#By everything leading up to it i mean mainly early s2 maybe even up to episode 12-14

[ev-isms]

The ending scene was cool on its own, but with the context of everything leading up to it? It doesnt fit

[auriandcats]

omgomgomg i think i just did something

like i’m reaching for mars but i think i just did something.

remember when el was watching tv in season 2?

the movie el is watching in s2 ep2 reminds me of will and mike’s romantic dynamic.

I THINK THIS IS A HINT TO S5

(sorry in advance, i could not find screenshots or a video of the scene anywhere)

will - the lady

mike - the man

WILL/LADY: "i’m stunned i don’t know what to think"

- will’s reaction to when mike admits he’s in love with will - he doesn’t think it’s possible. he’ll be in disbelief, he won’t believe mike at first. (it is almost certain mike will be the one to initiate intimacy)

MIKE/MAN: "don’t you love me?"

- mike looking for reassurance. wanting to know if he’s read everything (the flirting, the smiles, the touches) wrong and if will does actually feel the same. presumably there will be more flirting and intimate moments in season 5, leading up to the eventual confession.

WILL/LADY: "of course i love you,"

- will FINALLY letting out his feelings, however he’s still not sure as to whether mike is being serious or not.

WILL/LADY: "it’s just that it’s so sudden, it’s not at all like you."

- will has noticed mike pushing him away and is confused as to why and how mike could love him (due to internalised homophobia) this also suggests that the confession might be sudden, not as in early in the series but mike will probably confess very dramatically, maybe even a spur of the moment decision (THIS DOESN’T MEAN IT WON’T BE SWEET AND INTIMATE!! it will still be written well, and will not be rushed at ALL)

MIKE/MAN: "erica (will), i feel this way because of you."

- admission and confirmation of his love of will. i assume this is where mike will go on a rant about how he loves all the things will is, who he is, what he does and him as a person. also desperation for will to grasp the concept of mike loving him.

WILL/LADY: "me?"

- here, he will still be disbelieving. he’s looking for reassurance. he wants to be certain this isn’t some sick prank because of his complete obliviousness to mike’s reciprocation of romantic feelings and his insistence that mike could never be like him and love him back.

MIKE/MAN: "mhm"

again, reassurance. mike and will constantly reassure each other throughout the series, it’s something they do.

MIKE/MAN: "you have made me wild and impetuous"

(mikes true feelings will finally be admitted here) mike has been going crazy holding it in, wild lip glances, breath catching, heart beating faster

WILL/LADY: "people are going to be aghast"

will is scared of judgement and homophobia, will isn’t sure that people will accept him/them.

MIKE/MAN: "they’re gonna love it"

this may be mike trying to reassure will again, but if the confession is similar to this i assume mike will say something like «we’ll face it together» as a crazy together parallel.

this could also be a joke/foreshadowing that byler shippers or people who were rooting for them will love that they got together.

WILL/LADY: "it’s gonna stun the whole town, the whole world!"

this may be a kind of joke or easter egg that the audience in general (mainly homophobes, anti bylers, milevens and disbelieving bylers) will be shocked that mike and will actually ended up being together in the end and that mike loves will back. it could also be the more likely option that will is talking about how their friends and families will be stunned. take it as you will.

MIKE/THE MAN: "erica (will), tell me you will marry me, tonight in this house"

not sure how this would relate, it might be mike desperately asking for will to actually be with him, or maybe desperation because of current circumstance that includes a promise of how they’ll get out of this together.

take this as you will, the more i think about it the less this seems like a reach to me. the overall plan for stranger things was established during s2 (confirmed in an interview), this movie is shown in s2. the movie they put in for el to watch wasn’t random, thought goes into these things.

DISCLAIMER: i don’t think these are the exact words that will be shared during the byler love confession, i only think it’s likely that this scene is loosely paralleled to it. if not a parallel, it could just be some fun foreshadowing, or nothing at all, completely up to interpretation!!

also if someone has already thought of this, please tag them or tag me in their post because i just thought of this randomly on the weekend and i’m so sorry if it seemed like i was copying someone😭

[deltaengineering]

Spring Anime 2021: Embarrassment of Riches

So this current anime season absolutely stinks, which just makes the last one look even more impressive. Well, maybe not all of it...

Zombieland Saga Revenge

First off, you don't need to tell me that the following is a severe outlier opinion. We good? Ok. ZLSR is, in a word, subpar. I liked S1 back in the day, but it was already in the process of getting lazy towards the end. S2 continues this trend and is basically just another idol show. And as someone who actually does watch other idol shows I have to say that it's not a particularly good one of those either. The zombie gimmick has mostly stopped mattering and we're just doing what every idol show does, only with the odd occasional sight gag. The alleged subversive qualities mostly amount to a flashback for Yuugiri, which is admittedly the best part of the show but feels like it barely has anything to do with anything. Apart from that, it's a bunch of generic idol plots, rehashed character beats, shoddy attempts at twists (while not connecting to any setups from S1), and the obligatory "idols give us hope" ending, which is terribly hackneyed and flat out bad. Tae gets further memed into the ground, because of course she does. And there's stuff that was simply never good to begin with, like Kotarou and his comedy schtick, which gets truly insufferable now that there's no qualities to distract from it. It really makes me think that S1 wasn't even all that good to begin with and seems like an attempt to turn this surprise success into an easy money longrunner with no edge and no ambitions. "The idol show for people who don't watch idol shows" indeed, but not the way you mean it. 4/10

Bakuten

But not to dwell on the failures, with the second show we're already above the cut — barely. This one got my attention with its really impressive performance scenes early on and it totally sticks to that, which is even more impressive. But besides that? Well, this is by far the most predictable show in a season where I watched an unambitious Kiraralike and put ZLS on blast for having no ideas. The characters are a mixed bag, some are cool (Shida, Asawo), some are very annoying (Mashiro), but those are the supports. The main cast is extremely one-dimensional, which is fine until they try to heap a ton of pathos on their lead, which doesn't go well. But I guess execution matters, and Bakuten is slick enough to get by. Writing this down in stark daylight I feel like I overrated this show somewhat (I actually put it over the next one originally, which definitely doesn't hold up when thinking about it), but I was indeed mostly entertained. 6/10

Yakunara Mug Cup mo

Yeah. Of course Mug Cup definitely doesn't invent or subvert anything either, but it's a pretty good Kiraralike that's always entertaining to watch. Explaining the qualities of such a nothing genre is as difficult as ever, but it mostly comes down to me liking the characters and it having nothing to annoy me. It's shorter than normal, which is a plus for slim shows like this. And yeah, you can make an excessive amount of dick jokes with the clay fondling. That helps too. Looks are just fine, pleasant but nothing out of the ordinary. Comfy low-effort anime. 6/10

Vivy: Fluorite Eye's Song

This one is decent, but sadly still a major letdown. Because the first few episodes of Vivy were excellent and kicked ass, but then it became increasingly clear that the writing can't cash the checks the ideas wrote while the action starts running into severely diminishing returns. Vivy just keeps slowly getting worse and worse as it goes on, not by a huge amount each episode but by the end there's a pretty sizeable gulf between potential and result. Going into detail would probably be a little much for this venue because there's a lot, but from the top level view the issue is that while Vivy has good fundamental ideas and steals at the right places, it just isn't a smart show — it's schlock, and by the end, poorly thought out schlock that tries to smooth out every problem with liberal application of the big feels hammer and le epic twist at that. Yeah, couldn't tell that the Re:Zero dude was aboard here, for sure. That said, it still works pretty well as entertaining schlock that is not to be taken too seriously, and the characters are generally just very fun to watch even when they're doing stupid things. Still, I can't in good conscience rate this higher than Beatless, a show that looks like butt but properly executes on its ideas. 6/10

Super Cub

So this is 100% a Honda commercial, and I got really mad a Yuru Camp last season for being a blatant shill. Yet I'm feeling this, what gives? I think the main difference is that Super Cub is specifically a commercial for one product (and a very iconic product at that), while Yuru Camp is so all over the place that it ends up mostly a commercial for consumerism in general. And when Super Cub goes too hard on the product (which it does), it's at least pretty entertaining. That's something about Super Cub in general: It goes hard. Your regular Kiraralike this is not, because it's uncommonly slow, focused and moody - yes, it almost measures up to Yuru Camp at its best and demolishes it at its worst. Also, it's just extremely amusing to see sadblob Koguma grow a huge grizzly biker beard and become a badass outlaw dad to her goofy wife and cute daughter, all thanks to the power of afforable personal transportation. Needless to say, that can get unintentionally silly, but Super Cub has so much charm that it doesn't matter — it's great when it's good and still funny when it's not. 7/10

Shadows House

Shadows House turned up with a lot of potential, and I have to say it at least delivered on most of it. It has some problems; notably I'm not a fan of how the entire middle turned out to be a tournament arc of sorts that seems curiously inspired by Resident Evil memes, crest-shaped intentations and boulder punching included. I also think that this is a show that would be perfectly fine without explaining much, but I guess it is a shounen manga after all so we got dumped on eventually anyway. At least that came late - close relative Promised Neverland didn't show that much restraint. Shadows House is generally well written though, with great characters, interesting interactions and a great hook. But what really makes it memorable is that it's exceptionally good at the cute/creepy contrast, something that is often tried but rarely works as well as here, with great character designs and very appropriate production. I hope this gets a sequel, because it seems like it's just getting started. 7/10

SSSS.Dynazenon

Coming in with a fondness for Gridman, Dynazenon didn't have to do much to convince me. The surprise though is that it's not a rehash even if it's basically the same show, a character drama where occasionally huge and goofy fights break out. Dynazenon is Gridman done better, and the interesting part is how it accomplishes this - mainly by being far more conventional. I do appreciate that Gridman went for something weird and almost experimental, but that only really paid off towards the end while most of the show was a distraction/holding pattern. It just didn't feel like there was enough material for a full series there, more like a movie maybe, if even that. Dynazenon fixes this by just being a TV show, with an actual cast of characters that each have their own arc. And by spreading the material this way, Dynazenon ends up having a lot more nuance than its intensely focused predecessor, while having the same themes and not actually being any deeper. In a way, Gridman ends up looking like the spinoff in retrospect, while Dynazenon is the full package. 8/10

Thunderbolt Fantasy S3

So how good was this season? So good that Thunderbolt Fantasy doesn't end up at the top, that's how. And all the elements that made Tbolt such a sure thing are still there, big hammy puppets doing stunts and scheming never gets old. However, I do have to note that at this point, the writing appears to have gotten too comfortable. I don't expect it to ever top the amazing S1 ending, but at this point it's like Tbolt has stopped trying to deliver on endings at all and seems in the process of retooling itself into a longrunner instead. Barely anything gets resolved in S3 (the climax is that the climax of S2 is resolved again, for good this time... maybe), and everything else is just setting up plotpoints for the next season. Tbolt is truly lucky that it doesn't actually need to resolve anything to be a great time, but at this point I have to say that I'd appreciate it if they wrapped it up with S4. 8/10

Nomad: Megalobox 2

Speaking of sequels to shows I liked, Nomad doesn't so much improve upon its predecessor but steamrolls right over it. This is a tall order, since Megalobox was surprisingly good for a sports shounen and had a real nice, heartwarming ending that Nomad instantly negates for purposes of drama and everyone being extremely miserable. That sounds like a pretty terrible idea - and it would be, if Nomad wasn't as excellent as it is. To call it not the same show would be an understatement, because it's a true sequel, not just the same characters doing their thing some more, or new characters doing the same thing as the old ones did. Indeed my biggest problem with Megalobox was that it still closely adhered to its genre template and was very predictable; Nomad fixes this issue thoroughly. Nomad is about questioning what being a hotblooded shounen protagonist eventually leads you to, and how to fix everything you screwed up by being one. You could call it a deconstruction, but that term has been so abused for cynical, edgy "thing you like actually sucks" takes that I feel like it doesn't really fit here. Nomad isn't cynical at all, it's just a character drama about some boxers past their prime, and it being a sequel to a show that is indeed rather formulaic just enhances the experience. My biggest issue with it was that I really like what they did with Joe in this story, so the big focus on Mac's backstory felt like a distraction for a long time. But in the end that turned out to be absolutely necessary to make the ending work. The ending's just great, by the way, and I shall say not more about it. 9/10

Odd Taxi

Yeah boy, here's the show that has apparently become somewhat of a "greatest show you didn't watch" meme, which I can feel smug about because I don't need YouTubers to tell me what's good and followed this from day one. Anyway, Odd Taxi is indeed great, the greatest show in a few years even. What starts out as seemingly a relaxed hangout show in the vein of Midnight Diners quickly turns into a psychological murder mystery while never losing its quirky humor. The character writing is outstanding, with even small bit players being on a level that the average anime wishes it could have for leads. And the rollout of the mystery is exemplary, with answers given and new questions raised every episode with a satisfying and logical payoff in the end. This is also the rare anime that has rock solid production from the first to the last second; it's never really flashy but excellently done and highly consistent nonetheless. And the music just owns. I have a few complaints, mainly that there's a few logical weaknesses in the story (which wouldn't even register in a lesser show, but sticks out here since the rest is so immaculately constructed) and that the ending overextends on the emotions when the rest of the show is so reserved and dry in comparison. But those are only the reasons why I didn't give it perfect marks, and I almost did that anyway. 9/10

[phoebehalliwell]

ok but let's discuss astrology. like i just made girls natal charts and got a thought. what rising sign would you give to each sister? (lmao their charts like literally witchy and kinda strange, like prue is a scorpio sun and aquarius moon, piper's a leo sun and sag moon, phoebe's a scorpio sun and libra moon, and paige is a leo sun and pisces moon. like... these are very strange. but funny)

!! okay. so. so like many moons ago i started a charmed astrology series that i literally never finished but hey maybe i should finish that where i like. did the girls whole charts. mainly based off vibes i kept the generational signs and the sun signs

which sidebar that ik is gonna be a long enough rant to warrant it's own paragraph but i'm a diehard piper capricorn truther because like in canon we are given not one not two but three whole pieces of conflicting evidence for piper's birthday first being the family tree placing her as a leo in s2 next phoebe's line decreeing her a gemini in s3 and then 3) a whole ass birthday episode in s6 set in january, placing her as either a capricorn or an aquarius. (which, it has been argued. could potentially be in july/august or may/june But. given the timeline with chris's birth take into account and also relativity to wyatt's birthday which is canonically in february. it's p solidly january in my opinion.) anyways so not only am i a capricorn truther because i think it is the best sign for her like everything about her to me reads very strongly earth sign like shure u could argue leo i can see it gemini is really reaching imo i really. i do not see her as a gemini. But. not only am i a capricorn truther because she's a capricorn, i am also a capricorn truther because given the three pieces of evidence, which was the most canon weight: a prop, a quip, or an episode. right??? like. like if we accept the family tree as canon there are literally so many errors there stuff that simply is not canon it was just made by some guy in props prue's birth year is wrong given her past life's death year, grams not only has like a brother like 20 years her jr i'm p sure it also implies she gave birth to patty at age 13 like there is So Much fucked up in that tree (and they never even put paige on there!!!!!!!!!!)

anyways. piper=capricorn. i also did moon sign off vibes just because i prefer it that way but ig these are like. their canon moon signs. given the day/year. i do really like aquarius for prue i love pisces for paige because i feel like it leans into that artist side and really like um. like the fact i think paige really doesn't lean into her moon sign that much i think like you know that whole well of emotions i think it can be very debilitating for her if that gets opened (like what we saw in a paige from the past) so i think kind of her bursts of creativity and her like. she kind of has this sort of bleeding heart when it comes to looking out for people she barely knows i think that really is her moon sign scratching its way to the surface because i really don't think paige like again i don't think she leans into it that much she's not someone who leads with her emotions. for phoebe's libra moon i'm literally just like advice columnist. yeah. if i'm still on my piper capricorn tilt i think the bday i gave her was the 13th, so her moon sign would be taurus. which i also like for her. like her being possessed by gluttony and also her speech to the elders in early s3 in once upon a time where she demands leo back? yeah.

but!! rising signs. starting with prue i think she'd probably have an fire rising sign just given like. like her energy. like in school she was head cheerleader we see constantly throughout the show like her first impressions kick your ass like everyone knows they're looking at a fierce spirit when they first meet her. i would say the ram i'd say prue aries rising. for piper i'm saying cancer rising. to level with you i'm not even considering the other ones she just feels so cancer rising like in high school she was nobody in almost every situation in the early seasons (and honestly sometimes beyond that) people just look at her and go oh. housewife. doormat. i can walk all over her (both douchebag bosses at quake, the like. homeowners association meeting in the s3 episode where the triquetra breaks. the high school reunion ep). but on the more positive side her and leo's early relationship and the really shy dance around each other a sweet puppy love or even why tyler the firestarter first showed up in the house it was piper who was able to put him at ease i'm saying cancer rising. next up on the docket is phoebe who i am going to give a leo rising just because she does always seem to have this (occasionally unwarranted) confidence like she turns heads when she enters a room she has this power this chutzpah that i think only gets further driven up in shallow situations (like what we say with clay her ex-flame from new york i mean, you barely had a spare minute in new york, three jobs just to afford your social calendar type shit) like i think she. yeah. i think she's a leo rising. paige i think i'm gonna give an aquarius rising to paige just because like yes the whole "humanitarian" aspect of the aquarius sign which like. like to level with you. think of all the aquarians you know. humanitarian? how many people would you genuinely describe as humanitarian maybe i just personally have beef with like. aquarian men. just like. in general. but humanitarian? really? it's mainly just guys sucking themselves off to their own ideas about how the world works and assuming that every single other person is like them and that's why society is the way it is and blah blah blah blah i'm sorry this was in college it's a small sample size ik i try not to hate all aquarians. but humanitarian? anyways tho i think if someone were to like actually read humanitarian i think paige is def a candidate but i think what really sells her on the aquarius rising for me is the fact that i think she is really difficult to get a read on (which is another trait i associate w aquarians due to their lack of emotions, as we all know. i'm sorry i'm really gonna hafta go back and find the aquarian who hurt me bc i feel like this is running strangely deep. but i also feel like i'm right so.) but i think paige is like. like, if we look back on almost all of her first introductions (first meeting the sisters, kind of first interactions with leo, first interactions with richard, first interactions with kyle), like. there is something detached there, but like, slightly underneath, this strong desire to help. yeah. <3

[angelhummel]

So I saw a post about the eras of the Glee fandom and I am in the Resurgence Era. I began watching the show back in May 2020. I know people like to make fun of the show a lot, and I totally understand, but I unironically enjoy this show. Well maybe not a majority of S4-S6, but I like the music, the comedy, the heartfelt moments, the zany characters. But I can also see how even in the early seasons, which people hail as Glee's Peak, how it could have been better. (1/?)

With the exception of a few song changes and polishing clunky dialogue, there isn't much I would change in S1 or S2 (although I would cut down on the cheating plotlines in S2). S3 should have been about the club finally being unified with almost no infighting, and they shouldn't have tried to cram so many PSAs into one season AND Santana's coming out story should have had more focus than it got (and it should have been handled more sensitively period) But the music in S3 still rocked.

In S4-S6 I can see almost exactly when people began dropping from the fandom and I understand why. S4 through S5 (especially S5) seemed to be flailing for some sense of direction with the characters and juggled too many nonsensical (and often tone deaf) storylines for it to be coherent. S6 saved it from ending disastrously, but by then it was too late to truly save the show. Not to mention Ryan Murphy's unprofessionalism leading to actor drama and just butchered story lines.

But I can see how the show could progressed coherently and satisfyingly. In S3-S4 the New Directions should have become the champions for the underdogs. In S4 with most of them graduating, they should have had the theme of branching out into the big world beyond their small, closeminded town in Ohio. S5 could have been them getting too big for their britches and then failing because of arrogance. Then S6, they go back to Lima as a humbling reminder of where they started.

In S6, with the allotted 22 episodes they should have had, they could have started up the Glee club again, and be reminded why they joined in the first place. It makes me sad that bad writing and Ryan Murphy's unprofessionalism tanked a show that had all the groundwork for being absolutely amazing. Glee is many things: wacky, musical, bizarre, heartfelt, frustrating, insensitive, sometimes all those things in the same episode, but when it was good, there was nothing else like it.

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

I mean that last plot is basically what they tried to do but just with Rachel while everyone puttered around for ten episodes before they wrapped all the pointless crap up. I mean I was never a fan of them having to go back to Ohio in the final season just bc they’d already done it multiple times by then and it’s like can we please see something new?? All I wanted for the last two seasons was all my faves and a few guest stars in NY lmao. It’s still an ensemble show with like 7-10 characters and some good guest stars, right?? 

Also like I’ve sort of said this before lately but. S2 is a hot damn mess. If you didn’t have Kurt or Klaine and you didn’t have Santana or Brittana?? That season would be nothing lol. Maybe it’s just me but idk all the het nonsense that season really drags it down for me. And s3 is fucking awful but that’s what so many people cite as their favorite. Which to me it just proves that people talking about “it was really good at first then sharply declined when everyone graduated” is complete bullshit and it’s just people looking at the seasons they actually watched through rose colored glasses and just saying it got 100% when they stopped being interested in it. 

And I swear I’m not trying to just shit on everything you’re saying lmao but again people saying s3 had the best music of all but like. I dunno I think DWS had the best music and was the best actual tribute ep. Michael also had really good performances. Then there’s maybe five other performances I’d put in the iconic tier lol. Idk I think it’s overrated all around and I just hate s3 so damn much (: But yes it does have some good music

But anyway your last paragraph. If I could rewrite Glee with 20/20 hindsight I would have the s4 and s6 newbies switch. So the new and interesting characters for s6 are introduced earlier and actually bring something new to the table. And then in s6 we get the wannabe copies of the oldies so that when all the alums are there, they pick out the person that reminds them most of their high school selves to mentor them. So like Thanksgiving but for like half the season or whatever lol. And it’s like sweet and nostalgic for them to sort of see themselves at the start of their friendship again and to give everyone the advice they wished they knew back in the day. Stuff like that. Could’ve been cute

And idk I don’t agree with everyone else saying s5 sucked lol. I mean obviously one of the contributing factors to the strangeness and sloppiness was one of their main characters dying and having to write around that. And poor Sam having to fill Finn’s crap shoes and become Finn 2.0 and I think you can see that best with the nurse Penny stuff. But idk I mean there’s twerking and puppets which are nonsensical and only one of those things comes off as tone deaf to me. I don’t think it’s as bad as people wanna say. But after the boringness of them coming back to Ohio for the glee club in the middle of the season?? And then my favorite characters are in NY after that?? Those are some of my absolute favorite episodes. I mean I’m in my top 40 glee ranking episodes and I’ve got 5 eps just from the back half of season five to go. I love it. It’s some of my favorite Glee

Although I still agree that s1 is the best. And that’s with the show focusing mainly on Mr. Schue, Finchel, and Quick. And I still adore it as much as I do. Season one really is something special. I mean just about every season is like watching a different show. And no one is going to agree on what they like best or why. But idk I’m just glad everyone in the fandom has something to hold onto. 

[fanmode-activated]

Things I ought to talk about regarding skam france s5 (basically a long ass rant)

Being the first original Skam season to be made by a remake, there is, of course, going to be many things to discuss about Skam France. It has always been the more dramatic one of the remakes in terms of cinematography and events. The show looks like you’re watching something very produced and professional as opposed to the more “authentic” look that the original show had. It’s not that important honestly for me regarding the quality of the show, it’s more a question of taste, whether you like it or not. The actors are older than their characters, which is not a bad thing in and of itself. It hasn’t been affecting the show negatively is what I’m saying (unless we’re talking about Charles, but I lowkey love Michel and Marilyn’s chemistry, it made me care about their relationship in s2. Only s2. Otherwise fuck Charles). Like every other version, the cast is talented and fits each other well. I think my main issue is that Skam France (and some other remakes, but this is about France) seems to have missed the purpose of Skam, which is to give teenagers hopeful stories that teach them how to communicate.

I want to start by saying that there were a lot of good things in s5. The choice to make it about Arthur was smart, because he is a mysterious guy who would say the weirdest shit unprompted, like how he slept with a 34-year-old woman (we still don’t know what that was about btw), and we basically knew nothing about him, except that he thought his dad was an asshole. He was a blank slate to work with, which is somewhat of a dream.

Making the main theme of the season be about deafness was, in my opinion, a good idea. It had the ability to teach people about a community that is very rarely portrayed in media. It gives D/deaf people representation, which is always good, as long as it is done carefully and respectfully. Luckily, the Skam France team seems to have done its research. They worked with a deaf run theatre company and made sure to hire deaf actors, just to be accurate. Whether every medical detail of Arthur’s sudden deafness is realistic and accurate, I can’t say. It seemed reasonable to me, but someone with more experience would have to tell me. On the technical front, everything seemed fine. 

Having Arthur’s dad be abusive was a good idea, because it is a reality, and it would be beneficial to show in the Skam style how this reality affects teens and how to potentially get out of a bad situation.  In theory, I am on board with that. What I have an issue with is the second part of that story, which I will address here. 

Like I said earlier, the deaf storyline was a great idea. They managed to include other disabilities through the characters of Melchior and Laura, which was amazing. They are adorable and I know some people felt really happy to be represented that way. Noée and Camille are a great addition to the cast, I mean Noée is an adorable badass, and Camille is a toned-down Mika, I could not have asked for more, they’re literally perfect. I think there was a great potential to make them sort of guides for Arthur, friends he needs in this new journey and they achieved that in many ways. However, I could have done without the love triangle. Mainly because, love triangles are so overdone at this point, it’s painful. I mean, literally everyone is so done with love triangles, can we come up with something else, please? From Skam, I would expect a little more originality. Especially Skam France, who unnecessarily pushed the love triangle in s4 with Manon, Sofiane and Imane that didn’t really exist in the original and got a pretty huge backlash. I thought they would learn from their mistakes, considering that the characters often mention previous seasons in s5 to refer to mistakes they made as people, so it’s kind of ironic that the team wouldn’t make an effort themselves to correct their mistakes. 

The first major problem with this for me is that they introduced Arthur and Alex as being in a happy and loving relationship. Now, personally, I would have loved if they weren’t in a relationship at all because I mean a) imagine a season where the main character’s problems don’t revolve around a ‘love’ problem somehow, and b) it’s not really realistic to me that they would all be in relationships seeing as they are teenagers. But, forgetting about that because my personal experience of being a teenager is not necessarily universal, since they decided to have them be in a relationship, what was the point if it was only to throw trouble at it? It’s absolutely believable that they would have problems in their couple, and the first part of the season was actually very good at showing that. Arthur’s main problem was acquiring a disability and having to learn to accept it and live with it. The journey was very realistic, and the way Alexia reacted to it was also good and realistic. I was absolutely happy with that. But then, at the same time, we had Noée. She was purposely coded as a romantic interest, but not too much (she was introduced in a pool, the most romantic Skam location, I mean subtlety much?), just enough to confuse the audience. She was what Arthur needed a lot of times, a friend, a guide, and we could see that she had some feelings for him, but if we actually look at the facts, they didn’t interact that much, and a lot of those initial interactions were spent fighting because they had different views about Arthur’s deafness. But let’s say that I ignore the facts and focus on their emotional connection, which I totally believed, on Noée’s side anyway. Why did they do it? I have a few theories. Arthur is constantly torn between his hearing and the deaf world and they decided to represent that with his relationship with Alexia and Noée. Now, I’m not one of those people who need to pick a team (because binary is bullshit, black or white, male or female, good or bad, life is more rich and complicated than that, I don’t subscribe to a binary view of anything), and for those who do, remember that both of them are amazing representation, a confident bisexual girl and a deaf girl as romantic leads is badass either way. But, I reiterate, why make the effort of making Arthur and Alexia’s relationship strong and rootable for, if you’re going to introduce another viable love interest? My guess, like I said is that both girls are representative of the deaf and hearing world, and his relationship to Noée mirrors his relationship to his disability in some way, but if that’s the case then, it’s pretty reductive to both girls. 

Noée was shown from the very start as being this independent, strong, confident, caring badass woman. She immediately reached out to Arthur when she saw that he looked like he needed help and guidance. She headbutted a guy who came onto her when she repeatedly told him no. She’s very proud of her deafness, and she has issues with hearing people because of childhood bullying and her father not loving her. In short, she seemed like a complicated, three-dimensional person. So, when clip 12 of episode 8 happened, I was very confused. The way the scene was written is very messy. First off, Arthur only “breaks up” with her because he doesn’t want to be like his dad (which is another thing we need to address later). He refers to the obstacle of their relationship as being communication, which is not actually an obstacle because, with patience and care, any language barrier is obsolete. I mean there are plenty of couples who don’t speak the same language that exists, deaf and hearing people included, so, not really an argument on his part. The second problem with that scene is that it’s constructed in a way where Noée is the one who has to run after Arthur and make the effort of talking out loud. Disregarding the fact that I hate the trope of “the deaf person who doesn’t like using their voice using it in a dramatic moment to be perceived as romantic” (I didn’t like it in Switched at Birth, I don’t like it now), it’s a very ableist view of what qualifies as romantic. I guess there is an argument that could be made about the fact that it’s like if let’s say someone is afraid of heights, but they go on top of a building to save someone who’s about to jump or other instances of conquering one's fear for a loved one. I don’t agree with it, but the right arguments could convince me maybe one day.  Noée having to go against something she’s been uncomfortable with forever to say “I love you”? I absolutely do not believe it at all. She doesn’t love him. She cares about him, sure, she likes him even, that of course, I see it, I have eyes, but love? Big word for someone you met what, 4 weeks earlier? Either she doesn’t know what love is and said it out of fear, which I don’t know about, but it could be realistic I guess in some parallel universe, OR it was a ploy by the writers to be dramatic and have Arthur look back at her in a telenovela, 90s soap opera, early 2000s K-drama fashion right before getting hit by a car. Now, could it be argued that Noée suffers from abandonment issues because of her dad? Maybe, but if that was the case, based on the content we’ve had, it’s a pretty far-fetched theory that seems like an attempt to redeem bad writing. I mean, just the fact that he literally gets hit by a car adds to the very unrealistic dramatic flair of the entire clip. It feels like every drama show, which Skam is not supposed to be. It’s hard to enjoy the good acting when the story is so out there. My other main problem with this story is that they want us to believe that Arthur is also in love with Noée. The problem is, they don’t show us, they just tell us. “Show, don’t tell” is a pretty basic film technique, especially in Skam. If they wanted us to really believe that he loved her, they would’ve shown him stalking her Insta, or researching CIs after she talked to him about it, we would’ve gotten some clips of him alone obviously thinking about her, but we never do. The only time she’s relevant is when she’s physically there, or when it has to do with Alexia somehow, he never seems to think about her in a romantic way, only when she might be a problem. So when he tells her that he loves her in the last episode? I don’t believe it for a second. 

The love triangle also reduces Alexia to an “issue”, because in the second act of the season, she goes from loving supportive girlfriend to “oh no I hope she doesn’t find out”. At that point, the only outcome was for Arthur to end up alone and figure himself out, which I think was their goal, they wanted him to end up alone and figure himself out, and that’s an amazing lesson to have, I mean it was the ending of season 1, but they didn’t execute it well. There is something there that didn’t need to happen or needed to be handled differently, and it wasn’t, which just left a bad taste in my mouth. I’m not going to sit here and pretend that I know better than professional writes, but as a Skam watcher and general TV and movie watcher, even I can tell that this was not handled properly. I did like Alex’s break up song, not gonna lie. 

Now, onto the matter of his dad. As I mentioned before, him being abusive is a good storyline. Arthur had mentioned before that his dad was an asshole, so that being the reason is actually good. However, I don’t think the execution was well done. The set up was perfect for a good story, but somehow it fell short. The first clip Arthur’s father was introduced was perfectly executed from a storytelling perspective. There was an immediate shift in both Arthur and his mom’s demeanor, where they tensed up as soon as he got home. Then Arthur looked clearly uncomfortable when his dad was pressuring him into medicine. Everything about that scene screamed “something is not right here, but I can’t tell what”. Very good setup for a physical or emotional abuse situation. For the next few weeks, every scene with the dad was a bit meek, meaning he was being harsh, but so was Arthur and it was understandable. Arthur was going through the biggest change in his life and his dad just wanted him to look out for his future. While the way he talked seemed a bit asshole-ish, it can easily be explained as a parent wanting his kid to be okay. It was confusing, because the “threatening” aspect seemed to be gone, so we were left wondering where was this going. Then came the big reveal in episode 7, that Arthur’s dad is the one who made him deaf in the left ear by hitting him too hard (which by the way, I did not need to see, what is this, wtfock?). Before we continue, let’s take a second to look at the format the original Skam followed for its stories. The main character is faced with an initial problem that lasts for half the season or a few weeks more (Eva is friendless and she doesn’t trust Jonas, Noora is falling for William but doesn’t want to, Isak is gay but can’t admit it, Sana struggles with her dual identities and liking Yousef). That first problem is half-resolved and the main is faced with problem 2 (Eva cheats on Jonas and is being bullied, Noora gets assaulted, Even turns out to be bipolar, Sana loses herself and fucks up with her friends). Then by using communication, they fix both problems (Eva fixes things with Ingrid and her friends and breaks up with Jonas to find herself, Noora talks to Mari, confronts Nico and fixes her relationship with William, Isak talks to his friends and Sonja, accepts his sexuality and gets back with Even, Sana talks to Isak and her friends and fixes things with them, before fixing things with Yousef). If we follow this model with Arthur, this could have worked perfectly. Problem one, Arthurs becomes deaf and now has to learn to live with it. We see the impact it has on his relationships and himself. Problem 2, we learn that his dad is abusive and now this is his problem for a few weeks, like he tells Noée about it, and she tells him that this is abusive behaviour, and he tries to be like no it’s not, but then it becomes undeniable as the weeks go by and then he talks to someone about it, maybe his mom and/or the police, and so we get a mini-resolution that’s not necessarily immediate, just like with Noora and Nico, where we don’t see the trial or anything like that, but just the action of admitting that his dad is an abusive person and taking actions to protect himself. Then we conclude with him finally fully accepting being part of two worlds, and maybe those two worlds start to merge. This would have perfectly followed the format of the original and would have kept the realistic yet hopeful message. And there is no need to put a love triangle in the middle of it!

This was a very long tangent that addressed both the abuse and the love triangle to get to a specific point, which is that, the dad cheating storyline is very out of place in a show like Skam. I’m not saying it’s not out of character for him, I very much got cheater energy from him, but the stories told are supposed to be about problems faced by teenagers that can be fixed by learning to communicate (or made better, I’m not saying Noora’s story was fixed by talking, it just made her more in control of her situation, but it was still a very serious problem.) But Arthur’s dad cheating on his mom is not something Arthur can fix, it’s not even related to him, it’s a parent problem. All he can do is live through it. Does it affect him? Yes absolutely. But did they need to parallel Arthur’s behaviour with that of his abusive father for him to realize that it was wrong? There are other ways to do that! It feels like they just wanted to have the dramatic dinner scene, where Arthur and his dad scream at each other and reveal everything in a very dramatic Hollywood way. ( And that storyline took us away from his deafness for a while by the way, like did he momentarily stop being deaf? Idk, it was weird for a while. Also, did Arthur need to out Alex at dinner? Lmao, talk about trying to shock your parents.) And, quick tangent, when Arthur told his friends about cheating, can we talk about Yann and Lucas’s responses? They tell him not to say anything? May I remind you of season 1, when Emma tells Lucas about her cheating and he told her not to say anything because he knew that if she did, she would be forgiven? And Yann, who knows what it’s like to be cheated on, and knows that telling her himself directly might help (or not, but still) is also telling him to not say anything. Like, did they forget about their own lives? This is just more proof that they wanted drama from this situation, which is kind of sad. Basically what I’m saying is they made the second half of the season a dramafest, which turned me off so much. It reminded me a lot of s3 of wtfock, which relied on drama way too much for its own good and mad me constantly mad at a bunch of fictional teens. And, maybe this is going too much into details, so I understand if not a lot of people agree with me on that but, Arthur was never alone. In every season, the character reaches a point where, in their POV, they feel like they are utterly alone and that no one cares for them, and they have to be the one to make a move to reach out and communicate with others. It never felt that way with Arthur. He always had either the boys, Alexia or Noée in his corner, he never reached that point of total despair. It’s not a bad thing per sé, it just feels like something that is supposed to happen in Skam, it’s part of the character’s journey, and here it was left out, but instead, we got a lot of useless plots.

Now, the last thing that irked me about the season, (and I know it’s nitpicky and detail-y) but I realized applied to the whole series was the dialogue. Skam France’s dialogue was always too fast, but I always saw it as “oh well the French speak quickly in general and their humour is very quick and dry”, so I didn’t mind it much, because I was used to it and at least we had some quiet times. But in this original season, they talked so much! It’s like, they’re always on, there’s no pauses, no awkward silences, and Arthur doesn’t have many clips where it’s just him alone thinking. They don’t seem to realize people aren’t always funny, they’re not on all the time. It worked well when it came to showing Arthur’s personality, he’s the guy with the jokes, and he makes them even at awkward times, but in group settings, it’s like we were in Gilmore Girls, like, breathe. 

Last thing I want to address before concluding this very long and unnecessary rant. The finale. I didn’t want to write about it before I watched the live on youtube after the season, but I was translating and the live was lagging, so I barely caught glimpses here and there, therefore I cannot talk about season 6, since I have no idea what they discussed, and I can’t talk about what Niels or David said about the choices for the season. But I can talk about the finale. That last scene with Noée and Alexia was very weird and felt very forced. What was its purpose except make Alexia and Arthur be on good terms for next season? I don’t know. It’s like they wanted to wrap it up immediately when it’s not something that can be done naturally that way. I do wanna shout out Alexia for learning more signs than Arthur in days than he did in weeks, what a queen. Second thing, I don’t know what all the thing with season 6 is, like what veto on characters they got from NRK or whatever, but what is clear is that they wanted the season to revolve around Daphné, since she’s the one we’ve been getting hints of for the entirety of season 5. But if that was the only way they could thing to introduce Lola, it was weird. She just appeared out of thin air (except that one scene in detention where we saw her back), and so I don’t care about her at all. Like, I have no investment in seeing her POV, so making her appear suddenly in the finale is not the greatest move. I wish they had built her up at least a little, like her herself, not just by having Daphné acting weird. And let’s talk about that last shot, where a group of people stood in the middle of a party in front of a mural, holding hands. Realism who? is what they said. I mean sure it was cute or whatever (why was Lucas crying, y’all are seeing each other next week, i-) but it did not have its place there. It felt like they really wanted that scene but didn’t know how to wrap the season nicely. Something felt really off to me. Then again, the entire second part of the season had me very confused, so maybe my perception is biased. Maybe I’ll love it on a future rewatch. All I can say is that it didn’t feel Skam like at all.

I don’t want to end this on a negative note, I mean I tried giving my opinion with somewhat coherent reasoning behind it because you can love something but still critique it, but I know negativity is a very easy train to get on, so let’s finish with the stuff that I loved this season.

Emma and Arthur’s relationship, I actually missed her and loved that they managed to seamlessly bring her into Arthur’s life, I was afraid she would be left behind because Manon isn’t there. 

Basile and Arthur’s friendship, it was honestly the highlight of my week a lot of times, they literally destroyed toxic masculinity.

Alexia in general, I was glad to see her be overall amazing, we love the bi rep. 

Lucas’s hair. Do I need to explain it?

Background Elu and Background Sofimane. We like happy couples. 

No Marles (I don’t hate them I just don’t care for them).

Episode 2, Clip 3. 

Camille watching the drama unfold in the background and being like 👀

The LSF lessons 

Melchior and Laura

Camille and Mika

Robin’s acting, he’s very talented, he made me care about Arthur.

Some other stuff that is not coming to me right now.

[calliecat93]

Top 5 Things I Disliked About Red vs Blue: Season 2

When I decided to do this series, I knew it was gonna be hard to do lists for Blood Gulch. Not because I can’t think of anything I like or dislike specifically, but as I said before, BGC is mainly comedic driven. The worst I can say is ‘this isn’t funny’ and critique the earlier production standards. Which that’s kinda mean since they were working with what they had and trying to learn to do the show. As such, I have to reach on Dislikes for these and S2 was a tough one in that regard. I managed to come up with five, but GOD I had to stretch haaaard on it.

But still, I did it. Just remember, take this with a grain of salt. So here we go, Top 5 Things I Disliked About RvB S2.

#5. Doc

If you asked me which of the BGC to write out and never bring back… I’d probably have to pick Doc. Don’t get me wrong, I don’t hate him, but I’ve also never loved him. He comes off more whiny than funny, and most of the time he’s only funny due to the back and forth with O’Malley. Otherwise, usually… he’s just there. Even here in S2, while having a pacifist medic in a cast where several are trigger happy could lead to some funny stuff, Doc was just an annoyance. The situations he got into were funny, like getting knocked into the Warthog when the Blues unknowingly made it go rogue, but he was literally just there for the ride. Something IDT later season really improved aside form 16 and 17, which tbh I think is stretching it.

IDK, I just find Doc whiny and kinda boring. Even if he’s meant to be the annoying, disrespected nice guy, doesn't Donut kinda fit that slot already? Heck, they both even have the recurring ‘disappear for seasons and then suddenly comes back’ joke. The only times that I feel invested in Doc is when he has O’Malley, which is how he re-entered the plot here. I’m gonna save more about that in the S3 posts, but on his own? Doc just… doesn’t really work and I didn’t really miss him in between the Reds dumping him and him reappearing when O’Malley infected him. It’s also a flaw IDT recent seasons have really fixed, though they are trying. Plus I don’t hate Doc and some jokes with him do work (the gag of his naming made me giggle), I'm just… indifferent. But that’s why he’s at the top of the list since the most I can say is I find him whiny and not as funny,

#4. The Cyborg Subplot

So due to losing Lopez and because he’s Sarge, Sarge decides to turn one of the Reds into a cyborg to do all the stuff that Lopez did. He settles on Simmons. Now in and of itself, the subplot is fine. It leads to a good few jokes, like Grif trying to ruin Simmons’ parts after the surgery or a few gags like Simmons shooting his own foot and of course, faxass. While IDT the season would have been hurt without it, it has plenty of funny bits. Sow hat’s the problem. Well… like I said, cutting it wouldn’t have hurt anything. It kinda is just there to give the Reds something to do during the O’Malley and Tex stuff since otherwise, they’d just be standing around and taking… well, more than normal. Otherwise, it’s only significance plot-wise is Tucker tuning into their frequency, which is important in the finale when he picks up Vic and Sarge’s conversation.

So yeah, the subplot isn’t all that important. But it is still funny, so I don't mind it being there. But nowadays… how much so we see this come up? I mean Grif got mutilated by a tank and got another guy’s body/organs haphazardly stitched on. Simmons, while he possibly gave up those parts to Grif willingly, was otherwise forcibly converted into a cyborg. This… hasn’t really come up again. I mean the only time I think Simmons mentioned it in-show was as a brief joke in S11. Nine seasons later. I don’t think Grif’s side of it has come up at all ever again. Though… considering you can only get so many jokes out of this setup since everyone is always in armor, I do understand why. Though I feel with Simmons’ side at least, they could play with it some more, both comedically and maybe even storywise. But that may be my need for Simmons content talking…

So yeah, the subplot was okay. It’s at Number Four since I don’t hate it and it was funny. I just feel like nothing would be lost without it, especially since it pretty much never comes up again. Maybe one day though, who knows? At least the fanfic writers keep it alive XD

#3. The Caboose Forgetting Church Thing

Okay this is brief, but it does annoy me. During the whole trip into Caboose’s mind, Caboose’s memory of Church gets shot. As such, Caboose forgets who Church is. Makes sense, O’Malley killed the personification of Church in Caboose’s mind, so his mind would forget it. It also explains why Caboose got, well… for lack of a better way to put it, intellectually challenged later on due to having three AI’s in his brain and all the chaos that broke out. But Caboose forgetting Church lasts like… one episode? Maybe two? Anyways, Burnie explained on the commentary that it was just too hard to write out so they did one joke with it, and then just dropped it. Probably for the best... but then we have to figure out how this works in-continuity... damn it.

Really this is only on here because it forces me to try to figure out how this is possible in a show sense. Which yeah I probably don’t need to, but I am a continuity loser who tries to piece together these things. If I had to guess, maybe the memory of Church fixed itself somehow or Caboose was able to recall after being around Church for a little while. But I honestly really don’t know, and trying to think it through hurts my brain. It also did little to nothing either story-wise or comedy-wise, at least we got a few jokes out of the cyborg subplot. IDK, I feel like they gave up on it too soon. But then again this is the saga where they’ll break/ignore continuity for the sake of a joke and that’s just how these seasons worked. Hence why I put it smack-dab in the middle.

#2. Some Holdover S1 Issues

You can tell that there was a mass improvement in terms of production for Season Two. Pacing felt stronger, more was going on, characterizations began to settle in, and they even began to form more of a plot. They clearly had a much better idea of what they were doing now that they got through Season One and I think things like Matt becoming more involved in writing and production as well as Gus moving back to work on the show really helped as well. That being said, not everything got resolved. Most did, but there are still a few holdouts.

Audio mixing is a LOT better, especially when it comes to effects. The filter is still a little distracting, though better compared to S1. Not all the characterizations really set in. Grif and Donut are about 75% there and Simmons and Tucker are probably the least set in stone. The traits are there, like Simmons clinginess to Sarge and Tucker actually showing some competence when forced to, but nothing set in stone. Donut’s also on the right path with his hobbies and tendency to babble into TMI territory, but the voice is still off and his personality isn’t quite there yet. There’s some other, but I’ll touch on it in the Likes list. Some jokes could also still drag, like the whole switch joke where some of Church and Tucker’s back and forth went on a little too long.

We’re clearly making progress, but the mark hasn’t quite been hit. It’s still an improvement over S1 though, the pacing especially. This is nitpicky, but still it’s there. But hey it’s progress, and that is never a bad thing. So yeah, RvB is still evolving here, but the progress bar is loading steadily and trust me, by S3 I think we’ll be settled in… well, for the most part.

#1. Some Outdated Humor

The BGC was made from 2003 to 2007. Obviously, there’s gonna be some stuff that is outdated. Take the graphics themselves for example. Halo has evolved, so the game can look a little outdated, especially when you compare the original footage to the remastered footage. Let's put it this way, VIC is uncanny in the remaster… and is utterly horrifying in the original version. Thank God that the DVD is the remaster and I was spared of looking at that monstrosity. Visuals aren’t the only thing though, some pop culture references can also come off as outdated, like Creed joke in the RL vs Internet PSA. So can some of the humor that shows how stupid we were back only two decades ago.

There are… some jokes that are uncomfortable to listen to. For example, there’s the Grif shaming himself joked by saying he’s a girl and likes ribbons in his hair. It’s not the worst joke and clearly, it isn’t made to offend… but nowadays I think it could look offensive to certain individuals. It didn’t necessarily offend me, but it did kinda make me feel uncomfortable when I first watched it, but it could be me thinking it over too hard. There’s also the casual usage of the R word. Last season it came up a bit, but I noticed it came up more frequently here. Not excessively, but there were quite a few instances where it was treated as a casual curse word. Obviously back in 2004 we didn’t realize this was an offensive term, and I think they’ve even said that they regret the casual usage of it during the early years. You certainly would probably not hear that word used unless maybe to emphasize how terrible a character is, but even then I think they’d be more careful.

Now obviously RvB uses a lot of adult and offensive humor, especially in this era. I guess you can kinda call it the web version of South Park, only RvB has never really resorted to shock humor. It puts it above many, /many/ animated adult comedies in that regard. Still, when you run for this long, you’re gonna have some outdated elements. It’s not necessarily their fault, it just shows that times has changed. Still, it does make some stuff hard to look back on without cringing, and I imagine that the Founders would agree. So yeah… there’s just some stuff that wasn't fun to look back over and S2 isn’t the only offender, but this was where it stood out to me and took me out of the moment. As such, it is Number One.

(Top 5 Likes)

[myheartisbro-ken]

Hi! 💙 I hope your are doing well. Congrats on the article. The reading will probably be okay. Are you a fast or slow reader? I read rather slowly, especially if I'm enjoying what I'm reading. It sticks with me better that way, but it takes me longer to do things. 😅 My semester ends next week, then have finals period. l'm taking Summer courses tho to get ahead. I get what you mean. I don't party, but around TH and F there's a certain restlessness about some of the students to drink/part. (Pt 1)

Ugh, I hate group work. 😐 Best of luck to you. Maybe your for a decent group. Anyway, I prefer morning courses. I get up at an obnoxiously early time to attend though. I’m fine with it though because it lets me take my courses in a block with out breaks, so once I’m done, I’ll be done for the day. 😥 Probably an unpopular schedule though. Oh, so My Immortal can actually be constructive to writers. That makes sense. It’s what a writer shouldn’t ever do. About JK, I think it’s an attempt (pt 2)(pt 3) Lowkey don’t recall my train of thought..Anyway, wow, I definitely agree with your statements about Lena knowing Kara’s dual identity. Snapper knowing wouldn’t help anything, since he’s too minor a character to do anything useful with information. Lena knowing would create more depth, tension, plot possibilities etc., which is why’d it would be a shame for her to be left in the dark. Also, I feel her not knowing (or at least theorizing Kara’s supergirl) is ooc. I suppose the writers– –haven’t had an issue with that based on what they’ve done to Alex. :-/ Hmph. I’m still so annoyed about that. Partially, because I’m a SuperCorp shipper, but mainly because it’s an insult to Alex’s personality to force her to advocate on Mon El’s behalf. Who was your favorite character from S1, btw? I’d probably go with Kara, but for S2 it’s definitely Lena. Anyway, yes Lena looks so amazing in the trailer! Heh, I intended it to be a soft FMK…I was going to make it all Katie, but wasn’t–(4)–words, words, something, but wasn’t going to be that cruel to you. (Hopefully that fit with my previous thing). Smh, you’ve no qualms though do you? ;-) I’m kidding. Your answers were well thought out…even though you didn’t kill anyone. I can’t blame you though. I don’t think Red K! Kara is all that bad, but she’s definitely intimidating, so is Kate. Anyway, let’s see FMK: Lena, Morgana,and Kate… :-/ 3 M'kay, that’s hard, especially since I love them all and ship SuperCorp. (5 TBC)–words, words, something, but wasn’t going to be that cruel to you. (Hopefully that fit with my previous thing). Smh, you’ve no qualms though do you? ;-) I’m kidding. Your answers were well thought out…even though you didn’t kill anyone. I can’t blame you though. I don’t think Red K! Kara is all that bad, but she’s definitely intimidating, so is Kate. Anyway, let’s see FMK: Lena, Morgana,and Kate… :-/ 3 M'kay, that’s hard, especially since I love them all and ship SuperCorp. (5 TBC)(6) Uh, let’s see. I’m going to assume they are all brought to current times, so the 21st century. I would marry Morgana. You know what? I’d marry Morgana S1 or S5 because I’ve so many emotions for her and what she went through. I’d want her to know someone would be on (*cough* and by *cough*) her side. Also, she has magic that’s cool, but not the point. I don’t really want Supergirl to kill me or be sad. I wouldn’t kill Lena as of now; she’s not done anything wrong. Also, her company is (TBC)(8?) So, yes: M:Morgana, F: Lena, K: Kate. Hmm, I see yours and raise you: FMK: Lucy, she’s a vampire now but has some control over it | Kara Danvers, more so S1 in personality, but she’s still elects to become a reporter and encourages you | Lena, before she met Kara and is still learning to be a CEO…I guess that’s a younger!Lena? Idk. Okay, that should work. I hope you have a good day and night. Do you read comics? I don’t, but was curious if you did. U seem to know some lore. :-)

Heyyy! I’m not so sure I’m a fast or slow reader, it depends on my state of mind, if I take my meds and external interruptions. Usually I can read pretty fast if it’s something I’m interested in but I tend to miss things and have to read it again, with school things I’m the worst. I still have things from last year that I never got around to read and one of them was about superman (I miss studying cinema because we could have an entire class about superman and co and then write fanfiction of the world as an activity). We don’t have summer classes here, that sounds interesting, it’d be nice to get ahead, also it’s about to be winter here so after July we’ll get maybe a month off and then it’s back to being unresponsible adults. I’ve nothing against drinking and partying, I like drinking (parties are usually weird but sometimes it’s cool) but don’t freaking leave class to do it, go after the class, how disrespectful is it to leave the poor teacher there waiting 20 minutes to see if the rest of the class will show up or they’ll have to do with six or seven people? Also you pay over 1.000 bucks a month to study and you don’t give a shit about being in class? it’s throwing money away and it’s disrespectful to whoever is paying school, even if that someone is yourself. I’m not those kids that say you should only do what’s right and never skip class never drink or do anything because you have to study instead of throwing your life away. But school is expensive and respect is something you should have for everyone (unless someone is a jerk, because it’s not murder if the person is a jerk…jk)

I never liked studying in the mornings but it’s sort of better, however, my classes only exist at night, there is morning journalism classes, but it’s in another neighborhood and we have to cross the bridge and there’s no cool campus. I like my campus.

group projects are the worst. They end friendships, they end marriages, they end happiness, they lead to murder… it’s never fun. I always imagine that scene with the guy getting pizza and coming back to the place on fire and people bleeding, or that one from Mean Girls with the fighting over Aaron Samuels in animal style. Those are the only representations of group projects that are realistic.

I love how you just started to talk about JK, had two words in and

Honestly Alex has been so ooc this season it’s almost sad. No offense to Sanvers, but I think even that relationship is a bit ooc. Not the fact that there is a relationship but how it is being handled. Not gonna go into it cuz I don’t want to rant here. but I would ship Sanvers if they had put a bit more of effort into getting them together not ‘I don’t want a baby gay rn, so let’s be friends. PSYCHE I just got shot in the most harmless area of my entire body, let's make out!’

The same Alex that thought James wasn’t good enough for Kara and decked Maxwell Lord for existing would never make excuses for someone that is basically the dumb alien version of Lord with worse hair and more aggression and more pretending to be a #goodguy who’s just trying so hard and changed because after 9 months on earth as a grown man he decided to read a book, feed himself and clean his own mess… or pretend to clean his own mess while Kara actually does it and he just sits there and says she’s annoying because she doesn’t want to run away from her problems. (hey look, ranting… she said with surprise in her voice for some reason)

My favorite character was definitely Cat… and Kara. Both at the same time, I can’t choose between them, please don’t make me. and now it’s Lena… and still Kara even though she’s basically dead inside and that girl who cries because her boyfriend is moving away and it will destroy her life because that person she knows nothing about and met 9 months ago when he tried to kill her and has been lying to her and shoving her self-esteem down ever since is apparently the most important person in her life and she can’t live without him. he cooked her breakfast so he can’t move away and face his responsibilities, she’s the best thing he’s ever known, not person, thing. That woman in the best thing… god, this is so gross I cannot continue even to joke about this. so yeah, Kara is SUPER ooc this season, but I still love her and have faith she will recover from this terrible illness and come back to us, I miss her.

Yes! I would totally still marry Morgana even season 5 Morgana. poor thing just needs a hug and a friend to tell her she’s not a monster for being born different. I might start crying now so I’ll change topics. 

Definitely Marry Kara, no questions asked. Fuck Lena because, I mean, just look at her. And Kill Lucy, my poor bby, but she’s a vampire so she has to go, control or not, ‘vegetarian’ vampires are dumb.

I do read comics, not as much as I’d like, but I also watched all of the DC cartoons (minus Legion because it looks dumb) most of Smallville and Lois & Clark and when I want to know some more I read about the storylines and all, like even when I don’t read the comic itself, I read about the comic. I won’t say I know all about everything, but I can hold my ground, I guess, I’m also not above admitting I don’t know/haven’t read enough about one subject/character and reading about that on one of the sites I trust. Also watched a lot of Marvel cartoons and most of the movies aaaand I read a lot of Marvel comics, specially Balck Widow, Hawkeye, and Young Avengers.

Did you watch any superhero cartoons? They were a pretty big deal in the 90′s and early 2000′s.

Hope you have a great day and night 💙😊