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I think young Sunny would be the kind of kid who would want to play with any cape or cloak she sees.
#Giant Robo#ジャイアントロボ#Giant Robo OVA#ジャイアントロボ OVA#Giant Robo The animation#ジャイアントロボ THE ANIMATION#Sunny#Sunny the magician#Cervantes#Cervantes the dazzling#Dazzling Cervantes#Mitsuteru Yokoyama#横山光輝#Vintage manga#Vintage anime#My art
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Anna Rose O'Sullivan rehearses the Cupid Variation from Don Quixote (The Royal Ballet)
Love and friendship triumph in Carlos Acosta's vibrant production of this dazzling ballet. Anna Rose O'Sullivan of The Royal Ballet rehearses the Cupid Variation as part of the recent Insight event.
Don Quixote is one of Marius Petipa's much-loved 19th-century classics - its story is drawn from Miguel de Cervantes's classic novel and set to Ludwig Minkus's score. The ballet has long been acclaimed for its virtuoso dancing, beautiful and technically demanding 'vision scene' and the famously bravura and breath-taking Act III pas de deux.
Carlos Acosta's production was created for The Royal Ballet in 2013, and brings the sunshine of Spain and the exuberance of the entire Company to the stage. Acosta created new choreography for the gypsy scene in Act II, and uniquely for this production of Don Quixote added on-stage musicians. Warmth, charm and entertainment abound in this energetic and witty ballet, reflected too in the characterful backdrops of Tim Hatley's vibrant designs.
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The Golden Ass - Apuleius
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An enchanting story that has inspired generations of writers, including Boccaccio, Shakespeare, Cervantes and Keats Written towards the end of the second century AD, The Golden Ass tells the story of the many adventures of a young man whose fascination with witchcraft leads him to be transformed into a donkey. The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and initiates Lucius into her cult. It has long been disputed whether Apuleius meant this last-minute conversion seriously or as a final comic surprise and the challenge of interpretation continues to keep readers fascinated. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and sheer exuberance, and The Golden Ass remains the most continuously and accessibly
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October, the month dedicated to the Most Holy Rosary
October 7 is the feast of the Most Holy Rosary.
THE BATTLE OF LEPANTO - Part 2 by William Thomas Walsh
Conclusion of THE BATTLE OF LEPANTO
About two o'clock in the morning of Sunday, the seventh, there came up a fresh steady wind from the west, across the Ionian Sea, sweeping the stars and the wide bay clear of the wraiths of fog. Don Juan, lying sleepless in the cabin of his Real, saw that he was in the middle of what seemed a huge lake, flooded with moonlight. He gave the word, the great anchors were weighed and the sails unfurled, the whips cracked over the straining backs of the galley slaves, the great ships hove through the choppy waters, as if racing the dawn to the Albanian coast. When the sun came flaming up over the Gulf of Lepanto, Doria's lookout, in the vanguard, sighted a squadron of the enemy about twelve miles away, returning from a scouting trip to Santa Maura. The signal flag agreed upon was on the masthead of the royal frigate, where Doria was on watch.
"We must conquer or die here," said Don Juan, exultantly, and ordered a green banner displayed as a sign for all to get in battle array. The multiple banks of oars on the six great Venetian galeasses plunged into the sea, driving the massive hulks to their positions, two of them a mile in front of each of the three sections of the battle line.
The Venetian Barbarigo, with sixty-four galleys, veered as closely as possible to the Aetolian shore, to prevent an encircling movement by the enemy on the north. Don Juan commanded the center or batalla of sixty-three galleys, with Colonna and Veniero on either side of him, and Requesens in the ship behind him. Doria's squadron of sixty took the right wing, nearest the open sea, the most dangerous post of all. Thirty-five vessels were held in reserve in the rear under the Marques of Santa Cruz, with orders to give help wherever it might be needed. Thus the great fleet advanced into the Gulf of Patras, in a long arc extending over a league-and-a-half sea and gradually stiffening into a straighter line as the enemy came in sight.
The Turks, having a total of 286 galleys (for Hascen Bey had just arrived with 22 extra ones from Tripoli) against 208, had decided to fight, and were clearing their decks for action. Mohammed Siroco with 55 galleys opposed Barbarigo. Ali Pasha and Pertew with 96 faced the batalla of Don Juan. Aluch Ali with 73 took the side nearest the open sea, opposite Gianandrea Doria. There was also a squadron of reserve in the rear. The wind had shifted to the east, bringing on the Turks with bellied sails, while the Christians had to use their oars. Toward noon it almost died away. Four hours passed while both fleets made their preparations for combat.
Doria meanwhile came back in a swift frigate to consult with Don Juan and the others. According to one account he was averse, at the start, to giving battle to an enemy with so large a preponderance of heavy ships. He wanted a council of war, at least. But Don Juan cried, "It is time to fight now, not to talk"; and so it was agreed. Cabrera says Doria not only drew up the final battle order of the fleet, but suggested that the Generalissimo have the espolones cut away from the bows of his galleys. These were sharp spurs, fourteen feet long which could crash through the side of an enemy ship, doing great damage when propelled by the arms of a hundred galley slaves. It was obvious that in fighting at close quarters, hand-to-hand, ship locked to ship, they would be useless. Without them, too, Don Juan could place his bow guns lower, and hit the Turkish hulks nearer the water line. The plan was adopted. One after another down the long line the espolones splashed into the calm sea.
The young Admiral, now in his golden armor, went in a fast frigate from ship to ship, holding up an iron crucifix for all to see. "Hey, valorous soldiers!" he cried. "Here's the chance you wanted. I have done my part. Do you now humble the pride of the enemy and win glory in this holy fight. Live or die, be conquerors; if you die, you go to Heaven." The sight of the gallant young figure and the sound of his fresh voice had an extraordinary effect. A mighty shout answered him from each ship. There passed across the sparkling sea a long broken cheer as the Pope's banner of the League with the image of Christ Crucified catching the glint of the high sun, rose above the Real beside the blue flag of Our Lady of Guadalupe. On the forward mast of his flagship Don Juan had hung a crucifix which alone of all his effects survived the fire in his house at Alcala.
As the Turks advanced in a great half-moon he knelt on the prow and in a loud voice begged the blessing of God on the Christian arms, while priests and monks throughout the fleet held up crucifixes before the kneeling sailors and soldiers. The sun was now directly overhead. The clear water, almost unrippled, flashed back a tremulous replica in vivid colors of a thousand standards, streamers, pennons and gonfalons, the cold brilliant glitter of weapons and armor, the gold and silver of armaments, all wavering kaleidoscopically between the blue sea and the dazzling sky. A hush like that which comes just before the consecration of the Mass fell over the whole Armada. The Turkish side replied with the usual blood-curdling chorus of screams, hoots, jibes and groans, the clashing of cimeters on shields, the blaring of horns and trumpets. The Christians waited in silence.
At that moment the wind, which had thus far favored the Turks, shifted to the west and sped the Christian galleys on to the shock. Ali Pasha, in the Moslem center, opened the battle with a cannon shot. Don Juan answered, with another. As the Turkish oarsmen churned the sea, the six great galeasses of Venice opened fire with their 264 guns. This bombardment was not as devastating as had been expected, but it had the effect of breaking the enemy's line. The Turkish right was racing now to gain the open water between the Venetians and the Aetolian shore. Five ships closed upon the galley of Barbarigo, while the Moorish archers let fly clouds of poisoned arrows, which they preferred to firearms and used with more deadly effect. Ship to ship they were lashed now, fighting hand-to-hand. Huge Barbarigo fought like a lion, until, taking his shield from his face to shout an order, he was pierced through the eye with an arrow.
It was the Christian right that stood the heaviest attack. Doria was held in fear and respect by the Moslems. Moreover, he occupied the most dangerous post, where strategy and good sailing counted. If there was a match for him among the mariners of the Mediterranean, it was Aluch Ali, the Italian apostate. As the Turkish left tried to gain the open sea, to attack by poop and prow, Doria extended his line farther to the right, leaving a space between his squadron and the batalla. Aluch Ali swiftly changed his course and came crashing through the open space with his best ships, while his slower sailing galleys took the Genoese on the side toward the open sea. Doria, heavily outnumbered, fought a magnificent engagement. On ten of his vessels, nearly all the soldiers were killed in the first hour of the conflict. The handful of survivors fought on, desperately holding their ships in the hope of succor.
Santa Cruz' reserve, however, had gone to the aid of some of the Venetians on the left, and the whole batalla was locked in mortal conflict with the Turkish center. As soon as Ali Pasha saw where the holy flags flew over the galley of Don Juan, he drove straight for it. The two enormous hulks crashed prow to prow. Ali's ship was higher and heavier, and manned with 500 picked Janizaries.
The wisdom of Doria's advice to cut away the espolones was now apparent; while the Turk's artillery fired through the rigging of the Real, Don Juan's poured death into the ranks of the Janizaries as the ships grappled. Hand-to-hand they fought from one deck to the other, for two hours. Seven Turkish ships stood by to help the Sultana. As fast as the Janizaries fell on the decks, they were replaced by others from the hulks of reserve. Twice the horde of yelling Turks penetrated the Real to the main mast, and twice the Spaniards thrust them back. But Don Juan, with heavy losses, had only two ships of reserves. Fighting gallantly in a little ring of chosen Spanish cavaliers, he was wounded in the foot. His situation was extremely perilous, in fact, when Santa Cruz, having saved the Venetians, came to his aid and rushed 200 reserves aboard.
Heartened by this fresh blood, the Spanish threw themselves on Ali and his Janizaries so furiously that they hurled them back into their own ship. Three times the Christians charged, and three times the Turks cast them out over decks now red and slippery with blood, piled with heaps of dead men, ghastly mangled trunks, severed arms and legs still quivering. The two fleets were locked in the embrace of death, ships lashed by twos and threes in water already streaked with crimson from floating bodies and limbs. The din of musketry, screams of rage and pain, clash of steel on steel, thunder of artillery, falling of spars and lashing of bloody waters between rocking timbers resounded horribly all through the Sunday afternoon. Splendid and terrible deeds were done. Old Veniero, seventy years old, fought sword in hand at the head of his men. Cervantes arose from his bed of fever to fight and to lose his left hand. Young Alexander of Parma boarded a Turkish galley alone, and survived the experience. The moment was critical, and the issue still in doubt, when the magnificent Ali Pasha, defending his ship from the last Christian onslaught, was laid low by a ball from a Spanish arquebus. His body was dragged to the feet of Don Juan. A Spanish soldier triumphantly pounced upon it and shore away the head. One version says that Don Juan reproved him for this brutality. Another, more likely, says that the Prince impaled the head on the end of a long pike and held it up for all to see. Hoarse shouts of victory burst from the Christians on the Real, as they brushed the disheartened Turks into the sea and hoisted the banner of Christ Crucified to the enemy masthead. There was not a single hole in this flag, though the spars and masts were riddled, and the mainmast bristled with arrows like a porcupine. From ship to ship the shout of triumph was taken up, with the word that Ali was dead and the Christians had won. A panic seized the enemy, and he took to flight.
As the sun sank over Cephalonia, Doria's right wing was still furiously engaged with the Algerians. Gianandrea was red from head to foot with blood, but escaped without a scratch. When Aluch Ali saw that the Moslem fleet was getting the worse of it, he skillfully withdrew between the right and the center of the Christians. In the rear of Doria's fleet he came upon a galley of the Knights of Malta, whom he especially hated. He pounced upon it from the stern, slew all the knights and the crew, and took possession of the vessel; but when Santa Cruz attacked him, he abandoned his prize and fled with 40 of his best ships toward the open sea and the crimson sunset. Doria's fleet pursued him until night and the coming of a storm forced him to desist.
The Christians took refuge in the port of Petala, and there counted their casualties, which were comparatively light, and their booty, which was exceedingly rich. They had lost 8,000 slain, including 2,000 Spanish, 800 of the Pope's men, and 5,200 Venetians. The Turks had lost 224 vessels, 130 captured and more than 90 sunk or burned; at least 25,000 of their men had been slain, and 5,000 captured; 10,000 of their Christian captives were set free.
Don Juan at once sent ten galleys to Spain to inform the King, and dispatched the Count of Priego to Rome. But Pius V had speedier means of communication than galleys. On the afternoon of Sunday, October seventh, he was walking in the Vatican with his treasurer, Donata Cesis. The evening before he had sent out orders to all convents in Rome and nearby to double their prayers for the Victory of the Christian fleet, but now he was listening to a recital of some of his financial difficulties. Suddenly he stepped aside, opened a window, and stood watching the sky as if astonished. Then, turning with a radiant face to the treasurer, he said,
"Go with God. This is not the time for business, but to give thanks to Jesus Christ, for our fleet has just conquered."
He then hurried to his chapel to prostrate himself in thanksgiving. Afterwards he went out, and everybody noticed his youthful step and joyous countenance.
The first news of the battle, through human agencies, reached Rome by way of Venice on the night of October twenty-first, just two weeks after the event. Saint Pius went to St. Peter's in a procession, singing the Te Deum Laudamus. There was great joy in Rome. The Holy Father commemorated the victory by designating October seventh as the Feast of the Holy Rosary, and by adding "Help of Christians" to the titles of Our Lady in the Litany of Loreto.
From the very first Don Juan ascribed the triumph of his fleet to the powerful intercession of the Rosary Queen. The Venetian Senate wrote to the other States which had taken part in the Crusade: "It was not generals nor battalions nor arms that brought us victory; but it was Our Lady of the Rosary."
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What to Eat at Costa Rica’s Dazzling Mercado Central
Breakfast at Soda Tala: coffee, aguadulce en leche (panela or unprocessed cane sugar in warm milk), a Talapinto with salchichón, and a tortilla con queso.
Wander the maze-like aisles of San José’s historic market for gallo pinto, picadillo, and anything else you could ever want
When navigating Costa Rica, landmarks are your main guide. Though street and house numbers definitely exist, the country has never fully developed a nationwide address system. Instead, you find places according to their proximity to other places: houses that belonged to famous historical figures, government buildings, statues, restaurants, and even trees are all possible reference points. If it’s a well-known spot, it’s bound to be used in an address. And the Mercado Central is the best-known of them all.
Established in 1880 and located in the heart of downtown San José, the Mercado Central is the city’s main market and spans more than an entire block of the Avenida Central. It’s a winding labyrinth of alleys and narrow corridors overcrowded with herbal remedies, flowers, local handicrafts, leather goods, spices and, of course, food.
“People here like to think of it as Costa Rica’s first mall,” says Roberto Campos, the administrator of the Mercado Central. But to describe it as a mall would be underselling its cultural importance. The Mercado’s role in Costa Rican society is vast and nebulous; this is where home remedies, staple recipes, local crafts, and traditions have lived on for more than a hundred years. The building was formally declared a cultural patrimony (a designated place of cultural importance) in 1995.
One of the most enduring parts of the market’s charm are the sodas — small restaurant stalls and cafeterias — many of which have been operating with the same menus for more than a century. These casual eateries are where you can find some of the best traditional Costa Rican cooking from all over the country. But without much in the way of signage, finding the best sodas takes a little work: Ask other customers or vendors and follow the crowds.
In fact, it is said there are two things that will happen to anyone visiting the Mercado, regardless of whether you’re a regular or a first-time customer: you will get lost, and you’ll get distracted. The way the Mercado is organized is the result of organic growth over time rather than careful planning, which might explain why you’ll find a soda selling empanadas next to a jewelry shop, and a flower shop plunked in front of a spice stall. Some of the sodas are easy to spot and others a bit hidden, so it’s best to ask around if you’re looking for something specific. Better yet, explore.
At the time of writing, the COVID-19 regulations issued by the Costa Rican Ministry of Health still require all bars and cantinas to remain closed, including those at the Mercado Central. But the food stalls and other businesses are open as usual, from 6 a.m. to 6 p.m. every day. Some stalls accept cards and dollars, but Costa Rican colones are best. Here, then, is what to seek out for the ultimate taste of the Mercado Central.
Breakfast
The best-known breakfast dish — or possibly any dish — in Costa Rica is the gallo pinto, a magical concoction of rice and beans mixed together until the bean broth is completely absorbed by the rice. A typical gallo pinto breakfast is served with fried plantains, corn tortillas, slices of fresh cheese or a dollop of sour cream, and a protein of some sort: maybe bacon, sausage, a couple of fried eggs, fried cheese, or a steak.
At the Mercado Central, almost every soda offers its own take on the classic. Soda Tapia, a famous diner founded in 1893, serves a gallo pinto with plenty of olores (the Costa Rican version of the sofrito, with onion, cilantro, and sweet bell peppers) and optional sides including fried eggs, fried cheese, and slices of buttered bread.
Soda Tala serves another version of the gallo pinto known as the Talapinto: a thin egg omelet with chives at the base, a hefty portion of pinto, and a couple of slices of fried salchichón (sausage) on top. Natalia Cervantes (known as “Tala”) created the Talapinto at the behest of her customers, and it’s become so popular she’s trademarked the term.
Another popular breakfast dish here is the tortilla con queso or tortilla aliñada. Soda San Martín, founded in 1910, has two versions of this dish: the regular tortilla, which mixes fresh cheese into the white corn masa, and the tortilla rellena, a decadent riff stuffed with copious amounts of aged cheese and served with sour cream.
Gallos and Other Small Bites
A gallo, as defined by Costa Rican food historian Marjorie Ross, is something that can be wrapped up in a corn tortilla. That means just about anything can be a gallo, and virtually everything tastes better as one. One gallo is meant to be an appetizer; a couple make for a satisfying lunch, and you’ll find gallos at virtually every soda in the Mercado. Just pick your favorite filling.
At Soda San Bosco, which is right next to Soda San José, you can have a gallo de chile relleno (fried beef-stuffed peppers served over a couple of corn tortillas) or a gallo de barbudos (green beans, battered and fried). There’s even a gallo de canelón, which is a fried cannelloni filled with minced beef.
Gallos are also the perfect way to enjoy a good picadillo. The mixture of finely minced beef, vegetables, and spices is a requisite at any Costa Rican meal. Try the potato and chorizo version from Soda Flor del Carmen. The earthiness of the achiote, a red-hued spice commonly used throughout Central and South America, accentuates the heat of the chorizo.
The taco de camarón from Soda Flor del Carmen
And then, of course, there’s the almighty empanada, that stuffed-and-fried pocket of white corn masa that’s a ubiquitous street snack throughout Costa Rica, and much of Latin America. Recipes vary by region, and many are represented at the Mercado. The empanadas from Soda Puntarenas are considered some of the best in San José, perfectly spiced and crispy. The empanadas at Soda San Martín are known for their crunchy, herbed masa that goes great with cheese. The ones from Soda Flor del Carmen feature inventive fillings, like the pizza-flavored empanada and potato picadillo.
Lunch and Bigger Plates
Virtually every soda at the Mercado Central has its own twist on the Costa Rican casado, a combo plate of rice, beans, a protein of any kind (usually grilled or breaded chicken, pork chop, steak and onion, or fish) and salad. The formula is basic, but how each soda interprets it is what’s fascinating.
At Soda San José, the casado includes an option of chicken in tomato sauce or breaded fish, served alongside starchy sides including parboiled potatoes and spaghetti. The owner, doña Tere, always asks if you want an additional side of salad or tortillas. Soda Cristal’s casado, on the other hand, includes either breaded chicken or fish with accompaniments like a riff on Russian beet salad, spaghetti, tortilla chips, and picadillo, and a bowl of beef broth called sustancia.
Soda San Martín, which also offers casados, is known for another traditional Costa Rican dish — the olla de carne, a beef-and-vegetable stew boiled for several hours until the meat is soft and flaky. This version comes in three separate bowls: one with clear beef broth, another with meat and vegetables, and a third with plain white rice. You could try each bowl separately, but the idea is to gradually add the rice and vegetables to the broth, mixing them all together.
The caldosa — a type of Costa Rican ceviche served in a bag of Picaritas (a local brand of barbecue-flavored corn chips) — from Marisquería Costa Rica
The Mercado Central is one of the few places that still sells figurines of Nigüenta, a popular character in Costa Rican folklore, which are believed to bring good luck.
The Mercado Central is a point of confluence for many regional cuisines, and few are featured as prominently as the marisquerías, or fish shops, from the Pacific Coast. Seek out the arroz con camarones (stir-fried rice with shrimp) at the Marisquería Costa Rica, fish soup at Marisquería San José, or fried sea bass at Soda Cristal.
Coffee and Dessert
In a country known for incredible brews, a quick stop at Cafetería Central for a cup of coffee is mandatory before leaving the market. Ask for a café chorreado, a pour-over method specific to Costa Rica that uses a wooden stand fitted with a cotton sack in lieu of a paper filter.
For something sweet, La Sorbetera de Lolo Mora offers helado de sorbetera, or artisanal ice cream. “Sorbetera” is the Costa Rican Spanish word for the hand-crank ice cream maker. There’s only one flavor here, but it’s the only one you need: a delicately spiced vanilla ice cream with hints of nutmeg, cinnamon, and clove. It’s been made the same way by the Mora family for more than a century.
But if variety is your thing, try the specialty scoops at Soda Tapia in flavors like cas (a relative of the guava) and soursop, topped with chopped tropical fruits and heaps of cherry gelatin.
Lolo Mora’s famous artisanal ice cream with fruit, gelatin, and wafers
Sofía González is a Costa Rican food, culture, and technology writer living in San José.
from Eater - All https://ift.tt/2IpebyG https://ift.tt/3kmUoNA
Breakfast at Soda Tala: coffee, aguadulce en leche (panela or unprocessed cane sugar in warm milk), a Talapinto with salchichón, and a tortilla con queso.
Wander the maze-like aisles of San José’s historic market for gallo pinto, picadillo, and anything else you could ever want
When navigating Costa Rica, landmarks are your main guide. Though street and house numbers definitely exist, the country has never fully developed a nationwide address system. Instead, you find places according to their proximity to other places: houses that belonged to famous historical figures, government buildings, statues, restaurants, and even trees are all possible reference points. If it’s a well-known spot, it’s bound to be used in an address. And the Mercado Central is the best-known of them all.
Established in 1880 and located in the heart of downtown San José, the Mercado Central is the city’s main market and spans more than an entire block of the Avenida Central. It’s a winding labyrinth of alleys and narrow corridors overcrowded with herbal remedies, flowers, local handicrafts, leather goods, spices and, of course, food.
“People here like to think of it as Costa Rica’s first mall,” says Roberto Campos, the administrator of the Mercado Central. But to describe it as a mall would be underselling its cultural importance. The Mercado’s role in Costa Rican society is vast and nebulous; this is where home remedies, staple recipes, local crafts, and traditions have lived on for more than a hundred years. The building was formally declared a cultural patrimony (a designated place of cultural importance) in 1995.
One of the most enduring parts of the market’s charm are the sodas — small restaurant stalls and cafeterias — many of which have been operating with the same menus for more than a century. These casual eateries are where you can find some of the best traditional Costa Rican cooking from all over the country. But without much in the way of signage, finding the best sodas takes a little work: Ask other customers or vendors and follow the crowds.
In fact, it is said there are two things that will happen to anyone visiting the Mercado, regardless of whether you’re a regular or a first-time customer: you will get lost, and you’ll get distracted. The way the Mercado is organized is the result of organic growth over time rather than careful planning, which might explain why you’ll find a soda selling empanadas next to a jewelry shop, and a flower shop plunked in front of a spice stall. Some of the sodas are easy to spot and others a bit hidden, so it’s best to ask around if you’re looking for something specific. Better yet, explore.
At the time of writing, the COVID-19 regulations issued by the Costa Rican Ministry of Health still require all bars and cantinas to remain closed, including those at the Mercado Central. But the food stalls and other businesses are open as usual, from 6 a.m. to 6 p.m. every day. Some stalls accept cards and dollars, but Costa Rican colones are best. Here, then, is what to seek out for the ultimate taste of the Mercado Central.
Breakfast
The best-known breakfast dish — or possibly any dish — in Costa Rica is the gallo pinto, a magical concoction of rice and beans mixed together until the bean broth is completely absorbed by the rice. A typical gallo pinto breakfast is served with fried plantains, corn tortillas, slices of fresh cheese or a dollop of sour cream, and a protein of some sort: maybe bacon, sausage, a couple of fried eggs, fried cheese, or a steak.
At the Mercado Central, almost every soda offers its own take on the classic. Soda Tapia, a famous diner founded in 1893, serves a gallo pinto with plenty of olores (the Costa Rican version of the sofrito, with onion, cilantro, and sweet bell peppers) and optional sides including fried eggs, fried cheese, and slices of buttered bread.
Soda Tala serves another version of the gallo pinto known as the Talapinto: a thin egg omelet with chives at the base, a hefty portion of pinto, and a couple of slices of fried salchichón (sausage) on top. Natalia Cervantes (known as “Tala”) created the Talapinto at the behest of her customers, and it’s become so popular she’s trademarked the term.
Another popular breakfast dish here is the tortilla con queso or tortilla aliñada. Soda San Martín, founded in 1910, has two versions of this dish: the regular tortilla, which mixes fresh cheese into the white corn masa, and the tortilla rellena, a decadent riff stuffed with copious amounts of aged cheese and served with sour cream.
Gallos and Other Small Bites
A gallo, as defined by Costa Rican food historian Marjorie Ross, is something that can be wrapped up in a corn tortilla. That means just about anything can be a gallo, and virtually everything tastes better as one. One gallo is meant to be an appetizer; a couple make for a satisfying lunch, and you’ll find gallos at virtually every soda in the Mercado. Just pick your favorite filling.
At Soda San Bosco, which is right next to Soda San José, you can have a gallo de chile relleno (fried beef-stuffed peppers served over a couple of corn tortillas) or a gallo de barbudos (green beans, battered and fried). There’s even a gallo de canelón, which is a fried cannelloni filled with minced beef.
Gallos are also the perfect way to enjoy a good picadillo. The mixture of finely minced beef, vegetables, and spices is a requisite at any Costa Rican meal. Try the potato and chorizo version from Soda Flor del Carmen. The earthiness of the achiote, a red-hued spice commonly used throughout Central and South America, accentuates the heat of the chorizo.
The taco de camarón from Soda Flor del Carmen
And then, of course, there’s the almighty empanada, that stuffed-and-fried pocket of white corn masa that’s a ubiquitous street snack throughout Costa Rica, and much of Latin America. Recipes vary by region, and many are represented at the Mercado. The empanadas from Soda Puntarenas are considered some of the best in San José, perfectly spiced and crispy. The empanadas at Soda San Martín are known for their crunchy, herbed masa that goes great with cheese. The ones from Soda Flor del Carmen feature inventive fillings, like the pizza-flavored empanada and potato picadillo.
Lunch and Bigger Plates
Virtually every soda at the Mercado Central has its own twist on the Costa Rican casado, a combo plate of rice, beans, a protein of any kind (usually grilled or breaded chicken, pork chop, steak and onion, or fish) and salad. The formula is basic, but how each soda interprets it is what’s fascinating.
At Soda San José, the casado includes an option of chicken in tomato sauce or breaded fish, served alongside starchy sides including parboiled potatoes and spaghetti. The owner, doña Tere, always asks if you want an additional side of salad or tortillas. Soda Cristal’s casado, on the other hand, includes either breaded chicken or fish with accompaniments like a riff on Russian beet salad, spaghetti, tortilla chips, and picadillo, and a bowl of beef broth called sustancia.
Soda San Martín, which also offers casados, is known for another traditional Costa Rican dish — the olla de carne, a beef-and-vegetable stew boiled for several hours until the meat is soft and flaky. This version comes in three separate bowls: one with clear beef broth, another with meat and vegetables, and a third with plain white rice. You could try each bowl separately, but the idea is to gradually add the rice and vegetables to the broth, mixing them all together.
The caldosa — a type of Costa Rican ceviche served in a bag of Picaritas (a local brand of barbecue-flavored corn chips) — from Marisquería Costa Rica
The Mercado Central is one of the few places that still sells figurines of Nigüenta, a popular character in Costa Rican folklore, which are believed to bring good luck.
The Mercado Central is a point of confluence for many regional cuisines, and few are featured as prominently as the marisquerías, or fish shops, from the Pacific Coast. Seek out the arroz con camarones (stir-fried rice with shrimp) at the Marisquería Costa Rica, fish soup at Marisquería San José, or fried sea bass at Soda Cristal.
Coffee and Dessert
In a country known for incredible brews, a quick stop at Cafetería Central for a cup of coffee is mandatory before leaving the market. Ask for a café chorreado, a pour-over method specific to Costa Rica that uses a wooden stand fitted with a cotton sack in lieu of a paper filter.
For something sweet, La Sorbetera de Lolo Mora offers helado de sorbetera, or artisanal ice cream. “Sorbetera” is the Costa Rican Spanish word for the hand-crank ice cream maker. There’s only one flavor here, but it’s the only one you need: a delicately spiced vanilla ice cream with hints of nutmeg, cinnamon, and clove. It’s been made the same way by the Mora family for more than a century.
But if variety is your thing, try the specialty scoops at Soda Tapia in flavors like cas (a relative of the guava) and soursop, topped with chopped tropical fruits and heaps of cherry gelatin.
Lolo Mora’s famous artisanal ice cream with fruit, gelatin, and wafers
Sofía González is a Costa Rican food, culture, and technology writer living in San José.
from Eater - All https://ift.tt/2IpebyG via Blogger https://ift.tt/38G1cDw
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Would anyone be interested in purchasing a GR themed acrylic keychain with this design? If I make them, I'll probably sell them for about 12$ USD. I want them to have a glitter effect, which costs more to produce.
The big watermark won't be on the final keychain by the way, I just don't want anyone to steal this design. You can find the poll here.
#Giant Robo#ジャイアントロボ#Giant Robo OVA#ジャイアントロボ OVA#Giant Robo The Animation#ジャイアントロボ THE ANIMATION#Giant Robo The day the earth stood still#Alberto#Alberto the impact#衝撃のアルベルト#Cervantes#Dazzling Cervantes#Ko Enshaku#Ko-Enshaku#Mitsuteru Yokoyama#My art
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Quichotte
Quichotte by Salman Rushdie
In a tour-de-force that is both an homage to an immortal work of literature and a modern masterpiece about the quest for love and family, Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixote for the modern age. Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen”. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own. Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.
Download : Quichotte Quichotte More Book at: Zaqist Book
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The Royal Ballet rehearse the Act III Pas de deux from Don Quixote (Naghdi, Sambé)
Love and friendship triumph in Carlos Acosta's vibrant production of this dazzling ballet. Yasmine Naghdi and Marcelino Sambé of The Royal Ballet rehearse the Act III pas de deux as part of the recent Insight event.
Don Quixote is one of Marius Petipa's much-loved 19th-century classics - its story is drawn from Miguel de Cervantes's classic novel and set to Ludwig Minkus's score. The ballet has long been acclaimed for its virtuoso dancing, beautiful and technically demanding 'vision scene' and the famously bravura and breath-taking Act III pas de deux.
Carlos Acosta's production was created for The Royal Ballet in 2013, and brings the sunshine of Spain and the exuberance of the entire Company to the stage. Acosta created new choreography for the gypsy scene in Act II, and uniquely for this production of Don Quixote added on-stage musicians. Warmth, charm and entertainment abound in this energetic and witty ballet, reflected too in the characterful backdrops of Tim Hatley's vibrant designs.
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📚 Buy it through our online bookstore. - In a tour-de-force that is both an homage to an immortal work of literature and a modern masterpiece about the quest for love and family, Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixote for the modern age. Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen”. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own. Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction. https://www.instagram.com/p/B2YrEKggmmJ/?igshid=kje8c3lemxru
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Philippines
After a night of indulging in the luxury of Singapore airport, I arrived in Manila nicely on time for Bamsi's arrival. How great it was to be reunited after 7 months!! 👯 We literally took hours to catch up still at the airport. 😂 The remainder of the day we spent designing our itinerary, before we took off to start our 5 weeks of adventure. As the situation in the south was very unstable, we decided to stay on Luzon. Our stay in the Philippines ended up to be short, but sweet. Of the 9 days that we spent exploring Luzon we probably spent over 50% in any type of bus, but luckily many adventures happened along the way and these were the highlights: # After a night in Manila we made our way up north to Vigan, an old Spanish colonial city with a lovely old center. The Spanish street style combined with the horses and carriages, the old buildings, the helpful and friendly people, the magical fountain show and the shining sun made it a perfect place to warm us up to Luzon. 🌞 # Using a public bus, 3 different but all very local and overused minivans and a typically Philippino jeepney we made our way past countless stunning views from Bitalag to Cervantes to Abatan to Bontoc and finally to Sagada. This sleepy village in the heart of the cordillera used to be home to the Igorot tribe that has some interesting traditions for the burial of their ancesters. The deceased men who past 80 years of age are buried in foetal position in tiny coffins that hang from the wall of a cliff. This way they are closer to nature and closer to heaven when they decease. The women and younger deceased are buried inside various caves. Over the years with the American influence, more and more people became catholic so this type of burial isn't very popular anymore. There are however still some people opting for a hanging afterlife and the newest coffin was placed in 2010. An interesting tradition with an interesting view! # Being in such tiny places with rich histories and little modern developments is very interesting, but has some disadvantages as well. One of them became very real in Sagada; we could not get any money from the only ATM in town, our cash was running out quickly and not a single place would accept any of our cards. Sooner than planned we thus continued our way to our next destination, hoping we could get some cash in the larger Bontoc on the way. When in Bontoc, with the next 1 hour jeepney to Banaue already full and waiting for us to leave, we tried all ATMs, banks and other possibilities but none would accept our cards. Oh oh... This left us only one option: to go out of the way to the closest big city. This city was Baguio, located a 6 hour drive away in exactly the opposite of our desired direction and we did not even have enough cash left to pay a ticket for the bus. 😫 Luckily we met the friendliest local lady who prepaid for our tickets, had her husband fetch us upon arrival in Baguio, took us along different ATMs until we found one that would give us cash and then got us back on a minivan that took us straight back past Bontoc to Banaue through the night. So a 14 hour detour, a LOT of hassle and discomfort later we finally reached Banaue. A big shout out to this lady and her family, if it wasn't for them we would not have made it!! 🙌 # Completely exhausted we first checked into a little hostel to catch some sleep, before we continued our travels to the tiny village of Batad. For first part of this route we took a tricycle, but the last part of the route to Batad, located in the midst of the mountains and countless terraces of rice, can only be crossed by foot. On this last bit of the route we were overtaken by a local guy carrying a large number of concrete bricks running down the narrow and rocky path, who stopped to ask if we were interested in a local guide. We were, so we would meet each other in the village and he ran off. At the end of the path we were welcomed into Batad with the most breathtaking view of the bright green ricefields with stunning stone walls covering the mountains as far as we could look, decorated with the tiny village in the valley and a river running along its side. The sun was shining and countless colourful dragonflies flew around us; what a beautiful place!! The guy with the bricks introduced us to a local homestay and after a short lunchbreak his wife Eliza took us along into the valley. Eliza was an amazing guide, telling us all about the history of the rice terraces, the life in the communities and the local traditions. While we walked up and down the steep mountains and through the terraces on the narrowest paths with 5m drops, she amazed us with her stories about that the rice harvest isn't even enough to feed the local communities, that richdom is measured in the amount of children one has and that insane prices are paid for pigs and buffalos for traditional celebrations. After a rather intense walk we reached the highest viewpoint, which gave us a majestic view over all of Batad and behind and it absolutely blew our minds! Still dazzled, we descended into the village of Cambullo where we visited local homes and baught some ridiculously overpriced water before we headed back to Batad for the night. In the morning Eliza took us all the way down the valley to the waterfall, where we had a lovely refreshing swim before we had to climb right back up the mountain. On the way we passed tiny local shops selling "I survived Batad"-shirts in different colours, quite on spot! 😂 It sure wasn't easy, just like our adventures to get there, but the struggle was worth it for sure. Batad truly is an amazing place!! 🙌 Another nightbus took us from Banaue back to Manila, where we spend a final day of riding jeepneys, visiting malls and exploring the rather disappointing Intramuros and surrounds. And then it was time to head back to the airport, with mixed feelings and so much ground left unexplored. I will have to come back to the Philippines one day, but for now: off to Indonesia! 👯🏝🇲🇨
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Soulcalibur VI review | Rock Paper Shotgun
Developer: Bandai Namco Studios Writer: Bandai Namco Leisure
Launch: Out now On: PC From: Steam Value: £50, $60, €60
That is Hooves. He likes to stab and parry and slash and communicate in an alien tongue about how good he’s in any respect of these issues. Hooves additionally enjoys setting people on hearth, and paralysing individuals with horrifying runes, which has led some observers (me) to dub him “Horse Geralt” after the hero of The Witcher three. Unbeknownst to Hooves, he is a clone of the Witcher. That’s proper, poor horsey doesn’t even know who daddy is.
Though this backstory of Hooves’ is my very own dumb invention, it’s no extra fanciful than any of the opposite tales in preventing sport Soulcalibur VI, a rampant, fun-loving area of swordplay and silliness.
To get one thing out of the way in which: I’m a preventing video games dabbler. An indignant wee toad, not a champion. I wouldn’t swear on a replica of Road Fighter II in court docket, however I benefit from the odd bust-up in Tekken 7 or For Honor or Absolver. There’s a tense satisfaction in memorising the appropriate button-slaps for a vaulting deathkick or a flurry of needle-like pokes. And much more satisfaction in stunning your self, and finishing up these dance-like combos in the course of sloppy battle towards some nervy skeleton in a giant costume. However extra on the odd warriors of this explicit preventing sport in a second. First, we should contemplate the constancy of its stabbing. That’s crucial.
The fundamentals are easy sufficient. There are horizontal assaults, vertical assaults, kicks and a guard button. It’s simple stuff, largely. Every character’s movelist is split into totally different pages. A single web page provides you all their predominant assaults: the slashes and lunges and heelstomps you’ll discover most helpful. It’s a strong introduction to every swordsperson. Maxi is a dandy who likes to hit individuals with nunchaku, for instance, after which he does a somersault, most likely from pleasure. Xianghua is a lady with a wobbly sword. She is blood kind B, and likes to carry out the next strikes: murdering you.
There’s additionally an honest tutorial constructed into the “Libra of Soul” mode. This can be a sort-of-RPG through which you journey round a map preventing pc enemies for factors. It’s largely good for studying the fundamentals by preventing an AI sensei early within the journey, who tells you the best way to parry correctly. All these educating strategies and coaching modes make the sport really feel like a great place to shuffle into the Soulcalibur world, and for a Tekken boy like me, that’s largely true. However being a Tekken boy, I’m additionally immunised towards a sure flaw of 3D fighters: terrible storytelling.
The story mode here’s a dangerous anime folded upon itself a number of occasions, like a soggy origami crane. Every character will get their very own paper sculpture of cringey dialogue and scatterbrained plot on prime of the vanilla marketing campaign. For loreheads, perhaps there’s something in these tales, however there wasn’t for me. And I’m guessing even followers care little about Xianghua’s quest for the sword of legend, or Kilik’s quest for the sword of legend, or Taki’s quest for the– you get the concept. The actual thrill is within the sidestep, the parry, the launcher.
Right here’s the place it will get complicated. Coming from Tekken or Road Fighter, the hidden sport of rock-paper-scissors-guard-throw-break-parry-reversal-counter leaves me a bit feverish. In multiplayer, the sport throws all its weight at you quickly sufficient. Making an attempt to take care of the onslaught, I delved deeper into the coaching modes, and shortly lumps of jargon have been sticking to my eyelids like gore. Deadly hits, guard impacts, reversal edge, run counters, soul cost, reverse impacts. Razzle dazzle preventing sport terminology. It’s nothing a diehard biffer received’t have the ability to swallow in a single gulp, however a slowpoke similar to I wants a little bit of time to sup.
However studying is nice. And you may solely actually study within the ring. Right here, glowing results and pop-up notes spotlight the risks. I do know when Nightmare (giant, impolite man whose solely good friend is a sword with a watch) spouts flames that he’s charging up an unblockable assault. I do know when Seong Mi-na (unremarkable lady everybody within the village needs to marry) twirls her pointy Guandao above her head that she is “soul charged” and can now do extra-damaging strikes. I do know when Cervantes (zombie pirate and creator of Don Quixote) strikes me with a crimson slash it means a “reversal edge”.
This can be a good ‘un, the previous reversal edge. It’s a cinematic second through which every participant has to decide to a single assault, or carry out a feisty dodge. It’s nice stuff, particularly whenever you each go for a similar transfer, clanging off one another and leaping again in a panic, earlier than taking yet another hectic guess. It’s a bit extra sophisticated than rock, paper, scissors. However mainly: a sideways slice will beat somebody attempting to kick you, a kick will beat somebody attempting to hack into you with a vertical hit, and a vertical chop will beat somebody swinging from the facet.
However when this and different strikes are all combined collectively by a well-trained participant, I fall to items. Which means two issues: I have to get higher. And that is extra sophisticated than it first seems to be.
Right here’s the place the “fight classes” are neat. These are small “the best way to” manuals for every assassin. They’re dry textual content dumps however in addition they break down the essential technique for every character. I thumbed by the recommendation for stick-swinging Kilik, for instance, and discovered the best way to maintain foes at vary with a handful of staple strikes: extensive, sweeping swings of his bo employees. Positive sufficient, after I went into an actual battle with that mentality, it labored. Wanting by Horse Geralt’s fight classes, I see that some strikes whip out his silver sword, which does extra harm to opponents pumped stuffed with soul cost. In different phrases, a great way to place down a raging bull of a participant.
These are the small print you usually have to search for in YouTube movies stuffed with impenetrable chess-like notations. I like these movies, however I’m glad to have some fundamentals defined within the sport itself, as a result of I’m an fool. 4 paragraphs in the past I wrote a couple of Guandao. I had no concept it was known as that. I needed to look it up by googling “chiense spear” [sic].
However I’ve been dancing across the true great thing about Soulcalibur VI lengthy sufficient. The character creator is the true star of this sport. It’s a feast of potentialities, providing you a bunch of fantasy races to base your character on, then forcing you to repeat and paste the preventing model of a predominant character into their slider-born physique. I’ve made a complete gang of lizard lads, and photographed them as in the event that they have been indulging in some reptilian stag do. I’ve created total Halloween boybands, mummies in waistcoats, orcs in hotpants, a skeleton with a bandana.
But all that is nothing in comparison with the hideous creativeness of the internet-at-large. Any individual has made Marge Simpson. Any individual made a Xenomorph. There’s Zoidberg and The Hulk and “Sexy Venom”. There are such a lot of good issues. Right here is Spiderman preventing a fully-functioning Magikarp.
The moment-to-moment preventing is robust stuff. While you and an opponent get right into a string of blocks and geese and parries, it takes on the power of a lethal tennis rally, and that’s all I actually demand from a preventing sport: a handsome injection of adrenaline. But it surely’s the preposterous and fantastic character creator that makes the entire thing stand out, offering sufficient daftness to take the sting of that adrenal hit. For lengthy stretches, I put aside the shoulder-hunching stress of ranked mode and simply frolicked in informal rooms, preventing shapeshifters and stone individuals and elves and inappropriately proportioned rabbit girls. Though, that model of fighter isn’t restricted to participant creations.
Leeriness is hard-coded into this sport. Girl swordsters duel with boobs akimbo, nipples perking by their leotards, asses clamouring to flee the claustrophobic boundaries of a HD monitor. Pull off the appropriate strikes and you’ll hit your opponent so arduous that their garments come off or deteriorate, and although this impacts all fighters, it’s arduous to not elevate a sceptical eyebrow at such a schoolboy characteristic, seemingly designed to let gamers lech a glimpse at Sophitia’s sideboob. None of this takes away from the clashing of spear and dagger, the standard of the preventing itself, however it nonetheless feels immature and embarrassing.
This lizard with a dick is ok although.
In all, I’m happy by my scrappy fights, and my tutelage of Hooves the horse man continues. One unhappy factor to notice is that £50 is a excessive worth, a fandom worth, and that’s a pity. As a result of the character creator, thorough tutorials and RPG-ish story modes are an open-armed invitation to people who would possibly usually run away from preventing video games with their arms flailing. I think about lapsed followers too, these bizarre vampires and demons and nightmarish Sonics would possibly assume to themselves: “I used to like Soulcalibur. Possibly I might…” However then they’ll see the worth tag, and all that good will and Dreamcast nostalgia will vanish like a closed browser tab.
If that’s you, I can’t blame you. You could possibly purchase a smelly armchair from Greg down the highway for £50, and also you’d most likely get simply as a lot adrenaline and problem from getting that into your third flooring house as you’ll preventing one other terrifying Voldo to the demise. However the second this goes on sale, good friend, the very second it drops its guard – you slice open your pockets and let it bleed. Since you’ll by no means have a good friend like Hooves.
from SpicyNBAChili.com http://spicymoviechili.spicynbachili.com/soulcalibur-vi-review-rock-paper-shotgun/
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Spain Itinerary: The Perfect 10 Days
Day 1: Madrid
Retiro Park/Oyster
You’ve arrived in Spain’s vibrant and elegant capital city, likely after a long flight. Hope you got some sleep! Check into your hotel, where you’ll stay for three nights, and drop off your luggage so that you can hit the pavement. Madrid is the heart of all that makes modern Spain tick, offering world-class museums, charming cafes, amazing tapas, cosmopolitan nightlife, and an excellent metro system to get around. Take an Urban Adventures walking and tapas tour through the city’s well-known sites like Plaza Mayor, the Royal Palace of Madrid, and Puerta del Sol, and meander through Retiro Park if the weather is nice.
If you’d prefer a cultural romp through the city, take some time to explore Barrio de las Letras, where several of Spain’s most famous writers lived (including Cervantes). Look for famous literary quotes and colorful bohemian art that line the cobblestone streets. Also known as Huertas, this part of town is located in between Madrid’s most famous museums: The Prado, Reina-Sofia, and Thyssen-Bornemisza. Hitting up all three in one day is a fool’s errand, so pick one for your first day and save another for your second.
Once you’re changed for the evening, head to Templo de Debod, an ancient Egyptian temple moved here from Aswan and rebuilt in the city. Crowds tend to gather nightly to watch the stunning sunset view. Linger through the area until dusk, and then head to one of the cool restaurants in Malasaña or Chueca for dinner.
Where to Stay in Madrid: Petit Palace Plaza del Carmen
The Superior Family Room at the Petit Palace Plaza del Carmen/Oyster
Our top Madrid hotel pick is the sleek Petit Palace Plaza del Carmen, located on an attractive square near Sol, surrounded by restaurants, shops, and attractions. Modern, yet budget-friendly, rooms have floor-to-ceiling windows, laptops for guest use, and free Wi-Fi; additional hotel freebies include bike rentals and coffee in the lobby.
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Day 2: Madrid Like a Local
Plaza de San Andrés/Oyster
Spend your second day in Madrid getting to know the city on a more intimate level. Start your day off with a Spanish breakfast of pan con tomate (toast rubbed with tomato and sprinkled with a little salt and olive oil), which can be found at any cafe. Pair it with cafe con leche (coffee with milk) and a glass of zumo de naranja natural (freshly squeezed orange juice) for a true Spanish experience.
Afterward, take to the streets. This is one of the best ways to experience local neighborhoods like Malasaña, which is the hipster heart of the city, or LGBTQ-friendly Chueca. Both districts — which are side by side — are packed with boutiques and shops (but note that smaller stores close for the siesta — generally from 3 to 5 in the afternoon). You’d also do well to explore Lavapies, which is home to a majority of the city’s immigrant community, amazing art galleries, and community spaces like the fascinating La Tabacalera, and art and activism center that makes a rebellious counterpoint to The Prado and Reina Sofia.
For lunch, head to one of Madrid’s many colorful markets sampling jamon and cheese, patatas bravas, jamon serrano, Spanish tortilla, and a variety of pinchos and tapas. We recommend Mercado de la Cebada in La Latina for something that’s less touristy than the overpriced Mercado San Miguel. If you’re in town on a Sunday, head to the Rastro Flea Market in La Latina, which is an antique-filled street-life spectacle to behold.
End the day with a rooftop drink overlooking the city, and another traditional tapas crawl along Calle Cava Baja. Alternatively, hit up the amazing Middle Eastern and South Asian restaurants in Lavapies. Finish the night off with churros and chocolate at Chocolateria San Gines — the city’s most famous churro institution.
Day 3: Day Trip to Toledo or Segovia (Overnight in Madrid)
Toledo, Spain; Ines Padron/Unsplash
Now that you’ve experienced a slice of the city, it’s time to take a day trip to either Toledo or Segovia — both medieval walled cities within a 30-minute high-speed train ride from Madrid. Toledo, for its part, was named a UNESCO World Heritage site in 1986, and is where Christians, Muslims, and Jews lived together for centuries. It is also the place where El Greco lived and painted in Spain, though the museum that was supposedly his house is, in fact, not where his home was. Nonetheless, it’s a fascinating folly that’s cool in its own right. El Greco’s most famous work, “The Burial of Count Orgaz,” is located in Toledo.
Segovia, though, is often considered the prettier, less expensive sister of the two. You can walk from the Roman aqueduct on one end of town, pass the city’s wonderful cathedral, and arrive at the castle all the way at the other end of town in about 15 minutes. Everywhere you turn along the way is a feast for the eyes.
Day 4: Seville (Sevilla)
Street at the EME Catedral Hotel/Oyster
Today, you’ll be traveling south by train to the flamboyant, charismatic, and ever-evolving Andalucian metropolis of Seville. You can reach Seville from Madrid in less than three hours by train, but you should book your tickets online well ahead of time to get the schedule that you want. We suggest one of the earliest departures during the day.
According to myth, Seville (or Sevilla, as it’s known in Spain) was founded 3,000 years ago by the Greek god Hercules and combines gorgeous buildings with the vibrant gitano culture that gave birth to flamenco music and dance (now considered Spain’s national musical style, and enjoying a contemporary moment in the pop music of Rosalia). Major landmarks include the ornate Alcazar, built during the Moorish Almohad dynasty, and the 18th-century Plaza de Toros de la Maestranza bullring. The Gothic Seville Cathedral is where the city’s world-famous Semana Santa processions begin and end, and is home to the Giralda, a minaret-turned-bell tower that offers some of the best views in town when climbed.
For dinner, sample the city’s innovative tapas before seeing a flamenco show. Seville’s close proximity to the Guadalquivir River makes it one of Spain’s most productive agricultural regions, while its location by the coast brings a wide variety of fresh seafood and fish. It’s best to either make a restaurant reservation in advance or arrive before the locals do, as they come in droves. El Rinconcillo is Seville’s oldest tapas restaurant, open since 1670. For nightlife, head to the Alameda de Hercules, especially if you’re after gay bars. Other nightlife options include the Macarena neighborhood, where you’ll find lots of small bars.
Where to Stay in Seville: EME Catedral Hotel
Pool at the EME Catedral Hotel/Oyster
EME Catedral Hotel is ideally located right next door to the Seville Cathedral, in the heart of the historic center. With stylish, modern rooms featuring upscale amenities; a rooftop terrace complete with a hopping bar and a pool with striking views; and a relaxing spa offering a wide array of treatments, this boutique property sets the bar for Seville cool.
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Day 5: Seville and Granada
Street at the Marquis Urban/Oyster
Wake up in Seville and treat yourself to a leisurely breakfast. Spend the rest of your day roaming the rest of the city’s sights, like the stunning Plaza de España. Wander the streets of Triana and Santa Cruz, checking out the local crafts and boutiques and snapping plenty of pictures of the impossibly pretty street scenes. If you’re after a casual lunch, the Mercado de Triana is easily the city’s best spot. Make sure you grab a decent-sized lunch because you have a three-hour bus ride ahead of you in the evening, but trust us that it’s worth it. At the end of that ride is one of Spain’s most beautiful sights — Granada — where you’ll be spending two nights.
Part countercultural university town, part stunningly preserved classic beauty, Granada leaves an impression far larger than its size might suggest. As the last redoubt of the Moors in Spain, the look of the city is unlike anywhere else in Europe, with a heavy Islamic influence seen all over the city’s architecture. If you didn’t see a flamenco show in Sevilla — or even if you did — it’s worth seeing one of the shows that take place in the caves of the Sacromonte of Granada. Cueva de la Rocio is arguably the most famous, though Zambra Maria la Canastera is also quite popular.
Where to Stay in Granada: Parador de Granada
Isabel la Catolica Patio at the Parador de Granada/Oyster
In order to make the most of your time, why not opt to stay inside of Granada’s most famous sight — the Alhambra. This upscale hotel has all of the history that you’d expect in a former palace on the grounds of a UNESCO World Heritage Site. It also happens to be an incredibly romantic place to unwind after a long day of traveling and exploring.
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Day 6: Granada
Alhambra, Granada, Spain, Dimitry B/Unsplash
Granada’s masterpiece is the Alhambra. Since you’re waking up inside of it, spend your entire morning and the early part of the afternoon making you way through the beautiful grounds. With the peaks of the Sierra Nevada behind it, this 13th-century palace complex and walled fort is dazzling. Intricate Moorish motifs decorate nearly every surface of the buildings that compose the Alhambra, most notably in the opulent Palacios Nazaries. This is complemented by the natural beauty of the Generalife gardens. Keep in mind that you could easily spend hours here seeing everything, but you’ll need to be smart about your time. Additionally, you must purchase tickets online well in advance, as this is one of the most popular attractions in Spain and entrances are strictly limited.
Head to the center of Granada for lunch and then make your way to the city’s other sights. The Granada Cathedral and the Royal Chapel are great for history lovers, while the Centro Jose Guerrero is an option for culture aficionados. In the late afternoon (before the sun has set), head to the city’s fascinating Albayzin neighborhood. Here, the warren of medina-style streets is an impossibly beautiful place to get lost. You’ll stumble upon too many holes-in-the-wall to count, and sunset is a magical time to be here.
Day 7: Barcelona
Barcelona; Alfons Taekema/Unsplash
Today you’ll travel from Granada to Barcelona — it’s less than two hours by air, and one-way fares can be found on budget carriers for under $50 if you book in advance. The cool Catalan capital has plenty to offer with its walkable streets, modernist architecture, designer shops, and stylish bars and clubs.
Start your Barcelona experience by taking a mandatory walk through the heart of Las Ramblas, which runs from Plaza Catalunya to the Mediterranean Sea. To either side are equally fascinating neighborhoods: The Gothic Quarter (Barri Gotic) and El Raval. The former is hyper-touristy, but incredibly atmospheric and perfect for getting lost. The latter, El Raval, was once a bit dodgier, then became the locus of Barcelona’s immigrant community, and is now a mix of immigrants, hipsters, university students, and in-the-know travelers.
You’ll find better dinner fare in El Raval, with spots that draw more locals than what’s on the other side in the Barri Gotic. If you’re after tapas, head to Bar Centric, then follow it up with drinks at Madame Jazmine on Rambla del Raval (across from Botero’s cat sculpture). Gay travelers can head to L’Eixample, where the majority of Barcelona’s official gay bars are located, though generally the queer scene is more mixed here than in Madrid.
Where to Stay in Barcelona: Hotel 1898
Private Terrace in the Suite Colonial at the Hotel 1898/Oyster
Hotel 1898 evokes Spain’s opulent late 19th-century past, with its architecture and decor, but guests get thoroughly modern pampering, with top-notch service, plush rooms, a spa, and excellent dining. And unlike other Las Ramblas area hotels, Hotel 1898 has not one but two pools, indoors and outdoors.
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Day 8: Barcelona
Sagrada Familia; Duncan Kidd/Unsplash
You have two options today: Head to one of the nearby towns along the coast — such as Sitges — or go hard on the work of Barcelona’s most famous son. We mean Antoni Gaudí, the modernist architect responsible for the city’s wealth of mind-boggling landmarks. We recommend doing the latter, as Barcelona has its own awesome beach scene if you’re really craving a day in the sun.
While you don’t need a tour guide to see Gaudí’s major works in Barcelona, you do need to be smart about how you plan your visits. Given the increasing number of tourists visiting Barcelona every year, you should purchase all of your Gaudi-related tickets online ahead of time. That’s especially true for Sagrada Familia, his still-unfinished cathedral that’s easily one of the most beautiful buildings in the world, and Park Guell, which has strict visitor caps. Casa Batllo and La Pedrera are also best visited with advanced tickets, and provide a glimpse into Gaudí’s residential work. Simply use Barcelona’s efficient bus and metro system to navigate between these sights.
It’s been a long day, so spend the early evening relaxing by Hotel 1898’s stunning pool before heading out for the night. Start the night sipping Catalan cava. La Vinya del Senyor is a cozy, understated restaurant with several by-the-glass boutique cavas to choose from. If you’re lucky enough to snag a table on the terrace, you’ll be rewarded with views of Santa Maria del Mar’s 14th-century facade. Keep the bar-hopping going until it’s time for clubbing (which doesn’t start until 1 A.M. at the very earliest). Check out what’s on at Sala Razzmatazz, Input, Nitsa, and Moog if you’re after the best of the city’s late-night party scene (or check listings on ResidentAdvisor for Barcelona).
Day 9: Barcelona
Tapas in Barcelona; Sinitta Leunen/Unsplash
After two packed days (and very, very late nights), it’s time to slow your roll. Barcelona is one of the most visited cities in the world for a reason: It’s impossibly beautiful, incredibly charming, and packed with everything from amazing cafes and restaurants to culture and shopping.
After breakfast head to El Raval and see what exhibitions are happening at MACBA, Barcelona’s incredible contemporary art museum. If nothing there piques your interest, opt for the Picasso Museum instead. In either case, you’ll want to do some retail therapy at the cool shops in El Raval and El Born in between. If you’d like a neighborhood that’s a little more local, head to Poble Sec, which is below Montjuic and near Caixa Forum, another cool art space. Montjuic itself is a popular place, as views from the top are incredible, and it’s also home to the National Museum of Art of Catalunya, Montjuic Castle, the Joan Miro Foundation, and other cultural spots.
Splurge on a performance at the modernist Palau de la Musica Catalana — an exuberant space designed by Lluís Domènech i Montaner. Everything from opera to jazz and folk music takes place here, though you’d be smart to get tickets well in advance. Afterward head to dinner in nearby El Born, which is packed with intimate spots and great patio restaurants, or in the Eixample, where you’ll find Michelin-award winners like Alkimia or Catalan-Asian fusion spots like Topik. Reservations are recommended in the Eixample. If you still have energy, and your ninth day is a Friday or Saturday, there are certainly more nightclubs left to explore.
Day 10: Return to Madrid
Retiro Park/Oyster
It’s a quick and cheap flight from Barcelona back to Madrid. Depending on your timing, you may have a day to dip into Madrid from the airport (it’s only a 45-minute trip from Barajas to Puerta del Sol) if you’d like to get in any more exploring. Alternatively, it can be economical and convenient to book your inbound flight to Madrid and your outbound flight from Barcelona. Do this by opting for multi-city fares when you search for flights. You’ll likely have mixed feelings about leaving — Spain has a habit of doing that to people. But don’t worry, that just means it’s time to start planning your next trip!
Simple Tips on Traveling to Spain
Monumental art at the Reina-Sofia in Madrid/Oyster
Flying into and out of Madrid is likely to score you the best bargains and most flexibility in your travels. It also lets you kick off your trip in one of the world’s best cities (you’ll see why below). However, reasonable flights can be found into and out of different airports, so be sure to check multi-city itineraries too.
English will get you around fine enough in the most touristy parts of the destinations below, though in Barcelona you may encounter Catalan (even in the city center), which is quite different. It will be helpful to pick up some basic Spanish phrases before visiting Spain, in any case, as English isn’t as widely spoken as you might expect.
Additionally, you won’t need to rent a car, as trains, domestic flights, and long-haul buses are perfectly reliable. Flights and buses are also far cheaper than what you would find in the U.S.
Additional reporting by Kyle Valenta.
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• A collection of bad love songs, tattered from overuse, has to touch us like a cemetery or a village. So what if the houses have no style, if the graves are vanishing under tasteless ornaments and inscriptions? Before an imagination sympathetic and respectful enough to conceal momentarily its aesthetic disdain, that dust may release a flock of souls, their beaks holding the still verdant dreams that gave them an inkling of the next world and let them rejoice or weep in this world.- Marcel Proust • A country whose buildings are of wood, can never increase in its improvements to any considerable degree…. Whereas when buildings are of durable materials, every new edifice is an actual and permanent acquisition to the state, adding to its value as well as to its ornament. – Thomas Jefferson • A fine thought in fine language is a most precious jewel, and should not be hid away, but be exposed for use and ornament. – Arthur Conan Doyle • A good youth ought to have a fear of God, to be subject to his parents, to give honor to his elders, to preserve his purity; he ought not to despise humility, but should love forbearance and modesty. All these are an ornament to youthful years. – Ambrose • A lady I will be, but a man’s accessory, his handbag, no thank you. I will not be someone’s ornament. I will not just be someone’s honey, baby, sweetheart. – Deb Caletti • A metaphor is not an ornament. It is an organ of perception. Through metaphors, we see the world as one thing or another. – Neil Postman • A minute analysis of life at once destroys that splendor which dazzles the imagination. Whatsoever grandeur can display, or luxury enjoy, is procured by offices of which the mind shrinks from the contemplation. All the delicacies of the table may be traced back to the shambles and the dunghill; all magnificence of building was hewn from the quarry, and all the pomp of ornament dug from among the damps and darkness of the mine. – Samuel Johnson • A nation which lives a pastoral and innocent life never decorates the shepherd’s staff or the plough-handle; but races who live by depredation and slaughter nearly always bestow exquisite ornaments on the quiver, the helmet, and the spear. – John Ruskin • A political action committee trying to raise money for a 2016 Hillary Clinton campaign is selling “Ready for Hillary” champagne glasses and Christmas ornaments. Because if one thing improves the holidays, it’s drinking mixed with politics. – Jimmy Fallon • A pretty woman is a Christmas tree,’ my mother told me in the airport. This fella is hanging things on my branches as his gaze sweeps from my face all the way down my body to my hips and then back to my face. Ideas fly from his widened eyes and land on me like teeny, decorative burdens. He is giving me shyness, maybe, some book smarts, and a certain yielding sweetness in bed. The oil-slick eyes get me, and I find myself hanging a few ornaments myself, giving him deft hands and a sense of humor. – Joshilyn Jackson • A right mind and generous affection hath more beauty and charms than all other symmetries in the world besides; and a grain of honesty and native worth is of more value than all the adventitious ornaments, estates, or preferments; for the sake of which some of the better sort so oft turn knaves. – Anthony Ashley-Cooper, 7th Earl of Shaftesbury • A simple garb is the proper costume of the vulgar; it is cut for them, and exactly suits their measure, but it is an ornament for those who have filled up their lives with great deeds. I liken them to beauty in dishabille, but more bewitching on that account. – Jean de la Bruyere • A work of art is a world in itself reflecting senses and emotions of the artist’s world. Just as a flower, by virtue of its existence as a complete organism is both ornamental and self-sufficient as to color, form, and texture, so art, because of its singular existence is more than mere ornament. – Hans Hofmann • Acquire knowledge. It enables its possessor to distinguish right from wrong; it lights the way to Heaven; it is our friend in the desert, our society in solitude, our companion when friendless; it guides us to happiness; it sustains us in misery; it is an ornament among our friends and an armor against enemies. – Elijah Muhammad • All are architects of Fate, Working in these walls of Time; Some with massive deeds and great, Some with ornaments of rhyme. – Henry Wadsworth Longfellow • All art is erotic. The first ornament to have been invented, the cross, was of erotic origin. It was the first work of art. A horizontal stroke: the woman lying down. A vertical stroke: the male who penetrates her. – Adolf Loos • All the manifested world of things and beings are projected by imagination upon the substratum which is the Eternal All-pervading Vishnu, whose nature is Existence-Intelligence; just as the different ornaments are all made out of the same gold. – Adi Shankara • All the revision in the world will not save a bad first draft: for the architecture of the thing comes, or fails to come, in the first conception, and revision only affects the detail and ornament, alas! – T. E. Lawrence • An alliterative prefix served as an ornament of oratory. – Oscar Wilde • An archer competing for a clay vessel shoots effortlessly, his or her skill and concentration unimpeded. If the prize is changed to a brass ornament, the hands begin to shake. If it is changed to gold, he or she squints as if going blind. The abilities do not deteriorate, but belief in them does, as he or she allows the supposed value of an external reward to cloud the vision. – Zhuangzi • Another of the strange and evil tendencies of the present day is the decoration of the railroad station… There was never more flagrant nor impertinent folly than the smallest portion of ornament in anything connected with the railroads… Railroad architecture has or would have a dignity of its own if it were only left to its work. – John Ruskin • Anyone may have diamonds: an heirloom is an ornament of quite a different kind. – Elizabeth Aston • Architecture has its political Use; publick Buildings being the Ornament of a Country; it establishes a Nation, draws People and Commerce; makes the People love their native Country, which Passion is the Original of all great Actions in a Common-wealth…. Architecture aims at Eternity. – Christopher Wren • Arms are my ornaments, warfare my repose. – Miguel de Cervantes • Art matters not merely because it is the most magnificent ornament and the most nearly unfailing occupation of our lives, but because it is life itself. – Randall Jarrell • Art thou afeard To be the same in thine own act and valour As thou art in desire? Wouldst thou have that Which thou esteem’st the ornament of life, And live a coward in thine own esteem, Letting ‘I dare not’ wait upon ‘I would,’ Like the poor cat i’ the adage? – William Shakespeare • artists were intended to be an ornament to society. As a society in themselves they are unthinkable. – Elizabeth Bowen • As by some might be saide of me: that here I have but gathered a nosegay of strange floures, and have put nothing of mine unto it, but the thred to binde them. Certes, I have given unto publike opinion, that these borrowed ornaments accompany me; but I meane not they should cover or hide me. – Michel de Montaigne • As I passed along the side walls of Westminster Abbey, I hardly saw any thing but marble monuments of great admirals, but which were all too much loaded with finery and ornaments, to make on me at least, the intended impression. – Karl Philipp Moritz • As not every instance of similitude can be considered as a proof of imitation, so not every imitation ought to be stigmatised as plagiarism. The adoption of a noble sentiment, or the insertion of a borrowed ornament, may sometimes display so much judgment as will almost compensate for invention; and an inferior genius may, without any imputation of servility, pursue the paths of the ancients, provided he declines to tread in their footsteps. – Samuel Johnson • As the vine which has long twined its graceful foliage about the oak and been lifted by it into sunshine, will, when the hardy plant is rifted by the thunderbolt, cling round it with its caressing tendrils and bind up its shattered boughs, so is it beautifully ordered by Providence that woman, who is the mere dependent and ornament of man in his happier hours, should be his stay and solace when smitten with sudden calamity, winding herself into the rugged recesses of his nature, tenderly supporting the drooping head, and binding up the broken heart. – Washington Irving • At most, the greatest persons are but great wens, and excrescences; men of wit and delightful conversation, but as morals for ornament, except they be so incorporated into the body of the world that they contribute something to the sustentation of the whole. – John Donne
jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'Ornament', orderby: 'rand', order: 'DESC', template: '1', limit: '68', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_ornament').html(obj); jQuery('#thelovesof_ornament img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); ); • Bad conduct soils the finest ornament more than filth. – Plautus • Bashfulness is an ornament to youth, but a reproach to old age. – Aristotle • Be neat, Philothea; let nothing be negligent about you. It is a kind of contempt of those with whom we converse, to frequent their company in uncomely apparel; but, at the same time, avoid all affectation, vanity, curiosity, or levity in your dress. Keep yourself always, as much as possible, on the side of plainness and modesty, which, without doubt, is the greatest ornament of beauty, and the best excuse for the want of it. – Saint Francis de Sales • Beautify your tongues, O people, with truthfulness, and adorn your souls with the ornament of honesty. Beware, O people, that ye deal not treacherously with any one. – Bahá’u’lláh • Beauty doesn’t need ornaments. Softness can’t bear the weight of ornaments. – Munshi Premchand • beauty is the projection of ugliness and by developing certain monstrosities we obtain the purest ornaments. – Jean Genet • Beside all the moral benefit which we may expect from the farmer’s profession, when a man enters it considerately, this promised the conquering of the soil, plenty, and beyond this, the adorning of the country with every advantage and ornament which labor, ingenuity, and affection for a man’s home, could suggest. – Ralph Waldo Emerson • But now sustainability is such a political category that it’s getting more and more difficult to think about it in a serious way. Sustainability has become an ornament. – Rem Koolhaas • But the building’s identity resided in the ornament. – Louis Sullivan • But the greatest error of all the rest is the mistaking or misplacing of the last or farthest end of knowledge: for men have entered into a desire of learning and knowledge, sometimes upon a natural curiosity and inquisitive appetite; sometimes to entertain their minds with variety and delight; sometimes for ornament and reputation; and sometimes to enable them to victory of wit and contradiction; and most times for lucre and profession; and seldom sincerely to give a true account of their gift of reason, to the benefit and use of men. – Francis Bacon • By the word simplicity, is not always meant folly or ignorance; but often, pure and upright Nature, free from artifice, craft or deceitful ornament. – Benjamin Franklin
[clickbank-storefront-bestselling] • Charity is the perfection and ornament of religion. – Joseph Addison • Christmas garland and a rock?” he said, a smile in his voice.”Why not an ornament?” “Wolves aren’t fragile,” I told him. “And they’re… stubbon and hard to move – Patricia Briggs • Christmas is a box of tree ornaments that have become part of the family. – Charles M. Schulz • Clearness is the ornament of deep thought. – Luc de Clapiers • Clearness ornaments profound thoughts. – Luc de Clapiers • Coordinating there Events and objects with remote events And vanished objects. Making ornaments Of accidents and possibilities. – Vladimir Nabokov • Culture is not just an ornament; it is the expression of a nation’s character, and at the same time it is a powerful instrument to mould character. The end of culture is right living. – W. Somerset Maugham • Don’t let your heart depend on things That ornament life in a fleeting way! He who possesses, let him learn to lose, He who is fortunate, let him learn pain. – Friedrich Schiller • Education gives sobriety to the young, comfort to the old, riches to the poor and is an ornament to the rich. – Diogenes • Education is a companion which no misfortune can depress, no crime can destroy, no enemy can alienate, no despotism can enslave. At home, a friend, abroad, an introduction, in solitude a solace and in society an ornament. It chastens vice, it guides virtue, it gives at once grace and government to genius. Without it, what is man? A splendid slave, a reasoning savage. – Joseph Addison • Education is an ornament in prosperity and a refuge in adversity. – Aristotle • Education is the food of youth, the delight of old age, the ornament of prosperity, the refuge and comfort of adversity, and the provocation to grace in the soul. – Saint Augustine • Elegance is not an ornament worthy of man. – Seneca the Younger • Even in the scorched and frozen world of the dead after the holocaust The wheel as it turns goes on accreting ornaments. – Robert Pinsky • Fierce Determination and Gentle Humility are the ornaments which make one attractive in the eyes of the Lord. – Radhanath Swami • Friendship is like a glass ornament, once it is broken it can rarely be put back together exactly the same way. – Charles Kingsley • Gardening is a luxury occupation: an ornament, not a necessity, of life…. Fortunate gardener, who may preoccupy himself solely with beauty in these difficult and ugly days! He is one of the few people left in this distressful world to carry on the tradition of elegance and charm. A useless member of society, considered in terms of economics, he must not be denied his rightful place. He deserves to share it, however humbly, with the painter and poet. – Vita Sackville-West • God help us! it is a foolish little thing, this human life, at the best; and it is half ridiculous and half pitiful to see what importance we ascribe to it, and to its little ornaments and distinctions. – Francis Jeffrey, Lord Jeffrey • Greatness of Soul seems therefore to be as it were a crowning ornament of the virtues; it enhances their greatness, and it cannot exist without them. Hence it is hard to be truly great-souled, for greatness of soul is impossible without moral nobility. – Aristotle • He might have proved a useful adjunct, if not an ornament to society. – Charles Lamb • He removes the greatest ornament of friendship who takes away from it respect. – Marcus Tullius Cicero • He takes the greatest ornament from friendship, who takes modesty from it. [Lat., Maximum ornamentum amicitiae tollit, qui ex ea tollit verecudiam.] – Marcus Tullius Cicero • Heaven grant me that I may thus rejoice in my children, thus see them ornaments to their Country, and blessings to their parents. – Abigail Adams • Honesty needs no disguise nor ornament; be plain. – Thomas Otway • Hopes are like hair ornaments. Girls want to wear too many of them. When they become old women they look silly wearing even one. – Arthur Golden • Hostility towards Microsoft is not difficult to find on the Net, and it blends two strains: resentful people who feel Microsoft is too powerful, and disdainful people who think it’s tacky. This is all strongly reminiscent of the heyday of Communism and Socialism, when the bourgeoisie were hated from both ends: by the proles, because they had all the money, and by the intelligentsia, because of their tendency to spend it on lawn ornaments. Microsoft is the very embodiment of modern high-tech prosperity – it is, in a word, bourgeois – and so it attracts all of the same gripes. – Neal Stephenson • How much more doth beauty beauteous seem by that sweet ornament which truth doth give! – William Shakespeare • Humility is an ornament which attracts Krishna’s heart. Beginning of all knowledge comes from humility. – Radhanath Swami • Hypocrisy itself does great honor, or rather justice, to religion, and tacitly acknowledges it to be an ornament to human nature. The hypocrite would not be at so much pains to put on the appearance of virtue, if he did not know it was the most proper and effectual means to gain the love and esteem of mankind. – Joseph Addison • I am a pretty, useless ornament who always believed she’d have a man to take care of her. – Virginia C. Andrews • I am glad that the life of pandas is so dull by human standards, for our efforts at conservation have little moral value if we preserve creatures only as human ornaments; I shall be impressed when we show solicitude for warty toads and slithering worms. – Stephen Jay Gould • I believe that organized religion is an ornament to the truth, and that aesthetics are part of its power. – Andrew Solomon • I believe the right question to ask, respecting all ornament, is simply this; was it done with enjoyment, was the carver happy while he was about it? – John Ruskin • I cannot however help repeating Piety, because I think it indispensible. Religion in a Family is at once its brightest Ornament & its best Security. – Samuel Adams • I foresee the time when the painter will paint that scene, no longer going to Rome for a subject; the poet will sing it; the historian record it; and, with the Landing of the Pilgrims and the Declaration of Independence, it will be the ornament of some future national gallery, when at least the present form of slavery shall be no more here. We shall then be at liberty to weep for Captain Brown. Then, and not till then, we will take our revenge. – Henry David Thoreau • I had hardly expected so dolichocephalic a skull or such well-marked supra-orbital development. Would you have any objection to my running my finger along your parietal fissure? A cast of your skull, sir, until the original is available, would be an ornament to any anthropological museum. It is not my intention to be fulsome, but I confess that I covet your skull. – Arthur Conan Doyle • I have emerged victorious from my thirty years of struggle. I have freed mankind from superfluous ornament. – Adolf Loos • I hold every man a debtor to his profession; from the which as men of course do seek to receive countenance and profit, so ought they of duty to endeavor themselves, by way of amends, to be a help and ornament thereunto. – Francis Bacon • I like ornament at the right time, but I don’t want a poem to be made out of decoration … When I read the poems that matter to me, it stuns me how much the presence of the heart-in all its forms-is endlessly available there. To experience ourselves in an important way just knocks me out. It puzzles me why people have given that up for cleverness. Some of them are ingenious, more ingenious than I am, but so many of them aren’t any good at being alive. – Jack Gilbert • I look for myself but find no one. I belong to the chrysanthemum hour of bright flowers placed in tall vases. I should make an ornament of my soul. – Fernando Pessoa • I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world? – William Morris • I never rebel so much against France as not to regard Paris with a friendly eye; she has had my heart since my childhood… I love her tenderly, even to her warts and her spots. I am French only by this great city: the glory of France, and one of the noblest ornaments of the world. – Michel de Montaigne • I read the newspapers with lively interest. It is seldom that they are absolutely, point-blank wrong. That is the popular belief, but those who are in the know can usually discern an embryo of truth, a little grit of fact, like the core of a pearl, round which have been deposited the delicate layers of ornament. – Evelyn Waugh • I repeat, sir, that in whatever position you place a woman she is an ornament to society and a treasure to the world. As a sweetheart, she has few equals and no superiors; as a cousin, she is convenient; as a wealthy grandmother with an incurable distemper, she is precious; as a wet-nurse, she has no equal among men. What, sir, would the people of the earth be without woman? They would be scarce, sir, almighty scarce. – Mark Twain • I see my body as an instrument, rather than an ornament. – Alanis Morissette • I think that ‘Ghost Rider: Spirit of Vengeance’ was mentally taxing, if only because I had to go to a Christmas party shortly after I had wrapped photography in Romania at two in the morning as the Ghost Rider. The invitation had a Christmas ornament on it with Ghost Rider’s face on it as a tree. – Nicolas Cage • I think that the new models of Chevrolet should have Barney Frank as a hood ornament. – Sean Hannity • I think there is no better way to invite a human being to view their body differently than by inviting them to be an athlete, by revering one’s body as an instrument rather than just an ornament. – Alanis Morissette • I try to teach my students style, but always as a part of life, not as ornament. Style has to come out of communicating coherent thought, not in sticking little flowers on speeches. Style and substance and a sense of life are the things literature is composed of. One must use one’s own personality in relationship to life and language, of course, and everyone has such a relationship. Some people find it, some don’t find it, but it’s there. – Marguerite Young • I want to try to come away from that one directional, clear rectangular form. It’s not used because it’s the most beautiful form; it’s just the practical thing. That’s why our TVs are rectangles. Even in modern architecture, they want us to believe, “That’s the nicest, most beautiful thing.” I love modern architecture, but actually it’s that they cannot afford amorphous shapes or ornaments. – Pipilotti Rist • I write abundantly. And then my next step is to struggle to reduce the ornament, to reduce the abundance-to prune the book, in other words, the way one prunes a tree-so it can grow. This is my idea of a book. – James Wright • If the bees which seek the liquid oozing from the head of a lust-intoxicated elephant are driven away by the flapping of his ears, then the elephant has lost only the ornament of his head. The bees are quite happy in the lotus filled lake. – Chanakya • If the next car passed is blue, Violet will be okay, she thought. If it’s red, A will do something horrible to her. She heard a growl of an engine and shut her eyes, afraid to see what the future might hold. She’d never cared so much about anything in her life. Just as the car was passing, she opened her eyes and saw a Mercedes hood ornament. She let out a long sigh, tears coming to her eyes once more. The car was blue. – Sara Shepard • If those millions squandered on designing missionaries had been deposited in funds for the support of yourselves, when old age, misfortune, or sickness (from which none are exempt,) overtakes you, or for the distressed of your race, what a heaven of happiness you would have created on earth: ye would now be an ornament to your sex, and ages to come would call you blessed. But it is in vain to try – a priest-ridden female is lost to reason. Why? because she has surrendered her reason to the … missionaries … the orthodox; they are the grand deceivers. – Anne Royall • I’m a disorganized mess. My purse is gross: I once found a shoulder pad, string cheese, and a Christmas ornament in it! – Hoda Kotb • In 1979, postmodernism lost its understanding of the meaning of ornament. It degenerated into kitsch applique. – Charles Jencks • In railway halls, on pavements near the traffic, They beg, their eyes made big by empty staring And only measuring Time , like the blank clock. No, I shall weave no tracery of pen-ornament To make them birds upon my singing tree: Time merely drives these lives which do not live As tides push rotten stuff along the shore. – Stephen Spender • In religion, What damned error but some sober brow Will bless it, and approve it with a text, Hiding the grossness with fair ornament? – William Shakespeare • In religions which have lost their creative spark, the gods eventually become no more than poetic motifs or ornaments for decorating human solitude and walls. – Nikos Kazantzakis • In violence there is often the quality of yearning – the yearning for completion. For closure. For that which is absent and would if present bring to fulfillment. For the body without which the wing is a useless frozen ornament. (“A Short Guide To The City”) – Peter Straub • Indeed the river is a perpetual gala, and boasts each month a new ornament. – Ralph Waldo Emerson • Is not disease the rule of existence? There is not a lily pad floating on the river but has been riddled by insects. Almost every shrub and tree has its gall, oftentimes esteemed its chief ornament and hardly to be distinguished from the fruit. If misery loves company, misery has company enough. Now, at midsummer, find me a perfect leaf or fruit. – Henry David Thoreau • It isn’t money itself that causes the trouble, but the use of money as votive offering and pagan ornament. – Lewis H. Lapham • It takes talent to please the people in a sermon by a flowery style, a cheerful ethic, brilliant sallies and lively descriptions; but such a talent is inadequate. A better sort of talent neglects these extraneous ornaments, unworthy to be used in the service of the Gospel: such a preacher’s sermon will be simple, strong and Christian. – Jean de la Bruyere • Jewelry and profuse ornaments are unmistakable evidences of vulgarity. – Edward Bulwer-Lytton, 1st Baron Lytton • Learning maketh young men temperate, is the comfort of old age, standing for wealth with poverty, and serving as an ornament to riches. – Marcus Tullius Cicero • Let us give today first the vital things of life and all the grace and ornaments of life will follow. – Mahatma Gandhi • Libel actions, when we look at them in perspective, are an ornament of a civilized society. They have replaced, after all, at least in most cases, a resort to weapons in defense of a reputation. – Henry Anatole Grunwald • Man doth seek a triple perfection: first a sensual, consisting in those things which very life itself requireth either as necessary supplements, or as beauties and ornaments thereof; then an intellectual, consisting in those things which none underneath man is either capable of or acquainted with; lastly a spiritual and divine, consisting in those things whereunto we tend by supernatural means here, but cannot here attain unto them. – Richard Hooker • Mannerism is not character, and affectation is the avowed enemy of grace. Every dancer ought to regard his laborious art as a link in the chain of beauty, as a useful ornament for the stage, and this, in turn, as an important element in the spiritual development of nations. – August Bournonville • Manners are the ornament of action. – Samuel Smiles • Men subsequently put whatever is newly learned or experienced to use as a plowshare, perhaps even as a weapon: but women immediately include it among their ornaments. – Friedrich Nietzsche • Men use a new lesson or experience later on as a ploughshare or perhaps also as a weapon; women at once make it into an ornament. – Friedrich Nietzsche • Modernism, rebelling against the ornament of the 19th century, limited the vocabulary of the designer. Modernism emphasized straight lines, eliminating the expressive S curve. This made it harder to communicate emotions through design. – Eva Zeisel • Modesty is not only an ornament, but also a guard to virtue. – Joseph Addison • Modesty is the richest ornament of a woman … the want of it is her greatest deformity. – Charles Caleb Colton • Money can help you to get medicines but not health. Money can help you to get soft pillows, but not sound sleep. Money can help you to get material comforts, but not eternal bliss. Money can help you to get ornaments, but not beauty. Money will help you to get an electric earphone, but not natural hearing. Attain the supreme wealth, wisdom; you will have everything. – Sivananda • Moral excellence is an ornament for personal beauty; righteous conduct, for high birth; success for learning; and proper spending for wealth. – Chanakya • More than any gift or toy, ornament of tree, let us resolve that this Christmas shall be, like that first Christmas, a celebration of interior treasures. – Ronald Reagan • Most works are most beautiful without ornament. – Walt Whitman • My precept to all who build, is, that the owner should be an ornament to the house, and not the house to the owner. – Marcus Tullius Cicero • Nine times out of ten, I’m trying to meet someone else’s expectations, whether it’s the director or the writer or the animator, when I go back in to re-record a line. I’m the icing on the cake, but the cake is the thing. I’m really just a hood ornament on a very solid vehicle. – Adrian Pasdar • No one has ever been accused for not providing ornaments, but for those who neglect their neighbour a hell awaits with an inextinguishable fire and torment in the company of the demons. Do not, therefore, adorn the church and ignore your afflicted brother, for he is the most precious temple of all. – Saint John Chrysostom • No ornament of a house can compare with books; they are constant company in a room, even when you are not reading them. – Harriet Beecher Stowe • Nobility is a graceful ornament to the civil order. It is the Corinthian capital of polished society. – Edmund Burke • Non -violence is infinitely superior to violence , forgiveness is more manly than punishment. Forgiveness is the ornament. – Mahatma Gandhi • Nor do apophthegms only serve for ornament and delight, but also for action and civil use, as being the edge-tools of speech which cut and penetrate the knots of business and affairs: for occasions have their revolutions, and what has once been advantageously used may be so again, either as an old thing or a new one. – Francis Bacon • Nor do we accept, as genuine the person not characterized by this blushing bashfulness, this youthfulness of heart, this sensibility to the sentiment of suavity and self-respect. Modesty is bred of self-reverence. Fine manners are the mantle of fair minds. None are truly great without this ornament. – Amos Bronson Alcott • O vanity, how little is thy force acknowledged or thy operations discerned! How wantonly dost thou deceive mankind under different disguises! Sometimes thou dost wear the face of pity; sometimes of generosity; nay, thou hast the assurance to put on those glorious ornaments which belong only to heroic virtue. – Henry Fielding • Of chastity, the ornaments are chaste. – William Shakespeare • Of course, it does depend on the people, but sometimes I’m invited places to kind of brighten up a dinner table like a musician who’ll play the piano after dinner, and I know you’re not really invited for yourself. You’re just an ornament. – Marilyn Monroe • On the meeting point of two worlds, the ornament of Turkish homeland, the treasure of Turkish history, the city cherished by the Turkish nation, İstanbul, has its place in the hearts of all citizens. – Mustafa Kemal Ataturk • One of the first principles of decorative art is that in all manufactures ornament must hold a place subordinate to that of utility; and when, by its exuberance, ornament interferes with utility, it is misplaced and vulgar. – George Mason • One of the things I’ve always loved about New York is there is so much precedent for ornament on industrial buildings. – Annabelle Selldorf • Opinions: men’s thoughts about great subjects. Taste: their thoughts about small ones: dress, behavior, amusements, ornaments. – George Eliot • Ornament is but the guiled shore to a most dangerous sea. – William Shakespeare • Ornaments were invented by modesty. – Joseph Joubert • Our notion of the perfect society embraces the family as its center and ornament, and this paradise is not secure until children appear to animate and complete the picture. – Amos Bronson Alcott • Patience ornaments the woman and proves the man. – Tertullian • Plato defines melody to consist of harmony, number and words: harmony naked of itself, words the ornament of harmony, number the common friend and uniter of them both. – John Dowland • Plutarch has a fine expression, with regard to some woman of learning, humility, and virtue;–that her ornaments were such as might be purchased without money, and would render any woman’s life both glorious and happy. – Laurence Sterne • Poets like painters, thus unskilled to trace The naked nature and the living grace, With gold and jewels cover ev’ry part, And hide with ornaments their want of art. True wit is Nature to advantage dressed, What oft was thought, but ne’er so well expressed. – Alexander Pope • Poverty was an ornament on a learned man like a red ribbon on a white horse. – Anzia Yezierska • Presently he rose and approached the case before which she stood. Its glass shelves were crowded with small broken objects —hardly recognisable domestic utensils, ornaments and personal trifles — made of glass, of clay, of discoloured bronze and other time-blurred substances. ‘It seems cruel,’ she said, ‘that after a while nothing matters… any more than these little things, that used to be necessary and important to forgotten people, and now have to be guessed at under a magnifying glass and labeled: “Use unknown”.’ – Edith Wharton • Pretty conceptions, fine metaphors, glittering expressions, and something of a neat cast of verse are properly the dress, gems, or loose ornaments of poetry. – Alexander Pope • Real art, like the wife of an affectionate husband, needs no ornaments. But counterfeit art, like a prostitute, must always be decked out. The cause of production of real art is the artist’s inner need to express a feeling that has accumulated…The cause of counterfeit art, as of prostitution, is gain. The consequence of true art is the introduction of a new feeling into the intercourse of life… The consequences of counterfeit art are the perversion of man, pleasure which never satisfies, and the weakening of man’s spiritual strength. – Leo Tolstoy • Rhime being no necessary Adjunct or true Ornament of Poem or good Verse, in longer Works especially, but the Invention of a barbarous Age, to set off wretched matter and lame Meeter…the troublesom and modern bondage of Rimeing. – John Milton • Rich people don’t have to have a life-and-death relationship with the truth and its questions; they can ignore the truth and still thrive materially. I am not surprised many of them understand literature only as an ornament. Life is an ornament to them, relationships are ornaments, their “work” is but a flimsy, pretty ornament meant to momentarily thrill and capture attention. Why didn’t I reread my F. Scott Fitzgerald sooner? I might have saved myself some time. – Sergio Troncoso • Right on to the New Period vineyard arbors were the centre and chief ornament of all gardens. – Marie-Luise Gothein • Sensible men show their sense by saying much in few words. If noble actions are the substance of life, good sayings are its ornament and guide. – Charles Simmons • Sentiment is a disgrace, instead of an ornament, unless it lead us to good actions. – Ann Radcliffe • Shame is an ornament to the young; a disgrace to the old. – Aristotle • She had a bracelet on one taper arm, which would fall down over her round wrist. Mr. Thornton watched the replacing of this troublesome ornament with far more attention than he listened to her father. It seemed as if it fascinated him to see her push it up impatiently, until it tightened her soft flesh; and then to mark the loosening—the fall. He could almost have exclaimed—’There it goes, again! – Elizabeth Gaskell • She was a phantom of delight When first she gleamed upon my sight, A lovely apparition, sent To be a moment’s ornament; Her eyes as stars of twilight fair, Like twilights too her dusky hair, But all things else about her drawn From May-time and the cheerful dawn. – William Wordsworth • Silence is an ornament for women. – Sophocles • Simplicity is not about making something without ornament, but rather about making something very complex, then slicing elements away, until you reveal the very essence. – Christoph Niemann • So may the outward shows be least themselves: The world is still deceived with ornament. In law, what plea so tainted and corrupt, But, being seasoned with a gracious voice, Obscures the show of evil? In religion, What damned error, but some sober brow Will bless it and approve it with a text, Hiding the grossness with fair ornament? There is no vice so simple but assumes Some mark of virtue on his outward parts. – William Shakespeare • So may the outward shows be least themselves; The world is still deceived with ornament. – William Shakespeare • Some Christmas tree ornaments do more than glitter and glow, they represent a gift of love given a long time ago – Tom Baker • Some men covet knowledge out of a natural curiosity and inquisitive temper; some to entertain the mind with variety and delight; some for ornament and reputation; some for victory and contention; many for lucre and a livelihood; and but few for employing the Divine gift of reason to the use and benefit of mankind. – Francis Bacon • Studies are the food of youth, the delight of old age; the ornament of prosperity, the refuge and comfort of adversity; a delight at home, and no hindrance abroad; they are companions by night, and in travel, and in the country. – Marcus Tullius Cicero • Sustainability has become an ornament. – Rem Koolhaas • That thou art blamed shall not be thy defect, For slander’s mark was ever yet the fair; The ornament of beauty is suspect, A crow that flies in heaven’s sweetest air. – William Shakespeare • The ancients, who in these matters were not perhaps such blockheads as some may conceive, considered poetical quotation as one of the requisite ornaments of oratory. – Isaac D’Israeli • The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure; it supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves. – Ada Louise Huxtable • The arts alone give direct access to experience. To eliminate them from education – or worse, to tolerate them as cultural ornaments – is antieducational obscurantism. It is foisted on us by the pedants and snobs of Hellenistic Greece who considered artistic performance fit only for slaves. – Peter Drucker • The Arts and Sciences, essential to the prosperity of the State and to the ornament of human life, have a primary claim to the encouragement of every lover of his country and mankind. – George Washington • The brightest ornaments in the crown of the blessed in heaven are the sufferings which they have borne patiently on earth. – Alphonsus Liguori • The Church knew what the psalmist knew: Music praises God. Music is well or better able to praise him than the building of the church and all its decoration; it is the Church’s greatest ornament. – Igor Stravinsky • The connoisseur of art must be able to appreciate what is simply beautiful, but the common run of people is satisfied with ornament. – Johann Wolfgang von Goethe • The Cross isn’t an ornament, mere symbol. It’s the mystery of God’s love, that He died for our sins. – Pope Francis • The Earth reminded us of a Christmas tree ornament hanging in the blackness of space. As we got farther and farther away it diminished in size. Finally it shrank to the size of a marble, the most beautiful marble you can imagine. – James Irwin • The economy is still substantially that of the fur trade, still based on the same general kinds of commercial items: technology, weapons, ornaments, novelties, and drugs. The one great difference is that by now the revolution has deprived the mass of consumers of any independent access to the staples of life: clothing, shelter, food, even water. Air access remains the only necessity that the average user can still get for himself, and the revolution has imposed a heavy tax on that by way of pollution. Commercial conquest is far more thorough and final than military defeat. – Wendell Berry • The farmer and the gardener are both busy, the gardener perhaps the more excitable of the two, for he is more of the amateur, concerned with the creation of beauty rather than with the providing of food. Gardening is a luxury occupation; an ornament, not a necessity, of life. – Vita Sackville-West • The feel of the place was deep, the prehistoric heartbeat of the rocks complicating the music, the people bright, all different kinds of dancers, smilers, swayers, swirlers, smokers, beer-drinking boppers, tripsters, spinners. I looked back at the crowd…and saw the show for a moment as a jewel…like a gem in a bracelet: an ornament on the body of the country, glittering in the coming darkness. – Jason Burke • The great end of prudence is to give cheerfulness to those hours which splendour cannot gild, and acclamation cannot exhilarate; those soft intervals of unbended amusement, in which a man shrinks to his natural dimensions, and throws aside the ornaments or disguises which he feels in privacy to be useless incumbrances, and to lose all effect when they become familiar. To be happy at home is the ultimate result of all ambition, the end to which every enterprise and labour tends, and of which every desire prompts the prosecution. – Samuel Johnson • The greatest ornament of an illustrious life is modesty and humility, which go a great way in the character even of the most exalted princes. – Napoleon Bonaparte • The grossest form of this injury of the body to ornament it, is in tattooing. Next, the piercing the ear all around its rim, piercing the nose and the lips to introduce rings or bars of jewelry. – Julia McNair Wright • The hair is the finest ornament women have. Of old, virgins used to wear it loose, except when they were in mourning. – Martin Luther • The hair is the richest ornament of women. – Martin Luther • The heroic soul does not sell its justice and its nobleness. It does not ask to dine nicely and to sleep warm. The essence of greatness is the perception that virtue is enough. Poverty is its ornament. It does not need plenty, and can very well abide its loss. – Ralph Waldo Emerson • The history of most women is hidden either by silence, or by flourishes and ornaments that amount to silence. – Virginia Woolf • The knowledge of the past times and of the places of the earth is both an ornament and nutriment to the human mind. – Leonardo da Vinci • The ‘leisured’ wife was a badge of achievement, the ornament to hard work and virtue for families on the way up. – Hilda Scott • The modern majesty consists in work. What a man can do is his greatest ornament, and he always consults his dignity by doing it. – Thomas Carlyle • The modern university does not exist to teach alone…It exists also to serve the democracy of which it is a product and an ornament…The university rests on the public will and on public appreciation. – Nicholas Murray Butler • The music, and the banquet, and the wine– The garlands, the rose odors, and the flowers, The sparkling eyes, and flashing ornaments– The white arms and the raven hair–the braids, And bracelets; swan-like bosoms, and the necklace, An India in itself, yet dazzling not. – Lord Byron • The only really Christian art is that which, like St. Francis, does not fear being wedded to poverty. This rises far above art-as-ornament. – Andre Gide • The ornament of a house is the friends who frequent it. – Ralph Waldo Emerson • The ornament of beauty, Shakespeare wrote, is suspect. And he was right. But beauty itself, unadorned and unaffected, is sacred, I think, worthy of our awe and our loyalty. – Dennis Lehane • The ornaments of our homes are the friends that visit it – Ralph Waldo Emerson • The peoples of the old world have their cities built for times gone by, when railroads and gunpowder were unknown. We can have cities for the new age that has come, adopted to its better conditions of use and ornament. We want, therefore, a city planning profession. – Horace Bushnell • The pictures placed for ornament and use, The twelve good rules, the royal game of goose. – Oliver Goldsmith • The quasi-peaceable gentleman of leisure, then, not only consumes of the staff of life beyond the minimum required for subsistence and physical efficiency, but his consumption also undergoes a specialisation as regards the quality of the goods consumed. He consumes freely and of the best, in food, drink, narcotics, shelter, services, ornaments, apparel, weapons and accoutrements, amusements, amulets, and idols or divinities. – Thorstein Veblen • The real ornament of woman is her character, her purity. – Mahatma Gandhi • The real Rose Hovick was seriously mentally disturbed; June Havoc called her a beautiful little ornament that was damaged. – Karen Abbott • The royal navy of England hath ever been its greatest defence and ornament; it is its ancient and natural strength, – the floating bulwark of our island. – William Blackstone • The very design of the gospel doth tend to self-abasing; and the work of grace is begun and carried on in humiliation. Humility is not a mere ornament of a Christian, but an essential part of the new creature: it is a contradiction to be a sanctified man, or a true Christian, and not humble. – Richard Baxter • The weak shows his strength and hides his weaknesses; the magnificent exhibits his weaknesses like ornaments. – Nassim Nicholas Taleb • The whole of heraldry and of chivalry is in courtesy. A man of fine manners shall pronounce your name with all the ornament that titles of nobility could ever add. – Ralph Waldo Emerson • The world would be astonished if it knew how great a proportion of its brightest ornaments, of those distinguished even in popular estimation for wisdom and virtue, are complete sceptics in religion. – John Stuart Mill • The world, which the Greeks called Beauty, has been made such by being gradually divested of every ornament which was not fitted to endure. – Henry David Thoreau • Then I feel, Harry, that I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day. – Oscar Wilde • There are elements of intrinsic beauty in the simplification of a house built on the log cabin idea. First, there is the bare beauty of the logs themselves with their long lines and firm curves. Then there is the open charm felt of the structural features which are not hidden under plaster and ornament, but are clearly revealed, a charm felt in Japanese architecture….The quiet rhythmic monotone of the wall of logs fills one with the rustic peace of a secluded nook in the woods. – Gustav Stickley • There is a city in which you find everything you desire-handsome people, pleasures, ornaments of every kind-all that the natural person craves. However, you cannot find a single wise person there. – Rumi • There is material enough in a single flower for the ornament of a score of cathedrals. – John Ruskin • There is no doubt that Greek and Latin are great and handsome ornaments, but we buy them too dear. – Michel de Montaigne • There was very little about her face and figure that was in any way remarkable, but it was the sort of face which, when animated by conversation or laughter, is completely transformed. She had a lovely disposition, a quick mind and a fondness for the comical. She was always very ready to smile and, since a smile is the most becoming ornament that any lady can wear, she had been known upon occasion to outshine women who were acknowledged beauties in three countries. – Susanna Clarke • There were details like clothing, hair styles and the fragile objects that hardly ever survive for the archaeologist-musical instruments, bows and arrows, and body ornaments depicted as they were worn… No amounts of stone and bone could yield the kinds of information that the paintings gave so freely – Mary Leakey • Therefore, I bind these lies and slanderous accusations to my person as an ornament; it belongs to my Christian profession to be vilified, slandered, reproached and reviled, and since all this is nothing but that, as God and my conscience testify, I rejoice in being reproached for Christ’s sake. – John Bunyan • These studies are a spur to the young, a delight to the old: an ornament in prosperity, a consoling refuge in adversity; they are pleasure for us at home, and no burden abroad; they stay up with us at night, they accompany us when we travel, they are with us in our country visits. – Marcus Tullius Cicero • They are done merely for ornament. … the common people regard them as supernatural. – Xunzi • Think it a vile habit to alter works of good composers, to omit parts of them, or to insert new-fashioned ornaments. This is the greatest insult you can offer to Art. – Robert Schumann • To be apt in quotation is a splendid and dangerous gift. Splendid, because it ornaments a man’s speech with other men’s jewels; dangerous, for the same reason. – Robertson Davies • to become aware of the ineffable is to part company with words…the tangent to the curve of human experience lies beyond the limits of language. the world of things we perceive is but a veil. It’s flutter is music, its ornament science, but what it conceals is inscrutable. It’s silence remains unbroken; no words can carry it away. Sometimes we wish the world could cry and tell us about that which made it pregnant with fear–filling grandeur. Sometimes we wish our own heart would speak of that which made it heavy with wonder. – Abraham Joshua Heschel • To Forget Venice is a tour de force of ventriloquism. Elegant, contemporary, and wry, the voice at its center is also capable of disarming flights of imagination as it enters and inhabits other lives across time and gender. The glittering, fetid city emerges as a complex metaphor for the human heart’s simultaneous tenderness and capacity for cruelty, its ‘silver glow / a local specialty: filth / disguised as ornament.’ This Venice is unforgettable. – Chase Twichell • To spend too much time in studies is sloth; to use them too much for ornament is affection; to make judgment wholly by their rules is the humor of a scholar. • Tragedy was foresworn, in ritual denial of the ripe knowledge that we are drawing away from one another, that we share only one thing, share the fear of belonging to another, or to others, or to God; love or money, tender equated in advertising and the world, where only money is currency, and under dead trees and brittle ornaments prehensile hands exchange forgeries of what the heart dare not surrender. – William Gaddis • True ornament is not a matter of prettifying externals. It is organic with the structure it adorns, whether a person, a building, or a park. At its best it is an emphasis of structure, a realization in graceful terms of the nature of that which is ornamented – Frank Lloyd Wright • True, there are architects so called in this country, and I have heard of one at least possessed with the idea of making architectural ornaments have a core of truth, a necessity, and hence a beauty, as if it were a revelation to him. All very well perhaps from his point of view, but only a little better than the common dilettantism. – Henry David Thoreau • Truth is not only a man’s ornament but his instrument; it is the great man’s glory, and the poor man’s stock: a man’s truth is his livelihood, his recommendation, his letters of credit. – Benjamin Whichcote • We all originally came from the woods! it is hard to eradicate from any of us the old taste for the tattoo and the war-paint; and the moment that money gets into our pockets, it somehow or another breaks out in ornaments on our person, without always giving refinement to our manners. – Edwin Percy Whipple • We are made aware that magnitude of material things is relative, and all objects shrink and expand to serve the passion of the poet. Thus, in his sonnets, the lays of birds, the scents and dyes of flowers, he finds to be the shadow of his beloved; time, which keeps her from him, is his chest; the suspicion she has awakened, is her ornament – Ralph Waldo Emerson • We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine. – Henry David Thoreau • We hew and saw and plane facts to make them dovetail with our prejudices, so that they become mere ornaments with which to parade our objectivity. – Paul Eldridge • We know much of a writer by his style. An open and imperious disposition is shown in short sentences, direct and energetic. A secretive and proud mind is cold and obscure in style. An affectionate and imaginative nature pours out luxuriantly, and blossoms all over with ornament. – Henry Ward Beecher • We love to see any redness in the vegetation of the temperate zone. It is the color of colors. This plant speaks to our blood….What a perfect maturity it arrives at! It is the emblem of a successful life concluded by a death not premature, which is an ornament to Nature. What if we were to mature as perfectly, root and branch, glowing in the midst of our decay, like the poke! – Henry David Thoreau • We meet With few utterly dull and stupid souls: the sublime and transcendent are still fewer; the generality of mankind stand between these two extremes: the interval is filled with multitudes of ordinary geniuses, but all very useful, and the ornaments and supports of the commonwealth. – Jean de la Bruyere • We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it. Our situation today shows that beauty demands for itself at least as much courage and decision as do truth and goodness, and she will not allow herself to be separated and banned from her two sisters without taking them along with herself in an act of mysterious vengeance. We can be sure that whoever sneers at her name as if she were the ornament of a bourgeois past — whether he admits it or not — can no longer pray and soon will no longer be able to love. – Hans Urs von Balthasar • We tend to treat our knowledge as personal property to be protected and defended. It is an ornament that allows us to rise in the pecking order. […] We take what we know a little too seriously. – Nassim Nicholas Taleb • What an ornament and safeguard is humor! Far better than wit for a poet and writer. It is a genius itself, and so defends from the insanities. – Walter Scott • What greater ornament to a son than a father’s glory, or to a father than a son’s honorable conduct? – Sophocles • What I resist is techniques. I find techniques very problematic. So when critics talk about my work in those terms, I find that they miss the condition. I am comfortable with the notion of pattern and ornament as a system of organization, [but] for me it acts as a textile. So it’s not about pattern, but the notion of architecture through the lens of textile, rather than architecture through the lens of brick and mortar. – David Adjaye • What on earth is modern exegesis up to? Oh, little lazy one! Some red wine and up! Off you go, brandishing your fork, stripped of Ophelia’s useless ornaments, fire in your large nostrils, out to rake the muck of metaphors. – Louis Aragon • When a rainbow appears vividly in the sky, you can see its beautiful colors, yet you could not wear as clothing or put it on as an ornament. It arises through the conjunction of various factors, but there is nothing about it that can be grasped. Likewise, thoughts that arise in the mind have no tangible existence or intrinsic solidity. There is no logical reason why thoughts, which have no substance, should have so much power over you, nor is there any reason why you should become their slave. – Dilgo Khyentse Rinpoche • When a slave begins to take pride in his fetters and hugs them like precious ornaments, the triumph of the slave-owner is complete. – Mahatma Gandhi • Where virtue is, sensibility is the ornament and becoming attire of virtue. On certain occasions it may almost be said to become virtue. But sensibility and all the amiable qualities may likewise become, and too often have become, the panders of vice and the instruments of seduction. – Samuel Taylor Coleridge • Why would you want to keep the bluebird houses mounted in a place that you now know is unsafe for them? Bluebirds are not ornaments for pictures, they are living things that deserve your best effort if you are going to be a landlord to them. There is no magic spell that will protect those bluebirds–they have to depend on you or they are doomed. – Kathy Griffin • Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner. – Roland Barthes • Wise sayings are not only for ornament, but for action and business, having a point or edge, whereby knots in business are pierced and discovered. – Francis Bacon • Woman is the heart of humanity … its grace, ornament, and solace. – Samuel Smiles • Woman, to women silence is the best ornament. – Sophocles • You see the Earth as a bright blue and white Christmas tree ornament in the black sky. It’s so small and so fragile – you realize that on that small spot is everything that means everything to you; all of history and art and death and birth and love. – Rusty Schweickart • You see, for me [art]’s not one of life’s ornaments, rococo relaxation to be greeted affably after a day of hard work; I’m inverted on this : for me it’s my very breath, the one thing necessary, and all else is excretion and a latrine. – Arno Hintjens • You talk to me in parables. You may have known that I’m no wordy man, Fine speeches are the instruments of knaves Or fools that use them, when they want good sense; But honesty Needs no disguise nor ornament: be plain. – Thomas Otway • You’ll see everything from gold teeth to hood ornaments. It’s almost like Halloween during August. – David Carson
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