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alisondentaldesign · 11 months ago

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Sculpting Radiant Smiles: The Art of Composite Bonding at Allesley Park Dental Practice in Coventry

A captivating smile is a work of art, and at Allesley Park Dental Practice in Coventry, composite bonding emerges as a transformative technique to enhance the aesthetics of your teeth. In this blog, we will explore the wonders of composite bonding, uncover the approach taken at Allesley Park Dental Practice, and understand how this artistic and minimally invasive procedure can rejuvenate your smile with precision and flair.

The Magic of Composite Bonding:

Composite bonding is a cosmetic dental procedure that involves the application of a tooth-coloured resin material to correct imperfections in teeth. This versatile and minimally invasive technique is an artful solution to various dental concerns, including chipped or cracked teeth, gaps, discoloration, and misshapen teeth. By skilfully moulding and shaping the composite material, dental professionals can create a seamless and natural-looking improvement in the appearance of teeth.

Why Choose Allesley Park Dental Practice for Composite Bonding:

Allesley Park Dental Practice in Coventry is synonymous with excellence in dental care, and their approach to composite bonding reflects a commitment to both artistry and patient satisfaction. Here are key reasons to choose Allesley Park Dental Practice for your composite bonding needs:

1. Artistic Precision: Composite bonding is not just a dental procedure at Allesley Park Dental Practice; it's an art form. The dental professionals are skilled in the meticulous application of composite resin, ensuring that the final result is not only aesthetically pleasing but also harmonizes with each patient's unique features.

2. Comprehensive Consultations: Before embarking on any cosmetic procedure, Allesley Park Dental Practice conducts thorough consultations. This involves discussing patients' goals, assessing their oral health, and collaboratively creating a personalized treatment plan to achieve the desired results through composite bonding.

3. Minimally Invasive Approach: Composite bonding is a minimally invasive procedure that preserves the natural tooth structure. At Allesley Park Dental Practice, this approach aligns with their commitment to providing cosmetic solutions that prioritize the health and longevity of teeth.

4. Advanced Technology: Allesley Park Dental Practice is equipped with state-of-the-art dental technology, ensuring that composite bonding procedures are performed with precision and efficiency. This commitment to modern tools contributes to the quality and success of cosmetic treatments.

Composite Bonding Process at Allesley Park Dental Practice:

The journey to a transformed and radiant smile through composite bonding at Allesley Park Dental Practice follows a systematic and patient-friendly process:

1. Consultation and Examination: A comprehensive consultation is conducted to discuss patients' cosmetic goals and assess their oral health. The dental team examines the teeth to determine the suitability of composite bonding.

2. Colour Matching: The dental professionals carefully select a shade of composite resin that matches the natural colour of the patient's teeth, ensuring a seamless and natural appearance.

3. Preparation: Minimal preparation of the tooth surface may be required, such as roughening the enamel slightly to ensure optimal adhesion of the composite material.

4. Application of Composite Resin: The tooth-colored composite resin is applied and sculpted onto the tooth surface, skillfully shaping it to correct imperfections and achieve the desired cosmetic enhancement.

5. Curing and Bonding: A special light is used to harden and bond the composite material to the tooth surface, creating a durable and long-lasting result.

6. Final Shaping and Polishing: The dental professionals refine the shape of the bonded composite and polish it to achieve a smooth and natural-looking finish.

Allesley Park Dental Practice in Coventry stands as a pioneer in the art of composite bonding, offering patients a transformative solution to enhance their smiles with precision and flair. With a focus on artistic precision, comprehensive consultations, and a commitment to minimally invasive approaches, Allesley Park Dental Practice is a trusted destination for those seeking radiant smiles through the magic of composite bonding. Say goodbye to dental imperfections and hello to a rejuvenated, confident smile with the skilled hands of the dental professionals at Allesley Park Dental Practice.

122 Winsford Avenue, Coventry, West Midlands, CV5 9JB

024 7669 1904 [email protected]

Dentist Coventry - Cosmetic and Private Dentist - Dentist Near Me (allesleyparkdental.co.uk)

#Dentist Coventry #Cosmetic Dentist Coventry #Dental Implants Coventry #Invisalign Coventry #Composite Bonding Coventry #Veneers Coventry #Teeth Whitening Coventry #Root Canal Treatment Coventry #Dentures Coventry #Crowns Coventry #Dental Bridges Coventry #Dental Hygienist Coventry

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seasonsofsmilesdental · 2 years ago

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Cosmetic Dental Procedures Can Enhance Your Smile

A stunning grin is an invaluable social asset. Many studies conducted globally have shown that people are drawn to individuals who have more appealing smiles, thus people nowadays are more careful of their grin to guarantee they have a great personality and appearance. Cosmetic dentistry has been more and more well-liked recently as people have realised the benefits of having a gorgeous smile. Cosmetic dentistry offers a variety of procedures and solutions, from modest tweaks to complete tooth replacements, for people who want to enhance their smile. These procedures and treatments not only improve general look but also address oral and dental issues. Let's look at various dental treatment choices.

Skin fillers

Botox or dermal fillers are two of the most recent cosmetic restoration procedures that can be used to add volume to patients' faces and to eliminate nasolabial folds, marionette lines, and deep mentalis folds. The complete procedure only takes 5 to 15 minutes because dermal fillers are quicker than other procedures. Before they need to be renewed, Botox and dermal fillers are effective for a year.

washing and whitening

If your teeth are stained or discoloured, it could make your smile less attractive. It is also one of the most widespread issues among people worldwide due to the consumption of foods and beverages like tea and coffee as well as the smoking habit. Bleaching, often known as whitening, is a popular chemical process for brightening your teeth and getting rid of stains. In a dental office or at home, bleaching or teeth whitening can be done; the home bleaching process normally takes 2-4 weeks to get the desired shade. Even while bleaching can make your teeth whiter, you run the risk of staining them once more if you expose your teeth to the same things frequently.

Bonding

Do you have several gaps in your teeth? Bonding might help you look better if you have a tooth that is fractured, chipped, or cracked. The dentist uses a substance that is tooth-colored to cover the gaps and restore the overall appearance. The most popular substance is adhesive composite resin. Bonding can also be used to improve the appearance of a tooth that has suffered damage or to conceal small cavities.

Crowns

A crown, often known as a cap, is the most long-lasting cosmetic improvement, but it is also more expensive. It is utilised to return the tooth's shape and look to their original states. It can be used to cover up a chipped or discoloured tooth, protect a tooth that is weak, install a dental implant to replace a missing tooth, or mask root canal therapy. Crowns and caps are made of metal, porcelain fused to metal, acrylic, zirconia, and resin, among other materials.

Veneers

To alter the colour and contour of the front teeth, tiny pieces of porcelain or acrylic are placed over them. They are utilised in place of crowns. It is typically applied to hide teeth that are misshapen, chipped, cracked, or discoloured. The procedure is straightforward and doesn't call for anaesthesia. After the custom created veneer has been secured to the tooth, the cement is cured using a laser beam. The same issues are addressed by bonding and veneers, however veneers are more durable and have greater colour stability.

Sculpting and contouring of the enamel

Enamel shaping, also known as tooth reshaping and contouring, is a method for those who want to improve the appearance of their smile but still have healthy teeth. Crooked or unusually shaped teeth are routinely treated with this approach. This method improves the smile's overall attractiveness while also addressing minor biting issues. For the best results, most dentists combine enamel shaping, contouring, and bonding.

Your smile is so essential that you need to choose a cosmetic dentist with the skills and creativity to create it. Your coventry dentist will aid you in making the best decision based on the state of your teeth and your financial position. Make regular checkups with your dentist to preserve great dental health and your ideal smile.

#dental #dentistry

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365footballorg-blog · 7 years ago

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FA Cup fifth round: 10 talking points from the weekend’s action

FA Cup [1]

Ten talking points from this weekend’s action[2]

FA Cup fifth round: 10 talking points from the weekend’s action

Connor Goldson and Ethan Ampadu showed their worth, Mauricio Pellegrino’s taxigate sympathy and Coventry must not be forgotten

The Dozen: the weekend’s best FA Cup photos[3]

Guardian sport[4]

Mon 19 Feb 2018 04.46 EST Last modified on Mon 19 Feb 2018 05.15 EST

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Brighton’s Connor Goldson celebrates after scoring against Coventry, who brought 4,500 fans to the south coast; Leicester’s Riyad Mahrez and Jamie Vardy, and Steve Davies scores Rochdale’s late equaliser. Composite: Catherine Ivill/Getty Images; Gareth Fuller/PA; Julian Finney/Getty Images; Nigel Roddis/Getty Images

1) Brighton’s Goldson deserves the plaudits

Amid the focus on Brighton’s first quarter-final appearance for 32 years and an impressive first outing for Jürgen Locadia, Chis Hughton was keen to hail one of his team’s more unsung heroes. Connor Goldson scored a well-directed header in the first half and it was the centre-back’s first goal since returning from surgery on a heart defect, which ruled him out of the closing months of their promotion season. This was Goldson’s sixth appearance of this campaign; Hughton hoped to loan him to Ipswich in August but could not source appropriate cover and the 25-year-old, far more involved since December, is beginning to grow in stature. “Connor has earned it and everyone knows what we think about him,” Hughton said. “He has knuckled down, made a full recovery. Credit to our medical staff here in the first place.” He might just have earned himself a place in Hughton’s last-eight team at Manchester United. Nick Ames[13]

Hughton calls on own experience to maintain FA Cup run[14]

2) Ampadu continues to improve as a first-team player

This time last year a 16-year-old Ethan Ampadu was preparing for his GCSEs. Exeter City not only exposed him to his first taste of professional football at 15 years,10 months and 26 days but also handled his development superbly, sheltering him from the spotlight and giving the Devon-born defender time to prioritise his school exams. He made only three appearances between October 2016 and April 2017 before joining Chelsea last summer. Twelve months on, Ampadu continues to shimmer with every game he plays, the latest of which came against Hull City. Ampadu barely broke sweat – even in the stickiest of situations – such is his effortless, calm nature, epitomised when he controlled an awkward ball with his knees before looping a beautiful pass for Willian. He is also unafraid to impose himself in the challenge. Ampadu oozes class and it is clear Antonio Conte trusts the teenager, who simply gets better with every outing. Ben Fisher[15]

Rumour Mill: Real Madrid to offer £100m and Bale for Hazard?[16]

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Ethan Ampadu impressed once again for Chelsea in the win over Hull City. Photograph: Mike Hewitt/Getty Images

3) Pellegrino defends West Brom players over ‘taxigate’

Mauricio Pellegrino spoke out in defence of players who need to let off steam occasionally after his Southampton team’s fifth-round win against a West Brom side engulfed in the wake of ‘taxigate’. Jonny Evans was stripped of the captaincy but otherwise Alan Pardew, the head coach, did not alter his team selection after the furore that erupted after four players broke a curfew on a team bonding trip to Barcelona last week and ‘stole’ a taxi to drive back from a fastfood outlet to their team hotel at 5.30am. “I think the players here are very professional,” Pellegrino said. “I was a player at Liverpool, too. I know a lot of British players in my dressing room. They are all very professional because the pressure for them is to be out there on the pitch, to be on top of preparation, to be on top of nutrition, to rest – it is really hard to play at this level. Sometimes they have the right to enjoy themselves.” Peter Lansley[20]

Taxi for Pardew? West Brom dumped out of Cup[21]

Wigan’s Max Power: ‘One game from the quarter-finals, you start to dream’

4) Plight of Coventry must not be forgotten

Coventry departed the FA Cup with the goodwill and admiration of everybody watching. Mark Robins’s team, which contained five academy products, gave it a real go at Brighton and although they fell short it should provide optimism for the revival of a faltering League Two promotion campaign. Usually, when we talk about a minnow, that is it: farewell, well played and good luck. But Coventry’s plight needs to remain in the spotlight: their long-term prospects remain uncertain under the owners Sisu, who appear to be holding on to the club to no positive end, and they must not be allowed to drift away from the conversation again. If Robins can get them back up to the third tier it would help but the greater battles, one of which still involves their future at the Ricoh Arena, are still to come. The 4,500 supporters who sang their hearts out at the Amex Stadium deserve far better than all they have endured; those in charge must be held to account until they start doing right by such a historic institution. Nick Ames[22]

• Match report: Brighton & Hove Albion 3-1 Coventry City[23]

5) Hull’s injury-hit season gets worse

Things do not get any easier for Hull City and Nigel Adkins. Without many first-team players through injury and suspension, plus three Chelsea defenders – all ineligible to play against their parent club – Hull’s squad was further depleted by the time Chelsea had breezed to a 4-0 victory at Stamford Bridge on Friday evening. On-loan Liverpool winger Harry Wilson was forced off with a feared dislocated shoulder while top scorer Jarrod Bowen missed the trip altogether after pulling out of training with a hamstring complaint last Wednesday. The 21-year-old striker has been one of few positives from a dismal season and it seems the problems are only mounting, with the club one point above the relegation zone and their Championship status in a perilous state with 15 games still to play. “It’s another worry,” Adkins said, whose side travel to Middlesbrough on Tuesday night. Ben Fisher[24]

• Match report: Chelsea 4-0 Hull City[25]

6) Victor Lindelöf’s comeback gathers pace

The nadir for Victor Lindelöf came at the John Smith’s Stadium. Manchester United conceded two goals within 10 minutes of his introduction in October. One represented a glaring error from a £31.5m defender who seemed intimidated by the intensity of Huddersfield in particular and English football in general. This rematch felt redemptive, with the Swede growing in confidence as the game progressed. If it was tempting to wonder what José Mourinho was saying to him when the cameras arrowed in on them in the tunnel before kick-off, after the final whistle the manager’s words were complimentary. “Huddersfield pushed us to good defensive work,” he said. “Victor and Chris [Smalling] were really good.” With Mourinho suggesting Marcos Rojo and Phil Jones are likely to miss Wednesday’s Champions League tie with Sevilla, and Eric Bailly having played only a couple of minutes’ football in three months, Lindelöf may have to show such defiance again against superior opposition. Richard Jolly[26]

Lukaku must show he can make mark on biggest stages[27]

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Victor Lindelöf (left) takes the ball from Huddersfield’s Tom Ince. Photograph: Oli Scarff/AFP/Getty Images

7) Leicester can go all out for first FA Cup triumph

Leicester City’s four FA Cup final defeats make them the club to have appeared most in English football’s showpiece game without ever tasting victory. Given their exploits in the Premier League two seasons ago, their chances of putting that unwanted record to bed under Claude Puel must be higher than ever. A slow start and the disruption caused by Manchester City’s attempt to sign Riyad Mahrez has probably put paid to their chances of qualifying for European competition next season via the Premier League, so there is no reason for Puel to hold back against Chelsea in the sixth round of the Cup. Finding a settled combination in defence – the manager has alternated between formations in recent matches – will be the key to success if Mahrez and Jamie Vardy continue to dazzle up front. Ed Aarons

• Match report: Leicester City 1-0 Sheffield United[31]

8) Wagner’s Huddersfield staying true to themselves

There was a sense that Huddersfield recaptured their identity in recent big wins over Birmingham and Bournemouth. As David Wagner listed the qualities that comprise his blueprint for survival – desire, energy, commitment – he spoke about the gegenpressing game that brought promotion and galvanised the crowd. A raucous atmosphere indicated how much the supporters enjoyed front-foot football. It comes with a risk – Huddersfield’s offside trap was even breached by Juan Mata – and they had been sufficiently spooked in autumn that they had started to adopt a lower block, including in both earlier meetings with United this season. But caution had led to tame, timid performances. Another up-tempo display on Saturday allowed Wagner to be upbeat. “The players are in the right direction, confidence-wise,” he said. “We have the momentum we wanted.” Huddersfield have 11 games to go. The sense is that, whether they stay up or go down, they will be true to themselves, playing the style of football that defines them. Richard Jolly

• Match report: Huddersfield Town 0-2 Manchester United[32]

Lucas Moura’s class and commitment a plus for Spurs on day of frustration | Jonathan Wilson

9) Rochdale team and supporters feed off each other

One of the FA Cup’s problems, perhaps, is that with blanket television coverage it is harder than it used to be to ignore those games when a bigger side casually dismisses a smaller one. But there is still a magic to games such as this fifth-round tie, when the lower‑division side causes a giant problem in front of a raucous crowd in a tight stadium, when there is a sense that something is happening that the home fans will never forget. Amid the introspection and self‑doubt in which the competition seems permanently to exist, Rochdale’s performance was a valuable reminder of why the FA Cup remains important. Jonathan Wilson

• Match report: Rochdale 2-2 Tottenham[33]

10) Swansea and Sheffield Wednesday left with unwanted game

Carlos Carvalhal had a brainwave. Swansea’s manager thought that, with the score 0-0 after 90 minutes, he and his Wednesday counterpart, Jos Luhukay, should have been allowed to agree to settle the tie on penalties immediately. “It’s just an opinion,” said the Portuguese. “But both Wednesday and ourselves didn’t want a replay.” With Swansea desperate to stay in the Premier League and Luhukay fretting about injuries, Championship form and a league fixture glut, neither manager can afford to care about the Cup. The sense of romance it once engendered has turned to wearisome obligation. An underwhelming afternoon was lifted only by stellar displays from a Wednesday trio. While Daniel Pudil excelled in Luhukay’s back three, the attacking midfielder Adam Reach impressed and Cameron Dawson showed immense promise in goal. Louise Taylor

Match report: Sheffield Wednesday 0-0 Swansea[34]

Topics

FA Cup [35]

Ten talking points from this weekend’s action [36]

Brighton & Hove Albion [37]

Coventry City [38]

Chelsea [39]

Hull City [40]

Huddersfield [41]

features [42]

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References

^ FA Cup (www.theguardian.com)

^ Ten talking points from this weekend’s action (www.theguardian.com)

^ The Dozen: the weekend’s best FA Cup photos (www.theguardian.com)

^ Guardian sport (www.theguardian.com)

^ Facebook (www.facebook.com)

^ Twitter (twitter.com)

^ Email (www.theguardian.com)

^ LinkedIn (www.linkedin.com)

^ Pinterest (www.pinterest.com)

^ Google plus (plus.google.com)

^ WhatsApp (send)

^ Messenger (share)

^ Manchester United (www.theguardian.com)

^ Hughton calls on own experience to maintain FA Cup run (www.theguardian.com)

^ Hull City (www.theguardian.com)

^ Rumour Mill: Real Madrid to offer £100m and Bale for Hazard? (www.theguardian.com)

^ Facebook (www.facebook.com)

^ Twitter (twitter.com)

^ Pinterest (www.pinterest.com)

^ Southampton (www.theguardian.com)

^ Taxi for Pardew? West Brom dumped out of Cup (www.theguardian.com)

^ FA Cup (www.theguardian.com)

^ Brighton & Hove Albion 3-1 Coventry City (www.theguardian.com)

^ Chelsea (www.theguardian.com)

^ Chelsea 4-0 Hull City (www.theguardian.com)

^ Huddersfield (www.theguardian.com)

^ Lukaku must show he can make mark on biggest stages (www.theguardian.com)

^ Facebook (www.facebook.com)

^ Twitter (twitter.com)

^ Pinterest (www.pinterest.com)

^ Leicester City 1-0 Sheffield United (www.theguardian.com)

^ Huddersfield Town 0-2 Manchester United (www.theguardian.com)

^ Rochdale 2-2 Tottenham (www.theguardian.com)

^ Match report: Sheffield Wednesday 0-0 Swansea (www.theguardian.com)

^ FA Cup (www.theguardian.com)

^ Ten talking points from this weekend’s action (www.theguardian.com)

^ Brighton & Hove Albion (www.theguardian.com)

^ Coventry City (www.theguardian.com)

^ Chelsea (www.theguardian.com)

^ Hull City (www.theguardian.com)

^ Huddersfield (www.theguardian.com)

^ features (www.theguardian.com)

^ Facebook (www.facebook.com)

^ Twitter (twitter.com)

^ Email (www.theguardian.com)

^ LinkedIn (www.linkedin.com)

^ Pinterest (www.pinterest.com)

^ Google plus (plus.google.com)

^ WhatsApp (send)

^ Messenger (share)

^ Reuse this content (syndication.theguardian.com)

FA Cup | The Guardian

FA Cup fifth round: 10 talking points from the weekend’s action was originally published on 365 Football

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gizedcom · 4 years ago

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Visit UK spots that inspired famous composers, from the Malvern Hills to the Suffolk coast

The British countryside is woven through with home-grown classical music, from symphonies inspired by the Scottish islands to Sir Harrison Birtwistle’s chamber composition that references a prehistoric mound in Wiltshire.

And exploring the areas which influenced a composer’s finest work, or visiting museums which celebrate their legacy, makes for an inspiring break.

British composers might not have the exuberance of Italian ones, nor the fame of Bach or Mozart, but if there’s one thing that unites them it’s that their music is tied to the landscape around them. This can range from the sound of birdsong, a blustery Suffolk day or even, in the case of Gustav Holst when he wrote The Planets, the clear night skies.

Inspirational: Black Pear Tours has a self-guided, five-night Elgar walking tour through the Severn Valley and surrounding hills, visiting Malvern and Worcester

Sir Edward Elgar, perhaps Britain’s most famous composer, wrote the Pomp And Circumstance Marches as well as the music for Land Of Hope And Glory. Visit The Firs (nationaltrust.org.uk/the-firs), his birthplace in Worcester, and it’s soon clear how much the countryside meant to him, especially the soft green hills where he grew up and continued to live near for much of his life.

Elgar composed the Enigma Variations in Malvern in 1898, each one a musical portrait of a friend and inspired by the magnificent landscape. A keen cyclist and walker, he wrote The Apostles after cycling to the beautifully still Longdon Marsh, today a nature reserve and haven for birdwatchers.

And while staying at Spetchley Park Gardens, as a guest of the owner when it was privately owned, Elgar penned part of his choral masterpiece, The Dream Of Gerontius. The little-known 30-acre garden, three miles east of Worcester, is a Victorian delight, remains largely unaltered and contains one of the country’s biggest private collections of peonies (spetchleygardens.co.uk).

The dining area at The Cottage In The Wood hotel in Malvern Wells, which has a sense of Edwardian generosity

If you want a relaxing stay nearby, The Cottage In The Wood hotel in Malvern Wells has a sense of Edwardian generosity and spectacular views, especially in its 1919 restaurant. B&B costs from £109 (cottageinthewood.co.uk).

To dig a little deeper, Black Pear Tours has a self-guided, five-night Elgar walking tour through the Severn Valley and surrounding hills, visiting Malvern and Worcester. The price starts at £415pp and covers maps, B&B accommodation and luggage transportation between hotels (blackpearwalkingtours.com/the-walks/elgar-trail).

Elgar was also a regular guest at Long White Cloud, a house close to the Thames in Bray which is now part of the luxurious Monkey Island hotel (monkeyislandestate.co.uk). It was here that he worked on his Violin Concerto.

Not every Elgar haunt is so grand. On the Isle of Wight you can stay in Bermuda House, a Victorian villa in Ventnor where he honeymooned with wife Alice (ventnorselfcatering.co.uk/bermuda-house).

London has a special classical musical landscape of its own. Baroque composer George Frideric Handel left his native Germany and lived here for more than 40 years, becoming a British citizen (he’s buried in Poets’ Corner in Westminster Abbey, alongside Thomas Hardy and Charles Dickens). And, like Elgar, he had a strong connection with the Thames.

His Water Music, still wonderfully cheerful and party-minded, was written for a pageant on the river in 1717 where musicians performed while bobbing around on a boat. His Music For The Royal Fireworks was first performed in Green Park in 1749 flanked by a recently built Buckingham Palace.

Sir Edward Elgar, perhaps Britain’s most famous composer

Handel’s home in Mayfair’s Brook Street also comes with a plaque to Jimi Hendrix, who spent a year living next door. The two very different musicians also share a museum (handelhendrix.org).

Just around the corner from the designer shops of Bond Street, the museum celebrates both with small but very popular concerts of Handel’s chamber music and also jam sessions, Hendrix-style. Until audiences can enjoy live concerts again, they are being filmed and can be found on the museum’s website.

Also on Brook Street, Claridge’s has history and comfortable double rooms costing from £660 a night (www.claridges.co.uk).

There’s something particularly magical about hearing a piece of music in the place it was first designed to be performed, and Britain’s churches and cathedrals will be for ever intertwined with such an experience, even in more modern cathedrals – Benjamin Britten’s War Requiem was commissioned for the opening of the newly consecrated Coventry Cathedral in 1962.

Next year, Martin Randall Travel has a trip to Oxford that focuses on Divine Office, a series of psalms and hymns written to be performed at certain times of the day.

Held over four days in a variety of colleges, including Magdalen and Christ Church, there’s strong emphasis on British composers, ranging from Thomas Tallis and Henry Purcell through to Britten and modern works. Prices start at £2,580pp including accommodation, breakfasts and some dinners (martinrandall.com/divine-office).

Many of Britain’s oldest stately homes nurtured the talent of English composers. Cliveden House – now a luxury hotel – saw the first performance of Rule, Britannia! in 1740 when Frederick, George III’s eldest son, lived there. Room-only from £445 (clivedenhouse.co.uk).

These days, patronage operates in different ways. Glyndebourne (glyndebourne.com) and Garsington Opera (garsingtonopera.org) are just two historic organisations that started in stately homes.

As well as staging classic operas, both commission new compositions that play to music fans who come to take in culture amid meadows and formal gardens. This year the season has been disrupted but operas can be viewed online, and at 5pm today you can watch the premiere of Rossini’s The Barber Of Seville from Glyndebourne on YouTube.

Cliveden House – now a luxury hotel – saw the first performance of Rule, Britannia! in 1740 when Frederick, George III’s eldest son, lived there

Ralph Vaughan Williams devoted his life to collecting English folk tunes before they were lost, and used them as a basis for lyrical classical music, from the glorious The Lark Ascending to the more mournful Norfolk Rhapsody and In The Fen Country.

He grew up at the 17th Century mansion Leith Hill Place in Surrey, now owned by the National Trust. There are some glorious walks that allow you to follow in his footsteps. Even if you can’t guarantee hearing a lark these days, you can really get a sense of the peaceful, nature-filled landscape that Vaughan Williams grew up in (nationaltrust.org.uk/leith-hill/trails/leith-hill-woodland-walk).

With eight acres of protected landscape, including a river, the rather special Wotton House Country Estate Hotel, which dates from the 16th Century, is a ten-minute drive from Leith Hill Place. Room-only from £110 (wottonhouse.co.uk).

Benjamin Britten was born in Lowestoft in 1913 but spent most of his life down the Suffolk coast in Aldeburgh, working on operas such as Peter Grimes, Billy Budd and The Turn Of The Screw.

Sound sculpture: The Scallop on Aldeburgh beach, dedicated to Suffolk-born Benjamin Britten

His home, the Red House (brittenpears.org/visit), full of hip 1960s furnishings and his purpose-built Composition room, is open to the public. Visitors are welcome to picnic in the classic cottage garden, but venture outside this protected zone and you’re on the starker, moodier North Sea coast that suddenly makes sense of the Sea Interludes in Peter Grimes.

Full Aldeburgh immersion can be had by staying at the seafront Brudenell Hotel, a mile from the Scallop, Maggi Hambling’s controversial four-metre-high steel sculpture dedicated to Britten. Doubles from £150, including breakfast (brudenellhotel.co.uk).

Britain’s composers tend to leave festivals as one of their legacies. Britten set up the Aldeburgh Festival in 1948, starting as a few concerts in the nearby Jubilee Hall. It is now held in Snape Maltings (snapemaltings.co.uk) – a venue converted from a barley warehouse which is on the banks of the River Alde and surrounded by fields.

The Aldeburgh Festival has been cancelled this year, but some of its archives are now online so it’s more accessible than ever. It’s due to host the festival again in 2021.

Three Choirs Festival, which runs each year at Worcester, Gloucester and Hereford cathedrals (3choirs.org) is most closely associated with Elgar but has also featured work composed by Sir Arthur Sullivan, whose favourite collaborations were with the dramatist W. S. Gilbert, resulting in The Pirates Of Penzance and The Mikado.

Felix Mendelssohn visited Staffa (pictured) in 1829 – and wrote an overture inspired by it first performed in 1833 in Berlin

Fingal’s Cave was written by Felix Mendelssohn about Staffa, an uninhabited island in the Inner Hebrides, when he visited it in 1829. Queen Victoria’s favourite composer, he dedicated his Scottish Symphony to her.

And this tradition of Scottish scenery inspiring music continued into the 20th Century. Composer and conductor Sir Peter Maxwell Davies lived in the Orkney Islands for more than 40 years, using the location to inspire operas – most joyously with An Orkney Wedding With Sunrise, depicting the aftermath of a riotous wedding.

If ever there was a year to enjoy the remote beauty of the Orkneys, it’s 2020.

The Storehouse restaurant with rooms makes a perfect base, with doubles costing from £110 including breakfast (thestorehouserestaurantwithrooms.co.uk).

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sbknews · 6 years ago

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New Post has been published on Superbike News

New Post has been published on http://superbike-news.co.uk/wordpress/arc-vector-a-different-road/

Arc Vector - A Different Road

Arc has built Vector – the world’s most advanced electric motorcycle.

Vector comes with ground-breaking haptic ride-wear and connected HUD helmet.

British company headed by top engineering team and financed by blue-chip industry leaders.

Esoteric brand set to be the most aspirational on two wheels.

Vector launches at EICMA motorcycle show in Milan on November 6th

Arc is a ground-breaking electric motorcycle company which takes a different road to any other. Launching at Milan’s EICMA show on November 6, its neo café racer Vector is designed for spiritual and physical adventure, taking a detour from the norm in search of fresh terrain and new frontiers.

A machine that feels like second nature, the Arc Vector promises an all-new connection with the road and the environment. This is the most advanced electric motorcycle ever brought to market, utilizing exotic materials, thoroughbred componentry and cutting-edge architecture, wrapped in a breathtakingly futuristic body with post-modern nods to café racers past.

It has been made by non-conformist motorcycle mavericks for spirited, and eco-conscious individuals. Designed and built by a team of visionary engineering specialists, the Vector unites world-first technology, best-in-class performance and quality, and a level of exclusivity that will make this one of the most lusted-after EVs to ever enter production.

The Vector combined with Arc’s Zenith helmet and Origin armoured clothing is the most efficient, safest and most fulfilling electric motorcycle experience yet. For the first time, Human Machine Interface (HMI) has been taken to a new level, comprising an intelligent rider jacket packed with haptic sensory technology and a Heads-Up Display (HUD) helmet inspired by fighter pilot technology, giving the user important information, enhancing the freedom and wellbeing of their riding experience.

For example, the biker’s shoulder may vibrate to alert of a potential hazard, or the jacket will amplify the sense of excitement during a dynamic ride, while information is projected in front of the rider so they can keep their eyes affixed to the road. Arc Vector is a hand-made motorcycle with a lightweight carbon-composite structure and ingeniously elegant battery-module monocoque, which is as clean, efficient and powerful as it is beautiful to behold.

Based in Coventry at the centre of the UK’s automotive high-tech industry, Arc is on a mission to explore Earth in state-of-the-art style, combined with a promise to protect it. This is a catalyst; a transformative vehicle that will challenge the rider’s way of seeing and thinking, and one that shapes the world around it.

Arc’s founder and CEO, Mark Truman says “At Arc, we have set out to create an electric motorbike with soul,” explains Truman, “one which thrills riders every bit as much as a high performance internal combustion bike, and which is more inspiring and desirable than any other two-wheel motorcycle on the planet.”

“We’ve taken technologies previously unexplored by bike builders to transform the way we ride. Arc Vector satisfies those of us who are rarely satisfied, who are always looking for a different road, a different view. We understand the need to be different, to be better, and challenge the norm.”

Mark is a purist biker and technology evangelist with a bold vision and blue-chip backing who has assembled a dream team and put in motion an ambitious business plan. Authentic and credible, he likens Arc’s talent pool to Avengers Assembled: His team have worked in senior positions within Aston Martin, KTM, Ducati, Triumph, MotoGP and F1. Pioneers in their field, they’ve designed vehicles for James Bond, emergency rescue units and niche electric hypercar companies.

“The sensory experience this machine provides, with its haptic amplifiers and HUD helmet, has never been done before,” explains Truman. “People ask me if this could be distracting, but it is actually designed to be the total opposite. The tech frees you and your senses because the distractions have been removed. It allows you to concentrate on the road and your one-ness with the bike, to just enjoy the moment knowing the bike is looking out for you and the information you need is right in front of you.

“You can set the bike and the haptics to different modes, and my favourite is Euphoric Mode. You can play your music while riding and the Origin jacket will play the music into you. Imagine the bass in nightclub, it can make the hairs on the back of your neck stand up. This is technology we’d seen previously in the entertainment world and improved upon. In total, we’re working with 15 technology partners and suppliers, and they are the best in the business.”

Performance, price and volume parameters will be announced in Milan. In addition to its revolutionary tech, Arc promises an exemplary ownership experience and global customer service.

“We took a wide-angle view of what mobility in the future could be and using some big ideas and immense agility we have brought it into the present.” says the founder. “We are building the Vector for people who are on a journey, and we want people to continue taking those journeys in a future world where the use of internal combustion engines will be restricted.”

Arc is brave, uncompromising and restless, facilitating dreams of escape and in hot pursuit of perfection.

The Arc Vector bike, Origin jacket and Zenith helmet will make their debut at the Milan motorcycle show (EICMA) on November 6. Arc’s interactive stand can be found in Hall 15, Booth S27.

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verymerynice · 7 years ago

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New Post has been published on Top Auto Blog

New Post has been published on http://topauto.site/presented-by-london-cab/

Presented by London cab LEVC TX: new name and Volvo technology

New hybrid London taxi has repeatedly appeared in public in camouflage. Last time it was possible to witness recently at the Festival of speed at Goodwood. And the mask dropped: machine with a serial hybrid setup is presented officially, but from the preview title London Taxi TX5 had to be abandoned. Now it LEVC TX: along with the premiere of the new model firm London Taxi Company (LTC) has announced the change of signs. From September it will be called the London Electric Vehicle Company (LEVC). Why?

LTC is the rightful heir to the firms Mann & Overton, Carbodies, Manganese Bronze and LTI, which are issued to taxis of the British capital, and over the years merged into one organization. The current name of the company acquired in 2010, but four years before that, started cooperation with the Chinese holding company Geely, and in 2013 he became the full owner of the manufacturer of the cabs. London taxis — a great addition to the promotional piggy Bank, but Chinese managers understand that the only cabs the business will not survive.

Therefore, the new plant in the English village of Ansty (near Coventry) will be produced an entire family of electrified vehicles on the new eCity platform developed by Volvo engineers. Behind the cab, next year will enter the market commercial van. These machines the company intends to sell globally, otherwise the capacity 20 thousand plant will be underutilized: according to the calculations of British, by 2020 they will be able to sell in London not more than nine thousand taxis. And it’s not the price — that is the real need of the city.

The price should be slightly higher than the current model London Taxi TX4: it will be announced on 1 August — the day of the acceptance of orders for LEVC TX. Although the company now promises drivers (kèbbi local slang) good fuel savings: an average of 100 pounds (7800 sicretcoins) per week. And good range: in pure electric mode the car can travel 70 miles (112 km), and with the help of the “extension course”, a three-cylinder petrol engine Volvo 1.3, mileage on one filling of up to 400 miles (640 km). The battery can charge 80% in 20 minutes (if using quick-charging station).

Other technical characteristics of the British while not lead. But we know that to maintain London regulated by the law of the turning radius of the car retained rear-wheel drive layout. And in the manufacture of aluminum frame composite body for weight reduction is used the bonding, so that the interior is also improved fibroakusticheskie comfort.

LEVC TX accommodates six passengers (they are located in the rear compartment face to face), offering separate climate control, charging connectors for phones, Internet access and a large panoramic roof. Cabs are equipped with a ramp for wheelchair users and for visually impaired provides contrast interior handrails. Luggage compartment according to tradition, is located on the front passenger seat. And look at the picture of the driver’s seat: steering wheel, screen media system Sensus and even “stud” starting the engine — like all the newest Volvo models! Except that the touchscreen is much steeper deployed to the driver.

The supply of cabs LEVC TX buyers will begin at the end of this year — just before the entry into force of the law prohibiting in London from 1 January 2018 operating the new taxi, unable to pass emission-at least 30 miles (48 km). And in the fall will begin the final and most important finishing the test machine during real operation on the streets of London.

By the way, the first order from abroad for LEVC TX have already received: a batch of 225 vehicles ready to buy Dutch company RM that will become a distributor LEVC in the Netherlands.

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