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uneminuteparseconde · 7 years

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Des concerts à Paris et autour

Février 20. Autobahn – Supersonic (gratuit) 20. L'Efondras + Dr(Dr)One – Olympic café 20. Maggot Heart + Reveal + Plomb + End of Mankind – Le Klub 21. Thalia Zedek + Damon & Naomi – Olympic café 22. Nina Harker + Docks – Olympic café 22. Regina Demina & Eggplant + Léon Septavaux : "Haters" – Palais de Tokyo 22. Illnurse b2b Panzer – Nouveau Casino 23. Lee Ranaldo + Santiago + Mnnqns – La Maroquinerie 23. TG Gondard + Piyojo + Golden Q – Olympic café 23. Tout Est Beau + Zlùr + CD-DR + Lëster + La Venganza & Claravite + Nana Benamer – Le Klub 23. Chloé – A la folie ||COMPLET|| 23. Dopplereffekt + La Corde + Marion Guillet – La Java 23. Shifted + SNTS + Nozen – Nuits fauves 23. Mondkopf + Maoupa Mazzocchetti + December + Garçon manqué + Martijn Verrycken – La Station 23. Katran + Gijensu – Glazart 23. Ayarcana + Joefarr + Jarod + Roswell + Sagarto – tba 24. Tout Est Beau – Silencio (gratuit sur résa) 24. Omar Souleyman – Yoyo|Palais de Tokyo 24. HBT + Coldgeist – Centre Barbara-FGO 24. αίών & Schreib (dj) + Acesence + Méryll Ampe + Fubar + NO3sis (fest. Les Sonifères) – DOC 24. Charles LTM + Marai + Harshlove + Bajram Bili – La Rotonde 24. Domotic + Bisou de Sadam – Treize 24. The Dead Mantra + Blue Mountain Expansion + Theda – Petit Bain 24. Broken English Club + Bjarki + Dr Rubinstein + HBT + YSC – Concrete 25. Ville nouvelle (dj) + Elen Huynh + Adrien Kanter + :such: + Bob Cooper (fest. Les Sonifères) – DOC 25. Mundopal + Laurent Ho + Hanah + Largo + Mara Lakour + Sébastopol + Aubry + Lucien & The Kimono Orchestra – La Station 25. The Sonics + The Ready-Mades – La Maroquinerie ||COMPLET|| 25. The Monochrome Set + Jaromil Sabor – Supersonic 27. The Charlatans – La Maroquinerie

Mars 01. Years of Denial + Areva + Vulcanizadora – L'International (gratuit) 01. The Pains of Being Pure at Heart – Petit Bain 01. Regina Demina & Eggplant + Léon Septavaux : "Haters" – Palais de Tokyo 01. Alessandro Bosetti + Lionel Marchetti – Instants chavirés (Montreuil) 02. Klimperei & Madame Patate + David Fenech & Denis Frajerman – Chair de poule (gratuit) 02. Aquaserge + Orval Carlos Sibelius + La Mirastella – Petit Bain 02. Vale Poher + Titus d'Enfer – Centre Pompidou 02. Princess Nokia – Fondation Vuitton 02. La Muse en circuit joue "Fondu au noir" de Pierre Henry – Conservatoire national supérieur d'art dramatique 02. Sister Iodine + CIA débutante + Kill TM (Unglee Izi, Zofie Taueber, Romain Perrot, Kasper Toeplitz, Gaël Angelis & Andy Bolus) – Instants chavirés (Montreuil) 02. Aymeric de Tapol + Tourette + Leila Bordreuil & Zack Rowden+ Tucuxi + MMY + None & Detemple + Mitua + Käpäk + Graal – Carbone 17 (Aubervilliers) 02. Clouds + Herrmann + Lewis Fautzi + De Vedelly – Rex Club 03. Magnetix + Male Gaze – Espace B 03. Akiko Nakayama + Ei Wada + Lite + Tomoko Sauvage + Lei Sato (Biennale Nemo) – Le 104 03. Dan Deacon – Fondation Vuitton 03. Sister Iodine + Jean-Philippe Gross & Jérôme Noetinger + Hit & Run (Valérie Smith & Clatk Gable) + Jean-Marc Foussat – Instants chavirés (Montreuil) 05. IAMX – La Machine 07. Les Troupes de l'imaginaire (fest. Sonic Protest) – Médiathèque musicale (gratuit) 07. Franck Vigroux & Antoine Schmitt : "Chronostasis" + Alexander Schubert : "Codec Error" – Centre Pompidou 07/08. Ryuchi Sakamoto & Shiro Takatani (Dumb Type) : "Dis.Play" – Maison de la Culture du Japon 08. Cheval scintillantes + Delphine Dora – Le Zorba (gratuit) 08. Molecule – Elysée Montmartre 08. Regina Demina & Eggplant + Léon Septavaux : "Haters" – Palais de Tokyo 08. Trevos Wishart + Davide Tidoni (fest. Sonic Protest) – Théâtre de Vanves 08. Léonie Pernet – O Gib (Montreuil) 09. Bretzel Göring + Kollektiv Barner 16 + Mohamed Lamouri (fest. Sonic Protest) – Centre Barbara-FGO 09. Elliott Murphy – Mona Bismarck American Center 09. Adam X + Perc + Pulse One + Parfait – tba 10. Wild Classical Music Ensemble + Dolly Rambo + DNA,AND feat. Ogrob (fest. Sonic Protest) – Centre Barbara-FGO 10. ARP TARK (Aymeric Hainaux) – Centre national de la Danse (Pantin) (gratuit) 10. Julien Desprez – Centre national de la Danse (Pantin) 10. Deena Abdelwahed (dj) + Sundae (dj) – Centre national de la Danse (Pantin) (gratuit sur résa) 10. Radioactive Man + AZF + Erika b2b Noncompliant + Powder – Concrete 13. Luminous Bodies – Espace B 14. Balmorhea + Martyn Heyne – Point FMR 14. Rodolphe Burger : cinéconcert sur "L'Inconnu" de Tod Browning – Cinémathèque 14. I Hate Model + Marc.Andrea + Sina – Rex Club 15. Arto Lindsay + Seijiro Murayama & Thomas Brinkmann + Masami Kawaguchi (fest. Sonic Protest) – Eglise Sant-Merry 15. Esmerine – Point FMR 15. C.A.R. – Badaboum 15. Regina Demina & Eggplant + Léon Septavaux : "Haters" – Palais de Tokyo 15. Maud Geffray & Lavinia Meijer jouent Philip Glass (fest. Paris Music) – Eglise Saint-Eustache ||COMPLET|| 16. The Altered Hours – Supersonic (gratuit) 16. Morton Subotnick, Alec Empire & Lillevan + Kevin Drumm (fest. Sonic Protest) – Eglise Saint-Merry 16. Panico Panico + The Absolute Never + Thharm – Pointe Lafayette 16. Virginie Despentes & Zëro + Dream Wife + The Pack AD + La Pietà + Léonie Pernet (fest. Les femmes s'en mêlent) – La Machine 16. Minimal Syndicat + Illnurse + Murd + The DJ Producer – Glazart 16. Pär Grindvik + SHXCXCHCXSH +Nozen – Nuits fauves 17. Arnaud Rebotini + Etienne Jaumet (dj)... (fest. Paris Music) – L'Aérosol 17. Maher Shalal Hash Baz + Mick Harris aka Fret + Russell Haswell + ZB Aids + Paddy Steer + Thomas Tilly + Terrine + Satan (fest. Sonic Protest) – L'Echangeur (Bagnolet) 17. British Murder Boys + Lucy + Dasha Rush + Anetha – Terminal 7 19. Koban – Supersonic (gratuit) 19. Fever Ray – Olympia 20. Hackedepicciotto – Walrus (gratuit) 21. Hackedepicciotto + Phoenician Drive + Maninkari – Supersonic (gratuit) 21. Egopusher – Centre culturel suisse 22. Goran Bregovic & l'orchestre des mariages et des enterrements – Salle Pleyel 23. PurForm + TRDLX (Biennale Nemo) – Grande Halle de La Villette 23. Pierre Henry (diff.) + Anabelle Playe + John Chantler + Bill Orcutt + Anthony Child (Présences électronique) (Présences électronique) – Maison de la radio|Studio 104 23. Hey Colossus + Grey Hairs – Espace B 23. Delacave – Supersonic 23. Zombie Zombie – Le Plan (Ris-Orangis) 23. Paula Temple + Tommy Four Seven + Umfang – Nuits fauves 24. Alva Noto & Anne-James Chaton : Alphabet (Biennale Nemo) – Grande Halle de La Villette 24. Else Marie Pade + :such: + Bellows + Phonophani + The Caretaker (Présences électronique) – Maison de la radio|Studio 104 24. Youth Code + Carpenter Brut – Olympia 24. Jessica93 + JC Satàn – La Clef (Saint-Germain-en-Laye) 25. Jacques Lejeune + Chris Corsano + Ben Vida & Marina Rosenfeld + Mads Emil Nielsen + Gravetemple (Présences électronique) – Maison de la radio|Studio 104 29. Chicaloyoh + KosmoSuna – Le Zorba (gratuit) 29. Bleib Modern – Supersonic (gratuit) 29. Drame + Le réveil des tropiques – Centre Barbara-FGO 29. Angry Skeletns + Laurence Wasser – Pointe Lafayette 30. Orval Carlos Sibelius + Domotic – Le Zorba (gratuit) 31. Schlaasss + Petosaure + Enfance de merde – Supersonic (gratuit) 31. Maulwürfe (fest. Artdanthé) – Théâtre de Vanves 31. The Noise Consort (fest. Artdanthé) – Théâtre de Vanves

Avril 04. Suuns – Elysée Montmartre 05. UUUU – Espace B 05. Dance with the Dead + Christine + Mlada Fronta + Confrontational + Midnight Danger – Gibus 06. Whispering Sons + The Guru Guru & Le Prince Harry – Supersonic 06. Le singe blanc + Nohaybanda! + Casse gueule – Cirque électrique 07. Terminal Cheesecake + GuiliGuiliGoulag + Sweet Williams + Futuroscope – Espace B 10. Jamie Stewart joue Xiu Xiu – Olympic café 10. Structure + Walking Idiots + Oktober Lieber – Le Klub 10. John Olson + Nate Young + Regression + Henry & Hazel Slaughter + Stare Case + Wolf Eyes + Evil Moisture – Instants chavirés (Montreuil) 11. JC Satàn – La Maroquinerie 12. The Ex + Anarchist Republic of Bzzz (fest. Banlieues bleues) – La Dynamo (Pantin) 13. DJ Krush – La Bellevilloise 13. Amusement Parks on Fire + Ulster Page + Misty Coast – Supersonic (gratuit) 14. Dominique a – Salle Pierre Boulez|Philharmonie 14. Badbad – tba (Montreuil) 14. Function + Shifted – La Machine 15. Dominique a – Cité de la musique|Philharmonie ||COMPLET|| 18. Chrysta Bell – La Maroquinerie 19. Christian Death + Punish Yourself + Volker – La Machine 19. Peter Kernel – Point FMR 20. Idles – Trabendo 20. Die Selektion – Supersonic 21. Igorrr – Trabendo 21. Yan Wagner + Tristesse contemporaine (fest. Clap Your Hands) – Café de la danse 22. The Body + Fange – Olympic café 24>26. Franck Vigroux & Kurt d'Haeseleer – La Pop 26. Ought – La Maroquinerie 26. Wrekmeister Harmonies – Espace B 26. A Place To Bury Strangers – Trabendo 28. She Past Away + Lebanon Hanover + Selofan – La Machine 28. Arcade Fire – Bercy Arena 28. Rhys Chatham + Krikor Kouchian + Chloé & Vassilena Serafimova – Centre Pompidou 30. Koudlam + Bajram Bili + Pointe du lac – La Maroquinerie 30. Iron Fist of The Sun + Am Not + Kevlar + Kontinent – tba

Mai 07. Iceage – Petit Bain 10>12. Deerhoof + And Also the Trees + Tropic of Cancer + Ulrika Spacek + Derya Yildirim & Grup Simsek + First Hate + Good Morning + Stranded Horse + Better Person + En attendant Ana + Pantin plage + Magic Island + Buvette (dj) (Le Beau fest.) – Trabendo & La Petite Halle 19. Yo La Tengo – Cabaret sauvage 23/24. Otomo Yoshihide – Instants chavirés (Montreuil) 23>27. Marquis de Sade + Deerhunter + Flat Worms + Kate NV + Tzusing + Midnight Sister (Villette sonique) – tba 24. HMLTD + Faire (dj) – Petit Bain 29. The Damned – Petit Bain 30. John Maus (Villette sonique) – tba 30. Klimperei – tba 30. Igorrr + Ni – Les Cuizines (Chelles)

Juin 02/03. Björk + Beck + Jamie XX + King Krule + Father John Misty + Migos... (fest. We Love Green) – Bois de Vincennes 09. Trisomie 21 – La Maroquinerie 12. Damo Suzuki's Network – Espace B 14. Ty Segall & The Freedom Band – Bataclan 15/16. Ryoji Ikeda : "Formula - c4i - Datamatics" – Centre Pompidou 22. Modern Life Is War + Cro Mags – Petit Bain 25. Nine Inch Nails – Olympia ||COMPLET||

Juillet 06/07. Amelie Lens + Daniel Avery + Jeff Mills + Laurent Garnier + Kink + Richie Hawtin + Tale of Us + Solomun... (The Peacock Society) – tba 09. Eels – Olympia

Novembre Michael Nyman : "War Work: 8 Songs with Film" – Salle Pleyel

en gras : les derniers ajouts / in bold: the last news

#agenda concerts #concerts à Paris #gigs in paris #paris gigs

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kenstenbaum · 6 years

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EDUCATION :

2016-2018 : ISAC (institut supérieur d’art et chorégraphie) Arba-Esa, Bruxelles

2016 : DNAP option art EESAB site de Rennes

2013 : BAC STD2A (arts appliqués design)

CONTEMPORARY DANCE (regular training) :

2016 / 2018 - Training (Louise Vanneste, Diwélé Lubi, Alessandra Copolla, Tijen Lawton, Manou Phuon, Fatou Traoré, Youness Khoukhou… 2011 / 2016 - Training du Musée de la Danse, Rennes (Thierry Micouin, Maud Le Pladec, Pénélope Paraud, Olga Dukhovnaya , ...)

2009 / 2011 - With Nadine Brulat, Rennes.

THEATRE

2013 / 2014 Theatre class with Eric Antoine, La Paillette, MJC

2009 / 2010 CRR de Rennes avec Eric Houguet 2006 / 2009 Theatre class with Victoria Pageaud, La Paillette MJC

Participation to Workshop :

April 2018 : Workshop with Mette Ingvertsen

February 2018 : Workshoop with Arkadi Zaides

November 2017 : Workshop with Faustin Linyekula

April 2017 : "Slugs' Garden" with Fabián Barba & Esteban Donoso

March 2017 : Workshop with Pierre Droulers

March 2017 : Lightning and scenography with Gérald Karlikow and the student of ENSAD, Paris

February 2017 : Dramaturgy with Camille Louis

February 2017 : Workshop with Mårten Spångberg

November 2016 : Workshop with Olga De Soto

October 2016 : “Telepathic creation” with Sara Manente & Marcos Simoes

September 2016 : "Feedback Sessions" with Manolis Tsipos

2016 : “les termes de l’influence” with Jean-Luc Guionnet

2015 : “Être une Île” with Jochen Dehn

2015 : “Translating the Periferic” with Neal Beggs

Residency :

October 2017: ISAC Residency at Centrale Fies, Italy

Octobre 2016: ISAC Residency at Centrale Fies, Italy

2014: Choreography research with Catherine Legrand & Anne-Karine Lescop, Le Garage CDRM, Rennes

Other workshops and learning :

Chenda (drum of Kerala) with Kalamandalam Balaraman.

Kalam (powdery drawings of Kerala) with Haridas Kurup.

Rhythm and singing in Morocco with Ismaël Smouni.

The Masque with Patrick Pezin (Trielle).

Dance and Drums in Senegal with Alseye Ndao.

Kalarippayattu, (marial art of Kerala)

ARTISTIC EXPERIENCES

GROUP EXHIBITIONS :

June 2018 : ISAC Festival, Project Approaching Portland, Centrale for contemporary art, Bruxelles

Jully 2017 : Radieuse, Capitolo GLN, curated by Emmanuel Lambion, Video Installation Introduction to Dharma words of master Lu, Rossmut Gallery Rome

June 2017 : ISAC Festival, Project Some Troublesome, La Raffinerie Charleroi-Danse, Bruxelles

May 2017 : Reject Grip Ghostly,Video Pluie de flèches et de yeux, Greylight Projects Bruxelles

March 2017 : Hole as in Wall, curated by Emmanuel Lambion, Video Introduction to Dharma words of master Lu, Arba-Esa Bruxelles

2016 : Material Reality, performance sonore GeneJazz, Vanessa Quang Gallery, Paris

2015 : Immersion à la Chapelle #4 concerts-performances with the students from CRR la chapelle du Conservatoire de Rennes

2015 : Un Continent Chronophage, gustative performance Sand-Pécore, ancient Gallery Le Praticable Rennes

DANCER

2017 ROMAN PHOTO, choreography Boris Charmatz, festival Fous de Danse, 104 Paris

2017 SLUGS' GARDEN, installation/performance Fabián Barba & Esteban Donoso, Kunstenfestivaldesarts, La Bellone, Bruxelles

2016 ROMAN PHOTO, choreography Boris Charmatz, festival Fous de Danse, Rennes

de 2011 à 2016 JOURS ÉTRANGES choreography Dominique Bagouet ; Direction Anne-Karinne Lescop & Catherine Legrand Grd Théâtre Lorient, Festival Extension Sauvage La Ballue, TNB Fous de Danse, Le Triangle Rennes, Théâtre de la Ville Paris, Le Klap Marseille, Mac Orlan Brest...

2011 et 2015 THE SHOW MUST GO ON, choreography Jérôme Bel, TNB festival Fous de Danse, Opéra de Rennes

Mars-Avril 2015 KATHAKALI Dance/Theatre Cie Prana. tour : Saint Quentin en Yvelines, Quartz - Brest, Grasse Theatre, Ethnography Museum of Geneva, Trident - Cherbourg 2010 - 2011 DES PRINTEMPS EN PARTAGE (Creation) Cie Hors Mots, direction N. Brulat. Air Libre - St Jacques de la Lande, Rennes, Brest and many places in Bretagne, Golovine Theatre - Avignon Festival OFF 2011

ARTISTIC ASSISTANT/PERFORMER

2018 : On a bien accroché with Marc Buchy & Shuzo Azuchi Gulliver, Bn Projects - Maison Grégoire, Bruxelles

October-november 2017 : Exhibition Somewhere, Two Planets Have Been Colliding for Thousands of Years, Dora García, La Verrière, Bruxelles

Mars 2017 : project IL PALINSESTO, Francesca Chiacchio, Nadine, Bruxelles

Septembre 2016 : Exhibition Gücci Gold Fish, Mathieu Chevalier, Recyclart, Congrès Station, Bruxelles

2009 / 2010, KALAM TERRE, Cie Prana, Saint Quentin en Yvelines, Triangle in Rennes, Musée du quai Branly in Paris

COMEDIAN

2018 Trigger of Happiness, by Ana Borralho & João Galante, Beursschouburg, Bruxelles 2014 Peanuts, Fausto Paravidino, stage direction Eric Antoine, La Paillette MJC, Rennes

2006 /2009 Où vas-tu Jérémie, Philippe Minyana, La Paillette MJC, Quartiers en scène, Cercle P.Bert, Rennes Les acteurs de bonne foi, Marivaux, La Paillette MJC in Rennes Texts of Claude Nougaro, La Paillette MJC in Rennes

WORKSHOP OF BODY EXPRESSION AND FINE ARTS TO YOUNGSTERS

2017: Colonie Au galop!

2016: Workshop around Jours Étranges at Triangle, Rennes

2015: Masque workshop, MJC du Plateau, Saint Brieuc

2014 / 2015: scholar workshop: dance and body expression, Joseph Lotte and Robert Doisneau school in Rennes

RESPONSIBILITY & VOLUNTEERING

July 2018: internship at L.A.C

2017 / 2018 - Beursschouburg à Bruxelles

2017 - Cook at the Bâtard Festival, Beursschouburg - Bruxelles

2017 - Museum night fever Bruxelles.

2017 - Cook at Birthday of art M HKA Anvers

2016 / 2017 - Exhibition set up, welcoming, mediation at Working Title Festival Bruxelles.

Flyering for different cultural structures in Bruxelles (Beursschouberg, …)

2015 - Welcoming of the troupe in tour in France of 9 artists of Kathakali South India, Cie Prana. 2015 - vidéo spectacle déambulation. aide aux préparatifs feu d’artifice à St Brieuc, Cie K.

2013 / 2015 : Festival Mettre en Scène, Théâtre National de Bretagne (présences au Triangle, la Paillette MJC, salle Gabilly) Rennes

Spectacle de Mohini Attam au Vieux St Étienne

GRAPHIC DESIGN

2017 - Montage du film JUSTICE ON HOLD, réalisatrice : Rita Isaac, ONG CVDCS.

2012 / 2015 Réalisation des support de communication pour la Cie Prana (dossiers, flyers, carte de visite)

LOGICIELS : Premiere Pro, In design, Photoshop, final cut, ableton live. Vidéo : prise de vues et montage, Photo : prise de vues et tirage, Son : prise et montage.

LANGUES : français, anglais, espagnol, lu écrit parlé. Notions de malayalam (Kérala, Inde du Sud) et allemand.

VOYAGES : Inde, Népal, Europe, Afrique

CENTRES D’INTERÊTS : arts, cuisine, animaux, cinéma, musique, danse, sports, santé, animation...

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body-in-revolt · 6 years

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Non Solo Medea interview #3 Flora Duverger - percussionist

“A fascinating melting pot of music” that’s how Flora Duverger, percussiontist in Non Solo Medea, defines the mixture of Pink Floyd, Beethoven, Arvo Pärt and Xenakis in this new performance. Recently, the young percussionist started working in the studio with Emio Greco and Pieter C. Scholten, and created a unity of all these different styles of music. What is it like to be part of the creation of Non Solo Medea? And how does Flora experience the collaboration with the Ballet National de Marseille?

Did you already have experience in working with a dance company? Yes, I gained experience in working with dance during the creation of two my multidisciplinary performances “Vous êtes un désordre” (2016) and “My head is a jukebox” (2018). In addition, my instruments demand a strong corporeal awareness and an adequate posture in order to create the right sound. Hence, the connection with the body is very strong and could be seen as similar to the relationship the dancer has with his/her body.

How do you experience working with Emio, Pieter, the dancers and the actress? It’s interesting because in a certain way I’m completely out of my comfort zone. Normally musicians need a lot of time to prepare, to rehearse and/or to compose. Now, everything happens at the moment, which means that I’m challenged to react more intuitively on the events on stage.

What is your favorite piece of music in Non Solo Medea? Difficult question…. I can’t choose! There are two parts that I truely like, the first one is Rebond B by Xenakis, a classic percussion piece in which I can really let myself go. The other one is a solo on the vibraphone based on the melody of Eclipse by Pink Floyd. I try to generate a counterpoint with the dancers by reacting on their movements on stage. There is something that happens in this part that I cannot explain, it is very emotional.

What are for you the keywords of this new performance? For me these are the four elements: water, fire, air and earth. From the beginning of the creation of Non Solo Medea the elements formed an important subject of my conversations with Emio and Pieter. Later on, they became an essential part of the performance as they return in both the videoprojections and live on stage. A link with water is created, for instance, by using bowls of water as percussion instruments. Another example is air, an element that returns in the rhythm our respiration. In this way, these raw materials also form the base of my musical composition.

Flora Duverger is a French percussionist and did her studies at the “Conservatoire d’Angers” in Angers and the “Conservatoire National Supérieure Musique et Danse” in Lyon. Currently, she is a soloist in the assembly “Les Percussions de Strasbourg”. She will perform in Non Solo Medea July 12, 13 an 14 in the Theatrum Mundi in Pompeii and July 27 in the Théâtre Antique in Vaison-la-Romaine.

Interview: Marieke Buytenhuijs, artistic assistant at BNM

#Non Solo Medea Medea Ballet National de Marseille Flora Duverger percussion

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leyhejuhyunghan · 7 years

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Les XX and music Conservatoire de Paris Paul Marie Théodore Vincent d'Indy (French, 1851–1931) Poème des rivages (1919-21) on Kant sublime and Vincent Willem van Gogh (Dutch, 1853–1890)

Paul Marie Théodore Vincent d'Indy (French: [vɛ̃sɑ̃ dɛ̃di]; 27 March 1851 – 2 December 1931) was a French composer and teacher.

Vincent d'Indy, ca. 1895 https://en.wikipedia.org/wiki/Vincent_d%27Indy#/media/File:D%27Indi_Vincent_Postcard-1910.jpg

Life[edit]

Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer.[1] From the age of 14 he studied harmony with Albert Lavignac. At age 19, during the Franco-Prussian War, he enlisted in the National Guard, but returned to musical life as soon as the hostilities were over. The first of his works he heard performed was a Symphonie italienne, at an orchestral rehearsal under Jules Pasdeloup; the work was admired by Georges Bizet and Jules Massenet, with whom he had already become acquainted.[1] On the advice of Henri Duparc, he became a devoted student of César Franck at the Conservatoire de Paris. As a follower of Franck, d'Indy came to admire what he considered the standards of German symphonism.

Vincent d'Indy, sculpture by Antoine Bourdelle In the summer of 1873 he visited Germany, where he met Franz Liszt and Johannes Brahms.[1] On 25 January 1874 his overture Les Piccolomini was performed at a Pasdeloup concert, sandwiched between works by Bach and Beethoven.[1] Around this time he married Isabelle de Pampelonne, one of his cousins. In 1875 his symphony dedicated to János Hunyadi was performed. That same year he played a minor role – the prompter – at the premiere of Bizet's opera Carmen.[1] In 1876 he was present at the first production of Richard Wagner's Ring Cycle at Bayreuth. This made a great impression on him and he became a fervent Wagnerite. In 1878 d'Indy's symphonic ballad La Forêt enchantée was performed. In 1882 he heard Wagner's Parsifal. In 1883 his choral work Le Chant de la cloche appeared. In 1884 his symphonic poem Saugefleurie was premiered. His piano suite ("symphonic poem for piano") called Poème des montagnes came from around this time. In 1887 appeared his Suite in D for trumpet, 2 flutes and string quartet. That same year he was involved in Lamoureux's production of Wagner's Lohengrin as choirmaster. His music drama Fervaal occupied him between 1889 and 1895.

Inspired by his own studies with Franck and dissatisfied with the standard of teaching at the Conservatoire de Paris, d'Indy, together with Charles Bordes and Alexandre Guilmant, founded the Schola Cantorum de Paris in 1894. D'Indy taught there and later at the Paris Conservatoire until his death. Among his many students were Isaac Albéniz, Leo Arnaud, Joseph Canteloube (who later wrote d'Indy's biography), Pierre Capdevielle, Jean Daetwyler, Arthur Honegger, Eugène Lapierre, Leevi Madetoja, Albéric Magnard, Rodolphe Mathieu, Darius Milhaud, Helena Munktell, Cole Porter, Albert Roussel, Erik Satie, Georges-Émile Tanguay, Otto Albert Tichý, Emiliana de Zubeldia and Xian Xinghai, Ahmet Adnan Saygun. Xian was one of the earliest Chinese composers of western classical music See: List of music students by teacher: C to F#Vincent d'Indy. While A. A. Saygun became one of the pioneers of classical music in Turkey.

Few of d'Indy's works are performed regularly today. His best known pieces are probably the Symphony on a French Mountain Air (Symphonie sur un chant montagnard français, also known as Symphonie cévenole) for piano and orchestra (1886), and Istar (1896), a symphonic poem in the form of a set of variations in which the theme appears only at the end.[1]

Vincent d'Indy in 1913. Among d'Indy's other works are other orchestral music (including a Symphony in B♭, a vast symphonic poem, Jour d'été à la montagne, and another, Souvenirs, written on the death of his first wife; he later remarried), chamber music, including two of the most highly regarded string quartets of the latter nineteenth century (No. 2 in E major, Op. 45, and No. 3 in D-flat, Op. 96), piano music (including a Sonata in E minor), songs and a number of operas, including Fervaal (1897) and L'Étranger (1902). His music drama Le Légende de Saint Christophe, based on themes from Gregorian chant, was performed for the first, and possibly last, time, on 6 June 1920. His comédie musicale had its premiere in paris on 10 June 1927. His Lied for cello and orchestra, Op. 19, was recorded by Julian Lloyd Webber and the English Chamber Orchestra conducted by Yan Pascal Tortelier in 1991. As well as Franck, d'Indy's works show the influence of Berlioz and especially of Wagner.

D'Indy helped revive a number of then largely forgotten early works, for example, making his own edition of Claudio Monteverdi's opera L'incoronazione di Poppea.

His musical writings include the co-written three-volume Cours de composition musicale (1903–1905), as well as studies of Franck and Beethoven.

D'Indy died where he was born, in Paris.

Political views[edit]

D'Indy was a committed monarchist, joining the League of la Patrie française during the Dreyfus affair. He was anti-Semitic, but did not extend this bias to his Jewish colleagues.[1]

Critical reaction[edit]

Vincent d'Indy, photo: Library of Congress Opera critic Arthur Elson, writing in 1901, while appreciating d'Indy, prefers another composer.[2]:343–44

Of the younger men, Vincent d'Indy (1851– ) has shown himself abreast of the times, and his Fervaal, with a libretto of "rhythmic prose," is a worthy example of the school of operatic realism and musical complexity. [...] But the most prominent composer for the Paris stage at present is Alfred Bruneau. [...] [I]n Le Réve [sic] (1891), on a libretto from Zola's novel, he began the career that has won him his present position.

In a post-Wagner age under "the artistic domination of Bayreuth," Elson describes two "paths" in contemporary opera, one path being more conservative[2]:350–51

while the other has led to the uttermost regions of modern polyphony and dissonance. [...] Among the more radical group, corresponding to Bruneau, d'Indy and Franck, the most daring work has been done by Richard Strauss.

In Elson's opinion, those following the more conservative path are Cornelius, Goetz, Humperdinck, Goldmark, Saint-Saëns and Massenet.

Legacy[edit]

The private music college École de musique Vincent-d'Indy in Montreal, Canada, is named after the composer, as is the asteroid 11530 d’Indy. https://en.wikipedia.org/wiki/Vincent_d%27Indy

Symphony on a French Mountain Air, Op. 25 by Vincent D’indy (1886) https://youtu.be/ojHuauK7vlg

Vincent d'Indy Poème des rivages Op.77 (1919-21) Part I https://youtu.be/SnPH-6mim60

Movements/Sections 4 movements Calme et Lumière. Agay (Méditerranée) La joie du bleu profond. Miramar de Mallorca (Méditerranée) Horizons verts. Falconara (Adriatique) Le mystère de l'Océan. La Grande Côte (Golfe de Gascogne) http://imslp.org/wiki/Poème_des_rivages%2C_Op.77_(Indy%2C_Vincent_d%27)

The Conservatoire de Paris (pronounced [kɔ̃.sɛʁ.va.twaʁ də pa.ʁi]; English: Paris Conservatory) is a college of music and dance founded in 1795 associated with PSL Research University. It is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music, dance, and drama, drawing on the traditions of the "French School".

In 1946 it was split in two, one part for acting, theatre and drama, known as the Conservatoire national supérieur d'art dramatique (CNSAD), and the other for music and dance, known as the Conservatoire national supérieur de musique et de danse de Paris (CNSMDP). Today the conservatories operate under the auspices of the Ministry of Culture and Communication.

Franco-Prussian War and the Third Republic[edit] In the Franco-Prussian War, during the siege of Paris (September 1870 – January 1871), the Conservatory was used as a hospital. On 13 May 1871, the day after Auber's death, the leaders of the Paris Commune appointed Francisco Salvador-Daniel as the director - however Daniel was shot and killed ten days later by the troops of the French Army. He was replaced by Ambroise Thomas, who remained in the post until 1896. Thomas's rather conservative directorship was vigorously criticized by many of the students, notably Claude Debussy.[2]

Piano class of Charles de Bériot in 1895 with Maurice Ravel on the left During this period César Franck was ostensibly the organ teacher, but was actually giving classes in composition. His classes were attended by several students who were later to become important composers, including Ernest Chausson, Guy Ropartz, Guillaume Lekeu, Charles Bordes, and Vincent d'Indy.[2]

Théodore Dubois succeeded Thomas after the latter's death in 1896. Professors included Charles-Marie Widor, Gabriel Fauré, and Charles Lenepveu for composition, Alexandre Guilmant for organ, Paul Taffanel for flute, and Louis Diémer for piano.[2]

Gabriel Fauré[edit]

Fauré in his office at the Conservatoire, 1918 Lenepveu had been expected to succeed Dubois as director, but after the "Affaire Ravel" in 1905, Ravel's teacher Gabriel Faurébecame director. Le Courier Musical (15 June 1905) wrote: "Gabriel Fauré is an independent thinker: that is to say, there is much we can expect from him, and it is with joy that we welcome his nomination."[14]

Fauré appointed forward-thinking representatives (such as Debussy, Paul Dukas, and André Messager) to the governing council, loosened restrictions on repertoire, and added conducting and music history to the courses of study. Widor's composition students during this period included Darius Milhaud, Arthur Honegger, and Germaine Tailleferre. Other students included Lili Boulanger and Nadia Boulanger. New to the staff were Alfred Cortot for piano and Eugène Gigout for organ.[2]

The modern era[edit]

The CNSMDP new building at the Cité de la Musique. The Conservatory moved to facilities at 14 rue de Madrid in 1911.[2]

Henri Rabaud succeeded Fauré in 1920 and served until 1941. Notable students were Olivier Messiaen, Jean Langlais, and Jehan Alain. Staff included Dukas and Jean Roger-Ducasse for composition, Marcel Dupré for organ, Marcel Moyse for flute, and Claire Croiza for singing.[2]

Claude Delvincourt was director from 1941 until his tragic death in an automobile accident in 1954. Delvincourt was a progressive administrator, adding classes in harpsichord, saxophone, percussion, and the Ondes Martenot. Staff included Milhaud for composition and Messiaen for analysis and aesthetics. In 1946, the dramatic arts were transferred to a separate institution (CNSAD). Delvincourt was succeeded by Dupré in 1954, Raymond Loucheur in 1956, Raymond Gallois-Montbrun in 1962, Marc Bleuse in 1984, and Alain Louvier in 1986. Plans to move the Conservatory of Music and Dance to more modern facilities in the Parc de la Villette were initiated under Bleuse and completed under Louvier. It opened as part of the Cité de la Musique in September 1990.[2]

Currently, the conservatories train more than 1,200 students in structured programs, with 350 professors in nine departments.

https://en.wikipedia.org/wiki/Conservatoire_de_Paris

Les XX was founded on 28 October 1883 in Brussels and held annual shows there between 1884 and 1893, usually in January–March. The group was founded by 11 artists who were unhappy with the conservative policies of both the official academic Salon and the internal bureaucracy of L'Essor, under a governing committee of twenty members. Unlike L'Essor ('Soaring'), which had also been set up in opposition to the Salon, Les XX had no president or governing committee. Instead Octave Maus (a lawyer who was also an art critic and journalist) acted as the secretary of Les XX, while other duties, including the organization of the annual exhibitions, were dispatched by a rotating committee of three members. A further nine artists were invited to join to bring the group membership of Les XX to twenty; in addition to the exhibits of its Belgian members, foreign artists were also invited to exhibit.[1]

There was a close tie between art, music and literature among the Les XX artists, during the exhibitions, there were literary lectures and discussions, and performances of new classical music, which from 1888 were organised by Vincent d'Indy,[2] with from 1889 until the end in 1893 very frequent performances by the Quatuor Ysaÿe.[3] Concerts included recently composed music by Claude Debussy, Ernest Chausson and Gabriel Fauré. Leading exponents of the Symbolist movement who gave lectures include Stéphane Mallarmé, Théodore de Wyzewa and Paul Verlaine.[1]

https://wikivisually.com/wiki/Les_XX

Vincent Willem van Gogh (Dutch, 1853–1890)

Self-Portrait, 1887, Art Institute of Chicago https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_Self-Portrait_-_Google_Art_Project_(454045).jpg

Flowering Plum Orchard (after Hiroshige), 1887. Van Gogh Museum, Amsterdam https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_Bloeiende_pruimenboomgaard-_naar_Hiroshige_-_Google_Art_Project.jpg

The Starry Night, June 1889. Museum of Modern Art, New York https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Van_Gogh_-_Starry_Night_-_Google_Art_Project.jpg

The Church at Auvers, 1890. Musée d'Orsay, Paris https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise,_View_from_the_Chevet_-_Google_Art_Project.jpg

Starry Night Over the Rhone, 1888. Musée d'Orsay, Paris https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_Starry_Night_-_Google_Art_Project.jpg

Olive Trees with the Alpilles in the Background, 1889. Museum of Modern Art, New York https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Van_Gogh_The_Olive_Trees..jpg

Wheatfield Under Thunderclouds, 1890, Van Gogh Museum, Amsterdam, Netherlands https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_Wheatfield_under_thunderclouds_-_Google_Art_Project.jpg

Wheatfield with Crows, 1890. Van Gogh Museum, Amsterdam https://en.wikipedia.org/wiki/Vincent_van_Gogh#/media/File:Vincent_van_Gogh_-_Wheatfield_with_crows_-_Google_Art_Project.jpg

Vincent Willem van Gogh (Dutch: [ˈvɪnsɛnt ˈʋɪləm vɑn ˈɣɔx] (About this sound listen);[note 1] 30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. His suicide at 37 followed years of mental illness and poverty.

Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful. As a young man he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion, and spent time as a Protestant missionary in southern Belgium. He drifted in ill health and solitude before taking up painting in 1881, having moved back home with his parents. His younger brother Theo supported him financially, and the two kept up a long correspondence by letter. His early works, mostly still lifes and depictions of peasant labourers, contain few signs of the vivid colour that distinguished his later work. In 1886, he moved to Paris, where he met members of the avant-garde, including Émile Bernard and Paul Gauguin, who were reacting against the Impressionist sensibility. As his work developed he created a new approach to still lifes and local landscapes. His paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. During this period he broadened his subject matter to include series of olive trees, wheat fields and sunflowers.

Van Gogh suffered from psychotic episodes and delusions and though he worried about his mental stability, he often neglected his physical health, did not eat properly and drank heavily. His friendship with Gauguin ended after a confrontation with a razor, when in a rage, he severed part of his own left ear. He spent time in psychiatric hospitals, including a period at Saint-Rémy. After he discharged himself and moved to the Auberge Ravoux in Auvers-sur-Oise near Paris, he came under the care of the homoeopathic doctor Paul Gachet. His depression continued and on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later.

Van Gogh was unsuccessful during his lifetime, and was considered a madman and a failure. He became famous after his suicide, and exists in the public imagination as the quintessential misunderstood genius, the artist "where discourses on madness and creativity converge".[6] His reputation began to grow in the early 20th century as elements of his painting style came to be incorporated by the Fauves and German Expressionists. He attained widespread critical, commercial and popular success over the ensuing decades, and is remembered as an important but tragic painter, whose troubled personality typifies the romantic ideal of the tortured artist.

https://en.wikipedia.org/wiki/Vincent_van_Gogh

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rollingstonemag · 7 years

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Un nouvel article a été publié sur http://www.rollingstone.fr/le-compositeur-et-inventeur-pierre-henry-est-mort/

Le compositeur et inventeur Pierre Henry est mort

La célèbre « Harmonie des sphères » perd son inventeur. Sa « Messe pour le temps présent » est encore dans toutes les mémoires. Rarement un musicien et compositeur classique n’aura autant marqué l’histoire du rock. Il est mort à 89 ans et laisse un héritage considérable

Par Yves Bigot

https://youtu.be/7K4RuQDxUaI

« Si en 1966, les Beatles avaient collaboré avec Pierre Henry, comme Paul McCartney en avait l’intention, l’histoire de la musique du XXème siècle en eût été révolutionnée », écrivait en 2001 le magazine anglais Mojo. Elle le fut malgré tout, et pas qu’une fois, par cet aventurier du son comme liturgie, prophète de la musique moderne, qui aura inventé, engendré, inspiré, pas moins de trois genres et mouvements artistiques majeurs, tout en atteignant à deux reprises – à trente ans d’intervalle – le statut de star du hit parade.

Au sortir de la Guerre, déjà, lorsque le tout jeune Pierre Henry (né le 9 décembre 1927), élève d’Olivier Messiaen et de Nadia Boulanger au Conservatoire National Supérieur de Musique de Paris, rejoint Pierre Schaeffer au sein du studio d’essai de la Radio Télédiffusion Française, Symphonie pour un homme seul (1950), leur manifeste d’ingénieurs-musiciens, fonde la musique concrète, destinée à « déconstruire la musique pour que résonne l’harmonie des sphères ». Maurice Béjart s’en emparera cinq ans plus tard, collaboration qui s’étendra sur quinze ballets. D’autres chorégraphes suivront : Georges Balanchine, Carolyn Carlson, Merce Cunningham, Maguy Marin, etc.

Première œuvre électroacoustique, Haut Voltage suivra, marquant l’émancipation de Pierre Henry, figure de proue à la tête du Groupe de Recherche de Musique Concrète, puis de son studio APSOME de la rue Cardinet, avant-garde sonique qui connaîtra son apogée en 1963 avec ses Variations pour une porte et un soupir. Encore entendue dans la série les Sopranos, cette œuvre constituera une influence majeure du rock progressif anglais des années 60, Pink Floyd en tête, Soft Machine, et plus tard Radiohead.

Mais c’est avec Le Voyage (1962), première composition psychédélique (qui exprime l’âme), que Pierre Henry va fasciner la génération rock des années 60 et les hippies, friands du Livre des morts tibétain qu’il illustre : les Beatles (« Tomorrow Never Knows ») et Jimi Hendrix (Are You Experienced ?) à Londres, Frank Zappa et les Mothers of Invention (Freak Out) à Los Angeles, Jefferson Airplane (« Would You Like a Snack ? »), Grateful Dead qu’il admirait (Anthem of the Sun), Quicksilver Messenger Service (les longs passages improvisés de leur version de « Who Do You Love ? ») et David Crosby (« I’d Swear There Was Somebody Here ») à San Francisco, Gong dans le sud de la France et plus tard, Rodolphe Burger à Strasbourg (Cheval/Mouvement) et les Rita Mitsouko à l’usine Pali-Kao : « Je l’écoutais au lycée, en même temps que Jimi Hendrix, expliquait Fred Chichin, lorsque les Rita l’invitent à la Cité de la Musique. Il a ouvert un univers de sons et donné l’envie de musique électro-acoustique. Il a une conception du son très physique, contrairement à beaucoup de compositeurs contemporains, qui nient le plaisir du mouvement, de la matière et des corps. Il est extrêmement moderne avec son côté sound-system – c’est pour ça que l’intelligentsia l’a marginalisé. » (« Pense à ta carrière » sur Cool frenésie, reprend exactement l’intro de son « Psyché Rock »).

Ce flirt avec le rock se concrétisera inconsciemment par sa Messe de Liverpool (1967) et sur les ondes de Salut les Copains, les barricades de mai 68, chez Castel et dans les discothèques de Saint-Tropez avec les Jerks électroniques Ypersound de sa Messe pour le temps présent. Les premiers se vendront à des centaines de milliers d’exemplaires sous leur célèbre pochette argentée, alors que la seconde entrera dans l’histoire au festival d’Avignon grâce au ballet de Béjart, son ami de toujours. L’album Ceremony, enregistré avec l’excellent groupe de blues-rock Spooky Tooth (1969), ne sera qu’un épilogue, couronné par un concert de minuit à l’Olympia.

Mais là où l’effet Pierre Henry sur l’histoire de rock reste un secret bien gardé des connaisseurs, en revanche, la techno, elle, va le revendiquer comme son maître fondateur. Son tube « Psyché Rock » sera utilisé à toutes les sauces, du film Z de Costa Gavras à celui de Jean Becker avec Vanessa Paradis (Elisa), de Mean Girls à la série Futurama, de la publicité pour la Mobi carte à celle pour la bourse de New York ou pour Nescafé en passant par des centaines d’échantillonnages plus ou moins autorisés. À tel point qu’en 1997, les plus prestigieux DJ’s (William Orbit, Coldcut, St Germain, etc.) lui rendaient hommage avec Metamorphoses, album de remix des Jerks électroniques qui verra « Psyché Rock », relooké par Fat Boy Slim, devenir l’hymne de la culture dance, de Brighton à Ibiza. Sollicité par le groupe américain Violent Femmes, trafiquant avec les Propellerheads, collaborant avec le trompettiste suisse Erik Truffaz, participant au projet L’Amour foot de Libération (1998), se produisant telle une rock star à l’Olympia, à la Cigale, au Festival de Montreux comme à la Roque d’Anthéron, sur la piazza Beaubourg, l’Esplanade de la Défense, à Radio France, au Centre Pompidou, à la Cité de la Musique, à l’église Saint-Eustache, au Carreau du Temple, à Bethnal Green, expédiant sa musique au Japon comme en Australie, Pierre Henry continuait, à près de quatre-vingt-dix ans, à faire l’événement, que ce soit avec ses très populaires Concerts chez lui (1996, 2002, 2005, 2008, 2009) qui font courir le tout-Paris, son intégrale en quatre coffrets (Mix 01, 02, 03 et 04), son intronisation au Panthéon des Victoires de la Musique (1998), le Qwartz électronique d’honneur (2005) et le Prix du Président de la République de l’Académie Charles Cros (2005), ses incessantes nouvelles créations parmi lesquelles on citera notamment Intérieur/Extérieur, Une tour de Babel, Tam-tam du merveilleux, Dracula, Analogy et Dieu, récité d’après Victor Hugo par Jean-Paul Farré.

Plasticien, sculpteur, cuisinier, provocateur, reclus, bougon, maniaque, épicurien et mystique à la fois, Pierre Henry avait réussi à intéresser le grand public à l’avant-garde par la grâce de la modernité que la jeunesse trouvait dans sa musique. N’est-ce pas là le rêve de tout artiste ?

#Harmonie des sphères #jimi hendrix #paul mccartney #Pierre Henry #pink floyd #Salut les Copains #the beatles

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