#Cynthia Reavell

[fredbensonenthusiast]

In preparation for my trip to Rye (of which Tilling is the fictional version), I have been reading this book, available free on the Internet Archive. It's well worth worth a read for all kinds of reasons, not least a wealth of detail about Fred, from the people who knew and loved him towards the end of his life, and an astonishing array of social connections.

Here's a typical little gem:

......almost every morning when he got up Mr Benson would go downstairs and play the tune 'An English Country Garden' on the piano, which was a sort of signal that he was ready for breakfast.

So, not an annoying person at all 😉 It's a great bit of oral history, and fills in some interesting gaps in his own memoirs.

[alovelywaytospendanevening]

Beverley Nichols and the Bensons

E. F. (Fred) Benson, Beverley Nichols and A. C. (Arthur) Benson

Beverley Nichols dined with Fred and went into raptures about [Fred's] house, saying in his usual whimsical way that the furniture seemed to have been put in its place by the gentle hands of Time; the pictures had almost grown into the walls; and the carpets had sprung naturally from the floors like some gracious form of grass. According to Nichols, Fred's face glowed with happiness as he showed his guest round the house. He was described as ‘a smallish (Fred was five feet ten), pinkish, twinkling, urbane, grey-flannel-trousered man’ who had finally come to rest in a quiet London square, having retained the sparkle of his eyes, his taste for Italian wine and, above all, his love of a sheet of white paper in the stillness of the night. Fred, who had not ‘come to rest’ at all, noted with amusement the slight cattiness behind Nichols's gush. [Geoffrey Palmer and Noel Lloyd, E. F. Benson: As He Was]

Beverley Nichols was a lunch guest and on one occasion he came with his nephew. This must have been the time he was contemplating his piece “E. F. Benson, or Very Much at Home” (from Are they the same at home? 1927), because Mr Benson asked him if he was going to show it to him before he published and he said yes. But apparently he didn't, as Mr Benson was pretty peeved at a reference in the article to his novels "growing more and more dusty on the shelves of the subscription libraries. He doesn't care, I'm sure." In fact he did. "Mr Benson didn't like that at all," said Charlie [Tomlin]. Mr Benson had a mild dig at him in retaliation in some review of a publication where Beverley Nichols is in Italy or somewhere abroad and suddenly at the end realises it is April and the daffodils are blooming in England. So he has to rush home, of which Mr Benson wrote "I hope to God he got back in time." (Beverley Nichols was to retain a certain animosity towards Mr Benson until his own death in 1983.) [Cynthia and Tony Reavell, E. F. Benson: Remembered, and the World of Tilling]

Despite this shared animosity between him and Fred, Nichols previously maintained a long friendship with the older Benson brother, Arthur:

In the space of two minutes my war — my very special war — seemed much less unpleasant, because my new friend was none other than the Master of Magdalene, A. C. Benson, whose father had been one of Queen Victoria's favourite Archbishops. There were three Benson brothers, all distinguished in their separate ways, though the only one who is nowadays remembered is E. F. Benson, who is currently enjoying a belated revival as a writer of Edwardian comedy. A. C. Benson, whom I came to know very well indeed, was a true scholar and an admirable administrator, with a knack of coaxing large sums out of American philanthropists for the benefit of Magdalene, which was his chief love. A beautiful little college it was, with a library of exceptional distinction, founded on the original bequest from Samuel Pepys. Benson was a mixed-up man, who had a habit of developing sentimental attachments at a moment's notice, and no doubt this was what had occurred when he met me in the porch, though I did not at first realise the full implications of the encounter.

[…] Ever since my departure [A. C. Benson] had kept in touch through a constant stream of correspondence. No young man ever had a kindlier mentor; he wrote as an equal, drawing me out, seeking my opinions. He was not only kindly but practical. Realising that I had no means apart from my meagre Second Lieutenant's pay, he took some of my letters and sent them to an American magazine called The Outlook with the suggestion that they should be published anonymously. They were accepted, and the editors asked for more. Altogether I made five hundred dollars from The Outlook, which was a small fortune in those days. For the first time I knew the excitement of writing words on paper and selling them, of twisting my pen into symbols that could be exchanged for gold. Which is all that authorship has ever been about, or ever will be. I do not know whether The Outlook still survives and Benson's letters to me have long since disappeared, with the exception of one, which I kept and cherished because I had a feeling that it was a landmark in my life.

"My Dear Beverley, We do not know each other as we might have done, but if you have come to know me at all you will have realised that one of my ‘complexes’ — I believe that is the fashionable expression — is a hatred of waste. Perhaps that is why I can claim some success as the Master of Magdalene. I keep a very strict watch on the outgoings of the Bursary! But it is not only a matter of accountancy. It goes deeper than that. I am bewildered and alarmed by the profligacy of Nature, and even more bewildered and alarmed by the wastage of this hideous war. I think that you are being wasted. You have many talents and none of them is being used. With your precarious state of health your sphere of activities must be limited, but that does not mean that you can be of no use at all. As soon as I see an opportunity I propose to do something about this. Once you suggested to me — with that never-failing impertinence which I find so engaging — that I was an ‘intri- guant.’ (I had been telling you the story of the ingenious manner in which I had persuaded a Chicago millionaire to give us ten thousand dollars for our beloved Library.) You could not have paid me a higher compliment. Intrigue, to me, is the spice of life. I am an ancient spider, sitting in the centre of an ancient web, weaving ancient spells. And some of them will shortly be speeding in your direction. My affectionate greetings, A.C.B."

The ink of the letter has dimmed to a sickly sepia, and the address on the envelope, with its faded penny stamp, is almost illegible. But I still feel a glow of warmth as I read it, with half a century of disillusionment behind me. [Beverley Nichols, The Unforgiving Minute: Some Confessions from Childhood to the Outbreak of the Second World War]