#Corporate Dried Flower Adelaide

[driedflowerdelivery]

Corporate Dried Flowers

Discover elegance with Dried Flower, your go-to online store for Corporate Dried Flowers. Our beautiful Corporate Dried Flowers are ideal for adding a stylish touch to your office decor, client presents, or corporate occasions. Enjoy the convenience of online purchasing while elevating your corporate atmosphere with our professionally produced, long-lasting floral arrangements. Make a lasting impression with Dried Flower's distinctive and fashionable Corporate Dried Flowers.

[fiinalgiirls]

GENERAL INFORMATION.

FULL NAME - genevieve sloane channing NICKNAMES - neve GENDER / PRONOUNS - she/her DATE OF BIRTH - february 12, 1988 PLACE OF BIRTH - portland, oregon CITIZENSHIP / ETHNICITY - united states american; irish, scottish, welsh RELIGION - atheist / agnostic SOCIOECONOMIC STATUS / POLITICAL AFFILIATION - grew up very low socioeconomic status in ne portland, before the gentrification, but is now considered middle class due to her nurse’s salary. she’s liberal. MARITAL STATUS - single ( previously engaged ). SEXUAL & ROMANTIC ORIENTATION - bisexual, leaning more towards an attraction to men. EDUCATION / OCCUPATION - bachelor’s of science in nursing; emergency nurse LANGUAGES - english, spanish, and a few small phrases pertaining to medical emergencies in vietnamese and russian.

FAMILY INFORMATION.

PARENTS - doug and paula channing, both deceased. SIBLINGS - none OFFSPRING - none PETS / OTHER - robocop ( a black and white siberian husky ). i’d also like her to get a cat at some point ! give me this plot point !! NOTABLE EXTENDED FAMILY - none

PHYSICAL INFORMATION.

FACECLAIM - adelaide kane HAIR COLOR / EYE COLOR - brown / brown HEIGHT / BUILD - 5′3″ / slight, athletic TATTOOS / PIERCINGS - nostril piercing, small tattoo on anterior right forearm. DISTINGUISHABLE FEATURES - a scar above her left ear that goes into her hairline approximately three inches, bold, full brows. freckles. usually has bruised knees.

MEDICAL INFORMATION.

MEDICAL HISTORY - laceration to left temporoparietal area, sprained ankle, fractured collar bone, well-controlled asthma. KNOWN ALLERGIES - penicillin, watermelon VISUAL IMPAIRMENT / HEARING IMPAIRMENT - nearsighted, but usually uses contacts; tinnitus. NICOTINE USE / DRUG USE / ALCOHOL USE - occasional alcohol use, former smoker ( has had an errant cigarette on occasion ), drug use as a teenager.

PERSONALITY.

TRAITS - compassionate, resilient, tenacious ; self-righteous, cynical, aloof TROPES - nerves of steel, canine companion, good is not soft, deadpan snarker. TEMPERAMENT - melancholic ALIGNMENT - chaotic good CELTIC TREE ZODIAC - rowan, the thinker MBTI - infj HOGWARTS HOUSE - ravenclaw VICE / VIRTUE - pride ; liberality LIKES / DISLIKES: animals, reading, running and weight lifting, not having to share her popcorn, take-out, breakfast for dinner, leather / denim jackets, white sneakers, fresh cut flowers, solitude, people who think about others,  /  medical dramas, arrogance, science deniers, bok choy, people who talk to her at the gym or when she has headphones on, movie remakes, passive aggression. QUOTE:  ❝take a body, dump it, drive. take a body, maybe your own, and dump it gently. all your dead, unfinished selves and dump them gently. take only what you need. ❞

FAVORITES.

FOOD - curry. DRINK - coffee. PIZZA TOPPING - pineapple ( yes, she’s that bitch ), but with olives, mushrooms, tomatoes, and tabasco. COLOR - earth tones, grey, black and white. MUSIC - synth, hip hop, indie. BOOKS - horror, true crime, historical philosophy of science and medicine. MOVIES - the thing, nightbreed, notorious CURSE WORD - fuck, goddamn it. SCENTS - lavender, vanilla, chocolate.

BIOGRAPHY,

trigger/content warnings: murder, death, graphic violence, mental health, postpartum depression, suicide, cancer, drug mention, parent death, medical, euthanasia mention, stalking, guns

THE FOG CREEPS IN ; GIRLHOOD IS A GRAVEYARD

genevieve channing is born on a cold, grey february sometime around midnight to douglas and paula channing while the heavy oregon fog kisses the modest concrete jungle of portland oregon like a phantom. paula gives her a big name, telling the nurses with heady confidence that she’ll be famous one day, and it’s the biggest gift she ever gives her. baby genevieve is in her arms so often, she hardly touches a cradle, but it’s not long until douglas feels an uneasiness creeping in.

paula is bohemian silk skirts and crushed velvet. she grows restless being trapped in the plain, modest home in northeast. she is a woman that is easy to fall in love with—not meant to sit at home idly with a collicy baby, where she finds herself in tears more than ever. douglas returns from work to find baby genevieve screaming unattended in her crib while paula cries in the backyard with an ashtray full of cigarettes. she tells him she’s worried she’ll crash the car one day on the way to the grocery store with them both inside. douglas digs his teeth into his bottom lip and tries not to cry. he squeezes her hand and tells her she needs to go to therapy. what he really wants to tell her is that their baby needs her. he leaves paula outside and spends the afternoon tidying the house with genevieve swaddled against his chest. it’s a warm feeling.

it’s not long after that paula starts disappearing for periods of time and douglas learns she can’t be trusted to watch after the baby on her own. when she calls from downtown in tears, hyperverbal and desperate, he picks her up in his old chevy truck and brings her home. she agrees to see a doctor and for awhile, they figure out how to live again. some days are even as sweet as the rhubarb pies she starts to make again.

there are only two ways neve later remembers her mother, and the first is lovely–paula is picnics and shakespeare in the parks. she’s dried roses in the window and salmon tacos with mango salsa. she is whirlwind adventures and laughter. she teaches neve to make wishes on stray eyelashes, blowing them into the wind like dandelion seeds. on the good days, paula’s eyes are filled with stars. on the bad days, they are left black as the night sky while she cries the constellations down her cheeks. occasionally, she is cruel. mostly, she is absent.

by the third grade, neve expects this. douglas has never been much of a cook–save hamburger patties with canned green beans and a baked potato. she cooks their dinners from recipes she learns from her grandmas and helps around the house. most nights she’s home alone until the grumbling sound of the chevy breaks through the dark and signals her father’s return. eventually, she stops missing her mother from the everyday–it’s only when the other kids talk about their moms that she feels the pang of loss and wonders where she is. some nights neve finds herself sitting in her bedroom window pulling out eyelashes just to have something left to wish on. some of paula’s friends overdose on heroin or get murdered in the nights when neve is sleeping; she stays up late and hopes that her vigil will keep a distant mother safe.

there aren’t many trees on their street–unlike some of the other neighborhoods. the big weeping birch in their backyard that drives her father crazy as he rakes leaves every fall is neve’s pride and joy. there is comfort in the shade its branches cast every summer. at night it makes her lonely as it blocks the silhouette of the waxing moon. on lazy summer days when her father leaves for work, neve sits with her back curved against its rough trunk and reads the day away.

on a cool april afternoon, just after preparing a plate of cherry poptarts with a thin layer of butter on top of the frosting ( much to her father’s chagrin ), neve ventures out to the modest yard to sit under her tree. the familiar crushed blue velvet of her mother’s favorite dress catches her off guard and she drops her breakfast onto the unkempt lawn as her mind makes sense of the unnatural height of its hem as paula swings–marking the time of neve’s pounding heartbeat. the butter solidifies as it cools in the dirt, the heel of neve’s hand-me-down airwalk sneakers mashing her breakfast. the cherry filling sticks to the sole like bubblegum; she’ll never eat them again, but she can’t help but recall that her mom always preferred the maple and brown sugar.

THE ODDS ARE STACKED AGAINST HER ; A GIRL LEARNS TO COUNT CARDS

portland in the eighties and nineties is less portlandia and more drugstore cowboy. a lot of kids from other neighborhoods don’t go downtown. the ones that do have an air of palpable grit. neve takes the max, rides her skateboard in the dark. douglas has cautioned her a hundred thousand times, but paula’s death has instilled such a great fear of losing his daughter that he lets her get away with more than he knows he probably should. he fears paula’s ghost will someday possess her and she’ll wander off into the ether. most days he insists that the only parts of paula he sees in his cherished daughter are the good ones–neve holds onto the corporeal world with claws. it’s only on the worst nights–paula’s specter cooling the sheets of his bed in the dark–that he wakes up with the fear his daughter is gone.

douglas’s new wife, rosie, does her best to pit them against one another, but sometimes–she’s not so bad, neve thinks. it’s nice to have a mother figure in the house again even if she falls short most days. sometimes she thinks that maybe they could learn to love each other. if nothing else, she’s sure she owes a bit of gratitude to the woman; the nights of her father’s haunting sobs have become fewer and farther between. it isn’t until douglas begins receiving late notices on utilities that he begins to grow suspicious. rosie is quick to throw neve under the bus–a young girl like that? she’s probably stealing their money to spend on drugs and CDs at sam goody. douglas has never bet on anyone like he bets on his daughter; rosie’s gambling debts are news to them both.

the fallout of the relationship leaves douglas and neve in dire financial straits. the father is heartbroken–another love lost, he blames himself for always choosing the wrong lady luck. despite their financial ruin, left in rosie’s wake, douglas has a hard time getting out of bed most days and blows through what little sick time he has available to him. school takes a back burner and neve barely attends it at all–favoring her time on finding work ( legitimate and illegitimate ) to help keep their small family afloat. she attends class when it’s profitable and waits tables or washes dishes when she can. it’s still not enough.

a few kids turn neve onto small crimes to turn a profit. they ride the max to the suburbs and crash parties–stealing pills out of medicine cabinets and turning them over for profit. calculus wasn’t worth a good goddamn, but distribution teaches skills. it’s hard not to get caught up in petty thefts and the occasional break-ins. neve and her friends find it easy to justify in the spirit of class war. a pin on her denim jacket reads ‘eat the rich’ and it doesn’t sound so bad. portland is a cannibal and it eats its children.

neve is a cat with nine lives and despite her friends being caught by the long arm of the law or the stronger arm of revenge, she evades detection. even such cats live with a fear of death, and as consequence catches up to members of the small circle she runs with, neve knows she is living on borrowed time. sooner or later, she knows, her luck will run bone dry.

SPRING RETURNS TO PORTLAND ; THE FROST CLINGS TO FRAGILE BONES

neve dropping out of high school is a wake up call for douglas. he sees farther than she does and knows that she deserves a better life than the one he’s scrounged together for her. most days, he blames himself for a life that could have been; some kids like her wore neatly pressed dresses and folded over lace socks on picture day. some kids had piano lessons and summer camps. there’s a lot of insight in hindsight, but neve staunchly opposes his masochistic remorse and becomes determined to prove him wrong. it takes her a couple years of working to figure out what she wants to do–a girl baptised in her mother’s blood is born with the kind of heart that takes on too much. she is meant for saving lives and carrying the world on her shoulders like atlas himself.

it takes time, but as douglas gets their house in order and starts working again. neve is able to start up at portland community college. she takes up a work study job and works a steady flow of odd jobs on the side to support herself. lady luck shines her fortune on the pair for the first time in forever to make up for the steady losses they’ve sustained over the years. life isn’t lavender and gardenias, but somehow waking up becomes little and less painful each day. some days neve wakes up and forgets that she can’t breathe. most days she spends her gratitude in the heap of debt the world owes her–waiting for the other shoe to drop.

the rebirth of their family is a hearty soil; both channings flourish as if made anew. the dew drops that cling to garden spider webs in their window signal the looming anniversary of a mother’s misty breath and neve learns not to fall apart. douglas works hard to do right by her and make up for the years of never knowing what to do and waffling between what is best and what is desirable. he is a man that longs for dreams–feet barely brushing the earth like her mother’s did on that day–but he is learning to make dreams work too. his dreams take root around his daughter once more; he builds them around her and builds her up with them.

the highschool dropout graduates her community college adn bridge program and she can hardly believe it when she’s accepted to ohsu for her bsn. there are no college diplomas with the channing name hanging on walls with peeling wallpaper or tucked away in trunks with paula’s things. douglas has saved his money for months to get her the right graduation gift and neve laughs, downplaying that it’s not a real graduation, but still walks in the ceremony at his insistence.

she returns home to the small party of friends she’ll start to grow apart from when she gets tired of the jeers about how she thinks she’s ‘too good for them’ now. neighborhoods like hers don’t always love to watch you grow if it means you’ll leave them. they’ll still blow up her phone for medical advice, but the invitations dry up like the drought of portland natives in southeast. for now, it’s a pleasant barbecue. the highlight of the evening comes in the small bundle of inky fur that douglas proudly produces after neve’s second burger. peering out from his strong arms are the brown eyes of a young siberian husky. douglas begs her to name the pup murphy over robocop, but loses easily–a hearty chuckle on his lips. they are bonded instantly–girl and dog–robocop becomes neve’s second most stalwart companion next to her father.

nursing school is hard, but it’s not impossible and it is full of new kinds of joys. she makes new friends and they eat lunch from the thai foodcart—nestled within the pod of south waterfront—and lay on the quad drinking smoothies and complaining about the next pharmacology exam. nose in a book and a drink in her hand at happy hour down at cha cha cha !, neve attracts the attention of pa student shane stone. he knows a nursing school classmate of hers from high school and is quickly incorporated to their study groups with a couple of his friends. he is tall with dark hair and kind eyes and just the sort of person a girl dreams of falling in love with. he spends little time worrying about things like rent and bus passes. it’s not even the end of the semester before study dates evolve into movie dates. there’s an entire world between them, but somehow the pair build a bridge.

DEATH RATTLES AND DYING BREATH ; THE GIRL’S OTHER SHOE DROPS

as neve focuses on school, douglas seems to be making steps to keep himself around longer. they go for long walks with robocop around the neighborhood. southeast portland is becoming a different neighborhood and the cost of living is high. restaurants crop up with around the block waits and family friends are forced to move to grayer pastures. it seems, to the channings, that it’s the end of an era. with neve spending most of her time at shane’s apartment on south waterfront, douglas’ weight loss is hardly noticed–everyone assumes it is merely the byproduct of increased activity. it isn’t until his stature becomes gaunt that neve starts to worry.

shane holds neve close when she finally breaks down–sneaking into the single bathroom of the clinic to let her fall apart the way he knows she can’t do in the open. like a wild animal, the girl he loves hides herself away when she feels death’s acrid breath on her neck. he doesn’t know what loss is and he certainly can’t relate to what she’s been through. douglas’ diagnosis is like watching the noose tighten around her mother’s neck all over again. her throat is dry like she’s choking on the fibers of that same rope; the world has a foggy edge—hollow like street lights illuminating an empty suburban neighborhood on a clear, dark night. everything is wooden; everything feels like a dollhouse.

it’s hard to keep up on her studies, but somehow neve muscles through. shane gives up his idyllic apartment and moves into their modest southeast home to help out. he makes a lighthearted joke about finally being a real portlander and moving so near the trendy, revitalized mississippi neighborhood and neve drops and breaks her coffee mug on the unfinished wood floor of the kitchen. it’s just another reminder that he doesn’t belong in her world any more than she does in his. it doesn’t sting as bad as the ink on his mother’s checks that she cashes to keep her father comfortable on his deathbed while she learns to be a better caretaker. life ebbs and flows, but douglas’ drains away until she hardly recognizes the sinewy, pale hands that hold hers so strongly for a man that can’t sit up by himself any longer. she curses her mother once more for leaving and twice for never having been there in the first place.

death isn’t slow or peaceful like the woman from her father’s church will lie about at the funeral. his death rattle lasts for hours and the bellows of his chest quake with weary breath. part of her wishes that the hospice nurse had started an iv on him and a sick, hidden part of her wishes it because a sweet dose of morphine would’ve ended it all sooner for him. she wonders silently if that would do more to ease his pain or hers? he hasn’t been conscious in two days. shane sits with her at the side of his bed with rapt attention and as his breathing slows, neve crawls into the hospice bed next to him. the next several months are a blur and a father misses his only daughter’s graduation. neve is barely present there herself.

shane insists that she’s not an orphan–his parents fly in from denver and treat her like one of their own. it guilts her that she can’t help but resent them for the simple virtue of living while her own father is reduced to a cold dust. she wears his ashes around her neck in a pendant from the funeral home and spreads the rest in every beautiful place she can find. some of them spill into her purse during a hike with robo and shane and she breaks down in tears. there are so many small things that make her sick or numb. a multitude of tiny memories that weigh as much as planets; isn’t dust what helped create the milky way? even around the stone family she feels alone. maybe especially around the stones.

HACKLES RAISED, A GIRL LEARNS THE DANGERS OF BEING FLORENCE NIGHTINGALE

the emergency department attracts all kinds of people in myriad dire straits. people come in at the end of their ropes–infections ignored too long, stabbings and shootings, a broken bone from slipping off the slide, and sometimes when they feel like they can’t live any longer. evan does not fit into any of these categories when he comes in. among the myriad failings of the medical system, lack of access and use of primary care is one of the larger contributions to higher emergency department volumes and evan is another data point in a sea of statistics. he comes back to neve’s room with a sly grin plastered on his face and states that he’s new to the area and can’t get into a new primary care for a few months. his daily asthma inhaler is out and he needs to renew the prescription and get a referral to a clinic.

there’s nothing on the surface that identifies this man as a threat. he’s almost charming and he’s nontoxic appearing–a nice easy patient in a sea of sick people is sometimes a great relief. they make some small talk and it’s the usual stuff she chats about with patients: ‘where’re you from?’ ‘where did you go to school?’ he expresses an interest in nursing and she recommends the program she attended at the hospital she now works. there’s almost a tension there, and when he makes a casual comment about the tan line on her finger she tells him that she doesn’t wear her engagement ring at work because it can tear the gloves. that’s only half right. maybe he can sense the rest of the truth; she’ll wonder that later when she pieces together every scrap of something she can use to blame it on herself.

he sends her a message on facebook, which makes her lips curl downwards in uncertainty. even that isn’t entirely alarming. it opens up reminding her that he’s knew to the area, and that he’s interested in the nursing program she went to. it’s a surprise, but he makes mention of a girlfriend’s wifi and he even asks how shane is doing. he loves her dog and mentions wanting one himself. sure, it’s a little weird–unconventional–but neve has always been interested in helping others find nursing and agrees to meet him for coffee to discuss the program. when they meet, she sees the mistake inherit in it before she even opens the cafe door. he’s disheveled and hyperverbal when he speaks to her and she can barely get a word in edge wise. between the gift he’s brought her and the intensity of his stare, she wonders how she could have read him so wrong. it’s then that he drops the bomb that makes her stomach sink into the trench it detonates in–will they take him in the nursing program with a record? she doesn’t ask, but he provides the details anyway. death threats to some girl he barely knew that wouldn’t leave him alone, he paints the canvas well, but she can read between the lines. evan stevens is dangerous and his lethal eye is trained on her.

she makes an excuse to leave–the first of many excuses, the illusion of being unavailable, unattainable. it’s the advice she’s given to women before, but never had to follow. those words offered to women in distress seem so trite now, so hollow. there is so much fear in cutting ties slowly–the strategic approach to keep an impulsive person like that from escalating. she wishes she could take those clinical offerings of textbook wisdom back from those women and hold their hands. she wonders how many of them still live. he starts blowing up her phone constantly. he comments on all her social media. all day and all night. if she doesn’t respond, he threatens suicide. some days he asks if she’s working and says he brought her lunch. if she says she’s sick, he asks for her address to bring her tom yum takeout from the restaurant she’s posted about on instagram. everything makes her sick now.

A FINAL GIRL IS FORGED ALONE ; THERE IS NO SUBVERTING FATE

god, it’s hard to speak about. she can’t even let the words reach her tongue, lips and teeth to birth them. they shrivel and die in her throat, festering there until she swallows them and they rest in her stomach like great stones. she wonders if evan will cut her stomach open like a wolf and find the rocks there. that’s not how the story goes; she tells herself so many versions as she lies awake in the dark afraid to sleep.

when she finally tells her friends–a smattering of girls and guys from nursing school, the er, and her neighborhood–the response is like the knife she dreams about in her gut. she shows some of the girls at her work his picture, worried that he’ll come in asking about her. she’s chided by these friends, “he’s actually pretty cute, florence nightingale” they joke. “it must be flattering to have the attention.” even shane suspected that there’s some indulgence on her part. that maybe she likes trying to fix people who are broken so much that she gets some sick reward from the experience. he doesn’t speak the words, but neve is fluent in shane stone. he says it in his eyes, the downcurve of his lips, the tense way he sighs when her phone dings over and over again during date nights.

on a cold night in december, neve works on meal prepping alone in the kitchen. evan has been out of town helping his mother remodel her kitchen and neve feels like she can finally breathe in the space he’s left behind. turning on the wireless speaker, she tries to pair her phone to play music as loud as the thin walls of her father’s modest northeast portland home will allow and instead hears, in the cold, robotic voice ‘pairing with neve’s iphone and evan’s iphone.’ robocop doesn’t even lift his head in suspicion the whole night. she calls 911, but they find neither hide nor hair of him. in the morning, neve nails the windows shut and buys a gun–a smith & wesson .357 snub nose revolver. the weight of it is heavy in her hands and she buys a membership to a gun range, calling into work and practicing until shane returns. she doesn’t tell him about the gun and she stops telling him how bad things have gotten with evan. the click of his tongue and disapproval in his eyes is more dooming than a death sentence and she can’t bear to bring further disappointment. neve channing is a strong woman–a smart woman. things like this don’t happen to women like her.

somehow, evan is everywhere and he knows all her secret places as if he exists as an extension of her. maybe he even believes he is–sending her voice messages about how they’re connected. they are the same; they are foils of one another. he send her a picture of his ouroboros tattoo from a new number after she finally blocks him. ‘we are the same.’ he is an all-consuming, devouring force, but she is not a serpent’s tail. he is moloch–besmeared with blood, the great, horrid king–but she is not a child and she will not be sacrificed for sins she has not committed. he has not right and there’s only one way she can see this ending as the days grow longer. like life itself begins, this too will end in blood.

LOVE IS A HARD KNIFE ; A GIRL CAN’T STOMACH AMBROSIA

there is a consequence to every action and every inaction. every little thing she chooses not to tell shane fester and boils. the late nights at work and the new passcode on her phone seem more to shane like cheating than a worsening of some creep’s obsession. she hasn’t even mentioned evan to him since the trees started blooming again. when he elects to cheer her up and bring her lunch during a shift she traded so she could practice at the gun range, his suspicions deepen and while she sleeps that morning, he rifles through her work bag and finds alongside her locked cell phone the cold steel of a secret that he cannot abide by.

it’s not his fault either and she means that from the bottom of her heart. every kindness from the stones feels like another debt and neve can’t help but let the resentment fester in the tasteful diamond on her finger. when she looks upon his face now all she can see is death and it’s the world’s cruelest joke, because she’s the one with cemetery dirt underneath her fingernails. she can’t tell which of the two of them she resents more and they both deserve lives where ghosts stay buried and the dead don’t whisper malcontent in her ears while she struggles to fall asleep. nightmares are her own warm milk; she’s sick of the cold metal of a gun as she moves it from her night stand to her purse each morning. she’s tired of being made to feel like she had a stake in any of this.

it’s not the kindest way to leave a man, but she’s not sure she’s ready to face him again after all that’s happened. she leaves her house keys with her cousin paloma and packs up shane’s stuff. paloma has just started nursing school and can use neve’s father’s old house to sublet. the rent’s free and she’s always been gentle hearted. neve can’t think of anyone better to care for her father’s old house. with dear john letters to both shane and the hospital, neve takes robocop and enough of her things to fit into her subaru forester. it’s not goodbye. it’s never goodbye, she thinks as she hugs paloma on the modest porch. it still feels so permanent, but neve tells herself that big decisions always do. she yearns to discover who she is outside of grief and fear and love. a daughter cannot bloom in her parents’ shadows and she is suffocating underneath the gentle love of the mourning glory.

on the road without a real plan–because if she doesn’t know where she’s going, then neither does evan–neve signs on for a travel nursing company. the first assignment she considers is salem hospital an hour south and it’s a great department, but it’s too close to home. he’ll find her there easily. st. charles in bend isn’t far enough away either. it doesn’t feel like enough of a difference and none of them do until she’s cruising down the interstate through blythe, california and she sees a listing for a level one trauma center in tuscon, arizona. it feels like it could be the right place to burn and be born again.

A GIRL AND HER DOG; SOMETIMES PEACE IS ITS OWN KIND OF PRISON

the cool steel of the snub nose .357 revolver lies buried beneath her registration and owner’s manual in the glove compartment. she wonders briefly as she pulls out her sunglasses and slips a salty french fry into her mouth. the car stereo fades in and out along the southbound highway, switching between some smooth-talking radio host and the tinny crooning of buddy holly. it makes her think of her father, and she blinks back tears–plugging in her iphone to switch to a tune that doesn’t bring back such painful memories. robocop whines in the backseat and neve discovers that her maps aren’t loading any longer, the gps unable to locate their vehicle.

there’s no sense in pulling over and pulling out the map of arizona she purchased from a disinterested teen in the first gas station she’d come across in the state. there’s only two days before the job starts and, according to her recruiter, they’d already moved the orientation up a day, cutting her time to adjust to her new ( temporary ) place before work in half. taking a long drink of coffee–now as cold as her french fries–she blinks hard to keep awake and just when she thinks she’ll have to pull over and sleep in her car huddled close to robocop’s warm, furry body.

neve passes a hospital on the outskirts of town–lit up all pretty against the dark desert sky. it looks nice enough and the longer she drives, the more she considers that her recruiter might’ve told her they were full up in tuscon. maybe that was why they moved the date up for orientation afterall. in the dark august night, most of the businesses are closed and the lights in the mobile home park neve passes are off. the first place she sees open is bj’s food mart and she stops to get a fresh cup of coffee and stretch her legs. she learns inside that amen county is always hiring and leaves with a smile on her lips.

neve has spent nine peaceful months in boot hill. the gun no longer lives shoved into the bottom of her work bag or nestled into the glove compartment of her subaru. now it spends its days in solitude in the coffin-like drawer of her bedside table. evan will never find this place, she is almost sure of it. he might be looking for her, but he’s not looking for boot hill. some evenings on her long strolls to work, she smiles and closes her eyes–listening to the soothing sounds of the town.

soon enough, neve is sure there really was no travel assignment to reach. or, if there had been, she can’t remember where it’s at. instead, she takes some time to enjoy the small town and the anonymity she feels there. she’s not even living out of the silk bonnet hotel anymore. she hadn’t seen boot hill on any map during her road trip and, if that’s universal, her past can’t find her without a destination to set its sights on. there is more than great comfort in that. by the end of her first month, she can’t imagine living anywhere else.

the emergency department is not the bustling trauma center she was used to, but there is an appeal to the autonomy rural medicine offers an experienced nurse. hell, in some places the doctors only come in if you call them. neve can’t exactly remember the application and interview process anymore. it seems like there are so many things that have become mysteries and she can’t find herself caring enough to investigate them long enough to follow an actual lead. it seems like she’s always worked there–an instantaneous sensation of home. she couldn’t even leave if she wanted to.

[littleloveco]

Corporate Flower Supplier Adelaide is made of a gorgeous mix of dried and preserved flowers in white, natural and brown tones in a stylish ceramic pot.

[fiinalgiirls-aa]

GENERAL INFORMATION.

FULL NAME - genevieve sloane channing NICKNAMES - neve GENDER / PRONOUNS - she/her DATE OF BIRTH - february 12, 1988 PLACE OF BIRTH - portland, oregon CITIZENSHIP / ETHNICITY - united states american; irish, scottish, welsh RELIGION - atheist / agnostic SOCIOECONOMIC STATUS / POLITICAL AFFILIATION - grew up very low socioeconomic status in ne portland, before the gentrification, but is now considered middle class due to her nurse’s salary. she’s liberal. MARITAL STATUS - single ( previously engaged ). SEXUAL & ROMANTIC ORIENTATION - bisexual, leaning more towards an attraction to men. EDUCATION / OCCUPATION - bachelor’s of science in nursing; emergency nurse LANGUAGES - english, spanish, and a few small phrases pertaining to medical emergencies in vietnamese and russian.

FAMILY INFORMATION.

PARENTS - doug and paula channing, both deceased. SIBLINGS - none OFFSPRING - none PETS / OTHER - robocop ( a black and white siberian husky ). i’d also like her to get a cat at some point ! give me this plot point !! NOTABLE EXTENDED FAMILY - none

PHYSICAL INFORMATION.

FACECLAIM - adelaide kane HAIR COLOR / EYE COLOR - brown / brown HEIGHT / BUILD - 5′3″ / slight, athletic TATTOOS / PIERCINGS - nostril piercing, small tattoo on anterior right forearm. DISTINGUISHABLE FEATURES - a scar above her left ear that goes into her hairline approximately three inches, bold, full brows. freckles. usually has bruised knees.

MEDICAL INFORMATION.

MEDICAL HISTORY - laceration to left temporoparietal area, sprained ankle, fractured collar bone, well-controlled asthma. KNOWN ALLERGIES - penicillin, watermelon VISUAL IMPAIRMENT / HEARING IMPAIRMENT - nearsighted, but usually uses contacts; tinnitus. NICOTINE USE / DRUG USE / ALCOHOL USE - occasional alcohol use, former smoker ( has had an errant cigarette on occasion ), drug use as a teenager.

PERSONALITY.

TRAITS - ( + ) compassionate, resilient, tenacious, ; ( - ) self-righteous, cynical, aloof TROPES - nerves of steel, canine companion, good is not soft, deadpan snarker. TEMPERAMENT - melancholic ALIGNMENT - chaotic good CELTIC TREE ZODIAC - rowan, the thinker MBTI - infj HOGWARTS HOUSE - ravenclaw VICE / VIRTUE - pride ; liberality LIKES / DISLIKES: animals, reading, running and weight lifting, not having to share her popcorn, take-out, breakfast for dinner, leather / denim jackets, white sneakers, fresh cut flowers, solitude, people who think about others,  /  medical dramas, arrogance, science deniers, bok choy, people who talk to her at the gym or when she has headphones on, movie remakes, passive aggression. QUOTE:  ❝take a body, dump it, drive. take a body, maybe your own, and dump it gently. all your dead, unfinished selves and dump them gently. take only what you need. ❞

FAVORITES.

FOOD - curry. DRINK - coffee. PIZZA TOPPING - pineapple ( yes, she’s that bitch ), but with olives, mushrooms, tomatoes, and tabasco. COLOR - earth tones, grey, black and white. MUSIC - synth, hip hop, indie. BOOKS - horror, true crime, historical philosophy of science and medicine. MOVIES - the thing, nightbreed, notorious CURSE WORD - fuck, goddamn it. SCENTS - lavender, vanilla, chocolate.

BIOGRAPHY.

trigger warnings: murder, death, graphic violence, mental health, postpartum depression, suicide, cancer, drug mention, parent death, medical, euthanasia mention, stalking, guns

THE FOG CREEPS IN ; GIRLHOOD IS A GRAVEYARD

genevieve channing is born on a cold, grey february sometime around midnight to douglas and paula channing while the heavy oregon fog kisses the modest concrete jungle of portland oregon like a phantom. paula gives her a big name, telling the nurses with heady confidence that she’ll be famous one day, and it’s the biggest gift she ever gives her. baby genevieve is in her arms so often, she hardly touches a cradle, but it’s not long until douglas feels an uneasiness creeping in.

paula is bohemian silk skirts and crushed velvet. she grows restless being trapped in the plain, modest home in northeast. she is a woman that is easy to fall in love with—not meant to sit at home idly with a collicy baby, where she finds herself in tears more than ever. douglas returns from work to find baby genevieve screaming unattended in her crib while paula cries in the backyard with an ashtray full of cigarettes. she tells him she’s worried she’ll crash the car one day on the way to the grocery store with them both inside. douglas digs his teeth into his bottom lip and tries not to cry. he squeezes her hand and tells her she needs to go to therapy. what he really wants to tell her is that their baby needs her. he leaves paula outside and spends the afternoon tidying the house with genevieve swaddled against his chest. it’s a warm feeling.

it’s not long after that paula starts disappearing for periods of time and douglas learns she can’t be trusted to watch after the baby on her own. when she calls from downtown in tears, hyperverbal and desperate, he picks her up in his old chevy truck and brings her home. she agrees to see a doctor and for awhile, they figure out how to live again. some days are even as sweet as the rhubarb pies she starts to make again.

there are only two ways neve later remembers her mother, and the first is lovely–paula is picnics and shakespeare in the parks. she’s dried roses in the window and salmon tacos with mango salsa. she is whirlwind adventures and laughter. she teaches neve to make wishes on stray eyelashes, blowing them into the wind like dandelion seeds. on the good days, paula’s eyes are filled with stars. on the bad days, they are left black as the night sky while she cries the constellations down her cheeks. occasionally, she is cruel. mostly, she is absent.

by the third grade, neve expects this. douglas has never been much of a cook–save hamburger patties with canned green beans and a baked potato. she cooks their dinners from recipes she learns from her grandmas and helps around the house. most nights she’s home alone until the grumbling sound of the chevy breaks through the dark and signals her father’s return. eventually, she stops missing her mother from the everyday–it’s only when the other kids talk about their moms that she feels the pang of loss and wonders where she is. some nights neve finds herself sitting in her bedroom window pulling out eyelashes just to have something left to wish on. some of paula’s friends overdose on heroin or get murdered in the nights when neve is sleeping; she stays up late and hopes that her vigil will keep a distant mother safe.

there aren’t many trees on their street–unlike some of the other neighborhoods. the big weeping birch in their backyard that drives her father crazy as he rakes leaves every fall is neve’s pride and joy. there is comfort in the shade its branches cast every summer. at night it makes her lonely as it blocks the silhouette of the waxing moon. on lazy summer days when her father leaves for work, neve sits with her back curved against its rough trunk and reads the day away.

on a cool april afternoon, just after preparing a plate of cherry poptarts with a thin layer of butter on top of the frosting ( much to her father’s chagrin ), neve ventures out to the modest yard to sit under her tree. the familiar crushed blue velvet of her mother’s favorite dress catches her off guard and she drops her breakfast onto the unkempt lawn as her mind makes sense of the unnatural height of its hem as paula swings–marking the time of neve’s pounding heartbeat. the butter solidifies as it cools in the dirt, the heel of neve’s hand-me-down airwalk sneakers mashing her breakfast. the cherry filling sticks to the sole like bubblegum; she’ll never eat them again, but she can’t help but recall that her mom always preferred the maple and brown sugar.

THE ODDS ARE STACKED AGAINST HER ; A GIRL LEARNS TO COUNT CARDS

portland in the eighties and nineties is less portlandia and more drugstore cowboy. a lot of kids from other neighborhoods don’t go downtown. the ones that do have an air of palpable grit. neve takes the max, rides her skateboard in the dark. douglas has cautioned her a hundred thousand times, but paula’s death has instilled such a great fear of losing his daughter that he lets her get away with more than he knows he probably should. he fears paula’s ghost will someday possess her and she’ll wander off into the ether. most days he insists that the only parts of paula he sees in his cherished daughter are the good ones–neve holds onto the corporeal world with claws. it’s only on the worst nights–paula’s specter cooling the sheets of his bed in the dark–that he wakes up with the fear his daughter is gone.

douglas’s new wife, rosie, does her best to pit them against one another, but sometimes–she’s not so bad, neve thinks. it’s nice to have a mother figure in the house again even if she falls short most days. sometimes she thinks that maybe they could learn to love each other. if nothing else, she’s sure she owes a bit of gratitude to the woman; the nights of her father’s haunting sobs have become fewer and farther between. it isn’t until douglas begins receiving late notices on utilities that he begins to grow suspicious. rosie is quick to throw neve under the bus–a young girl like that? she’s probably stealing their money to spend on drugs and CDs at sam goody. douglas has never bet on anyone like he bets on his daughter; rosie’s gambling debts are news to them both.

the fallout of the relationship leaves douglas and neve in dire financial straits. the father is heartbroken–another love lost, he blames himself for always choosing the wrong lady luck. despite their financial ruin, left in rosie’s wake, douglas has a hard time getting out of bed most days and blows through what little sick time he has available to him. school takes a back burner and neve barely attends it at all–favoring her time on finding work ( legitimate and illegitimate ) to help keep their small family afloat. she attends class when it’s profitable and waits tables or washes dishes when she can. it’s still not enough.

a few kids turn neve onto small crimes to turn a profit. they ride the max to the suburbs and crash parties–stealing pills out of medicine cabinets and turning them over for profit. calculus wasn’t worth a good goddamn, but distribution teaches skills. it’s hard not to get caught up in petty thefts and the occasional break-ins. neve and her friends find it easy to justify in the spirit of class war. a pin on her denim jacket reads ‘eat the rich’ and it doesn’t sound so bad. portland is a cannibal and it eats its children.

neve is a cat with nine lives and despite her friends being caught by the long arm of the law or the stronger arm of revenge, she evades detection. even such cats live with a fear of death, and as consequence catches up to members of the small circle she runs with, neve knows she is living on borrowed time. sooner or later, she knows, her luck will run bone dry.

SPRING RETURNS TO PORTLAND ; THE FROST CLINGS TO FRAGILE BONES

neve dropping out of high school is a wake up call for douglas. he sees farther than she does and knows that she deserves a better life than the one he’s scrounged together for her. most days, he blames himself for a life that could have been; some kids like her wore neatly pressed dresses and folded over lace socks on picture day. some kids had piano lessons and summer camps. there’s a lot of insight in hindsight, but neve staunchly opposes his masochistic remorse and becomes determined to prove him wrong. it takes her a couple years of working to figure out what she wants to do–a girl baptised in her mother’s blood is born with the kind of heart that takes on too much. she is meant for saving lives and carrying the world on her shoulders like atlas himself.

it takes time, but as douglas gets their house in order and starts working again. neve is able to start up at portland community college. she takes up a work study job and works a steady flow of odd jobs on the side to support herself. lady luck shines her fortune on the pair for the first time in forever to make up for the steady losses they’ve sustained over the years. life isn’t lavender and gardenias, but somehow waking up becomes little and less painful each day. some days neve wakes up and forgets that she can’t breathe. most days she spends her gratitude in the heap of debt the world owes her–waiting for the other shoe to drop.

the rebirth of their family is a hearty soil; both channings flourish as if made anew. the dew drops that cling to garden spider webs in their window signal the looming anniversary of a mother’s misty breath and neve learns not to fall apart. douglas works hard to do right by her and make up for the years of never knowing what to do and waffling between what is best and what is desirable. he is a man that longs for dreams–feet barely brushing the earth like her mother’s did on that day–but he is learning to make dreams work too. his dreams take root around his daughter once more; he builds them around her and builds her up with them.

the highschool dropout graduates her community college adn bridge program and she can hardly believe it when she’s accepted to ohsu for her bsn. there are no college diplomas with the channing name hanging on walls with peeling wallpaper or tucked away in trunks with paula’s things. douglas has saved his money for months to get her the right graduation gift and neve laughs, downplaying that it’s not a real graduation, but still walks in the ceremony at his insistence.

she returns home to the small party of friends she’ll start to grow apart from when she gets tired of the jeers about how she thinks she’s ‘too good for them’ now. neighborhoods like hers don’t always love to watch you grow if it means you’ll leave them. they’ll still blow up her phone for medical advice, but the invitations dry up like the drought of portland natives in southeast. for now, it’s a pleasant barbecue. the highlight of the evening comes in the small bundle of inky fur that douglas proudly produces after neve’s second burger. peering out from his strong arms are the brown eyes of a young siberian husky. douglas begs her to name the pup murphy over robocop, but loses easily–a hearty chuckle on his lips. they are bonded instantly–girl and dog–robocop becomes neve’s second most stalwart companion next to her father.

nursing school is hard, but it’s not impossible and it is full of new kinds of joys. she makes new friends and they eat lunch from the thai foodcart—nestled within the pod of south waterfront—and lay on the quad drinking smoothies and complaining about the next pharmacology exam. nose in a book and a drink in her hand at happy hour down at cha cha cha !, neve attracts the attention of pa student shane stone. he knows a nursing school classmate of hers from high school and is quickly incorporated to their study groups with a couple of his friends. he is tall with dark hair and kind eyes and just the sort of person a girl dreams of falling in love with. he spends little time worrying about things like rent and bus passes. it’s not even the end of the semester before study dates evolve into movie dates. there’s an entire world between them, but somehow the pair build a bridge.

DEATH RATTLES AND DYING BREATH ; THE GIRL’S OTHER SHOE DROPS

as neve focuses on school, douglas seems to be making steps to keep himself around longer. they go for long walks with robocop around the neighborhood. southeast portland is becoming a different neighborhood and the cost of living is high. restaurants crop up with around the block waits and family friends are forced to move to grayer pastures. it seems, to the channings, that it’s the end of an era. with neve spending most of her time at shane’s apartment on south waterfront, douglas’ weight loss is hardly noticed–everyone assumes it is merely the byproduct of increased activity. it isn’t until his stature becomes gaunt that neve starts to worry.

shane holds neve close when she finally breaks down–sneaking into the single bathroom of the clinic to let her fall apart the way he knows she can’t do in the open. like a wild animal, the girl he loves hides herself away when she feels death’s acrid breath on her neck. he doesn’t know what loss is and he certainly can’t relate to what she’s been through. douglas’ diagnosis is like watching the noose tighten around her mother’s neck all over again. her throat is dry like she’s choking on the fibers of that same rope; the world has a foggy edge—hollow like street lights illuminating an empty suburban neighborhood on a clear, dark night. everything is wooden; everything feels like a dollhouse.

it’s hard to keep up on her studies, but somehow neve muscles through. shane gives up his idyllic apartment and moves into their modest southeast home to help out. he makes a lighthearted joke about finally being a real portlander and moving so near the trendy, revitalized mississippi neighborhood and neve drops and breaks her coffee mug on the unfinished wood floor of the kitchen. it’s just another reminder that he doesn’t belong in her world any more than she does in his. it doesn’t sting as bad as the ink on his mother’s checks that she cashes to keep her father comfortable on his deathbed while she learns to be a better caretaker. life ebbs and flows, but douglas’ drains away until she hardly recognizes the sinewy, pale hands that hold hers so strongly for a man that can’t sit up by himself any longer. she curses her mother once more for leaving and twice for never having been there in the first place.

death isn’t slow or peaceful like the woman from her father’s church will lie about at the funeral. his death rattle lasts for hours and the bellows of his chest quake with weary breath. part of her wishes that the hospice nurse had started an iv on him and a sick, hidden part of her wishes it because a sweet dose of morphine would’ve ended it all sooner for him. she wonders silently if that would do more to ease his pain or hers? he hasn’t been conscious in two days. shane sits with her at the side of his bed with rapt attention and as his breathing slows, neve crawls into the hospice bed next to him. the next several months are a blur and a father misses his only daughter’s graduation. neve is barely present there herself.

shane insists that she’s not an orphan–his parents fly in from denver and treat her like one of their own. it guilts her that she can’t help but resent them for the simple virtue of living while her own father is reduced to a cold dust. she wears his ashes around her neck in a pendant from the funeral home and spreads the rest in every beautiful place she can find. some of them spill into her purse during a hike with robo and shane and she breaks down in tears. there are so many small things that make her sick or numb. a multitude of tiny memories that weigh as much as planets; isn’t dust what helped create the milky way? even around the stone family she feels alone. maybe especially around the stones.

HACKLES RAISED, A GIRL LEARNS THE DANGERS OF BEING FLORENCE NIGHTINGALE

the emergency department attracts all kinds of people in myriad dire straits. people come in at the end of their ropes–infections ignored too long, stabbings and shootings, a broken bone from slipping off the slide, and sometimes when they feel like they can’t live any longer. evan does not fit into any of these categories when he comes in. among the myriad failings of the medical system, lack of access and use of primary care is one of the larger contributions to higher emergency department volumes and evan is another data point in a sea of statistics. he comes back to neve’s room with a sly grin plastered on his face and states that he’s new to the area and can’t get into a new primary care for a few months. his daily asthma inhaler is out and he needs to renew the prescription and get a referral to a clinic.

there’s nothing on the surface that identifies this man as a threat. he’s almost charming and he’s nontoxic appearing–a nice easy patient in a sea of sick people is sometimes a great relief. they make some small talk and it’s the usual stuff she chats about with patients: ‘where’re you from?’ ‘where did you go to school?’ he expresses an interest in nursing and she recommends the program she attended at the hospital she now works. there’s almost a tension there, and when he makes a casual comment about the tan line on her finger she tells him that she doesn’t wear her engagement ring at work because it can tear the gloves. that’s only half right. maybe he can sense the rest of the truth; she’ll wonder that later when she pieces together every scrap of something she can use to blame it on herself.

he sends her a message on facebook, which makes her lips curl downwards in uncertainty. even that isn’t entirely alarming. it opens up reminding her that he’s knew to the area, and that he’s interested in the nursing program she went to. it’s a surprise, but he makes mention of a girlfriend’s wifi and he even asks how shane is doing. he loves her dog and mentions wanting one himself. sure, it’s a little weird–unconventional–but neve has always been interested in helping others find nursing and agrees to meet him for coffee to discuss the program. when they meet, she sees the mistake inherit in it before she even opens the cafe door. he’s disheveled and hyperverbal when he speaks to her and she can barely get a word in edge wise. between the gift he’s brought her and the intensity of his stare, she wonders how she could have read him so wrong. it’s then that he drops the bomb that makes her stomach sink into the trench it detonates in–will they take him in the nursing program with a record? she doesn’t ask, but he provides the details anyway. death threats to some girl he barely knew that wouldn’t leave him alone, he paints the canvas well, but she can read between the lines. evan stevens is dangerous and his lethal eye is trained on her.

she makes an excuse to leave–the first of many excuses, the illusion of being unavailable, unattainable. it’s the advice she’s given to women before, but never had to follow. those words offered to women in distress seem so trite now, so hollow. there is so much fear in cutting ties slowly–the strategic approach to keep an impulsive person like that from escalating. she wishes she could take those clinical offerings of textbook wisdom back from those women and hold their hands. she wonders how many of them still live. he starts blowing up her phone constantly. he comments on all her social media. all day and all night. if she doesn’t respond, he threatens suicide. some days he asks if she’s working and says he brought her lunch. if she says she’s sick, he asks for her address to bring her tom yum takeout from the restaurant she’s posted about on instagram. everything makes her sick now.

A FINAL GIRL IS FORGED ALONE ; THERE IS NO SUBVERTING FATE

god, it’s hard to speak about. she can’t even let the words reach her tongue, lips and teeth to birth them. they shrivel and die in her throat, festering there until she swallows them and they rest in her stomach like great stones. she wonders if evan will cut her stomach open like a wolf and find the rocks there. that’s not how the story goes; she tells herself so many versions as she lies awake in the dark afraid to sleep.

when she finally tells her friends–a smattering of girls and guys from nursing school, the er, and her neighborhood–the response is like the knife she dreams about in her gut. she shows some of the girls at her work his picture, worried that he’ll come in asking about her. she’s chided by these friends, “he’s actually pretty cute, florence nightingale” they joke. “it must be flattering to have the attention.” even shane suspected that there’s some indulgence on her part. that maybe she likes trying to fix people who are broken so much that she gets some sick reward from the experience. he doesn’t speak the words, but neve is fluent in shane stone. he says it in his eyes, the downcurve of his lips, the tense way he sighs when her phone dings over and over again during date nights.

on a cold night in december, neve works on meal prepping alone in the kitchen. evan has been out of town helping his mother remodel her kitchen and neve feels like she can finally breathe in the space he’s left behind. turning on the wireless speaker, she tries to pair her phone to play music as loud as the thin walls of her father’s modest northeast portland home will allow and instead hears, in the cold, robotic voice ‘pairing with neve’s iphone and evan’s iphone.’ robocop doesn’t even lift his head in suspicion the whole night. she calls 911, but they find neither hide nor hair of him. in the morning, neve nails the windows shut and buys a gun–a smith & wesson .357 snub nose revolver. the weight of it is heavy in her hands and she buys a membership to a gun range, calling into work and practicing until shane returns. she doesn’t tell him about the gun and she stops telling him how bad things have gotten with evan. the click of his tongue and disapproval in his eyes is more dooming than a death sentence and she can’t bear to bring further disappointment. neve channing is a strong woman–a smart woman. things like this don’t happen to women like her.

somehow, evan is everywhere and he knows all her secret places as if he exists as an extension of her. maybe he even believes he is–sending her voice messages about how they’re connected. they are the same; they are foils of one another. he send her a picture of his ouroboros tattoo from a new number after she finally blocks him. ‘we are the same.’ he is an all-consuming, devouring force, but she is not a serpent’s tail. he is moloch–besmeared with blood, the great, horrid king–but she is not a child and she will not be sacrificed for sins she has not committed. he has not right and there’s only one way she can see this ending as the days grow longer. like life itself begins, this too will end in blood.

LOVE IS A HARD KNIFE ; A GIRL CAN’T STOMACH AMBROSIA

there is a consequence to every action and every inaction. every little thing she chooses not to tell shane fester and boils. the late nights at work and the new passcode on her phone seem more to shane like cheating than a worsening of some creep’s obsession. she hasn’t even mentioned evan to him since the trees started blooming again. when he elects to cheer her up and bring her lunch during a shift she traded so she could practice at the gun range, his suspicions deepen and while she sleeps that morning, he rifles through her work bag and finds alongside her locked cell phone the cold steel of a secret that he cannot abide by.

it’s not his fault either and she means that from the bottom of her heart. every kindness from the stones feels like another debt and neve can’t help but let the resentment fester in the tasteful diamond on her finger. when she looks upon his face now all she can see is death and it’s the world’s cruelest joke, because she’s the one with cemetery dirt underneath her fingernails. she can’t tell which of the two of them she resents more and they both deserve lives where ghosts stay buried and the dead don’t whisper malcontent in her ears while she struggles to fall asleep. nightmares are her own warm milk; she’s sick of the cold metal of a gun as she moves it from her night stand to her purse each morning. she’s tired of being made to feel like she had a stake in any of this.

it’s not the kindest way to leave a man, but she’s not sure she’s ready to face him again after all that’s happened. she leaves her house keys with her cousin paloma and packs up shane’s stuff. paloma has just started nursing school and can use neve’s father’s old house to sublet. the rent’s free and she’s always been gentle hearted. neve can’t think of anyone better to care for her father’s old house. with dear john letters to both shane and the hospital, neve takes robocop and enough of her things to fit into her subaru forester. it’s not goodbye. it’s never goodbye, she thinks as she hugs paloma on the modest porch. it still feels so permanent, but neve tells herself that big decisions always do. she yearns to discover who she is outside of grief and fear and love. a daughter cannot bloom in her parents’ shadows and she is suffocating underneath the gentle love of the mourning glory.

on the road without a real plan–because if she doesn’t know where she’s going, then neither does evan–neve signs on for a travel nursing company. the first assignment she considers is salem hospital an hour south and it’s a great department, but it’s too close to home. he’ll find her there easily. st. charles in bend isn’t far enough away either. it doesn’t feel like enough of a difference and none of them do until she’s cruising down the interstate through blythe, california and she sees a listing for a level one trauma center in tuscon, arizona. it feels like it could be the right place to burn and be born again.

A GIRL AND HER DOG; SOMETIMES PEACE IS ITS OWN KIND OF PRISON

the cool steel of the snub nose .357 revolver lies buried beneath her registration and owner’s manual in the glove compartment. she wonders briefly as she pulls out her sunglasses and slips a salty french fry into her mouth. the car stereo fades in and out along the southbound highway, switching between some smooth-talking radio host and the tinny crooning of buddy holly. it makes her think of her father, and she blinks back tears–plugging in her iphone to switch to a tune that doesn’t bring back such painful memories. robocop whines in the backseat and neve discovers that her maps aren’t loading any longer, the gps unable to locate their vehicle.

there’s no sense in pulling over and pulling out the map of arizona she purchased from a disinterested teen in the first gas station she’d come across in the state. there’s only two days before the job starts and, according to her recruiter, they’d already moved the orientation up a day, cutting her time to adjust to her new ( temporary ) place before work in half. taking a long drink of coffee–now as cold as her french fries–she blinks hard to keep awake and just when she thinks she’ll have to pull over and sleep in her car huddled close to robocop’s warm, furry body.

neve passes a hospital on the outskirts of town–lit up all pretty against the dark desert sky. it looks nice enough and the longer she drives, the more she considers that her recruiter might’ve told her they were full up in tuscon. maybe that was why they moved the date up for orientation afterall. in the dark august night, most of the businesses are closed and the lights in the mobile home park neve passes are off. the first place she sees open is bj’s food mart and she stops to get a fresh cup of coffee and stretch her legs. she learns inside that amen county is always hiring and leaves with a smile on her lips.

neve has spent nine peaceful months in boot hill. the gun no longer lives shoved into the bottom of her work bag or nestled into the glove compartment of her subaru. now it spends its days in solitude in the coffin-like drawer of her bedside table. evan will never find this place, she is almost sure of it. he might be looking for her, but he’s not looking for boot hill. some evenings on her long strolls to work, she smiles and closes her eyes–listening to the soothing sounds of the town.

soon enough, neve is sure there really was no travel assignment to reach. or, if there had been, she can’t remember where it’s at. instead, she takes some time to enjoy the small town and the anonymity she feels there. she’s not even living out of the silk bonnet hotel anymore. she hadn’t seen boot hill on any map during her road trip and, if that’s universal, her past can’t find her without a destination to set its sights on. there is more than great comfort in that. by the end of her first month, she can’t imagine living anywhere else.

the emergency department is not the bustling trauma center she was used to, but there is an appeal to the autonomy rural medicine offers an experienced nurse. hell, in some places the doctors only come in if you call them. neve can’t exactly remember the application and interview process anymore. it seems like there are so many things that have become mysteries and she can’t find herself caring enough to investigate them long enough to follow an actual lead. it seems like she’s always worked there–an instantaneous sensation of home. she couldn’t even leave if she wanted to.

[littleloveco]

This gorgeous gift box included a small dried arrangement with a Gold Everlasting Rose in a beautiful ceramic pot with Corporate Flower Supplier Adelaide.