#Dane Dehaan packs

[conjuringgifs]

FINISHED COMMISSION by clicking the source link, you will find 300 gifs of dane dehaan from two lovers and a bear. all these were made by me. do not repost, claim as your own, edit in any way, or include in gif hunts. this includes taking my gifs and making your own gif sets. were these useful to you? give this post a like or a reblog please.   want to support me? consider a commission or buy me a ko-fi!    

[praeyrp]

Wanted ads:

To help you all get a feel for the type of wanted ads, and their faces, we have compiled a list of all current wanted ads on site. Over the coming days some of these ads will be teased in all of their glory. 

If you desire more information on any of the wanted ads please hit us up and we will be glad to give you more information. 

Group & Misc:

Adrian: Furore pack 

Demetrio: The Syndicate 

Malachi: Siviv shifter Pack 

Matthias: The Order; a doomsday NOT cult 

Sarah: SF Black Market

Romantic:

Anyanka: Charlize Theron — FWB — angel 

Ophelia: Cillian Murphy — trauma-bond LI — dragon > open fae 

Talia: open face — slow burn LI — open species 

Antagonistic

Adrian: Mädchen Amick — mauled TV personality — shifter 

Adrian: Gustaf Skarsgård — mauled shifter—hater — shifter 

Finley: Charles Michael Davis — baby daddy & murderer — demon

Ophelia: Michiel Huisman — former owner — vampire

Rafael: Jared Leto — ex—bf — hybrid 

Platonic

Adrian: Famke Janssen — pack lawyer — open species 

Adrian: Mädchen Amick — mauled TV personality — shifter

Eleanor Zach Villa — bar manager — vampire 

Eleanor BIllie Lourd — event planner — witch 

Eleanor Marwan Kenzari — Cartel runner/babysitter — bound jinn

Matthias: Caitriona Balfe — head nun — open species 

Matthias: Anya Taylor—Joy — sunday school teacher — open species 

Matthias: Samara Weaving — sunday school teacher — open species 

Senna: Kwon Ji—yong — BFF & work husband — open species

Mei: Will Yun Lee — BFF/coworker & unrequited love — kitsune 

Familial

Ashton: Max Thieriot — Made family/brothers — hybrid

Danica: Don Benjamin — older brother — kitsune (open)

Elijah: Viola Davis — foster mother — open species 

Elijah: Avan Jogia — brother — dryad

Elijah: Natasha Lyonne — adopted sister — unicorn

Elijah: Jason Momoa — adopted brother/mauler — bear shifter 

Evander: Felicity Jones — daughter — witch 

Evander: Dan Stevens — son — wolf shifter 

Finley: Sebastian Stan — brother — unicorn 

Finley: Joe Keery — brother — unicorn 

Finley: Sarah Drew — 1/2 sister — banshee 

Isak: Ryan Hurst — brother — naga

Isak: Halsey — sister — witch 

Isak: Landon Liboiron — brother — naga 

Jake: Tobias Sorenson — brother — shifter

Jake: Barbara palvin — sister — shifter 

Maeve: Stella Maeve — bound spellbinder — spellbinder 

Maeve: Kit Harington — bound jinn — jinn 

Maeve: Natalia Dyer — "dead" daughter — shifter 

Matthias: Elizabeth Debicki — childe & pet — succubus

Rafael: Alice Braga — long lost mother — dead species 

Raphael: Alexander Vlahos — brother — eternal species 

Richard: Christina Hendricks — eventual ex—wife — selkie

Talia: Zach McGowan — adopted brother — cat shifter 

Talia: Alberto Ammann — adopted brother — cat shifter 

Talia: Miguel Ángel Silvestre — adopted brother — cat shifter 

Talia: Diego Luna — adopted brother — cat shifter 

Talia: Salma Hayek — adopted mother — cat shifter

Senna: Lee Pace — brother & crowned prince — ancient

Senna: Maria Brink — brother & crowned princess — ancient 

Senna: Dane DeHaan — 1st born son — faerie 

Senna: Toby Regbo — 2nd born son — faerie

[denimbex1986]

'Barbie

When Barbie opens to a parody of 2001: A Space Odessey’s Dawn of Man scene (the one with the mad apes), a narrator with the voice of Helen Mirren tells us how big of a disrupter the Barbie toy-line was for little girls.

The girls, who were happily playing with big, round, bald toys that looked like one-year-old babies, take one look at a giant, glamorous Barbie towering over their heads (Margot Robbie, wonderful in the film) and, as if blitzed by mob-mentality anger, smash their toy-babies to smithereens.

It might have sounded like a triumphant hurrah about breaking free from constraints on the screenplay penned by co-writers Greta Gerwig (who also directs) and her partner Noah Baumbach, but when you really look at it, the only idea it instils is that of rebellion and anarchy…and the buck doesn’t stop there.

The main idea of the movie is that Barbie (Robbie) travels to Los Angeles to find out why she, and in consequence, her perfect, plastic world — the literal incarnation ‘life is plastic, it’s fantastic’ lyrics from Aqua’s song Barbie Girl — has changed for the worse.

If the gist of the idea of Barbie leaving a make-believe plastic world for a real-life but still plastic one, don’t trigger alarms in your head, then I guess one is meant to enjoy this phantasmagorical fairytale that paints messages of accepting the mediocrity of life and male dumbness in bubblegum pink (the colour is everywhere, not that one minds it — Barbie’s world, and it’s branding, is pink after all)...

Barbie the film is an expert concoction of shrewd intentions. In its superficiality, it presents a perfect make-believe matriarchal world that is bright, sunny, inclusive and, well, perfect. On the other hand, it puts down men — or Ken, and his various versions played by many male actors. The Kens are shiny, shirtless, one-dimensional idiots, and their head (Ryan Gosling, fitting right into the role — who woulda thought), is the hero who turns out to be the villain...

The cake (ie. the production design) is pretty, but its creamy, fluffy exterior hides a number of statements children and families might not immediately pick-up on. A societally right rationale tries to patch things up by the end and everything, of course, turns out to be okay — but is it?

In the last frames, Barbie, who finally matures — Spoiler Alert! — leaves Barbieland forever for the real world. After becoming a ‘real girl’ (like Pinocchio, but not really), her first order of business is to visit a gynaecologist. How is this a kiddie film? But then again, with the themes at hand, was it ever one really?...

Oppenheimer

I haven’t read Kai Bird and Martin J. Sherwin’s biography American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer — about the man known as the father of the atomic bomb — so I cannot vouch for the authenticity of the overly dramatic, thriller-esque tone Christopher Nolan uses in Oppenheimer.

What I can vouch for is this: the film has excellent, if stationary, cinematography; precise, to-the-frame editing; and brilliant performances from Cillian Murphy, Robert Downey Jr, Josh Hartnett, Emily Blunt, Matt Damon and Florence Pugh (the film also stars Remi Malek, Casey Affleck, Kenneth Branagh, Matthew Modine, Dane DeHaan, Jason Clarke, Matthias Schweighöfer and Gary Oldman, in a packed house of actors).

The sound design, for once in a Chris Nolan film, is bang on the money — the sound effects and their mixing raises the emotion of the moment, and the dialogues are decipherable to the ears.

Yet, despite the goods, the film once again plays to Nolan’s high sense of self as an auteur of cinema. Is it a masterclass of cinema, in the way cinema used to be? Yes, but at the same time, it also bears Nolan’s stamp of doing things a tad bizarrely.

Oppenheimer’s screenplay (written by Nolan), for example, could have been linear — a story of a brilliant but conflicted man who goes through bad relationships, suffers political pressures, and worries about making a bomb that will take lives, and ultimately destroy the world. Yet it isn’t.

Jumping back and forth in time with mad fervency, we see the present (or as close to the present the film offers) in black-and-white, while the past and the future is in colour. Two segments of the story, set during the US Senate hearings of 1954 and 1959, are intermingled with Oppenheimer’s journey from Cambridge to Los Alamos, where he tested the nuclear bomb that decimated Hiroshima and Nagasaki.

Could the film be interesting without the thriller-esque shenanigans? Sure — the story is, for all intents and purposes, a talking heads narrative. People extrapolate their thoughts and arguments in dialogue while sitting, standing, and sometimes while grimly pondering and not saying anything (their expressions, and the intercuts, are never subtle).

Exposition in midst of action is a great filmmaking tool, but excessive reliance on it doesn’t make characters memorable. Then again, that’s Nolan for you — a director who overshadows his stories to the extent that his characters become flat.

Take any of his leads, whether it is Bruce Wayne, Dom Cobb, Joseph Cooper, Tommy or the Protagonist (you may know them from Batman Begins, Inception, Interstellar, Dunkirk and Tenet). Nolan has a type, when it comes to leading characters: they are conflicted, stoic men in the middle of a grave dilemma. The prompt gives his actors the opening to deliver strong performances on barely-written roles, and Oppenheimer is no different.

One sees a lot of nominations this coming award season — some technical, some creative — for a good, if over-hyped film, whose viewing requires a proper guidebook, or a brief documentary on Oppenheimer’s life, to make full sense.'

[nicolemaiines]

gif pack questions: 1, 12, 20

gif pack maker meme!

1, What is your favorite gif pack to date?

it's really hard to choose just one, but a few that come to mind are alok vaid-menon, brock o'hurn, dane dehaan, emma corrin, eve lindley, haaz sleiman, hannah einbinder, jacqueline toboni, jesse james keitel, kiowa gordon, monica raymund, rafael silva, sara ramirez, t'nia miller

12. Which scenes are your favorite to color?

scenes with good lighting are a godsend, 10/10 will love forever.

20. What are you most looking forward to gifing this year? Any upcoming movies or shows?

my birthday+pride packs! I do them every june and am currently accepting suggestions here for this year

[successfulicons]

request: harry styles + dane dehaan

like or reblog 🪐

[ralnbookedits]

⠀ ⠀⠀ ⠀ ⋆ ━━━━╍   dane dehaan layouts.

credits to @TQUILAB4SUNRISE on twitter. are necessary.

            ✷ ⧽⧽⠀⨾  like o reblog if u like or save.

[artistwithoutfurther]

Dane Dehaan & Marvel

like or reblog if you download

[heflowersuits]

Dane DeHaan + Larry 🍇

headers: editspetals, lourrystuffs, venustuffs

like or © @lwtgalway on twitter.

[jugheadsstuff]

harry styles + dane dehaan layouts? please :)

☁️ harry styles + dane dehaan layouts

like or reblog if you saved

[thefav0urite-blog]

VALERIAN AND THE CITY OF A THOUSAND PLANETS HEADERS. Like or reblog if you save.

[conjuringgifs]

FINISHED COMMISSION by clicking the source link, you will find 287 gifs of dane dehaan from the staircase. all these were made by me. do not repost, claim as your own, edit in any way, or include in gif hunts. this includes taking my gifs and making your own gif sets. were these useful to you? give this post a like or a reblog please.   want to support me? consider a commission or buy me a ko-fi!    

[larriedits]

Pack Dane DeHaan + Larry Stylinson

Like if you save or credits for @Iarrystuffx on twitter if you use 💕

Headers are mine, give the credits if you repost

[messedupedits]

dane dehaan as harry osborn from the amazing spider-man 2 layouts.

requested by kevvkeller.

please like/reblog if you use or save layouts.

credits on twitter @messedupedits.

[nicolemaiines]

NEW GIF PACK ALERT: linked below you will find 256 gifs of dane dehaan as chris lynwood in zerozerozero that were made from scratch by me. please give this post a like or reblog if you use/save or find these gifs to be helpful in any way! if you enjoy my gifs, please consider tipping me on ko-fi!

trigger warnings: smoking, dead body, medication, pills, flashing lights, guns, partial nudity

gif pack rules, gif page and ko-fi link can be found here!

[jonazkahnwald]

— ✦* dane dehaan rounded dash icons

requested by myself lmfao. under the read more, you’ll find THIRTY (30) Dane Dehaan static icons !! none of the images belong to me, i just edited them.

[itzdelevingne]

like or reblog to give credits if you save or use

credit to @thekingroden