#CHARRO! (1969)

[earthbaby-angelboy]

Walter Hale, Jess Wade, Steve Grayson and Dr. John Carpenter (ECU) as caregivers

Walter Hale (The Trouble With Girls, 1969):

Walter definitely strikes me as the type to adapt to whatever you need. If you need someone gentle, he's there to coddle you. If you need someone stricter, he's there with rules. Whatever you need, he's got. I get the feeling he'd be good with a kiddo who is real small (0-2), but I think if push came to shove he'd also be able to take care of someone older. It all depends on the chemistry.

If he knows you're stressed or teetering over the edge of a breakdown, he has no problem 'forcing' you to regress. He's very naturally manipulative, so it works like a charm. If you're ranting and raving about something, he'll literally come up to you and just pop your pacifier in your mouth with a knowing "better?" He loves when you sit on his lap while he's in meetings, and he has no qualms about walking around the Chautauqua with you on his hip. If anyone has anything to say about your regression, they answer to him. He's the one that you go to when you need to regress, but just...can't.

He absolutely loves buying you pretty little outfits so he can show you off to all his friends, but god-forbid they cast one lustful look in your direction and they're dead before daylight. He doesn't let you get your hands dirty. He loves spoiling you, and delights in your happiness.

He loves when you call him "daddy", and when he's stressed due to work or whatever else, he'll ask you to cuddle with him. It's beneficial to the both of you; he gets to relax, and you get to spend time with him. It's a win-win!

Jess Wade (Charro!, 1969):

He is naturally very stoic, and has a resting bitch face, so he would not be great with a regressor who is incredibly sensitive. He likes taking care of older kiddos (5-9), but doesn't mind taking care of the real little ones too.

He definitely would be the type to tell you to stop crying, then go all wide-eyed and gentle when you just cry harder. He's very straightforward, and expects you to communicate when you are upset and not make him do mental gymnastics to figure out what's bothering you. If you're having a meltdown, he'll usually just leave you to cry it out unless you explicitly state that you want him there.

He doesn't really have rules, but if you are acting particularly rude or just downright mean, he does serve punishments. They are more traditional, like writing lines, cleaning one spot over and over, or standing in a corner. Always tells you afterwords how proud he is of you for handling your punishment well.

This man has absolutely NO paternal instinct, so he learns along the way. If you're having a particularly rough day, big or little, he takes you out on his horse. Sometimes, he'll grab one of his cowboy hats and play peek-a-boo with you. Your laugh is the only thing that can bring a light smile to his face. He will never ask it of you, but his heart would melt into a puddle of goo if you called him "papa."

He likes nonchalant and domestic forms of intimacy, like cleaning up around the house for you and bringing you a flower bouquet he picked himself. His favorite activity, though, is doing shared activities together in silence, eg. reading separate books, but sitting close together.

Steve Grayson (Speedway, 1968):

Steve would not consider himself to be a caregiver whatsoever, but rather just an older brother! He himself is a regressor, but stays in an old enough headspace that he's able to keep a close eye on you. He loves to sit on the floor with you and get lost in a silly game. He adores taking naps with you, but will still knock out for a few (hours) even if you don't.

He himself is very hyperactive, so he would be good with a little that has a vibrant personality and a whole lotta energy! The two of you spend hours running around at a playground, just laughing and having fun because damn it, you both deserve to be happy. He loves booping your nose and squishing your cheeks.

He takes you on fancy ice cream parlour dates once a week! You little meances order 4 scoops of ice cream with all the toppings you can pile on! (...It has enough sugar to put an old woman in a coma.) He doesn't really care about how much sugar you have, as long as you don't get a tummy ache.

He doesn't like titles, but he doesn't mind nicknames! His favorites are "Vee" and "Stevie!"

Although he is an older brother figure, he has some small rules in place for your safety. He asks that you hold his hand when crossing the street, ask him if there's something on a shelf you can't reach, etc. Just little things he can do to keep you safe and make you more comfortable!

Dr. John Carpenter (Change Of Habit, 1969):

He would make an incredible caregiver for anyone struggling with a mental illness or trauma disorder. He understands how delicate someone can be when regressed, so he is very conscious of the things he says and does around you. He understands your brain better than you do, and can tell when you're going to regress beforehand.

He is very helpful when it comes to working through sensory overloads, meltdowns and outbursts. He is so calm and patient, always looking at you with kind eyes. He never punishes you for expressing how you are feeling, but does encourage you to discuss with him the emotions and thought process' behind your words and actions.

Touch is something incredibly special to him, so he's very careful about it. He loves cradling you close to him, especially when you're upset.

He doesn't give you rules, and he lets you "take the lead", so to speak. You go to bed when you can't keep your eyes open, he lets you eat all the sweets you want until you're satisfied, and he doesn't ever force you to regress. But, he does establish somewhat of a routine to make sure you're taking good care of yourself. Something that remains consistent in your routine is that when he notices you're getting super tired, he gives you tummy rubs. He likes playing dolls with you, mainly because he pays attention to the stories you create. Sort of like play therapy!

He would be good with any little (and is good with people in general), but I get the feeling he would be really awesome taking care of a little who has a newborn or baby headspace.

[hooked-on-elvis]

ᴇʟᴠɪꜱ' ᴏᴡɴ ᴛᴀꜱᴛᴇ ɪɴ ꜰᴀꜱʜɪᴏɴ ɪɴᴛᴏ ʜɪꜱ ᴄʜᴀʀᴀᴄᴛᴇʀꜱ' ᴄᴏꜱᴛᴜᴍᴇꜱ ɪɴ ᴛʜᴇ ᴍᴏᴠɪᴇꜱ

A personal Elvis touch to some of his characters's wardrobe.

Recently me and @jhoneybees were drooling over Elvis in Girls! Girls! Girls! (1962) and Fun In Acapulco (1963). I couldn't stop thinking about the backwards rolled up cuffs shirts that his characters wear in some scenes in both films because they look so good in him! Then I realized that Elvis used to wear his shirts just like this occasionally in the 1950s, before his Hollywood career had begun.

(2-3) Elvis on May 21, 1955 backstage at the Louisiana Hayride at the Municipal Auditorium in Shreveport, Louisiana. (4-6) January 25, 1955. Elvis Presley. Tyler, TX. backstage Mayfair building.

(7) Elvis in Graceland in 1960. Here Elvis' acting career was already happening but he hadn't used the rolled-backwards sleeve cuffs shirts in the movies just yet (at least that I remember of), but that's gonna change in a couple of years.

(8-10) Elvis as Ross Carpenter in Girls! Girls! Girls! (1962).

(11-13) Elvis as Mike Windgren in Fun In Acapulco (1963).

Looking at those pictures I can imagine that Elvis himself did some styling to his character's wardrobe occasionally, very seldom I think. However it doesn't stop at the early 60s films… I noticed that again in Charro! (1969).

(14-15) The King as Jess Wade, with his one of his signature looks, the high collars (the jacket just appears for a brief moment in the film but when I saw it I was like 'Oh, Elvis... anyone could recognize you just by looking at your back from miles away...'

It's not like we need any pictures to proof high-collars were his thing but it won't cause any harm too, so...

Cool, isn't it? But, wait a minute, there's more! The next one was prior to Charro!

Right now, I can't say that Elvis in fact had any say-so concerning his characters costumes but that's my assumption based on a little studying on his history and by watching his movies but another thing gave me the idea he could do something about his costumes for the films.

Sandi Miller (fan/gate girl) shared on her Facebook account that she and another fan gave Elvis a jacket in 1966 while Double Trouble (MGM, 1967) was in production. Principal filming for Elvis's twenty-fourth movie began on July 11, 1966 and was finished by August 30, 1966. After the movie was released, visiting the fans as usual, Elvis told Sandi to watch a specific scene in the film and there it was! He was wearing the jacket she gave him.

August 3rd, 1966. Elvis off to the studio to film 'Double Trouble'. Candids by fan Sandi Miller.

On the pictures above, Sandi (on her Facebook account) said: "Elvis on his way to the studio to film 'Double Trouble.' On his lap is a jacket we gave him purchased from St. James mens shop in Fullerton." Fan Kathryn Harper Sherrill then asked Sandi: "And didn't he tell you to watch closely part of that film & your jacket was used in a scene of the film when he was packing or unpacking?" For what Sandi replied: "Yes, he did!"

On that post Sandi doesn't specify which jacket it was, unfortunately, but I followed the hint and looked for a scene Elvis' character was packing in the film. The jacket Sandi Miller gave EP is most likely this one below. He's wearing it while he sings 'City By Night' and also 'Old MacDonald' in that portion of the film.

Wasn't it thoughtful of him to wear a jacket gifted to him by a fan in one of his films?

This is Elvis in 1966, returning or leaving his Hillcrest home in California, during the Double Trouble movie production period. The jacket looks like the same he wore in the film for those scenes I mentioned previously.

Conclusion: I guess it's safe to say that Elvis sometimes would style his costumes a little bit, putting something more of himself into his characters beyond the unmistakable charm, humor and talent. i don't know if that's a good thing to do because most actors' goals is to have a character that requires them to transform their image and behaviors to a point the characters don't resemble their off-screen personas in the slightest but, knowing how Elvis' movies were so… unusual… specially made to please Elvis' audience as they were (always craving for more) and how that caused the screenplays not to have real efforts put into that would give EP the need to really become someone else for his movies, it's not exactly wrong of him to incorporate his own persona (to a given extent) into the characters he played. All in all, I guess that makes his acting career even more unique. Elvis was not an ordinary artist after all. At times being that spectacular human being backfired, and Elvis just… went with the flow.

Those are just a few moments I noticed when Elvis' fashion style was lent to his on-screen characters. Have you noticed any other moments in the movies where this happens?

[deke-rivers-1957]

Charro! Review

Before Elvis could start filming, numerous changes were made to the script. Everyone who has heard of this movie knows about a cut opening scene featuring female nudity as well as the director having other violent scenes cut. Elvis himself was disappointed that the script he accepted ended up changing by the time he got on set.

Fans however were disappointed for other reasons. They supposedly didn't like that Charro! only had one song. A soundtrack album couldn't even be made due to only 2 songs being recorded with one of them not even being used in the movie. Critics were also unhappy as they considered it to be a cheap attempt at a western and panned Elvis for his dull acting. But were those the real reasons why this movie is considered to be his least viewed? Did this movie genuinely fail to live up to the standards Western moves established before them, or was it judged too harshly for not living up to expectations of both Western fans and Elvis fans? Let's find out.

"Charro" is a quintessential Western intro song. The score as a whole is a hit and it wasn't a surprise at all to see Hugo Montenegro was the composer. He is after all famous for his "The Good, the Bad, and the Ugly" theme cover that reached the #2 spot in US charts June of 1968. I personally don't even mind that this is the only song in the movie that plays as Elvis rides a horse into town. It would've made the movie too hokey if it was stylized as a typical Elvis vehicle.

I love the town's aesthetic. The scenery throughout the whole movie is amazing and I'm so glad they filmed on location throughout Arizona and not simply use rear screen projection. Jess speaking in Spanish so the other patrons don't get hurt is a nice touch. Even though the situation was obvious, it was great to see a character moment where he didn't want to assume anything.

Billy Roy getting slapped adds a level of corny that's sprinkled throughout what's an otherwise serious film. It's very odd to have his line delivery sound the way it does then not even a minute later, Jess is being held at gunpoint to mount his horse. While it's true that even serious movies can have some comedic moments, the nature of this comedy here only feels out of place.

Jess' relationship with Vince is very odd. Vince claims that he's upset that Jess left because of Tracy but I personally don't think that's the only reason. Jess claims that he left because he felt that there was no future with Vince. I don't believe that either. There's a certain amount of complexity would give us a greater insight to their character motivations.

Vince reveals that he stole Emperor Maximilian's cannon. Now his reasoning for getting Jess Wade involved makes absolutely no sense. Vince says that one of their buddies got shot in the neck. So Jess would be framed, they put out his name and branded him so he'd have the matching scar. There are a lot of factors that would have to work in Vince's favor for this plan to work. You are more likely to die from a gunshot wound to the neck given the amount of blood vessels in that area and the lack of fat covering the area. To avoid death by blood loss, let alone infection since this is the late 1800s, you would need an act of God to help you.

Vince's plan only works because the writers says it does which leads to a lot of problems down the line. The biggest issue being that he expects everyone who sees the poster to immediately associate Jess' new scar with a gunshot wound. I know the scar is makeup and might not fully reflect the injury Jess is supposed to have, but if we're assuming what we see is what the characters see, I don't think they would see a branding scar and realistically think it's a gunshot wound. Again based on the setting, people should know what a gunshot wound would look like and how it would damage the surrounding skin. Even if they're not a doctor, they at least would have functional enough eyes to know the difference.

I love the scene of Jess taming the horse but man is it obvious at times that Elvis isn't actually riding it. However, him getting water from a muddy river is the scariest thing I've ever seen. Knowing that in real life, water like that would cause so many problems like cholera or dysentery, Jess probably is God for somehow not coming down with either of those illnesses. It's even worse when you notice that he wiped that same water on his wound. Granted a burn wound from a branding iron isn't exactly an open wound, but it still doesn't mean there's no chance of an infection. Unless the writers specifically wanted Jess to use dirty water to wipe his wounds, I would've changed how it was shot so the water didn't look obviously undrinkable.

Now what is absolutely amazing was the weather effects. Seeing Jess having to ride his horse while a dust storm is forming is incredible. I have no idea if they purposely created a dust storm or if the camera crew manage to capture the perfect moment. Either way it's nice to see that this was the real life middle of the desert as opposed to using a soundstage. Having that atmosphere really draws you into the movie. I almost wish it was filmed in that classic black in white film to really capture that old, gritty Western aesthetic.

I love Jess' relationship with Sheriff Ramsey. Even though we don't know the full details, you can tell there's some type of mentorship role involved. It's especially clear that the sheriff is meant to be a grounding figure in Jess' life given how they emphasize the numerous lectures he had to listen to. Even when the sheriff chews out Jess for getting involved with Vince again, he at least believes him when Jess said it wasn't his choice.

Now Jess' relationship with Tracy really falls flat for me. I don't even care that her nude scene is cut, they just have no chemistry. Tracy in general not trusting Jess despite kissing him makes no sense. Especially when she's going on about how Jess is worse than Vince when she doesn't even give him a chance to tell his side of things. It only makes her look flakey to have her chew Jess out and not trust him, only to give him a gun as a means of helping him. I know she's conflicted on what to believe, but it would be best to frame it as a conflict and not something she's so adamant about.

Billy Roy shows up at the saloon and I have no idea what to make of it. He acts all sinister with Marcie yet also acts like a complete ham with Jess. Everyone knows he's part of Vince's gang yet none of the men do anything about it. Tracy is the only one who outright confronts him about his presence being unwanted and Jess only gets involved when he's called out.

Sheriff Ramsey getting shot should've never happened. You mean to tell me there wasn't a single person in that saloon with a gun that could've done something? No one knows about Vince having the cannon so they should have no reason to be afraid. This is an example of an idiot plot where the plot only works because the writers purposely make everyone dumb or inactive. The men dragging Billy Roy to the jail shows just how easy it should be to deal with one person.

I have no idea why we're supposed to think Sheriff Ramsey's wounds are considered fatal. Perhaps it's because the visuals don't fully reflect the extent of his injuries since it's only makeup, but I don't think it was that bad. The "bullet wounds" to me doesn't indicate that he'll die from blood loss. If anything, he's more likely to die from the infections brought on by Opie trying to dig the bullets out.

Sheriff Ramsey swears Jess in as his deputy. The fact that there's multiple witnesses shows that this is official. Since Jess is now in charge what does he do? Actively passes out rifles to the business owners so they can protect their property. And to think most of the town doesn't trust him because he was part of Vince's gang. I can understand being wary of Jess, but once he's actively taking the time to ensure the town's safety, tensions should've gone down. Especially since literally anyone could verify with Sheriff Ramsey that he sworn Jess in himself.

It's now daybreak and we get an idea of how small Vince's gang really is. Unless there's a whole bunch of people offscreen, I can only count a total of less than 10 men including Vince and Billy Roy. Vince freaking out about his brother being gone and one of his guys saying "I didn't wanna wake youuuuu" is one of the funniest line deliveries in this movie. I can't take anything he does seriously because there's just a lot of mood whiplash between him slapping someone then immediately apologizing like nothing happened. Then again it's possible that Vince was purposely supposed to be this way as a way to showcase how scary he really is. That unlike Billy Roy, Vince is capable of having normal human emotions so showing that he's still willing to commit a significant amount of atrocities for money makes him even more dangerous.

Tracy sees Jess at the barber's shop and immediately scolds him for leaving Billy Roy unguarded and not having armed men on the roofs. I have no idea why Tracy genuinely thinks Jess is that stupid to leave Billy Roy alone and leave the rest of the town unarmed. I actually chuckled when she realized that she was wrong because it's hilarious how for someone who's supposed to love Jess, she has absolutely no faith in him.

Because this issue happens throughout the movie, I'm only going to mention it here to avoid repetition. Vince being allowed to ride freely in town is the most nonsensical thing I've ever seen. The townsfolk know that he's dangerous. There's a bunch of them and only one of him. Jess gave them guns for a reason so why aren't they using them? Unless Jess specifically gave them orders to not shoot unless fired at first, there shouldn't be anything stopping them.

The fact that he's even allowed to be in the jail shows just how unclear his status is in this town. His plan to turn that cannon onto the town if Billy Roy isn't set free only showcases that he shouldn't just be allowed to roam freely. So Jess makes the active decision to do absolutely nothing. Even if we're supposed to infer that he needs Vince alive, why couldn't he use his power as Deputy Sheriff to arrest him? He literally admitted in plain English that he's going to commit an act of terrorism against the town. I would think that is a big enough of a crime to put him in jail so he can't carry out that plan.

The Mexican Army arrives and Vince threatens to rat Jess out. Jess meanwhile, continues to do nothing but threaten him back into convincing them to leave. So Vince decides to lead the Mexican Army away from Jess by leading them right to a pass that results in them all getting blasted by a cannon fire. What's lost on me is that this whole scene was kept in despite being the most violent scene in the movie. I know that we needed to know why the Mexican Army just disappears but how can you claim to want a film that isn't very violent yet keep a scene that features a mass murder?

Meanwhile, absolutely nothing is being done to prepare for an evacuation. Sheriff Ramsey's the only one with sense by telling Jess to not be a coward and give into Vince's demands. It's funny how immediately after his wife is like "don't let my husband convince you to let him die because he can't be moved. Set Billy Roy free" as if that would solve everything. Vince turning the cannon onto the town already proved that he's someone who can't be reasoned with. There's absolutely no proof that simply letting his brother go would make him not attack the town. Evacuating the town is the easiest solution to have Jess not give in and let a potential terrorist get what he wants.

It's honestly incredible how Jess is the one who's blamed when Sheriff Ramsey is killed by falling debris, when Vince is right there in front of them. Vince is the one who can tell his men to not fire. Vince is the one who gave them the ultimatum to let Billy Roy go when his actions got the sheriff injured in the first place. But no it's all Jess' fault. If you're going to blame Jess for anything, blame him for not doing anything to stop Vince when he was well within his power as the Deputy Sheriff to do something.

Mrs. Ramsey bringing out the posters as if he's a liar the whole time is pointless. No one in the town except Sheriff Ramsey ever fully trusted him, so bringing out the poster doesn't change anything. If anything it should show how irrational she is from grief because she actually believes it to be true without questioning anything. Tracy even buys into this idea despite supposedly loving him that it makes me not care that she apologized. I feel nothing for their relationship because even though she kisses him, at the end of the day, she didn't have his back when he needed it.

Despite Jess being gone, Mrs. Ramsey still thinks he's a rat when the cannon still fires on the town. What makes it even worse is that, she herself says that Billy Roy being let go might result in the cannon fire ending. Meaning despite being so adamant that Jess should rot for not letting him go, even she isn't sure about it ending. And yet after all this cannon fire, no one leaves town. The amount inaction when there doesn't need to be is so baffling. Unless Vince somehow has invisible guards keeping everyone but Jess and Billy Roy in the town, there's no reason for them to still be there.

It's now night time and Jess has Billy Roy handcuffed around some tree branches. I love the amount of tension in this showdown. The look in Jess' eyes when he sees the cannon rolling down into Billy Roy is amazing acting. Even though the whole series of events that resulted in Billy Roy's death could've been executed better, it doesn't take away from the genuine look of helplessness on Jess' face. As soon as he took in what was happening, he knew there was nothing he can do to stop it. And he felt absolutely guilty about. It once again shows that just because Jess is this stoic character, he's not a man who is completely unable of expressing emotion.

As much as I understand people thinking it's weak for Vince to still be alive at the end of the movie, this was the best way to go. When you look at his relationship with his brother, you know that the worst thing you can do to him is to let him live. Forcing Vince to live with the guilt that his actions caused Billy Roy to die, would be an even better comeuppance than simply killing him. Plus Jess realistically still needs Vince alive so he can have his name cleared of all charges. Killing him wouldn't have helped him accomplish that. On the opposite side, I love how Vince curses out Jess Wade but when he sees the man right in front of him, he does nothing. It shows that Vince is so broken by this death, that killing Jess wouldn't have changed anything. It wouldn't have brought his brother back. So he gives up knowing he has nothing left to live for.

I don't like how the townsfolk all apologize because it feels forced. Mrs. Ramsey especially going as far as to kiss Jess leaves a bad taste in my mouth since she was the reason why everyone ganged up on Jess in the first place. Even Tracy's part feels forced because of how she didn't show a level of loyalty that would make a happy ending feel earned. At least Jess got to ride off into the proverbial sunset knowing his name will be cleared.

The sad thing about this movie is that it had a lot of chances to be good. The concept of a man having to clear his name over a crime he didn't commit is a classic story for a reason. The problem is that the path the writers chose to get there had more holes than the town Vince attacked. It's incredible how one little detail can result in so much chaos. I'm well aware that a novelization exists, but since it was released separately from the movie, I'm not including that in my opinion. To me, a novelization of a movie shouldn't have to make up for details that weren't included in the movie.

Despite all of my criticisms, I still give this movie an 8/10. Even though some of the acting is corny, Elvis' portrayal of Jess Wade is amazing. I know it's a common criticism that Elvis' acting was flat. That. Was. The. Point. Jess is meant to contrast the chaotic nature that is Vince and Billy Roy because he's a man that has done wrong in the past but now wants to better himself. So why do I think this movie failed compared to Elvis' more musical ones? It's because it's a victim of circumstances. Westerns have been done to death and Clint Eastwood was the biggest contemporary name in that genre since John Wayne. Even though Elvis did a great job, he just didn't stand a chance because the heart of what makes a good Western story was lost.

An: Thank you @xanatenshi for requesting this. I understand why he has a following since Elvis did a great job portraying him. If I didn't tag you and you left a note on my previous reviews, please let me know and I'll be sure to tag you for Jess Wade's rank and my next review announcement.

Tagging: @whositmcwhatsit, @hooked-on-elvis, @smokeymountainboy, @atleastpleasetelephone, @stitchlover0112,

@tupelomiss, @vintagepresley, @eapep, @almightybigbrain, @coltswael,

@cieloestrelladoluna, @huhhhhsthings, @arrolyn1114, @peaceloveelvis, @peskybedtime,

@mercsandmonsters, @tacozebra051, @valloos, @ilovequeen978, @elvisvideos,

@presleyhearted, @depressedfairie, @kawaiiwitchy, @swingdownsweetchariot, @ruggednessworld,

@southcarolinawoman, @atrophyingaphrodite, @jrbrandi13, @summer56, @elvismylove04,

@eptodaytommorowforever, @lookingforrainbows, @araiarts, @fharysa, @lett-them-eatt-cake,

@fryb0rg, @wanderlustingtomboy, @slayingjd, @wildhorseinkansas, @somethingaboutelvis,

@jhoneybees, @elvisbooty76, @iloveelvisss, @presleyheart, @anakinsvault,

@illtakeyouhomeagain, @callieselvisobsessed, @50sexyshadesfashionista, @memphisflash, @arianatheangel-girl,

@madslovesmaws, @lucy114505, @presleygarden, @earthbaby-angelboy and @nicferg068.

[bunnydexterloveselvis]

My ECU husband list because I'm bored (this is partially a joke) (please don't send hate I'm beggin) (might update if this gets a bunch of notes)

Dr. John Carpenter (Change of Habit, 1969) <3

Husband qualities:

-good with kids

-smart

-doctor (he can heal you)

-hot!!!!

-not perfect but he tries his best

-sings very well plays the guitar!! (good for bedroom time ;) )

-clean, he keeps his hair combed, face shaved, and skin and nails washed. i bet he smells nice. if he don't use cologne then you would smell hand soap probably. idk i feel like he's a compulsive hand washer (ocd??????? idfk)

-cozy and nice fashion sense

-genuinely wants to help people in need

-did i mention hot (look at the way he's staring you down in the above pic. lawdy!!)

Jess Wade (Charro!, 1969) (current brainrot as of writing this) <3

Husband qualities:

-pretty smart

-hot as hell!!!!!!!!!!

-cowboy (save a horse ride a cowboy)

-beard (sorry this gets a category on its own)

-can be mean when needed to and can protect himself

-good lord he has a veryyy high pain tolerance (good for bedroom time ;) )

-scars (some people like that right?? i do. someone please hear me out)

-i feel like he has a high body temperature so if you ever get cold he is there to warm you

-also fashion sense (he's a cowboy)

-is a sheriff so he can protect you (can protect you in general honestly)

-good lord he is hot!!!!!!!!!! sorry

-daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy? sorry. daddy-

-rough and would probably slap you if you wanted him to (also good for bedroom time ;) )

Ross Carpenter (GIrls! Girls! Girls!, 1962) <3

Husband qualities:

-smart

-h h h hh hot

-fisherman, he can bring food to the table

-he can cook full-blown meals!!! like dinner and breakfast and stuff!!! just imagine him cooking dinner for you.. i wouldn't know what to do! now who's gonna write the fic?? /hj

-young (ehh i mean whatever i love dilfs but ross is hot af)

-knows how to operate a boat

-can fight and protect

-sings!! very well actually!!! he can sing upbeat and happy, to slow and sultry, to, well, anything really!!

-knows how to treat a woman right

-can dance, normal upbeat dancing, or tango-like slow dancing

-btw did you see that "walls have ears" scene?? look down. good lord it isn't big it's huge (good for bedroom time ;) )

-pretty good with kids. he can tolerate them at least. if they listen well

-a bit protective actually

-love love love the shirts and pants he wears. and that hat. oh god i love him so much

OVERALL QUALITIES

-pretty smart

-hot n sexy af!!!!!!!!!!!!!!!!!!!!!!! good lord!!!!!!

-have jobs

-great fashion sense

-pretty good with kids

-outstanding in the bedroom

-can sing and/or play guitar

-unique in their own way

-all have their own imperfections but still try their best (lookin at you jess /lh)

-overall pretty loveable and husband material

-blue eyes and long eyelashes (yes this gets its own point. i like eyes. esp blue or brown eyes. and they twinkle at the right spot, oh yes im on my knees. love your eyes sm honey)

[affiches-cinema]

Charro!, 1969.

[dopescissorscashwagon]

Elvis Presley in Charro, 1969

[memphis-menace]

You'll run a race with life and death... But will you live to see tomorrow?

Charro!

~~~~~~~~~~~~~~~~~~~~~~~

Yeah we all saw this coming.

Jess Wade is my favorite character in the Elvis Cinematic Universe. A scruffy, rugged disaster cowboy? Sign me the fuck up, signing the marriage papers already.

So naturally, I had to draw him.

[hooked-on-elvis]

Elvis at 1174 Hillcrest Drive in Beverly Hills. Circa July-Aug 1968, during production of "Charro".

Oh my this man with facial hair uhhh 😍😍😍😍

[earthbaby-angelboy]

hello all you beautiful people!

a little unknown fact about me: i love reading! i mainly read reference material and nonfiction, but i don't mind the occasional fiction! i have plenty of friends on here who like reading (after all, you're on my page!) and who love elvis, so i figured i'd make a compendium of books that were adapted into elvis' movies.

it will be organized by the movie / the year it came out, and the story / its author. i'll also include a little description of each.

-love me tender (1956) & the story of the reno gang: this movie was not based on a story, but actual historical events! the reno gang were a group of brothers who went around the midwest robbing trains. clinton reno was a real person, the youngest of the five brothers (his nickname was "honest", as he never got involved with any criminal activity pertaining to his brothers.)

-loving you (1957) & a call from mitch miller by mary agnes thompson: the movie was based on a short story by mary agnes thompson that was featured in the june 1956 edition of good housekeeping.

-king creole (1958) & a stone for danny fisher by harold robbins: king creole was the first of el's movies to be based on an entire book! the role was originally meant for james dean, and was set in the backstreets of new york city.

-flaming star (1960) & flaming lance by clair huffaker: this was one of two movies where the original author was involved in creating the screenplay.

-wild in the country (1961) & the lost country by j.r. salamanca: although some creative liberties were taken (el's character went from an artist to a writer and hope lange's character became a psychiatrist rather than a teacher), it still followed the same plot as the original novel. it was also the first to feature elvis on a published paperback.

-follow that dream (1962) & pioneer, go home! by richard p. powell: the novel is based on a family from new jersey (WOOT WOOT), and although technically based on the book, the movie takes many creative liberties to the point of it being almost completely opposite the original source material.

-stay away, joe (1968) & stay away, joe by dan cushman: this is what el considered his first "serious" role. although involving some incredibly racist stereotypes, it is rooted in some truth about elvis' lineage: his great-great-great grandmother was a cherokee woman named morning white dove, and some attribute his high cheekbones and striking features to his distant native ancestry.

-live a little, love a little (1968) & kiss my firm but pliant lips by dan greenburg: the movie, like follow that dream, was so loosely based on the book that it was almost completely opposite the original source material.

-charro! (1969) & charro! by harry whittington: this is the only "officially endorsed" book based on an elvis movie.

-the trouble with girls (1969) & chautauqua by day keene: this is my absolute favorite movie of all time, and ironically, there is no information about the book's plot. based on what i've gathered from other sources, it follows an almost identical plot to the movie. unfortunately, the author died 9 months prior to the movie's release.

-change of habit (1969) & title-not-available by richard morris and john joseph: according to wikipedia, change of habit was based on a story written by richard morris and john joseph. i've scoured the internet under both of those names, and found nothing! oh well.

i hope you all had as much fun reading this as i did writing this, and be sure to shoot me a message if you read any of these!

(...or if you find a reasonably priced copy of chautauqua.)

-all my love, calla xx @kiankiwi @arianatheangel-girl @mooodyblue

[hooked-on-elvis]

[atleastpleasetelephone]

Kinktober 2024 - Masterlist

Here is my kinktober masterlist - the prompts are from @starsandskies and these are all Elvis or one of his film characters. They're all x reader unless I've noted otherwise. Let me know what you're most excited about!

Day 1: Dirty talk -Glenn Tyler

You're trying to study but Glenn has other ideas...

Day 2: Against a wall - Elvis during the filming of Charro!

You deliver the Charro! script to Elvis and he takes his frustrations out on you.

Day 3: Orgasm control - Clint Reno

Clint comes to visit you to learn how to make love to a woman.

Day 4: Stockings - 70s Elvis

Elvis takes a liking to your stockings...

Day 5: Praise kink - Dr Carpenter

Dr Carpenter makes a house call.

Day 6: Thigh riding - Rick Richards

You've been flirting with Rick for the whole helicopter ride and now you want to have your way with him.

Day 7: Risky places - Sonny x reader x Elvis

It's yours and Sonny's wedding day, but you keep making eyes at Elvis. Sonny decides it's time to indulge your little fantasy.

Day 8: Threesome/Moresome - Elvis and many women in the jacuzzi

Elvis asks the Memphis Mafia for a tub full of women and has some fun with them.

Day 9: Naked-Clothed - Joe Lightcloud

Joe comes home from the rodeo unexpectedly and catches you having a little fun.

Day 10: Knife play - Charlie Rogers

You're one half of a knife-throwing act in the circus and Charlie wants in on it.

Day 11: Leather/Latex - 68 Elvis in a latex suit

Elvis puts on an outfit he thinks you can't resist, but you turn the tables on him.

Day 12: Role reversal - BDE

When you don't want to see photos of yourself, Elvis realises he hasn't told you you're pretty for a while.

Day 13: Oral - Elvis in the cadillac, early 60s.

Elvis takes you for a date in his new gold-plated Cadillac Limousine.

Day 14: Sensory deprivation/Sensory play - blindfold

When you find it difficult to let go in bed Elvis has an idea.

Day 15: Cock rings/Cages - Walter Hale

You and Walter can't leave each other alone, and he has stamina.

Day 16: Flashing - A girl flashes him at a concert, 72.

When Elvis is surprised by you flashing him he knows he has to find you.

Day 17: Biting/Biting marks - 70s Elvis

You tell BDE you're bored with your sex life so he takes matters into his own hands.

Day 18: Body writing - BDE

You want to show Elvis how much he means to you after a show, and decide lipstick is the best way to do it.

Day 19: Pegging/Strap-ons - Princess universe

Princess persuades Elvis to try something new in the bedroom.

Day 20: Facesitting - 1956 Elvis and an older woman.

Elvis comes to take your daughter for a date but ends up falling for you.

Day 21: Masturbation - Outtake from Gentle On My Mind

Gloria in the shower, thinking about Elvis.

Day 22: Breeding kink - 70s Elvis.

Elvis comes back from signing the contract with the International Hotel full of excitement.

Day 23: Bondage/Restraints - 72 Elvis, a continuation of Kinky Boots.

When you won't stop playing with Elvis' cane collection even though he's told you not to, he has to teach you a lesson.

Day 24: Dom/Sub dynamics - 50s Elvis reading fan mail.

When Elvis gets aroused reading his fan mail you have to teach him a lesson.

Day 25: Impact play/Spanking - 70 Elvis.

You persuade Elvis to hit you with one of his belts.

Day 26: Voyeurism/Exhibitionism - Dr Carpenter.

When Dr Carpenter doesn't come round at the usual time, you decide to go to him. Sequel to day 5.

Day 27: Choking/Breathplay - Greg Nolan.

You're a model Greg is photographing but you can't seem to get your head in the game, so you persuade him to choke you a little.

Day 28: Lap dance - 1970 Elvis in Vegas.

Elvis has fun with an exotic dancer after a Vegas show.

Day 29: Masks/Costumes - set in the present day with 1969 Elvis.

Elvis does a Calvin Klein ad, and as the photographer, you try to stay professional.

Day 30: Hair pulling - Elvis in his reading glasses.

Elvis examines your pussy and gets a little carried away.

Day 31: Aftercare - 70s Elvis.

Elvis feels bad whenever he's rough with you, and afterwards becomes the cutest, fluffiest guy ever.

Taglist:

@vintagepresley @arg-xoxo @from-memphis-with-love @msamarican @blursedblegh @returntopresley @another-identityofmine @eapep @everythingelvispresley @i-r-i-n-a-a @sissylittlefeather @arrolyn1114 @jhoneybees @cattcb @polksaladava @lookingforrainbows @jkdaddy01 @ccab @epthedream69 @lustnhim @elvisslut @pomtherine

[from-memphis-with-love]

WELCOME, LITTLE DARLINGS

I write Elvis fanfiction with a special love for AU stories; I'll put Elvis in any historical or alternate universe situation to suit my - and our - collective fantasies, lol. When I write more reality-grounded fanfiction I like to focus on the mid-to-late 1960s and early '70s. If you ask me, he was at the height of his powers in 1970.

All of my writing is female-centric. I don't always write smut, but sometimes I do so let's all be adults here, use our discretion and of course enjoy. :) I love to take requests as well so please don't be shy.

Note: I am annoyingly self-critical. This means I often reread and retool my work, so please be patient with me! I am trying to kick this habit.

ONE SHOTS

Stubble Trouble (Requested): Elvis comes home from filming Charro!, looking sexier than ever with a beard. You decide to show him just how much you love it.

Magic Man: Big Daddy Elvis breaks in a virgin.

1849: Lonesome and loving cowboy Presley is kind and nurturing to his wife on their wedding night. Historical western AU setting.

Phantom Frequency: Halloween night, 1969. Tired and lonely trucker Elvis Presley has a ghostly encounter.

SERIES

Gambling on Your Love: The fic that started it all for me. Mid-'60s Elvis is stuck in a dead end film career that he hates. Until he meets one Francesca Ferrara, a triple threat on a meteoric rise whose talent rivals his own. The Colonel is determined to put a stop to their hot and heavy romance at any cost, fearing it may hurt his client's career. But Elvis isn't gonna let that happen.

A Cowboy for Clementine: Late 1800s Western AU fic with delicious cowpoke Presley and inexperienced but enthusiastic young heiress from the North, Clementine Olivetti. Slow burn romance.

Songbird: The year is 1969. The place is The International Hotel. Valerie Pedretti, an unassuming aspiring young singer, has an unexpected encounter with Elvis Presley in a hotel elevator. It will change her life forever, both for good and bad.

Sin City Serenade: Elvis Presley has fled a murder charge in small-town Mississippi and started life over as Johnny "Velvet" Valentine, a world weary and jaded Las Vegas lounge singer. He's thoroughly escaped his past... until it comes looking for him. (Rewriting) All In: Elvis Presley is the hip swingingest, heart throbbiest, code breakingest spy you've ever seen. Set in the swinging '60s across multiple glamorous locales. (Rewriting)

[eptodaytommorowforever]

Rare b/w candid photo first movie candid photo taken here of Elvis Presley with a beard in the summer of 1968 preparing for is role as Jess Wade the the outlaw turned the sheriff's deputy to bring is previous gang of outlaws to face justice the only rugged and gritty spaghetti western CHARRO! Elvis Presley ever made in is movie career history filmed and shot at Apacheland in Arizona in the summer of 1968 and released the following year nationwide and worldwide in 1969.

[whositmcwhatsit]

Charro (1969)

[hooked-on-elvis]

Charro! is amazing in aesthetics, wardrobe and score… and the plot is good too, the story is a good one, but the lines… ugh! Some of the main character's lines and the lack of action in this movie are just frustrating. It's the one Elvis movie that I love a whole lot but it's also the one that annoys me the most. Like, it had everything to be amazing but it wasn't as good as it could have been. I blame it on the director, Charles Marquis Warren. He took the job as director, screenwriter and producer all at once. If only he had let the screenplay for another person to work on maybe Charro! would have succeeded better.

I can't help but love this movie wholeheartedly -- it is one of my favorites -- but it has undeniable issues, specially concerning Jess Wade's lines and demeanor but also the weak romance plot with him and Tracey Winter, just too cold for my taste. Elvis was so amazing looking as Jess Wade but his character's lines makes him the weaker-looking gunslinger I've seen (I'm no western movies expert but still I can see there's something lacking in Wade's emotional reactions to the events in the story).

Charro! (1969)

[thetaoofzoe]

Elvis as Jess Wade in the 1969 movie Charro!