#CAMARON DE LA ISLA
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Camarón de la Isla & Paco de Lucía
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La Saeta (Bulería), Camarón de la Isla.
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Con la luz del cigarro, yo vi el molino.
Se me apagó el cigarro, perdí el camino
Tus ojillos negros - Camarón de la Isla
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Noches del Botánico: Farru, Michel Camilo y Tomatito
Botanical Nights: Farru, Michel Camilo and Tomatito Cover Photo: Michel Camilo y Tomatito. TERESA FERNANDEZ HERRERA Directora General de Cultura Flamenca. Periodista – Prensa Especializada Primero el recinto. Un lugar de ensueño para conciertos de verano. En plena Ciudad Universitaria de Madrid, en la avenida Complutense, el Real Jardín Botánico Alfonso XIII, es ajeno a la terrible ola de…
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#"VIVIRÉ"#A dream place for summer concerts#A MEETING FOR HISTORY#BALAOR#CAMARON DE LA ISLA#CHICK COREA#Ciudad universitaria de Madrid#COMPOSITOR DEL ULTIMO KETAMA#CULTURA FLAMENCA#DOS UNIVERSOS#EGBERTO GISMONTI#El Farru#EL REAL JARDIN BOTÁNICO ALFONSO XIII#ESPAÑA#FLAMENCO JAZZ#FOTOGRAFIAS COPYRIGHT FER GONZÁLEZ#INTRO AL CONCIERTO DE ARANJUEZ#JOAQUIN RODRIGO#JONI CORTÉS.JOSE FERNANDEZ Y JOSE VIDAL#JOSE DEL TOMATE#JOSEMI CARMONA#lomasleido#LUIZ BONFÁ#MICHEL CAMILO#SOLEÁ Y BULERIAS#TANGOS DE ASTOR PIAZZOLA#TERESA FERNANDEZ HERRERA MEJOR PERIODISTA ESPECIALIZADA DEL AÑO 2022#Tomatito#UN ENCUENTRO PARA LA HISTORIA
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Listed: Buck Curran
Steel strings course through Buck Curran’s blood: he is both a guitarist and a luthier. Rising to prominence in the northeastern American psychedelic folk scene, first with his band Arborea and then solo, Curran is steeped in his country’s blues-influenced folk heritage. Recently, he performed an about-face and released Delights and Dangers of Ambiguity, a collection of improvisations that he describes as “improvised dissertations on dissonance & sustain (experimental, drone and modal explorations for piano and guitar).” In his review of the album, Bryon Hayes noticed that “there is a tie that binds these tunes to Curran’s overall oeuvre: a focus on resonance. Throughout his career, [he] explores ways of extending a note’s sonic envelope via extended techniques.” Curran also recently compiled a 22-track tribute to Steffan-Basho Junghans, which Jennifer Kelly reviewed here.
For this Listed, Curran runs down some recordings and writings from which he draws inspiration for his sonic explorations.
Blind Willie Johnson — Dark Was the Night Cold Was the Ground (1927)
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I believe this is one of the most important recordings ever made, and there is a great reason why this recording made it onboard the space probe Voyager 1. I imagine it now: Blind Willie Johnson's deep plaintive voice and haunting slide playing on an endless loop as it hurtles out into the open void of deep space; a memory carried on a tiny metal seed...used as a kind of beacon of hope and promise for all life on earth. For certain it represents (along with folk music from Japan, the Navajo tribe, Bach, Beethoven, etc.) significant music made by the human race. The recording echoes the eternal loneliness that is such a big part of human nature and of our thoughts towards the silence and darkness of the cosmos itself. But in its moaning sadness, I feel it yearns always as a steady glowing light of hope.
The Wikipedia entry says this about the song: In 1977, Carl Sagan and other researchers collected sounds and images from planet Earth to send on Voyager 1 and Voyager 2. The Voyager Golden Record includes recordings of frogs, crickets, volcanoes, a human heartbeat, laughter, greetings in 55 languages, and 27 pieces of music. "Dark Was the Night, Cold Was the Ground" was included, according to Timothy Ferris, because “Johnson’s song concerns a situation he faced many times: nightfall with no place to sleep. Since humans appeared on Earth, the shroud of night has yet to fall without touching a man or woman in the same plight.”
Sinead O'Connor — The Lion and The Cobra (1987)
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Sinead has been an inspiration for most of my life. In the late 1990s, I was fortunate to see her perform outdoors in Portland, Oregon. I stood in the front next to the barricade and her voice was just otherworldly: intense, emotional, and visceral in a way I've never heard before. It was powerful and transformational, and the siren-like timbres physically penetrated my body. She wrote and recorded these songs as a young woman pregnant with her first child. Songs like “Jackie” and “Troy” embody the spirit of the album and sound the many internal and external struggles of life.
Camaron de la Isla — Seguiriyas (circa 1980s)
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Camaron de la Isla is one of my very favorite singers. His work with both Paco Delucia and Tomatito is essential listening. This film of Camaron singing a Seguiriya is so incredibly emotive and beautiful and cuts straight to my heart giving me such joy. As described here, a “Seguiriya” is one of the oldest flamenco styles. The oldest evidence of this flamenco style is found in the late 18th century, even though its origin is still uncertain. “Seguiriya” derived from primitive “tonás,” being created between Seville and Cadiz, los Puertos, Jerez and Triana neighborhoods. As singing, it has a tragic and gloomy character, enclosing the main values of what is known as “cante hondo.” Lyrics are painful, tragic, about human relationships, love, and death.
Pandit Nikhil Banerjee — Raga Chandra Kaushiki: Live at Dover Lane Music Conference, Kolkata (1977)
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This deeply passionate performance by sitarist Pandit Nikhil Banerjee simply transcends time and space, and shimmers with the radiance of the Cosmos. Banerjee is among the best musicians I have ever heard. His tone is sweet and incredibly emotive. His technique absolutely masterful. He is accompanied on tablas by the Great Ustad Zakir Hussain.
Cinder Well — Live at Abbeydale Picture House (Songs from the album 'No Summer' 2020)
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Along with the Gillian Welch albums Hell Among the Yearlings and Time (The Revelator) as well as various albums by Sandy Denny, June Tabor, and Karen Dalton, Amelia Baker's album No Summer is listed among my very favorite contemporary folk albums. This plaintive and beautiful live session features songs from No Summer. This session was perfectly documented (audio as well as video) in a historic movie house in Sheffield, England. During the songs “Old Enough” and “From Behind the Curtain,” Amelia is subtly and beautifully accompanied by Jim Ghedi and GBH.
Robbie Basho — Zarthus (1974)
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My favorite album made by Robbie Basho. Thematically, it was deeply influenced by his spiritual guru Meher Baba and his fascination and love for Persian culture. Highlights on this album include his playing on 12 string guitar and piano. “Kahlil Gibran” is among my favorite of Basho’s songs that features him singing. I also highly recommend listening to Basho’s “Lost Lagoon Suite” from Falconer's Arm II (1967) and the album Song of the Stallion (1971).
Dylan Thomas — Deaths and Entrances (1946)
Deaths and Entrances is a volume of poetry by Dylan Thomas, first published in 1946. Many of the poems in this collection deal with the effects of World War II, which had ended only a year earlier. I first discovered Dylan Thomas’ poetry as a teenager when reading the anthology of poetry Immortal Poems. Along with the books Ariel by Sylvia Plath, and various poems by John Keats, Dylan’s poetry seems to transcend written word and takes me to another place.
Martin Simpson — Leaves of Life (1989)
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The first acoustic guitar instrumental record that made a huge impact on me. Martin creates a dynamic world of sound with his virtuosity and the use of several unique and responsive hand-built acoustic guitars. Leaves of Life is an album of instrumental guitar arrangements of traditional ballads from the British Isles, many of which he learned from vocal airs. It’s an album that’s steeped in a dark, mysterious mood, and songs like “Green Fields of America” are otherworldly. His slide playing and command over the dynamics of single-note passages (and use of guitar overtones) are a great influence on my playing. The complex voices of the guitars he used on this album influenced me to build my own acoustic guitars.
Michael Hedges — The Naked Stalk (1991)
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Michael Hedges was a true innovator of the acoustic guitar. “The Naked Stalk” is a deeply contemplative and beautiful piece of music, and along with his guitar instrumental “The Happy Couple” (from the Breakfast in the Field album, released in 1981), it is one of my very favorite guitar recordings.
Tommy Jarrell and Fred Cockerham — Live (1971, filmed by Blanton Owen)
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I love the primordial American folk music from Round Peak, North Carolina. I hear the roots of Scotland and Ireland in this music and it moves me deeply. Tommy Jarrell and Fred Cockerham were among the finest players in this genre, and this intimate concert (filmed on Cockerham's front porch in Low Gap, North Carolina) is a vital and amazing archive. Also of interest is Cockerham’s fretless banjo made by fellow musician Kyle Creed. The fretless fretboard of this banjo was made with a sheet of Formica. This banjo now resides in the Smithsonian National Museum of American History.
Neil Young — In Concert at BBC (1971)
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I absolutely love Neil Young’s live solo recordings. This live BBC concert from 1971 is a perfect example of the magic that can be made with just a handful of songs, voice and acoustic guitar. Other brilliant recordings performed in this fashion include Live at Massey Hall 1971 and Carnegie Hall 1970. All are favorite recordings that are utterly perfect. Neil Young, along with Bert Jansch and Tim Buckley (especially Goodbye and Hellofrom 1967), exists artistically in a realm that has inspired and influenced my own music. “Don't Let it Bring You Down” is my favorite Neil Young song, and I love his performance of it in this session.
#dusted magazine#listed#buck curran#blind willie johnson#sinead o'connor#camaron de la isla#pandit nikhil banerjee#cinder well#amelia baker#robbie basho#dylan thomas#martin simpson#michael hedges#tommy jarrell#fred cockerham#neil young
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The way I could die for this already dead man !!!!!!!!!!!!!🤦!!!!!!!!!!!!!!! (Camaron De La Isla)
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Soleá Del Chaqueta (Soleá), Camarón de la Isla.
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ole ole lo camarone de la isla
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i usually dont care for male vocals but camarón absolutely fucks me up every time
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10 LUGARES POCO CONOCIDOS EN COLOMBIA QUE PUEDES VISITAR
Colombia podría ser conocido como un paraíso, es un país multi diverso y esta lleno de lugares increíbles que son muy conocidos a nivel mundial, pero hoy te presentaremos un TOP de 10 lugares que no muchas personas conocen y que desearas visitar luego de leer este artículo .
PLAYAS DE NUQUI:
Es un municipio ubicado en el departamento de Chocó, en la costa del pacífico de Colombia. La región es conocida por sus hermosas playas, un lugar exótico y relajante por descubrir. Cuenta con abundante selva tropical y biodiversidad marina.
Algunas de las playas mas populares incluyen: playa Guachalito, playa Terquito, playa Olímpica y playa Joví.
2. MAKUTE
Es un parque temático ubicado en la cuidad Villavicencio. Ofrece diversas atracciones acuáticas como piscina de olas, toboganes, zonas de juegos y áreas verdes para disfrutar en familia, amigos y parejas.
3. ISLA GORGONA
Parque Nacional Natural Gorgona ubicado en el océano Pacífico, en departamento del Valle del Cauca. Hogar de especies únicas como el loro orejiamarillo y la iguana negra. Contando con hermosas playas, senderos para caminatas y sitios de buceo.
Tener en cuenta que el turismo esta regulado y se requiere obtener un permiso para visitar la isla, se recomienda hacerlo guías autorizados debido a la fragilidad del ecosistema.
4. GALERAZAMBA
Es un lugar ubicado en el departamento de Bolívar. Cuenta con arenas blancas, lo que la convierte en un lugar atractivo para los turistas que buscan disfrutar el sol y el mar ya que es poco concurrida. En la zona también puede encontrar algunas reliquias arqueológicas precolombinas.
5. CERRO DE LAS TRES CRUCES
El Cerro de las Tres Cruces es una montaña emblemática ubicada en el corregimiento de Montebello en el área rural de Cali, capital del departamento del Valle del Cauca.
La primera parte del cerro tiene una pendiente media con pocas zonas rocosas y fáciles de transitar. Si tomas la subida por granada puedes elegir ascender por la loma o subir por las escaleras; si lo que quieres es hacer ejercicio te recomiendo las escaleras porque son más de 100 escalones para subir.
6. PÁRAMO DE OCETA
Es una de las ultimas maravillas medio ambientales que se encuentran en Colombia, es un ecosistema de paramo ubicado en la cordillera oriental, en el departamento de Boyacá. Es una zona rica en biodiversidad y es considerada como una importante fuente de agua para la región. Además, cuenta con hermosos paisajes naturales y es un destino popular para los amantes del senderismo y la naturaleza.
7. RESERVA DE FAUNA Y FLORA "FLAMINGOS"
Está ubicado en el departamento de La Guajira en el corregimiento de Camarones. Es conocido por su gran población de flamencos rosados y por su diversidad de ecosistemas, incluyendo manglares, playas y dunas de arena. Es un destino popular para el turismo ecológico y la observación de aves.
8. LAGUNA VERDE- NARIÑO
Es un hermoso cuerpo de agua ubicado en el departamento de Nariño. Es conocida por su color verde intenso y hermoso, el cual se debe a los minerales y algas presentes en el agua. Su entorno está rodeado de paisajes montañosos, con hermosas vistas de los picos nevados de la cordillera.
La Laguna Verde tiene un significado importante para las comunidades indígenas de la región, como los indígenas Quillacingas y Pastos. Para ellos, la laguna es considerada sagrada y es un lugar de rituales y ceremonias tradicionales.
9. CASCADA DEL FIN DEL MUNDO
Se encuentra en el suroccidente colombiano, en el departamento del Putumayo, entre los municipios de Mocoa y Villagarzón. Un lugar extraordinario donde las montañas de los Andes se encuentran con la selva de la Amazonía, donde podrás disfrutar de piscinas naturales, caídas de agua y de una vista panorámica del Parque Nacional Natural Serranía de los Churumbelos.
10. CERROS DE MAVECURE
Son un conjunto de tres cerros ubicados en la región de Guainía, en Colombia. Son considerados como una de las maravillas naturales del país y son muy populares entre los turistas por su belleza y su importancia cultural para las comunidades indígenas locales.
Son considerados sagrados por las comunidades indígenas de la región, ya que se cree que allí habitan espíritus protectores. Además, los cerros ofrecen una vista espectacular de la selva amazónica y del río Inírida. Para llegar a los cerros es necesario hacer una caminata y se recomienda ir con un guía local.
Cuéntanos si alguno de estos lugares te llamaron la atención.
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