#Cobra Driver Adapter

[thegolfadapterstore]

Cobra Adapters - Online Golf Merchandise (WHOLESALE)

If you are a golf enthusiast, you need to have the best golf equipment. You can find the best quality golf products online at The Golf Adapter Store. The products including Cobra Adapter that you will discover here will please you. Feel free to ask any questions you may have. We make sure that you get the best possible explanation.

[gsmperformance]

We get asked all the time. "How do the Cobra MX-5 adaption bars work with the original sliders?" So, we've created this detailed blog showing off one of our customer's cars that completed the installation along with a Youtube video from an MX-5 driver that documents the entire process. This is your definitive guide to how it works.

BLOG LIVE: https://www.sportseats4u.co.uk/cobra-clubman-seats-into-a-mazda-mx-5-mk1-with-cobra-adaption-bars/

[michaelsavageusa]

Exploring the Classic Ford Mustang Muscle Car with Car Enthusiast Michael Savage of New Canaan

Exploring the Classic Ford Mustang Muscle Car with Car Enthusiast Michael Savage of New Canaan

In the realm of automotive history, few cars command as much reverence and admiration as the classic Ford Mustang. A symbol of American muscle, style, and performance, the Mustang has captivated car enthusiasts for generations. To delve into the allure of this iconic vehicle, we turn to Michael Savage, a passionate car enthusiast from New Canaan, known for his deep knowledge and appreciation of classic automobiles.

For Michael Savage, the Ford Mustang represents more than just a car; it embodies a cultural phenomenon that has left an indelible mark on the automotive landscape. "The Mustang is a timeless icon," he begins, his enthusiasm palpable. "From its inception in 1964, it captured the hearts of drivers with its sleek design, powerful engines, and affordable price tag."

Indeed, the Mustang's debut in the mid-1960s heralded a new era of performance and style. With its long hood, short deck proportions, and distinctive grille adorned with the iconic galloping horse emblem, the Mustang exuded charisma and attitude. "It was a car that demanded attention wherever it went," Michael remarks. "Whether cruising down the boulevard or tearing up the racetrack, the Mustang was a symbol of freedom and adventure."

One of the defining features of the classic Mustang was its range of potent V8 engines, which delivered exhilarating performance and a throaty exhaust note that stirred the soul. "From the legendary 289 cubic inch 'Windsor' V8 to the fearsome 428 Cobra Jet, the Mustang offered a variety of powertrains to suit every enthusiast's taste," Michael explains. "These engines became the heart and soul of the Mustang experience, delivering raw power and adrenaline-fueled thrills with every press of the accelerator."

Beyond its performance credentials, the Mustang also became a canvas for customization and personalization, allowing owners to express their individuality and style. "The aftermarket scene for Mustangs was—and still is—immense," Michael notes. "From performance upgrades to cosmetic enhancements, enthusiasts could tailor their Mustangs to reflect their unique vision and personality."

In addition to its street prowess, the Mustang forged a formidable reputation on the racetrack, dominating various motorsport events and earning accolades in the process. "The Mustang's success in racing solidified its status as a true performance icon," Michael says. "Whether competing in drag racing, road racing, or rallying, the Mustang proved its mettle time and time again, cementing its legacy as a formidable competitor."

As the years passed, the Mustang evolved with the times, adapting to changing tastes and technological advancements while staying true to its core identity. "From the classic designs of the 1960s to the modern interpretations of today, the Mustang has continued to captivate enthusiasts of all ages," Michael reflects. "It's a testament to the enduring appeal of this iconic car."

In conclusion, Michael Savage's insights into the classic Ford Mustang underscore its significance as a cultural icon and automotive legend. With its timeless design, exhilarating performance, and rich heritage, the Mustang continues to inspire passion and admiration among car enthusiasts around the world. As Michael aptly summarizes, "The Mustang isn't just a car; it's a symbol of freedom, expression, and the enduring spirit of American ingenuity."

[mikesavagenewcanaanusa]

Pony Car Revolution: Mike Savage of New Canaan Unveils the Storied History of the Ford Mustang Muscle Car

The History of the Ford Mustang Muscle Car  - Mike Savage of New Canaan

The Ford Mustang, a symbol of American muscle and a pioneer in the pony car category, has etched an indelible mark on the automotive landscape since its inception in the 1960s. Mike Savage, an avid car enthusiast from New Canaan, provides a compelling journey through time, unveiling the rich and storied history of the Ford Mustang muscle car—a vehicle that transcends mere transportation and has become a cultural icon.

Birth of the Pony Car: 1964-1966

The story begins in 1964 when Ford unleashed the Mustang onto the automotive stage. "The Mustang wasn't just a car; it was a revolution," Mike Savage remarks. Introduced as a compact, affordable, and stylish sporty car, the Mustang ignited a new era of performance and personalization. "The 1965 model, often referred to as the '1964½' Mustang, was an instant hit, capturing the hearts of Americans and becoming a cultural phenomenon," Savage adds.

The Mustang's success can be attributed to its combination of sporty aesthetics, affordability, and a wide range of options for customization. It catered to a diverse audience, from young drivers seeking a stylish ride to performance enthusiasts yearning for a capable machine.

Performance Pinnacle: Shelby Collaboration and GT Models

In the mid-1960s, Ford joined forces with Carroll Shelby, a legendary figure in the automotive world, to create high-performance variants of the Mustang. Mike Savage highlights, "The Shelby GT350, introduced in 1965, elevated the Mustang's performance credentials with a modified V8 engine, upgraded suspension, and distinctive styling cues." The Shelby Mustangs would go on to become coveted classics, embodying the marriage of speed and style.

Simultaneously, Ford introduced GT models, including the GT350 and GT500, solidifying the Mustang's reputation as a legitimate muscle car. These models featured powerful engines, racing stripes, and aggressive design elements, signaling the Mustang's commitment to both performance on the track and bold aesthetics on the street.

Mach 1 and Boss Era: 1969-1971

As the 1960s gave way to the '70s, the Mustang continued its evolution with the introduction of the Mach 1 and Boss models. "The Mach 1, with its aggressive styling and powerful engine options, became an icon of the era," Savage notes. "Meanwhile, the Boss 302 and Boss 429 models were designed for racing, pushing the envelope of Mustang's performance capabilities."

These models represented Ford's commitment to dominating the tracks, with features such as distinctive hoods, spoilers, and high-revving engines. The Boss Mustangs left an enduring legacy, showcasing Ford's prowess in the world of muscle cars.

Challenges and Transformations: 1974-1993

The 1970s brought challenges for the automotive industry, including increased emissions regulations and oil crises. Mike Savage reflects on this period, stating, "The Mustang, like many other muscle cars, faced a period of transformation to adapt to changing times." The Mustang underwent changes in design, size, and performance to align with new regulations and consumer preferences.

However, the spirit of the Mustang endured, and Ford introduced the third-generation Mustang in 1979. Known as the "Fox Body" Mustang, it featured a more aerodynamic design and a focus on handling, setting the stage for the performance renaissance of the 1980s.

Performance Renaissance: 1994-2004

The early 1990s witnessed the resurgence of the Mustang's performance capabilities. "In 1994, the fourth-generation Mustang was introduced, embracing a retro-inspired design that paid homage to the classic Mustangs of the past," Savage highlights. "It was a rebirth of the Mustang's performance DNA, with a renewed emphasis on power and handling."

During this era, Ford introduced high-performance variants, including the SVT Cobra, showcasing the Mustang's ability to blend nostalgia with modern performance technology. The SVT Cobra boasted a powerful V8 engine and advanced suspension systems, capturing the attention of enthusiasts.

The New Millennium: Sleek Designs and Shelby Resurgence

Entering the new millennium, the Mustang continued to evolve with sleek designs and a nod to its heritage. "The fifth-generation Mustang, introduced in 2005, embraced a more modern and bold design while paying homage to the classic Mustang styling cues," Savage notes. "It was a time of renewed enthusiasm for the Mustang, with a focus on both aesthetics and performance."

The collaboration with Carroll Shelby saw a resurgence with the introduction of the Shelby GT500 in 2007, featuring a supercharged V8 engine that delivered unparalleled power and performance. The Shelby Mustangs of this era rekindled the excitement of the original Shelby models, becoming symbols of modern muscle prowess.

Sixth Generation and Beyond: Modern Muscle Icons

The introduction of the sixth-generation Mustang in 2015 marked a blend of contemporary design and cutting-edge technology. "The Mustang continued to evolve, incorporating advanced features while staying true to its performance roots," Savage observes. "Models like the Shelby GT350R showcased Ford's commitment to creating track-capable machines."

As the Mustang enters the present day, it stands as a modern muscle icon with a diverse lineup, including the powerful Shelby GT500. "The Mustang has not just survived; it has thrived, adapting to changing times while retaining its core identity as a symbol of American muscle and performance," Savage concludes.

Mike Savage's Connection to the Mustang Legacy

In reflecting on the Mustang's history, Mike Savage shares his personal connection to the iconic muscle car. "The Mustang has been a constant presence in my collection," he reveals. "Each model, from the classic variants of the '60s to the modern Shelby Mustangs, holds a special place in my garage. The Mustang's journey mirrors the evolution of American muscle, and it continues to inspire enthusiasts like me who appreciate the marriage of performance and style."

In unveiling the captivating history of the Ford Mustang muscle car, Mike Savage pays homage to a vehicle that has transcended generations, leaving an enduring legacy as an embodiment of American automotive passion and performance.

[golfadapterstore]

Groom up Performance with Cobra Golf Driver Adapter!!!

Introduction:

A golfer's success on the course often hinges on the quality of their equipment, and the driver is no exception. The Cobra Golf Driver Adapter is a cutting-edge innovation that has revolutionized the way golfers optimize their driver for maximum performance. Developed by Cobra Golf, a reputed name in the golf equipment industry, this adapter system offers golfers unparalleled customization options, delivering a precise and tailored experience to suit individual playing styles.

Customizable Loft and Face Angle:

The Cobra Golf Adapter allows golfers to customize the loft and face angle of their driver. By adjusting these critical aspects, golfers can fine-tune their driver to match their unique swing characteristics, ensuring optimal launch conditions and ball flight. This customization feature empowers golfers to maximize distance and accuracy off the tee, giving them a competitive edge on the course.

Easy and Quick Adjustment:

One of the standout features of the Cobra Driver Adapter is its user-friendly design, making adjustments quick and hassle-free. Golfers can make real-time changes during practice sessions or on the course, enabling them to adapt to various course conditions and challenges with ease. This adaptability ensures that golfers can consistently optimize their driver for peak performance.

Enhanced Forgiveness and Control:

With the ability to adjust the driver's loft and face angle, golfers can achieve better control over their shots. Fine-tuning the driver to match the golfer's swing promotes more consistent strikes, reducing mishits and increasing forgiveness on off-center hits. This heightened level of control and forgiveness instills confidence in golfers and empowers them to take on challenging shots with greater ease.

Compatible with Multiple Cobra Drivers:

The Cobra Adapter is designed to be compatible with a variety of Cobra drivers, offering golfers unparalleled versatility across their driver options. Whether using the latest Cobra driver model or a previous version, golfers can benefit from the customizable features of this adapter, ensuring a consistent and tailored experience across different club choices.

Ideal for Custom Club Fittings:

For golfers seeking a personalized club fitting experience, the Cobra Golf Driver Adapter proves to be an invaluable tool. Club fitters can make precise adjustments to the driver's loft and face angle, tailoring it to the golfer's unique swing characteristics and preferences. As a result, golfers experience improved performance and comfort, enhancing their overall enjoyment of the game.

Competitive Edge on the Course:

The Cobra Golf Driver Adapter provides golfers with a competitive advantage, enabling them to optimize their driver for specific course conditions and individual strengths. By having a driver that aligns with their playing style, golfers can confidently attack the course and take on challenging shots, increasing their chances of success during tournaments and casual rounds alike.

Conclusion:

The Cobra Golf Driver Adapter stands as a game-changing innovation, providing golfers with the tools to elevate their driver performance to new heights. With customizable loft and face angle options, quick and easy adjustments, and compatibility with multiple Cobra drivers, golfers can optimize their driver to suit their individual swing characteristics.

[mythvlogie-archived]

two households, both alike in dignity/in fair verona, where we lay our scene/from ancient grudge break to new mutiny/where civil blood makes civil hands unclean

𝑽𝑬𝑹𝑶𝑵𝑨: on the outskirts of the nevada desert, rests the small town of verona. two rival gangs have threaded a fragile peace for the last twenty years. the blood shed in their last conflict still washes verona’s streets. the strife has given space to romance, as the heirs of both gangs have secretly fallen in love with each other and plan to run away together so they can finally live without their parents’ grudge surrounding them. with juliana castillo and roman medina presumably missing, a war brews in the belly of verona once again and the repetition of the massacre committed twenty years ago looms over the town.

𝙇𝙊𝙎 𝘾𝙊𝘽𝙍𝘼𝙎: the east side gang, commanded by gustavo medina (though many would say it is actually his wife, luciana, who makes the moves). they are known to be the most violent gang in verona and only the worst of the worst are amongst their ranks. they have a monopoly on drugs and entertainment. many would say that the cobras came out as the big winners of the last conflict between the gangs.

𝙀𝙇 𝘾𝙊𝙉𝘾𝙇𝘼𝙑𝙀: the west side gang, commanded by martin castillo. martin is the younger brother of the late valentin, one of the many casualties of the conflict twenty years ago. the conclave is more strategic than their east side counterparts, and martin prefers to think rationally and clearly before making the next move. they are responsible for weapons and networking. the town’s citizens may think el conclave lost the last war, but they still believe in the organization’s power, as they have stayed strong for over fifty years in verona.

tl;dr: a gang discord verse, loosely based on baz luhrmann’s romeo + juliet.

application:

( faceclaim. gender. pronouns ) 𝙻𝙾𝙰𝙳𝙸𝙽𝙶 𝙵𝙸𝙻𝙴… first last is a age in letters year old occupation, they have been described as +trait and -trait. they are reminiscent of 2-3 aesthetics, which has aided them many times in gang name. ( ooc alias. age. timezone. pronouns. )

possible occupations:

drug dealers, escorts, assassins, gunners (soldiers for the two gangs), weapon dealers, night club workers, corrupt law enforcement members, getaway drivers, underground racers and underground fighters.

guidelines:

no godmodding and no ooc drama. open to mutuals. muns and muses must be 21+, respecting the five year age bend rule for fcs. you’re allowed up to two muses, and it is encouraged for them to be diverse.

mun slots (9/12):

( alejandro speitzer. cis male. he/him ) 𝙻𝙾𝙰𝙳𝙸𝙽𝙶 𝙵𝙸𝙻𝙴… dante navarro is a twenty six year old night club owner, they have been described as +steadfast and -impetuous. they are reminiscent of white powder coating the insides of your nostrils, wide bloodshot eyes that won’t miss a movement in a room & laughter that turns into a sneer at the slightest mistake someone makes in your presence, which has aided them many times in los cobras. ( ron. 25. gmt -3. she/her. )

( regé-jean page. cis male. he/him ) 𝙻𝙾𝙰𝙳𝙸𝙽𝙶 𝙵𝙸𝙻𝙴… killian lachlan is a thirty year old casino & strip club owner, they have been described as +debonair and -guarded. they are reminiscent of droplets of blood on otherwise flawless marble floors, cold stares from across the room & the characteristic sound of many slot machines, which has aided them many times in los cobras. ( bela. 21. gmt-3. she/her. )

( margaret qualley. cis female. she/her ) 𝙻𝙾𝙰𝙳𝙸𝙽𝙶 𝙵𝙸𝙻𝙴… harper johansen is a twenty six year old escort & night club stripper, they have been described as +adaptable and -volatile. they are reminiscent of picking up crumpled dollar bills off the stage, scarlet lips bleeding tantalizing lies & the echo of a contagious giggle, which has aided them many times in los cobras. ( barbie. 24. gmt-3. she/her. )

( miguel herran. cis male. he / him ) 𝙻𝙾𝙰𝙳𝙸𝙽𝙶 𝙵𝙸𝙻𝙴… nicolas macias is a twenty three year old getaway driver, they have been described as +stauch and -juvenile. they are reminiscent of rainbow & flavoured rolling papers, a map with a bunch of red xs & sharpie scribbles covered vans, which has aided them many times in el conclave. ( skye. 21+. est. she/her. )

( nick jonas. cis male. he/him ) 𝙻𝙾𝙰𝙳𝙸𝙽𝙶 𝙵𝙸𝙻𝙴… ace moore is a twenty six year old underground racer, they have been described as +independent and -boastful. they are reminiscent of threesomes in the backseat of a moving car, gold chains on top a black t-shirt & kissing their knuckles before punching you in the face, which has aided them many times in los cobras. ( adri. 21+. est. she/her. )

( lennon stella. cis female. she/her ) 𝙻𝙾𝙰𝙳𝙸𝙽𝙶 𝙵𝙸𝙻𝙴… celeste olivier is a twenty three year old assassin, they have been described as +dauntless and -egocentric. they are reminiscent of applying blood red lipstick in a dirty mirror, batting your eyelashes to get what you want & a devious mind hidden behind a pretty smile, which has aided them many times in los cobras. ( lexi. 20. est. she/her. )

( hande ercel. cis female. she/her ) 𝙻𝙾𝙰𝙳𝙸𝙽𝙶 𝙵𝙸𝙻𝙴… delara acar is a twenty seven year old escort, they have been described as +adaptable and -callous. they are reminiscent of a honey toned voice spewing harsh words, glass crunching beneath stiletto heels & droplets of blood on marble floors. which has aided them many times in los cobras. ( ange. 29. est. she/her. )

( brayden bradshaw. cis male. he/him ) 𝙻𝙾𝙰𝙳𝙸𝙽𝙶 𝙵𝙸𝙻𝙴… adrian strauss is a twenty three year old getaway driver, they have been described as +maverick and -destructive. they are reminiscent of alcohol being poured on bloodied knuckles, a head raised high in defiance & and a loaded gun without the safety. which has aided them many times in los cobras. ( lauryn. 24. cst. )

( alva bratt. cisfemale. she/her ) 𝙻𝙾𝙰𝙳𝙸𝙽𝙶 𝙵𝙸𝙻𝙴… àdele goldi is a twenty three year old hotel management student, they have been described as +attractive and -emotionally unstable. they are reminiscent of late night romantic adventures, ordering champagne bottles on your own & an expensive pearl necklace smashed on the floor, which has aided them many times in el conclave. ( dolores. nineteen. gmt-3. she/her. )

application count:

zero

[somedayonbroadway]

Lilo and Stitch AU

Okay, so here’s my Lilo and Stitch AU for both @disneygirl626​ and @dragonflysobright-seethemfly​. I absolutely adore this one. It does involve baby Race and that’s always fun to write. And yes, Race and Jack are going to be from Hawaii.

Characters

Jack Kelly — Nani

Racetrack Higgins — Lilo

Crutchie Morris — Stitch

Katherine Plumber — David

Warden Snyder — Captain Gantu

Todd Kloppman — Cobra Bubbles

Henry — Pleakley

Weisel — Jumba

Okay so…

Somewhere up in space, far far away, there is a mad scientist who creates genetic experiments out of aliens that he captures from other planets, most of the time just after they’re born. This alien, Weisel (that's his whole name. He’s an alien) experiments for years before he is finally arrested after his latest experiment, experiment number 626. He is charged with the experimentation of a young child, stolen away from a family that was killed moments afterward.

During the experimentation, this young alien loses one of his legs. He adapts quickly, growing two more legs that he can retract into his body. This child is of a shape shifting species, his skin naturally blue and gold. After the experimentation, where he grew up as this species learns and adapts very quickly, he became erratic and dangerous, a means of destruction.

Having no alternative option, 626 (who was never given another name) is sentenced to be executed. He doesn’t fully understand this. All 626 knows is that he’s placed in a small capsule and needs to survive. So he does, fighting his way out and escaping in a pod as his kidnapper is placed in prison having witnessed the whole thing. Weisel is pleased with his creation, noting that 626 is randomly heading in the direction of Earth.

After 626 escapes, a bounty hunter, Snyder, loyal to the Galactic Federation, offers to hunt the experiment down and dispose of him, seeing 626 as a creature unworthy of saving. The head of the federation asks him to wait, asking another member of the federation, a federal agent who is an “Earth Expert”, to take Weisel and find the experiment without causing harm to Earth, with whom they were supposed to protect according to documents they’d signed a decade ago.

Simply living off of instinct (and maybe a bit of sadistic adrenaline) 626 crash lands on Earth, getting hurt by a truck, but surviving the crash easily with his modified strength and healing power. As the driver figures out he has to check and see what he’d hit, the alien catches sight of a puppy, cowering away from him in some nearby grass and transforms himself down to look like that animal, though his still has a streak of blue running down his back as the rest of him remains a golden shade. (He does look more like Stitch than an actual puppy, obviously. But he’s doing his best here.) The driver calls a local shelter and 626 lets himself be taken in, unsure of what’s really happening.

Meanwhile, Kaua’i, Hawaii, a young man, nineteen years old, is struggling to gain permanent custody of his six year old baby brother, as both of their parents had recently been killed in a car crash. Jack is having a hard time making ends meet with only a job as a waiter at a local luau to tie him and his brother over.

The baby brother, Tyler James, is an odd child. He’s socially awkward, having odd interests and thoughts about life. The kid has always had a rough time making friends, mostly scaring them off with weird facts about the island they live on and the ocean surrounding them. Though he tries to fit in, he often finds himself feeling alone, prompting him to make his own toy dolls and pretend that they’re his friends instead, worrying his big brother Jack who only wants him to be happy.

Every morning, Jack runs to work after dropping his brother, whom he affectionately calls Racer because of his speed and his love to run, off at the beach right across from his school. Race loves to explore the island, knowing the entire thing like the back of his hand. In the morning, Race likes to go swimming, feeding Pudge (a fish that he believes to control the weather) a PB&J sandwich, the same one Jack makes for him everyday for lunch. He knows he’s not gonna eat it, so he hopes it’ll keep the sun in the sky.

Dripping wet and all, Race goes to school, leaving puddles around him, making his classmates slip, only adding onto the hatred they held for him for being different. On this particular morning, Oscar Delancey, Race’s biggest bully, slips and blames Race for it. After a teacher finds them arguing, Oscar wrestling Race to the ground, being a year older and slightly bigger than him, they ask what happened and Race goes off on a rant about how he had to feed Pudge and how Pudge controls the weather. Oscar calls him crazy.

So Race bites him.

His teacher tells him he’d call Jack and Tyler cries, begging him not to as he’s often sent away from the other kids and he’s subconsciously getting tired of the isolation. Still the teacher insists, asking Race to wait outside.

Race runs away the second his teacher leaves him.

When Jack goes to pick him up, he finds Race gone and he immediately starts running home, knowing they had a meeting with their social worker that day and knowing what happened when Race gets into one of his “moods”. He nearly gets hit by a car. He kicks the bumper and screams at the driver, calling him a not so nice name and running off.

He finds that the doors to their house are bolted and nailed shut and one of their parents' old Elvis records is blaring throughout the living place. As Jack demands Race open the door, he peaks in through the mail slot to find his brother ignoring him. Frustrated, Jack starts threatening Race, like any brother would, telling him that when he got through with him he wouldn’t dare do this ever again, though both of them knew Jack would never lay a hand on the kid.

As he’s running around his home, trying every possible entrance only to run into one Todd Kloppman, introducing himself as a not so nice name, making Jack realize that he’d been in the car that had nearly hit him. Already horrified at this, Jack manages to play off the fact that he’ll have to let him in in a moment and he runs around the house, climbing in through an open window and prying the nails from the front door as quickly as he can to let the man in.

Upon walking into the house, Kloppman asks if Jack had left Race home alone and before Jack can explain, Todd finds Race practicing voodoo on the floor of the living room as Jack tries desperately to turn off the stove and the oven that Race had turned on, probably for no reason at all. Even after all of this, Race manages to tell Kloppman how well adjusted he was and how Jack fed him well. Trying to give him a silent encouragement, the kid accidentally tells Kloppman that he gets disciplined, implying that Jack had, at least at some point, hit him.

Todd then speaks to Jack alone, telling him that he only ever got called when things went wrong and then he gives Race a card, telling him to call if he was ever left alone again.

Race thinks nothing of it, hardly even paying attention to the man.

As he leaves, Kloppman informs Jack that this had not gone well and that Jack had three days to change his mind.

The second Kloppman leaves, Jack turns on Race and Race screams and runs, knowing he was about to be chased.

Eventually, Jack manages to set up a trap to catch Race and he holds him to him, not letting him run away, trying so hard to explain to Race why it was important for him to take these visits seriously. Race still doesn’t seem to get it, leading to another fight. Race locks himself in his room (well, not locks because he’s a child and his door doesn’t have a lock) and Jack throws himself down at the bottom of the stairs, trying desperately not to cry.

It only takes an hour for Jack to gather himself, heating up a plate of pizza for his baby brother and taking it to him, apologizing and holding Race in his lap while he eats, laughing with him a little as Race admits he likes Jack better as a brother than a dad. All Jack can do is kiss his head and hold him, unsure of what to say. Race calls them a broken family.

Before they know it, Race spots something in the sky, something he calls a falling star, but one that looks odd to Jack. Race calls the star and kicks Jack out of his room so he can make his wish. Jack sits just outside his door, listening to every heartbreaking word as Race wishes for an angel to be sent to him, one that wouldn’t leave him or make fun of him or treat him differently.

Little do they know, that shooting star is a fallen spaceship.

The next day, trying to make his brother feel better, Jack tales Race down to the animal shelter, telling him that he could pick out a pet and they would take care of it. Jack is only a little stressed out about funds but convinced himself that they could make it work.

Race goes back to pick out a puppy and finds a golden pup that’s laying all alone in the corner. He sees a lot of himself in this puppy that has a blue stripe running down his back and chooses him, telling the dog to follow him out. It does.

When they come out, Jack and the woman at the front counter are horrified at the sight of this deformed dog with a missing leg, but Tyler insists and Jack caves, unable to pass up the opportunity of seeing Race happy. So they take the thing home, unknowingly being watched and followed by two aliens who were after 626, now known as Crutchie by the odd little boy who named him.

Henry is the only thing that stops Weisel from harming Tyler to get to Crutchie.

Jack often lets Race wander around. After all, they live in a small town and he knows most of the people around. He gives Race a couple of dollars and tells Race to meet him at two. So Race shows Crutchie around the island.

Crutchie, who has been programmed to destroy, is looking for something to wreck, but finds nothing, as he’s looking for big cities who are already prone to bad things happening.

In the middle of town, Race runs into Oscar who immediately starts to belittle him only to get nearly bitten by Crutchie who ends up stealing his bike and trashing it, before they head to the luau to meet Jack.

The entire time they’d been exploring the island, Weisel and Henry had been keeping close and Crutchie knew it. For some reason he can’t explain, he feels the need to protect Race as well as himself. He likes Race and doesn’t want to hurt him.

The same cannot be said for Jack.

At the restaurant, Jack is able to feed Race for free twice a week so he often has lunch or dinner there.

At the luau, Katherine is up on stage, a fire dancer, entertainment for the luau. Jack is hopelessly in love with her but refrains from asking her out for the sake of fully adopting Race as his own. Race knows this and feels guilty for it. He tells Crutchie all about it, somehow knowing that Crutchie understands him. (How Crutchie knows English at this point is unknown, but like I said, he adapts fast).

While he’s working, Jack steps away from the table after begging Race to eat his food, trying to bribe him with dessert but only succeeding in getting Crutchie to hiss at him.

When Jack leaves, Weisel, against Henry’s warnings, tries to capture Crutchie, only resulting in chaos which Jack is blamed and fired for. Katherine tries to convince their manager to let Jack stay, but, unwilling to be humiliated in front of Race, Jack accepts it and scoops Race up, going home, Crutchie following closely behind them. When Race asks Jack if this was his fault, Jack brushes it off, telling Race that the manager was a vampire and that he wanted Jack to join an army of the undead. Race just shrugs and says he knew it.

When they get home, Jack loses it tries to remain calm but, after seeing Crutchie try and rip around the sofa, his anger catches up with him all at once as he tries to grab Crutchie and take him back to the shelter, getting a fight from both Crutchie and Race who’s never seen Jack like this before. Just as Jack gets Crutchie to the door, shouting that the dog hadn’t been there that long, Race counters that he hadn’t either and then he asks what happened to O’hana.

Jack breaks at that, missing his parents so badly as Crutchie calms down and Race rushes to hug Jack who brushes away his tears and promises that he’s okay, even though he couldn’t be farther from it. But he lets Race take Crutchie into his room to sleep where Race finds that Crutchie likes to build with his blocks and then destroy his own creations.

Watching from outside, Weisel is stunned by this, finding that Crutchie is still creating things, even though he may destroy them after. It goes against his programming.

The next morning, Jack wakes up to find Kloppman at his door, concerned about the job he lost and this new puppy that is untrained and seems to be causing nothing but trouble. Jack swears that he’ll find a job and takes Race out with him while looking, terrified the boy might get into more trouble without him.

Every potential job Jack might have is ruined by Crutchie who is still on the run from Weisel and Henry who are around every corner.

Even at the beach, where Jack finds there’s an opening for a lifeguard position, Crutchie manages to ruin it for him, chasing the people at the beach away. Jack is extremely dejected by this, but perks up when Katherine sits down next to him with two surfboards, offering him one as she challenges him to beat her to the water.

Jack scoops Race up on his way out and Race just giggles, loving it when Jack takes him surfing.

Reluctantly, needing to stay close to Tyler in order to ensure his own safety, he goes with them, despite his intense fear of water. To his surprise he ends up liking it and to Jack’s surprise, he ends up not minding that Crutchie’s there.

Jack loves being out on the water with Race. He used to take Race surfing with their parents all the time, always catching him in his arms when they wiped out. Race loves the ocean.

Seeing that Crutchie is out on the water and is in a vulnerable position, as he can’t swim and will sink instead of float, Weisel says that they’re going swimming, confusing Henry as they go to get Crutchie, managing to knock Jack and Race off of their board and get Jack hit in the head as they do, forcing Katherine to jump in and help them. When Jack recovers after a moment, Race panics and asks about Crutchie who did not resurface. But when Jack looks around for him, Crutchie breaks from the water and claws at Tyler who he ends up dragging down with him.

Jack dives down, kicking Crutchie off of Race and swimming him back to shore, coddling him as he cradled him to his chest and kissed him over and over again. (Jack does call Race baby. He’s always been really affectionate, even more so after they’re parents died). Katherine dives back down for Crutchie who she manages to save, though Crutchie awakes destructive and lashes out at Race, scratching into his shoulder.

When Jack looks up, he finds Kloppman watching them from afar and he asks Katherine to hold Race while he talks to him, trying to explain only for Todd to tell him that it’s over and that Race needs to be relocated to another family, asking for Jack to think about what’s best for the boy.

Unable to argue, Jack goes back to Race and holds him tight, carrying him back home as Katherine mutters that she thought they had a chance until Crutchie came along.

Crutchie follows them home. Race and Jack don’t even notice.

That night, Jack sits Race down in the hammock in their backyard and sings to him, giving him a flower that matches one that he holds in his own hand. The song he sings is one of a goodbye and Race doesn’t understand it as the wind carries their flowers away. But he leans into Jack and lets his brother hold him until he falls asleep.

That night, Race is frustrated when he wakes up in his own bed and hears the window open. Crutchie is standing there, ready to run and Race doesn’t seem at all surprised by this. He just tells Crutchie that he can leave if he wants. But if he stays, they’ll take care of him. He tells Crutchie that Jack’s really good at taking care of people.

But Crutchie does leave, regretting it only when he can’t find his way back to Race and Jack. What he doesn’t know is that Weisel and Henry have gotten fired by the federation and Weisel is excited to do things his way.

Still living on instinct, Crutchie flees unknowingly back towards the Kelly house.

In the morning, Jack is crying over his cereal when Race sulks into the room, upset that Crutchie left. Jack hugs him and tries to explain to him what’s about to happen, that they may never see each other again and that it was all gonna be okay. But Jack can’t get the words out.

He’s saved by a knock at the door which is revealed to be Katherine, telling him that she found him a job. So Jack runs into town, making Race promise not to open the door for anybody, hope filling his chest as he thinks maybe if he gets a job, they won’t take his brother away.

The moment Jack leaves, Crutchie comes crashing back, Weisel hot in his tail as Henry grabs the boy, trying to keep him out of harm's way. Unsure of what to do, Race calls Kloppman because he’s scared but Crutchie is protecting him.

Weisel ends up setting the house on fire.

When Jack hears the sirens after getting the job, he knows. He doesn’t wanna believe it, but he just knows. So he literally runs back home, Katherine right behind him.

He finds Kloppman carrying Race to the back of his car, shutting him in. And Jack loses it. He starts sobbing, begging Kloppman not to do this. He tries to explain that he’s the only one who understands Race and that Race needs him and won’t stand a chance without him. Kloppman asks him angrily if this is really what Tyler needs, pointing to a burned down house. He then tells Jack that it seems like Jack needs Tyler a lot more than Tyler needs him.

That’s what breaks Jack.

(Which, honestly… how horrible? This kid just lost both of his parents too and is now losing the only thing he has left and, I know they’re trying to do right by the underage child, but I mean… that’s so sad. No one took into account how Nani was feeling having to lose her entire family even though she was trying her best to keep what was left of her broken family. Anyway…)

He falls to his knees, letting Katherine wrap him up in her arms, trying to calm him as Jack begs Kloppman to just let him say goodbye even though Kloppman is insisting that he’s making this harder than it needs to be.

Unbeknownst to them, Race, a very smart little six year old, is listening to the whole thing, sobbing as he finally understands what’s actually happening. He unlocks the door that leads out into the woods beside their house and runs away.

He stumbles upon Crutchie who’s still running and Crutchie sees how broken he is. Reluctantly, he reveals himself to the boy, letting his true form show and scaring Race for only a moment before Race gets angry, realizing that if they hadn’t gotten Crutchie, he’d be able to stay with Jack.

While trying to run again, Crutchie and Race both manage to get captured by Snyder who was sent to hunt down 626. Snyder doesn’t seem at all bothered by the capture of an innocent little boy and states that he caught a snack for the road, though he locks him up with Crutchie who escapes easily and tries to pull Race with him before Snyder takes off, taking Race with him.

Realizing that Race isn’t in the car when he tries to drive off, Kloppman gets out and starts calling for him. So Jack runs into the woods to find him, knowing that Race loves to play hide and seek in those woods and knows it’s a place where he’s hard to find. So he rushes out alone, screaming for his brother to come back to him.

He sees Race get picked up by a monster and locked in the back of a spaceship. Terrified and confused, Jack screams out for Race, catching the attention of Crutchie who is immediately apprehended by Weisel and Henry. Henry sees Jack and apologizes, going to knock him out to try and get him to believe it was all just a dream, but Jack’s quicker than that. And he cries out about Race, demanding to know where he is. When they admit they know who Jack’s talking about he tells them to bring him back. Henry tells him that they can’t.

So Jack falls to his knees in pure agony, unable to handle another loss.

Crutchie kneels down beside him, saying o’hana. Weisel tries to pull him away but Jack stops him, asking Crutchie to say it again. So Crutchie does, promising Jack that no ones gonna get left behind and then telling Weisel that he’d go with him quietly if they went to rescue Race.

So they do.

Jack is not a good flyer, in case anyone’s wondering.

They catch up to Snyder, showing him that he in fact did not have Crutchie in his possession. When Jack sees Race who is struggling to breathe as they get high and high up, he starts panicking, trying to get to the top of the ship to encourage Race to jump down to him, but Crutchie doesn’t let him. Instead, he jumps from one ship to the next, putting Tyler on his back and getting Snyder to crash his ship while trying to fight him, only caught by Weisel at the last minute, avoiding death.

They crash land in the ocean and Jack is holding Race the whole time, even as they’re submerged in water. And then he swims them both back to shore.

Crutchie hugs Race and then goes to turn himself in, but Race then tells Weisel that it would be stealing if he did that because they bought Crutchie from an animal shelter which made him part of their family and he couldn’t do that.

Kloppman steps in to tell Weisel that this is true. Jack tightens his grip on Race, fearing that Todd might rip him away again. Kloppman explains that he used to work for the CIA, specializing in extraterrestrial activity. Then he offers Jack a second chance, explaining to him that he knew Race would be safe with Jack from now on.

Jack takes Race and Crutchie home, making their own little family with Katherine who he finally asks out on a date and things are just perfect for a while.

What do you guys think? Wanna see any scenes? Feel free to send me an ask!

For more Mood Boards and AUs, click here!

[researchnesterinsights]

Portable Solar Charger Market Analysis: Emerging Trends, Astonishing Growth, Growth Insight and Future Forecast to 2023

In today’s fast moving world, people are adopting on-the-go friendly products and with growing awareness of depletion of energy sources, there is a hike in the demand for environment friendly based gadgets. Factors such as these are driving the manufacturers to come up with innovative solutions with efficient and affordable energy saving products. The growing trend of solar energy and its benefits have steered the demand for portable solar chargers among people. The rising sales of smartphones, tablets, cameras and other electronic gadgets combined with the inclination of consumers towards the clean energy are the major reasons which are creating huge opportunities for the portable solar charger players to introduce their products in the market which is further believed to supplement the growth of the global portable solar charger market with a CAGR of 13.2% over the period 2017-2023. Moreover, various government initiatives and rising consumer awareness is believed to supplement the growth of the global portable solar charger market to flourish its way up from USD 20,498.4 Million in 2016 to a significant market valuation of USD 47,913.3 Million by the end of 2023.

The global portable solar charger market is divided into product type and end-user, out of which, the product type is further segmented into solar trickle, clamshell, folding and backpack solar chargers. Among these segments, the clamshell solar charger segment held the dominant share in 2016 and is believed to remain highest in upcoming years. This can be attributed to the rising sales of electronic gadgets such as smartphones and cameras among others. The second largest shareholder in the market was the folding solar charger segment with 31.6% market share in 2016. Further, the folding charger segment is expected to achieve Y-O-Y growth rate of 14.3% in 2023 owing to the convenience while carrying them. Moreover, these chargers are ideal for charging multiple devices at a time.

Increasing Popularity of Efficient Energy Products to Escalate the Demand for Portable Solar Chargers in Future

The global portable solar charger market is thriving on the back of growing demand for portable, convenient and time saving power products around the globe.

Technology Development – The high adaptability and encouragement of new technologies in developed regions is penetrating the market for portable solar chargers.

Environment and Energy Saving Concerns – The consumer electronic industries are transitioning from non-renewable energy products to renewable energy products due to environmental concerns such as global warming and pollution.

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Government Initiatives – Portable solar products are expected to witness growth owing to the various government initiatives combined with increasing consumer awareness regarding the use of solar power products.

Industry Players’ are Progressing towards Minimizing the Barriers faced by the Global Portable Solar ChargerMarket

According to Research Nester, the lack of awareness related to renewable resources in under-developed countries is envisioned to hinder the growth of the global portable solar charger market across the globe.

Lower Operating Capacity – The portable solar chargers have lower efficiency and limited operating capacity.

Lack of Solar Energy Policies – The lack of supportive solar energy policies and regulations in under-developed countries is believed to discourage the market growth.

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The report titled “Global Portable Solar Charger Market Outlook: Industry Demand Analysis & Opportunity Assessment 2016-2023″ delivers detailed overview of the global portable solar charger market in terms of market segmentation by the product type, end-user and by region.

Further, for the in-depth analysis, the report encompasses the industry growth drivers, restraints, supply and demand risk, market attractiveness, BPS analysis and Porter’s five force model.

This report also provides the existing competitive scenario of some of the key players of the global portable solar charger market which includes company profiling of Philips Electronics, Cobra Electronics, SolarTab, Poweradd, Solio, Solar Frontier, GoalZero, Anker, Suntrica and Empo-Ni.

The profiling enfolds key information of the companies which encompasses business overview, products and services, key financials and recent news and developments. On the whole, the report depicts detailed overview of the global portable solar charger market that will help industry consultants, equipment manufacturers, existing players searching for expansion opportunities, new players searching possibilities and other stakeholders to align their market centric strategies according to the ongoing and expected trends in the future.

About Research Nester

Research Nester is a one-stop service provider with a client base in more than 120 countries, leading in strategic market research and consulting with an unbiased and unparalleled approach towards helping global industrial players, conglomerates and executives for their future investment while avoiding forthcoming uncertainties. With an out-of-the-box mindset to produce statistical and analytical market research reports, we provide strategic consulting so that our clients can make wise business decisions with clarity while strategizing and planning for their forthcoming needs and succeed in achieving their future endeavors. We believe every business can expand to its new horizon, provided a right guidance at a right time is available through strategic minds.

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Research Nester

Research Nester is a one-stop service provider, leading in strategic market research and consulting with an unbiased and unparalleled approach towards helping global industrial players, conglomerates and executives to make wise decisions for their future investment and expansion by providing them qualitative market insights and strategies while avoiding future uncertainties. We believe in honesty and sheer hard work that we trust is reflected in our work ethics. Our vision is not just limited to gain the trust of our clients but also to be equally respected by our employees and being appreciated by the competitors.

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[thegolfadapterstore]

The Golf Adapter Store Offers the Best Cobra Adapter at a Reasonable Price

If you are a golf enthusiast, you need to have the best golf equipment. You can find the best quality golf products online at The Golf Adapter Store. The products including Cobra Adapter that you will discover here will please you. Feel free to ask any questions you may have. We make sure that you get the best possible explanation.

Here, we sell only OEM (original equipment manufacturer) quality adapters, weights and ferrules. All adapters are fabricated by using 7075 Aluminum, and most screws are titanium — same as the original. We do not compete with super cheap sellers. We are not those sellers who trick their customers by charging high prices for their cheap quality products. We only sell a great, quality product at a quite reasonable price.

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They can be reused, you will need to replace ferrule on some models, which are also available here. Adapter actually adjusts loft and lie unlike cheaper adapters. Don’t settle for putting an inferior adapter on your pricey shaft. It is advisable to shop from here and get the perfect adapter for your particular game.

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[klovenhooves]

Johnny Lawrence and the Five Love Languages, Chapter Two: Acts of Service

Johnny felt like he’d been living in Groundhog’s Day. Every day he woke up, and it still wasn’t the weekend yet. He was constantly tapping his foot, jumping his leg up and down under the table, as if willing time to speed up. He wasn’t used to feeling so jittery about something – Miguel commented knowingly that Sensei Lawrence had overdosed on caffeine when he fidgeted too much during training.

 He got some extra push ups for that, not that he minded, the little twerp.

 And then, suddenly, it was Saturday morning, and he was jogging out to his car, keys jangling like his nerves, trying not to think about how eager he was to get to the beach. This time they would be without Robby, without Anthony, alone in the ocean.

 Maybe Diaz had a point with his little love language thingy.

 At least, that’s what he thought at ten in the morning. By noon, he was pretty sure the love languages thing was bullshit, because he was still waiting for Daniel to show up, and he was about to admit to himself and his stubborn pride that he wasn’t coming. He scoffed, pushing himself off the hood of his car and into the driver’s seat, trying to stifle the ripple of disappointment that ached a little like embarrassment.

 He was a high school kid again, playing games with the pretty girl and hoping she knew the rules. Except this time, he was the one who didn’t know the rules.

 He grabbed his phone from the cupholder beneath the radio where he’d left it to keep the sand and salt out of it. He almost didn’t look at it. What would he find there, but another avenue to hurt his feelings? Daniel probably hadn’t called.

 He sighed and pressed the top button. There were five missed calls on it, and a text from Robby.

 “CALL ME NOW,” it said.

He obeyed the text message, thinking ironically that whatever shit was about to hit the fan would at least distract him from Daniel LaRusso.

 “What the hell did you do?” Robby’s voice was hoarse, tired, like he’d been yelling for a while already. Johnny’s hand twitched around his keys, itching to turn them in the ignition, to find his son, find the problem. He stuck his hand under his thigh and forced himself to stay still.

 “What did I do?” Johnny repeated. “You’ll have to be more specific.”

 He could hear something in the background, deep sounds of wood hitting wood, and running water. “Cobra Kai never dies, right?” Robby sneered. “Isn’t that what you say?”

 “Yeah…” Johnny trailed off, trying to put together too few available pieces of the puzzle. “Look, I don’t know what –”

 “Cobra Kais trashed Miyagi-do last night,” Robby spat.

 Suddenly, Daniel’s absence made sense. “Send me the address,” he said firmly, speaking over Robby when he could hear his son preparing to deliver another painful blow. “Now.”

 ***

 He could see the devastation before he even got out of the car. “Cobra Kai Never Dies” seared into his vision from the side of LaRusso’s favorite yellow vintage car, black and stark and painful to look at. He grimaced, shoving the door of his car open and listening for the approach.

 It didn’t take long for Daniel to find him.

 “Get the hell out of here, Johnny,” he snapped from the porch, and even from a distance, Johnny could see that he was sunburned, sweaty, exhausted. “Before I call the cops.”

 “I didn’t do this,” Johnny answered, holding his hands up in the sign of surrender. “I swear. I would never.”

 “I don’t believe you.”

 That hurt more than Johnny thought it would. He blinked and looked down at the worn earth beneath his feet, almost sand. They should have been at the beach right now. They could have been having fun.

 He steeled himself. As much as he didn’t want to, he was going to have to swallow his pride if he wanted to convince Daniel of his innocence. More than that, he wanted to convince Daniel so completely that he would never again believe him capable of something like this.

 Because what man would love someone capable of something like this? Whoever had done this had stomped into Daniel’s sanctuary, his shrine to his dead teacher, and crushed it under their boot without remorse. Even when he was blindingly angry, drunk, miserable, Johnny would have never dared wreak havoc here.

 “You don’t have to believe me,” he said. “Just tell me what needs fixing.”

 Daniel took a step down from the porch, eyes intent on Johnny, so sharp that Johnny wanted to flinch away from them. “What?”

 Daniel was itching for a fight, Johnny could see it in his gaze. He wondered if that would make him happy, and considered giving it to him.

 But no, he would be selfish, and deny Daniel their personal brand of intimacy. Let this be a new one. “Let me help,” he said softly. “What do you need me to do?”

 Daniel furrowed his brows, eyes roving over Johnny’s face like he would find the truth in the lines around his eyes. Johnny let him look, content to suffer under his gaze, waiting to be sent away.

 “You really didn’t do this?” He wanted to believe him, Johnny could see in the sad downturn of his mouth.

 “LaRusso, if I wanted to torture you, I wouldn’t resort to vandalism,” Johnny replied, tilting his head, giving Daniel a genuine smile instead of his typical smirk. “This has teenage kid written all over it.” Then, without thinking, he blurted, “We aren’t teenagers anymore.”

 Daniel clenched his jaw, the bunched muscles protruding from the pressure. “You’re right, we aren’t.”

 ***

 Taking Johnny through the back gate brought the initial shock back; Daniel could see the wreckage as if through his eyes – the broken pots and tipped over plants, the shredded punching bag, the toilet paper all over the trees, the spray paint. He had been trying to clear it up for three hours, at least, and it still looked like he hadn’t even started. It almost made him turn around and leave – though what he would do when he left, Daniel couldn’t tell. He was stuck between wanting to fix everything, put it all back the way Miyagi had it and going to a bar and getting wretchedly drunk.

 “Holy shit,” Johnny breathed beside him. Daniel spared him a glance, enough to see that he was clearly still dressed for the beach, and felt a pang of guilt. He hadn’t called to tell Johnny he wasn’t coming – that felt like the closest thing to a courtesy he could give him when he saw the dojo. He had stood there, where Johnny was standing now, trying to reconcile the Johnny he had been thinking about against his will all week with the one who was callous enough to send his students to do something like this.

 He didn’t dare hope that Johnny had nothing to do with it, lest he be wrong.

 “Where do you need me, boss?” Johnny asked when Daniel didn’t answer.

 “Uh,” he stammered, looking around the yard. “We really just need to get the trash picked up first.”

 “Cool,” Johnny said, turning away and yanking toilet paper out of the tree beside him. “Go get some water, LaRusso, you look dead on your feet.”

 “I don’t need –”

 “You do,” Johnny interrupted, and there was that unfathomable softness again, apparent in the wrinkles around his eyes, in the set of his mouth. “Go get some water, and get some for my kid, too.”

 Daniel stared at him for a moment, trying to replace the hardened, angry face of Johnny Lawrence in his mind with this almost reasonable one. He sighed, feeling his muscles ache with the breath, and nodded. He returned a few minutes later with cold bottles of water, holding them up for the kids to see. He could feel Johnny watching him as he passed them out, cracking his own open and drinking greedily until the bottle was empty.

 When he looked back, Johnny gave him a self-satisfied smirk and kept cleaning.

 Daniel felt like he was being constantly barraged by epiphanies about Johnny Lawrence lately. He remembered keenly the understanding he felt when he stood next to him at his childhood apartment.

 “A nice house doesn’t mean nice things are going on inside.”

 The words made so many unexplained details about Johnny make sense that Daniel kept catching himself thinking about it weeks after. No wonder Johnny had been so angry as a teenager – no wonder he’d adapted so well to Kreese’s teachings. No wonder karate had always been so important, and such a dire skill to learn.

 Now, he was seeing new facets, like Johnny surfing, still boyish and energetic in the ocean, familiar and knowledgeable in the way Daniel always wanted to be about anything.

 And here he was, slaving away under the hot sun, to prove to Daniel that he hadn’t trashed his dojo.

 Daniel wanted to comment that he didn’t think a rich boy from Encino could work so hard, but he found that he was unwilling to break the easy peace they’d found. Instead, he helped Johnny unhook the punching bag from its hook and carried it inside with him.

 “I can tape it up,” Johnny said, surveying the cuts critically. “That should hold it for a while, depending on how much you wail on this thing daily.”

 Daniel nodded. “I’ll get the tape.”

 He ended up kneeling across from Johnny on the wood floor, his hands holding the different gashes together so Johnny could tape them closed, his hands both careful and sure.

 “I will find out who did this,” Johnny said after a while, peeling another piece of duct tape free. “I didn’t teach them –”

 “I know you didn’t,” Daniel interrupted, and he could see Johnny turn his head to see his face more clearly. “No criminal worth his salt would stay to clean up the mess.”

 Johnny chuckled, a genuine laugh under his breath, and Daniel smiled. He didn’t think he’d ever heard that laugh before.

 “I’m sorry I didn’t call,” Daniel muttered, ducking his head lower, closer to the punching bag so Johnny couldn’t see it. “I should have.”

 “No,” Johnny muttered, pressing the duct tape into the gash Daniel was holding closed, his fingers brushing over Daniel’s as he secured the tape in place. “I wouldn’t have called me either.”

 Daniel looked up at him, accidentally catching his gaze and holding it. There was a sadness in Johnny’s eyes that Daniel could feel, radiating from him like he was trying to warn him away. He wondered why that was. He could feel the edge of Johnny’s hand, pressed onto the punching bag right near his own, warm and soft.

 “John –”

 “Dad,” Sam blurted, trotting up the stairs and into the house. “We need more hands to pick up the statue.”

 Daniel tore his eyes away and found his daughter, face red and hair frazzled. “I’ll be right there,” he said.

 “Let’s go,” Johnny said, picking up the punching bag, his voice a forced replica of his usual tone. “I’ll help you.”

 Daniel was left to gape after him as he carried the heavy bag by himself back to its hook and replaced it.

 ***

 Johnny couldn’t explain where his strange feeling of hope came from, but once it settled in, he couldn’t shake it. Something about working with Daniel to fix that punching bag, the way they spoke plainly, even if they said it while looking at the punching bag instead of each other, felt important, like Daniel was starting to see him as something other than an immature bully.

 He followed Daniel and Sam to the tipped over statue, where tracks in the grass told him that Robby and Sam had already tried to pick up the statue themselves and stumbled. He could tell just by looking at it that it was too heavy for the kids to pick up by themselves, and maybe even too heavy to himself and Daniel to pick up.

 “Robby, can you get me those two broken fence planks?” he asked. Robby furrowed his brows at him in confusion but didn’t argue, trotting off to grab the planks.

 “What are you thinking?” Daniel asked, stepping closer to him, close enough that Johnny could smell that he was wearing sunscreen. He was reminded, again, of their plans to be at the beach.

 “If we can use those rocks and the planks to get the statue just a few inches off the ground, we can probably get it the rest of the way ourselves,” Johnny said. “I had to do this at a landscaping job I did about ten years ago. Some rich Encino broad –” he caught Sam’s close gaze out of the corner of his eye. “Some rich Encino…woman…insisted that she wanted slabs of marble sticking out of her garden in the back yard, and one of them fell over. I was the only one there, so I had to get creative to get it back up.”

 “You did a landscaping job?” Daniel asked as Johnny passed him a plank.

 “You’re the white-collar guy here, LaRusso,” Johnny remarked, shoving the plank under the statue. “Not me.”

 Daniel didn’t answer him, but mirrored his movements, setting his own plank underneath the statue and looking to Johnny for his cue.

 The statue was heavier than he expected, but after a few seconds of struggling, it started to lift off the grass. Daniel huffed a surprised scoff, too out of breath to do anything else, and Johnny grinned at him.

 Robby and Sam slipped in and took hold of the statue, Johnny and Daniel following, and after some clumsy struggling, the statue was upright again and looking as sturdy against the fence as it had before. The kids cheered, high-fiving first each other, and then their fathers.

 “Alright, you two, why don’t you go cool off in the shade and drink some more water?” Daniel said, his eyes landing only momentarily on Johnny. They obliged without argument, trudging off toward the house with heavy feet.

 Johnny could feel Daniel’s eyes on him in the wake of the kids’ absence. He turned away from him and surveyed the garden, far more tranquil than it had been when he arrived. He could hear the running water and the deep sound of the wood chimes that he’d heard when Robby called.

 He could understand, in quiet moments like this, why Daniel was so protective of this place.

 “I want you to try something,” Daniel’s voice broke through his reverie. Johnny turned to see him, a smile just barely quirking his lips upward, his hair tousled and messy from the wind and the work. The sun was starting to sink behind him, leaving gold behind in strands of his hair, his skin supple and dark in the sunlight.

 “Is this when you tell me you have weed?” Johnny replied.

 Daniel rolled his eyes and led Johnny to the edge of a pond where a round platform floated in the middle.

 “Torture device?” Johnny asked.

 “Get in the pond, Johnny,” Daniel said, toeing off his own shoes at the edge.

 “Are there fish in there?” Johnny asked, peering in.

 “There aren’t fish in there,” Daniel laughed.

 “Are you sure –?”

 Before he could finish, Daniel had grabbed him around the middle and pulled him into the pond with him. The water was ice cold when he went in, so cold he felt the shock ricochet through his body. And then he felt Daniel’s arms around his middle, just barely releasing so they could find the surface safely, and the cold didn’t matter.

 He broke the surface, spluttering, and found Daniel grinning at him, trying to hold back his laughter. He launched himself in Daniel’s direction, catching him around the shoulders and shoving him into the water, yanking him back up only a moment later, hand tight around Daniel’s upper arm.

 “You don’t want to play that game with me,” Daniel said warningly, pushing his wet hair out of his eyes, grinning like a fool. “I’ve been almost drowning my cousins since I lived in Newark.”

 “I grew up in the ocean, LaRusso, a body of water intent on drowning you without any help,” Johnny retorted, still holding tight to Daniel’s arm. “I think I can handle you.”

 Daniel raised his eyebrows at him, and before Johnny could think of another witty retort, Daniel’s leg was snaking around his and yanking his feet out from under him, sending them both below the surface of the water.

 Beneath the surface, Johnny could see the stones on the bottom of the pond, recently scraped clean of algae, if the little green spots in the cracks of the rocks were any indication. Daniel, beside him, was untangling himself from Johnny’s legs, swimming toward the surface again. Deftly, without any struggle, Johnny waited until he broke the surface, gave him time to take a breath, and wrapped his legs around Daniel’s waist, pulling him back down below again.

 Daniel glared at him, his eyes almost black under the water, and pushed them both to the surface.

 “Okay, okay, time out, we’re actually going to drown each other,” Daniel said, one arm sliding around the small of Johnny’s back to hold him up in the water.

 It wasn’t until Daniel’s hand settled on his hip that Johnny realized he still had his legs hooked around Daniel’s waist. He just assumed Daniel would break free of the hold when he made his way to the surface.

 His surprise must have shown on his face because he could both hear and feel Daniel chuckle.

 “Thank you,” he said, and if Johnny hadn’t been so close, he probably wouldn’t have heard it. “For today.”

 Johnny didn’t know what to say. Brushing off Daniel’s thanks would feel like he was cheapening what they had accomplished today, which, based on their track record of working together, was unheard of. But he didn’t really feel like what he did required thanks when really all he wanted was to prove to Daniel he hadn’t trashed the dojo.

 And then he remembered one of the love languages that Miguel told him about.

 Acts of service.

 Perhaps this was the one that would work.

 He watched, as if in slow motion, Daniel’s gaze drop to his lips. There was still water running down his face, settling at the point of his chin, dripping in the silence, harmonizing with the chimes at the back door to the house. He could lean in – he moved to unhook his legs from around Daniel’s waist, but Daniel’s arm around him tightened and stilled his movement.

 “Tighten your legs,” Daniel said quietly, the same words Johnny said to him last week, and Johnny’s gaze snapped up to his eyes, deep, soulful brown in the shade, eyelashes still wet.

 He could lean in – he watched Daniel lick his lips and reached up to grab onto the side of the pond, steadying them both against the side. He leaned in, just a fraction –

 “Dad –”

 Immediately, Johnny released Daniel’s waist and moved away, far enough that he bumped against the platform floating in the pond.

 Daniel’s eyes were still on him, dark and unreadable. “Yes, Sam?”

 “Sensei Kreese is here.”

[betsypaige22]

This is such a great interview....god, I miss Bobby. I’ve posted this because otherwise you need to be a subscriber...

I have to be honest, picturing Bobby doing this particular yoga pose makes me need to take a cold shower, lol. The part about his kids asking if he’s going to leave them is heartbreaking ....😭😭. I do love that he’s still baking...

************************

Every Sunday morning the actor Robert Carlyle grabs his mat and heads off for a session of “restorative yoga” in the Canadian port city of Vancouver, where he lives. There is one particular pose — called a “chest-opener”; you lie back, arms supported by bolsters, and release stress and feelings through the abdomen — that has produced remarkable results.

“You hold the pose for up to nine minutes and it releases emotions,” he says. “Out of nowhere I remembered this old lady leading me through the streets of Drumchapel in Glasgow when I was about seven years old, to go to see some wrestling. I hadn’t remembered her since I was a kid. I just lay there crying.”

Carlyle was brought up by his father, Joe, after his mother, Elizabeth, walked out to be with another man when he was four. His father was a painter and decorator, and the pair lived an itinerant existence around the UK in communes, shared houses and even tents. They lived in almost 100 homes. The old woman was his grandmother, Jean, who stepped in to help sometimes.

“That’s what set me off,” Carlyle says. “The realisation that this old woman was my dad’s mum, born in 1895 and survivor of two world wars. And here she was in her seventies, looking out for me when my dad was struggling to get to work.”

Carlyle left school at 16 and followed his father into painting and decorating. Aged 22, he discovered acting and, without formal training, appeared in The Hard Man, Tom McGrath’s play about the notorious Glasgow gangster Jimmy Boyle. After this he was encouraged to enrol at the Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Scotland).

In the early 1990s he made a name for himself in the ITV detective series Cracker, as well as playing Begbie, the charismatic psycho in the screen adaptation of Irvine Welsh’s novel Trainspotting. Carlyle was lauded as a raw talent able to articulate a new “dirty realism”, although it was his role in the 1997 stripper comedy The Full Monty and as James Bond’s ex-KGB nemesis Renard in the 1999 film The World is Not Enough that catapulted him to international stardom.

“I went through a stage of being very angry about my mother, and that helped to fuel some of those roles,” he says. “As for Begbie in Trainspotting, that was partly me and partly the odd genuine psycho I had encountered in Glasgow.”

At the height of his fame in the 1990s Carlyle was at the centre of Cool Britannia and simultaneously friends with Damon Albarn from Blur and Noel Gallagher, then in Oasis (Carlyle appeared in the video for the single Little By Little). Tony Blair even recommended him for an OBE in the 1998 new year’s honours list. And yet, while at drama school Carlyle feared he might never get work because he wasn’t “posh”.

Now he has come full circle because he is about to play the fictional British prime minister Robert Sutherland in the new six-part Sky drama series Cobra. “Before I opened the script, I actually thought it was about a snake,” he says. “That’s what living away from home does to you.”

Cobra in fact refers to the Cabinet Office Briefing Rooms, the government’s crisis centre where national emergencies from terrorist attacks to natural disasters are handled. In this case the threat comes from a geomagnetic storm resulting from a solar flare that is threatening the worldwide electrical infrastructure. Kettles stop boiling. Cities go dark. Planes drop from the sky.

Carlyle is rigorous in his preparation for roles. When cast as a bus driver in Ken Loach’s 1996 film Carla’s Song he qualified as one. “For a working-class guy from Glasgow, being a prime minister was always going to be challenging,” he says. “I listened to tapes of posh Scottish MPs like [the former foreign secretary] Sir Malcolm Rifkind. He’ll sound like a Scot most of the time, but there are certain turns of phrase when you think, ‘Are you sure this guy is for real?’”

Keen-eyed viewers will have seen Carlyle in the BBC’s adaptation of HG Wells’s The War of the Worlds as the “potentially gay” astronomer Ogilvy. But perhaps only true aficionados will have spotted him as John Lennon in the Beatles tribute film Yesterday. He appeared as a counterfactual, 78-year-old Lennon enjoying his dotage in a bungalow by the sea. Paul McCartney and Ringo Starr approved, but Lennon’s widow Yoko Ono wasn’t happy. “She didn’t like the idea of people seeing John get old, which I understand, but [the director] Danny Boyle argued that John is revered public property,” Carlyle says.

Carlyle wouldn’t accept a credit for the role. “That felt like too much. The chance to play a hero was enough. I don’t think it hurts to occasionally do things for love.”

Lennon’s relationship with his mother, Julia, was fractured too of course, and after a turbulent adolescence and having reached the top of his professional game, Carlyle came to yearn for a family. “I could go anywhere and have anything. [The 1990s] were an extraordinary time. But even then, I was quite a shy person, and I wanted kids and a home and a wife. Every day I am thankful that I found the most fantastic woman to do that with.”

Carlyle met his wife, the make-up artist Anastasia Shirley, while working on Cracker, and they have three children: Ava, 17, Harvey, 15, and Pearce, 13. After ten years in Vancouver, where Carlyle was making the US series Once Upon a Time, his children consider themselves Canadian. Sometimes they ask about his upbringing, an era referred to as his “black and white years”. “‘Dad, tell us about the black and white years,’ they say. It’s pretty heavy telling children about your mother leaving because they look frightened and say, ‘Are you going to bugger off as well?’ When I’ve reassured them, they just look sad. So I say to them, ‘Don’t be sad for me, I got all the love I ever needed. I don’t feel angry or aggrieved. It was her that missed out.’”

Carlyle’s father died of a heart attack in 2006, and in an attempt to work through his grief Carlyle embarked on a tour of the homes they shared together. “That tour was about confirming I had lived that life,” he says. “I’ve been honoured at Buckingham Palace. I’ve done a Bond movie. But I’ve also slept rough with my old man under Brighton pier. It can mess with your head. Going back reminded me where I’m from. I sat in the car weeping.”

For now the family remain in Canada while the children complete their schooling. At weekends he takes them to football, bakes bread (Carlyle taught himself after discovering that Lennon was an accomplished home baker) and the family sometimes go for walks in a local forest.

He celebrated New Year’s Eve in Scotland with his old friend Robert del Naja from Massive Attack and, sooner or later, the family will return for good. It’s striking that Carlyle has not lost his accent. “You don’t lose the accent unless you want to,” he says with a smile. “I love our life in Canada. It’s a beautiful country with beautiful people. But I only have to do a couple of yoga poses to know I’ve got a lot of Britain still inside of me.”

All episodes of Cobra are available from January 17 on Sky One and NOW TV

ROBERT CARLYLE’S PERFECT WEEKEND

Trainspotting or stamp collecting?

Neither — football

Independence or unity?

Unity and collaboration, always

Glasgow or Sheffield?

Glasgow

Green juice for breakfast or the full monty?

Full monty

Night in or night out?

Night in

Last film you saw?

Joker

Country walk or personal trainer?

Country walk

How many unread emails in your inbox?

Around 2,000

What’s your signature dish?

Pasta

I couldn’t get through my weekend without . . .

Football

[michaelsavageusa]

Pony Car Revolution: Mike Savage of New Canaan Unveils the Storied History of the Ford Mustang Muscle Car

The History of the Ford Mustang Muscle Car  - Mike Savage of New Canaan

The Ford Mustang, a symbol of American muscle and a pioneer in the pony car category, has etched an indelible mark on the automotive landscape since its inception in the 1960s. Mike Savage, an avid car enthusiast from New Canaan, provides a compelling journey through time, unveiling the rich and storied history of the Ford Mustang muscle car—a vehicle that transcends mere transportation and has become a cultural icon.

Birth of the Pony Car: 1964-1966

The story begins in 1964 when Ford unleashed the Mustang onto the automotive stage. "The Mustang wasn't just a car; it was a revolution," Mike Savage remarks. Introduced as a compact, affordable, and stylish sporty car, the Mustang ignited a new era of performance and personalization. "The 1965 model, often referred to as the '1964½' Mustang, was an instant hit, capturing the hearts of Americans and becoming a cultural phenomenon," Savage adds.

The Mustang's success can be attributed to its combination of sporty aesthetics, affordability, and a wide range of options for customization. It catered to a diverse audience, from young drivers seeking a stylish ride to performance enthusiasts yearning for a capable machine.

Performance Pinnacle: Shelby Collaboration and GT Models

In the mid-1960s, Ford joined forces with Carroll Shelby, a legendary figure in the automotive world, to create high-performance variants of the Mustang. Mike Savage highlights, "The Shelby GT350, introduced in 1965, elevated the Mustang's performance credentials with a modified V8 engine, upgraded suspension, and distinctive styling cues." The Shelby Mustangs would go on to become coveted classics, embodying the marriage of speed and style.

Simultaneously, Ford introduced GT models, including the GT350 and GT500, solidifying the Mustang's reputation as a legitimate muscle car. These models featured powerful engines, racing stripes, and aggressive design elements, signaling the Mustang's commitment to both performance on the track and bold aesthetics on the street.

Mach 1 and Boss Era: 1969-1971

As the 1960s gave way to the '70s, the Mustang continued its evolution with the introduction of the Mach 1 and Boss models. "The Mach 1, with its aggressive styling and powerful engine options, became an icon of the era," Savage notes. "Meanwhile, the Boss 302 and Boss 429 models were designed for racing, pushing the envelope of Mustang's performance capabilities."

These models represented Ford's commitment to dominating the tracks, with features such as distinctive hoods, spoilers, and high-revving engines. The Boss Mustangs left an enduring legacy, showcasing Ford's prowess in the world of muscle cars.

Challenges and Transformations: 1974-1993

The 1970s brought challenges for the automotive industry, including increased emissions regulations and oil crises. Mike Savage reflects on this period, stating, "The Mustang, like many other muscle cars, faced a period of transformation to adapt to changing times." The Mustang underwent changes in design, size, and performance to align with new regulations and consumer preferences.

However, the spirit of the Mustang endured, and Ford introduced the third-generation Mustang in 1979. Known as the "Fox Body" Mustang, it featured a more aerodynamic design and a focus on handling, setting the stage for the performance renaissance of the 1980s.

Performance Renaissance: 1994-2004

The early 1990s witnessed the resurgence of the Mustang's performance capabilities. "In 1994, the fourth-generation Mustang was introduced, embracing a retro-inspired design that paid homage to the classic Mustangs of the past," Savage highlights. "It was a rebirth of the Mustang's performance DNA, with a renewed emphasis on power and handling."

During this era, Ford introduced high-performance variants, including the SVT Cobra, showcasing the Mustang's ability to blend nostalgia with modern performance technology. The SVT Cobra boasted a powerful V8 engine and advanced suspension systems, capturing the attention of enthusiasts.

The New Millennium: Sleek Designs and Shelby Resurgence

Entering the new millennium, the Mustang continued to evolve with sleek designs and a nod to its heritage. "The fifth-generation Mustang, introduced in 2005, embraced a more modern and bold design while paying homage to the classic Mustang styling cues," Savage notes. "It was a time of renewed enthusiasm for the Mustang, with a focus on both aesthetics and performance."

The collaboration with Carroll Shelby saw a resurgence with the introduction of the Shelby GT500 in 2007, featuring a supercharged V8 engine that delivered unparalleled power and performance. The Shelby Mustangs of this era rekindled the excitement of the original Shelby models, becoming symbols of modern muscle prowess.

Sixth Generation and Beyond: Modern Muscle Icons

The introduction of the sixth-generation Mustang in 2015 marked a blend of contemporary design and cutting-edge technology. "The Mustang continued to evolve, incorporating advanced features while staying true to its performance roots," Savage observes. "Models like the Shelby GT350R showcased Ford's commitment to creating track-capable machines."

As the Mustang enters the present day, it stands as a modern muscle icon with a diverse lineup, including the powerful Shelby GT500. "The Mustang has not just survived; it has thrived, adapting to changing times while retaining its core identity as a symbol of American muscle and performance," Savage concludes.

Mike Savage's Connection to the Mustang Legacy

In reflecting on the Mustang's history, Mike Savage shares his personal connection to the iconic muscle car. "The Mustang has been a constant presence in my collection," he reveals. "Each model, from the classic variants of the '60s to the modern Shelby Mustangs, holds a special place in my garage. The Mustang's journey mirrors the evolution of American muscle, and it continues to inspire enthusiasts like me who appreciate the marriage of performance and style." In unveiling the captivating history of the Ford Mustang muscle car, Mike Savage pays homage to a vehicle that has transcended generations, leaving an enduring legacy as an embodiment of American automotive passion and performance.

[pinchtheprincess]

Every Sunday morning the actor Robert Carlyle grabs his mat and heads off for a session of “restorative yoga” in the Canadian port city of Vancouver, where he lives. There is one particular pose — called a “chest-opener”; you lie back, arms supported by bolsters, and release stress and feelings through the abdomen — that has produced remarkable results.

“You hold the pose for up to nine minutes and it releases emotions,” he says. “Out of nowhere I remembered this old lady leading me through the streets of Drumchapel in Glasgow when I was about seven years old, to go to see some wrestling. I hadn’t remembered her since I was a kid. I just lay there crying.”

Carlyle was brought up by his father, Joe, after his mother, Elizabeth, walked out to be with another man when he was four. His father was a painter and decorator, and the pair lived an itinerant existence around the UK in communes, shared houses and even tents. They lived in almost 100 homes. The old woman was his grandmother, Jean, who stepped in to help sometimes.

“That’s what set me off,” Carlyle says. “The realisation that this old woman was my dad’s mum, born in 1895 and survivor of two world wars. And here she was in her seventies, looking out for me when my dad was struggling to get to work.”

Carlyle left school at 16 and followed his father into painting and decorating. Aged 22, he discovered acting and, without formal training, appeared in The Hard Man, Tom McGrath’s play about the notorious Glasgow gangster Jimmy Boyle. After this he was encouraged to enrol at the Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Scotland).

In the early 1990s he made a name for himself in the ITV detective series Cracker, as well as playing Begbie, the charismatic psycho in the screen adaptation of Irvine Welsh’s novel Trainspotting. Carlyle was lauded as a raw talent able to articulate a new “dirty realism”, although it was his role in the 1997 stripper comedy The Full Monty and as James Bond’s ex-KGB nemesis Renard in the 1999 film The World is Not Enough that catapulted him to international stardom.

“I went through a stage of being very angry about my mother, and that helped to fuel some of those roles,” he says. “As for Begbie in Trainspotting, that was partly me and partly the odd genuine psycho I had encountered in Glasgow.”

At the height of his fame in the 1990s Carlyle was at the centre of Cool Britannia and simultaneously friends with Damon Albarn from Blur and Noel Gallagher, then in Oasis (Carlyle appeared in the video for the single Little By Little). Tony Blair even recommended him for an OBE in the 1998 new year’s honours list. And yet, while at drama school Carlyle feared he might never get work because he wasn’t “posh”.

Now he has come full circle because he is about to play the fictional British prime minister Robert Sutherland in the new six-part Sky drama series Cobra. “Before I opened the script, I actually thought it was about a snake,” he says. “That’s what living away from home does to you.”

Cobra in fact refers to the Cabinet Office Briefing Rooms, the government’s crisis centre where national emergencies from terrorist attacks to natural disasters are handled. In this case the threat comes from a geomagnetic storm resulting from a solar flare that is threatening the worldwide electrical infrastructure. Kettles stop boiling. Cities go dark. Planes drop from the sky.

Carlyle is rigorous in his preparation for roles. When cast as a bus driver in Ken Loach’s 1996 film Carla’s Song he qualified as one. “For a working-class guy from Glasgow, being a prime minister was always going to be challenging,” he says. “I listened to tapes of posh Scottish MPs like [the former foreign secretary] Sir Malcolm Rifkind. He’ll sound like a Scot most of the time, but there are certain turns of phrase when you think, ‘Are you sure this guy is for real?’”

Keen-eyed viewers will have seen Carlyle in the BBC’s adaptation of HG Wells’s The War of the Worlds as the “potentially gay” astronomer Ogilvy. But perhaps only true aficionados will have spotted him as John Lennon in the Beatles tribute film Yesterday. He appeared as a counterfactual, 78-year-old Lennon enjoying his dotage in a bungalow by the sea. Paul McCartney and Ringo Starr approved, but Lennon’s widow Yoko Ono wasn’t happy. “She didn’t like the idea of people seeing John get old, which I understand, but [the director] Danny Boyle argued that John is revered public property,” Carlyle says.

Carlyle wouldn’t accept a credit for the role. “That felt like too much. The chance to play a hero was enough. I don’t think it hurts to occasionally do things for love.”

Lennon’s relationship with his mother, Julia, was fractured too of course, and after a turbulent adolescence and having reached the top of his professional game, Carlyle came to yearn for a family. “I could go anywhere and have anything. [The 1990s] were an extraordinary time. But even then, I was quite a shy person, and I wanted kids and a home and a wife. Every day I am thankful that I found the most fantastic woman to do that with.”

Carlyle met his wife, the make-up artist Anastasia Shirley, while working on Cracker, and they have three children: Ava, 17, Harvey, 15, and Pearce, 13. After ten years in Vancouver, where Carlyle was making the US series Once Upon a Time, his children consider themselves Canadian. Sometimes they ask about his upbringing, an era referred to as his “black and white years”. “‘Dad, tell us about the black and white years,’ they say. It’s pretty heavy telling children about your mother leaving because they look frightened and say, ‘Are you going to bugger off as well?’ When I’ve reassured them, they just look sad. So I say to them, ‘Don’t be sad for me, I got all the love I ever needed. I don’t feel angry or aggrieved. It was her that missed out.’”

Carlyle’s father died of a heart attack in 2006, and in an attempt to work through his grief Carlyle embarked on a tour of the homes they shared together. “That tour was about confirming I had lived that life,” he says. “I’ve been honoured at Buckingham Palace. I’ve done a Bond movie. But I’ve also slept rough with my old man under Brighton pier. It can mess with your head. Going back reminded me where I’m from. I sat in the car weeping.”

For now the family remain in Canada while the children complete their schooling. At weekends he takes them to football, bakes bread (Carlyle taught himself after discovering that Lennon was an accomplished home baker) and the family sometimes go for walks in a local forest.

He celebrated New Year’s Eve in Scotland with his old friend Robert del Naja from Massive Attack and, sooner or later, the family will return for good. It’s striking that Carlyle has not lost his accent. “You don’t lose the accent unless you want to,” he says with a smile. “I love our life in Canada. It’s a beautiful country with beautiful people. But I only have to do a couple of yoga poses to know I’ve got a lot of Britain still inside of me.”

All episodes of Cobra are available from January 17 on Sky One and NOW TV

ROBERT CARLYLE’S PERFECT WEEKEND

Trainspotting or stamp collecting?

Neither — football

Independence or unity?

Unity and collaboration, always

Glasgow or Sheffield?

Glasgow

Green juice for breakfast or the full monty?

Full monty

Night in or night out?

Night in

Last film you saw?

Joker

Country walk or personal trainer?

Country walk

How many unread emails in your inbox?

Around 2,000

What’s your signature dish?

Pasta

I couldn’t get through my weekend without . . .

Football

[djones64080]

Women's Golf Clubs: What to Know, Where to Buy

The level of golfers who are ladies has become throughout the years, and today ladies make up a solid quarter or so of golfers. Ideally, that number keeps on developing.

As more ladies play golf, more golf club makers focus on the ladies' market. As more makers showcase their clubs to ladies, more ladies (likely) become urged to take up enthusiasm for golf. It's a decent cycle.

So what do you have to think about ladies golf clubs?

What organizations make clubs for ladies?

Would it be advisable for you to purchase a total set (regularly called a "boxed set") or fill your golf sack piece by piece?

It is safe to say that they are any not quite the same as men's clubs? Provided that this is true, how?

Do ladies truly need to purchase "ladies' clubs" or "women clubs?"

We should take each of these, each one in turn.

Significant Brands' Selections of Women's Golf Clubs

The market in ladies' golf clubs used to have more specialty organizations that worked in making clubs for ladies and less contributions from the significant golf makers.

That is not the case any longer. The greater part of the significant brands presently offer clubs and sets structured explicitly for ladies. What's more, on the off chance that they don't offer lines of ladies' clubs, most in any event offer "ladies' adaptations" of their "ordinary" clubs. That is, on the off chance that Major Brand X declares its most recent Whiz-Bang Driver, at that point it is considerably more likely nowadays (than previously) to likewise offer that driver in a ladies' model. (There still are a bunch of brands that have some expertise in ladies' clubs.)

The accompanying connections take you to the ladies' golf club segments of each brand's site, where you can perceive what's accessible and (now and again) additionally view evaluating:

1.Callaway

2.Cleveland

3.Coates

4.Cobra

5.Honma

6.Ping

7.PowerBilt

8.TaylorMade

9.Top-Flite

10.Tour Edge

11.Wilson

12.XXIO

13.Yonex

Different producers, including significant brands, may offer "ladies' models" of their clubs, yet without fundamentally having an area of their site gave to those clubs for ladies. So on the off chance that you have a brand at the top of the priority list however don't see it over, it's as yet worth looking at the organization's site.

All major online golf retailers, in addition to most physical golf retailers and huge box retail chains, additionally convey ladies' golf clubs - some of them conveying brand names found distinctly in retail outlets. To peruse an enormous choice, see different brands, and get a thought of estimating, look at Amazon.com's determination - peruse ladies' golf clubs on Amazon.

Box Sets versus Sorting Your Set Out

There is significantly more assortment (and name-brand alternatives) for female golfers in "box sets," or complete sets, of golf clubs than for men. That is, more organizations offer available to be purchased a full arrangement of clubs - a mix of driver, woods, cross breeds, irons, wedges, putter - across the board in the ladies' market.

Boxed sets can be a decent alternative for learners and for easygoing golfers (that is valid for ladies and men) on the grounds that, when all is said in done, they'll be a lot less expensive than purchasing a driver here, a lot of irons there, a putter without anyone else, etc.

Genuine golfers and the individuals who wish to be not kidding golfers are in an ideal situation going the last course: assembling the set piece by piece, since you'll have the option to fit each club or gathering of clubs to your own specs. (Club fittings are incredible approaches to do that.)

Amazon.com, once more, is a decent spot to research boxed sets - peruse ladies' finished sets on Amazon.

Are Women's Clubs Really Any Different Than Men's Clubs?

Truly! A golf club or set showcased as "ladies' clubs," "women clubs," or a "ladies' model" will, without a doubt, demonstrate a few contrasts.

The most clear is the shading and illustrations. Golf club producers stay persuaded that ladies lean toward pinks and pastels in their golf clubs!

Past the beauty care products, certain particular things are probably going to be distinctive in a ladies' club:

Lofts - the space points will in general be higher (more space) in ladies' golf clubs.

Shaft length - the poles will in general be shorter in ladies' clubs (on the grounds that the normal female golfer is shorter than the normal male golfer).

Shaft flex - the poles are progressively adaptable in ladies' clubs. The "L" flex rating means "Women," despite the fact that ladies surely don't all need L-flex shafts.

Untruth - the falsehood points in ladies' golf clubs will in general be increasingly upstanding (on the grounds that, the normal female golfer being shorter than the normal male, ladies will in general stand nearer to the ball at set-up).

Should Women Focus Only on 'Ladies' Clubs' or 'Women Clubs' When Shopping?

As we learned above, there truly are contrasts in golf clubs made for and promoted to ladies golfers, past just beautifying agents.

That doesn't imply that ladies can't or shouldn't investigate different clubs ("men's clubs"), as well, in the event that they wish. (For certain ladies, especially low-handicappers, men's clubs might be a superior fit.)

Here's a standard guideline: If you will purchase clubs off the rack, center around golf clubs showcased explicitly to ladies. For the reasons talked about above, they will most likely give a superior fit.

Be that as it may, on the off chance that you are happy to experience a club fitting and plan to practice and play a great deal of golf, at that point think about all alternatives.

[samleedlaw]

$22.8 Only! ~ Fujikura xlr8 pro 61 Stiff Flex Driver Shaft. Cobra F9 LH Adapter., Golf Shafts for Sale, Golf Shafts for Drivers, Golf Club Shafts Check This Out!

[pressmmorg]

How to change ps3 mac address with other os 3.55

HOW TO CHANGE PS3 MAC ADDRESS WITH OTHER OS 3.55 MOD

HOW TO CHANGE PS3 MAC ADDRESS WITH OTHER OS 3.55 PS3

HOW TO CHANGE PS3 MAC ADDRESS WITH OTHER OS 3.55 MAC

HOW TO CHANGE PS3 MAC ADDRESS WITH OTHER OS 3.55 MAC

Open Terminal and type macchanger -m 00:11:22:33:44:55 for change Mac address. Open Terminal and type ifconfig for see all the network card detailsĪs you can see your current MAC address is 66:7d:00:7a:9b:e9 You may even click Random MAC Address button to fill up a randomly selected MAC address from the vendor list available. Enter new MAC address in the field and click Change Now button. In the Information tab, find the Change MAC Address frame. You will get the details of your selection below. Open Terminal and type ifconfig for see all the network card details. Select the adapter you want to change the MAC address. Open Terminal and type ifconfig wlan0 up for enable wireless card

HOW TO CHANGE PS3 MAC ADDRESS WITH OTHER OS 3.55 MOD

Step 3. Open Terminal and type ifconfig wlan0 hw ether 00:11:22:33:44:55 where hw is for hardware, 00:11:22:33:44:55 is Mac address. PS3NewsPS3GOW3 (12/12) PS3PCPS3 Game Manager OVA v0.42c (12/11) PS3CFW4.81 STARBUCKS COBRA 7.40 CFW v1.01 by Habib (12/11) PS3AppwebMAN Mod v1.45.04 (12/10) PS3CFWCustom Firmware Ferrox 4.81 Cobra 7.3 noBD Edition (12/07) PS3PCTrueAncestor Backup Retailer v2. Step 2. Open Terminal and type ifconfig wlan0 down for disable wireless card

HOW TO CHANGE PS3 MAC ADDRESS WITH OTHER OS 3.55 PS3

Method 2: If your on windows and don't wont to download another os, download a program called UFS explorer, and you can successfully look at ps3 filesystem. Update the drivers, and should be viewable. Without the MAC address, the device cannot join the Wi-Fi Network to begin enrollment. Method 1: Basically get a linux based OS such as ubuntu, or debian (most favorited) plug in your HDD via sata cable. The core challenges with the requirements above are: The MAC Address can currently only be identified from the Settings app on the device, or from Intune after a successful enrollment. Here you can see current address is 66:7d:00:7a:9b:e9, now we need to change it. The MAC Address of the HoloLens Wi-Fi adaptor must be registered. Open Terminal and type ifconfig to see all the network card details. Let’s change MAC address in Linux operating system using manually and automatically method.Īlso See: To change MAC address in Windows 1. If someone is hosting or exchanging one of your MAC addresses, the only way to find a risky behavior is to raise awareness of the situation by seeing the same MAC address used in two or more locations on the WLAN, which can be difficult. Hackers can simply disperse UNIX MAC addresses, using the ifconfig command, and Windows, using the SMAC device or other tools. In that case, the most common hack to combat wireless networks, is to hijack the MAC address. This is where you configure your APs to enable only wireless clients with known MAC addresses to connect to the network. So, every time you reset the board, or upload a new code, it will get back to its default MAC Address. However, as explained previously, this doesn’t overwrite the MAC Address set by the manufacturer. Media Access Control (MAC) address is a standard method of wireless network protection. In some applications, it might be useful to give your boards a custom MAC Address.