#Dance Classes In Santacruz
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Mumbai's Magnificent: The Top 50 Wedding Venues That Define Luxury and Elegance
Mumbai's Magnificent: The Top 50 Wedding Venues That Define Luxury and Elegance
Mumbai, the bustling metropolis known as the City of Dreams, is also a city of opulent splendor, where weddings are celebrated with grandeur and extravagance. With its blend of historic charm and modern sophistication, Mumbai offers a plethora of wedding venues that redefine luxury and elegance. From palatial ballrooms to scenic waterfronts, each venue exudes its own distinct charm, promising couples a wedding experience that is nothing short of extraordinary. Let's embark on a journey through Mumbai's top 50 wedding venues, where dreams come to life amidst a backdrop of unparalleled beauty and sophistication.
Click Here More Deatils:https://www.oppvenuz.com/services/venues/Mumbai
The Taj Mahal Palace, Colaba
Standing majestically against the backdrop of the Arabian Sea, The Taj Mahal Palace is an iconic landmark that epitomizes luxury and grandeur. With its stunning architecture, exquisite interiors, and impeccable service, it sets the stage for a truly unforgettable wedding celebration. From the opulent ballrooms to the lush gardens overlooking the sea, every corner of The Taj Mahal Palace exudes timeless elegance, making it a coveted choice for couples seeking a wedding venue that exudes unparalleled grandeur.
The St. Regis Mumbai, Lower Parel
Nestled in the heart of Lower Parel, The St. Regis Mumbai is a haven of luxury and sophistication. Boasting panoramic views of the city skyline, this prestigious hotel offers an array of stunning venues, including the majestic Astor Ballroom and the elegant Drawing Room, each providing the perfect backdrop for a fairy-tale wedding. With its impeccable service, world-class amenities, and attention to detail, The St. Regis Mumbai ensures that every moment of your special day is nothing short of perfection.
JW Marriott Mumbai Juhu, Juhu Beach
Situated on the iconic Juhu Beach, JW Marriott Mumbai Juhu is a haven of tranquility and luxury. With its lush landscaped gardens, breathtaking ocean views, and exquisite banquet halls, it offers the perfect setting for a romantic beachfront wedding. Whether you choose to exchange vows under the stars or dance the night away in the grand ballroom, JW Marriott Mumbai Juhu promises an unforgettable wedding experience that will leave you and your guests mesmerized.
The Oberoi, Mumbai, Marine Drive
Perched along the picturesque Marine Drive, The Oberoi, Mumbai is a symbol of refined luxury and timeless elegance. With its breathtaking views of the Arabian Sea and iconic skyline, it offers a stunning backdrop for a sophisticated and romantic wedding celebration. From the elegant banquet halls to the intimate outdoor terraces, every space at The Oberoi, Mumbai exudes charm and sophistication, ensuring that your wedding day is nothing short of magical.
Grand Hyatt Mumbai Hotel & Residences, Santacruz East
Set amidst 10 acres of lush greenery, Grand Hyatt Mumbai Hotel & Residences is an oasis of tranquility and luxury in the heart of the city. With its expansive landscaped gardens, majestic ballrooms, and exquisite dining venues, it offers the perfect setting for a truly spectacular wedding celebration. Whether you choose to host an intimate ceremony or a lavish affair, Grand Hyatt Mumbai Hotel & Residences promises an unforgettable experience that will exceed your every expectation.
Conclusion
Mumbai's top 50 wedding venues are a testament to the city's rich cultural heritage, unparalleled beauty, and unwavering commitment to excellence. From historic landmarks to modern marvels, each venue offers a unique blend of luxury, elegance, and sophistication, ensuring that your wedding day is nothing short of extraordinary. Whether you envision an opulent ballroom affair or a romantic beachfront celebration, Mumbai has the perfect venue to bring your dreams to life. So, as you embark on this journey of love and togetherness, let Mumbai's magnificent wedding venues serve as the backdrop for a celebration that will be cherished for a lifetime.
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Enroll In Dance Classes With Happy Feet & Groove On The Best Music
Dance is one of the best activities, and if you are one of those individuals who are into dance, then you have landed upon the right page, as from here to you can connect with the Best Dance School In Santacruz. Our center is designed in such a way, that the person has access to everything right under one roof. Our studio has become the top choice of the people, which is the reason why we always do everything as per the demand of the person.
We have a wide range of dance forms available from which a person can choose one as per their area of interest. Our dance professionals have years of experience in this domain, which is the reason why we have become the top choice of people all around. If you want to enroll in the Dance Classes In Santacruz, then you don’t have to search for it any further, as we are the destination for you.
We value the trust of the clients, which is the reason why we always provide them with the best as per their desire. To know more about the dance classes, connect with us, and we will provide you with the right information.
About Happy Feet Studio
Happy Feet is one of the leading names, which is providing individuals with the best dance classes under the supervision of experts. The studio is designed in such a way that it has everything for the students right under one roof. The success rate of the studio is very high because it is designed flawlessly, and also we are known for the online classes we assure that everything is done as per the norms. To get into classes, you can contact on the information given below, and we will guide you regarding various options available.
Source: https://rhythmushappyfeet.blogspot.com/2022/01/enroll-in-dance-classes-with-happy-feet.html
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Wear Up Your Dancing Shoes & Hit The Floor
Any occasion is a birthday celebration or marriage party needs space to investigate its class. This firm which is situated in an exceptionally lovely spot is the one-stop answer for which space is the cutoff to limitlessness. This firm-wide and tremendous space can oblige a large number of individuals in a solitary social affair. Another eye-getting highlight is its delightful clothing and style with the end goal that it can do magic in somebody's eye. The firm genuinely accepts that atmosphere is the primary receptor that charges the client to pick our dinner corridor for their concern. While associating with this firm there can be no space to address how a gathering can be coordinated. Every one of the insides of the corridor is all around planned by the group of expert engineering and style group.
Available: Halls For Shooting in Santacruz
The far-reaching lobby space can be adequately used for events like dance practices, workshops, conferences, different gatherings, displays, marriage capacities, and substantially more for which anything is possible. The firm is additionally figured as one of the greatest occasion coordinators a has made a different magnificent occasion for our customers. The area wherein this firm is arranged is one of the elegant areas and profoundly connective to all sort of open and private vehicle. The cordiality administrations of this firm are perfect as this firm obliges their best food contributions to the customer. The firm has employed a gourmet specialist from a different piece of the country who can add flavors and zest to the food according to customer necessity.
Different moving soldiers need a wide region to design their occasion and to whom the little rehearsing region is the achievement on their way, the one-stop objective is Banquet Halls in Mumbai that will assist you with modifying your occasions there in a savvy way. The organization comprehends that dance is a calling, where one requires a ton of room to rehearse, to accomplish ability in the exhibition.
This firm is client situated, remembering about client need firm has arranged this practice corridor. one can rehearse in a colossal gathering the entire day in a spotless and clean climate. If you are engaged with the colossal moving soldiers and looking for any practice region then this firm offers pre-booking Rehearsal Halls in Mumbai for every one of its clients doing theater and are a dance craftsman.
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Dance classes in Santacruz West that offer training to adults who are interested in learning dance.
#bollywood dance classes#Dance classes in Andheri west#dance classes in Mumbai#dance classes in santacruz west
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Top 10 Dance Class institutes in Mumbai
Whether you have got two left feet or two right ones, dance is something everyone enjoys and if you are a newbie and want to learn it somewhere to hone your skills, then don’t worry the numerous dance academy in Mumbai have got you covered and you can learn a number of dance styles each more different than the other. Find out the top dance studios in Mumbai to take out your dancing shoes for a spin.
Tap Dancing Classes in Mumbai
1. Arpita’s Step Up India
You can go for a trial class or dance workshops to start with. There are a number of dance classes to dabble at such as jazz, rumba, waltz, salsa and a lot more before you select a one which you prefer. Also, you can select the one which suits your schedules.
2. Baile-de-Salon
The city has swayed to its tune since 2009. They have a great many professional instructors and can make the art of dance an effortless process. There are a host of dance forms such as Salsa, Bachata, Argentine Tango, Rumba, Cha-Cha, Mambo, Merengue, Jive, Latin Jazz, Hip Hop and a lot more is on offer.
3. Arts in Motion
The Arts in Motion has been at it for 1000 years now. Arts in Motion combine health and art with effortless ease. There are a huge number of classes such as meditation, yoga, aerial silk (acrobatics) and kickboxing and the usual suspects such as Jazz, Bollywood, Bhangra, salsa, ballet, and other dance forms.
4. Ponnambalam Academy’s
This dancing studio is for classical dance enthusiasts and their three-year diploma course is a great choice, to begin with. While classical dance forms need special skills, there are courses for shorter durations for those who do not want to master it but get an introduction to the skills.
5. Dance Design
They have multiple venues right across the city and has been enthralling audiences with their funky costumes and their amazing shows is four years old now. Explore a variety of dancing styles such as Ballet, Jazz, Lyrical Contemporary, Hip Hop, Tap and so on.
6.Shiamak Davar
He is a very popular dance choreographer and his legendary moves in contemporary dance can be seen in films such as DilTohPagal Hai, Rab Ne Bana Di Jodi, and many others. Every day students throng to his studio to learn his techniques. Learn a variety of dance classes such as Jazz, Hip Hop, Bhangra and contemporary.
7.Ritambhara Sahni’s dance studio
If you want to learn belly dance, you can learn it right here at this belly dance classes in Mumbai. They have great courses right from novice to veteran. They have a tribal belly dance session that is a combination of traditional techniques of belly dancing and gives a great twist.
8.Studio 23’s courses
They are different types of fitness dance classes near me such as Studio 23’s courses here such as yoga, pilates workout, Zumba lessons for adults; and ballet, aerial silk and capoeira for kids. Their high-intensity workouts are perfect to burn out extra calories.
9.Space, Juhu
The Space in Juhu offers dance lovers, excellent dance-exercise. Freestyle exercises that can be combined with dance can make every moment ever so exciting. Take a trial class to know whether it is just the class for you.
10.JG’s Fitness Centre, Santacruz West
Here you will get cardio classes, Bollywood cardio classes to be precise and you can have unlimited dozes of fun. You can try the Masala Bhangra workout in this dance class by the master trainer Shalini Bhargava herself, and lose weight while you have fun.
#dance classes in Mumbai#Dancing Classes#dance class#Dance Class institutes#Dance Class institutes in Mumbai
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Ganesh Acharya accused of sexual harassment by another woman
New Post has been published on https://bollywoodpapa.com/263687/ganesh-acharya-accused-of-sexual-harassment-2/
Ganesh Acharya accused of sexual harassment by another woman
Popular Bollywood choreographer Ganesh Acharya has recently been in the news these days as a 33 year old female choreographer accused him of depriving her of work and also for forcing her to watch adult videos.
Now, another woman accused Ganesh Acharya of sexual misconduct. Yes, a senior background dancer has come forward and spoken up against Ganesh Acharya, alleging sexual abuse by him in 1990.
She said, “When I read about the FIR, I knew I had to speak up too. In 1990, I used to go to Sahiba hall in Andheri West where several masters take dance classes. Acharya used to assist Kamal masterji. I was 18 then and working as a non-member dancer.”
Ganesh Acharya accused of sexual harassment
Sharing about what happened with her in detail, she said, “One day, Acharya said it’s mandatory to learn Jive for auditions and invited me to his class in Santacruz East. Classes were held on Sundays at 11 am. His assistant Dilip picked me up from Khar subway and dropped me to a room on the first floor of Hotel East and West. I did not suspect anything till that point. There were no other students. Acharya said Dilip has gone to bring the sound system and other students. On the pretext of teaching me Jive, he kissed my neck and cheeks.”
“When I resisted, he threw me on the bed and said he wanted to make love to me and marry me. I kept saying no but he kept moving his hands over my body. I was too terrified and told him I am on my period. He finally got off from me and said, ‘Kya yaar, mood kharab kar diya (you spoiled my mood).” she added.
Read also:
Ganesh Acharya blames Saroj Khan of conspiring against him in porn video controversy
She further said that Ganesh Acharya made other students ask her what the problem was, and was willing to waive off the fees. She said she knows another person with whom Acharya tried something similar. When Mid-Day reached out to Ganesh Acharya, he said, “I have explained in a press conference that some people are tarnishing my image because I took a stand against them. They control trade unions in the industry. My stand against them and in the interest of dancers is causing them losses. Everyone involved in these wrongdoings against me will be exposed. They may do many such things against me, but I will not give up.”
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Design Thinking and New Business Ecosystems
As technology continues to shape the way we work, organizations are looking for new methods to enable innovation within their companies. For those working in corporate innovation or organizational management, this interview will shed light on how design thinking is used as a framework for innovation. Michael Lewrick (PhD) lives and works in Switzerland, where he is the author of the international bestseller, “The Design Thinking Playbook,” which is currently published in 34 languages. Michael is a frequent visitor to the Bay Area, working closely with Stanford University, a comfortable traveler between the “Crypto Valley” and “Silicon Valley.” One method from the playbook that caught our attention is the “Design of Business Ecosystems.” This framework is also presented in his newest book, “LIVE from Crypto Valley: Blockchain, crypto and the new business ecosystems,” where Michael provides a holistic view on how to evaluate the potential of blockchain initiatives in mature industries and for blockchain start-ups. We had the chance to interview him in Zurich. Can you briefly explain what the work of a business designer entails? When many people hear the word “design,” they associate the work with making things pretty. In Design Thinking and Business Ecosystem Design, we apply — in the first instance — the mindset of a designer. It starts always with a deep understanding of the user and the problem to solve. We challenge our assumptions and find solutions in an iterative process. Design thinking is a mindset that helps to innovate and solve wicked problems. Various tools and methods have been created over the years to find out more about the needs of potential customers and users, the possibilities of new technology, and the requirements for business success. In short, Design Thinking is a hands-on way of working on problems, with the intention of generating alternative strategies and solutions, which might not be instantly apparent with our initial level of understanding. Especially when it comes to business ecosystems, we’re often trapped in the traditional thinking of customer-supplier relationships and business models. In entrepreneurship classes, students become familiar with the concept of business model design, how is that different from business ecosystem design? The concept of business model design is great, and provides a fundamental logic in designing business ecosystems. However, when creating a decentralized business ecosystem, it becomes of paramount importance to apply multidimensional views to business models. That means that you must design your own business model and a potential model of all other actors in the system. Only if all actors have substantial benefits and have agreed on value propositions will the ecosystem be able to stay alive. We start by using 10 steps to create a Minimum Viable Ecosystem (MVE). It helps to align with some partners in the ecosystem and to test the value streams. Along the same lines, how is a Minimum Viable Ecosystem (MVE) different from a Minimum Viable Product (MVP)? The concept of an MVP has three basic characteristics. First, it has enough value that customers are willing to buy; second, it has enough future benefit to retain early adapters, and third, it provides feedback loops to guide future developments. The same pattern becomes relevant in designing Business Ecosystems. While the MVP evolves out of the Problem-Solution-Fit, the MVE comes with the definition of the Product-Market-Fit. So basically, instead of designing for a specific customer, you are designing for a marketplace with many different actors in the value chain — some of whom are customers. Tell us about the role of values in designing a business ecosystem. The value streams are very interesting, especially in the process of designing the token-economics for blockchain initiatives. Most Initial Coin Offering (ICOs), I have observed over the last year, put not much brainpower into ecosystem design and how values are exchanged over the long term. However, it becomes important because the token economics are defined on the basis of a working business ecosystem and the type of token used — e.g., asset, utility, or payment tokens. Tokens can also be linked to various conditions, such as the temporary transfer of ownership or monetary deflation. The resulting “crypto economics” is based on well-known models of microeconomics, game theory, and cryptography. Economic incentives such as artificial scarcity also underpin it. However, it must be designed and resistant against external factors. Today, over 800 cryptocurrencies are already dead, worth less than one cent. Of course, some were scams anyhow, but many had no idea how generate value out of the ecosystem. Blockchain is seen as a useful technology to increase trust and transparency in business, despite some scams with ICOs. However business has not been seen traditionally as having a social purpose. Do you think that Blockchain changes that traditional view of business? Yes, I believe that we see an emerging shift of the power structures in the market enabled by blockchain. The barriers of entry into a system are lower for new market participants, and the value creation is redistributed. Ideally, this leads to an increased benefit for the whole ecosystem, a reduction in the power of intermediaries and the decentralized management of data and information. This, at least, is what we expect from many new ecosystems that are currently being designed and implemented. A well-known example of a blockchain application is the case for diamonds. Each diamond is recorded and uniquely identified as an asset on the “Diamond Protocol” where every transfer of ownership, as well as the provenance of the diamond, is recorded. This enables, for example, an Auctioneer to completely retrace the history of each diamond and thus give potential buyers the certainty that the coveted stone originates from a reliable source. The same information can also be made available to other stakeholders such as insurance companies or law enforcement. Pushing diamonds on a blockchain enables better and digitalized insurance — WOW! There are many business opportunities, but only if the first effort has been achieved, which is putting digital assets on a blockchain. How do you see the changes that you described above in relation to the role that digitalization is playing in the business world, and in the larger society in which businesses exist? New technologies like Blockchain are enablers that allow a radical shift for many market players simultaneously, if they are curious about the envisioned future. The development of new value streams and business models become more complex — and it’s not just technology we have to understand. The most prominent challenges are: dealing with uncertainty, the multi-dimensionality of business models, participation in business ecosystems, and the scalability (growth) required to generate significant revenues in these new models. In the case of the blockchain, it is not only a matter of mastering a new technology, but also of rethinking our current market role, value streams, and existing business ecosystems. This is a complex system in which many elements have to be (re)designed. And how to manage them? For me, digital transformation starts always with a new mindset. For the Design Thinking mindset outlined in The Design Thinking Playbook, co-creation and the radical collaboration of interdisciplinary teams helps to succeed in dancing with the ambiguity. From my experience, it is good to give the people in the organization space so they can go through the cognitive process on their own and shape a new shared understanding — a mindset that matches the respective organization and its employees. In your book you talk about the goal of a Black Ocean strategy as making market entry impossible for competitors vs. the Blue Ocean strategy of creating new markets. Isn’t a Black Ocean strategy pro-monopoly and anti-consumer at the end of the day? I’m wondering if there is some kind of paradox involved here. Very good question. I believe that the design of superior ecosystem generates the best value and best experience for the customer. Second, the system will survive only if all actors in the system have benefits and a shared perspective on the value proposition. There might be other mechanisms that are more anti-consumer, like creating hook-effects or log-in effects at the customer side. However, I assume that those are the new marketing and customer retention mechanism. At swissnex, we focus a lot on open innovation. How does business ecosystem design relate? There are some principles in designing ecosystems, and for swissnex and open innovation, I believe it will stay key to building trust and personal relationships with all the actors in the system. This is fundamental regardless of whether you’re starting a blockchain business or a creating open innovations. --- Photo: I have an idea by Julian Santacruz, CC-BY SA 2.0 via Flickr. https://nextrends.swissnexsanfrancisco.org/design-thinking-for-business-ecosystems/ (Source of the original content)
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‘Dastak’ (Rajinder Singh Bedi, 1970) makes me think of my parents, as they must have been when they were newly married.
When ‘Dastak’ came out, my parents had been married for a decade, and I was 5 years old, but the world that ‘Dastak’ is set in and that my parents inhabited had not changed much in that time, the area around Bombay Central Station, the lanes and bylanes of Agripada and Byculla, the chawls and ‘manzils’ of the area, with small houses and large families. Hamid Manzil. Jasdanwala Building. Raja Building. Everready House.
When Dhanno was doing her architectural thesis on the Salvation Army in Byculla, I walked with her, round and round the streets of my childhood, trying hard to convey to her what it was like then, the mix of communities and classes, my conservative Bohra aunt who lived next door to Anglo-Indian dancers in Hindi films, our Gujarati neighbors whose son and I once had a head-bang and his nose bled because my head was hard as a coconut, my Maharashtrian classmate whose father and brothers worked in a factory and lived in a family of 11 in a small 100 square feet room, my pretty Jewish classmate whose house in a posh building I never saw, my Anglo-Indian best friend whose family owned a building and lived on the top floor with a terrace in noisy gaiety, my grandfather’s house, ‘the big house’, replete with elaborate meals and constant comings and goings.
To my parents, this collision of different worlds was not a threat. As it was not to me, because I spent my early childhood here. But Dhanno who came from the outside, who had never lived here, was often overwhelmed by the noise, the crowd, the overflowing filth. As for the couple in ‘Dastak’, who are outsiders to Bombay, the proximity of so many people, crowding into their lives and their private space feels like a threat.
When my parents married, they lived in the joint family for a couple of years. In the day, the women cooked huge amounts of food for the large family. At night, the older brother and his wife had a private room in the ‘big house’. The younger brothers and their wives rented rooms in the area where they could spend the night.
I try to imagine the beginnings of my mother’s marital life in these rented rooms, what they must have been like. Not different from the several homes and rooms I saw in my own early childhood. Not different from the room rented by the couple in ‘Dastak’. However, my mother conceived me only when they left the joint family and the crowded locality and spent a couple of years in Santacruz, in presumably more privacy and peace.
My mother was the only child of a rich father, had studied at a boarding school in Panchgani for 5 years. She had suddenly been pulled out of school when her father fell ill and wanted her to be married as soon as possible. My father had many sisters and brothers, most of them loud and quarrelsome, left to fend for themselves by their mother’s early death. My mother spent the first two years of her married life wanting to be divorced, wanting to be free. But she stayed on, because my father was kind and loving, and her father had already died by then.
Like the young couple in ‘Dastak’ my parents too escaped the weight of the hot and sultry air of an overcrowded home in the cold breezes and open spaces of Marine Drive and Chowpatty.
Unlike the reel couple though, thankfully, their evenings didn’t end with police or thugs, or falling into manholes.
The other escape was within the kitschy art deco theaters that abounded in the area, through the songs and dances of Hindi films, the glamorous heroines, strong heroes and the valleys of Kashmir.
As I grew up, I learned to escape my horde of cousins and aunts and uncles and grandparents, through books. A small corner within the crowd is all I needed to run off into glens and fields, islands and caves, secret cupboards and large summerhouses, castles and lighthouses. The cool stone corridors and freshly painted walls of my convent school, with its large courtyards and its old trees showering golden yellow ‘ducks’ for us to crunch on, must also have been a haven for all of us in the area. The distance between our tiny homes and the school was short, but the worlds were completely different.
Child as I was, I felt at the time, the striving of almost each soul around me, pushing their way out, pushing their way up, working, working, working, and never quite managing to break through that thin querulous line between respectable poverty and comfortable prosperity. The man in ‘Dastak’ too tries so hard, to retain his job, to get a loan, to avoid taking a bribe, to retain his honesty and dignity, to somehow make a better life for his family, to give his wife a better home, but the city never relents. Back in the village, his father-in-law too is defeated by his lack of money; his younger daughter with her natural desires cannot wait any more for her father to find her a groom. She runs away, and her older sister, trapped, trapped in the city, trapped like her pet bird, almost gives up on the notion of respectability.
Also, there were other repressions I was too young to understand at the time. There was Janaki, the girl who babysat for us occasionally, and whom I loved so much, her bare brown legs in cotton frocks flying down the backstairs, presumably to a meaner house than our own, Janaki had a reputation that I heard of, but could not dissect. There was my grandmother’s neighbor, Asma who came back from her job at the bank everyday and flung away her salwar, and stood by the window baring her pale white legs with coarse black hair on them, even though her mother screamed and her sisters taunted. Her sister Tara, finicky and fair, had left her husband, and now washed her hands again and again and again, through the day. What could I know of these longings that seeped through the crevices of the narrow walls, bookish child that I was?
There is a moment then, in the film, a brief moment where the woman removes her clothes and lies alone, naked in her small room, and in her dream, she runs and runs, across beaches, and bridges and fields. This longing to be only a girl, a woman, herself, not burdened by the lewd looks of her neighbors, or the suspicious ones of her husband, or by the heavy weight of respectability flings aside her ‘purdah’ only to be brought back to reality within a few moments by a rat.
It is this burden of respectability that is the real trap. The husband in his mean assumption that his wife is his property and even a breath of air will pollute her, is unable to empathize with her suffocation, only increasing it more, silencing her, forbidding her to sing, because he does not even want her voice to be heard by anyone else, because her singing voice will give proof to the rumours that she is a ‘singing-dancing woman’ like the tenant before her.
The man however gets to be loved by his Anglo-Indian colleague, and share a minor flirtation with her, and to be teased by his wife’s younger sister, without any breath of suspicion on him.
The film retains the claustrophobia of the environment, remaining largely indoors, within the room of the couple. The brief forays into the city and the village serve as fresh air. The husband’s office too becomes an additional pressure on the couple, in its ruthless expectation for him to fall in line, to give in to corruption.
Not much else is needed in ‘Dastak’ except this woman’s craving to be alone in her house, a lot is superfluous, the caricaturish ‘madam’, the loud clients, the husband even, and the end, the end where her sexuality becomes acceptable only because she is pregnant, she will now be a mother, and presumably, this saga of being lusted for will end. I personally find this end almost negating the woman’s longing for freedom; her becoming a mother makes her acceptable in her husband’s eyes again, pained as he is by her sexuality which eggs on invasion by unwanted eyes, which breaks through all the ‘purdah’ that he wishes to impose on her.
Dastak (1970) – or the knocks of life ‘Dastak’ (Rajinder Singh Bedi, 1970) makes me think of my parents, as they must have been when they were newly married.
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Longinus known as the choreographer of the closing credits dance sequence featuring Academy Award for Best Original Song winning song, "Jai Ho".
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