#Danny & Christine

[starry-bi-sky]

my martha knight au in a nutshell:

Danny/Martha: see up here?

Danny/Martha: *taps skull*

Danny/Martha: intense psychological damage

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Danny/Martha: *upon finding out she's pregnant*

Danny/Martha: oh my god i cant be a mom, I'm fifteen and homeless--

Danny/Martha: im going to be a terrible mother--

Danny/Martha: i live in a cAR--

Danny/Martha: what if the baby inherits my powers? Oh no--

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Danny/Martha post giving birth: i've only had Bruce for a minute and a half but if anything were to happen to him i won't even need to fuse with Vlad, I'm razing this goddamn planet to the ground myself

Danny, to Baby Bruce: you are the last remaining thread of my sanity. I'm going to give you the world :)

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Danny/Martha prior to getting pregnant: Fuck it, if everything in my life has led to this moment, i'm allowed to make one stupid decision. I'm getting drunk and getting laid

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Danny/Martha while Bruce was a toddler: i swear to fucking god i am going to kill the next person who talks to me--

Bruce: hi mommy!! i brought you something!!!

Danny/Martha, immediately flipping on a dime: hi baby!! what do you have?

Bruce, a weird child like his mother: a spider :)

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Danny/Martha, talking to Falcone after he made an unsavory comment at her and Bruce: If you ever come near me or my son again, I will dig up your shithead father's corpse and make you eat his skin.

Danny/Martha: do you understand me

Falcone:... crystal, ma'am

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Danny/Martha new in Gotham: *getting mugged*

Danny/Martha: *grabs man's arm*

Danny/Martha: I AM GOING TO BREAK YOU IN HALF LIKE A TWIG, FUCK BOY, DO YOU HEAR THE WORDS COMING OUT OF MY MOUTH--

(she then proceeds to terrorize Gotham's night life for the next extended period of time, mostly unintentionally)

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Danny/Martha: Danny Fenton?? No. you must be mistaken, my name is Martha Knight.

Danny/Martha: this here is my littlest knight, Bruce.

Danny/Martha: I made him all by myself :]

[slashthrashandcrash]

GhostMeg/JedMeg Phantom AU where Meg isn't Christine, but a very competent stagehand who's good at running around and managing props and lights, and keeps getting closer to her sweet stagehand friend, with an excellent knowledge of the theater they work in, while getting menaced/seduced by the murderous Phantom, who also has excellent knowledge of the theater. Consider?

Literally been hoarding this ask for weeks because I didn't want to part with it without any art because I'm so insanely in love with this concept bestie you don't understand I'm feral right now--

Meg thinks Jed is just teasing her with ghost stories as a way of flirting, like he's making up this excuse on the fly as a reason why they should totally stick together to make sure neither of them get attacked by the elusive Ghost haunting the theater. Or maybe Jed does think these stories are real and wants to be extra cautious, which honestly makes him even dorkier and cuter to Meg, so it's still a win for him either way.

It's all fun and games until the body of a skeevy stagehand is dropped from the catwalk to be hanged by rope pulleys, which what the hell!!! Meg had those perfectly set up for the next show, man!!! Who's fucking with her hard work and ruining her gear??? Oh yeah also there's a dead guy that's kind of Not Good...

But that's the thing about ghost stories, they always insist to be true. And the Ghost himself is very eager to make Meg believe in him, no matter how much she tries to wave off Jed's concerns that she's being "haunted". What's more likely -- some kind of vengeful spirit living in secret catacombs tormenting the theater for sick pleasure, or simply a series of explainable accidents due to old equipment and careless workers? The reason nothing bad has happened to Meg and Jed is because they're actually good at their jobs, clearly.

Anyways, hey, did you ever notice that crack in the wall in the prop storage can be popped open to reveal a full door? Meg's gonna go check it out now, finding a basement space would be great to put spare lighting equipment (:

[endlich-allein]

Till Lindemann Tour, Guanamor Teatro Studio, Guadalajara, MX, 31-12-2023 @ mikegonzalezf

[filmjunky-99]

r u n n i n g o n e m p t y, 1988 🎬 dir. sidney lumet

[goldduststevie]

Fleetwood Mac photographed by Bob Gruen, October 1971.

[herrlindemann]

Happy New Year from Till! 🍾, Guanamor Teatro Studio, Guadalajara, 31.12.2023 / Video by @ omar_chikk

[solar-collector]

The Magical Killers Club : Episode three

‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵

Danny: What is up everybody?

Jennifer: Is this not fucking pushing it? Aren't you from a game?

Danny: Aren't you from a- YES. SO WHAT?

Jennifer: Pennywise-

Pennywise: Hey, I never said it couldn't be from a game.

Pinhead: I'm in the dead by daylight universe.

Jennifer: Yeah, you also have your own fucking movies.

Danny: I mean, I technically have my own movies and I'm more magical than twink one and two.

Carrie: How about y'all just be quiet.

Danny: Yes ma'am.

Jennifer: Uh.. Okay. Um, so. Is that a car?

Pennywise: Well, yes but she's magic? Because.. Magic killer car..

Jennifer:

Jennifer: Are those clowns?

Pennywise: Yes, but they're killer clowns from outer space

[thegentlemansexcuseme]

Fleetwood Mac: before the Rumours began.

So, I've had early Fleetwood Mac playing on repeat recently, and those albums released between 1971 and 1974, the post-Peter Green blues rock years and pre-Buckingham Nicks blockbuster years, are all, for the most part, great pieces of soft rock.

The spaceyness of Bare Trees (1972) and the funky '70s R&B of Heroes Are Hard to Find (1974) elevate them above everything else the band did, bar Rumours and Tusk. So melodious, mellow yet strangely groovy, like Rubber Soul-era Beatles but with a distinctly early '70s atmosphere of patchouli oil and incense. A relatively underappreciated transitional era of the band's development that, despite its patchiness, produced a scattering of polished gems.

What on earth were they thinking with the Mystery To Me album cover? It was 1974 is your answer, but there is beauty within. Bob Welch's "Hypnotized" is a seductive trip and is about ancient aliens/ufos/drugs??? Like I say, 1974.

"The Ghost" is equally airborne and sundazed, my current favourite track on the atmospheric Bare Trees.

The Heroes are Hard To Find LP is the final one of the Bob Welch era and sounds like a bridge to the band's next stage. "She's Changing Me" even seems to anticipate the ethereal whirlwind that is Stevie Nicks, who would come and help send the Fleetwood Mac of 70-74 flying off into oblivion.

[krispyweiss]

Christine McVie Dead at 79

- “She was the best musician anyone could have in their band and the best friend anyone could have in their life,” Fleetwood Mac says

Fleetwood Mac’s Christine McVie has died “following a short illness,” her family said in a statement.

McVie died Nov. 30 in a hospital with her family nearby. She was 79.

“We would like everyone to keep Christine in their hearts and remember the life of an incredible human being, and revered musician who was loved universally,” McVie’s family said.

“Gutted to learn about the passing of Christine McVie,” Garbage said in a statement. “Just gutted. Songbird forever.”

“This is so unbelievably sad,” Foghat wrote on Facebook. “RIP, Christine McVie. Such a beautiful soul.”

Born Christine Perfect, the singer/songwriter/keyboardist played first with Chicken Shack. She joined Fleetwood Mac after contributing to 1970’s Kiln House and was the band’s third-longest-serving member after Mick Fleetwood and her ex-husband John McVie.

“We cherished Christine deeply, the band said in a statement.

“She was truly one-of-a-kind, special and talented beyond measure,” Fleetwood Mac said. “She was the best musician anyone could have in their band and the best friend anyone could have in their life.”

McVie played alongside every member of Fleetwood Mac save for Peter Green and appeared on all but four of the band’s 18 studio albums.

Living Colour’s Vernon Reid eulogized McVie as his second-favorite Mac member after Green and quoted her lyrics to “You Make Loving Fun” as some of her best.

“No other voice … captured that feeling of the narcotic stage of love better than Christine McVie,” Reid said.

“What a tremendous loss to the music community,” Bret Michaels said on Twitter. “My deepest condolences to the family, friends and fans of Christine McVie.”

She recorded three solo albums between 1970 and 2004 and released a 2017 duo album with Lindsey Buckingham that was followed by a tour.

Her death is “terribly heartbreaking” and an “enormous loss,” Ron Sexsmith wrote on Twitter.

“She wrote my favorite Fleetwood Mac songs and I also loved her solo work,” he said.

11/30/22

[arnie-cunningham-official]

Shout out to characters going thru some shit, thus making them more susceptible to the influence of the horror

Gotta be one of my favorite genders

seymour krelborn

george lutz

arnie cunningham

nathan gardner

jack torrance

danny torrance

wendy torrance

[cheezotterartwork]

My angel~✨️✨️

[thats-h0w-th3-light-g3ts-in]

Painting by Maxwell Armfield

Drawing by Christine Perfect (McVie)

Photograph by Mick‘s sister Sally

Photograph by John McVie

Mystery to Me ….

——————————————————————————

I‘ve found a CD collectors edition that contains those 5 pre Buckingham/Nicks Fleetwood Mac albums and I‘ve been listening to them all day. SO UNDERRATED!! SUCH GREAT MUSIC!! Gotta love the blues!

* Then Play On (1969)

Mick Fleetwood

John McVie

Peter Green

Jeremy Spencer

Danny Kirwan

Christine Perfect (uncredited)

Sandra Elsdon (Peter‘s GF)

* Kiln House (1970)

Mick Fleetwood

John McVie

Jeremy Spencer

Danny Kirwan

Christine Perfect (uncredited)

* Future Games (1971)

Mick Fleetwood

John McVie

Christine McVie

Danny Kirwan

Bob Welch

John Perfect (Chris‘ brother)

* Bare Trees (1972)

Mick Fleetwood

John McVie

Christine McVie

Danny Kirwan

Bob Welch

Mrs Scarrott (reads a poem, elderly neighbor)

* Mystery to Me (1973)

Mick Fleetwood

John McVie

Christine McVie

Bob Welch

Bob Weston

Richard Hewson (string arrangement)

[courseyoulovemeyoudontknowme]

Ed Wood (1994, Tim Burton)

12/07/2024

[endlich-allein]

Till, Guanamor Teatro Studio, Guadalajara, MX, 31-12-2023 @ axel_kaled

[tusktrek]

Finding Fleetwood Mac's Mysterious, Enchanting, and Haunting Energy (Part 1)

As I've dived deeper into Fleetwood Mac's discography, I've realized that you can't pin most of the band's mysterious, enchanting, and haunting energy to Rumours. It's always been in the band.

The type of blues with Peter Green / Danny Kirwan / Jeremy Spencer that Fleetwood Mac was putting out naturally had dark and mystical themes, a prime example being The Green Manalishi (Then Play On - 1969). It's literally the same thing as Gold Dust Woman (Rumours - 1977), as he uses a witchy figure (and her effects) to describe his issues at that time with the struggles of money and drugs that come with being a musician, as well as shrieking instruments and howling throughout the song.

Other songs, like Albatross (1968) and of course Black Magic Woman (1968) also have ethereal and bewitching themes too.

It's also worth mentioning that the band was on drugs like LSD at this time too. Peter Green eventually Syd Barrett'ed out of the band; mental illness and drugs made him spiral and leave in 1970. So obviously, trips, delusions, and the users pretty much losing themselves to addiction during the creative processes, in addition to already being rooted in a dark and mythical genre means that the music is going to have an eerie, almost grieved, edge to it.

In my opinion, after Peter Green leaves the band, only a few songs between the end of his era and the beginning of Buckingham/Nicks carry the same heavy sound and theme I want to discuss. So before I next post on this topic (dealing with after Rumours), I suggest listening to the album Then Play On (1969) as there are many other songs I didn't bring up but still have the Fleetwood Mac sound mostly associated with Rumours. My favorites are Oh Well, Pt 1., World in Harmony, Closing My Eyes, One Sunny Day, and Before the Beginning.

[musicmags]