#By being made into an artificial beast man (bear edition)

[azol-otl]

DVD commentary about half footJason. He's such a little guy but God I love him.

Anything, brujay/royjay/jaydick, please tell me more about his relationships.

Ahhh Jaysun (half-foot Jason) my incredibly unwell little guy. For those who don't know, I have two fics about a dcu and dungeon meshi fusion (shameless self plug). There's a lot of words so...whoops lol.

So the thing about the Dungeon Meshi universe, is that when you put in dc, the subtext involving classism, racism and such that the author's don't think about/unwittingly put in becomes straight text. And in that it can lead to a lot of unfortunate implications becoming very...straight up there. And I'll openly admit that I'm pretty biased against Bruce so it won't be kind to him.

Jaysun (Jay + Sun to fit with the half-foot naming convention), was created when I started looking more into the lore of Dungeon Meshi. With half-foots known as thieves, liars, and shady overall and the general populace not even thinking twice about exploiting them or seeing them as the bottom of the hierarchy, it reads a lot like how dc makes heroes view criminals and poverty (if they aren't infantalizing the poor which is also a thing that the setting does to half-foots). And unlike "demi-humans" they're part of overall mainstream society instead of something separate (and not considered human). Which to me felt like a perfect fit for Jason both as Robin and as an adult because it's a life that Bruce wouldn't even be able to fathom. Alongside that, with a lower life expectancy, Bruce's patronizing attitude (and that of everyone else) is only aggravated and increased towards Jaysun.

Meanwhile Bruce, to me, has to be in a position of privilege and wealth for his whole thing to work. A lot of his flaws and skills comes from that disconnect. And in Dungeon Meshi, the most privileged are Elves and Dwarves. And for Bruce I chose the latter as it fits more in his image of masculinity as well as his focus on technology and combat (and Bruce with magic is just, why are you even using Bruce at that point when his whole shtick is baseline human fighting crime/things way above his weight class). Add into that half-foor culture idolizing (or at least seeing as something to strive for) dwarves and their culture, it just made for a really messy situation when Bruce adopts Jaysun.

But the thing is, Jaysun being adopted at 12 going on 13 is different than Jason being adopted at that age because a half-foot is considered a full adult by age 14 and even then we see people under that age doing things we'd connect to "adulthood" (i.e. Chilchuck was a father of two by the time he was fourteen). It leads to a messy situation where Jaysun already feels and considers himself an adult (which Jason does in the comics as well, and is something Bruce straight up says to Gordon because of Jason's experiences despite the guy barely being a teenager). This leads to a Mia-esque situation where Jaysun falls for Bruce in a romantic and sexual sense since he is, by all accounts, soon an adult (he still dies at the same age)(Mia did have short lived crushes on Ollie and later Connor and Roy and it is something normal that happens to older foster kids. Repeat, this is normal and those feelings later morph into something different in most cases.) This is something that Bruce never even considers about because dwarves aren't adults until they're 40 (which means to Bruce even Dick who is an adult man by tall-men standards, is still a kid and this was a major wedge between them as Bruce simply didn't internalize the differences between them).

It also leads to major imposter syndrome in Jaysun as he sees himself as a replacement for Dick (which Jason also does), but in this case it's one who's even easier to control and treat like a pet. Is he right? Only sorta. Bruce probably doesn't mean to do so, but it's in the same way Senshi and Marcille still haven't understood the way they treat their friends (see: Marcille and Falin).

A load of stuff happens between Jaysun's death and him leaving Gotham for Melini (for reasons I still gotta write about 😅)

For relationships:

Jaysun -> Roy: Roy is probably the person Jaysun trusts the most. Roy, as someone from the Western Continent, has had his fair share of experiences close to Jaysun's involving the perception against him as well as experiences being dropped by loved ones even if they have, for the most part, reconciled. Roy is one of the five (him, Kori, Bizarro, Artemis, Talia) people that knows Jaysun's ability to use magic despite his race's infamous lack of skill and capability with it. He doesn't know the reason WHY, but he knows when to push and when not to. Jaysun and Roy are regulars in dungeon parties that the other leads or are a part of. Jaysun meanwhile is someone who will have to be torn apart from Roy because they both have attachment issues worse than Jaysun's self image, self harm, and fear of abandonment issues (which Roy does share). Most of these will take a lot of work to handle but considering Jaysun's stuck on light to no work for the next few months (the actual canon dungeon meshi story), I have faith in them.

Jaysun -> Dick: So so so so many Bruce issues holy shit. As much as Dick and Jaysun don't want to admit it, both have a load of similar experiences as not being seen as a person with agency caused by being raised by a long lived race when both of them are short lived ones (Dick being a tall-man). This is something that's touched upon with Kabru in Dungeon Meshi, but his foster mother was different beast from Bruce though both have absolutely caused issues in their kids. At the same time Jaysun having been taken in second, resents Dick for having a closer place to Bruce while Jaysun feels like he was more of a pet than a son (both part of the family but not equal in it). Meanwhile Dick dislikes Jaysun's overall demeanor and holds what he did in Gotham against him (which, fair) even if in the end both of them are in the same place (away from Bruce, not thought of completely as people by the man they devoted a large chunk of their lives to (most of his life in Dick's case as at 30 he's reached the halfway point for tall-men), and floundering to find footing despite their supports networks (Dick was part of a dungeoneering group called the Titans which are about as close as you can get to celebrity status for their kind of work). Also unlike Jaysun, Dick hasn't accepted his own attraction to Bruce who despite the over twenty years he's known Dick, has changed little while Dick has become a man grown. They had sex once in the dungeon that was ill-advised and hurt both of them and probably have it a few more times specifically for those reasons until they start seeing one another on more equal terms (if that ever happens). Tldr; the spectre of Bruce haunts them.

[adarkrainbow]

Most people know Joseph Jacobs for his work of collecting and putting in a literary form the traditional fairy tales of England - he is the man that made famous tales such as Goldilocks and the Three Bears, The Three Little Pigs, Jack and the Beanstalk, Tattercoats, The Buried Moon, and many others.

But what people tend to not know is that he was also the author of a very particular book called “European Folk and Fairy Tales” - sometimes shortened as Europa’s Fairy Book (in reference to the Fairy Books of Andrew Lang). Remember what I said before about the folklorist vs literary theories when it came to fairy tales? Well Joseph Jacobs lived in the full “folkloric fairytale” movement, fashion and study, and one of the main beliefs of this movement was that, beyond all the local and regional variations of a fairy tale, at the root of these similarly “cousin tales” found in numerous countries and eras, for each “fairy tale type”, there was an “ancestor-tale”. A “first” tale, a “primitive” tale, an “original” tale from which all the variants were born - a common ancestor that gave birth to all the different variations that formed together a “type”. It was the theory of evolution if you want, with each individual belonging to a larger group of species all coming from a common ancestor. 

And Joseph Jacobs, working on this theory and belief, decided to create his European Folk and Fairy Tales book. After collecting as many variants and variations of some fairy tale types across as much European countries as he could, he compared them, studied them, and tried to re-create the “original tale”, the “ancestor-fairytale”, the “original Europan story”. The result of this work was his “European Folk and Fairy Tales” book, a book contaned the supposed and believed reconstructed “original” tales that formed the “primordial” group of fairytales from which the ones collected by Grimm,  Asbjørnsen and Moe, Jacobs himself and others came from. 

Of course, this being a purely folklorist work that tried to ignore as much as it could all the literary side of fairytale history (for example Jacobs removed the fairy godmother from his Cinderella reconstruction due to it being an invention of Perrault), and a work of 1916 that was created with the resources and perceptions of the time, this is not at all considered to be a true scholar work today, and it mostly fell into obscurity as an entertaining project and an interesting piece of fairytale history. But it shouldn’t be forgotten by any means, since this book reflects the beliefs and theories of the folklorists and fairy tale critics of the 1910s Western Europe, and even today on the Internet you will see several illustrations created for this specific book reused for other fairytales (I was surprised to discover that a recurring illustration of Hansel and Gretel I saw everywhere was actually created for Jacobs’ reconstruction-tale). 

So if you ever want to check Jacobs’ Europa’s Fairy Book, you’ll find in it...

... The proto-”Snow White” fairytale, simply titled Snowwhite

... The proto-”Cinderella” story, Cinder-Maids

... “Beauty and the Beast”, which as you can guess is the reconstruction of the “original Beauty and the Beast”

... Thumbkin, the supposed “ancestor” of the Tom Thumb tales.

... The Unseen Bridegroom, the artificial ancestor of all “Cupid and Psyche” type of fairytales

... Johnnie and Grizzle, a synthesis of all Europan “Hansel and Gretel” stories

... The Earl of Cattenborough, the proto-”Puss in Boots”.

And many more artificial but fascinating wonders! 

(Though don’t get me wrong - I do not use “artificial” in a pejorative way. Many fairytales we know today are “artificial” in the eyes of folklorists - all literary fairytales for example, from Perrault to Andersen, are demmed “artificial” by their literary nature ; and even the folklorists have to admit that some of their own created artificial tales, such as those born of the Grimm’s editing of the collected folktales. So, considering all that, while Jacobs’ reconstruction are certainly not THE actual proto-fairytales - if such a thing even exists - it is not because they are artificial that they are less to be considered than literary works or the edited final Grimm stories)