted her again?”

“.....”

“Means you hurted her, didn't you? Are you fool Mahir??? Can't you see that stupid loves you more than herself, you don't know what she went through without you”

“Then tell me what did I did???”

“You left her when she needed you most! She was suffering, she lost her last living family after 2 months you left her, left us. She was already in the state is going to depression because of you and when she learnt that her grandfather left her for forever she was broken beyond repair”

Mahir was speechless, he can't imagine what pain she went through

“After 3 months we found out that she is in depression and started to hurt herself and had attempted suicide 2 times, we somehow managed to made her love herself again”

Now Mahir had no words left, he is ready to fight any enemy and anyone for her. Non can hurt what is his and Bela was born to be His

She is his angel and now he have to save her and win her trust again and prove himself worthy of her

He goes inside with the first aid and holds her hand and make her sit on the table

She looked at him as if he is just her imagination while he was doing her bandage, a tear escape from his eyes and he looked at him

“Khayal nahi rakh sakti apna? Ye kya soch ke Kiya tumne haan?!”

(“Can't you take care of yourself? What did you thought before doing this!?”)

“Why you cares? You left me, go I won't mind you going away again”

And she pushed him and gets up to go but Mahir holds her wrists

“Leave me”

“.…......”

“I SAID LEAVE ME! GO AWAY, GO TO YOUR RUHI WHOM YOU LOVE AND YOU HATE ME NA, THEN WHY ARE YOU HERE??”

“SHUT UP!”

Bela stood stunned and immediately shuts up, then Mahir calms himself down and said

“I never said that I hates you, I don't love Ruhi, Bela…..

I love you, only you, this sher loves his albela only”

And he continues to say why he left without any msg and all

Bela just hugged him tightly and let herself lost in his arms, Mahir holds her tight, close to himself

1 years later

“Bela fast come na”

Mahir was ready in a formal suit and was waiting for Bela to come with him somewhere, throughout the year Mahir worked hard to gain Bela's trust back and with the help of his friends he managed to get Bani arrested for blackmailing him

Bela who forgived him long ago, but she was still hurt by him so she wanted to make him pay for that

“Coming”

And when she came, she was the most beautiful women he had ever seen

He smiled at her hold out his hands for her, Bela smiled back and took his hand in hers and walks wherever he was leading her to

Few moments later,

Bela had blindfold on her eyes and Mahir was taking her to a beautifully decorated place, it was simple yet elegant

“You can remove that blindfold now”

Bela romoves her blindfold and got shocked, she covers her mouth with her hands and her eyes were widen, she can't believe this was happening

It was like her dreams coming true

Mahir was on his knees, with a open ring box with a beautiful ring inside it

"Bela I know I'm not the perfect one and the one who deserves you but trust me in all this year there was not a single moment I didn't thought about you

Your pain became mine, I started to feel your pain and you became my home

I swear I'll never let you go away from me, I'll protect you with my life

I Love You So Much Bela Sharma, more than anything else”

Bela was a crying mess now but with happy tears, he continued

“So miss Sharma will you marry me and make me the happiest man in the world, I'll never control you and force you for anything”

Bela was in so much happiness that she was unable to answer and Mahir started to think that he did wrong step by proposing her and should have waited for few more months

“Okay, I understood your answer, it was my mistake but as I said I'll never force you for anything, take you time”

He said in disappointed tone and stood up and turned around to leave, when he found Bela holding him from behind, back hugging him,

“Are you going to leave me again?”

Mahir turned and hugged her tightly

“Never again”

“So why were you leaving before listeningy answer, so Mr. Mahir Sehgal I'll marry you”

Mahir looked at her with smile and teary eyes

“I'll never allow you to leave me, you are mine & only mine and in this lifetime you are stuck with me”

Mahir looked into her eyes and slowly leaned towards her, asking her permission he kissed her passionately, pouring all love he had for her

[thespiralstaircaselitmag]

The Spiral Staircase: Our Literary Magazine’s Namesake

Going up the spiral staircase was the Shady Side Academy Middle School experience. Students from decades past have left their footprints on the staircase, each showcasing a different yet similar story; once, they were like us. Some of us moved quicker than others, some lingering on a specific step. We all moved at a different pace, stumbling backwards when hardships arose, climbing back up after our achievements and solutions. We would be able to see our friends on the spiral staircase with us, as well as strangers that we would befriend along the way. One step at a time, ascending and descending, we were improving, we were changing. Everything was changing, from expectations to relationships and friendships. Yet, all of us started from the bottom, identical yet individual strangers to this new and thrilling journey. The railings would help us along the way, our teachers, friends, and parents supporting us. Throughout our years here, we would all ascend to the pinnacle, able to reminisce about the memories and experiences. We all ascended the spiral staircase of Shady Side Academy Middle School. We all graduated from Shady Side Academy Middle School at the top of the spiral staircase. -- Audrey Jiang

The spiral staircase feels like it could be in an old house, which Shady Side once was, or a castle, like one where the royal ascend to the ball. It would most likely look good in an entrance room, with a cozy nook under it, or a sitting room right before you walk up. It feels like something you would find in an old manor, like maybe you walk up and enter a magical library. It could also be part of a magical garden, if it was made of large leaves as the stairs, and real vines and flowers as the railings and balusters.-- Chloe Will

The wood of the staircase is as rough and deep as the feelings that cascade through it every day. The intricate details represent the wealth of feelings, joys, and frustrations that have been experienced from the many years of school at Shady Side Academy. Crushes, breakups, academic triumphs and failures, drama and excitement, all happening on the old wood. All types of people, young or old, experienced or new, coming together to walk their destinies. --Suhani Sehgal 

[fmdtaeyongarchive]

headcanon #043: interest in performance art

word count: 1,688 words.

triggers: mentions of violence (including gun violence), assault.

ash is notoriously talented in the musical arts and terribly untalented in traditional visual art like drawing or painting, but performance art is something ash has developed a unique interest in over the years. he’s a dancer, a performer by nature, but it’s situation art pieces, so-called “happenings” that step outside the bounds of a simple enjoyable story performance that intrigue him the most. 

ash hasn’t gotten the opportunity to experience much situation art in person, as it’s generally meant to be experienced, but he loves reading about it and watching videos of it or on it. since the beginning of the year, he’s made a point to read more, and in addition to topics like philosophy, he’s delved deeper into research on performance art as well.

he’s most interested in art the explores topics of human relationships, the dynamic between audience and artist, the nature of art, and the human experience as a whole. that’s part of why he’s so drawn to situational performance art. though he’s one of many, he’s in particular a fan of marina abramović‘s works.

two of marina abramović‘s works he’s most interested in are breathing in, breathing out (which marina abramović did with ulay) and rhythm 0.

in breathing in, breathing out, the two blocked their nostrils and pressed their mouths to one another so that they could only breathe the air the other breathed out until eventually, they were each only breathing in carbon dioxide and deprived of oxygen up to the point of passing out. ash views it as a commentary on human connection and relationships and the danger of dependence in relationships — to rely too much on another is to deprive and ultimately poison oneself. while ash considers this to be a commentary on all relationships, be they romantic, friendly, or familial, it resonates with him in particular because of his own tendency to depend too much on romantic partners in the past.

violence tw, assault tw, gun tw // his other favorite abramović piece, and possibly his favorite performance art piece, is the famous rhythm 0 where abramović stood in a room with seventy-two objects, varying from feathers and food to a scalpel and a loaded gun, laid out on a table. she left instructions on the table stating that the others in the room could do whatever they wanted to her for six hours and she would take responsibility for whatever they did, absolving them of any responsibility of their own for their actions. by the end of the six hours, she’d had her clothes cut off of her body, had been cut with various sharp objects, someone had attempted to suck blood from one of her cuts, and someone had pressed the gun to her head and put her own finger on the trigger before someone had torn it away. when she moved after the six hour mark had passed, the audience had all scattered and the observers-turned-participants left at the closure of the piece, not wanting to talk to her. abramović stated she realized in the midst of the piece that the participants might very well kill her if given the right time and circumstances. there are obvious feminist implications to this piece that ash acknowledges, but wouldn’t feel qualified to talk on himself as a man, but the part that resonates with him the most is how it speaks to the relationship between artist and audience. art builds a fourth wall, even despite all attempts to tear it down, that makes an audience feel ownership and emotional detachment from the artist. the pedestal a performer is put on grants the audience the ability to do or say anything they’d like, even if it’s demeaning, violent, or sexual, without the fear of consequences — things they’d never do or say if faced with the face-to-face humanity of the artist. the piece really struck ash the first time he read about it and saw pictures of it, and he’d like to do a song based on the piece one day, or even an entire album inspired by marina abramović‘s works and his own interpretations of them in the context of human relationships and the relationship between artist and audience.

gun tw // the death of the artist by abel azcona is another piece that stuck with ash for similar reasons as rhythm 0. the artist had previously done performance art pieces on topics like religious institutions, politics, and sexuality that angered several organizations and groups that had caused controversy and caused him to receive death threats, and for this piece, he wrote letters to all of the organizations and people who had threatened him inviting them to a gallery where he stood on a raised platform facing a loaded gun on open display nearby on a platform. this is more of a commentary on persecution and attempted censorships of artists by powerful entities, something ash can’t really relate to since he doesn’t do anything provocative enough to earn him death threats from anyone other than edgy teenagers on twitter. nevertheless, it’s a piece he thinks about a lot in relation to the nature of art and an artist’s place in society.

other pieces ash likes to ponder are:

tehching hsieh thirteen year plan, where he declared that he would make art in private without showing it publicly for a span of thirteen years. at the end of the thirteen years, he concluded the project with the statement “i kept myself alive. i passed the december 31st, 1999.” it makes ash consider his relationship to his own art and whether he’s doing it for others or doing it to keep himself alive.

marina abramović and ulay’s lovers (another piece he’d like to use as inspiration for a song), where the pair embarked on a dramatic spiritual journey to end their romance. they started walking from opposite ends of the great wall of china and met in the middle to officially end their relationship with an embrace, a final farewell, and the promise to never meet again afterward. it’s the sort of poignant closure ash thinks every relationship could have in an ideal world, and it speaks to the depth of bond romance can root in two people.

marina abramović and ulay’s rest energy, where the pair balanced a drawn bow and arrow between them for four minutes, with the arrow aimed directly at marina abramović’s heart. this is again a piece with feminist implications of the societal power men hold over women, but it also speaks to the vulnerability of love to ash and the kind of unwavering trust he’s not sure he’s ever had with anyone.

yoko ono’s cut piece, where she invited audience members to cut pieces of  clothing and remove it. ash likes this one for similar reasons to why he likes rhythm 0.

roi vaara’s artist’s dilemma, a video piece where a sign saying “art” points in one direction, while another stating “life” points the other in a frozen, barren landscape. vaara deliberates between the two for the duration of the video before it ends with him standing in the middle, still not having chose one direction or the other. to ash, it’s unclear whether it’s saying one must choose between one or the other, that an artist exists between two different worlds, or that performance art lays in between the balance of life and art, and he likes that he can interpret it in so many ways without any explanations feeling hollow.

tino sehgal’s kiss, a choreographed piece involving two dancers slowly acting out a passionate embrace on the floor of a museum or gallery. among original choreography and poses, they reenact famous kissing scenes from other artworks such as rodin’s kiss and brancusi’s kiss. the piece to society’s simultaneous discomfort with publicized intimacy and fascination with other’s love lives, both historically through art and socially through gossip and rumors. it also speaks to the difficulty of recreating intimacy through art. as someone who spends a lot of his time trying to recreate love and intimacy through music, and has had plenty of people both obsessed with and shaming him for their own perception of his love life, this piece stands out to him on a personal level as well.

ash’s interest in performance art comes mostly from how directly it can invite the audience of the art into the work. it’s part of why he’s come to love performing (solo) concerts over spending every day of his life in front of a camera. (jay z himself has argued concerts can be akin to performance art in an alternative venue, and ash would like it if one day he could hold a concert that plays with that idea more.) performance art allows for statements to be made that can’t be made as resoundingly through musical art or the fine arts. in performance art, the artists themselves are the art, and oftentimes the audience becomes a part of the art, too, and it can be outside of the commodification and greediness of other forms of art because of that if the artist so chooses. videos, pictures, and books on performance art can be sold, but often the piece itself cannot be and lives within the minds and memories of the artist and the audience. situational art can’t as easily be censored, controlled, or shaped by rich collectors or executives at labels, and that’s a part of the appeal to ash, who has often felt his music has been compromised by the business processes of the music industry. it reminds him of why he used to love dance so much, how a live performance lives in the moment.

ash himself doesn’t think he could ever be a performance artist, though he’d one day like to have the chance to sit down and talk to performance artists about art through their eyes. he believes performance artists are greatly underrated and too often written off as fake deep try hards when the legends of the form have just as much to say about the human experience as the greatest artists of any other art form.

[morethanonepage]

i’m angery

i know i’m mostly a star wars killjoy on tumblr dot com lately but allow me to SCREAM about my latest nemesis, a book called “American Dirt”:

Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable.

Even though she knows they’ll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day a man enters the shop to browse and comes up to the register with a few books he would like to buy―two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe of the newest drug cartel that has gruesomely taken over the city. When Lydia’s husband’s tell-all profile of Javier is published, none of their lives will ever be the same.

Forced to flee, Lydia and eight-year-old Luca soon find themselves miles and worlds away from their comfortable middle-class existence. Instantly transformed into migrants, Lydia and Luca ride la bestia―trains that make their way north toward the United States, which is the only place Javier’s reach doesn’t extend. As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to?

Written by one Jeanine Cummins, who has Puerto Rican ancestry but grew up in the MD suburbs (as I did, tbf) and in 2015 considered herself white (”I am white...in every practical way, my family is mostly white.”  [cw for sexual assault and murder at the link]), everything I read about this book has begun to drive me to madness.

Recommended by the Mary Sue book club (the source of the above summary), it has since been retracted bc a) its sucks and b) THEY DIDN’T READ IT BEFORE PUTTING IT ON THE BOOK CLUB LIST (”I try to read most, if not all, of the books I recommend for the Book Club because I truly do love reading, and I want to make sure that if I suggest someone grab something, it’s something I can say I liked. When I was looking up two books to fill out the list, one of them was American Dirt. I saw that it had received a lot of positive press from Stephen King, Rumaan Alam, Don Winslow, Sandra Cisneros, and other literary news outlets including Oprah’s Book Club. It seemed like the type of literary fiction that’s always good for a book club read. I was mistaken.“)

Myriam Gurba, at Tropics of Meta, describes being asked to review it for a feminist magazine, and then being told her review was too negative to publish. It included gems such as:

Cummins bombards with clichés from the get-go. Chapter One starts with assassins opening fire on a quinceañera, a fifteenth birthday party, a scene one can easily imagine President Donald Trump breathlessly conjuring at a Midwestern rally, and while Cummins’ executioners are certainly animated, their humanity remains shallow. By categorizing these characters as “the modern bogeymen of urban Mexico,” she flattens them. By invoking monsters with English names and European lineages, Cummins reveals the color of her intended audience: white. Mexicans don’t fear the bogeyman. We fear his very distant cousin, el cucuy.

[...]

With their family annihilated by narcotraffickers, mother and son embark on a refugees’ journey. They head north, or, as Cummins’ often writes, to “el norte,” and italicized Spanish words like carajo, mijo, and amigo litter the prose, yielding the same effect as store-bought taco seasoning.

[...] Lydia’s husband, a journalist, describes her as one of the “smartest” women he’s ever known. Nonetheless, she behaves in gallingly naïve and stupid ways. Despite being an intellectually engaged woman, and the wife of a reporter whose beat is narcotrafficking, Lydia experiences shock after shock when confronted with the realities of México, realities that would not shock a Mexican.

It shocks Lydia to learn that the mysterious and wealthy patron who frequents her bookstore flanked by “[thuggish]” bodyguards is the capo of the local drug cartel! It shocks Lydia to learn that some central Americans migrate to the United States by foot! It shocks Lydia to learn that men rape female migrants en route to the United States! It shocks Lydia to learn that Mexico City has an ice-skating rink! (This “surprise” gave me a good chuckle: I learned to ice skate in México.) That Lydia is so shocked by her own country’s day-to-day realities, realities that I’m intimate with as a Chicana living en el norte, gives the impression that Lydia might not be…a credible Mexican. In fact, she perceives her own country through the eyes of a pearl-clutching American tourist.

Parul Sehgal, at the NYT, digs into the fact that while the motives of this book may be unimpeachable (tho: are they??), the writing itself is...perhaps less so:

I found myself flinching as I read, not from the perils the characters face, but from the mauling the English language receives. Lydia’s expression “is one Luca has never seen before, and he fears it might be permanent. It’s as if seven fishermen have cast their hooks into her from different directions and they’re all pulling at once. One from the eyebrow, one from the lip, another at the nose, one from the cheek.” Yes, of course. That expression.

Sehgal also highlights my favorite line I’ve heard about in this book: “when Lydia finds she is unable to pray, ‘she believes it’s a divine kindness. Like a government furlough, God has deferred her nonessential agencies.’” The Raised in the DMV Suburbs just JUMPED OUT, didn’t it, Jeanine? But like legit, why on earth would a Mexican bookstore lady’s frame of reference ever be A GOVERNMENT FURLOUGH and NONESSENTIAL AGENCIES. followers, i just about died. 

David J. Schmidt, at The Blue Nib, calls out other inaccuracies and stereotypes:

It is worth dwelling on the character of Javier for a moment. A “drinking game” could be created based on all the Latin American stereotypes he personifies. Javier is dapper, yet dangerous. He is charming, yet mysterious. He wears a white guayabera, a shirt the author describes as “more suitable for Sunday Mass than a regular workday.” (Untrue—this is a casual garment, more suitable for a love affair in a Fabio-bedecked romance novel.)

This quintessential “Latin lover” shows up at Lydia’s bookstore and speaks to her in a tone significantly different from the other characters of American Dirt. I  must emphasise, Javier’s dialogue does not reflect the normal speech patterns of Mexico, but perfectly reflects U.S. stereotypes. The only way to properly read Javier’s lines is through the most gross of caricatures.

One should imagine the husky voice of Antonio Banderas, speaking at his most sensual and Spanishy. Any character he has played in English will do, although it is clear that Javier was ideally written for the voice of Puss in Boots. When Lydia asks if Javier reads English, the dapper narco responds:

“I try, yes […] My English isn’t fluent, but it’s close. And this story is so delicate.”

[...]

The cultural inaccuracies of American Dirt run deep, right down to the language. Throughout her book, Cummins shows confusion regarding the grammatical genders in Spanish. Most notably, she baptises the drug kingpin Javier with the nickname La Lechuza. It is difficult to imagine a macho, womanizing capo using a feminine-gendered noun as his moniker. Would a hardened mafia boss call himself “The Princess of Compton” or “The Belle of Belfast”?

Cummins got a seven figure advance for this. A SEVEN FIGURE ADVANCE. She “wished someone slightly browner than me would write it,” but she did it,  and her team is throwing around the fact that her husband’s previously undocumented status as some sort of justification without mentioning that he’s white & Irish. 

Also, there’s this news:

Imperative Entertainment, the production banner behind the Clint Eastwood hit The Mule, has acquired the rights to American Dirt, the Mexican migrant drama novel by Jeanine Cummins.

Charles Leavitt, the scribe who penned the Leonardo DiCaprio drama Blood Diamond, has been tapped to write the adaptation, which will be produced by Imperative’s Dan Friedkin and Bradley Thomas.

Charles Leavitt is a white guy who, most recently, wrote the Warcraft movie. So, that’s going to end well. 

I’ll leave you with this other gem from Gurba (from her essay about it, “Pendeja, You Ain’t Steinbeck “):

Susan Sontag wrote that “[a] sensibility (as distinct from an idea) is one of the hardest things to talk about” and with this challenge in mind, I assert that American Dirt fails to convey any Mexican sensibility. It aspires to be Día de los Muertos but it, instead, embodies Halloween. The proof rests in the novel’s painful humorlessness. Mexicans have over a hundred nicknames for death, most of them are playful because death is our favorite playmate, and Octavio Paz explained our unique relationship with la muerte when he wrote, “The Mexican…is familiar with death. [He] jokes about it, caresses it, sleeps with it, celebrates it. It is one of his favorite toys and his most steadfast love.” Cummins’ failure to approach death with appropriate curiosity, and humility, is what makes American Dirt a perfect read for your local self-righteous gringa book club.

so idk, The Mary Sue, maybe it should stay on your Book Club list after all. (Oh wait: as of this writing, it still is.) 

[ilyricshub]

Daler Lyrics - Varinder Brar | From Je Jatt Vigarh Gaya

Daler Lyrics Varinder Brar | From Je Jatt Vigarh Gaya #Daler #VarinderBrar #JeJattVigarhGaya #JayyRandhawa #DeepSehgal #GillSaab #DilsherSingh #KhushpalSingh

[art-now-india]

The end of an era - V, Sripriya Mozumdar

This series of charcoal portraits offers my homage to maestros who are no longer with us. Each one here is a stalwart in his/her own field, a supreme artist or performer. For generations like my own, the sitar has been synonymous with Pandit Ravi Shankar, just as pop has meant Michael Jackson. When we have lost each one of these maestros; I have felt a deep vacuum, felt an era come to a close. I offer these paintings as my humble tribute to each master here. May they rest in peace. This one captures the essence of Zohra Sehgal - the grand old lady of Indian theatre and cinema

https://www.saatchiart.com/art/Drawing-The-end-of-an-era-V/391949/2633826/view

[authorstalker]

Jenny Offill with Rumaan Alam at Books Are Magic

I sure did devour Parul Sehgal’s profile of Jenny Offill, so you’d think I’d know better than to show up five minutes late to the launch of Weather. Yes, there were certain famous-to-me bloggers in Books Are Magic’s back room, but I missed out on Jenny and Rumaan’s facial expressions, including during the Q&A when a man said to Jenny, “I’d like to read you a passage from Dept. of Speculation.”   Oh and I also missed a great Jenny quote about how she wishes she could live like an art monster/coder and stay locked up for weeks with only cereal and Mountain Dew for company. ANYWAY, here’s what I wrote down:

On the subject of autofiction: 

Everything I write is emotionally autobiographical.

On writing about a librarian:

I would have liked to be a librarian....I tried not to have a lot of fake librarian scenes because that would’ve just been too hard on the real librarians.

A helpful tip for the end of the world:

When society collapses, you should definitely have gum. It’s good for morale....something in your brain says, “Well it can’t be too bad, I’m chewing gum!”

What happens when you do a climate change deep dive:

It turned me into a person I maybe would’ve made fun of...once you’ve looked at something, it’s hard to unlook.

One of the first things I did was start talking to people about the weather. Not even climate change, just the weather.

That’s what writing this book meant: you can’t go back to thinking, “Oh what a lovely day!”

From writing to activism:

I don’t exactly think of the book as hopeful or not hopeful...I was prone to a kind of fatalism; it started to feel to me that that was a different kind of denial. That’s when I had to get out of my bookish head and do more activism. What was I going to tell my daughter, that I just didn’t like the [climate change] movement aesthetically?

I remember with a chill seeing the “No Politics” sign in the bakery. It becomes a question of conscience. Do you stand by and say, “Well, it’s not about me”? — a lot of people don’t do that.

The climate research that most affected her:

Learning when our cities won’t have recognizable climates; little things like it will be hard for the Hudson Valley to grow apples because that requires a frost; how frightened the scientists were.

The process of creating the “word constellations” that make up Weather:

My friends who work in the visual arts have ways to get their minds out of the expected patterns. I started to make the boards [pictured in the NYT profile] — it was not very productive but it was very pleasing to do. It was great to see it outside of my head and to see which lines still struck me. So much of writing is about intuition as well as the analytical side.

When men ask all the questions:

A guy in the audience said, “I’d like to read you a passage from Dept. of Speculation” and the whole room braced itself, oh god! But then it was actually kind of funny, here’s the part he read:

“What are you reading about?” the husband asks her from across the room. “Weather,” she tells him.

So the guy wanted to know if Jenny Offill had planned to write a book called Weather back when she wrote Dept. of Speculation and the answer was: nope.

No, that was a reference to the fog of adultery, how everything the old person does is annoying and everything the new person does is bathed in gold. 

A theater girl/a drama girl:

Another guy, but maybe the same guy—this is the downside of the back room—asked about her experience recording the Dept. of Speculation audiobook.

It was really fun. I have a theater girl/drama girl past, and the humor in this has to be deadpan. But it turns out I couldn’t pronounce the names of anything in the book. It’s sort of a stamina thing to be able to read a book for that long. 

[all-about-news24x7]

International Yoga Day observed at NTPC Kaniha |

Bureau,Odishabarta                Talcher:International Yoga Day was observed  at NTPC Kaniha on June 21. In the morning, employees and members of their families enthusiastically participated  a special yoga session  organized at Recreation Centre, Deep Tarang. Shri K. S. Sundaram, ED, Talcher Kaniha, Shri A. K. Sehgal, GM(O&M), Shri Ch. Satya Ramakrishna, GM(ADM), Shri B. K. Pandey, AGM(HR),…

[longlistshort]

This month there are a lot of excellent exhibitions on view in Chelsea.

At David Zwirner is God Made My Face: A Collective Portrait of James Baldwin, a group show curated by writer Hilton Als. The works are varied and include portraits by Richard Avedon (shown above), a friend of Baldwin’s who also attended De Witt Clinton High School with him, as well work by Njideka Akunyili Crosby (seen below), Kara Walker, James Welling, Beuford Delaney, Glenn Ligon and many more.

At Marianne Boesky Gallery is Pure, Very, New, Paul Stephen Benjamin’s first solo exhibition in New York. The exhibition includes paintings, photographs, sculpture, and single and multi-channel video installations, as well as a new site-specific black light installation in the internal passageway between the two spaces.

From the press release–

Benjamin’s practice is rooted in a vigorous meditation on blackness, considering: “What is the color black?” “What does black sound like?” “Is it an adjective, a verb, an essence, or all of these components mixed to create a nuanced whole?” For his large-scale monochromatic paintings, Benjamin thickly coats the canvas in varying shades of black, producing a sensation of boundless depth. This is further accentuated by Benjamin’s application of the particular tonality’s name within the field of color—the words appearing to float and dissipate within the richness of the paint itself. The development of these paintings followed an ordinary visit to a hardware store, where Benjamin was confronted with the many permutations of commercial black paint. Shades of black came with emotive titles like “Totally Black,” “New Black,” and “Pure Black,” among numerous others. For Benjamin, this sparked a multi-layered investigation of the color and whether it could be distilled or understood differently within the context of a painting or the color itself.

… Benjamin’s practice also extends into a conceptual investigation of sound, and how “black” can be conveyed and experienced aurally. In these works, he often uses single and multi-channel video installations to loop portions of particular historic and cultural footage to isolate fragments of collective memories or internalized narratives. With Black is the Color (2015), which will be included in the exhibition, Benjamin arranges a towering cluster of antiquated televisions, forming a glowing grid that endlessly repeats a segment of Nina Simone’s 1959 performance of “Black is the Color of My True Love’s Hair.” Here, Benjamin appropriates only the words “Black is the Color,” creating an abstraction of the song that reveals the contradictions and parallels between the notion of black being the color and it being a color. Moving fluidly from sound installation to painting to photography and sculpture, Benjamin’s practice is driven by the idea that blackness, whether explored as a matter of conceptual inquiry or identity, cannot be captured in a single action, emotion, or language.

At Yancey Richardson is Blue Sweep, an exhibition of Andrew Moore’s beautiful photographs, taken in Alabama and Mississippi over the course of three years.

At Bryce Wolkowitz Gallery is Oliver Jeffers' charming painting exhibition For All We Know. If his work looks familiar it may be because Jeffers is also the author of several critically acclaimed picture books.

From the press release-

This series of paintings illuminate a dream-like nocturnal world populated by astronauts, deep-sea divers, sinking ships, floating pianos, and burning matches. Omnipresent throughout are the night sky and the ocean - the two great and unknown frontiers - glittered with the imaginary lines that create constellations, serving in this case as a mysterious key to unlock our world.

Expanding on years of observation, from the history of his upbringing in Belfast, to contemporary New York City, Jeffers' evokes the precarious state of our home and its inhabitants. Inspired by Buckminster Fuller's seminal book Operating Manual for Spaceship Earth, he presents pianos as dubious flotation devices and our planet presented as a cumbersome motor vehicle, overheating as we argue over what to play on the radio. From researching astronaut's descriptions of looking at Earth from the distance of the Moon, Jeffers noticed certain recognizable patterns to the way in which he discussed the politics of his hometown from a vantage point of across the Atlantic Ocean. In finding that few people outside of Northern Ireland knew or cared of the intricate conflict there, a great waste of time was revealed: a divided population identical to each other in every way save for the flags they flew and the stories they told. Tragically, each side's identity are still firmly rooted to the existence of the other, and therefore locked into a spiral of repeated patterns.

At both of Jack Shainman's locations are a series of impressive paintings by Lynette Yiadom-Boakye.

For a new kind of exhibition experience, Asad Raza has organized the group show Life to Come, at Metro Pictures which "brings together works that meditate on the creation of new worlds and new models for living." There are no labels or listings for the works included in the show. Instead there is a guided tour by hosts who take you around the various works to help you draw connections between the objects. Adding to the uniqueness of the experience, at one point the host pauses while talking and partially in motion, recreating a work by artist Tino Sehgal, and at another they show you that they have changed their eye color, a work by Rirkrit Tiravanija.

From the press release-

Experiencing these works together incites intellectual, physical, and spiritual understandings of what it means to make an entirely new world, one in which reality is made from fiction. Raza asserts that “by re-immersing ourselves in the strangeness and fecundity of attempts to create worlds that have gone before, our imagination of a world beyond the present may be renewed.” The uncertainty about what new paradigm awaits us is unsettling in the wake of the modernist 20th century, but it links us to previous generations who experienced radical reinventions of biological and social life.

All of these exhibitions close 2/16/19.

[kamalsehgalaus]

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Kamal Sehgal

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