#DER Lunar Knight
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yuhi-san · 3 months ago
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Fandom: Lunar Knight
Language: German
Wordcount: 2'390
Status: Complete
Rating: G
Characters: Alice, Lucian, Nero
Summary:
„Und wenn ich runter falle?“ „Dann fällst du. Und brichst dir was“, sagte der Ältere. Nach einigen Sekunden fügte er hinzu: „Im schlimmsten Fall das Genick.“ --- Lucian, frisch ohne Erinnerungen und auf der Suche nach Zivilisation, rettet die kleine Alice.
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brokenonyxestate · 3 months ago
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BOE GENERAL INFORMATION, PART 1
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This is a new series, where I show off all our staff and all our horses to those who haven't seen them all yet. The General Information posts are good for anyone who has just found this blog.
Find the others by searching for "General Information" on the blog to find more posts like this! ^^'
COLE-FAMILY
Hera Cole, Feline Cole, William Flockhart-Cole,Rakel Mortensen, Calypso Cole, Alana Bak, Athena Cole & Ares Cole
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STAFF
Thor Beck, Vigga Hertz, Alexander Dalgaard, Ismael Lehmann, Neha Lehmann, Damon Doukas & Kiki Liu
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BOARDERS
- Ysabel Calzada with her horse BOE Hermés - Michael Jacobs with his horses Radiant Rhythmic Pulse GRR & Ambatto Chaco - Gaby Ryan with their horse DER Lunar Knight - Anetta Baker with her horse DER Crazy Cat Lady, - Teemu Ilves with his horses DER Not So Zebra & DER Ain't No Mountain - Seraphina Malarc with her horse 46R Notoriously Feelin' Blue
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isolaradiale · 5 years ago
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Lost in Space 18
Hello, Isolans! We have conducted an activity check for the month of March!
If your character isn’t on this list, make sure to check this page to see how many stars that character has earned this month! Stars can be used for purchases at the marketplace.
The blogs that were removed from the Isola Radiale masterlist are under the cut. Note that both blogs with broken links and deactivated accounts will be included both at the top of this list and in their proper categories.
If you were removed in error, please simply send a re-application message. Several different people work on the activity checks, so it’s possible there are mistakes! If this happens to you, you will be able to keep everything you previously had, you just may be placed in a different residence.
Our general activity rules regarding checks are as follows:
Make at least three in-character posts during a calendar month (for instance, if the activity check is for January, have three in-character posts between the 1st and 31st of January).
Only one drabble and/or meme response of 300+ words counts as activity.
One-liners or minis not tagged #isola mini also do not count.
Please Note: Anyone removed during the activity check will have a 12-hour window from the time of posting to re-claim their character. Any character not reclaimed during that period will be open to the community at large.
Please send in your reapplications from the account of the character that was removed.
Broken URLs:
Roman Sionis (Black Mask) (DC COMICS)
Berserker (Minamoto no Raikou) (FATE)
Tifa Lockhart (FINAL FANTASY)
Zero (MEGA MAN)
Saeyoung Choi (707) (MYSTIC MESSENGER)
Hera Syndulla (STAR WARS)
 4 CUT HERO
Zeed Toven (APARTMENT 313)
 THE ADVENTURE ZONE
Roswell (HOUSE 134)
 AKATSUKI NO YONA
Shinah (APARTMENT 307)
 ARKNIGHTS
Silence (HOUSE 147)
 ASTRO BOY
Atom (Astro) (CONDO 415)
 BANG DREAM
Sayo Hikawa (CONDO 447)
 BEASTARS
Haru (APARTMENT 335)
 BIOSHOCK
Jack (CONDO 430)
Subject Delta (TOWNHOUSE 226)
 BLAZBLUE
Hazama (APARTMENT 336)
Jubei (TOWNHOUSE 205)
Nine the Phantom (APARTMENT 334)
Noel Vermillion (TOWNHOUSE 218)
Nu-13 (TOWNHOUSE 247)
 BORDERLANDS
Gaige (APARTMENT 312)
Handsome Jack (HOUSE 113)
 BUNGOU STRAY DOGS
Chuuya Nakahara (TOWNHOUSE 205)
 CARDCAPTOR SAKURA
Sakura Kinomoto (HOUSE 116)
 CARDFIGHT!! VANGUARD
Toshiki Kai (Aichi's House [Cotes])
 CLAYMORE
Priscilla (APARTMENT 317)
 COWBOY BEBOP
Vicious (CONDO 407)
 CRASH BANDICOOT
Nina Cortex (HOUSE 129)
 DARK SOULS
Fire Keeper (APARTMENT 315)
 DC COMICS
Barbara Gordon (Oracle) (APARTMENT 336)
Bart Allen (Impulse) (HOUSE 124)
Clark Kent (Superman) (CONDO 427)
Rogue (HOUSE 144)
Roman Sionis (Black Mask) (CONDO 418) *BROKEN URL
 DEATH MARK
Kazuo Yashiki (HOUSE 125)
 DEATH NOTE
Light Yagami (HOUSE 172)
Misa Amane (APARTMENT 365)
 DISGAEA
Laharl (APARTMENT 336)
 DISNEY
Prince Edward (CONDO 419)
Prince Hans (TOWNHOUSE 217)
 DRAGON QUEST
Veronica (HOUSE 104)
 DURARARA!!
Izaya Orihara (CONDO 467)
 ENSEMBLE STARS
Eichi Tenshouin (CONDO 415)
Leo Tsukinaga (CONDO 408)
Rei Sakuma (HOUSE 175)
 FATE
Alter Ego (Mecha Eli-Chan) (HOUSE 135)
Alter Ego (Meltryllis) (CONDO 441)
Archer (Emiya) (HOUSE 104)
Avenger (Antonio Salieri) (APARTMENT 332)
Berserker (Minamoto no Raikou) (TOWNHOUSE 227) *BROKEN URL
Berserker of El Dorado (Penthesilea) (CONDO 428)
Rider (Mandricardo) (HOUSE 113)
Rider of Red (Achilles) (APARTMENT 316)
Saber (Arturia Pendragon Alter) (HOUSE 141)
Saber (Charlemagne) (CONDO 403)
 FINAL FANTASY
Aerith Gainsborough (CONDO 431)
Alisaie Leveilleur (HOUSE 137)
Cloud Strife (APARTMENT 306)
Garnet Til Alexandros XVII (HOUSE 115)
Livia sas Junius (HOUSE 139)
Nero tol Scaeva (HOUSE 118)
Tifa Lockhart (CONDO 416) *BROKEN URL
Warrior of Light (Scholar - Stolas Malqir) (APARTMENT 328)
 FIRE EMBLEM
Panne (APARTMENT 306)
Zero (Niles) (CONDO 401)
 GRANBLUE FANTASY
Drang (HOUSE 127)
Lowain (TOWNHOUSE 208)
You (HOUSE 130)
 GRAVITY FALLS
Stanford Pines (CONDO 435)
 GUILTY GEAR
Baiken (TOWNHOUSE 219)
Faust (HOUSE 107)
 HEART NO KUNI NO ALICE
Vivaldi (APARTMENT 324)
 HEROES OF OLYMPUS (PERCY JACKSON)
Nico di Angelo (HOUSE 116)
Percy Jackson (APARTMENT 315)
 HOMESTUCK
Chixie Roixmr (APARTMENT 314)
Jade Harley (APARTMENT 317)
Remele Namaaq (CONDO 436)
 HORIZON ZERO DAWN
Aloy (TOWNHOUSE 206)
 IB
Garry (APARTMENT 336)
 IT'S ALWAYS SUNNY IN PHILADELPHIA
Charlie Kelly (APARTMENT 344)
 JOJO'S BIZARRE ADVENTURE
Giorno Giovanna (APARTMENT 353)
Trish Una (HOUSE 123)
 KIMETSU NO YAIBA
Akaza (APARTMENT 367)
Inosuke Hashibira (CONDO 421)
Sabito (TOWNHOUSE 255)
Tanjiro Kamado (TOWNHOUSE 210)
 KIRBY
Kirby (HOUSE 109)
 KLAUS
Klaus (TOWNHOUSE 216)
 THE LAST OF US
Ellie WIlliams (APARTMENT 337)
 LASTMAN (LASTFIGHT)
Crystal (CONDO 407)
 LEAGUE OF LEGENDS
Kindred (HOUSE 120)
Neeko (CONDO 432)
 THE LEGEND OF ZELDA
Link and Ezlo (Minish Cap) (CONDO 467)
Red Link (APARTMENT 313)
 THE LEGO MOVIE
Unikitty (TOWNHOUSE 201)
 LETHAL LEAGUE
Switch (APARTMENT 321)
 LIFE IS STRANGE
Sean Diaz (APARTMENT 324)
 LOBOTOMY CORPORATION
Der Freischutz (CONDO 429)
Little Red Riding Hooded Mercenary (APARTMENT 318)
 LORE OLYMPUS
Persephone (CONDO 418)
 LUNAR KNIGHTS
Lucian (TOWNHOUSE 202)
 MEGA MAN
Mega Man (APARTMENT 368)
Zero (HOUSE 175) *BROKEN URL
 MYSTIC MESSENGER
Saeyoung Choi (707) (APARTMENT 367) *BROKEN URL
 NARUTO
Naruto Uzumaki (Sasuke's House [Cotes])
Sasuke Uchiha (Sasuke's House [Cotes])
 NO MORE HEROES
Henry Cooldown (TOWNHOUSE 268)
 NO.6
Shion (TOWNHOUSE 231)
 OBEY ME!
Belphegor (TOWNHOUSE 203)
 ODIN SPHERE
Oswald (TOWNHOUSE 216)
 OFF
Sugar (CONDO 423)
Zacharie (HOUSE 142)
 ORIGINAL CHARACTERS
Demyan Reyes (TOWNHOUSE 226)
Eris Kihara (APARTMENT 315)
Jem Silver (TOWNHOUSE 219)
Liu Canglong (CONDO 420)
Locke (War) (TOWNHOUSE 221)
Magistrate (CONDO 436)
Pomuri (APARTMENT 315)
Promosis (HOUSE 138)
Seiji Kazama (APARTMENT 314)
Siren (HOUSE 104)
Vic (CONDO 449)
Zack Ledger (Zack's House [Golden])
 OVERWATCH
Elizabeth Caledonia Ashe (CONDO 423)
Jesse McCree (TOWNHOUSE 216)
Reinhardt Wilhelm (CONDO 470)
 PERSONA
Morgana (CONDO 448)
Theodore (HOUSE 130)
Yusuke Kitagawa (APARTMENT 331)
 POKEMON
Bede (CONDO 418)
Hop (APARTMENT 323)
Mewtwo (CONDO 419)
Raihan (HOUSE 143)
Yamper (APARTMENT 321)
 PRECURE
Shut (APARTMENT 316)
 RWBY
Dr. Bartholomew Oobleck (HOUSE 145)
Oscar Pine (CONDO 403)
Penny Polendina (CONDO 406)
Robyn Hill (TOWNHOUSE 219)
Salem (CONDO 415)
Summer Rose (CONDO 465)
 SAINT SEIYA
Pisces Aphrodite (APARTMENT 333)
 SALLY FACE
Sal Fisher (HOUSE 119)
 SERVAMP
Licht Todoroki (HOUSE 114)
 SHE-RA & THE PRINCESSES OF POWER
Catra (HOUSE 115)
 SHOVEL KNIGHT
Propeller Knight (APARTMENT 307)
Shield Knight (APARTMENT 308)
 SPLATOON
Pearl (CONDO 451)
 SPY X FAMILY
Anya Folger (APARTMENT 324)
 STAR SYSTEM
Hamegg (TOWNHOUSE 204)
 STAR WARS
Hera Syndulla (APARTMENT 318) *BROKEN URL
 STAR WARS
Kylo Ren (HOUSE 144)
Sabine Wren (TOWNHOUSE 215)
 STEVEN UNIVERSE
Peridot (Marceline's House [Cotes])
 SUFFICIENTLY ADVANCED MAGIC
Keras Selyrian (APARTMENT 305)
 TALES OF
Mikleo (TOWNHOUSE 224)
Yuan Ka-Fai (HOUSE 112)
 TEAM FORTRESS
The Sniper (CONDO 468)
 TOKYO MEW MEW
Ichigo Momomiya (HOUSE 122)
 TOUHOU
Remilia Scarlet (HOUSE 131)
Rinnosuke Morichika (HOUSE 102)
Youmu Konpaku (HOUSE 129)
 WARCRAFT
Chromie (TOWNHOUSE 205)
 YONA OF THE DAWN
Zeno (CONDO 462)
 YURI ON ICE
Yuuri Katsuki (APARTMENT 336)
6 notes · View notes
biointernet · 5 years ago
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Albrecht Dürer and Hourglass
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“The treasure secretly gathered in your heart will become evident through your creative work.”  ― Albrecht Durer Geometry is the foundation of all painting.”  ― Albrecht Durer
Albrecht Dürer and Hourglass
Qualia and Time Sense Qualia is sensitive experience Qualia and Time Perception
Qualia
Qualia are the subjective or qualitative properties of experiences Qualia is qualities of awareness
Philosophy of perception
The philosophy of perception is concerned with the nature of perceptual experience and the status of perceptual data, in particular how they relate to beliefs about, or knowledge of, the world.
Symbolism of Melencolia I by Albrecht Dürer
427-430 Melencolia I by Albrecht Dürer post stamps block https://www.myhourglasscollection.com/427-430-melencolia-i-by-albrecht-durer/ 1514 engraving by Albrecht Dürer The print’s central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia. Holding her head in her hand, she stares past the busy scene in front of her. The area is strewn with symbols and tools associated with craft and carpentry, including an hourglass, weighing scales, a hand plane and a saw. https://www.myhourglasscollection.com/symbolism-of-melencolia-i-by-albrecht-durer/ More about Time Symbolism Sense data are the alleged mind-dependent objects that we are directly aware of in perception, and that have exactly the properties they appear to have. For instance, sense data theorists say that, upon viewing a tomato in normal conditions, one forms an image of the tomato in one’s mind. This image is red and round.
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427-430 Melencolia I by Albrecht Dürer
See also:
Time symbolism, Time is…, The Full History of Time, Time in physics and time Science, Symbolism of Melencolia I by Albrecht Dürer, Time and Text, DADA Time, Text, Time, MHC, Extinction Rebellion – Time against Life, The End of Time, Hourglass and Death on St Thomas’ Church, Hourglass – symbol of Death, Death does not Exist, Hourglass and Skeleton, “Hourglass and Cards” Exhibition, Father and Mother of Time, Time Hub, Time Philosophy, Time synonyms, Qualia and Time Sense, Time perception and Sense of Time, The Hourglass of Emotions, Time Travel + Time Management = Time Travel Management, The Hourglass, Hourglass History, Hourglass symbolism, Hourglass Figure, Hourglass Tattoo, Symbols of Time, Beauty Bio-Net, Father Time Department, Father Time and Mother Nature, Lunar calendar and Moon’s phases, Time Management, Time Management tools MHC SM: MHC Flikr, MHC Pinterest, MHC Facebook, MHC Instagram, MHC YouTube, MHC Twitter 427 Melencolia I by Albrecht Dürer
Ritter, Tod und Teufel/Knight, Death and the Devil
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Ritter, Tod und Teufel/Knight, Death and the Devil Knight, Death and the Devil (German: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three Meisterstiche completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings. The image is infused with complex iconography and symbolism, the precise meaning of which has been argued over for centuries. An armoured knight, accompanied by his dog, rides through a narrow gorge flanked by a goat-headed devil and the figure of death riding a pale horse. Death's rotting corpse holds an hourglass, a reminder of the shortness of life. The rider moves through the scene looking away from the creatures lurking around him, and appears almost contemptuous of the threats, and is thus often seen as symbol of courage; the knight's armor, the horse which towers in size over the beasts, the oak leaves and the fortress on the mountaintop are symbolic of the resilience of faith, while the knight's plight may represent Christians' earthly journey towards the Kingdom of Heaven. The work was mentioned by Giorgio Vasari as one of "several sheets of such excellence that nothing finer can be achieved". It was widely copied and had a large influence on later German writers. Philosopher Friedrich Nietzsche referenced the work in his work on dramatic theory The Birth of Tragedy (1872) to exemplify pessimism, while it was later idealised in the 20th century by the Nazis as representing the racially pure Aryan, and was sometimes used in their propaganda imagery. More on Wiki
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Ritter, Tod und Teufel 10 things to know about Albrecht Dürer: Even as a 13-year-old, he was breaking new ground Dürer’s home city was one of the most important in Europe He is credited with bringing the Renaissance to Northern Europe He was a fine painter, and an even finer printmaker — perhaps the greatest there has ever been Between 1513 and 1514, he produced the three engravings known as his Master Prints He was the favourite artist of the Holy Roman Emperor His depiction of a rhinoceros is one of the most celebrated animals in art history He had one of the most famous signatures in art He was an author as well as an artist He was as feted in death as he was in life Details on Christies
Der heilige Hieronymus im Gehäus/Saint Jerome in His Study
Dürer «Saint Jérôme dans sa cellule» (1514)
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Saint Jerome in His Study (German: Der heilige Hieronymus im Gehäus) is an engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance. An imaginary line from Jerome's head passing through the cross would arrive at the skull on the window ledge, as if contrasting death and the Resurrection. The lion in the foreground is part of the traditional iconography of St. Jerome, and near it is a sleeping dog, an animal found frequently in Dürer's works, symbolizing loyalty. Both creatures are part of Jerome's story in the Golden Legend (c. 1260), which contained fanciful hagiographies of saints. St. Jerome in His Study is often considered as part of a group of three Dürer engravings (his Meisterstiche), the other two being the well-known Melencolia I (1514) and Knight, Death and the Devil (1513). Together they have been viewed as representing the three spheres of activity recognized in medieval times: Knight, Death, and the Devil belongs to the moral sphere and the "active life"; Melencolia I represents the intellectual; and St. Jerome the theological and contemplative life. The composition is intimate, but the viewer has difficulty locating himself in relation to the picture's space. Thomas Puttfarken suggests that while the scene is very close to the observer, Dürer did not intend the viewer to feel present: "the intimacy is not ours, but the saint's as he is engrossed in study and meditation". Art historian Erwin Panofsky comments on the perspective: The position of the sight point, quite far off centre, strengthens the impression of a representation determined not by the objective law of the architecture but by the subjective standpoint of the spectator who is just entering – a representation which owes to precisely this perspective arrangement a large part of its peculiarly 'intimate' effect. More on Wiki DÜRER Saint Jérôme dans sa cellule lion chien tête de mort crâne sablier manuscrit encrier lustre Albrecht Dürer and Hourglass See also:
Symbolism of Melencolia I by Albrecht Dürer
427-430 Melencolia I by Albrecht Dürer post stamps block Read the full article
0 notes
biointernet · 5 years ago
Text
Albrecht Dürer and Hourglass
Tumblr media
“The treasure secretly gathered in your heart will become evident through your creative work.”  ― Albrecht Durer Geometry is the foundation of all painting.”  ― Albrecht Durer
Albrecht Dürer and Hourglass
Qualia and Time Sense Qualia is sensitive experience Qualia and Time Perception
Qualia
Qualia are the subjective or qualitative properties of experiences Qualia is qualities of awareness
Philosophy of perception
The philosophy of perception is concerned with the nature of perceptual experience and the status of perceptual data, in particular how they relate to beliefs about, or knowledge of, the world.
Symbolism of Melencolia I by Albrecht Dürer
427-430 Melencolia I by Albrecht Dürer post stamps block https://www.myhourglasscollection.com/427-430-melencolia-i-by-albrecht-durer/ 1514 engraving by Albrecht Dürer The print’s central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia. Holding her head in her hand, she stares past the busy scene in front of her. The area is strewn with symbols and tools associated with craft and carpentry, including an hourglass, weighing scales, a hand plane and a saw. https://www.myhourglasscollection.com/symbolism-of-melencolia-i-by-albrecht-durer/ More about Time Symbolism Sense data are the alleged mind-dependent objects that we are directly aware of in perception, and that have exactly the properties they appear to have. For instance, sense data theorists say that, upon viewing a tomato in normal conditions, one forms an image of the tomato in one’s mind. This image is red and round.
Tumblr media
427-430 Melencolia I by Albrecht Dürer
See also:
Time symbolism, Time is…, The Full History of Time, Time in physics and time Science, Symbolism of Melencolia I by Albrecht Dürer, Time and Text, DADA Time, Text, Time, MHC, Extinction Rebellion – Time against Life, The End of Time, Hourglass and Death on St Thomas’ Church, Hourglass – symbol of Death, Death does not Exist, Hourglass and Skeleton, “Hourglass and Cards” Exhibition, Father and Mother of Time, Time Hub, Time Philosophy, Time synonyms, Qualia and Time Sense, Time perception and Sense of Time, The Hourglass of Emotions, Time Travel + Time Management = Time Travel Management, The Hourglass, Hourglass History, Hourglass symbolism, Hourglass Figure, Hourglass Tattoo, Symbols of Time, Beauty Bio-Net, Father Time Department, Father Time and Mother Nature, Lunar calendar and Moon’s phases, Time Management, Time Management tools MHC SM: MHC Flikr, MHC Pinterest, MHC Facebook, MHC Instagram, MHC YouTube, MHC Twitter 427 Melencolia I by Albrecht Dürer
Ritter, Tod und Teufel/Knight, Death and the Devil
Tumblr media
Ritter, Tod und Teufel/Knight, Death and the Devil Knight, Death and the Devil (German: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three Meisterstiche completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings. The image is infused with complex iconography and symbolism, the precise meaning of which has been argued over for centuries. An armoured knight, accompanied by his dog, rides through a narrow gorge flanked by a goat-headed devil and the figure of death riding a pale horse. Death's rotting corpse holds an hourglass, a reminder of the shortness of life. The rider moves through the scene looking away from the creatures lurking around him, and appears almost contemptuous of the threats, and is thus often seen as symbol of courage; the knight's armor, the horse which towers in size over the beasts, the oak leaves and the fortress on the mountaintop are symbolic of the resilience of faith, while the knight's plight may represent Christians' earthly journey towards the Kingdom of Heaven. The work was mentioned by Giorgio Vasari as one of "several sheets of such excellence that nothing finer can be achieved". It was widely copied and had a large influence on later German writers. Philosopher Friedrich Nietzsche referenced the work in his work on dramatic theory The Birth of Tragedy (1872) to exemplify pessimism, while it was later idealised in the 20th century by the Nazis as representing the racially pure Aryan, and was sometimes used in their propaganda imagery. More on Wiki
Tumblr media
Ritter, Tod und Teufel 10 things to know about Albrecht Dürer: Even as a 13-year-old, he was breaking new ground Dürer’s home city was one of the most important in Europe He is credited with bringing the Renaissance to Northern Europe He was a fine painter, and an even finer printmaker — perhaps the greatest there has ever been Between 1513 and 1514, he produced the three engravings known as his Master Prints He was the favourite artist of the Holy Roman Emperor His depiction of a rhinoceros is one of the most celebrated animals in art history He had one of the most famous signatures in art He was an author as well as an artist He was as feted in death as he was in life Details on Christies
Der heilige Hieronymus im Gehäus/Saint Jerome in His Study
Dürer «Saint Jérôme dans sa cellule» (1514)
Tumblr media
Saint Jerome in His Study (German: Der heilige Hieronymus im Gehäus) is an engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance. An imaginary line from Jerome's head passing through the cross would arrive at the skull on the window ledge, as if contrasting death and the Resurrection. The lion in the foreground is part of the traditional iconography of St. Jerome, and near it is a sleeping dog, an animal found frequently in Dürer's works, symbolizing loyalty. Both creatures are part of Jerome's story in the Golden Legend (c. 1260), which contained fanciful hagiographies of saints. St. Jerome in His Study is often considered as part of a group of three Dürer engravings (his Meisterstiche), the other two being the well-known Melencolia I (1514) and Knight, Death and the Devil (1513). Together they have been viewed as representing the three spheres of activity recognized in medieval times: Knight, Death, and the Devil belongs to the moral sphere and the "active life"; Melencolia I represents the intellectual; and St. Jerome the theological and contemplative life. The composition is intimate, but the viewer has difficulty locating himself in relation to the picture's space. Thomas Puttfarken suggests that while the scene is very close to the observer, Dürer did not intend the viewer to feel present: "the intimacy is not ours, but the saint's as he is engrossed in study and meditation". Art historian Erwin Panofsky comments on the perspective: The position of the sight point, quite far off centre, strengthens the impression of a representation determined not by the objective law of the architecture but by the subjective standpoint of the spectator who is just entering – a representation which owes to precisely this perspective arrangement a large part of its peculiarly 'intimate' effect. More on Wiki DÜRER Saint Jérôme dans sa cellule lion chien tête de mort crâne sablier manuscrit encrier lustre Albrecht Dürer and Hourglass See also:
Symbolism of Melencolia I by Albrecht Dürer
427-430 Melencolia I by Albrecht Dürer post stamps block Read the full article
0 notes
biointernet · 5 years ago
Text
Albrecht Dürer and Hourglass
Tumblr media
“The treasure secretly gathered in your heart will become evident through your creative work.”  ― Albrecht Durer Geometry is the foundation of all painting.”  ― Albrecht Durer
Albrecht Dürer and Hourglass
Qualia and Time Sense Qualia is sensitive experience Qualia and Time Perception
Qualia
Qualia are the subjective or qualitative properties of experiences Qualia is qualities of awareness
Philosophy of perception
The philosophy of perception is concerned with the nature of perceptual experience and the status of perceptual data, in particular how they relate to beliefs about, or knowledge of, the world.
Symbolism of Melencolia I by Albrecht Dürer
427-430 Melencolia I by Albrecht Dürer post stamps block https://www.myhourglasscollection.com/427-430-melencolia-i-by-albrecht-durer/ 1514 engraving by Albrecht Dürer The print’s central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia. Holding her head in her hand, she stares past the busy scene in front of her. The area is strewn with symbols and tools associated with craft and carpentry, including an hourglass, weighing scales, a hand plane and a saw. https://www.myhourglasscollection.com/symbolism-of-melencolia-i-by-albrecht-durer/ More about Time Symbolism Sense data are the alleged mind-dependent objects that we are directly aware of in perception, and that have exactly the properties they appear to have. For instance, sense data theorists say that, upon viewing a tomato in normal conditions, one forms an image of the tomato in one’s mind. This image is red and round.
Tumblr media
427-430 Melencolia I by Albrecht Dürer
See also:
Time symbolism, Time is…, The Full History of Time, Time in physics and time Science, Symbolism of Melencolia I by Albrecht Dürer, Time and Text, DADA Time, Text, Time, MHC, Extinction Rebellion – Time against Life, The End of Time, Hourglass and Death on St Thomas’ Church, Hourglass – symbol of Death, Death does not Exist, Hourglass and Skeleton, “Hourglass and Cards” Exhibition, Father and Mother of Time, Time Hub, Time Philosophy, Time synonyms, Qualia and Time Sense, Time perception and Sense of Time, The Hourglass of Emotions, Time Travel + Time Management = Time Travel Management, The Hourglass, Hourglass History, Hourglass symbolism, Hourglass Figure, Hourglass Tattoo, Symbols of Time, Beauty Bio-Net, Father Time Department, Father Time and Mother Nature, Lunar calendar and Moon’s phases, Time Management, Time Management tools MHC SM: MHC Flikr, MHC Pinterest, MHC Facebook, MHC Instagram, MHC YouTube, MHC Twitter 427 Melencolia I by Albrecht Dürer
Ritter, Tod und Teufel/Knight, Death and the Devil
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Ritter, Tod und Teufel/Knight, Death and the Devil Knight, Death and the Devil (German: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three Meisterstiche completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings. The image is infused with complex iconography and symbolism, the precise meaning of which has been argued over for centuries. An armoured knight, accompanied by his dog, rides through a narrow gorge flanked by a goat-headed devil and the figure of death riding a pale horse. Death's rotting corpse holds an hourglass, a reminder of the shortness of life. The rider moves through the scene looking away from the creatures lurking around him, and appears almost contemptuous of the threats, and is thus often seen as symbol of courage; the knight's armor, the horse which towers in size over the beasts, the oak leaves and the fortress on the mountaintop are symbolic of the resilience of faith, while the knight's plight may represent Christians' earthly journey towards the Kingdom of Heaven. The work was mentioned by Giorgio Vasari as one of "several sheets of such excellence that nothing finer can be achieved". It was widely copied and had a large influence on later German writers. Philosopher Friedrich Nietzsche referenced the work in his work on dramatic theory The Birth of Tragedy (1872) to exemplify pessimism, while it was later idealised in the 20th century by the Nazis as representing the racially pure Aryan, and was sometimes used in their propaganda imagery. More on Wiki
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Ritter, Tod und Teufel
Der heilige Hieronymus im Gehäus/Saint Jerome in His Study
Dürer «Saint Jérôme dans sa cellule» (1514)
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Saint Jerome in His Study (German: Der heilige Hieronymus im Gehäus) is an engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance. An imaginary line from Jerome's head passing through the cross would arrive at the skull on the window ledge, as if contrasting death and the Resurrection. The lion in the foreground is part of the traditional iconography of St. Jerome, and near it is a sleeping dog, an animal found frequently in Dürer's works, symbolizing loyalty. Both creatures are part of Jerome's story in the Golden Legend (c. 1260), which contained fanciful hagiographies of saints. St. Jerome in His Study is often considered as part of a group of three Dürer engravings (his Meisterstiche), the other two being the well-known Melencolia I (1514) and Knight, Death and the Devil (1513). Together they have been viewed as representing the three spheres of activity recognized in medieval times: Knight, Death, and the Devil belongs to the moral sphere and the "active life"; Melencolia I represents the intellectual; and St. Jerome the theological and contemplative life. The composition is intimate, but the viewer has difficulty locating himself in relation to the picture's space. Thomas Puttfarken suggests that while the scene is very close to the observer, Dürer did not intend the viewer to feel present: "the intimacy is not ours, but the saint's as he is engrossed in study and meditation". Art historian Erwin Panofsky comments on the perspective: The position of the sight point, quite far off centre, strengthens the impression of a representation determined not by the objective law of the architecture but by the subjective standpoint of the spectator who is just entering – a representation which owes to precisely this perspective arrangement a large part of its peculiarly 'intimate' effect. More on Wiki DÜRER Saint Jérôme dans sa cellule lion chien tête de mort crâne sablier manuscrit encrier lustre Albrecht Dürer and Hourglass See also:
Symbolism of Melencolia I by Albrecht Dürer
427-430 Melencolia I by Albrecht Dürer post stamps block Read the full article
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