#Contemporary Exterior - San Francisco

[youngromancemusic]

Exterior in San Francisco An illustration of a mid-sized, modern, white, three-story stucco home with a shingle roof

[emilieshapirostudio]

Stucco Exterior San Francisco Exterior view of a large, modern, one-story white duplex with a shingle roof.

[sertane-j0]

Exterior in San Francisco

Large trendy multicolored two-story concrete exterior home photo with a mixed material roof

[anonslittlehelper]

San Francisco Stucco Example of a large trendy white two-story stucco house exterior design with a hip roof and a shingle roof

[roosterteeth-ah-etc]

Contemporary Exterior - Siding Mid-sized contemporary gray two-story mixed siding exterior home idea with a metal roof

[fourteen-steps]

Roofing in San Francisco Huge trendy brown two-story wood exterior home photo with a shingle roof

[thundcr-storm]

name: storm lancaster age: thirty-two pronouns: he/him birthday: august 13th zodiac: leo sun, scorpio rising, gemini moon sexuality: pansexual hometown: san francisco, cali occupation: security time at haus: two years

+ traits: resilient, passionate, strong-willed, decisive, charming, empathetic - traits: snarky, sharp-tongued, sarcastic, blunt, self-destructive likes: leather jackets, woody cologne, petrichor, heavy metal, cinnamon, autumn, caramel lattes, mountain views, romantic dramas. dislikes: disobedience, flowers, slam poetry, crocs, contemporary art, hip-hop, the fast and furious franchise, social media, christmas movies.

kinks: sensory play, heavy biting/scratching, choking, light bdsm anti-kinks: bathroom play, age play, gore, daddy kink position: primarily top, not averse to switching

a hot mess, that’s what storm is. he had a troubled adolescence, growing up in a rough estate and falling into a world of petty crime, drugs and selling himself to make quick cash to put food on the table. 

he’s been in the resort for two years, after a client recommended him, but it hasn’t been the smoothest of journeys. his cold exterior and inability to be a ‘yes man’ caused him to receive several disciplinary actions ( potential for an amusing plot here) but since taking up a position as part of the security team, it’s managed to channel some of this pent up aggression he’s carrying.

storm’s a tough nut to crack, he doesn’t often show emotion and tries to separate work from pleasure. he likes that he’s perceived to be this mysterious entity, the one that nobody really knows too much about and he hopes for it to stay that way. deep down however, he’s a hopeless romantic who’s desperate to feel wanted. there’s a part of him that’s goofy, softer to the touch, the one behind closed doors when he’s shovelling ice cream into his face whilst watching films like crazy, stupid love and ps i love you. 

[sfacgalleries]

Part 2 - Go West: African American Lives and Westward Migration Performance from San Francisco Arts Commission on Vimeo.

Monday, August 12, 2024 | 8:00 p.m. Southeast Community Center, Alex Pitcher Pavilion and Amphitheater, 1550 Evans Ave, San Francisco

Join artist Trina Michelle Robinson for an artist talk (pt 1) followed by a special performance (pt 2) featuring her new video work Go West!

Projected onto the exterior of the Southeast Community Center’s amphitheater and accompanied by musician Christopher Lowell Clarke and dancer Audrey Johnson, Go West looks at the migration of Black people to California from not only the South, but also the East coast and Midwest. Using the large-scale projection as a metaphor for taking up space, this piece celebrates the drive felt by so many to travel far from home in search of new opportunities, adventure, and also to simply rest.

A conversation between Robinson and author, curator, and educator Jacqueline Francis will take place inside the Alex Pitcher Pavilion prior to the performance. Refreshments provided.

This program is organized in conjunction with Praxis of Local Knowledge, a group exhibition featuring four artists, including Robinson, creating work that explores their ancestral stories and grappling with these memories today. The exhibition is on view through Saturday, August 17, 2024 at the San Francisco Arts Commission Main Gallery.

Artist Bios Trina Michelle Robinson is a San Francisco based visual artist. Her work has been shown at the BlackStar Film Festival in Philadelphia, the San Francisco Art Commission Main Gallery, Catharine Clark Gallery, Minnesota Street Project, and New York’s Wassaic Project and is currently included in the prestigious triennial Bay Area Now 9 at Yerba Buena Center for the Arts. She had a solo exhibition at the Museum of the African Diaspora (MoAD), a Smithsonian Affiliate, as part of their Emerging Artist Program 2022-23. Robinson is a 2024 SFMOMA SECA Award finalist and her print series Ghost Prints of Loss is included in the book Is Now the Time for Joyous Rage? published in 2023 by CCA Wattis Institute for Contemporary Arts and Sternberg Press. She previously worked in print and digital media in production at companies such as The New York Times T Magazine, Vanity Fair and Slack before receiving her M.F.A. from California College of the Arts in 2022.

As a storyteller, she traveled the country telling the story of exploring her ancestry with The Moth Mainstage at Lincoln Center in New York, in addition to touring with them on stages in San Francisco, Portland, OR, Omaha, NE and Westport, CT. Her first story aired on NPR’s The Moth Radio Hour in 2019 and her second in earlier this year. trinamrobinson.com

Christopher Lowell Clarke is a trumpeter, composer, arranger, and bandleader. Christopher's professional performance experience includes playing with the East Coast Jazz Festival Fish Middleton Rising Star Band in Baltimore, Carnival Cruise Lines Main Orchestra and Jazz Chair, the Johnny Nocturne Band at the Umbria Jazz Festival in Orvieto, Italy, his own quintet at the Fillmore Jazz Festival in San Francisco, and the Contemporary Music Orchestra at the Monterey Jazz Festival. He has also performed with Eddie Marshall and Holy Mischief, the Marcus Shelby Big Band, the Howard Wiley Quintet, and the Electric Squeezebox Orchestra. Christopher currently serves as a teaching artist for SF Jazz/Oakland Public Conservatory After School Jazz Program, Oakland Public Conservatory, SF Jazz’s Jazz In Session Program, Oaktown Jazz Workshop, and the Lafayette Summer Jazz Camp. Christopher has released several albums, including The Swooper (Lifeforce Records 1018) and multiple albums with bassist Dewayne Oakley on Naki-Do Records. christopherlowellclarke.com

Audrey Johnson is a queer, Black, mixed-race dance artist and plant worker with roots from Detroit, Michigan/Anishinaabe land, currently based in Oakland, CA/Ohlone land. Audrey’s performance, choreographic, and teaching work experiments with improvisation and embodied time travel, in refusal of colonized time and space. She has shown performance work in the San Francisco Bay Area and Detroit, and has performed in the companies of artists Gerald Casel, Jennifer Harge, Biba Bell, Detour Dance, Stephanie Hewett, among others. As an educator, she has taught dance as embodied practice at community spaces, dance centers, and youth programs, and is a current faculty member with the LINES BFA Program through Dominican University. She holds a BFA in Dance from Wayne State University and was a co-founder of Collective Sweat Detroit. audreyjohnson.space

[signagedesignsanfrancisco]

Top 5 Exterior Signage Design Trends for San Francisco Businesses

In the realm of exterior signage design, San Francisco businesses face a distinctive challenge. Striking the delicate balance between staying abreast of contemporary trends and ensuring their sign stands out amidst the vibrant city streets requires careful consideration. In this context, we present the top five exterior signage design trends tailored for San Francisco businesses: This article is originally published here: https://luxcreate.com/design/top-5-exterior-signage-design-trends-for-san-francisco-businesses/

[linefed]

Contemporary Exterior in San Francisco A mid-sized, trendy gray, two-story design with a flat roof is an example.

[citywide-roofing-sacramento]

Checking Out the Rich Background and Importance of the Greek Theater in Berkeley

In the pantheon of historic architecture, Berkeley's Greek Theater stands as a veritable Olympian. Its magnificent columns and sweeping amphitheater echo the magnificence of ancient Greece, a testimony to the enduring legacy of Classical society. Unveiled in 1903, this spectacular erection was designed by school architect John Galen Howard with initial funding from William Randolph Hearst. Built on an all-natural hillside incline at the College of California, Berkeley, it is modeled after an old Greek movie theater at Epidaurus.

The style represents an ageless connection in between classical times and modernity, representing not just architectural evolution yet likewise continuity with its devoted adherence to conventional Greek building standards.

Past its striking exterior and architectural wonders exists an entity that has actually exceptionally affected Berkeley's social and social landscape for over a century. The Greek Theatre has acted as a vibrant hub for varied occasions varying from start ceremonies to songs concerts, bring in global symbols like Bob Dylan and Dalai Lama. Additionally, it has helped with transformative dialogues on modern concerns while supporting classic worths of autonomous discourse illustrated by ancient Greece.

This double function-- as a visual monument reflecting historical heritage and an active forum boosting intellectual development-- emphasizes its importance in cultivating neighborhood cohesion and supporting public spirit among Berkeley locals.

Introducing the Origins of the Iconic Amphitheater

The Greek Theater in Berkeley, known formally as the William Randolph Hearst Greek Theatre, was developed in 1903 and serves as a testament to the deep admiration for ancient design; as an example, its layout reproduces the ancient Greek amphitheater Epidaurus, thus symbolizing a renowned sign of social exchange and historic respect.

Appointed by newspaper mogul William Randolph Hearst and developed by designer John Galen Howard, this impressive structure evokes splendour via its semicircular seats plan flanked by a colonnaded background-- a style element that is noticeably similar to standard Hellenistic cinemas.

This architectural wonder was built utilizing locally sourced products such as concrete and steel to hold up against the test of time. With over 8,500 seats spread out across terraces with spectacular views of the San Francisco Bay location, it returns a time when movie theater played a crucial function in area bonding and autonomous discourse.

In addition to its building relevance, the theatre has likewise played host to myriad significant events throughout history that additionally underscored its social impact. It served as an essential venue throughout both World Wars where several rallies were held; these occasions demonstrably bolstered national unity at critical junctures in American background.

In addition, it has actually seen efficiencies from legendary artists like The Grateful Dead and Bob Dylan which have actually left indelible marks on pop culture. Therefore, beyond being just a physical indication of ancient influence on contemporary Western architecture, The Greek Theatre represents shared human experiences incorporating artistry and socio-political activities alike-- therefore fostering a long-lasting feeling of belonging amongst those that have enhanced its facilities or been part of its fabled background.

Impact on Berkeley's Cultural and Social Landscape

Variety and vibrancy of cultural expressions in Berkeley have been considerably enhanced by the legendary amphitheater, which has additionally fostered social communication amongst its homeowners.

As a nexus for carrying out arts, it has contributed in bringing together varied communities, therefore enhancing Berkeley's credibility as a culturally comprehensive city.

The Greek Theater's offerings, ranging from performances to staged productions to college occasions and even political rallies, has supplied sufficient chances for citizens and site visitors alike to involve with each other and with various aspects of regional and worldwide societies.

In an attempt to evoke an emotional response concerning the amphitheater's impact on Berkeley's social landscape, think about the following:

The Greek Theater as a Tool for Cultural Education and learning: By hosting performances that cover diverse styles and cultures, the theatre offers target markets direct exposure to different creative methods from all over the world. This helps improve social proficiency within the neighborhood.

A Place for Local Skill: The theatre has constantly encouraged neighborhood artists by giving them with a system to showcase their ability. This not just nurtures imagination but also instills a feeling of satisfaction within the area.

Area Building through Shared Experiences: The common experience of participating in occasions at this historical location produces bonds between community participants who otherwise may not interact with each other, cultivating a solid feeling of unity.

Protecting Heritage: Through its existence and proceeded procedure, the Greek Theatre works as a substantial link in between modern-day Berkeley and ancient Greece-- thus assisting protect historical links while inspiring respect for past human beings.

In conclusion, via its rich history and varied influence on society and culture in Berkeley, the Greek Theatre remains to be greater than just a building landmark; it is without a doubt an embodiment of collective identification that reverberates deeply within every homeowner's subconscious desire for belonging.

[demyxix]

Contemporary Exterior San Francisco

Large modern gray two-story exterior home image

[gregorymoorejr]

Stone Exterior San Francisco Inspiration for a large contemporary beige two-story stone flat roof remodel

[ruhele]

Exterior Stucco in San Francisco Mid-sized contemporary gray two-story stucco house exterior idea with a hip roof and a shingle roof

[cheeseukeikeu]

Roofing San Francisco Huge contemporary pink one-story stucco exterior home idea with a tile roof

[beta-isaac-lahey]

Contemporary Exterior in San Francisco Example of a huge, modern, one-story residence with a metal roof and stucco façade.