#Cupule Trainings

[cupuletrainings]

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[lyrefromthesea]

HEYYY IIDK IFHOU TAKE REQUEST BUTTTT HOW WOULD THE HASHIRA REACT TO A HYPER ENERGETIC READER WHO IS ONE SECOND DOING 1 THINK THEN THE NEXT A NEW THING LIKE THEY COULD BE PAINTING AND THE NEXT SKY DIVING

I love your writing style hehe

Male pillars x Reader - the art of being too energetic

author's note: i hope this request is to your liking. truthfully, i had trouble writing it at some points.

pairing: Tengen x reader, Obanai x reader, Rengoku x reader, Sanemi x reader, Giyuu x reader, Gyomei x reader

content warning: none

Tengen:

where were you now? he swore you had been standing next to him a few moments ago. he looked around the streets, trying to spot you.

did you see a demon and moved forward without him? no, he would've heard it. he looked around the dark streets, not taking long to figure out where you went.

his feet dragged him towards the festival down the street. the area was filled with lamps and people wearing the prettiest kimonos or yukatas.

yet none of them stole his attention away from what mattered. you. you were in the middle of the crowd of dancing people. you spun around in fluid motions, a smile plastered on your face.

if it hadn't been for your uniform, you would've fitted right in. he moved forward without thinking, his hand soon grasping yours.

"now what were you thinking? we've been walking through the empty streets just a few seconds ago!" he said, his lips tugging up into a smile.

"couldn't resist, the music drew me in!" you laughed, twirling around him. he followed, both of you now dancing in sync. you didn't care for the eyes staring at the two of you. "are you mad?"

"you're too flamboyant to be mad at."

Obanai:

Obanai had been sitting on a tree, lazily watching you train. he didn't have anything better to do and you enjoyed his presence. however, when he looked down, you weren't training next to his tree anymore.

he looked to the side, flinching when you sat right next to him. "[name]!" he called out, looking at you surpised. he gave you a questioning look, waiting for your explanation.

"i found this." you answered, showing him a small acorn - or rather the rest of it. he looked at the cupule, you held it up by it's stem.

"and..?" he asked, still confused. it wasn't surprising to see you change your mood so quickly, but he found himself confused every time. especially now when you looked at Kaburamaru.

"and this!" you said, offering the snake to slither onto your arm. Kaburamu listened and Obanai watched in anticipation. the snake trusted you, just like Obanai did.

the cupule you held in hand was carefully placed on Kaburamaru's head, slowly pulling away to not knock it down. you blinked a few times and then looked at Obanai.

"it's a little hat! what do ya think?" you asked enthusiastically.

Obanai's eyes wandered between you and Kaburamaru, then back at you. "it's great. you should find him a scarf too."

"you're right!"

Rengoku:

"little flame? darling?!" he called out your name, desperately trying to find you. he had been sitting in the living room when he noticed the odd smell of smoke.

he had been worried sick, trying to find the source. his eyes widened upon seeing the clouds of smoke leaving your shared kitchen. however, when he ran inside, he was even more confused.

"darling..?" he asked, tilting his head to the side to get a better look at you. he could barely see it through all the fug, but he figured you were standing next to the stove.

when he came closer, he saw you more clearly - you were holding a bucket in your hand. his eyes fixed on the stove, hearing it sizzle quietly. it was wet and still slightly hot. he couldn't make out what had been in the pan, but it was burnt now.

"oh, Kyojuro!" you gasped, looking at the man. you hadn't heard him before. your eyes followed his gaze, your face growing red when you looked at the stove.

"i wanted to cook something, but then i remembered this book from a few years ago. i'm sure i had it somewhere around-" you babbled, stopping when you looked at him again.

you had expected him to be mad for nearly burning the whole house down, but he didn't look angry in the slightest. he took the bucket out of your hands instead, placing it to the side.

"let's clean this up first, we can search for the book later." he simply said, his motivated stance not leaving. you agreed, cleaning the kitchen together.

you only stopped when he suddenly spoke again, leaving you baffled.

"you know, i once burned my family's house down when i was smaller."

Sanemi:

Sanemi looked at you, your eyes staring back into his. his gaze hardened, daring you to move further.

"don't do it." he grumbled, his hands ready to grab you in an instant. if someone would've walked into the room, they would've surely questioned your sanity.

"i'm going to do it." you answered, giving him a mischevious smirk. his eyes narrowed, his body tensing up.

you had found a new hobby a few days ago, which happened to involve him. now he gave you his undivided attention when you were acting strange or gave him a knowing look.

in the blink of an eye you turned around and jumped backwards, Sanemi reacting immediately. he made sure to catch you in his arms, stopping you from falling and hitting the ground.

he let out an annoyed sigh, having caught you. again. he didn't even remember how many times it had been this week. "stop doing that!"

"you know you love it" you chirped, giving him a triumphing smile. he rolled his eyes, letting go of you.

but you were right, he did love it.

Giyuu:

"i want wagashi." you said, tugging at Giyuu's sleeve. normally, your request would've been completely fine, but now he was looking at you in disbelief.

"what?" he asked, stopping in his tracks. you came to a halt next to him, repeating what you've just said. "i want to eat wagashi."

he was at a loss of words. you had asked for daifuku nearly ten minutes ago. he had been walking to your favourite shop with you since then, knowing it would make you the happiest.

"we would have to walk in the opposite direction." he remarked, giving you a questioning stare. you blinked at him a few times, as if you were waiting for his answer.

he would've said no to anyone else, but he was used to your impulsive behavior. he couldn't explain why you made decision the way you did, but he thought of it as refreshing. he sighed, turning around on his feet.

"let's buy you some wagashi."

Gyomei:

"can i move now?" he asked. he had been sitting under the waterfall for about thirty minutes now. you had asked him to paint a picture of the moment, which he found himself agreeing to.

however, he hadn't heard anything from you since over fifteen minutes, making him question what was going on. the cold water of the waterfall hitting his back overshadowed most of the other sounds around him, but he managed to hear you stand up.

"Gyomei, i'm so sorry!" you apologized profusely, running towards the waterfall. he heard the splashs over your body pushing the water around you away, eventually feeling your hand pull on his.

"i completely forget about the painting. there was a cat and-" you stopped when you felt his head turn towards yours. you looked at him, wondering what could've made him forget about your mistake.

"a cat?" he asked, feeling you change the direction you were pulling him. it wasn't your strength to keep attention on one thing, but he couldn't care less.

besides, he shared your fascination over cats.

[sagesden]

A death, love, and dark encounter

Smallear is now passed away, Patchpelt is the only original elder left

Stop getting Greencough

Willowpelt and Runningwind has become mates!!

Bramblepaw is now trans

Mistlepaw was eating with snowpaw and invited Bramblepaw but he rejected as he headed of with his mentor to train on their battle moves.

Mistlepaw was feeling uneasy about how much Bramblepaw was spending battle training

such a cute cupule

Bramblepaw woke on a foggy field and saw a cat who looked like a dark ghost and when the cat says he was a starclan cat Bramblepaw believed him and the starclan cat had offered to help and make him a stronger warrior.

[abandoned-ax]

I’m on the team - pt 3

Pt 1 pt 2 pt 4

Summery: the first day of training camp!!

Tw!!! scratching (self harm scratching), panic attack

It’s strange, over the week the team has been super busy, practicing and studying. I helped Tsuki with Hinata and Kageyama trying to make sure they pass there exams, Iv gotten pretty close with the two, there both really fun, and watching them both struggle with classes and Tsuki scolding them is super funny. Sadly the two didn’t pass their exams and are both super upset. I remember when we were getting our test scores back i rushed to their classroom with Yams hoping to see them both super excited only to see Hinata come out pouting, and Kageyama with this super dejected look like he was super disappointed in himself for his grades. They were assured tho that they would be able to get to the training camp just a bit late!

We’re headed to the training camp, me Tsuki and yams are all sitting together, me and Tsuki on one side and yams on the seat across the isle. I’m starting to get nervous, not knowing how other teams are going to react to me being there! They don’t even know who I am, or my situation!

“Tsuki!! What if their angry! Maybe I shouldn’t have come- or-or maybe I shouldn’t have even joined, we don’t know how people are going to react!”

“It’s going to be ok (Y/N) im sure their all nice.” Yams said with this super supportive smile

“Yeah and if anyone bothers you I’ll take care of them.” Tsuki says knocking shoulders with me giving me a small smile.

“Yeah (Y/N) don’t worry! You’ve got all of us, we won’t let anything happen!” Suga says turning around, seemingly having heard me freaking out.

I sigh starting to scratch my hands a nervous habit of mine. After a minute or two Tsuki notices grabbing my hand giving me a disapproving look. He reaches down into the backpack he brought on the bus looking for something, pulling out a stress ball and hands it to me.

The rest of the bus ride me Tsuki and Yams ended up falling asleep, I guess I tired myself out with all of my stressing.

We got to Tokyo faster then I thought, the bus ride felt way to quick! But I guess that happens when you sleep, it’s like time travel.

Getting off the bus we were greeted by some guy with crazy strange rooster hair, I quickly moved to hide behind Tsuki still scared about meeting the other guys. Daichi went over to talk to rooster head while the rest of us got our bags off the bus Tanaka and Noya pushing me and Tsuki and Yams to “walk faster” and “get more excited”.

I overhear The guy Daichi is talking to saying “ your missing a few aren’t you? Wait who’s the new kid” I move closer to Tsuki hoping his tallness will hide me, “why does the new kid look so scared of me.” all I can think about is what if they’re transphobic, what if they don’t want me here, what’s going to happen when they find out. “I’ll tell you about him in a bit.” Daichi responds giving me a concerned look. Tsuki makes a comment about annoying volleyball guys while nudging me to try and get my attention, he and Yams start bickering a little bit and Noya and Tanaka are practically bouncing off the walls and it keeps me distracted.

We were pointed towards the room we’d be staying in putting our bags down and changing. I started getting more nervous, Iv never met these people before and they don’t know my situation. What if I walk on the court and someone yells at me, what if people start asking questions, what if one of them gets super angry and starts yelling at me, what if the team decides they actually side with them! What if-

“(Y/N)” it’s Tsuki and Suga, the two are standing in front of me, Suga is holding my hands and Tsuki has a hand on my back.

“Come on let’s sit down yeah,” the two move me to go sit on a windowsill I look over their shoulders and see all the guys looking at me, I don’t know why I feel so small now, I know them all, I know their not judging me, but I still feel like the piercing stare I’m getting from them is too much. I see Asahi start moving and coming to stand next to Suga on the opposite side from Tsuki.

“Hey (Y/N) I need you to breath for me ok,” he gives me a really concerned look I hadn’t even realized I was hyperventilating, taking one of my hands from Suga and putting it on his chest taking big deep breaths so that I can feel it. “In and out, in and out.” The two words being repeated like a mantra.

Once I’m breathing slightly better Tsuki starts asking questions

“are you lightheaded?”

“Kinda”

“did you eat this morning”

“no”

“why?”

“Didn’t have time.”

“Can someone go grab a granola bar or something?” I see some movement and I think it was Noya who left to go grab something for me to eat. “Are you nervous about training camp?”

“Yes” I say quietly hoping that only he can hear

“Is it because you haven’t played a real game yet.”

I shake my head, I haven’t even thought about that fact that I’m going to be playing a real game for the first time, the only people Iv played against is the team.

“Is it because your afraid people are going to be mean about your gender?”

“I- yes,”

I see everyone look around, I guess they hadn’t thought this was really that big of a deal, but for me, this isn’t something that happens normally, while they all had the door to this space opened to them, I had to hike up a mountain to just get to the door, and I’m just scared that once I get into the space that they all see as a right, is a privilege that most people like me don’t have, it isn’t a space I’m normally supposed to be in, and once you realize my situation everyone knows it.

Suga pulls on my hands making me face him. “ it’s gunna be ok (Y/N), if anyone says anything we’ll deal with it. You’ve got the team! We’re going to make sure your ok.” Suga says with a reassuring smile.

Noya quickly gets back in the room with a granola bar and a water bottle sliding in front of me to hand them both to me. “Thanks Noya” it’s a couple more minutes that I sit there catching my breath before I give everyone a nod letting them know I’m ok, everyone starts to disperse to Finnish getting ready.

Tsuki went over to his bag giving me an extra shirt he had, just like when I first stopped wearing my binder while playing. It’s a reassuring gesture. I get changed and everyone starts leaving before Tsuki grabs my hand, holding me back for a second.

“Your gunna be ok. I promise. And if you get scared or anything just let me or Suga or Daichi know and we’ll get you off the court ok?”

“Thanks Tsuki.”

Tsuki speeds up a little bit to get to yams and Daichi slows down a bit to get back to me.

“Hey I wanted to let you know before we get in there, there might be a cupule people who know your situation, mainly Kuroo the captain of Nekoma, he’s the guy from when we first show up. And I think Kenma their setter might. Him and Kuroo are close and he’s friends with hinata, and we’ll you know hinata. Other then that I’m not sure, they might have told some others but still I can’t tell you what the rest know.”

“Thanks Daichi, um did Kuroo seem chill about it when you told him?”

“Yeah, yeah definitely, I mean he was for sure surprised but, he ended up just saying ‘oh! That’s cool’ so I don’t think you have anything to worry about there.”

“Thanks Daichi.”

“Of course kid.”

We finally all get into the gym moving to get warmed up before our first game!

—————————————————————

Let’s just say we haven’t been winning much, Coach put me into Hinatas spot so Iv been playing a lot. Honestly Iv been so stressed about my gender that I didn’t have time to stress about the fact that Iv never been in a game before. Iv gotten a few good spikes in and have been blocking a bit, but I’m by no means super good! We’ve been doing lots of flying laps.

After one of our practice games with nekoma everyone was taking a break to drink some water when some guy with bleached long hair came over to me.

“Hey.” He said kind of quietly, he seemed pretty awkward like he doesn’t do this often.

“Hey?”

“Um I just wanna let you know- i mean I’m friends with hinata and he’s told me about your situation.”

“Ah I see”

“I just wanted to let you know I’m chill with it, all of us on Nekoma are, so you’ve got nothing to worry about with us.”

“Thanks. It’s uh really reassuring to hear that. I’m (Y/N)”

“Kenma.”

“It’s nice to meet you Kenma”

“So uh how long have you been playing, it’s just we did a practice game with you guys not to long again and you weren’t there.”

“Oh yeah umm I just started playing only a few weeks ago.”

“Wow really. Your pretty good for someone who’s never played before.”

“Ha thanks, but I really have my team to thank, they got me playing and have been pretty good teachers”

“I hope one of those teachers hasn’t been Hinata I’m pretty sure most of what he says to explain volleyball is sound-effects.”

“I know right! It’s like he doesn’t know words sometimes.”

“Yeah it’s really strange but you get used to it.”

“Haha I guess eventually I’ll learn to speak his strange language!”

“Yeah!” Kind of out of nowhere the guy from this morning Kuroo I think his name was wrapped an arm around Kenmas shoulders.

“Well well what do we have here! Is Kenma actually talking to someone!”

“Shut up Kuroo”

“Hi I’m Kuroo, (Y/N) right?”

“Yeah, yeah that’s me.”

“Well it’s nice to meet the newest player.” He sends me a wink, “come on Kenma our games about to start, it was nice to meet you (Y/N)!” The two walk off headed back to the court.

It’s a little bit later in the day that Hinata and Kageyama show up! Hinata taking my spot in the game, and honestly I’m grateful, this day has been exhausting.

An: hey guys! Thank you so much for reading! I hope you all liked this part!! I’m so excited to keel writing!! I take requests so if you have any please just message me!!!

[letsstudieren]

Pour Emma, la saison la plus préférée de l’année est l’automne parce qu’elle peut mettre son écharpe bleue que lui a fait sa mémé et boire du chocolat chaud. Il y a, pourtant, des tâches qu’elle déteste pendant cette époque, comme rassembler les feuilles mortes.

Une après-midi, Emma est en train de les balayer dehors sa maison quand elle fait une découverte. Elle s’accroupit pour jeter un coup d’œil et oui, elle a raison ! C’est le champignon le plus parfait qu’elle a vu dans sa jeune vie : c’est énorme, complètement symétrique, le chapeau tout rouge avec des petits points ronds. Elle est certaine qu’il doit sembler vraiment magique à la lumière de la lune dessous les arbres nus.

Les champignons tendent à pousser en groupes mais, peu importe à quel point elle cherche, il n’y en a plus dans son jardin. Même pas un. C’est très bizarre. Elle doit alors faire plus d’attention à ceci. On ne sait jamais quand on trouve un château de fées. Donc, elle fait une petite clôture avec des pommes de pin qu’elle à trouver en retournant chez elle et laisse des grains de raisin la nuit avant s’en aller à dormir.

Le matin, elle trouve que les grains de raisin ne sont plus là. Alors, elle en laisse plus chaque nuit. Elle partage aussi un des marrons rôtis au four qu’elle a acheté. Tous disparaissent pendant la nuit.

Cette routine continue tout le mois jusqu’un jour où tombe une averse. Elle s’inquiète. Elle n’a pas pu visiter le champignon et la pluie est trop forte. Il faut attendre le matin.

Emma cours au jardin même avant prendre son petit-déjeuner, encore en son pyjama, mais le champignon n’y est plus. Elle sait que c’est le lieu correct parce que les pommes de pin restent toujours là, tombés et dérangés, mais elle ne trouve aucune trace du champignon, il a simplement disparu.

La journée est très longue. Il n’y a plus de mystère pour la distraire.

Elle regarde le jardin depuis sa chambre, mais elle ne sorte pas.

Le matin suivant, quand elle s’approche encore de sa fenêtre, elle trouve une petite pièce de papier dessous la cupule d’une glande. C’est un dessin, une peinture plutôt, comme ceux des vendanges dans son livre d’histoire. Il montre une multitude en dansant parmi une pluie de raisin, le champignon au milieu, et une main dans le coin gauche supérieure.

Emma ne trouve un autre champignon aussi parfait cet an, mais la peinture reste encadrée dans son bureau. Peut-être l’année prochaine...

[buynsellsolar-blog]

Cuban Love Notes

New Post published on http://roofnrays.com/cuban-love-notes/

Cuban Love Notes

How do you do nothing? Up until a few months ago I had no clue. Anytime I attempted to do nothing, I’d think about the next thing that needed to be done. Admittedly I’ve never been good with standing still. I figured the best way to cure this would be go to a place where I’d be forced to do nothing. In my opinion there’s no better place than a tropical paradise.

Believe it or not, I had never been on a vacation. Sure, I had visited New York, Chicago and Los Angeles; however it was only for a few days and not an all inclusive resort. For years I watched people around me escape to warmer temperatures, listened to their stories of sun, sand and waves, and wondered when it would be my turn.

Determined to not let another year without a vacation pass me by, I booked an all inclusive package. And Cuba was the destination of choice! It’s worth mentioning that Sean and I narrowly missed purchasing our tickets from Conquest Vacations, which ceased operations the day of our purchase. This proved to be a blessing in disguise because we were able to get a 4 star ocean view room in the newly constructed Barcelo Cayo Santa Maria near Santa Clara, Cuba.

The moment I stepped off the plane, I realized you don’t just visit Cuba, you feel Cuba!! From gentle breezes, soft sandy beaches & melodious ocean waves to the warmth of the people and their endless generosity, Cuba is beautiful!! Our resort was exceptional and immaculate, with attentive and accommodating staff. And the food was simply delicious! The food was so delicious that we passed on attending our 3rd a la carte and opted instead to have dinner at the buffet.

Our beach was glorious, private and secluded! It was so refreshing to take it easy. Watches were forgotten and we didn’t care. If wanted to know the time we looked up and saw where the sun was positioned in the sky. Even the way we walked was different: chill and relaxed. It was so cool I had to give it a name: the Cuban stroll.

A typical day on the resort went like this: slept in, showered, changed, ate, went to the beach, sunbathed & slept, swam in the ocean, sunbathed & slept some more, swam in the pool, got ready for dinner, went to the disco & then slept. We repeated this for 6 days, 7 nights. Lol, you get the idea!

By far, my most memorable day was our day trip to Santa Clara. Arranged by our tour operator, it was a full day of activities: we rode an old-fashioned train ride into Remedios, visited the oldest church in Cuba, toured a cigar factory, had lunch at a beautiful restaurant and explored the streets of Santa Clara. Poignant for me was our visit to the Ernesto “Che” Guevara Monument and Mausoleum, which was such an incredible experience! Ernest “Che” Guevara was an admirable man and is a hero to many people not just in Cuba but around the world! We were inspired to learn more about him and his legacy! One of the books we purchased was The CIA Against Che by Adys Cupull and Froilán González, which discusses the possible involvement of the CIA in Che’s death.

Before I knew it, my week had come to an end. Although I was sad to leave, I knew I’d be back. When I landed in Toronto I couldn’t help but notice the sharp contrast in how everyone moved through the airport. Gone were their lazy strolls and laid back demeanour. Everyone was in a rush and made a mad dash out of the airport, back to their busy lives.

These days, I’m slowing down whenever possible: if I’m not wearing a watch, it doesn’t matter; unexpected free time: I take a walk or curl up with a good book; and on those special lazy afternoons: I’m by the water reminiscing about Cuba and anticipating the next time I’ll be back in the Atlantic Ocean catching a wave. You know, that really great wave you fall into without hesitation, knowing it will carry you exactly where you need to be.

Mucho gracias Cuba!

Nadine Gooden is a writer and founder of NavyJade, a company which provides freelance writing and editing services, using concise, clear and relatable words to captivate and effectively convey your message to your target audience. For over 10 years Nadine has been applying her writing and editing skills to a variety of projects for some of Toronto’s most prominent executives. Possessing a fluid, rhythmic and vivid writing style, Nadine is dedicated and passionate about her craft and has proven experience in composing and fine-tuning words for her clients.

[lescourspourjohanna]

art préhisto cours 9

Problèmes chronologiques

Apollo 11-29 000/26 000 BP

Abri du Géant Rouge-4 7000 BP

Très grande difficulté pour la datation. Les première datations sont vers 5000 BP, tout ce qu’il y a avant n’est pas datable. Entre 100 000 et 20 000 il n’y a rien. Le site d’Apollon 11 est le seul ou l’on trouve des traces graphiques datables.

Il est difficile de travailler car il n’y a pas d’inter-croisement entre les différentes disciplines.

Très peu de repaire archéologique. Les seuls repaires que l’on a est l’iconographie. Avec par exemple les animaux domestiques, dont on connait à peu près la date d’introduction dans la région, il y a environ 1000 ans.

Une autre complexité s’ajoute: selon les région la durée de l’art rupestre est très variable. Dans le Brandberg, un très grand nombre de sites ornés, produits entre 4000 et 2000 BC. Dans le Drakensberg, on a une production jusqu’au XIXème siècle.

Des peintures…

Principalement des peintures en rouge et en noir. Très peu de blanc, selon les région. Principalement des monochromes. Dans certaines régions il n’y a que des monochromes.

On retrouve aussi des polychromes, c’est le cas du Drakensberg. On a des codes: blanc; tête, patte et corps, noir contour et organes, et rouge pour les flancs.

… et des gravures

Present surtout dans le karoo, le plateau central d’Afrique du Sud, et dans le Sud de la Namibie. Il s’agit majoritairement de gravure piquetées.

Une thématique abstraite…

Thématique diversifiée selon les région, et on retrouve la coexistence de motifs géométriques simples et complexes. On retrouve beaucoup de ponctuation ou de cupule, des spirales, des points, des grilles, des zigzag, pour les formes simples, et communes qu’on retrouve un peu partout.

Et des motifs plus compliqués, qui sont très régionalisés. Présence d’un motif dit « navi-forme » car en forme de bateau.

…mais principalement figurative

Présence d’humains, parfois associé à des animaux. Il n’y a pas de ligne de sol.

Linton (Eastern Cape) humains avec animaux. Présence d’une ligne avec un personnage dessus. Les proportions ne sont généralement pas respectées. On ne respecte pas les rapports de tailles entre les différents thèmes et aussi dans les même thématiques.

Pas de cadre graphique: pas de paysage naturel ou anthropique. Seul exception au Zimbabwe, où l’on retrouve des arbres et des plantes.

Au sein de cette figuration l’humain est très largement prédominant. A part dans le Karoo, on retrouve la thématique de l’humain dans toutes les régions.

Très peu de représentations incomplètes ou segmentaire.

Ces humains ont un certain nombre de caractéristiques.

Selon les région ils sont soit schématique (drakensberg) détail et réaliste (branberg, drakensberg) caricatural dans le cedenberg. Il n’y a pas de figuration sexué.

Les hommes ont le phallus souvent représenté, tout comme pour les femmes, on représente les seins, mais pas le sexe. Associé à ces caractères sexuels primaire on trouve des caractéristique particulière, cuisses massives, postérieur important, courbure des reins, et le ventre rebondit, pour les femmes. Les corps sont très distinctement différenciers. Dans certains cas ces formes féminine peuvent être énormément disproportionnée.

Ces corps portent fréquemment des éléments de vêtements et/ou des éléments de parure. Le karts (tenue) et le cache sexe est représenté.

Sexualisation et individualisation des corps par l’objet.

Trilogie de l’arc, flèche, le carquois. Seul les hommes sont armés. Les femmes portent quant à elle des battons à fouir. Les sacs peuvent être portés par des hommes et des femmes.

On n’individualise pas les têtes. En revanche on individualise les corps par des objets. Les tête est les corps sont identiques, mais des différences se font dans les vêtements ou objets, et c’est avec ça que l’on différencie les individus.

Ce sont des corps très dynamiques. Il peut toucher aussi bien la partie inférieur que la partie inférieur du corps. On les voit en train de bondir, courir, les bras tendus, levés vers le ciel… Les personnages sont debout, assis, en mouvement de marche… Rarement couché.

Le chasseur et le nomade

Il n’y a que très peu de comportement représenté au sein de cette iconographie. Avant tout on retrouve la thématique du déplacement, la marche ou la course. Cela dépend des régions. Quand ils marchent souvent c’est des files mixtes, avec des hommes et des femmes. Cela renvoie au nomadisme.

La course renvoie à d’autres éléments de la vie de ces populations. Généralement il s’agit d’homme, portant des armes. Il s’agit du mode de déplacement unique des chasseurs.

La danse: événement social fondamental

Peut être en formation circulaire, avec des groupes mixtes mais parfois séparés. Ces danses montre des corps dans des postures très différentes.

Des regroupements sociaux

Ensemble de figures humaines assissent, pouvant avoir un nombre de personnes restreint jusqu’à très large. Avec autour d’eux ou au dessus de leur tête des sacs.

Ces populations vivent avec des campements très rudimentaire, ou dans des abris sous roches, ils accrochent les sacs pour éviter que les animaux n’y rentrent. Il s’agit de sac à viande. Ce qui renvoie à une certaine image du quotidien.

La cueillette qui est très importante n’est jamais représenté. Ils mangent aussi beaucoup d’oeuf, mais encore une fois ces scènes ne sont pas représentés. La vie du campement n’apparait pas. Il n’y a pas d’enfants représentés non plus. Scènes de conflit extrêmement rare.

Les grands herbivores et le reste

Le bestiaire animal est peu courant, sauf Karoo. A l’intérieur de ce bestiaire on retrouve principalement les grands herbivores, avec les antilopes, parmi lesquelles on retrouve l’élan du cap, le hartebeest, le kudu, le springbok. Ces représentations renvoient à un vérité, chaque région représente les herbivores présent dans leurs environnement.

On retrouve d’autres grands animaux: les éléphants, mais aussi les zèbres, les girafes, ou encore les rhinocéros.

On retrouve aussi de manière plus anecdotique: les poissons, les serpents, les abeilles et les menthe religieuses.

Le bestiaire est très resserré sur certaines catégorie animale.

Pour es styles, il varie selon les région. Le Karoo est très épuré sans détail à l’intérieur des silhouettes. Pour le Cederberg, style schématique avec silhouette modèle et quasiment aucun détail interne.  Pour le Drakensberg et le Brandberg des représentations réalistes, détails pour les organes sensoriel et le pelage. Les modelés internes ne sont cependant pas représentés. Il n’y a pas de recherche de la 3e dimension à l’intérieur des corps.

Cette représentation animale est très dynamique. Posture diversifié.

3 éléments de narrations:

-thématique du déplacement, grands ensembles de troupeaux, avec présence de petits, (alors que pas d’enfant pour les humains) soit à la marche soit à la course.

-Le rut, les 2 comportement interaction social soit les parade amoureuse entre mâle et femelle, soit les scène de combat entre mâles. Pas de représentation d’accouplement entre animaux, ni de mise bat.

-Thématique de scène dans lesquelles des animaux sont en train de se nourrir ou de boire. Avec aussi des scènes d’allaitement. Mais cela reste une thématique relativement rare.

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