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creatingblackcharacters · 3 months ago

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“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

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I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!

#creatingblackcharacters #long post #writing #writing black characters #black character design #black history #media history

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othercrossee · 2 years ago

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I just realized sth, denzel is possibly the only kid among his siblings to grow up the speed of a normal human. This means she matured faster than all 3 of her older siblings and had to take care of them since their growing speed was that of a demon instead

#z rambles #not only that i also think their appearence is more wolf like than human and thats probably what got them killed to begin with #denz probably blamed what happened on his negligence too #they died when theyre all about 50yo so their dad was probbay in his 70s #gosh now it makes the situation with his mother worse #cyz denz had unintentionally 'killed' 3 of his siblings already and here his mom arrived and is like watch over your two new siblings #inagine the roller coaster of emotion denz felt in that moment and having to compose themself and try not to act out #denz probably think thwir mother brought these two here for them to kill them on accident so she could run away free again #anyway enough of sad when she died. denz did cannibalized her 👍 THEYRE DEMONS OKAY #just cuz denz had been living as a normal human doesnt mean there hasnt been a time when denz got too desperate and had to kill #literallt nothing new☝#amnesic denz probably resembles how denz was like during those period of uncertainty. mean aloof and on high alert always #while current denz is a lot more calm and carefree. like at this point the world could throw anything at me anf ill be fine #denz probably: it took a lot of blood and guts for me to become this kind (literally)

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honoviadakai · 11 months ago

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Badly summarizing Hazbin Hotel songs: season 1

Happy Day In Hell:

Local nepo baby is very optimistic for someone who was born and raised in hell but damn it if you don’t find it a little endearing.

Hell Is Forever:

Your gut feeling about the pastor’s son was correct and he is indeed an annoying prick who likes to act God’s always got his back.

Stayed Gone:

Demon Jeff Bezos finds out his Ex is in town, isn’t happy about it and tries to slander the man only for his ex to immediately clap back and serve everyone some piping hot tea.

It Starts With Sorry:

Some of ya’ll are way too forgiving and it really shows…you’re lucky you dorks are adorable.

Respectless:

A 4’11 Millennial bitch serves absolute ✨CUNT✨ at a meeting she didn’t want to attend, local MILF is not amused.

Whatever It Takes:

A MILF and a lesbian sing about how they’d willingly die for the ones they love. It’s sweet but deeply concerning.

Poison:

Local twink took “conceal, don’t feel” way too seriously and now you’ll never be ok again. Have fun in therapy.

Loser Baby:

A DILF and a twink sing about how they’re the biggest losers in hell and it’s the sweetest fucking thing you’ll ever see in your god damn life.

Hell’s Greatest Dad:

2 grown ass men fight for custody over a grown ass woman.

More Than Anything:

The literal king of hell loves his child more than your father will ever love you and you just gotta live with that.

Welcome To Heaven:

The polite Christians are trying to convert you, but they’re really good at show tunes so I ain’t even mad.

You Didn’t Know:

Vindication for everyone who’s the black sheep of their family and now have religious trauma.

Out For Love:

Local MILF hypes up her newly adopted lesbian daughter by telling her love is the ultimate murder weapon.

Ready For This:

Local nepo baby discovers that the fastest way to get cannibals to fight for you is through show tunes and the promise of flesh.

More Than Anything (Reprise):

No, the two leading females are not “just really close friends.” You were told well before this moment.

Finale:

While the main cast is having a Bob the builder moment, 3 local bastards are promising to fuck shit up next season and the person you least expected is having a mental breakdown in the break room.

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hxzbinwrites · 1 year ago

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Hey!! Saw that u were taking request <3 I was thinking that an Alestor x wife!reader being a power (but absolutely terrifying) couple would be soooo cool, like maybe they already knew each other from when they were humans, and Alestor is just 10000% a simp for his wifey lol. Hope u like it!

Alastor x Wife! Overlord! Reader | Forgiveness |

Warnings ⚠️: Cussing, Death, Killing, Mentions of Alastor being a Cannibal, Reader makes STUPID DECISIONS

In the Pride Ring is where all of the sinners and Overlords alike mingle. The uppermost ring of Hell and the closest to Heaven. That’s where some of the most feared and powerful beings live. Two of those entities being Alastor, the Radio Demon, and (Y/n), the Jazz Demon.

Together, they rule their districts with an iron grip. While some Overlords team up, like the Vees, Alastor and (Y/n) were the first to do it. Well, it makes sense really, especially because they were close during their respective times alive on Earth.

——————

Three gunshots were heard that fateful night. One ending a mans life by his hand, one ending the witness’s life by his hand, and one ending his by justice’s hand. No more Bayou Killer, but he took two more lives before he went. Awful, sick man. Good thing he’s in Hell now…

Alastor hissed as his back hit the pavement. His squinted eyes took in his surroundings, he was in Hell. Hmm, no shocker there. What was a shock was seeing the body next to his.

“Ugghh” They groaned, sitting upright on the pavement next to him. They locked eyes. It was (Y/n). Before Alastor could even speak, she pounced on him, pushing him back into the pavement.

“You sick son of a BITCH!! YOU KILLED ME!! SHOT ME LIKE I WAS AN ANIMAL FOR YA NEXT MEAL!!” She yelled, shaking him back and forth by gripping his collar. His collar looked identical to hers, and he tuned out her yelling, he noticed her attire. She was now wearing a black suit with red and white accents, one that looked like a reverse image of his. Except a few details weren’t the same, hers looked more feminine, but also had less harsh edges to it. She looked more elegant while he looked more harsh.

He then looked up to her face, she had red eyes and long, silky black hair, with red underneath. He looked to the top of her head and noticed two fluffy, black ears. They were currently pressed to her scalp, a clear indicator of her unhappiness at the current moment.

“AND TO THINK, AFTER ALL OF THAT BEGGIN, YOU WAS JUST DYING TO GET ME ON YOUR RADIO SHOW!! WELL LOOK AT US NOW, MR. ALASTOR. LOOK. AT. US. NOW. WHAT EVEN ARE YOU, YOU SICK FREAK. EVERYONE KNEW THE BAYOU KILLER ATE FOLKS. IF YOU WERENT SHOT, WERE YOU GONNA EAT ME?? WAS I GONNA NOT EVEN BE ABLE TO HAVE A BURIAL NEXT TO MY PA, CAUSE YOU ATE ME!? OH LORD HELP ME!!”

Alastor rolled his eyes, feeling no remorse for the doe that whined above him. (Y/n) was a famous musician in Louisiana, particularly in Jazz. Alastor had begged her to come onto his radio show, play some tunes for his devoted fans. She agreed, but that night Alastor didn’t show to the studio. She heard shouting in the woods across the street from the building, stupidly she went to investigate. She saw the oh so famous radio host, and with a bang of a shotgun the other man was dead. Probably in Heaven now. Trying to stay silent, (Y/n) tried to back away before a branch snapped, like a doe her eyes widened before she darted away, only to be shot right in the heart and drop down to the ground. She heard another shot faintly in the distance before she felt the wind brush past her as she fell.

“My dear, I apologize.” Alastor said, gently grabbing (Y/n)‘s hand. “It was never my intention to make you my target. I knew that if word got out about my….hobbies….that my reputation would be ruined. No more radio show.”

“You can apologize for the rest of eternity” She scowled, smacking his hand away before standing up,” You’re a MONSTER. Leave me ALONE. Hopefully someone down here will be nice, but I’m not taking no help from you”. (Y/n) finally walked away, leaving a very annoyed Alastor sitting there.

———————

About 20 years later

Alastor was a feared Overlord now, rising the ranks out of seemingly nowhere. Even with this newfound power and respect, (Y/n) still wanted nothing to do with him. She was famous in her own way. Music was not very abundant in Hell, and she profited off of that. She had little to no competition in the music industry. Becoming an icon of Hell, her name was in everyone’s mouth, making Alastor yesterday’s news, which irked him to no end.

‘I need her.’ Alastor initially thought,’ with someone as influential as her now, having her on my side will make my power increase tenfold.’ But after many times of asking over the years, he just yearned for her admiration. Not only to be on his side, but by his side. He didn’t know where the newfound obsession came from, but Alastor knew he wouldn’t stop until he brought her to him.

Alastor made his way to her huge studio, basically a small turf at this point. Without ever fighting, she’d managed to become a little bit of an Overlord, just not to the extent she could be called one. He made his way up to her penthouse, knowing the way by heart since this is not the first time he’s made a visit for an alliance.

“What Alastor.” (Y/n) asked, not even looking up from her sheet music she was writing.

“Hello my dear!” Alastor said,”lovely to see you again! I just miss you so much darling!”

“Miss me from what?” She said, turning around to meet his eyes,” we were aquatinted when we were alive, and then you killed me. What exactly do you miss me from?”

“I just miss seeing you.” He said in a softer tone,”Please (Y/n), you must realize that your death was an accident. I was never planning to hurt you. I was never planning to do anything to you.”

(Y/n)’s head tipped down, her ears pressed to her scalp,”but you did, Alastor. You killed me.”

“My dear….” He said, getting closer slowly, like she’d dart off at any given moment, just for him to not see her ever again. “My dear, I cannot imagine the pain you’ve gone through. I know it’s been a few years now, but that’s a few years you could’ve still been alive. Found a husband, had a better music career, just lived. I took that from you, and I’m…..I’m sorry.”

“I know Alastor.” She said, hugging him. Even though he hated when people touched him, she did not know this, so he internally decided to let this one time be the exception. “You know I can never fully forgive you….but after all of these years, I think I can at least try to have you in my life….but if you screw up ANY, I’m gonna kill you. I don’t care if you’re an Overlord or whatever the hell you’re doing, I will kill you like you killed me.”

“Hmm, fair enough” He shrugged, breaking off the hug as he sat down in the chair across from hers.

———————

Present Day

“So hold up” Angel said, looking at the two powerful Overlords,”He literally killed you and you were like, ‘oh well, I forgive you’. What the hell (Y/n)?”

(Y/n) was a true Overlord know. Once she let Alastor back into her life, he taught her the ways of toppling Overlords. She didn’t posses near the amount of power that he had, so he did the gruesome part for her. Building her musical empire (and later on having to shoo of Vox who begged her to join his up and coming ‘Television’ idea after Alastor shot him down).

“Oh I’d hardly call it forgiving.” Alastor said,”I get constantly reminded about it every day, multiple times a day. You wonder why it took us 60 years to even get engaged.”

(Y/n) just rolled her eyes, crossing her arms over her chest. Alastor smirked, looking over at his wife.

“Well, what else was I supposed to do? The man kept coming by begging me every week for TWENTY YEARS!! Lovesick puppy if you ask me.”

Charlie squealed, hugging onto Vaggie. “Look Vaggie! That could be us one day!!”

“I hope not” Vaggie said,” A freaky cannibalistic overlord and his delusional companion. I’m fine with staying as us.”

“No Vaggie! I meant married! Wouldn’t that be fun!! Married for a long time!! Forever!!”

While Charlie was helping Vaggie stop short circuiting, (Y/n) and Alastor just looked at one another with a knowing glance. Alastor took her hand and kissed her knuckles, smiling up at her.

“Thank you again my dear, for letting me back into your life. I’m eternally sorry for what I did.”

“I know you are Alastor, plus I’d be dead already now regardless.” (Y/n) giggled,”I still don’t know what overcame me that day. I mean, who lets someone back into their life after doing that!! I am glad I did though. It’s like you said in that apology, I have a husband, I have a huge music career, but I’m not living, technically, but it feels like it!!”

Alastor chuckled,”that’s right, my precious doe. Now, I am off to go grab lunch for the both of us! If you excuse me, I shall make a trip down to the Cannibal District, and then over to the grocery store for your food!”

———————

Word Count: 1,560

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allthingswhumpyandangsty · 4 months ago

Text

WHUMP ALPHABET

*anything that can be triggering is most likely listed here, skip this post if you think it might upset you*

A is for asystole, amputation, amnesia, asphyxiation, asthma, autopsy, asylum, abandonment, anxiety, abuse, assault, aneurysm, anger, addiction

B is for blood, bruises, blunt force trauma, burns, bite marks, blisters, betrayal, beating, blindfolding, bondage, brainwashing

C is for cannibalism, cuts, convulsion, concussion, cardiac arrest, corpse, chains, cult, carnage, craniotomy, craniectomy, chest compression, choking, coughing up blood

D is for delirium, dehydration, disfigurement, dismemberment, demonic possession, death, dehumanization, degradation, depression, disease, drowning, distress, despair, dizziness, drug withdrawal

E is for exsanguination, electrical injuries, electroconvulsive therapy, electrocution, execution, exhaustion, eating disorders, emergency room

F is for fever, flu, fatality, flat-lining, fractured bones, fear, fatigue, force-feeding, flagellation, flogging

G is for garroting, gunshot wounds, grief, gallows, guillotine, guilt, gash, gag

H is for hypothermia, heatstroke, hallucination, hyperventilation, hemorrhage, handcuffing, hospital, hanging, hatred, hate

I is for intubation, infection, injuries, injection, illness, internal bleeding, intravenous therapy, insomnia, illusion, innards

J is for jealousy, jugular veins

K is for killing, kidnapping, knife

L is for laceration, lobotomy, ligature marks, lack of oxygen, loss of consciousness, lies, living weapon, locking up

M is for morgue, miscommunication, murder, manslaughter, massacre, mourning, miscarriage, masochism, mistreatment, manipulation, misery, mental illness, malnutrition

N is for nightmares, nausea, necrophilia, necrotizing fasciitis, necrosis

O is for outbreaks, obeying, operating theater

P is for physical restraints, pain, punishment, poison, panic attack, paralysis, PTSD, penetration, pierced lung

Q is for quadriceps tendon rupture, quadriparesis, Quebec platelet disorder

R is for ruptured blood vessels, respiratory failure, rabies, rape, rope, resentment, ritual

S is for schadenfreude, strangulation, starvations, shock collar, shock therapy, straightjacket, sadism, scapegoat, shame, sacrifice, sadness, sorrow, slaughter, suicide, self-harm, self-hatred, self-destruction, stabbing, slavery, seizures, stress, slash, suffering, surrendering, somnophilia, shackles, sepsis, surgery

T is for torture, trauma, tears, toxicity, trust issues, traps, tying up

U is for urinary tract infection, unresponsive, unconsciousness

V is for violence, vomiting, viruses, venom

W is for wounds, weeping, waterboarding, weakness, whipping, whimpering

X is for x-ray

Y is for yellow fever, yelling, yelping

Z is for zombie apocalypse

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jyoongim · 11 months ago

Note

You have so graciously written multiple of my asks 🫶🏻🫶🏻 thank you for doing them justice!!! 👁️👅👁️

I’m living for the alastor with cannibal reader!

What about the gang at the hotel sees alastor with a pretty new thing around his arm and she is just !!!!stunning!!! Like dark elegant (yet terrifying) grace. And everyone is like ????how did this old ass radio demon pull someone like you???

But they realize exactly why they fit so perfect when she kills someone (maybe defending the hotel) and just munches down on their corpse crazy style. Turning around, blood on their face, in their teeth with a wide smile like “I helped!!!” And then it clicks that she’s also a cannibal like him.

Everyone is all grossed out by it but Al thinks she has never looked prettier all covered in blood from her kill and meal. He even Wipes her face for her 😗😗😗

IM HAPPY THAT I HAVE DONE SO MANY OF YOUR REQUESTS AND YOU ENJOYED THEM!!!! I hope that i did this one justice.

Truly there was no way.

Their eyes HAD to be deceiving them.

Alastor had left the hotel to go on one of his outings but the gang was just too curious as to where the Overlord was going.

So like the mischievous nosy bunch they were; they followed him.

They followed him to a lovely restaurant and watched in shock as the waiter seated Alastor and the most beautiful demon they had ever seen.

Truly there was no way.

There was no way that ALASTOR was chatting up such a beautiful dame and NOT being creepy.

They watched from afar as Alastor pulled out a small box, presumingly a gift, and give you a genuine smile as you gawked and playfully glared at him before accepting it with a soft smile.

You were stunning!

You must have died from an earlier time period as you were dressed in very modest attire.

A puffy white blouse tucked into a long black skirt, waist tapered by a corset to show off your curves.

Your neck and ears wore pearls and your hair was curled and pinned up.

The epitome of grace and elegance.

How the hell did that old fossil bag you???

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

”Oh Alastor! You didn’t have to!” You gasped as he presented a small gift box to you.

The red charmer demon smiled as you opened the box to see he had got you some customized jewelry.

The Radio Demon had been courting you for a while.

Sending you flowers and taking you out on several outings throughout the Pride Ring.

It took you a while to warm up to him, but he did have a way with persuasion Rosie told you he was a great guy and your bestie would never lie. Plus Alastor had been asking her about you

“Oh it was nothing my dear! A beautiful lady should have beautiful things. I thought it would compliment that new dress you got” Ah what a charmer.

As the two of you chatted and enjoyed each other's company, you had an eerie feeling you were being watched.

You shook off the feeling, it wasn’t too off putting as many people often staring as you accompanied the demon.

Besides, no one dared to approach the two of you anyway.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Alastor had asked you to come to the hotel so he could show you around.

He really only wanted you to meet the Princess, but the whole hotel was in attendance when Alastor opened the door to reveal you.

“No way Freaky Face bagged a broad like this?” Angel commented, causing Nifty giggled while the rest of the gang watched as Alastor showed you around.

All was going well…until there was a loud banging at the door.

rude much?

“Angel we know you’re here!” A voice shouted as the banging got louder.

You turned to see the tall spider start to shake a bit.

You patted his arm and motioned him to take a seat and reassured him that all will be well.

Vaggie hissed as a window was knocked out.

”Oi come on out! Valentino wants to see you! We don’t mind using force whorebug!”

You felt your eye twitch.

the gang was trying to think of a way to get rid of them.

They were going to tear the hotel apart at this rate.

Charlie protested as you made your way to the lobby double doors and swung them open.

”Why hello gentlemen, is there a reason for such distasteful actions?” You smiled, but it was anything but friendly.

You took a step forward, a dark aura manifested around you as your eyes glows and teeth sharpened.

”Take her out boys! I’m sure the boss man would like a new toy!”

oh poor things.

You launched at the unexpected demon, sharp teeth at his neck and with a quick yank, his head was gone.

You heard horrified gasps as you moved to dispatch each disgusting creature.

”Ooh my dear you shouldn’t have” you heard Alastor say.

The gang had poked their heads out the front door and was shocked. There were dead bodies everywhere on the front lawn, bodies parts littering the ground.

Angel and Vaggie gagged as they saw you, teeth deep,in a poor demon. You were shaking it like a dog would with a toy, until it flung out of your mouth, leaving your mouth bloody.

”OOH that’s sick so fucking sick!”

You grinned at Alastor, sharp teeth white a pale contrast to the bright blood smeared on your face .

You shyly tucked a strand of loose hair, standing to dust yourself off. “Ooh i do apologize Alastor. They were just being rude and ruining the exterior! Such disgusting things! They didn’t even deserve the grace to be eaten! How dare they try to-”

You were pulled from your murderous ramble by a soft cloth on your face. You blinked, eyes focusing on Alastor’s smiling face.

”Knew you would look good in red”

You blushed as he wiped the blood from your chin.

”Oh stop it. You know red doesn’t suit me” you playfully hit his chest. He hummed, ignoring your comment as he cleaned your face.

”I think you look ravishing’ he purred as he licked your blood-stained cheek.

You giggled and held up a liver for him to bite.

In the background the gang was flabbergasted.

so that was HOW Alastor bagged a bad bitch?

shes a fucking cannibal…huh who would have knew?

Well you had to be some sort of freaky to be entertaining the Radio Demon.

#hazbin hotel #hazbin alastor #alastor #alastor the radio demon #alastor x reader #hazbin hotel fanfiction #jyoongim #alastor x y/n #alastor smut #hazbin hotel fluff #alastor fluff #hazbin hotel x reader #hazbin hotel imagines

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aixeko · 3 months ago

Text

──────<3 MINDFUCK ༺♱༻

WEEK 4 | SINNERS SAVAGERY + APART OF @edgeray EVENT

| Synopsis | Demons linger where shadows play; in silence, hearts betray, whispers echo, and desires catch fire in the haunting depths of the night.

With every kiss, a scythe may cut, in which terror envelops one's gut; together they dance on the edge of fate, finding beauty in a love that is too late.

So let the night weave its spell, for in the dark they know so well, and though demons are whispering fright, in their twilight, the lights are ignited.

| Starring | Slasher!Arlecchino x Investigative-Psychologist!Reader

| Setting | SLASHER/SERIAL KILLER AU

| Scenario | [ ONESHOT ] SMUT Porn with plot. Long Introduction. Dark romance. Intersex Arlecchino. Manipulation. Body worship. Dacryphilia. Obsessive & sadistic Arle. Cunnilingus. Fingerfucking. Degrading & Praise Kink. Implied cannibalism. Mastrubation. Unreliable character. Female anatomy for reader, pronouns are not mentioned.

► RADIO CHANNEL [ Author note ]

⚝ TAKE OFF MY CLOTHES, OH, BLESS ME, FATHER. ⚝ Ended on a cliff hanger lmfao, I will probably expand on it since this is only ⅓ of the ideas I have for Slasher Arle. ⚝ Anyway, thank you so much to Ray for letting me participate in this event <3 Even though it’s quite late but nonetheless thank you for accepting my work as a part of your event…! ⚝ This is how I imagine Slasher Arlecchino to look like or basically arlecchino from commedia dell'arte

[ Word count: 5147 ] | Art credit: Nut_nog on Twitter | Heart divider gif

"In and every heart that is meticulously dissected by my hand has its part in orchestrating the string of fates to bring you closer to me... and further away from life, my greatest tragedy."

Those were the exact words spoken to you during a mysterious call on the very first Halloween Eve when the infamous Mirthless Harlequin made her debut as a renowned and feared killer.

Frightened citizens have declared many titles for the Mirthless Harlequin, such as The Jester who doesn't laugh, The Living Embodiment of Demons, The Surgeon, and The Heart Collector.

Yet all these titles are of little to no comparison to the true identity of the beast that lies dormant behind that twisted, sinister mask.

The muted saturation of the walls is splotched in what is most likely the victim's blood; written on it is the detail of what had transpired before the crime scene occurred, and the freshest blood drips down the wall, spelling the name of the person responsible for the attack as if in pride or apathy toward the fallen soul.

At the centre lies a chair and a small table draped in a deep velvet cloth; an organ rests atop it, the very one that would become a trademark for the killer's distorted way of leaving a mark behind. A heart, perfectly preserved with it carefully wrapped in crimson ribbons, each twist and turn creating intricate patterns that speak volumes about the attempt at humanising the organ.

Around the table, papers of various poems and photographs of the victim's missing parts were scattered across, but even with those morbid aspects, one letter in particular has caught the eyes of the world. A letter in which a cryptic note rests inside, hinting at an obsession, not towards the killing but towards the person who will, no, whom she wants to investigate and find the truth behind the "Mirthless Harlequin."

The second paragraph was quite strange, switching from the gruesome details of the first to quoting a poet and novelist for children and young adults as follows:

Walls have ears. Doors have eyes. Trees have voices. Beasts tell lies. Beware the rain. Beware the snow. Beware the man. You think you may know.

But it wasn't until the very last paragraph that you would finally choose to be the one in charge of leading the case; there your name is written repeatedly, blood surrounds it like the base of a cake, and an unknown white substance decorates it like frosting, a substance you come to identify and regret upon investigation.

A mask which you dreaded oh so much, a mask which you wanted to rip apart, and yet when that day arrived, you prayed to the Lord above to take away the sight of what lies hidden by the mask, a sight of the unmistakable face your body and soul have fallen into the grasp of.

The aroma of caffeine envelops your senses, overshadowing the aching desire to rest. Although it keeps your consciousness awake, you cannot replicate the same for your body.

Your blinks began to weigh your eyelids heavily with their slow momentum, and at any second now, you feared your body could give out on you and you would fall face-first onto the office coffee machine.

Much anticipated, your body did give out, but the harsh feeling of the appliance never came into contact with your skin; rather, a calloused yet careful hand pressed against your forehead, strong enough to prevent you from falling over.

"It's no wonder you haven't answered my messages or calls," an inviting yet foreboding voice sounds beside you. "Working overtime isn't going to earn you an easy ticket to an ongoing decade-long murder case—"

"I know, I know, you don't have to lecture me like everyone else; I have heard it about a thousand times already," you grumbled, grabbing her wrist and using it to straighten yourself before your eyes made contact with her crimson-crossed ones.

Arlecchino's eyebrows are furrowed, darkening her expression further; her eyes, which are often alluring and enigmatic due to her ability to hide the complexity of human emotions, seem to take on a more dangerous underlining.

Whatever tiredness had anchored you suddenly disappeared as she pulled your hand off hers, switching it so that she would be the one gripping your wrist. The clock on the wall ticked loudly, each second tightening the tension in the air and reflecting her thinning patience. She leaned down, her head turned to the side to whisper into your ear, but when she parted her lips, no words sounded out—a rare occasion showing the intensity of her frustration.

Her jaw clenches. "But you still refuse to listen; how can they depend on their best investigative psychologist when the one in question has not a single sane cell left to think with?" she asks, a rhetorical question you noted, but her words come out more like a growl demanding an answer.

"I am sane enough to work, and excuse me...! I didn't study my fucking ass off for nothing; I will have you know that just because I let you have your way with me so often doesn't mean I am not independent; for fuck's sake, I graduated with high honors!"

You expected her to fire back a remark rebutting your claims, seeing the twitch of her mouth, but she quickly caught you off guard when she placed her hand on your knee and held you over her shoulder.

You let out a surprised sound, instantly yelling with fisted hands coming into contact with her back in a furious retort, "ARLE! LET ME DOWN."

"Stop acting like a child; this is for your own health."

"I AM PERFECTLY HEALTHY-" Arlecchino interrupted you, her voice booming throughout the entire police department. "Healthy is a word that perfectly describes the OPPOSITE of what you are; you have been skipping your meals and overworking yourself to the point of passing out."

You tried giving your two cents, but sensing your next moves, her voice increased in volume. "I WILL be taking you back home, and you WILL have a warm bath, eat a proper meal, and go to sleep; end of statement."

Like a cowardly dog, when its owner is disappointed in it, you can only soak in annoyed silence and mumble incoherent, derogatory language that Arlecchino chooses to ignore.

Arriving at your car, Arlecchino put you down in the passenger seat, buckling your belt and closing the door for you before going to the driver's seat herself.

You turn to look at her the moment she has settled down, leaning as close to her as possible with the seat belt wrapped around you.

"Peruere-! You don't get it, Halloween Eve is coming up in a few days, which means she will be committing her 13th crime this year! Thirteen victims-!"

Arlecchino slowly turns her head to you, her facial features clearly expressionless to the naked eye, but to you, this is the most enraged you have ever seen her.

"Do you hear how insane you sound right now? You're obsessed. To think a criminal has you acting this way; I would even dare say you sound downright in love with this murderer." Arlecchino leaned in closer, and instinctively you flinched away slightly. "Don't tell me that you would prioritise your parasocial relationship with a killer over the person whom you married." Although it doesn't sound like a question, it was phrased like one by her tone.

You bite your bottom lip and slump back into your seat with an audible groan; it wasn't because you couldn't answer the question, no, far from it. If it were any normal argument between you two, then you would've easily answered no; you wouldn't choose a killer over her, your lover, but the fact that she would assume such things from you has hit a spot you never knew she could. How can she think so lowly of me to presume the worst betrayal of all, obsessive towards THAT forsaken woman? Can someone not do their job without any intent of malice anymore?! The absurdity of the situation has your head aching, to believe that it all started because you wanted to make sure no one else would die from the 'Mirthless Harlequin' anymore, all because you chose selflessness over selfishness.

The ride back home would be in complete silence as you stubbornly refuse to apologise for your actions, nor would Arlecchino stoop so low as to abandon the facts and satisfy a brat.

"I'm going to prepare your bath; don't do anything unnecessary while I'm gone."

Arlecchino has calmed down from the argument during the quiet ride back home and is rather friendly now; monetarily, she places her hand on top of your head and ruffles it as she makes her way past you.

"I'm not your kid," you groan, running your hands through your hair to fix the mess that she made.

Your lover only glanced over her shoulder with a glare, a silent threat to your words, but nothing you couldn't handle, and thus she left for your shared bedroom to prepare a bath.

You stand in the hallway, confused about what to do next as you're not usually this free; it's not that you overwork often; it's that you're often way too engaged in what you are doing. Admittedly, you couldn't really say that 1 a.m. is early, especially for most people, as they are asleep by and/or before this time. You turn around for a split moment to make sure the door is locked before you take off your shoes and place them in the wooden shoe rack.

"Might as well analyse that data report Navia gave to me earlier."

You stifle a yawn as you walk up the stairs, turning the corner into the hallway that leads to your office and shared bedroom. The quiet of the night surrounds the house with the exception of the light sound of water coming from the bedroom, a perfect blend with the soft creak of the floorboards beneath your feet.

You perk up and see the many portraits displayed across the hallway of you and Arlecchino, some of them including your friends and coworkers. For what seems like the first time in a long time, a curve is formed in the corner of your mouth.

You stand in front of your office door, eyes gazing at the portraits beside it featuring Arlecchino and you back when you first started dating one another; you still remember that day vividly. It was 12 years ago, a week before the infamous killer first appeared. Your eyes narrow slightly; what a coincidence, you think; life works in such mysterious ways, but it's still often shocking how different destinies are all tied together in the pathway of fate.

Shrugging it off, you grasp the wooden handle of the dark oak door leading to your workspace, twisting it before cracking it open slightly. Just then, a memory of the earlier argument between Arlecchino surfaces, piercing your thoughts.

"Don't tell me that you would prioritise your parasocial relationship with a killer over the person whom you married."

Now that you think about it, Arlecchino has been acting quite out of character today; when you usually have over time, she isn't as mad as she was today, but then again, you did ignore her messages and calls for almost 24 hours. However, in your utmost defence, you need to have your phone on silent mode so you won't be distracted and procrastinate. Coupled with the recent data, you and the rest of the Harlequin investigation team have been hard at work accumulating it over the last few months.

In one of the meetings discussing the various sources gathered for the infamous killer case, a single piece of evidence caught your attention: "A single white hair strand," you mumbled.

"What are you muttering about?"

A shiver runs down your spine, a moment of fear clouding your mind at the sudden sound of another voice, but you're quick to calm down once you recognize the voice belongs to none other than Arlecchino.

"Peruere..." You turn around and say, "Don't creep up on me like that again; it's scary."

Arlecchino raises an eyebrow, crossing her arms and shaking her head in disapproval. "You are standing in front of the door, mumbling incoherent words to yourself in the dark; if it were any other person, wouldn't you be considered the unsettling one?"

Blink, blink, blink. You couldn't even deny it because she's right, and the truth hangs in the air like a balloon waiting to pop.

"Arg... Whatever, forget what you heard and saw; I was thinking about work. By the way, you're done with setting up the bath, right?" You grab her hand, not waiting for a reply to lead her inside and into the bathroom.

"You wanted to bathe together?" Her voice softens, tinged with an unexpected apologetic tone for not considering this turn of events. "I'm afraid I can't; I need to prepare dinner for you since you have been eating only processed food lately, and it's detrimental to your heart."

"Ah..." A wave of embarrassment crashes over you as you realise how swiftly you had dragged her inside and assumed the fact that you would bathe together before even asking for her permission or if she was in the mood to do so in the first place. "I see... It's okay."

Seeing the flustered and disappointed undertone of your words and expression, Arlecchino devises a solution to improve your mood.

"If I am fast enough, I can join you later; is that alright with you?"

Much to your shame, you nodded way too fast for your liking, which in turn resulted in a light smirk from Arlecchino sent your way for the sudden clinginess. Her dark, tattooed hand rises and descends gently, resting on your head as she pats it lightly. The gesture is both comforting and oddly intimate, a soft reminder that you are her lover and the only one capable of seeing this side of her, seeing Peruere.

"Call me if you need anything."

"Mkay, I love you," you whisper, getting closer to the bath as you begin to take off your clothes.

"... Yes, I... love you too."

You didn't question the odd pacing of her words, assuming that she's still not used to saying those words back even after a decade of being together. The door closes with a soft click, and you're fully undressed, a sigh leaving your lips as you step foot inside the hot bath.

You allow your body to relax in the tranquil warmth of the softly cascading water, sinking deeper until only the features above your nose remain above the surface. The gentle flow conceals you whole, creating a cocoon of serenity, an occurrence that is rare for the likes of you. As you close your eyes, the world outside seems to fade away, leaving only the soothing sounds of the water and the faint echoes of your thoughts. In this moment of peacefulness, you allow yourself to let go of all the things that have weighed you down, allowing comfort to wash them away and ground you in a sense of much-needed peace.

Your thoughts linger on what food Arlecchino will be making for you, how pleasant her skin would feel against yours right now, and the upcoming Halloween Eve.

"A single white hair strand? How do I know this isn’t some sort of ploy she set up?” You question Navia, arms crossed in a vice-like grip, as you analyse the hair under the microscope. “Is it fake hair or from a doll?”

"Haha, it's simple, Dr. Snezhevna, because she herself stated in this letter that the hair strand belongs to her,” Navia replies, her tone steady and amused as she watches your demeanour shift dramatically upon seeing the familiar letter in her hand.

An audible groan escapes your lips as you snatch the letter and another from the pile of letters dedicated to the killer to compare the heart stamp and writing styles. As you read, the distinct vocabulary matches flawlessly, with not a single difference between her signature stamp and her writing style, confirming she deliberately left her own DNA behind.

“This woman genuinely pisses me off... Does she think I’m a fool? Or is she that cocky to be under the impression we aren't capable of matching her information with our extensive network database?”

Navia lets out a light chuckle, leaning back in her chair and looking drastically more relaxed than you do.

“I’ve heard Commander Wriothesley uncovered that the fresh blood she uses to spell out her name contains a secret, obscure code imprinted onto it and that it doesn't belong to the victims, though we don't know exactly who it belongs to as of now.”

“Seriously?! God forbid this damn criminal gives me a break!” you exclaim, frustration bubbling over. “The day I finally catch her, I’m going to give her a piece of my damn mind, alright.”

You open your eyes and rise from the water, leaning back against the bath as you take a deep exhale.

"Who are you, and why am I the one you desire so much...?" You said aloud to yourself, your mind foggy with the jester again, easily shattering the peaceful atmosphere that had settled around you.

"Who am I?" Arlecchino's voice echoes throughout the bathroom, causing you to yelp at the unexpected sound.

"Peruere...! Do you seriously have to always randomly creep up on me?!" You turn to face her, your heart racing as you look up at her with displeasure.

"It is not I who am the problem, but it is you who lack awareness, darling; I called your name countless times, and you keep muttering to yourself as always."

Oh.

"Ah, oh, my apologies... hm, wait, are you already finished with cooking? How long have I been here...?" you ask, looking down at your reflection in the water with much shame before raising your hands from under to see the pruney fingers caused by your prolonged exposure to aqua.

"Less than half an hour, the food has already been brought up; you can go and eat right now if you want."

"But—" you tried protesting since you still wanted to bathe with her, but, as always, she read you so easily and responded before you could even get a sentence out.

"We have an eternity before us; you should eat first lest you want an upset stomach, and you should also begin getting ready for bed."

"Sigh, if you say so," you stand up from the bathtub, the warm water dripping from your skin as you reach for the towel hanging beside the tub, wrapping it around yourself snugly. You glance at Arlecchino with a small smile that then turns into a smirk. "You should keep the door open while you're washing up."

As expected, the teasing remark made little to no effect on her, and you're left with her staring at you, unamused.

"So bland, my love, you could have faked your expression or agreed for my sake."

You leave the room with a laugh, and as you take in the sight before you, you can't help the soft smile that replaces the smug smirk that had once dominated your features moments ago. Clothes carefully selected for your comfort and a perfect amount of portion for you to relish are laid out before you on your shared bed; what a thoughtful soulmate you have, you mentally acknowledge.

You lie contentedly inside the soft blankets, the light of the waning moon illuminating your features through the window, painting your face in its most desired parts. You sink further inside, your body never wanting to leave this paradisiacal space; yet likewise, life often works against you, and a notification causes you to straighten yourself grudgingly.

Who would be texting you this late is your initial thought, but the moment your eyes land on the unknown caller who has sent you a voicemail, you nearly drop your phone. Rapidly, you scan the room for the calendar, completely forgetting the phone in your hand has a built-in one, and your heart nearly drops as you realise it's the 29th. Two days before Halloween Eve and two days before the woman strikes again. Another unfortunate soul is soon to fall victim to a killer whose identity is yet to be known aside from her details as a woman with a jester-like appearance.

Shakily, you search for your earbuds and pair them to your phone upon retrieval before you open voicemail and press on the recently sent one. A chill runs down your spine at the sound of the familiar voice beginning to talk to you.

"In the ticking shadows where time slips away, a hero stands tall yet fears the fray.

With every heartbeat, the clock's cruel hand counts down the moments that they both understand.

Time is a thief, relentless and cold.

As you chase the thrill, the stories unfold.

Yet in this chaos, a bond begins to bloom.

Two souls entwined in the depths of doom.

A hero and a villain, bound by a thread.

In the twilight of choices, where both may tread.

The dawn of your death is arriving, my dearest angel. I await the day we shall personally introduce one another, which happens to be only two days from now."

Tsk. You clutch the phone in your hand, slumping back onto the mattress with a hand over your eyes. How frustrating it is to be haunted by someone who is seemingly untraceable, and now you have suddenly received confirmation on who the next victim will be, which conveniently enough happens to be you. You feel calm; you look relaxed, yet internally, you would be lying to yourself if you said you weren't terrified of what would happen to you on that fateful day.

You didn't realise you had been crying until Arlecchino's gentle hands brushed away the tears that streamed down your cheeks in quietude.

"Peruere..." You murmured, the sudden feeling of everything around you crashing down.

You removed your hands from your vision and wrapped them around her waist, pulling her close as you began to sob uncontrollably; the warmth of her body brought comfort to what was left of you. Your lover didn't say anything, opting to keep silent until moments later when the clock struck two.

"She's going to kill you on Halloween Eve," Arlecchino said eerily and softly.

You froze in place, the tears continuing to fall unchecked, but the moment she uttered those words, something sounded incredibly hard to swallow; you had worn earbuds the entire time to prevent her from hearing the voicemail, and there was not a soul who could have heard the message aside from you and the sender, the killer herself.

"But how did you know...?"

Arlecchino looked at you like you were a lost dog, and without many words, she shook her head in yet more disappointment. "Why else would you be crying? It's an obvious assumption based on how you have been acting as of late, the sudden unease, overworking for the past month, and your muttering about some sort of finding."

Right, right, of course, that's correct; how foolish and frightful of you to think beyond the possibilities.

"Ahaha... Of course, I'm sorry, Peruere... I just need to relax; I am just... so scared. I have never felt such fear before, you know."

Arlecchino stared down into your glistening eyes in wordless moments, a long and slow pause of lifelong connection and understanding passing within those time frames. Slowly, she leaned down, her movements calculated and gentle, as if afraid to break your already fragile body.

Like second nature, your hands subconsciously trail her barely dry body to the nape of her neck, enveloping it and pulling her cooler frame to your warmer one.

Her gaze remained locked on yours, searching for the discomfort and fear lingering in your soul and how she, as your lover, could dissolve those worries into mindless tranquillity.

"Whatever happens," she whispered, her voice a sultry murmur in your ears, "you're not alone."

Multiple kisses follow those words, a few on the right side of your jawline to the left side, one here and there on your neck, and lastly on your collarbone, where she's blocked by the fabric of your shirt.

Simultaneously, Arlecchino pulls the cover off you and runs a hand through your hair, pushing back the strands that have obscured your beautiful features for her hungry eyes to feast on.

"Let me take care of you, little dove."

At the sound of the slight neediness in her raspy tone and that insatiable stare, you could feel a knot forming in your stomach and an aching feeling below it. You couldn't bring yourself to trust your own words, so, choosing the best possible option, you consented to her request with a nod.

Usually, the woman would say something about the lack of vocalisation, but today the air was of a different flavour because she took no time lifting your shirt just above your breasts.

She peppered kisses on every inch of your perfect imperfection, savouring the delicious taste of your body in her mouth; oh, how she wished she could devour it all.

"Peruere... please," you plead, desperate to cloud your mind with her rather than your impending doom.

"Patience," Arlecchino enunciated, her salivating tongue trailing your body but avoiding the part where you desire her the most.

Your impatience overwhelms you, and your hand goes to grip her wet hair, pulling her upward to your hardened nipples. In a weak attempt for her to fasten her pace, you let out a pathetic, whiny plea.

Through lidded eyes, her pupils direct to your face a prideful, almost invisible smirk that flashes on her lips at the sight of you breaking apart under her feathery touch.

"I have barely touched you, sweetheart, and here you are," Arlecchino pressed her knee directly on your clothed vagina, causing you to shamefully moan, "so eager for me."

Her hot mouth latches onto the right side of your perky nipple, making sure to give the left one the same attention by pinching it with her thumb and forefinger. A gasp is involuntarily ushered out of your lips, followed by more pleas for her to continue her relentless assault.

Pitying you this time, Arlecchino's pull at the hem of your pants causing a short cry of pain to be released from you and an unexpected whimper at the feel of the icy air against your womanhood.

"Naughty girl, such innocent looks but such perverted thoughts; you're already this wet," the tip of Arlecchino's finger touches your clitoral area. "And I haven't even started."

The slow progress of her foreplay obliterated to nothingness as she forcefully thrust two colossal fingers inside your aching cunt. A high-pitched scream pierced the room, but it would not be long until you were silenced by her mouth.

"How... adorable," Arlecchino groaned in between kisses, her eyes wide open to observe every twitch and change in your lascivious expression.

Like a starving animal, Arlecchino wanted more; she needed more, she craved more, and in a split moment of lost control, she decided to satiate her desire for your addictive melodies. Thus, she pulled away from your lips, increasing her speed and slipping in a third finger as your pussy morphed and fit her fingers like a puzzle piece.

You bite your lips, trying to muffle your sound as she plunges faster and deeper into you, and of course, this doesn't go unnoticed by her because how dare you try to get rid of the sound she's craving so much?

She manoeuvred you into a more advantageous position, pulling your legs over her shoulders, thrusting into the deepest part of your cunt, and rubbing your clitoris furiously with her thumb all the while she got to enjoy your pleasurable sounds up close.

"Good girl, fuck... just like that, sounds so good for me; you're so close, aren't you, doll?"

Arlecchino's hand comes to latch itself onto your hair, pulling it with satisfaction as an ominous grin creeps its way onto her once monotonic features. Her eyes seemingly take on a deeper vermilion hue at your face, filled pathetically with pleasure and fat with tears in those precious, mindless gazes.

"MMPH-AH," pant, pant, pant. "Don't stop! Fuck, fuck, fuck! I'm so close...! AH! PERUERE—"

Your back arches off the bed, eyes rolling back as you see a distorted reality comparable to that of heaven; so much pleasure and so much energy are used that the next thing you know, you are passed out on the bed while Arlecchino licks your cunt clean.

Arlecchino's thumb swipes over your lip in a tender touch, eyes scanning your serene sleeping form, and contrasting with the loving touch is a sinister grin spread across her features, a mix of admiration for her work of art and something darker that dances in her eyes during the dead of the night.

Her hand trails down to the aching bulge that's imprisoned in her pants as she studies the rise and fall of your chest. She pulls her hardened cock out, rubbing the leaking precum all over the base of her length like it is lubrication.

For a moment, she allows herself to bask in the sight of you all peaceful and unaware, completely vulnerable in your deep slumber. A mix of a moan and a groan sounds from her lips as she moves up and down her enraged member, the corners of her mouth curling higher as she considers the delicate line between protector and predator, each heartbeat echoing the thrill of the beautifully unknown night.

"Sweet dreams," she whispered, her words laced with a playful edge that held secrets only the abyssal night could understand. She masturbated faster, her climax coming quicker than she expected, but not one that was unappreciated. She pulled back slightly, that sinister grin never leaving her swollen lips, an unsettling mixture of warmth and foreboding in the stillness of the atmosphere.

She switched the same hand that was used to fuck you senseless to her mouth, and effectively, she came as she tasted your arousing scent and ejaculated all over you soon after.

A satisfied enough sigh emanates from her, opting to settle down on top of your chest after calming down from her high to feel the sound of your heartbeat against her ear. The smile that seemed to stretch endlessly expanded at the thought of your heart in her hand, devouring her mind. Soon enough, the beating of your heart shall be in her hands for her to safeguard until it can no longer pulsate without its host.

"My greatest tragedy."

#erisetober #erise film #arlecchino x reader #arlecchino x y/n #arlecchino x you #arlecchino smut #arlechinno genshin #genshin arlecchino #arlecchino #genshin impact x you #genshin x reader #genshin impact #genshin fanfic #genshin wlw #peruere x reader #peruere #arlecchino genshin impact

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inthedayswhenlandswerefew · 2 months ago

Text

Cannibals [Chapter 1: Bruises and Bloodlines]

Series summary: You are his sister, his lover, his betrothed despite everyone else's protests; you have always belonged to Aemond and believe you always will. But on the night he returns from Storm's End with horrifying news, the trajectories of your lives are irrevocably changed. Will the war of succession make your bond permanent, or destroy the twisted and fanatical love you share?

Chapter warnings: Language, sexual content (18+ readers only), Aemond stressing everybody out, Aegon hating his life even more than usual, RIP lil Luke Strong, don't touch bats in real life or you will get rabies.

Word count: 6.3k

💙 All my writing can be found HERE! ❤️

Tagging: @themoonofthesun @chattylurker @mrs-starkgaryen @moonfllowerr @ecstaticactus

🦇 Let me know if you’d like to be added to the taglist 🦇

Cannibal, a noun: one that devours its own.

~~~~~~~~~~

He’s back, you can feel it: a sensation like falling, the impact of Vhagar’s claws against the earth. You get glimpses like this, unpredictable flashes of intuition, a window into the contents of his mind or the scenery he is draped in like how branches hang from a willow tree. You set Blueberry down on the windowsill, where he skitters to the edge and swoops out into the night, chasing white specks of moths and lacewings. Then you leave your bedchamber to meet Aemond in the hallway.

One of the maids is there, trying to be patient as she paces with Maelor in her arms. He’s just like you were at that age: a demon who never sleeps. His white-blonde hair is disheveled, his eyes rheumy and pink from crying in protest. But then they brighten.

“Red Red!” Maelor swipes at you with tiny, grasping hands.

“What are you doing awake?” you coo at him, beaming. “It’s nighttime. You aren’t a bat. Are you a bat, huh? Are you hiding a pair of wings somewhere?”

He giggles as you pretend to inspect him. The maid smiles.

“If you don’t have any wings, I’m afraid you’ll have to go right to sleep. That’s the rule for humans.”

Maelor trills in his toddler lisp: “Then I want to be a bat.”

“Okay! I’ll find some bugs for you to eat.”

“No!” he squeals, dismayed. “No bugs!”

“In that case, I guess you’re a human after all. If you go to bed now, you can help me collect seashells tomorrow.”

“Fine,” Maelor agrees grudgingly, and the maid ferries him away. From the Godswood, great horned owls hoot. One of the knights of Aegon’s Kingsguard, Sir Willis Fell from the Stormlands, passes by on his patrol and gives you a quick nod, polite but a bit avoidant, awkward truths he pretends he can ignore. He doesn’t ask if you need assistance or why you’re awake at this hour. He already knows. He vanishes again, his white cloak swishing behind him like the tail of a wolf or a jackal.

You lurk at the top of the Grand Staircase shrouded in shadows and shifting firelight, feeling night wind skate over your cheek like children playing on a frozen lake, and that breeze is not here but outside where Aemond must be trudging across the courtyard towards the royal apartments in Maegor’s Holdfast. You drum your fingertips impatiently on the stone banister. When at last he appears—first only a silhouette in the darkness, then rippling into color under the torches, black leather and silver hair—Aemond is drenched with rain and ascending swiftly, two stairs at a time.

You grin as you take a step down to him, slinking, conspiratorial. He told you all his plans before he left; he tells you almost everything. “How was Storm’s End?”

But Aemond doesn’t answer. He blows past you and stalks towards Criston’s chambers, rainwater dripping from his hair and littering the floor with tiny, transluscent pools.

You turn to watch him leave, mystified. “Aemond?”

He says without stopping: “Go wake Aegon and Mother. Tell them to meet me in the small council chamber. I’ll get Criston and Grandsire.”

“Why?” Again, Aemond ignores you. This is unusual. You bolt after him, closing the space between you until your fingers catch his wrist. “Aemond, what—?”

He grabs you and pins you to the wall, the stones cold against your belly through the crimson velvet of your robe, Aemond’s hips braced against yours, domineering, demanding, promising what he will do for you after. You close your eyes and sigh shakily—a savoring, a surrender—and then he is tender, turning your face so he can kiss the apple of your cheek. He murmurs, warm and low: “Do as I ask.”

You nod. “Okay,” you agree in a whisper. Aemond releases you and vanishes to rouse Criston. You break for Aegon’s chambers.

There is a woman in his bed, snoring softly and with long auburn hair spilling over her bare shoulders. He has endeavored to spend less time drinking and philandering since becoming king, and yet…it is so rare for a creature to change its spots or stripes or scales. Aegon has always been this way. Without his vices, you would not recognize him.

You kneel beside the bed and rest a palm lightly on Aegon’s damp forehead. You have to be careful when you wake him; he flinches, he startles, he has too many memories of being ripped from sleep by bruises and crescent-moon indentations of fingernails. “Aegon? I’m really sorry, I know it’s late.”

He doesn’t have to open his eyes to know it’s you. “Fuck off,” he groans into his pillow.

“Aemond’s back from Storm’s End, but something’s wrong. He wants you to meet him in the council chamber.”

Aegon looks up and blinks drowsily. Moonlight spills into the room through gaps in the curtains. He smells strange, like lavender; that must be from his companion. “What happened?”

“I don’t know.”

“He didn’t tell you?”

You shake your head.

Now Aegon is alarmed. The dark, cloudy blue of his irises is rapidly clearing. “Alright. Give me five minutes.”

“Wash the girl’s perfume off you so Mother isn’t quite so disappointed.”

Aegon chuckles, rubbing his eyes; something about the way he does this reminds you of Maelor. They are both just boys; they are both so incendiary and yet so vulnerable. “Get out, whore.”

You tousle his hair roughly, smack a kiss onto his sweat-salted temple as he tries to shove you away, snicker as he hurls pillows at you. You are slipping through the doorway when you hear the woman in bed mumble: “Huh? What’s going on?”

“Nothing,” Aegon says. “Thank you very much for your company, your skills were more than adequate, now kindly find your way home…”

You hurry down the hall to Mother’s chambers. There are seven-pointed stars on the walls and the furniture, green tapestries everywhere. She will always be a Hightower, averse to Valyrian oddities and suspicious of that sinister, ancient magic. She does not understand it; she tries to overlook it in her children. It’s the only way she knows how to love them. You sit beside the indistinct shape beneath the blankets, sinking into the goose feather mattress, and nudge what you guess is her shoulder. “Mother?”

She stirs, and then her face fills with concern when she sees you in the dim light from her candles. “What’s happened, darling? Are you ill?” You are prone to headaches and chills and nausea, you always have been, maladies of the flesh that are either a blood inheritance or a curse from bad stars. Once when you were very young, Aemond pushed you into a cold stream during a royal progress to the Vale, and you had been laughing when Criston leapt in and dragged you from the water; but two days later, you began burning up with a fever so hot they thought you might die. Aemond had slept on the floor beside your bed, and when you shivered so violently your bones ached he climbed in beside you and held you until you could sleep again; and later when his eye was cut out on Driftmark and he was half-mad with pain, you did the same for him.

“No, Mother, I’m fine. It’s Aemond.”

She sits up and studies you. “Aemond?”

“He’s back from Storm’s End, and he wants to talk to you.”

“To me?”

“And Criston and Aegon, and Grandsire too.”

She doesn’t understand. “Now? Why? What’s wrong?”

“I have no idea.”

“What did he say?”

Everyone expects you to already know, but you don’t. “I think he wants to tell all of us at the same time. In the small council chamber.”

“Now?” she says again, puzzled, still half-asleep. “What is so important that it can’t wait until morning?”

“Mother, there are only so many ways for me to express that I don’t know. If I had any indications at all, I’d share them.”

“Alright.” She’s smiling; you have amused her. She throws off the covers and touches her bare feet to the floor. “Pass me my robe. It’s on that chair over there.” And of course, the swath of velvet you hand her to wear over her nightgown is a deep emerald green: the color of fertile fields, not blood or beasts.

By the time you and Mother arrive together, everyone else is already taking their places in the council chamber. Aegon is at the head of the table, spinning his stone—a black sphere of volcanic glass—and peering around boredly. Grandsire and Criston are greeting Mother and yawning into the backs of their hands. No one has woken Helaena, and yet she is here, settling nimbly into the chair beside Aegon. He gives her a brief, fond glance, noting that she is fidgeting with a small oak dragonfly he once made for her. Aegon carves wood, Helaena embroiders, you shatter seashells with tiny hammers and use the shards to make mosaics, miniscule yet unladylike violence. Aemond has books and swords in place of crafts. And Daeron…you assume he must have cultivated some artistic talents while away in Oldtown—he was always so imaginative as a boy—but you would not know them. You see him so rarely now. You sit across the table from Aemond. He is the only attendee not dressed in nightclothes. His black leather tunic is still layered with a sheen of rain.

Grandsire lowers himself gingerly into his seat, grinding arthritic bones that pain him. The nights have grown chilly, even here in the south. Winter is coming, the maesters warn. His gaze passes over you and Helaena—the two of you aren’t really supposed to be here, but you’ll be permitted to stay if you cause no trouble—then he smirks humorlessly at Aemond. “So you failed.”

“No,” Aemond says, and you think as you look around the table: No Orwyle, no Lannister, no Wylde, not even Larys Strong. What does Aemond not want them to know? “Lord Baratheon has agreed to marry his youngest daughter to Daeron in one year’s time. He was very enthusiastic about the match.”

“Great!” Aegon declares. “Although, personally, I am of the inexpert opinion that this could have been discussed over bacon and honeycakes at breakfast…”

Grandsire snorts, derisive; he disapproves, though perhaps he is not surprised. He says to Aemond: “You were sent to negotiate your own marriage, not Daeron’s.”

Aemond shrugs, as if it happened by coincidence. “That was Borros Baratheon’s preference.”

“It was your preference, you mean.”

Aemond is careful not to reveal any emotion. “Daeron is young, but he already has a reputation. He is known to be handsome and chivalrous and…” A wave of the hand as he searches for the right word. “Unmutilated. It is not so difficult to imagine why a father would believe him to be a more worthy son-in-law.”

“It doesn’t matter to me, one Targaryen is as good as the next,” Aegon says, and of course nobody pays much attention.

“Perhaps Borros Baratheon’s judgment has been contaminated by certain disturbing and disgraceful rumors,” Grandsire counters and glares at you. You don’t reply; there’s nothing you can say that would help. Everyone knows, but it rarely spoken of aloud, as if it is a ghost nobody wants to inadvertently conjure. All your life there has been this perpetual rebalancing of scales: someone mentions a diplomatic match for you, you stall and Aemond makes excuses, Grandsire and Mother try to convince him, Aemond is immoveable and they aren’t willing to invoke his wrath. Vhagar is the subtext of every dispute. They need her, they are terrified of her.

Criston attempts to deescalate. “Aemond’s task was to ensure the Baratheons’ loyalty to the crown, and he has accomplished that. Perhaps it would be wise to move on.”

“Fine, what else?” Grandsire snaps. “You assembled us here for some reason, I presume. It must be urgent to merit a meeting now. It better be urgent, or I’ll be paying people to shake you awake during the hour of the wolf for the next month.”

“It is urgent,” Aemond says softly, then pauses, gazing down at the ball in front of him, white quartz dappled with blue. Everyone watches him. You share a glance with Aegon; he is curious, but you have nothing to offer him. You turn back to Aemond with bewilderment in your face, furrows in your brow.

“Aemond?” Mother prompts.

He looks at you, only for a second, but you’re thunderstruck by what you see in his remaining eye. You have rarely known Aemond to be afraid, but he is right now. What happened? you think, horror making the blood in your veins cold and slow and heavy. What did he do?

Aemond begins: “Luke Strong was at Storm’s End too.”

“What?” Grandsire says, more baffled than worried. “That runt? Why?”

“He’s a weasel,” Aegon mutters, spinning his ball again.

“Rhaenyra’s son?” Mother asks. “She sent him there all alone? How peculiar. The way she was always hovering over him while they were here, I’m amazed she let him out of her sight for that long. How old is he now? With that plain, ever-anxious, pug-nosed face, he looks like a little boy—”

Aemond says: “He was sent to remind Borros of his old pledge to uphold Rhaenyra’s claim. But Luke had no incentives to offer.”

“And so Lord Baratheon rejected him,” Grandsire surmises.

Aemond nods, though perhaps halfheartedly.

“Well, good,” Grandsire says, surveying the table for agreement. “That’s good, right? With every house that refuses to aid her, Rhaenyra will be more likely to accept our terms, and we can resolve this question of succession without any bloodshed.”

“Meleys and the Dragonpit,” Aegon reminds him.

“Without further bloodshed,” Grandsire amends.

Mother and Criston concur, but you’re watching Aemond. He hasn’t responded yet. Mother’s gaze flits between the two of you. She is somewhat sympathetic to the affinity you share, but she doesn’t understand it. More than anything, you get the sense she believes it is something you must be saved from. The Hightowers could stomach Aegon and Helaena’s match—Viserys was still healthy enough to insist upon it, and the couple so seemingly platonic it was easy to forget they were married at all—but they have no appetite for a desire that defies political expediency, that burns scorching and wild.

“Aemond, did you quarrel with Luke?” Mother says, her tone patient in an I-won’t-be-mad-if-you-just-tell-me-the-truth sort of way. “I know…your eye…” She touches her own face, wincing at the memory of how he suffered. “Did you seek restitution of some sort from him? Did you make accusations?”

“We…exchanged some words,” Aemond admits. “And then…when Luke left on Arrax…” There is a lull, and everyone stares at him. “Vhagar and I followed.”

“What?!” Grandsire exclaims. “You threatened Rhaenyra’s son?!”

“I…” Aemond closes his eye, then after a moment opens it again and continues. “It was my intention to frighten him, that was all.”

“Idiot,” Grandsire hisses. “You know better. You’re too well-educated to act like you don’t. Now, that one…” He jabs an accusatory finger at Aegon, who is caught off-guard, what the fuck do I have to do with this?

Criston says, more gently: “That was very dangerous, Aemond.” Mother covers her mouth with one hand and shakes her head. Her long coppery hair hangs in uncombed waves, still tangled from sleep.

“So what happened?” Aegon asks. “Where’d you chase him to? All the way back to Dragonstone? You must have scared him to death.”

Aemond chooses his words with great care and agonizing slowness. “Everything was under control. Then Arrax…he unleashed his flames on Vhagar, and she…she attacked.”

Everyone is silent. After a moment, Grandsire says: “What do you mean she attacked?”

“She…” Aemond gestures vaguely with open hands, hands that have held you, caged you, dragged you, pleased you until you were forged to him like a blade to a hilt. Again, he looks at you, and what is he asking for? Help, empathy, compassion, forgiveness? “She bit Arrax.”

“She wounded him?” Aegon says.

“She devoured him.”

Criston blinks. “So…Arrax is dead, and where is Luke now?”

Aemond laces his fingers together on the table like he’s praying. “He’s…he’s gone.”

“Gone?” Mother echoes.

“Did you look for him?” Grandsire demands. “I mean, did you even bother to search for Luke, or did you just leave him in the Stormlands somewhere? Did he fall into the sea, could he be wandering around in a forest? If Luke is injured, we should send out people to find him. We could hold him as a hostage.”

“No, you don’t understand.” Aemond’s voice is frayed. And now for the first time tonight, you finally know what he’s going to say. Your eyes snag on Aegon’s, and he reads the terror there, and then it hits him too. “There is nothing to search for.”

Mother is gaping at him, the unwanted knowledge seeping in like rain through earth. “Nothing?”

“There is no body. Pieces, perhaps.”

Unspeakable, suffocating dread fills the room, and then Grandsire leaps to his feet and slams his fists down on the table. “Useless!” he roars at Aemond. “Worse than useless, a saboteur, a curse, a plague, you have ruined everything your Mother and I worked for, Rhaenyra was considering our terms and now you’ve condemned us all!”

“You killed Lucerys Velaryon?” Mother says, stunned. Her large dark eyes glisten with unpardonable betrayal. She’ll never look at him the same way again. “You murdered Rhaenyra’s son? A prince, the heir to Driftmark?”

“It wasn’t murder,” Aemond pleads. “It was…it was combat, it was a battle—”

“A battle with that child?!” Grandsire thunders. Helaena begins to cry, and Aegon places a hand on her wrist as his wide eyes dart around the table. “Everyone’s seen him, it’s no secret, and not a single person in the realm would be delusional enough to believe a clash between Vhagar and Arrax was anything but a slaughter!”

“Aemond,” Criston says quietly, appalled, astonished.

Aemond can’t meet his eyes. He peers down at the table, and despite everything—what will happen to us, what will happen to me?—there is an ache in your chest like cracked ribs trying to heal, a profound lightless distress, a ricochet of the pain he’s feeling. “It wasn’t my intention to harm Luke.”

Grandsire shouts: “Did you give Vhagar the order or not?!”

It feels like a long time before Aemond answers. “No.”

“Oh gods,” Criston says as he sinks down in his chair, turning to Alicent. She has hidden her face with both hands and seems to be weeping.

“So you can’t control Vhagar,” Grandsire seethes. “You ride the largest and most dangerous dragon in the world and you can’t stop her from eating people.”

“I never would have purposefully—”

“But you created the situation! You pursued Luke, you tormented him, and surely somewhere in your sick brain you considered that you were endangering his life! And now… now…now Rhaenyra will be merciless, she will never submit, she will endeavor to destroy us all!”

“It will bring more allies to her side,” Criston says. “They will believe she was wronged, and she will wield that weapon to great advantage. She is cunning.”

“What about your family, Aemond?!” Mother sobs, her face a hectic, bloody pink. “You and your brothers will have to go to war, you might be maimed or butchered, and your sisters and I…we could be taken as prisoners, we could be executed for treason!”

“That will never happen,” he swears; but his pale blue eye is misty, and he bites his lips together so they won’t tremble.

Mother is desperate, tears streaming down her cheeks “What can we do, Father? How can we salvage this?”

Grandsire points to you. “She must be wed immediately. We’ve already waited too long.”

“Wait, wait, wait,” Aegon says, but no one is listening.

“Mother,” you beg. “Please don’t let them—”

“She will be married to whoever can help us in this,” Grandsire says. “The Lannisters or the Redwynes or the Swanns, perhaps the Butterwells or the Mootons if that will coax them to our side—”

“Then the realm will burn,” Aemond replies darkly, leaning over the table. “But I’ll come knocking on your door first, Grandsire.”

Grandsire looks at him, startled. “You wouldn’t dare.”

“Shall we find out?”

“Otto, please,” Criston says, holding up a palm. Then he considers how to dissuade him. “All things considered—the military strength that Aemond has brought to our side, the devotion that he has shown this family, present circumstances notwithstanding—he has never asked for much.”

“He asks for the one thing we cannot give him,” Grandsire replies, then turns to you. “What do you think about what Aemond has done? This recklessness, this monstrous error?”

He rarely asks for your opinion about anything. This is not a question but a summons: you are supposed to disavow Aemond. You are the one who can hurt him best. Instead you say, though it’s not what you truly feel: “Luke was an enemy. He perished in combat.”

Grandsire, Mother, and Criston all begin yelling at once. Helaena shrinks into herself, her dragonfly made of oak wood clutched to her chest. Aegon whispers something to her—you can leave, you believe he says—but she shakes her head no. You are stoic as the adults berate and implore you, and perhaps it’s strange that you still think of them that way since you’re an adult now too, and yet…their gravity seems so much heavier than yours, their tethers to the earth overgrown with weeds and moss.

“I’ll gut you myself!” Grandsire screams at Aemond, empty threats woven from helpless terror. “I’ll lock you in the Black Cells, I’ll have you banished to Dorne—!”

“I’ll throw a feast!” Aegon says suddenly, and the others go quiet.

“You’ll what?” Grandsire snarls.

“Little Luke Strong is dead and that’s a victory for our side. There’s no other way to look at it.”

“You intend to celebrate this calamity?”

“What else should we do?” Aegon asks. “Apologize? Go crawling on our bellies to Rhaenyra for forgiveness? No, she’d burn us alive. If it’s done, we must embrace it and use it to bolster our cause as much as possible. It was a battle and a victory. Aemond is a war hero. Onto the next objective.”

“What a disaster,” Criston mutters, rubbing his forehead. “Yes, that might be the only option we have.”

Mother clasps the small seven-pointed star that hangs from the gold chain at her throat. “I must go to the sept. I must pray for our survival.”

Grandsire glowers at Aegon. “You are a humiliation.”

“I am the king. I want a feast.”

Grandsire sighs deeply, pushing his chair away from the table. “I suppose I have letters to write.” And then, to Aemond: “When your sisters are captured and enslaved and married off to whichever Black loyalists will pay Rhaenyra and Daemon the most for them, I trust you’ll remember who’s responsible.”

Aemond gets up and storms out of the small council chamber. Mother mops the tears off her face with the sleeves of her green robe. Criston takes one of her hands and is murmuring promises, assurances, perhaps lies. You, Aegon, and Helaena say nothing. None of you can defend what Aemond has done, but you won’t denounce him either.

Then Grandsire grins at you, a cruel bestial flash of his teeth, an old grizzled animal tough from too many winters, icy wind shrieking through the chambers of its heart. “Oh, are you pretending that you’re not about to run after him?”

You don’t reply. But you rise from the table and flee as Mother watches you, her vast eyes swimming with misery.

~~~~~~~~~~

It’s a game with five pieces: the green snake, the yellow butterfly, the blue wolf, the red bat, and the purple shadowcat. They chase each other around the board, and if one of the other pieces lands on the same spot as yours then you have to go all the way back to the start.

Daeron is the youngest, but he almost always seems to win; some people are like that, luck flows like a river in their veins. Helaena enjoys playing even if she finished last. Aegon feigns disinterest but never declines an invitation, sliding his snake across the spaces with his index finger between slurps of wine. And sometimes Aemond is ruthless, taking every single opportunity to land on your spot and send your bat hurtling back to the beginning, sawing your legs out from under you, shattering your hopes like glass again and again until you are so frustrated you can feel embers glowing dry and searing in your throat.

But other times, Aemond pretends to misread the dots on the dice so he lands either too close or too far away and you are spared, and if you win he lies and says you deserve it.

~~~~~~~~~~

He is waiting at your bedroom door; when you are close enough to breathe him in, you taste rain and soot. Perhaps—if it isn’t your imagination—you can even detect the coppery tinge of blood, splatters of little Luke Strong soaked into the black leather of his tunic or his coat. You remember that boy you barely knew, more a phantom than flesh, a wraith who stole Aemond’s eye and then was spirited away to Dragonstone to escape retribution, a tiny god who Viserys worshipped from afar the same way he never stopped loving Rhaenyra. All you knew of your father was absence, and this was a sadness but a relief as well, because you could not escape the sense that if he was there you would only disappoint him.

“What is wrong with you?!” you whisper savagely. Aemond smiles and reaches for your face, but you swat his hand away. “Don’t fucking touch me. You’re insane, you’re going to get us all killed—”

He drags you into your bedchamber, kicking the door shut behind him. He’s lean but wiry, all muscle, and when you fight him—although you both know you want him to win—it is in vain. He tugs your hair out of its braid and hauls you across the room, pushes you down on the bed, rips off his coat and tunic and then follows you onto the mattress. You clamber away until you hit the headboard, your spine flat against the wood. As he closes in on you, your palm cracks across the blind side of Aemond’s face, and he grins. You have often thought that it should have been reversed, you wed to Aegon and Aemond to Helaena. You would not be so scandalized by Aegon’s vices; Aemond would be chivalrous with a meek, compliant wife. But alas, Helaena was born first, and the arrangement was set in stone long before any of your natures became apparent.

Aemond unfastens your robe and reaches under your nightgown of white cotton. “Open your legs.”

“No.” It is always this way with him; it always has been. You fight and he vanquishes, and both of you enjoy it.

He forces your thighs apart and you moan, the resistance bleeding out of you, you muscles going soft and yielding, Aemond radiant with this clandestine conquest on a night when nothing else is under his control. He can only love you when you’re tamed and tractable. Sometimes you think he likes that you don’t have a dragon, that your egg never hatched, that all of the unclaimed beasts denied you. You will always be vulnerable, powerless, at his mercy.

You cling to Aemond, your arms around his neck. He knows exactly what you need because you’ve already done this, more times than either of you could count: everything besides what could get you pregnant, and not just because Aemond would rather slit his own throat than have bastards like Rhaenyra’s. It’s something you’re both saving until at last you are married, and no one except The Stranger can separate you.

You gasp and Aemond growls through your hair: “Shh. Hurry up.”

“I missed you.”

“I know.” He doesn’t have to say it back; if he hadn’t missed you, he wouldn’t be here right now, two fingers buried to the knuckles and the heel of his hand grinding against you, almost, almost, almost…

The bedchamber door bangs opens, and Aegon saunters in with a goblet of wine, emeralds gleaming on the rim.

“Stop,” you tell Aemond, but he knows you don’t mean it, not really; beneath your nightgown his hand works faster, more roughly. You sigh and kiss him, deep and messy, surrendering, very close.

Aegon takes a swig of wine, licks the stray drops from his lips, and frowns down at you both, slightly intrigued but mostly nauseated. He cannot fathom a hunger for his own.

Aemond looks to him and says casually: “Do you want something?”

“I do, actually,” Aegon replies. “Were you planning to thank me?”

“Thank you for what?”

“For what I did for you in the council chamber, obviously. For the feast.”

“I’ll consider it.”

“Thank you, Aegon,” you say, and you are sincere.

Aegon raises his goblet in a mock toast. “That’s very kind, Red, but I wasn’t asking you.”

You whimper against Aemond’s throat, embarrassed but in ecstasy, not able to hold off much longer. “Aemond, just thank him.”

“Well I’m a bit preoccupied at the moment.”

“That’s okay,” Aegon says. “I can wait.” He sits at the end of the bed, then bounces up and down a few times. “Oh, this is a great mattress! Very soft, like sleeping on a cloud! Why isn’t mine this nice?”

“Probably because you’ve ejaculated all over it five thousand times,” Aemond says.

“Oh, right,” Aegon jests. “Not quite that frequently, I think.”

“Aemond,” you plead breathlessly. “Just say thank you. Get rid of him.”

Aemond sighs and, with his hand still beneath your nightgown, turns to Aegon. “Thank you.”

Aegon smirks, mischievous. “And how will you repay me?”

“By overcompensating for your shortcomings in order to ensure the enduring success of our family, as I have done since birth.”

“Of course,” Aegon says, though a bit distantly.

Aemond glances down at you and then asks his brother: “Were you hoping to join us?” It’s not a serious question; if Aegon ever tried to touch you with genuine desire, Aemond would break both his arms. Fortunately, Aegon is the closest thing you’ll ever have to a real brother, and thus his limbs are safe.

Aegon chuckles and stands. “No, this is a bit unsavory, even for my taste.” He gulps the last of his wine and says as he leaves: “Enjoy, freaks.”

“Bye, Aegon,” you call, laughing. He waves and then closes the door behind him.

Seconds later—twenty, thirty, time evaporates like mist burned away at dawn—Aemond is making you come, and then you are yanking off his trousers and taking him in your mouth, and when you do this he always has to be touching you, smoothing back your hair, telling you how well you’re doing, and even though he warns you so you can pull away if you choose to, tonight you swallow every last drop of him and think of the sea that Lucerys Velaryon’s scraps tumbled into, the mineral bite of salt and metal and blood.

But when he finishes, Aemond doesn’t collapse like a dead man as he usually does. He throws you onto your back, licks and nuzzles his way down your breasts and belly, parts your legs and murmurs against the inside of your thigh before he begins again: “I want you, I want you, I want you, I can’t wait much longer.”

~~~~~~~~~~

It’s one of your earliest memories. You are in the garden, and it’s a blazing hot day, and a million varieties of blooms cut through the greenery: goldenrods, orchids, lilies, irises, daisies, bellflowers, red roses, blue forget-me-nots. Butterflies whirl in the air and land on Helaena’s outstretched fingertips. Grandsire is slapping Aegon and calling him an imbecile for trying to pet a bumblebee, and Aegon is wailing: But it’s fuzzy! Why can’t I hold it?!

You must not be very steady on your feet yet, because Aemond is pulling you up by both of your hands and asking: If I ran, do you think you could catch me?

Yes, you had said, and then you’d staggered after him as he darted into the foliage. Under the shade of blossoms and shrubs that towered so much taller than you, you tripped and fell and scraped your palms, one of them bleeding from striking a pebble. You cried out, but no one was there to pick you up: no Mother, no Criston, no Helaena or Aegon. You wept pitifully, thinking—as children do—that you would be lost forever, that you would never see your family again.

But Aemond came back for you, and he studied your bloodied palm, carefully plucking out every grain of brown soil; and then he kissed it, held it against his cheek, painted himself with the scarlet ink of your arteries and veins.

See? he had said, smiling so you knew everything would be okay. Now we’re both red.

~~~~~~~~~~

“How are the babies?” Aemond asks when he arrives, dressed for the feast in a green tunic embroidered with shimmering gold threads in the shapes of dragons, flying, shrieking, breathing fire. Helaena made it for him, of course. Each of you have wardrobes full of garments she’s sewn, a collection of Aegon’s woodcarvings scattered around your rooms, seashell mosaics hanging from walls: insects for Helaena, Sunfyre for Aegon, heroes from myths for Aemond.

You grin over your shoulder. “Come see them.”

It’s dusk now, so they are leaving the roost you keep in one corner of your bedchamber, covered with dark velvet to blot out light and sound as they slumber. Aemond kneels beside you and holds out his hand so River can scurry from your palm into his, clawing with his hooklike appendages. All of your bats are named after blue things—Blueberry, Sailfish, Clear Sky, Blue Jay, Misty, Dragonfly, Lagoon, Lightning, Kingfisher—just as Aemond’s hawks and war horses are given names like Fox and Rusty and Cherry and Pomegranate. He is the only one who defends your pets when Mother threatens to banish them back to the Godswood or the seaside cliffs. You have no dragon; you must find solace with some other creature that inspires dread and revulsion. But you think they’re beautiful, and strange, and fearless, and wrongly unloved.

“Let’s move things along,” Aegon says as he appears in the doorway, wearing all green except for the Conqueror’s crown. “No one can dig into the roast boar until the guest of honor enters the Great Hall. So I need Aemond to show up immediately.”

“Almost ready,” Aemond replies without looking away from River, who is now scrambling up his forearm. Lighting takes flight and attempts to land on Aegon’s shoulder; Aegon yelps and flings him away.

“No, you can’t!” you say, rushing across the room to scoop up Lightning and cradle him in your arms. Fortunately, he is unharmed. “I told you, Aegon. They have tiny bones, you have to be gentle or you’ll hurt them.”

Aegon shudders. “They’re fucking disgusting. Rats with wings.”

Aemond sets River on the windowsill, goes to his brother, shoves him hard; Aegon’s back hits the wall. His crown is knocked from his head and clatters against the floor.

“I’m not apologizing,” Aegon insists. “I’m a victim of grave injustice. I was attacked. That thing could have bitten me.”

You say to Aemond in High Valyrian: “Should we do this for a while to annoy him?”

Aemond smiles. “Yes. We should talk a lot. A great amount, we should talk. Very much talking.”

“Hey, hey, stop that,” Aegon says.

“Aemond, what else will they serve besides boar?”

“I heard something about pies.”

“What kinds of pies?”

“Who knows. Maybe apple, or cherry, or plum…”

“Oh, I adore apple pies. Perfect for autumn. I could eat them all day.”

“I could eat you all day.”

“Don’t tease me, or we’ll never make it to the feast.”

Aegon is distressed. “I mean it! Stop!”

“They aren’t saying anything important,” Helaena assures him as she swishes into your bedchamber wearing a butter yellow gown. In her hair are gold pins shaped like ladybugs.

“Okay, but what are they talking about?”

Helaena says matter-of-factly: “Sex and pastries.”

Aegon groans and rolls his eyes. “Why did I ask. Okay, time to go.”

You walk together to the Great Hall, where Helaena and Jaehaera and Grandsire will dance in the center of the floor, and you and Aemond will whisper in shadowy corners, and Mother will peer around worriedly with her large watery eyes as Criston yearns to console her, and Aegon will smile patiently and never scold Jaehaerys when he gets underfoot or spills his pomegranate juice.

~~~~~~~~~~

It’s another game, or maybe it’s a ritual; you are a little girl again, and every once in a while, without any warning, Aemond will shove you into a closet or a heavy wooden trunk and lock you inside. You will scream and pound on the door, but no one will hear, and you will spend what feels like hours alone in the darkness, wondering if this will be the time when you are not discovered until you have died of thirst and hunger, until there is nothing left but bones.

Then you hear approaching footsteps and Aemond lets you out, and when you strike and scratch at him he embraces you fiercely, like he’s a soldier who’s been away for a year or more; and he holds you until you stop fighting it and your heartbeat goes quiet in your chest.

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