#DMX interface

[kailondo]

Blogg post #7 - Creating my Final Instrument

As part of our upcoming "Best of Booth" event on June 7th, I’ve started a unique final project that showcases everything I’ve learned in Max MSP over the past six months. The project revolves around creating a distinctive musical instrument for my performance, using live recordings of the djembe drum.

The core idea is to develop a patch that can sort these recordings into sample files and then play them back in polyrhythmic forms, essentially mimicking a djembe player. My djembe, a solo model, will be used for playing fills over the percussion sequences, triggering laser lights to enhance the visual aspect of the performance.

One of the main challenges is ensuring the patch isn’t too large to prevent my computer from crashing. With numerous processes running simultaneously, I’m considering using two computers to manage the load effectively. Another challenge is devising a way to change up the lighting show so it feels both natural and unexpected.

Here’s a breakdown of my current progress and plans:

Objective:

Initially, my goal was to trigger the venue's unique lights with a drum for our event. However, I’ve decided to complicate things slightly to simplify the drumming aspect for myself, as I’m not a seasoned djembe player.

Current Progress:

Inspired by a tutorial from UMUT Hearing Glass—a channel I highly recommend—I’ve developed a polyrhythmic generator. This system allows you to input a sample into one or more boxes, where a clock (which you can adjust) plays the sample in varying lengths. Currently, the system randomizes the sample length with each trigger, creating dynamic polyrhythms.

Lighting Patch:

The patch for controlling the lights is a bit more complex. It’s still under development, but the plan is to integrateing the Polyrymic patch with the Lighthing Patch. This will give me three weeks to practice and fine-tune the system, ensuring it’s engaging and reliable.

Potential of the Patch:

This project could fill several important gaps in the market if i would like to further develop it.

It eliminates the need for a lighting specialist/VDJ to control lighting, as the artist can manage this through triggers like MIDI, automation, or sound transients.

It enhances the artistic experience by directly linking the music and lighting, allowing for a more immersive atmosphere.

It simplifies the control interface, making it more adaptable and user-friendly.

Future Steps:

Before considering a public release, I need to:

Test the system extensively to ensure reliability, which involves accessing enough DMX lights to fill a DMX universe (512 channels).

Develop a user-friendly interface.

Find an affordable yet functional DMX unit.

Add lighting fixtures to the library, explaining each DMX channel's function.

I’m excited about the potential of this project and look forward to seeing how it evolves in the coming weeks.

[road2022]

Which RGB/RGBW/Adjustable Controller Do I Need?

One of the most important factors to consider is the size of your project. For a small LED installation where you need to change the color of an entire LED strip, a device that can be used right out of the box (RGB controller) will be the perfect choice. For larger projects where you need to control multiple channels, a controller with multiple outputs (such as RGB/Dali/DMX) will allow you to control the lights individually, either directly from the controller interface or through a DMX or DALI system. DMX control is commonly used for lighting in theater and stage productions, while DALI is often used to manage lighting for an entire building from a single controller.

Compatibility is another important factor in choosing an LED controller for color changing or adjustable LEDs. Adjustable controllers are designed only for white lighting, which greatly simplifies your LED options. Make sure the controller you are considering is suitable for the input voltage of your LEDs and that the range (the distance between the controller and the LEDs) is sufficient for your specific installation requirements.

Below is a Spanish customer using RGB Programmable Amusement Lights for his playground. The RGB lights used with an external controller enabled them to choose from a variety of vibrant static and color changing modes. As you can see, the end result is bright, vivid and vibrant, and the client was very happy with the end result.

If you are looking for LED amusement lights to illuminate theme park and amusement park facilities,Aglare Lighting is proud to promote our LED pixel lighting products to customers throughout the amusement industry. We sell LED pixel lights to Christmas lights, carnival rides, amusement parks, theme parks, family entertainment centers, circuses, fairs, Christmas light carnivals, ferris wheel lighting,

[rashapofessional]

Rasha Professional's Spectrum of Cutting-Edge Lighting Innovations

In the realm of stage and DJ lighting, Rasha Professional stands tall as a beacon of innovation and excellence. For performers and event organizers seeking to elevate their stage presence and create unforgettable atmospheres, Rasha Professional offers an extensive range of state-of-the-art lighting solutions that redefine the boundaries of visual experiences.

Moving Head Beams: Precision in Motion

Imagine the ability to sculpt the ambiance of your stage dynamically, effortlessly, and precisely. Rasha Professional's moving head beams turn this vision into reality. These powerful fixtures offer unparalleled precision in movement, allowing performers to command attention with sweeping arcs of vibrant colors and precisely targeted spotlights. From intimate performances to large-scale events, the versatility and dynamic capabilities of these beams amplify the visual impact of any show.

360-Degree Projection Tubes: Immersive Visual Symphony

Transport your audience into a realm of visual wonder with Rasha Professional's 360-degree projection tubes. These innovative tubes create a panoramic canvas, enveloping spectators in a seamless and immersive visual experience. Whether used to create mesmerizing backdrops, accentuate performances, or enhance themed events, these projection tubes captivate audiences by transforming any space into a spectacle of light and color.

Battery-Operated Wireless DMX Uplights: Unrestricted Creativity

Flexibility meets professionalism with Rasha Professional's battery-operated wireless DMX uplights. Say goodbye to the limitations of wired setups and hello to the freedom of positioning lights wherever they're needed without the hassle of cables. These uplights provide the same high-quality lighting output as their wired counterparts, offering event organizers and performers the ability to illuminate spaces with precision and ease.

Cold Spark Machines: Sparkling Elegance, Zero Heat

When it's time to create moments of pure magic, the cold spark machines by Rasha Professional steal the show. These machines generate dazzling sparkles without the drawbacks of heat or smoke, making them ideal for indoor events where safety and cleanliness are paramount. Whether it's a grand entrance, a climactic moment during a performance, or a celebratory event, these machines add an enchanting visual element that captivates audiences.

App-Controlled Battery-Operated LED Up Lights: Customization at Your Fingertips

Empower yourself with complete control over your lighting setup using Rasha Professional's app-controlled LED uplights. Seamlessly adjust colors, brightness, and effects through an intuitive and user-friendly app interface. This level of customization allows performers and event planners to adapt the lighting atmosphere on the fly, ensuring every moment on stage is perfectly accentuated.

Bullet Pin-Spot Bars with Zoom: Precision Illumination

For those seeking pinpoint precision and focused lighting, Rasha Professional's bullet pin-spot bars with zoom capabilities are the answer. These fixtures offer the ability to highlight specific areas or performers with exceptional clarity, ensuring that all eyes are directed exactly where they need to be.

Confetti Cannon Blower Machines: A Shower of Celebration

Few things elevate a moment of celebration or highlight a performance like a burst of confetti. Rasha Professional's confetti cannon blower machines deliver vibrant confetti showers that add an exhilarating touch to any event, creating lasting memories and enhancing the overall experience for attendees.

Bullet Pinspot Wash Fixtures: Uniform Illumination

Craft the perfect ambiance with Rasha Professional's bullet pin spot wash fixtures. These fixtures provide uniform illumination, allowing event planners and performers to create inviting and captivating atmospheres that engage audiences and enhance the overall experience.

Rasha Professional's commitment to innovation and quality shines through each of these lighting solutions, catering to the diverse needs of professionals in the entertainment and event industry. The seamless integration of cutting-edge technology with a focus on user-friendly design ensures that these lighting fixtures not only meet but exceed expectations.

From intimate stages to grand arenas, Rasha Professional offers a range of stage and DJ lights for sale, serving as the creative conduit that transforms performances and events into unforgettable spectacles. Elevate your stage presence, captivate your audience, and set the scene for extraordinary experiences with Rasha Professional's lighting innovations.

Rasha Professional's lighting solutions can elevate your performances, enrich your events, and illuminate the extraordinary.

[visualproductions]

Pixera Media Server solutions & Visual Productions

The Pixera Media Server system is a compact yet extremely powerful media server range with many flexible options, including Visual Productions integration!

With Pixera, usability is key. The real-time media processing, compositing and management solution exists of high performance server hardware and innovative software applications. Pixera playout solutions are being used in museums, interactive installations, immersive experiences, theme parks, houses of worship and in many other markets across the globe. 

A dedicated module within the PIXERA control interface allows for easy access to the compact IoCore2 unit‘s inputs and outputs. The IoCore2 is a network-based solid-state interface for GPIO signals. It features eight GPI ports that can be configured as digital contact-closures or analog 0-10V level inputs. The IoCore2 also has eight GPO ports that are fitted with potential free relay switches. Furthermore, it has a RS-232 port, a bi-directional DMX-512 port and supports many Ethernet based protocols.

When including an IoCore2 in your system, you instantly add interactivity to your immersive environment. Think of changing video content when crossing a photo electric beam, pushing a button changes screen or information, and much more.

When using CueCore2 with Pixera, you can even add automated lighting control, whether it be simple white lights or advanced RGBW lights which will enhance the atmosphere with subtle colour changes.

A DALI controlled lighting system? Include control of groups or intensity with DaliCore, integrated in Pixera Control IO.

Synchronising video content with audio? Converting timecode? Pixera can control and sync up audio- and video content across multiple screens when integrated with Visual Productions' TimeCore: compatible with all major timecode formats and all major frame rates.

[vjsmag]

TextMachine 3D: The Ultimate Software for Visual Artists and VJs

Explore the dynamic features of TextMachine 3D and learn how it empowers visual artists and VJs to create captivating live and pre-production content. TextMachine 3D is a versatile software designed specifically for visual artists and VJs, offering a comprehensive suite of tools to create dynamic live and pre-production content. From real-time text rendering and 3D model manipulation to architectural projection mapping and network control for multi-computer stage setups, TextMachine 3D has it all. In this article, we will explore the features and functionalities of this powerful software that makes it an essential tool for any visual artist or VJ. Text Control and 3D Models TextMachine 3D allows users to input and render words and sentences in real time or load text from file. It supports all fonts installed on a user's PC and provides font search, preview, and fast-click symbol output. The software also enables real-time 3D text generation and 3D model import (3DS and X-files), allowing users to manipulate their position, rotation, and size. Particle Generators and Images, Video Loops, Flash Movies With TextMachine 3D, users can create particles from text, video loops, and 3D models. The software enables control over particle life, position, and size, and allows users to set up particle generator presets for later use. Furthermore, TextMachine 3D supports various formats like AVI, MPEG, WMV, and FLV, enabling users to render video textures on 3D models and text. Real-time Video Capture and Architectural Projection Mapping The software allows real-time video capture and manipulation from capture devices or webcams. It also features architectural projection mapping, enabling users to map TextMachine 3D output and external sources onto custom projection surfaces like buildings, room corners, and cylindrical screens. The mapping design occurs in real-time, with keyframe technology for animating projection maps and masks. Multi HD Output and Network Control TextMachine 3D supports multi-screen output for panorama projections or video walls, with manual output size definition for wide or custom-sized screens. It also enables network control of multi-computer stage setups, allowing multiple instances of TextMachine 3D to be controlled simultaneously from a server instance. FreeFrame and Native Effects Users can load their favorite FreeFrame plug-ins and control up to 8 FreeFrame effect parameters. Additionally, they can add unlimited effects using their own effect textures and utilize built-in feedback algorithms for blurs, trails, and smear effects. Parameter Animation, Audio Input, and MIDI/DMX Control TextMachine 3D offers manual parameter animation and beat synchronization functionality, with motion paths for moving 3D models and text. It also features a 10-band audio spectrum analyzer and supports MIDI/DMX control through an easy-to-use MIDI learn mode. Presets, Playlists, and Recording Users can manage and preview presets, compose playlists, and define cues for timed playback. The software also allows recording of output to AVI or numbered JPG frame sequences, as well as taking screenshots. System Requirements TextMachine 3D is compatible with Windows operating systems (XP or later) and requires DirectX 8 or later, Adobe Flash 10 or later, a recent laptop or personal computer, a minimum of 512 MB RAM (1024 MB recommended), and a 3D accelerated graphic card with at least 64 MB memory.

Conclusion

TextMachine 3D is an invaluable tool for visual artists and VJs, offering a wide range of features and capabilities to create stunning live and pre-production content. With real-time text control, 3D model manipulation, architectural projection mapping, multi HD output, and much more, the software allows users to push the boundaries of creativity and captivate their audiences. Its user-friendly interface and comprehensive tutorials available on the TextMachine 3D YouTube channel make it accessible for both beginners and experienced professionals alike. Whether you are a visual artist or VJ looking to enhance your live performances or create mesmerizing pre-production content, TextMachine 3D is the ultimate solution. Download the full version of TextMachine 3D V10 R-2015 today (watermarked, user manual included) and unlock the potential of this powerful software to elevate your visuals and captivate your audience.

Read the full article

[leelightingrental]

ART7 AsteraBox CRMX

AsteraBox CRMX is the interface between lights and controller. It can be used as a wireless DMX transmitter with CRMX technology and also works as interface between app and lights. Its built-in battery enables an easy and time-saving setup, just like with all of Astera’s products.

[proaudiostar]

LED Lighting

The industry has come an extended way. The industry has progressed towards developing brighter and more energy-efficient lighting solutions. The inception and use of LED lighting technology is one among the many developments that have helped reshape the industry. LED lighting technology has provided new and better platforms for users, especially facility managers, to utilize especially on matters concerning energy efficiency. Tunable lighting is yet one more development or entrant within the field. Tunable lighting allows users to regulate color temperature, an important aspect of lighting. The selectable Kelvin or light color temperature (usually 3000K, 4000K, or 5000K for tunable lights) is employed to realize different conditions which will improve occupants' wellness. additionally to allowing light color adjustments, users also can adjust wattage. In simple terms, you'll select light amount output of your LED tunable fixture hence saving on your energy costs. Tunable LED lighting technology was developed by fusing LEDs with different color temperatures into one strip or bulb. The tunable LED system relies on the driving foretop regulate where its sending power. you'll adjust or change the color temperature by adjusting a dial connected to the driving force inside a fixture. this will even be done wirelessly, communication interfaces like DMX and DALI are pretty common. In locations where achieving the specified color temperature is important, tunable LED lights are pretty helpful hence their extensive use. These environments include galleries, stores, hospitals, and warehouses. In some situations, muffling or enhancing certain hues could also be harmful. Tunable fixtures are just about available for both residential and commercial applications. LED Lights still offer consumers tons quite just energy efficiency. For the longest time, energy efficiency has been the first reason LED lighting solutions have gained tons of recognition over the past several years. LED tunable lights are not any different. The new sorts of tunable LED lighting solutions are now more readily available than ever, given the extra benefits related to their use. There are many solutions for various applications within the market today. LED luminaires are delivering varying light colors since their inception to the purpose where many of us have noticed their benefits and embraced them for a short time now. Amazingly, the controls, power, and capabilities of LED tunable lighting lamps keep improving. the newest LED technology produces more powerful, easy-to-control lights with various capabilities. As a result, the applications of LED tunable lights have continued to grow tremendously. Another reason why LED tunable lights are gaining tons of traction worldwide is that the availability of a good range of products within the market. This phenomenon is very attributed to their numerous applications.

[verticalnew176]

Resolume Arena 7.0.5 Crack

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Download Resolume Arena 7.0.3 Rev 65832 for Windows PC from FileHorse. 100% Safe and Secure Free Download (32-bit/64-bit) Software Version. Dec 05, 2019  Resolume Arena 7.0.5 License key with Crack Free Download at izofile. Resolume Arena Crack is a popular video mixing software that enables mixing in real time performance. This versatile video editor, video mixer and video creator software comes out with various advanced toolsets.

Resolume Arena 7.1.0 Rev 67353 + Crack Serial Resolume Arena is a powerful and professional tool that allows you to combine audio and video material in order to. Resolume Arena 7.0.5 Crack License Key Free Download Resolume Arena Crack Key Full Download is complex software for blending screens. Continue reading. December 14, 2019 Tools. DAEMON Tools Ultra 5.7.0.1284 Crack Full Version Download.

Resolume Arena has everything Avenue has, plus advanced options for projection mapping and blending projectors. Control it from a lighting desk and sync to the DJ via SMPTE timecode. Features and Highlights Live Video Mixing Resolume puts you in charge. You can play your videos when you want, how you want. Forwards, backwards, scratch and adjust tempo to the beat. Mix and match your visuals quickly and easily and play Resolume like an instrument. Intuitive Interface Whatever your style is, Resolume offers you an easy interface to rock it. Use as little or as many videos and effects as you like. The only limit is your computer's raw power and your imagination. From Your Local Club to Main Stage You can play on any amount of screens. From a simple screen behind the DJ in your local club to main stage at Ultra. As long as your computer can recognize it as an output, Resolume will let you use it. Audio Visual Playback Resolume plays both audio and video files. Animate pixels and drop beats, combine any video file with any audio file. Audio Visual Effects Resolume has both audio effects and video effects. Use them separately or combine them to create exciting new audio visual effects. Audio Analysis Make clips and effects dance to the beat. Resolume can analyze the audio to make any parameter bounce to the music. Mapping with Arena Project video on any type of surface. Complex geometrical structures or whole buildings. Resolume does all the hard work, so you can concentrate on the important part: being creative. Blend Projectors with Arena With edge blending you can seamlessly project one beautiful widescreen image with two or more projectors. It can even wrap around for a full 360 degree experience. Project on Cars, Buildings or Pumpkins With Arena you can take on any size mapping project. From projecting on DJ booths to cars, buildings and LED mappings on giant stages like Ultra. LED There Be Light Think outside the screen and colour the lights too! With Resolume Arena you can send out colours to DMX fixtures and the lights will be in sync with your visuals. Live Composite & Effects Adjust the scale and position of your clips to suit your needs. Apply effects to drastically change the look of your video. Everything runs on the video card so you get the fastest performance and best image quality possible. Real Time Rendering Apply effects, blend, mix, cut and edit, everything happens on the spot. Audio & Visual Plugins All visual effects in Resolume are plugins and you can easily add more effects by download 3rd party plugins. You can even program your own using OpenGL. On the audio side you can use VST plugins to play your favourite effects. Control from a Lighting Desk You can control Arena from a lighting desk using DMX. So you can operate the lights and video with the touch of a fader. Note: Watermark on output video in demo version.

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[visualproductions]

Visual Productions adds MA3 compatibility to CueCore and B-Station2

And to QuadCore, TimeCore, IoCore2 and DaliCore of course! So Visual Productions recently decided to add MA3 Templates to its lighting controllers targeted at architectural and system integration markets. Where more and more integrated solutions are being requested, with the MA Lighting-Visual Productions combo it is now possible to integrate control of stage lighting, venue- or building lighting, emergency lighting and even include a BMS (building management system).

More specific, we have programmed templates and macros to interface and automate in both directions: from grandMA3 consoles to various Visual Productions controllers (using MA3 Macros and Executors) and from Visual Productions controllers to grandMA3 consoles (using Templates).  The OSC network protocol is used for this, as it is supported by both manufacturers.

We will make the MA3 Macros available through the Downloads section of the Visual Productions website. Templates for controlling a grandMA3 with Visual Productions' controllers will be included in upcoming firmware versions and can be selected from the Templates list which can be found on the Show Control page of each controller. Just like any other Template, selecting an MA3 Template in a Visual Productions controller will automatically create the Actions List with associated Actions, Triggers and Tasks.

For grandMA3, in general any button or cue can be assigned a macro which can be part of a preprogrammed show. The OSC command set will then trigger the associated task in a Visual Productions controller.

Below is an overview of all MA3 macros we prepared:

We have developed templates and macros for grandMA3 working with CueCore3, CueCore2, QuadCore, IoCore2, B-Station2, DaliCore and TimeCore. The first Visual Productions product to include an MA3 Template is CueCore3, available with a new vManager release. Templates for other products will follow soon. See below for more detailed descriptions and applications with other Visual Productions controllers.

Remember to make sure you set the correct OSC Remote network configuration on the MA3 to match the Visual Productions settings. See the MA3 manual here.

grandMA3 controlling CueCore3, CueCore2 and QuadCore

Template name: MA3->Playbacks

Description: MA3 can jump to Cues in Playbacks and can release Playbacks

In MA3 import the Visual Productions macros. They appear in your Macro Pool. Simply push a button named "Core Playback 1 Jump 1” or "Core Playback 1 Release”.

A typical application would be: trigger house lights presets as part of the show lighting without patching and integrating any of the fixtures in the MA3 show.

B-Station2 controlling grandMA3

Template name: Buttons->MA3

Description: use any of the 6 B-Station2 buttons to control an MA3 Executor’s Go command. Short press starts the Executor, long press releases the Executor. In B-Station2’s Show Control,  you can adapt the Executor to be controlled, or replace the Executor by any valid MA3 command. This is done in the Task menu.

Application: the B-Station2 can be used as a simplified and accessible remote control for a complex MA3 system.

Feedback is provided by MA3: it switches the LED ring in B-Station2 on and off provided you have added our MA3 feedback macros to the Cues and Off-Cues in the Executors controlled.

grandMA3 controlling TimeCore

Template name: MA3->Timecode Description: MA3 can select which timecode source is to be used: internal, SMPTE, MTC, RTP-MIDI or Art-net. It can also control TimeCore's transport functions Start, Stop, Pause, Restart and Reset.

grandMA3 controlling DaliCore

Template name: MA3->Scenes

Description: MA3 can control DaliCore Scenes, containing both DMX fixtures and DALI devices.  Application: control DALI lights in bar, lounge etc. and select Scenes to adjust brightness and colour, matching mood or event.

grandMA3 controlling IoCore2 

Template name: MA3->GPO Description: control the GPOs (General Purpose Outputs) of an IoCore2 by MA3 macros. Application: trigger any device with GPIs (General Purpose Inputs), for example broadcast from MA3. 

IoCore2 controlling grandMA3

Template name: GPI->MA3 Description: use the General Purpose Inputs of an IoCore2 to control MA3 Executors. Application: add interactivity to rides, museums and other interactive installations.

This concludes the overview of Visual Productions-MA Lighting integration options.

Eternal thanks to Jeroen@Light Image BV!

[immersivestudio]

Creating an immersive space

Creating the East of England’s first immersive, reactive, and programmable  space for the community, is not for the faint of heart. In an old warehouse that is now an amazing studio space in Peterborough, I’m trying to realise dreams...

This journey started after experiencing some truly amazing interactive projection work at Bournemouth’s festival of light and a wonderful visit to the work of Luke Woodbury https://www.dotlib.org/about, especially at the Three Ways School in Bath, and their amazing immersive classroom or sensory studio. 

After the experience of participating and being expertly shown the possibilities of this technology, I was keen to learn more. Luke, generously offered to help with advice and signposting to correct equipment and software links! So, I had no excuses now...

This started a passion for new approaches to technology, space / environments, reactions and interactions. The integration of software and hardware, plus the way we can control and influence the interactions to explore our social boundaries... This is currently an extremely interesting topic for me, as I’m designing the space within the backdrop of a pandemic!

How it works:

A programmable, immersive, interactive studio uses software to help the artist or creator tell the room what they what to happen, they can add the sounds, lights and / or projections to create an environment or explore a situation... it can be a bit like VR crossed with a sensory room, that can all be programmed (For Star Trek fans it’s basically the holodeck... eventually!)

For it to be responsive and interactive it requires feedback from the user. Basically the user does something and the rooms sound, colour or image responds to that something. The feedback device can be a camera, light detector, infrared detector or tracking camera. It could be a switch, floor plate, conductive switch, contact card / receiver (think contactless payment without the payment, something else happens) it could be temperature sensors or distance/proximity sensors the list goes on... basically any device or sensor that a robot needs to navigate the world can be adapted and used, plus other devices like the wonderful makey makey and ardunio.  

https://makeymakey.com/��      https://www.arduino.cc/

I now have some ideas and some of the technologies knowledge plus the space. It’s now a matter of building, programming, hacking, and testing!

Where to Start?

Luke advises to start simple and then build on that simplicity to more complexity, it sounds logical and manageable, so I decided to start with getting the lights to react to movement. I’ve worked with light before at nightclubs, creating moods manually with DMX light controllers, but welcomed the challenge to learn more.

Then I would add sound. I’m fairly confident working with sound or audio as that’s my major (to coin an Americanism). The software I’m using to control the space is Max for live. This is part of an audio workstation application that I’m very familiar with called Ableton Live.

If I can get these two elements working together I can build upon this as I go. Eventually to 360o projection and 360o ambisonic sound!!!

I was able to apply for some funding from the Cambridge technology fund to help with capital costs involved of equipment purchases (lights, controller, webcam, cables, etc.) also for R&D time at events, plus some testing via workshops to gage effectiveness and response to the idea and inform the application / approach going forward.

In October 2019 I started to research the lighting opinions available... there are a bewildering array of different lights with extremely variable costs! It took longer than expected to find the lights that would fill the space and be on budget.

I thought that a hardware controller for the lights would be best, plus it could be used to control the lights when not using the software. I did contact Luke just to make sure that was the correct choice. He said that a better choice would be the Enttec DMX usb pro mk2 as there was already a little program that had been made to access and control the lights via the software and it was free to use. So I took his advice, as programming a new device to interface with max/map was probably a step too far for me, at this early stage in the development.

The first experiment needed one more piece of technology - an external webcam will enable an image to be used as a data source. I had managed to get a little experiment working with the built-in webcam see video 2

Again there are lots of webcams on the market so very expensive! As I had heard I might need to manually hack the hardware I was reluctant to spend a lot! I did try to use a security camera but the type of video output data was not compatible I’m sure this could work with a little more research or extra hardware video graphics cards etc... maybe.

I chose a Microsoft webcam as it looked simple and received ok reviews.. I hooked it up to the computer via usb and opened the software found out how to select the new webcam and managed to get it up and running quite quickly see video 3

I thought I could now try the idea of turning on lights and hearing the music by moving in our large space with the external webcam able to cover an area by placing it through our internal office window 

I set all the parameters in the software and placed a water effect light in the main view of the webcam, it soft undulating light was used to get the threshold value working - basically, this light was being used to set up the software so that other lights were just reacting to the movement from the water effect. Therefore, the further movements of people would trigger the lights and sound. see video 1

After a local event producer / crypto artist Lee Mason saw an example of the work he commissioned a bespoke installation for his future night club called Flux, this was the perfect opportunity to test the ideas on the general public. I was able to assigning lights to enhance the aesthetic of the room, and provide a bespoke reactive experience via ‘The Dancing Dresser’  Video clip here. In the clip is the amazing Rosie Summers creating Art in VR, and you will see occasional glimpses of the Dresser lighting up. The lights are reacting to movement in the room, from other lights or people’s movements. 

Now was the time to provide a full workshop to showcase the space for some Young people from the City Collage Peterborough. 

Results - Even a limited review of 5 young people with Special educational needs and disability has shown me that it's an enjoyable space to play with, dance, and connect with others.. 

Work in progress...

Lee Ashton

[can-am-cooler-setup]

The Best Cooler Setups For The Can-Am Maverick X3

It doesn't make a difference in case you're riding recreationally on a road trip at the rises, or riding for work purposes around your homestead, farm, or estate, odds are you will need some chilly stockpiling in your Can-Am Maverick X3. You may be asking yourself: What is the best cooler arrangement out there to go with my Maverick X3? Most riders need cooler arrangements that leave space for different bits of rigging and hardware.

 In any case, in case you're the sort of rider who over packs paying little mind to where you're going or what you're doing, you actually may figure out how to run out of space even with things like cooler racks, stockpiling sacks, and rooftop racks. Regardless of whether you're subsequent to chasing explicit coolers for deer, elk, or pronghorn season, a double cooler arrangement for dry food stockpiling and beverages to use on multi-day rides, or delicate sided coolers to assist you with appreciating a couple of cold ones during refueling breaks, here are our picks for the best cooler arrangements for the Can-Am Maverick X3!

Dissident X3 Cooler Racks

Before we get into the low down of explicit UTV coolers, a basic part of any next to each other cooler arrangement is the cooler rack one decides to utilize. Organizations like UTV Mountain, UTV Inc, and TMW Offroad all make incredible cooler racks, apparatus racks, and turning utility racks for the Can-Am Maverick X3, and Geiser back racks, just as Tusk freight racks, are extraordinary for coolers too. Furthermore, there are a few firms out there like DMX Performance that make custom X3 cooler racks in all hues to fit the elements of any rough terrain cooler.

On a comparable note, a few riders select to manufacture their own Maverick X3 cooler racks out of 1/4" tubing with 1" square tubing to use as base backings. Contingent upon your particular needs, there are different areas on the X3 where one can mount a cooler rack. Putting a cooler on the top of your vehicle may work in case you're tall, however it's quite badly arranged for the shorter society among us. Furthermore, in the event that you ride with relatives, putting a cooler down low can support your better half, sweetheart, or kids access it simpler.

The back freight bed is a mainstream area to put cooler racks and mounts, and you can likewise move the stock suppressor and stick a cooler rack in its place. In any case, even without an assigned cooler rack, it is as yet conceivable to securely and helpfully secure your Maverick X3 coolers with the correct straps, ties, and clasps.

Making sure about Your Can-Am Maverick X3 Cooler

Standard turnbuckles can be darted to coolers and tool stash to guarantee that they don't bob out or move around when riding, and an aluminum plate with 4Q interface mounts can likewise attempt to hold X3 coolers. Frameworks like the ones by Axia Alloys are ideal for holding coolers firmly and safely, and ratchet lashes can work likewise. A few riders decide to weld fasteners to snared bits of level steel, while others utilize straightforward strap frameworks that comprise of two wrench lashes, two 1/4" distance across clevis pins, and two cotter pins.

Holding your cooler immovably is a certain something, yet having the option to get to the substance is another. So getting a cooler arrangement that permits you to effectively open and close your cooler is pivotal. What's more, for those with delicate sided coolers, something as straightforward as a rope with a couple insightfully tied bunches can keep them from sliding around.

Can-Am X3 Coolers

In spite of the fact that there is nobody size-fits-all cooler answer for the Can-Am Maverick X3, there are a few cooler choices that function admirably for specific employments. For road trips, a basic delicate sided cooler like the ones by Greene Mountain Outdoors, Assault Industries, or ATV TEK, can do some amazing things. You can stuff them to the edge with food, beverages, and accessories, at that point crease them up for simple stockpiling after you've devoured everything inside.

The protected cooler/load box by UTV Wolfpack is a decent decision for Can-Am Parts those searching for hard-sided coolers, and bigger fridges by RTIC, Yeti, and others are more than adequate for multi-day rides and chasing trips. Littler choices like the Can-Am LinQ 8-gallon cooler box are alright, however they need waste fittings. Units, for example, the Yeti Hopper fit consummately between the back seats in the Maverick X3 Max, and bow cases are regularly retrofitted to hold food, drinks, and different treats.

The dry stockpiling and load box choices for the Can-Am Maverick X3 are bunch, with a few choices to hold everything from save tires and tool compartments to coolers and fridges. Finding a quality cooler for the Can-Am Maverick X3 isn't troublesome, however the crucial step is making it work securely and safely with all your other apparatus. Whatever your circumstance involves, nonetheless, appropriate cooler arrangements exist, a large number of which can be discovered here at Everything Can-Am Off road!

[virtualdj2020licensekey-blog]

Virtual dj 2020 License Key Build 5681 Crack Full Download {Win/Mac}

Link Download Here : https://bit.ly/377wiS3

Virtual dj 2020 License Key is the program when they wish to use a pc that DJs use. Because being a DJ is pressing play, DJs cannot use Media Player or iTunes to execute a mixture. Virtual DJ Crack Build 4592 is perfect for mixing music, but it’s also the ideal app because of outcomes and an integrated sampler.

Virtual DJ 8 updates itself automatically in the background as you use it, eliminating needing to download patches on the website or downloading them manually. Virtual DJ 8 includes a service that lets you stream a song, karaoke movie, or monitor in the cloud, known as Content Unlimited. By subscribing to these 3 monthly solutions (US$9.99 for Music Plan, US$19.99 for Karaoke Plan, also US$49.99 for Video Plan), you also hunt in the catalogs. providing you countless legal options: Perfect for cellular and karaoke gigs where you have to supply a requested song which you merely don’t need in your library. Take note that you will need to get linked to the internet and logged in to your Virtual DJ accounts to get those catalogs, but should you would like to play with them offline it is possible to cache them within Virtual DJ 8

Virtual DJ 2020 Virtual dj 2020 License Key {Win/Mac}

They want individual controls such as crossfaders, loops, effects, and so on, to be able to”blend” the tunes. VirtualDJ is your DJ software with over 150 million downloads, on Earth, and can be used by everyone from bedroom DJs to international superstars.

Unlike some rivals, Virtual DJ 2020 Build 5681 Serial Number will not rely on your years of experience studying how to DJ, but uses technologies that will assist by focusing on the side of this mixture, you combine. Virtual DJ 2018 Serial Number used daily by countless specialist DJs all over the world. Packed with all the latest technologies, VirtualDJ can allow you to take your DJing abilities to another level. Plug yours, and you’ll be all set.

Virtual DJ 2020 Build 5681 Crack Build For Windows

Thousands of individuals every day they virtualDJ. Virtual DJ 2020 Build 5681Crack Mac includes various effects, which range from conventional flanger, echo, etc., too much more contemporary”beat-aware” effects such as conquer grid, slicer, loop-roll. Virtual DJ 2018 Keygen will permit you to organize your collection of monitors and group them readily in a DJ-friendly manner, using the filter to discover the favorite tunes, or locate harmonious bpm or essential, get your prior playlists, etc.

Features Of Virtual dj 2020 License Key:

Popups revealing your loops, effects, respectively

Beautiful beat-tunnels to demonstrate when fractures are coming/ending

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More comprehensive videoskins out there for movie broadcast

Customize & manufacturer your videoskin

Video broadcasting guide to main societal programs

Add trendy images with videoskins

Locate your favorite user interface

Buy fresh creative and robust pads

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Compatible with almost any DMX applications that implement OS2L

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And should you would like to change any of their default behaviors, VirtualDJ includes a robust “VDJScript” language, which will allow you to tweak any acts just to your liking easily. Same for your interface. Fixing, altering BPM, looping monitors, scratching, and incorporating sound effects on songs like voice extraction, very low note alteration, and slowing down tracks is simple using Virtual DJ.

Virtual DJ 2020 Build 5681 is among the very first DJ apps to incorporate cloud loading libraries, and monitor recommendation attributes that have since made appearances on other DJ programs.

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[astatuestrongenoughfortwo-blog1]

Artnet Dmx Interface

Artnet Dmx Interface

Artnet is the ideal way to send and receive multiple DMX universes or to connect various lighting consoles. Since it uses the network to transmit and receive data, no special DMX cable and converter is required. You only need those when you want to send original DMX values to your lighting fixtures.

Then you buy ArtNET to DMX interfaces (also named ArtNET nodes) and plug them anywhere on your network. With ArtNET dmx interface, you can even use a wireless network (WIFI) and any other standard and low priced ethernet devices you find these days. Artnet is already an industry standard, and more and more lighting devices will support it in the future.

Who owns ArtNET?

Company history

Hans Neuendorf, a German art dealer, started to invest in the company in the 1990s; he became chairman in 1992 and chief executive officer in 1995. In the same year, the name was changed to Artnet Worldwide Corporation. It was taken over by Artnet AG in 1998.

What is ArtNET DMX?

Artnet is the perfect way to send and receive many DMX universes or to connect multiple lighting consoles. Since it uses the network to transmit and receive data, no special DMX cable and converter is needed. ArtNET™ Designed by and Copyright Artistic Licence Holdings Ltd.

What is ArtNET protocol?

Home. Art-Net 4 is an award-winning data sharing protocol that supports DMX512 (hereafter DMX) and RDM lighting data to be transported over an Ethernet network. It uses an easy, UDP based packet structure designed to provide useful and low overhead data flow.

What is a DMX interface?

LED Tutorials - DMX Control. "DMX" stands for "Digital Multiplex Signal". It is sometimes called DMX 512 because it can be used to manage up to 512 channels. To better understand the word channel, think of a DMX "Channel" as a "Color", so if you have an RGB light this light will use 3 "Channels" or "Colors".

[visualproductions]

Visual Productions applications: Interactive Museum Exhibit

This article explains how to configure, build and program an interactive museum exhibit combining a Visual Productions DMX lighting controller and touch screen, and a BrightSign media player. This application has been shown on various trade shows.

The application 

This application is a typical museum application where three paintings of famous Dutch masters are on display. Additional information is shown on a video display. If no visitor is present, each painting is being lit sequentially. If a museum visitor selects a painting by pressing its image on a touch screen, the focus shifts to this painting and the video display shows additional information about that painting.

The components

This small interactive system includes (apart from three beautiful paintings) the following components:

Three DMX controlled LED lights, highlighting the paintings;

A Visual Productions LPU-2 entry level architectural lighting controller;

A Visual Productions Kiosc Touch wall mount touch screen;

A BrightSign media player;

A generic video display, HDMI connected to the BrightSign player

Component description

The LPU-2 is an entry level architectural lighting controller. With its companion app Cuety, lighting scenes ('cues') or a list of scenes (called 'playback') can be programmed. Cuety can control both static and dynamic lighting, a library of over 4,500 different lighting fixtures is included. Once all lights have been programmed with Cuety, the LPU-2 can be controlled with 3rd party equipment using the Application Programming Interface. This API includes commands that may be sent over the network and can for example start a playback, jump to a cue and change intensity. LPU-2 is compatible with OSC, UDP, TCP and HTTP protocol. Kiosc Touch is a wall mount touch screen interface. With the free Kiosc Editor app any user interface containing elements like buttons, faders, labels, simple or complex, can be designed. Imported images may be used as background, logo or even as a button (as we do here). Kiosc Touch is UDP and OSC compatible and was designed to have no editing capability, thus being a fool-proof interface that can be presented to non-technical persons.

BrightSign is the market leader in solid state multi media players, and used often in museums. Being UDP compatible and accepting a multitude of image and video formats, it is a versatile and robust media player. Visual Productions is a BrightSign Technology Partner.

How the system works

First, all hardware had to be programmed and configured. These steps show you how:

First, the paintings were attached to the panel and the LED lights and drivers were positioned;

Content that should be running on the BrightSign was designed: regular jpg images show an image of the painting and information about that painting. Three jpgs were created, one for each painting;

Three simple lighting cues were made, each one lighting a painting. For this the Cuety app was used. Cues were stored automatically in the LPU-2;

A Kiosc Touch layout was designed, including images of each painting. These image elements are used as a button. A master fader was added for adjusting the overall lighting level;

In the BrightSign programming software BrightAuthor a show file is created that, after power on, starts playing the jpg images in a carousel. Each image is associated with a unique UDP message which recalls the corresponding cue in the LPU-2.

What happens if a someone presses a button on Kiosc:

If an 'image' button on Kiosc is pressed, it sends a UDP message to the BrightSign player;

This UDP message forces the BrightSign to display the requested information image and to send and UDP message to the LPU-2 to switch to the related cue. This  cue switches on the LED lighting behind the painting;

When no button is pressed on Kiosc Touch for 10 seconds, the BrightSign player is programmed to revert to carousel mode, highlighting the paintings in subsequent order again, until another button is pressed on Kiosc Touch.

More information 

Visual Productions is the manufacturer of LPU-2, an entry level architectural lighting controller, and Kiosc Touch, a wall mount touch screen interface. A full range of other lighting controllers is available which support DMX, Art-net, sACN, Ki-Net and DALI. For larger systems and system integration projects RDMSplitters are available in two versions.  an i/o expansion interface, a 6-button panel and a timecode reader/generator/converter complement the product line. All products can be found at the Visual Productions website.