#Critical Hit Active

[toss-a-coin-to-your-stan-account]

"ummmmm yeah that strike bisan called for is really rushed and leaves no time to prepare for it and its during finals season and it's just poorly organized :/" hmmm I. well. I wonder why a palestinian journalist living in palestine is calling for a strike on very short notice. i wonder why a palestinian journalist living in the midst of her own genocide for the past two months where. where disease outbreaks are rising and no one can find food or water and many of these people (including bisan herself a few weeks ago at one point) are not expecting to live more than a few days let alone weeks. I wonder why someone living in this horrific and incredibly bleak and uncertain situation is calling for strikes without planning weeks/months in advance. I wonder why! they are not planning these with weeks/months or even days of prep time in mind! I wonder why! this is quite a conundrum! lets uh. lets put our fucking thinking caps on! so to speak!

[mikkouille]

wait actually connecting the dots was the guy telling us the fight would go well when we were half a party of first timers also the one who forgot to lb3 us like bro was a tank one of em. jffjjssn he forgor.

[iwritenarrativesandstuff]

sometimes i feel like a horrible person but i just saw some of the absolute garbage terfs post on their blogs and i'm thinking. you know what. maybe i'm doing ok actually.

[cobraonthecob]

i'm just. going to sneeze out some thoughts regarding junior drivers being arrogant enough to publicly like tweets regarding lance. the tl;dr is that everyone should get off of lance's back for being a pay driver and that every single celebrity should reduce the time they spend on social media interacting with fans and fan content, because as we have just seen with bianca, it turns into a very, very ugly situation and a reputation set on fire and thrown away

drugovich makes sense since he is aston martin's reserve driver would be called up to drive for the team should anything happen to fernando or lance. this is not to excuse him, and he should not be taking out his frustration on any driver (if i'm going to be spicy, maybe turn your ire to the driver who retired a few years ago and then came back), especially when said driver is in the same team as him and technically higher in rank. if anything, if he really wants to play his cards right, then he should wait until fernando finally retires, get the seat, and try to prove why he thinks he's better than lance (and then he makes rookie mistakes and the fans turn on him. that's just how it all goes for most rookies. do really well in feeder series and f1 throws lemons at you. george russell was a victim of this, as was mick. yes, horrendous cars, but fans are quick in changing their opinions on young drivers)

bianca however, makes no sense on why she would be frustrated about lance's presence in f1 unless there was a valid point to make about how financially inaccessible this sport is becoming (which none of the tweets from what i heard, did not talk about and only insulted lance). if we are to ignore everything else for a minute and put it in a vacuum, then bianca's frustration at lance having a seat at aston martin makes zero sense. bianca is currently in an f4 equivalent series and a midfield driver who should be focusing on becoming a better driver and a contender for top three, not liking tweets talking shit about a driver in a series way above her and in a team she is not backed by. like, let's say bianca does well next year, gets into an f4 series, does well there, rinse, repeat, and rise to the top, 2027 rolls around, she would be up against whether or not lando or oscar are still with mclaren or if they've moved to other teams or left f1 (let's just assume both of them are still there). she, as a rookie, would be going up against the talents of two drivers who have been with mclaren since 2019 and 2023, respectively. her concern should not be to a driver who is in a completely different team, but to proving that she is a capable driver

now back to actual context, there is no excuse for either drugovich or bianca liking anti lance tweets. that is extremely disrespectful from both of them, and i hope that this situation becomes a lesson to all junior drivers that the fans' eyes are on you and you have to distance yourself from the fandom. if aston martin or the fia really had a problem with lance, they can deal with it on their own.

[duvewing]

genuinely speaking there is nothing wrong with criticizing rwby. i have more than my fair share of issues with it and engaging in critical discussion about it is good. there is also nothing wrong with disliking rwby. but if it gets to a point where you still watch the show and you think it’s actively making you more miserable and it irritates you to see people even just casually enjoying it, then maybe it’s a sign to seek greener pastures.

even if you say that you’re still so invested that you gotta see how it ends. the sunk cost fallacy cannot physically manifest in your house and hold a gun to your head to force you to watch rwby.

[amiibo-king]

*ventures bravely into the notes on an art piece of felix escellun* *immediately sees someone misgendering him in the tags*

[orcelito]

that one bookmark is gone and on one hand im glad i dont have to see it anymore but on the other hand im a little embarrassed at the thought of them having seen me have a whole mini spiral about it at like 5 am. like sorry random person ig

[noelledeltarune]

just so everyone knows if i lose on the battle subway one more time to obscene bullshit damage roll item or crit luck there wont be a world to wake up to tomorrow

[brltpop]

Isn't it wild how usamerican one hit wonders can literally still be famous and be acknowledged and (some) even earn royalties and tour around the globe in those discoteka 80-kind-of events yet one hit wonders around the globe just.... fade away and blend in the background completely, abandoning the music industry and such?

[fecto-forgo]

thinking abt the star allies novels depiction of the mage sisters again.pain.

[lycanr0t]

bluey getting like a sudden burst in popularity on social media is aging me

[thisisnotthenerd]

ok but all the bad kids were so strategic and effective in the last stand. i know gorgug's crits and fig's spells were huge but everyone really played to the best of their class. look here for the questions and killing blows.

adaine's spell usage was super effective--the mephits granting advantage and blinding opponents. the scatter to get the melee fighters where they're the most effective. using mirror image and her bonus action divination cantrips to not get hit. the use of the portents was excellent--keeping gorgug from taking huge damage from the purple worm and allowing fig to crit on the wyvern enhanced both of their strategy immensely. she split the difference between damage and utility very well.

kristen's bless let the melee attacks hit when they would have missed and she held that concentration the entire time, while intermittently healing and reducing the number of enemies they had to face (skeletons & manticore) and getting out of the way where she wouldn't be targeted. if she hadn't been moved to the side by buddy no one would have caught kipperlilly. absolutely critical support casting. ally really took a lot from playing margaret and applied it here.

fig, despite feeling insecure about her melee attacks, did a ton with her melee cantrip/smite combos (insane) and ambient spirit guardians. by moving around the battlefield strategically and drawing attention as the fake proctor she dealt with the smaller enemies (jellies, stirges, rust monsters, mimic) and actively took down the shrimp dragon, wyvern, and pentacorn.

riz went the other direction; hiding and using the extra action from haste to get sneak attack multiple times in the round. his sneak attacks really served to whittle away at high hp counts when the bad kids had to split focus. plus the clutch defeat of the roper and umber hulk was excellent.

fabian wasn't critting as often as gorgug, but he followed a similar strategy to fig; where she drew attention and killed enemies with AOE and melee, fabian drew attention from single combatants and dealt with them effectively: he practically soloed the hydra and roper with assistance from riz and kept the umber hulk and crab man off of his allies as the final wave converged.

gorgug thistlespring. the crit king. initially he was doing big damage in a similar strategy to riz; he got huge hits on the gorgon and shrimp dragon before taking on by far the most challenging enemy, the purple worm, with assistance from adaine's attack spells. two full turns as the only combatant taking damage from the worm, while knocking it prone every single turn.

this was the battle of the brands for the bad kids, scaled for level 13 combatants. they put everything into this fight.

[swiftlymurmurs]

I've seen a lot of people voice disappointment over this Game Changer season finale and while I personally wasn't really bothered by a lot of the criticisms (I thought the Ratfish was an interesting added game mechanic and I never really care who wins or loses so his judgements not aligning with mine made no difference to me) I do think it's very interesting and I've spent some time thinking about why it doesn't work for so many. Some thoughts: Why is this Eric guy even here?

Tim & Eric were a popular tv comedy duo in the late aughts alt comedy scene. Sam and many of the writers at Dropout are sketch comedy nerds who, in 2007, were freshly at the start of their comedy careers, and probably see them and the larger [Adult Swim] environment they were a part of as a huge influence.

Why has it maybe aged poorly?

As far as I know, their popularity came in the early stages of about a decade of quite cynical, surreal comedy that also spawned the "lolrandom" era. While huge and fresh at the time, I think my generation (gen Z, the main viewerbase of Dropout) has grown pretty tired of this style and favours sketch comedy that's more clever, witty, and emotionally open or wholesome. At least, that's a movement Dropout has very much steered into with their roster of comedians and it's what the viewers expect.

The parasocial thing

It's no secret that Dropout actively promotes itself as a tight group of friendly comedians who you are invited to get to know, expect, and love when they show up. They don't abuse parasociality in the way you see, for example, younger audience oriented youtubers shoveling merch do it, but they absolutely make use of it. Most of the moments from this episode I've seen people gush over or post positively about are those where the cast recognize each other's styles, reference their relationships, and just generally make it known how well they know one another. When a total stranger enters the picture in an episode where the cast already have a barrier to their regular banter AND is given so much power over the game, they may look like an outsider or even an enemy to the happy little family people have gotten so attached to. Especially because his role is explicitly that of an antagonist, and the cast are never given a chance to see him and maybe out their love and respect for him as a comedian. In the minds of viewers, he just stays some guy who made mean jokes about their blorbo and then left.

Conclusion

I'm always glad to see this show making big swings, and while most of them have landed, some of them are bound to miss. It's a show that prides itself on trying things the viewers may not yet know they wanted and the second it stops trying, I think it'll be all the worse for it. It's a shame to end the season on such a note, but it's been hit after hit so far, and before we know it we'll be right back into it. I love this show, I love this cast, and I'm excited to see what's next!

[dughole]

radiohead’s complicity in israeli-occupied palestine

my feelings on radiohead are complicated these days, as i’m sure they are for many. i'm using this post as a method of sorting out my own thoughts & to provide sources.

for me, the bottom line is this: radiohead is both a brand & a musical group. the brand of radiohead has always had deep roots in the israeli colonial project - they have played many, many shows there throughout their career. their breakout single - creep, was intially only a hit in israel (x, x) & the personal choices of some of radiohead's members remain just as involved. jonny greenwood met his future wife - the israeli artist, antivaxxer & vehement zionist (x) sharona katan - at a show radiohead played in israel in 1993 (x). jonny consistently collaborated with zionist musician shye ben tzur & his projects continue to tour in tel aviv as recently as last september. as for jonny himself - his only statement in regards to the war on gaza has been in mourning for the israeli concert goers on october 10th - w no such empathy spared to the 100,000 palestinians dead, injured, or missing. as for thom, while he’s thrown a few bitchfits (x) through the years abt criticism of radiohead’s shows in israel, he has imo - only paid lipservice to the criticism, saying “playing in a country isn’t the same as endorsing its government” going against the pleas of his peers & coworkers in the music industry. as well as the pro-palestine activism undertaken by his long term friend micheal stipe (x & x). (note: stipe stood by radiohead’s performance in israel in 2017, but his current political choices suggest his understanding of the situation has evolved). even his own son - noah yorke, a fellow working musician, has voiced his opposition to the genocide in gaza via instagram stories. as for the other members, rhythm guitarist ed o'brien has called for a ceasefire, as well as making a few tweets about "solidarity with palestinians & israeli peacemakers". while bassist colin greenwood reportedly refused to accept letters of dialogue from the fan-run organization radiohead fans for palestine. drummer phillip selway's commentary is similarly brief but defensive, saying radiohead's 2017 tel aviv concert "felt right"

to me, this paints a picture of a band who's members stances on israel range from abhorrent to simply not enough. & as a brand, their particular combination of action & inaction amounts to a fundamentally zionist perspective. you cannot separate radiohead as artists from radiohead as a brand name.

i've loved radiohead since i was 14. i was brought into it by another longtime fan. i cried & danced when i saw them live back in 2017 - it was, & remains, a moment that allowed me to live through the hardest parts of my life. i felt for the longest time, that radiohead's music & political positions encouraged my empathy - my questioning of conservative political authority. & while all celebrities are failures in some sense - it is still heartbreaking to know how wrong i was.

i don't think it's possible to disconnect the decade of connection & love i have for their music - I won't ask that of myself or anyone else. & the idea of scrubbing one's taste of the "morally impure" is useless effort & an inappropriate simplification of both art & our conceptions of what makes someone "bad". but i can say with certainty - i will not be giving them any more of my money, whether that be streaming their music or buying their merch - & i encourage you to do the same. silence is complicity - this is beyond silence.

in the words of nina simone - "an artist's duty, as far as i'm concerned, is to reflect the times. how can you be an artist and not reflect the times? that to me is the definition of an artist."

[hotvintagepoll]

Propaganda

Jane Fonda (Barbarella, Sunday in New York, Barefoot in the Park)—Feminist icon, LGBTQ+ rights activist since the 70s, Civil Rights and Native American rights advocate, environmentalist… she really is THE woman ever

Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?

This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Jane Fonda:

"I assume she's already been submitted but I gotta make sure. I think there's an element to movies like Barbarella or her segment of Spirit of the Dead of those having been directed by her husband, who famously made movies about her being hot, and the incredible costume design also helped, but good lord. Look at her"

"She was so pretty, dear lord! She was and still us stunning. She’s great at comedy and drama."

"Shes so hot im so gay for me i will let her hit me with hers car"

"Gorgeous and also still getting arrested at climate protests, which is sexy behavior"

"Watching her in Barefoot in the Park seriously made me, a straight woman, question things"

"PLEASE I LOVE HER SO MUCH"

"Her vibes in these movies are so interesting because she, the daughter of an Old Hollywood star, went on to make both poignant dramatic movies and the some of the silliest things you've ever seen but even in the silly space adventures and sexploitations there's always this undeniable gravitas to her. It's like she's able not to take herself very seriously but at the same time never stops having this grace and elegance and makes it all work together. And she's always been very politically active which is also sexy. Her famous mugshot is from 1970 so right at the cutoff mark but come on"

Eartha Kitt:

"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."

"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."

"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”

"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."

"Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist."

[nope-body]

.