#Col. Henry Blake

[theprotagonistisdead]

even mildly emotional stuff with henry will almost always make me cry. he is so doomed by the narrative!!! re-watched s1e24 "showtime" where his son is born and he's sad about being away and not getting to see his kid. and he's never gonna see that kid. he's never going to go home.

[scalderaan]

thinking about a certain mr lt col henry blake on this rainy friday night

[jax-winchester]

“Henry Blake was incompetent” Henry Blake was human and a great surgeon. He loved his kids, his wife, fishing, he loved Hawkeye, Trapper, Klinger, Radar, Mulcahey, he loved being a doctor. Just because he wasn’t walking military propaganda like Col. Potter doesn’t mean he was incompetent. Henry trusted everyone to make the good moral decision. They always did, and I happen to think he was a good, fair leader.

[mashhistorian]

Happy birthday, McLean Stevenson (1927 - 1996), M*A*S*H’s Lt. Col. Henry Blake

[pupsmailbox]

ACADEMIC ID PACK

NAMES︰ adeline. agatha. alastair. alex. alexander. alexandria. alisa. amber. ambrose. ambrosia. amorette. andrew. annabel. annabeth. annalise. anya. arden. artemis. arthur. ash. ashford. aspen. athena. atlas. atreus. augustus. avery. beatrix. blair. blake. blythe. bram. bronwyn. caspian. charles. charlotte. christopher. circe. claude. coraline. crimson. damian. damien. damon. daphne. darcy. demeter. diana. dorian. durant. ebony. eden. edgar. eleanor. elenor. elizabeth. elvira. emberl. enid. eris. everett. fantine. felix. fern. genevieve. george. grey. griffin. haven. hazel. hecate. henry. hester. holmes. hyde. inkesse. inkette. inkie. inky. isolde. ivie. ivy. james. jane. journalle. julian. julius. juno. kane. killian. lenore. lilith. lorelei. luna. magnus. malachi. mallory. maude. meredith. naomi. narissa. nicodem. nightesse. nightwing. nimue. noire. noiresse. noirette. odessa. odette. oliver. ophelia. orion. percy. persephone. peyton. phineas. phoebe. quill. quille. quinn. raven. ravenesse. ravenette. ravenne. remus. romero. rory. rosalind. rose. rowan. rowena. rufus. salem. scriptesse. sebastian. stoker. sylvain. tanith. theo. theodore. theodosia. trista. tristan. victor. victoria. vincent. virgil. wilhelmine. willow. wynona. xanthe. zoltan.

PRONOUNS︰ acade/academia. amber/amber. an/antique. arch/architectself. arch/archive. art/art. art/artist. arti/article. arti/fact. artifact/artifact. baro/baroque. bea/beauty. bis/bisque. book/book. bookworm/bookworm. calligraphy/calligraphy. can/vas. candle/candle. cer/ceramic. char/charcoal. chess/chess. clas/classic. clay/clay. clock/clock. co/collect. coco/coco. cocoa/cocoa. cof/coffee. coffee/coffee. col/color. coll/collection. collage/collage. con/cept. crea/cream. crow/crow. cur/curate. dra/drama. dust/dust. essay/essay. fea/feather. feather/feather. fig/figure. fil/film. flicker/flicker. gal/gallery. glaze/glaze. globe/globe. gold/gold. hazel/hazel. his/history. history/history. hon/honey. hue/hue. hypo/hypothesis. illus/illustrate. ink/ink. journal/journal. ki/kiln. knowledge/knowledge. le/letter. learn/learn. letter/letter. li/library. lig/ligature. lit/literature. mar/marble. mur/mural. murder/murder. muse/muse. muse/museum. night/night. no/note. novel/novel. page/page. paint/brush. paint/paint. paint/painting. paper/paper. para/dox. pen/pen. pho/photo. pi/pigment. piano/piano. poe/poet. poem/poem. por/trait. porcel/porcelain. print/print. qui/quill. quill/quill. raven/raven. rea/read. read/read. ren/renaissance. rev/revolution. scrapbook/scrapbook. script/scripts. scroll/scroll. sculp/sculptor. sculp/sculpture. sketch/sketch. speci/specimen. spine/spine. sta/stamp. stai/stain. stamp/stamp. statue/statue. story/story. stu/dy. study/studie. study/study. surreal/surrealism. tea/tea. theo/theory. theory/theory. thes/thesis. time/time. tweed/tweed. violin/violin. wheel/wheel. ⌛/⌛. ⌛︎/⌛︎. ☕/☕. ✒︎/✒︎. ✒️/✒️. 🏛️/🏛️. 🏺/🏺. 📜/📜. 🕯️/🕯️. 🖼️/🖼️.

[tuttle-did-it]

I also had a problem with it, cos will admit Ezri never grew on me. This is not Nicole de Boer’s fault- she played the character as written.

but I think it was a mistake to make her a Dax.

their excuse reason that Jadzia and Lenara could not be together was that Trills are not supposed to just pick up and live the life of the old host, but live their own life with a new partner, new job, new circumstances.

then they bring Ezri right back to DS9 to replace Dax. so obviously that excuse to keep Jadzia away from her wife was rubbish. I, like Worf, was not over losing Jadzia. Having a sudden replacement that’s was her but wasn’t her was very upsetting. And since this version of Dax was afraid of everything, and hugely insecure, it made it easier to compare and prefer Jadzia’s vibrancy and confidence over Ezri.

I know what they were trying to do- M*A*S*H discovered that of your going to replace a character, you bring in their opposite so the two of them could not be compared. Frank Burns replaced with Charles Winchester III. Potter replacing Henry. BJ replacing Trapper. All completely the opposite of the person who was there so comparing them was apple and oranges.

and they started out, right- Ezri was 180* from Jadzia. The problem was, by making her a Dax, she suddenly is Jadzia’s replacement. And Jadzia was a hard act to follow. So Ezra’s nervousness, her unprofessionalism, her insecurity- instead of character traits to grow on, these were just reasons too miss Jadzia more. No longer apples and oranges, just Dax and a less better version of Dax.

this is not Nicole’s fault. She played Ezri exactly as instructed, she played her well. She did exactly what was on the page. But part of me never forgave Ezri for not being Jadzia.

They should have never made her a Dax. Because I never got to appreciate Ezri, I was just constantly reminded that she was not Jadzia.

So when she failed to help Garak, I wasn’t like ‘aww poor baby worm is struggling. How endearing. She will grow and learn,’ it was just ‘she’s not competent. This is inexcusable. She shouldn’t be here. She’s not good enough to be on this crew. She’s a shadow of who Jadzia Dax was.’

it was unfair to the audience, because it made it harder to appreciate her character. It was unfair to the DS9 characters like Worf and Sisko (but all of them, really) because she’s not Dax but they have to accept her anyway, even though she wasn’t doing a good job helping people like Garak. And poor Garak is on his own cos here’s this baby worm terrified of her own shadow, how can she possibly help him? And, it was unfair to Nicole, who was doing a very good job with what she had.

And it proved that the whole ‘trills have to live a different lifetime’ bs excuse to keep Jadzia out of a lesbian relationship with her former wife Lenara was, as predicted, a bs excuse.

basically, what I’m saying is, the writers lost my trust over Jadzia/Ezri in season 7 and never got it back.

Afterimage is one of my favorite DS9 episodes ever and, in my opinion, the most underrated episode featuring Garak. But I have A LOT of problems with it, and they can pretty much be summed up by this reply to someone’s post on the episode. I screenshotted this because I don't want to derail that person's post more than I have already whoops.

But I have a lot of thoughts so here's a rant! below the read more, please mind content warnings for discussions of abuse, substance use, and suicide.

[also, @ettaberrytea , please let me know if you want me to remove the screenshot]

The promotion thing I can live with because it seemed like an inevitable part of her remaining on the station. That seemed like the only likely conclusion of her character for this episode even on my first watch.

But Garak's anxiety and claustrophobia being 'fixed' at the end actually upsets me. There's the obvious 'it's not that easy!'. But also, she did not provide any kind of actual therapeutic technique that would help him here. Which I KNOW is nitpicking but I think given the context, less so.

The big problem for me is a bit more complicated. It's obviously not just 'He doesn't like small spaces'. Even with Afterimage having the most explicit mentions of this part of Tain's abuse, the focus is on claustrophobia. And it just really irks me how Ezri presses him and presses him about it and doesn't try to delve into what seems to be a huge reason behind it. That is, besides 'you blame yourself for this just like how I blame myself for getting space sick', which... I'm gonna be honest felt like a really unfair comparison.

To me, a lot of this doesn't feel on purpose/like she's supposed to be learning still. I will say that her delivery in this reminds me so much of myself in social work classes! I've been there! But especially as the episode continues, it feels more and more like this is supposed to be a huge breakthrough and she's cracked the code and this all makes sense psychologically.

Also, that scene with Garak trying to open the airlock just. Hurts so, so bad for me. It's one of my favorite moments of Garak's character and it hits me really hard.

But the fact that the scene after it is a nice little 'sitting in the holosuite' scene staring at the sunset off a cliff... I just kinda hate that! But I really liked their conversation and Garak saying that it's not really such a large space and none of it is real -- that's one of my favorite moments in Afterimage, actually.

Also I have to say this somewhere, and this is absolutely based on my interpretation only. But that airlock scene felt like Garak being the most explicitly close to suicide we've seen since The Wire. To have him just sitting in a holosuite [on a cliffside no less] isn't a great followup to that, even setting aside my interpretation. And to kinda respond to the reply I screenshotted above, I feel like it's not such a stretch that he relapsed.

I think Ezri is a great character and like I said, this is one of my favorite DS9 episodes! But I've never talked about this in detail and wanted to put it out there.

Reminder that this is just my opinion, and if you have a different take on this episode, I'd love to hear it!

[desertthorn]

Please reblog and add your answer in the tags :)

[the-mad-prince-of-denmark]

M*A*S*H, 1970, dir. Robert Altman / M*A*S*H, 1970, dir. Larry Gelbart

Donald Sutherland/Alan Alda as Capt. Benjamin Franklin "Hawkeye" Pierce Jr.

Elliott Gould/Wayne Rogers as Capt. John Francis "Trapper" McIntyre

Sally Kellerman/Loretta Swit as Major Margaret "Hot Lips" Houlihan

Roger Bowen/McLean Stevenson as Lt. Col. Henry Braymore Blake

Robert Duvall/Larry Linville as Major Frank Burns

René Auberjonois/William Christopher as Father John Patrick Francis Mulcahy

[coffeeandacig]

HUGE M*A*S*H NEWS!

Direct of the MASH Matters Facebook Page

M*A*S*H: THE COMEDY THAT CHANGED TELEVISION, AN ALL-NEW TWO-HOUR CELEBRATION OF TELEVISION’S MOST INFLUENTIAL SITCOM

NEW ORIGINAL SPECIAL AIRS MONDAY, JANUARY 1, ON FOX

Featuring New Interviews with Cast Members Alan Alda, Gary Burghoff,

William Christopher, Jamie Farr, Mike Farrell, Wayne Rogers and Loretta Swit,

as well as Original Series Executive Producers Gene Reynolds and Burt Metcalfe

Plus Rarely-Seen Archival Interviews with Writer/Producer Larry Gelbart,

and Stars Larry Linville, Harry Morgan, McLean Stevenson and David Ogden Stiers

In the all-new two-hour special, M*A*S*H: The Comedy That Changed Television, premiering Monday, January 1 (8:00-10:00 PM ET/PT) on FOX, join the men and women who made M*A*S*H as they celebrate one of the most beloved, enduringly popular, often quoted and influential comedies ever created.

As the definitive look at the 14-time Emmy-winning television classic, the special centers around new interviews with original cast members Alan Alda (Capt. Benjamin Franklin "Hawkeye" Pierce), Gary Burghoff (Cpl. Walter "Radar" O'Reilly), William Christopher (Father Francis Mulcahy), Jamie Farr (Cpl./Sgt. Maxwell Q. "Max" Klinger), Mike Farrell (Capt. B.J. Hunnicutt), Wayne Rogers (Capt. "Trapper" John McIntyre) and Loretta Swit (Maj. Margaret "Hot Lips" Houlihan) and series executive producers Gene Reynolds and Burt Metcalfe. In these intimate, highly personal remembrances, the creation and evolution of the show’s iconic characters are revealed, alongside rare and never-before-seen behind-the-scenes footage, photos and stories.

Writer/producer Larry Gelbart, as well as additional series stars Larry Linville (Maj. Frank Burns), Harry Morgan (Col. Sherman T. Potter), McLean Stevenson (Lt. Col. Henry Blake) and David Ogden Stiers (Maj. Charles Emerson Winchester III) are remembered through a vibrant collection of clips from the series as well as in rarely-seen archival interviews. With unique experiences, observations and memories from 11 seasons of M*A*S*H, this special will make audiences laugh, touch their heartstrings, and leave them on a nostalgic high while celebrating the sustained brilliance of the iconic sitcom.

“M*A*S*H is not only a great television series, it is a cultural phenomenon. It has made multiple generations of viewers laugh, cry and think, often in the same episode,” said Executive Producers John Scheinfeld and Andy Kaplan. “We are excited to team with FOX to create this unprecedented window into an innovative television classic.”

"M*A*S*H is among the most iconic sitcoms in the annals of television history. It's a timeless show that comedically captures the 4077th medical corps and how they managed to maintain their sanity while saving lives on the front lines of the Korean War,” said Dan Harrison, EVP, Program Planning & Content Strategy, FOX Entertainment. “Larry Gelbart, Gene Reynolds and Burt Metcalfe brought this incredible comedy to life thanks to their ensemble cast led by the incomparable Alan Alda. FOX is proud to celebrate the landmark achievements of one of the best comedies ever created."

The M*A*S*H two-and-a-half-hour series finale that first aired on CBS in 1983 remains the highest rated telecast in television history, delivering an incredible 77 audience share and 60.2 rating. To-date, the show has never left the air, continuously running in syndication, on basic cable and now streaming on Hulu. The series was produced by 20th Television.

M*A*S*H: The Comedy That Changed Television is directed by John Scheinfeld (Reinventing Elvis: The ’68 Comeback, The U.S. vs. John Lennon and What The Hell Happened To Blood, Sweat & Tears?) with Scheinfeld and Andy Kaplan as Executive Producers.

Viewers can watch M*A*S*H: The Comedy That Changed Television next day on Hulu, Fox.com, On Demand and FOX Entertainment’s streaming platform, Tubi. On Demand is available for customers of Cox Contour TV, DIRECTV, DISH, fuboTV, Hulu + Live TV, Optimum, Spectrum, Verizon FiOS, XFINITY, YouTube TV and many more.

[addicted2coke-theothercoke]

Edit: I accidentally put Hawkeye twice, my bad

[boonesfarmsangria]

Mike Farrell Reflects on Captain B.J. Hunnicutt’s Ahead of ‘M*A*S*H’ TV Special

Scott Fishman, TV Insider Dec 21, 2023 Updated Dec 22, 2023 0

Mike Farrell knew he had a lot to live up to when he joined the 4077th Medical Corps and cast of M*A*S*H as Captain B.J. Hunnicutt. The well-versed actor already had an impressive career including a stint on Days of Our Lives. However, this was a completely different kind of pressure coming into season 4 of a highly successful series after the exit of Wayne Rogers, who played Captain “Trapper” John McIntyre.

He was up to the challenge with viewers connecting with the devoted family man and what would be a long-time bond with Alan Alda’s Captain Benjamin Franklin “Hawkeye” Pierce. Viewers will ever forget the shot during the historic series finale where B.J. yells out that he left a note for Hawkeye. As he flies away in the helicopter, he soon notices that his good friend spelled out the word “Goodbye” with rocks on the ground.

It’s these types of iconic moments and characters that are celebrated during FOX’s upcoming M*A*S*H: The Comedy That Changed Television. Executive-produced by John Scheinfeld and Andy Kaplan, this two-special delves into the Emmy-winning run over 11 seasons through the perspective of the cast and visionaries behind the scenes.

Joining Farrell and Alda on the doc is Gary Burghoff (Cpl. Walter “Radar” O’Reilly), and Loretta Swit (Maj. Margaret “Hot Lips” Houlihan) to name a few, as well as series executive producers Gene Reynolds and Burt Metcalfe. Those who have since passed, including show creator Larry Gelbart, Rogers, Larry Linville (Maj. Frank Burns), Harry Morgan (Col. Sherman T. Potter), and McLean Stevenson (Lt. Col. Henry Blake) are spotlighted through archival photos and footage.

Here Farrell opens up about his emotional reaction to the special. The 84-year-old also describes what it’s like to see the beloved sitcom still resonate more than 40 years after it ended.

Michael Farrell

How often do you go back and watch the episodes back?

Mike Farrell: The popularity of the show continues to astonish me and thrill me, frankly. I get constant emails, and mail, calls to keep it fresh in my mind, and its extraordinary impact. I don’t make a point of looking for it on television, but sometimes it’s there. And when it’s there, I can’t stop looking at it and watching those people I love so much and care about. To see and remember who they were and what we did together. It’s something that will stay with me for the rest of my life. I’m so thrilled to be a part of it that it’s hard to put into words.

I remember seeing Alan Alda share a photo of you two toasting to the 50th anniversary of the show’s premiere. How is it for you to still have these close connections after all these years?

For us, it’s a family situation. We enjoyed working together and having this kind of bond that continues to this day. We talk about how much we love each other and stay in touch regularly. It has been something that brings an ongoing extraordinary rush of gratitude and appreciation for all of us here…Then you see David Ogden Stiers, Harry Morgan, Larry Linville, and others on the special. There is that sense of longing for somebody who you knew, loved, and enjoyed working with. It’s piercing at the heart when you see that sometimes. For me, I’m overwhelmed with the warmth that comes back from seeing Harry, remembering the relationship we had not only during the show but afterward. Watching Alan and his incredible wit and hijinks. Some of those things stay with me today. When I tell stories, I can’t help but get misty about those memories. It’s an everlasting love affair for me.

It’s fun to think about what would have happened if social media had been around during M*A*S*H’s original run. For example, B.J.’s mustache would be a hot topic of conversation.

People often ask me, “What do you think of the mustache?” I will say my mother hated the mustache. The mustache was a fun thing. Alan called me at the beginning of one season and said, “They think we are too much alike. What do you think about growing a mustache?” I thought it was a great idea. We made a lot out of it, which was fun to do. I wore what started as a red long shirt. Through many washes, it came out pink. I thought it was hilarious to be wearing a pink shirt in the middle of all that. I get many comments from people in the gay community who tell me they loved my pink shirt and ask if that was a signal. I tell them no, but that I’m glad they noticed it.

One of the topics that gets tackled in the special is B.J.’s character and moment of infidelity with a nurse divorcee. After all this time, I even saw a Reddit thread asking if B.J. cheated on his wife Peg.

I remember when I first met with the guys and they were talking about the possibility of Wayne leaving. I told them the one thing I didn’t want to do as an actor was come in and step in the boots of “Trapper.” They understood. They had in mind a fellow who was married, not a womanizer like “Hawkeye” or “Trapper,” who had a child at home. And he is going to be true to his wife and family. You’re talking about modeling fidelity on television, I didn’t mind that at all. We laughed. It stayed that way. One year we did a show where Blythe Danner played the guest star. She and “Hawkeye had been having a love affair in medical school, and she was temporarily assigned to our station. She was married, but the affair popped up again.

There is a scene where “Hawkeye” asks B.J. if he has ever been unfaithful. I said never. He said, “You ever tempted?” I said, “Tempted is a different question.” He said, “So, you have been tempted?” I said, “No, it was a different question.” It was a good gag. Larry Gelbart, who wrote the scene was ont eh stage when we finished that shot. I said, “Larry, that was wonderful, but let me suggest the idea. The fact B.J. is a faithful husband is great by me, but to suggest a man was not tempted goes too far. I don’t think we need to paint in that pristine manner.” He said that was a good thought. A year later Gene remembers that conversation with Larry. He asked, “What do you feel about B.J. falling off the fidelity wagon?” I said, “It depends on how you resolve it.”

How do you feel it came out?

I loved the whole process that they cared enough to hear me out, and decided it was worth dealing with that question. I thought they resolved it in a classy way. B.J. was upset about what he had done. It was brief and a misstep. He was miserable about it. “Hawkeye” gave him hell because he was going to write home and tell Peg. He said, “Don’t do that to her. If you must confess for whatever the transgression, wait until you get home where you can be with her and talk to her. I thought it was great that they were willing to explore the kind of experience people are put through in these circumstances.

It was almost like it didn’t matter how far they went, but didn’t matter. He would feel the same way.

Exactly. But the idea of them spending the night together in a bed, under those circumstances, and didn’t go far sounds a little stretch to me.

When was the moment you felt how big a show M*A*S*H was?

I was in Southeast Asia during one of our breaks. After my second or third year there on the show when I went around, I was astonished at the no matter what part of the world, the show meant something to the.m. This one man said, “Your show constantly underscores for me the meaning of peace and the need for peace in this world.” I came back to set and Alan and I were sitting together during the first day of the season back. I said, “Are you hearing what I’m hearing out there?” He said, “Yeah, we need to be aware of the way the show is affecting people.

We decided on a regular meeting as a cast and talked through the issues of the day. Alan and I both made it a point that this show is having an impact that is beyond just being a popular television show. We need to be seriously committed to making sure we do the best work we can do. Everyone got it and agreed and rededicated ourselves to commit to doing meaningful work because of the audience’s respect and appreciation for the show.

What are your overall thoughts on the FOX special while screening it? 

I watched it with tears streaming down my face while laughter burst from my mouth. It was an extraordinary tribute. Not only to the show and people involved but the people involved behind the scenes. I’m glad they included the clip of Gene, Larry, and in particular Burt Metcalfe, the casting genius who brought many of the characters to the show; me included. He was a powerful force in maintaining the integrity of the show. It was deeply touching and I think the audience will love it. It shows the significance and the work of the characters and the way the show was built and what it became. I was thrilled when I saw it. 

How do you think the show would do in today’s TV landscape? 

I think it would remain a touchstone for people I can’t tell you how many veterans have contacted me. Even children of veterans. They would say. “My dad would never talk about his experience in the war until he saw your show. Then he would say, ‘That’s the way it was.”…That it has stayed relevant and meaningful to people for generations speaks volumes about the show. 

M*A*S*H: The Comedy That Changed Television premiere, January 1, 8/7c, FOX

@stroyent 🤝

[mash4077confessions]

Col Blake character bingo

Henry was a fun character.

I enjoyed his sex/health lectures and the fact that he couldn't say half of anything that he needed to say during said lectures.

I loved watching him going toe to toe with Margaret and Frank, at the height of their scheming.

He was a funny, awkward, sweet, fishing enthusiast who left in such an impactful way

[timelessxmemories]

I still don't understand why Radar made me sign all those things I had to sign that I didn't even know what I was signing for and he didn't even know what I was signing for and then proceeded to forget to give me something to sign and gave me it later on instead of giving it to me when I was signing all those other things that I didn't even know what I was signing for! -Col. Henry Blake

hey what -Willow

[hbowar-bracket]

Albert Blithe 

Alex Penkala 

Alice 

Alton More 

Anna

Anthony 'Manimal' Jacks  

Antonio 'Poke' Espera  

Antonio Garcia 

Army Chaplain Teska  

Baba Karamanlis  

Bernard DeMarco   

Bill 'Hoosier' Smith  

Bill Leyden  

Billy Taylor  

Brad 'Iceman' Colbert  

Burton Christenson 

Capt. Andrew Haldane  

Carwood Lipton 

Charles (Chuck) Grant 

Charles Bean Cruikshank   

Charles K. Bailey  

Col. Robert Sink 

Cpt. Bryan Patterson  

Cpt. Craig 'Encino Man' Schwetje  

Cpt. Dave 'Captain America' McGraw  

Curtis Biddick  

Darrell (Shifty) Powers 

David Solomon  

David Webster 

Denver (Bull) Randleman 

Donald Hoobler 

Dr. Sledge  

Edward (Babe) Heffron 

Elmo 'Gunny' Haney  

Eric Kocher  

Eugene Jackson 

Eugene Roe 

Eugene Sledge   

Evan 'Q-Tip' Stafford  

Evan 'Scribe' Wright  

Everett Blakely   

Father John Maloney 

Floyd (Tab) Talbert 

Frank Murphy   

Frank Perconte 

Frederick (Moose) Heyliger 

Gabe Garza  

Gale 'Buck' Cleven  

George Luz 

Glenn Graham   

Gunnery Sgt. Mike 'Gunny' Wynn  

Gunnery Sgt. Ray 'Casey Kasem' Griego  

Hamm  

Harry Crosby  

Harry Welsh 

Helen  

Herbert Sobel 

Howard 'Hambone' Hamilton   

Jack Kidd  

James (Mo) Alley

James Chaffin  

James Douglass  

James Gibson   

James Miller 

Jason Lilley  

Jean Achten  

Jeffrey 'Dirty Earl' Carisalez  

John 'Bucky' Egan  

John Basilone  

John Christeson  

John D. Brady   

John Fredrick  

John Janovec 

John Julian 

John Martin 

Joseph 'Bubbles' Payne   

Joseph Liebgott 

Joseph Toye 

Josh Ray Person  

Katherine 'Tatty' Spaatz   

Ken Lemmons  

Lance Cpl. Harold James Trombley  

Larry Shawn 'Pappy' Patrick  

Leandro 'Shady B' Baptista  

Lena Basilone  

Lew 'Chuckler' Juergens  

Lewis Nixon 

Lt. Edward 'Hillbilly' Jones  

Lt. Henry Jones 

Lt. Nathaniel Fick  

Lt. Thomas Peacock 

Lynn (Buck) Compton 

Maj. 'Red' Bowman  

Maj. John Sixta  

Mama Karamanlis  

Manuel Rodriguez  

Mary Frank Sledge  

Meesh  

Merriell 'Snafu' Shelton  

Navy Hm2 Robert Timothy 'Doc' Bryan  

Neil 'Chick' Harding   

Norman Dike 

Old Man on Bicycle 

Patrick O'Keefe 

Phyllis  

R.V. Burgin   

Ralph (Doc) Spina 

Renee Lemaire 

Richard Winters 

Robert 'Rosie' Rosenthal   

Robert 'Stormy' Becker   

Robert (Popeye) Wynn 

Robert Leckie  

Rodolfo 'Rudy' Reyes  

Ronald Speirs 

Roy Claytor  

Roy Cobb 

Sammy   

Sgt. Mallard  

Sidney Phillips  

Stella Karamanlis

Teren 'T' Holsey  

Vera Keller  

Walt Hasser  

Walter (Smokey) Gordon

Warren (Skip) Muck 

Wayne (Skinny) Sisk 

Wilbur 'Runner' Conley  

William Guarnere 

William Hinton  

William J. DeBlasio  

William Quinn  

Winifred 'Pappy' Lewis  

[kwebtv]

Character Actor

Edgar "Mac" McLean Stevenson Jr. (November 14, 1927 – February 15, 1996)  Actor and comedian. He is best known for his role as Lieutenant Colonel Henry Blake in the television series M*A*S*H, which earned him a Golden Globe Award in 1974. Stevenson also appeared on a number of television series, notably The Tonight Show Starring Johnny Carson and The Doris Day Show.

Before becoming a star, Stevenson appeared as a contestant on the Password television game show in New York City, winning five pieces of luggage.  After this he appeared in New York City on stage, and in television commercials. He also performed on Broadway, and began to establish himself as a comedy writer, writing for the seminal That Was The Week That Was—in which Alan Alda appeared—and The Smothers Brothers Comedy Hour, performing occasionally on both shows. He also was a regular on the 1970 The Tim Conway Comedy Hour variety show on CBS. During the late 1960s and early 1970s, he also appeared in TV commercials for products such as Kellogg's, Libby's fruit cocktail, Dolly Madison and Winston cigarettes, in which he was shown sprinting around a parking lot of Winston delivery trucks and painting over the product slogan, replacing the "like" in "like a cigarette should" with the grammatically correct "as."

After guest-starring in That Girl with Marlo Thomas, he was cast in The Doris Day Show in 1969, playing magazine editor boss Michael Nicholson until 1971. Originally, he auditioned for the role of Hawkeye Pierce in M*A*S*H, but was persuaded to play Lt. Col. Henry Blake instead.

Stevenson appeared as a guest panelist for several weeks on Match Game in 1973, and again in 1978 on the daytime and nighttime weekly syndicated version. In 1981, he became a regular panelist on the daily syndicated version of Match Game, staying with the show until its cancellation a year later. He would make occasional appearances on the subsequent Match Game-Hollywood Squares Hour in 1983 and 1984.

After his departure from M*A*S*H, Stevenson's acting career declined. While occasionally filling in as guest host of The Tonight Show, Stevenson's first attempt at his own show was an NBC variety show special titled The McLean Stevenson Show on November 20, 1975. The program finished 41st in the ratings that week, and the planned series was ultimately scuttled. He then starred in a series of sitcoms: The McLean Stevenson Show (1976–77), In the Beginning (1978), Hello, Larry (1979–80) and Condo (1983).   During the 1988–89 television season, he returned to a supporting TV role in an ensemble, playing Max Kellerman in the short-lived CBS series adaptation of Dirty Dancing.  (Wikipedia)

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