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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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munsonsmixtapes · 2 days ago

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hii i love your writing soo much your so talented!! could you write eddie and reader fake dating (their both best friends btw) and their doing this because it was eddie’s idea to make chrissy jealous but secretly the reader is in love with eddie and when eddie finally gets with chrissy the reader distance her self from eddie and eddie realizes that chrissy’s not what he expected and at the end eddie and reader gets together it’s a bit long sorryyy thank youuu🫶🫶🫶🫶

cw: hurt/comfort

You won't lie, you've been crushing on Eddie since long before you even became friends. So when he suggests that the two of you fake date, you jump at the chance, because if you can't actually date him at least, you'll know what it's like.

He's doing it to get Chrissy's attention and you can't even be mad at him because Chrissy is sweet and pretty and you unfortunately totally understand the appeal. And the worse part of it all, you think, is that they would actually look so cute together.

You always see them giggling in the hall and you don't even know why Eddie needs you. You wish he would leave you out of it, but you agree because he's your best friend and you're madly in love with him. You'll do anything for him and you're surprised that he doesn't ever use that to advantage. That man has you wrapped around his finger and he's so totally oblivious to it.

The whole thing is pathetic, actually. Because after the whole arrangement is over, Eddie will hopefully have a girlfriend, but what do you get? The satisfactory of a job well done? That doesn't exactly seem fair to you, but you suppose it's what you deserve for being a coward and not telling Eddie how felt when you had a chance.

"Act like you love me. She's coming," Eddie commands, pulling you out of your thoughts. Little does he know that you're not acting.

He grabs hold of your waist and pulls you closer to him, whispering compliments to you as he plays with your hair. And you hate how much you're eating it up because absolutely none of it real. You think he should be an actor because the way he's speaking sounds so genuine that you almost believed him at first.

Out of the corner of your eye, you see Chrissy approaching the two of you, her signature bright smile on her face and Eddie's totally going to blow the whole thing because of how obvious he is. The way he looks at her as if she's hung the moon is borderline pathetic.

"Hey guys," she greets and you turn to her, not even having to fake your smile because you actually genuinely like Chrissy. She's nothing but a sweetheart and she's one of the few girls at school that you would consider one of your friends.

"Hey," you smile back.

"I'm having a party tomorrow night and I was wondering if you guys wanted to come," she says and you have to be the one to reply since Eddie seems to be hypnotized by the girl.

"We'll be there," you tell her and her smile brightens.

"Perfect," she nods and then heads down the hallway. As soon as she's out of earshot, you turn to Eddie, smacking him on the shoulder.

"Ow," he winces, turning to glare at you. "What was that for?"

"Could you be any more obvious? I swore I could see you drooling."

"I wasn't drooling," his eyes narrow even more.

"Well you might as well have been. Come over tonight because clearly we have a lot to practice." Eddie rolls his eyes but agrees, especially because he always ends up at your house almost every night anyway.

You pace back and forth in your room, feeling nervous to see Eddie for the first time in your life. You can't believe you actually suggested that you practice. You don't exactly know what you meant but that, but all you cant think about now is roleplaying being a couple and that makes you anxious for some reason.

The door to your room opens and there Eddie is, looking like he walked straight out of your dreams and you honestly can't seem to pull your eyes from him. You hope that he doesn't notice, but also know Eddie's always so caught up in his own head that he doesn't notice little things like that.

"So," he sighs as he sits down on your bed and you hate how you're imagining yourself straddling his laps, kissing him stupid, only stopping so you both can catch your breath before going in for more. You know it won't happen, but a girl can dream.

You sit next to him and even though you've sat this close more times than you can count, your heart is suddenly pounding in your chest and you really hope that Eddie can't hear it.

"What did you want to practice?" He asks and you wonder when his face got so close to yours. You can see every single detail on his face, those damn Bambi eyes and his pretty lashes that he can bat and get you to do anything he asks. His pretty, pink lips that you so desperately want to kiss. His hair that you're itching to run your fingers through.

"Let's roleplay," you reply, thinking on the spot since you didn't actually plan anything out and were just pulling things out of your ass.

"Roleplay?" He asks then a smirk plays on his lips. "Kinky, I like it," he winks and you feel your face flush. He always knows what to say to embarrass you and you hate it.

"Shut up," you shove his shoulder. "You know that's not what I mean."

"Relax, babe. I'm not kink shaming if that's what you're thinking."

"Can you be serious for once in your life?"

"Sorry, sorry," he apologizes as his face softens. "I was just trying to lighten the mood since you seem so tense. What's got you so worked up?"

You, you want to tell him. You're so close to laying it all out on the table and tell him the truth. That thinking about him being with Chrissy is breaking your heart and that you're the one he should be with. But you know you have no right to tell him who he should or shouldn't date, so you stay quiet.

Eddie can see that you're staring at his lips and he just smiles at you, finally catching onto why you invited him over. He's surprised he didn't see it sooner. He kind of feels like an idiot for not catching on as quickly as he should have.

"I see what this is about," he smirks knowingly and he can't help but chuckle when he sees your eyes bug out.

"You do?" You ask with a gulp and he doesn't know why you're so nervous. It's just a kiss and nothing else.

"Of course." He's laughing now and you want the floor to swallow you whole. "You think we should practice kissing."

That's not at all what you had in mind, but there's no way you can tell him he was wrong. And you're also not going to miss an opportunity to kiss him.

"And I agree," he nods, leaning even closer, this closest he's ever been to you that doesn't include cuddling.

He slowly reaches up to cup your cheek, gently rubbing along it with his thumb as his eyes bore into yours. Your heart pounds in your chest as you lean closer to him. your eyes fluttering closed as you do so.

"Tell if I do something you don't like," he says softly and you almost shiver as you feel his breath fan across your lips. All you can do is nod and you feel him keep your head steady as he cradles your head in his hands.

Eddie's lips capture yours and your hands rest on his thighs, scooting closer to him as your brain short circuits. You can't believe that this is happening, and the thing is, you don't even care if it's not real. You're just so caught up in him that it doesn't even matter.

He pulls away before you're ready and you can't help but stare down at his kiss bitten lips, deciding that you could do that for hours and never get bored of how his hands and mouth are so gentle with you.

But you want him to be a little more rough. You want him to stick his tongue into your mouth, to nip at your bottom lip, to give you a hickey that's damn near impossible to cover up with make up.

Eddie wants to stop there before he gets carried away, but he can see how hungry you are for more. You look like you want to devour him and who's he to tell you no?

"I think we should practice a little more," he says and you're nodding enthusiastically.

"I agree," you continue to nod and Eddie smiles as he leans in again, more rough this time and he can't help but notice how your fingers are digging into his skin through his jeans.

His hands move to your neck and his thumbs rest on your jaw, tilting your head back as he licks into your mouth, his tongue tangling with yours and in one swift motion, he moves you so that you're straddling his waist. Your hands are in his hair and if it goes any farther, you'll be at the point of no return.

Eddie's hand move down to your waist and slowly travel up your shirt, but they stop, resting on the small of your back, deciding not to go any higher even though he really wants to. He has to remind himself that it's just kissing and nothing more.

You both pull away when you're out of breath and in that moment, Eddie's not thinking about Chrissy at all. He's thinking about you and how pretty and sweet you are. And how he wants to spend the rest of the night right there, kissing you until the early hours of the morning then cuddling in your bed, fully intending on staying there for the rest of the day watching cartoons and kissing even more because now he's addicted to the feeling of your lips on his.

"I could do that for hours," he tells you, his pupils blown. His hands are out from under your shirt and they're rubbing up and down your back so gently.

He has to know what he's doing to you, right? How he's hurting you because you think you've been so obvious about your feelings for him and now it feels like he's toying with you. But you know Eddie would never do that and it's clear that he has no idea how much you're in love with him because he's oblivious to everything in that department.

He’s looking at you like you look at him and Eddie doesn’t know what he’s feeling but it’s odd. He thinks he’s starting to see you as more than a friend, which was honestly a long time coming. He thinks he’s always been in love with you but was too scared to admit it to himself because one, you’re his best friend, and also because he’s not used to people reciprocating his feelings so he doesn’t think there’s a point in telling you the truth.

He wants to run, but he stays and you let him wear a t-shirt that he’s left there and the two of you go to bed wrapped up in each other’s arms, talking about everything and nothing until you eventually fall asleep, the two of you knowing that your friendship is never going to be the same.

“How do I look?” You ask as you emerge from the bathroom. You’re wearing a black party dress and as soon as Eddie sees you, he swears that he’s died and gone to heaven. But if he’s being honest, he doesn’t even want to go to the party anymore. He just wants to stay there and maybe kiss you some more. Okay, definitely kiss you some more. But you seem so excited so he’s going to go just for you.

“You look-” he cuts himself, trying to come up with what adjective he wants to use. “Fucking amazing,” he decides on as he takes you by the hands, pulling you to him as he presses a kiss to your lips.

“Eddie,” you say as you pull away. “There’s no one around so you don’t have to pretend.”

“Who says I’m pretending?” He smiles, pulling you in for another kiss before he lets go of you so you can finish getting ready. He doesn’t even know if he’s interested in Chrissy anymore, but he’s trying to convince himself that he is because it’s easier that way. If the two of you were to get together and then break up, he doesn’t know what he’d do if he lost you. You’re the most important person in his life and he wants you to stay in it forever.

So the two of you show up to the party hand in hand, making sure to be all flirty around Chrissy. You still don’t know why you’re doing this. Why couldn't he just ask her out instead of talking you into this elaborate scheme? It’s not only unfair to Chrissy, it’s also unfair to you. It doesn’t even seem to be working as she flirts with Jason over by the punch table.

Everything shifts, though, when Chrissy announces that it’s time to play “Spin the Bottle”. Your stomach churns as Eddie pulls you over, forcing you to sit right next to him even if it means that he probably won’t get to kiss you. He wants to keep you by his side the entire night, not wanting to let you out of his sight.

You feel so sick as the game starts and it’s Eddie’s turn to spin the bottle. You almost don’t want to watch, but you can’t draw attention to yourself so you watch the bottle spin round and round. It seems that the universe has a sick sense of humor because it lands on Chrissy. Of fucking course. Eddie crawls over to her and you can see them whispering about something, smiling at each other before they both go in for a kiss.

You don’t stay and watch, physically unable to as you rise to your feet, hurrying to the bathroom because there’s no way you can be there anymore. You tried to be happy for Eddie, you really did. And you hate yourself for feeling so hurt and betrayed because all of it was fake and Eddie still has no idea that you’re in love with him.

So you lock the door and sink to the floor, leaning against the tub as you bring your knees to your chest, crying into them, thankful that the loud music is drowning out your sobs. There’s a knock on the door before whoever is on the other side wiggles the door knob. God, could this night get any worse?

“It’s occupied,” you say through sobs but your ears perk up at the familiar voice.

“Baby, it’s me. Can you open up?” It’s Eddie. Why’s he at the door? You figured he’d be making out with Chrissy somewhere. You ignore him, not wanting him to see you like that and bury your face back into your knees, more sobs raking through you.

“Honey?” He asks, his voice nothing but soft as he knocks on the door lightly. You get on your knees to unlock the door then turn away, not wanting him to see how horrible you probably look. But he gets on his knees in front of you anyway, his smile falling as he sees the mascara tears dried on your cheeks. “Oh, baby,” is all he says, so much sympathy in his voice as he reaches up and wipes away makeup from your face.”What’s with the tears, hm?” He asks, his thumbs rubbing back and forth across your cheeks.

“It’s nothing. It’s…stupid.”

“If you’re upset about it, then it’s not stupid.”

Eddie being so nice to you is making it really hard to be mad at him. You want to, but you can’t. And you know that you have no real right to be mad at him anyway. He has every right to be with Chrissy and you just have to be okay with that.

“Why are you even here? You got Chrissy so why aren’t you with her? That was the whole point of this whole thing, right?”

“It was,” he nods. “But last night made me realize something.”

“Yeah? And what’s that?”

“It made me realize that you’re the only one I want to kiss.”

You freeze as soon as the words leave his mouth. There’s no way you heard that right. Your mind is just playing tricks on you. It has to be.

“But-” you try to argue, but you just end up furrowing your eyebrows in confusion.

“I know it doesn’t make sense,” he chuckles. “But I think I’ve always been in love with you and I was just so scared of losing you that I didn’t want to pursue it. What you saw was Chrissy and I just playing the game.”

“Then what did you say to her before? I saw you whispering.”

“She told me not to screw things up with you. Someone told her about you and I fake dating in order to get her attention and she said that she was flattered. And that was when I realized that I didn’t want her anymore. All I could think about was you. And she’s with Jason now so it’s not like it matters anyway.”

This all feels like a surreal dream, but you can feel Eddie’s hands on your cheeks so there’s no way that it can be. It’s real. It’s what you’ve been wanting for so long and now you have it. All you have to do is tell him you feel the same way and that will be that.

“Because I love you, y/n. I want you and only you. I’m…I’m yours if you’ll have me.”

“You love me?” You ask, your mind still not grasping what’s going on.

“More than you’ll ever know, baby,” he says as he goes in for a kiss, pulling you into his lap as his arms wrap around you so tight as he doesn’t plan on letting you go. You’re his now and you will continue to be until you take your last breaths. And that’s exactly how you want it.

#stranger things #eddie munson #eddie munson x reader #eddie x y/n #eddie munson x you #eddie munson fluff #eddie munson x fem!reader

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dreamsteddie · 2 days ago

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AITA Steddie Au Part Three

Part Two

Hello! Sorry for the delay! This week was very busy with student conferences and my own midterms so I haven't had a lot of time to work on this. This is more of an interlude building up to bigger things, but I hope you enjoy it!

Also! Get in the comments if you have any ideas of an actual name for this series so I can stop calling it AITA Steeddie Au. I can't think of anything good 😓

------

Eddie takes Steve on that second date.

And then a third and a fourth and eventually he stops counting because he's seeing Steve as often as he can between their jobs and other responsibilities. He feels high off it, giddy with possibility and hope for this new thing that he's never had before.

Eddie has done relationships before, a couple of times. A small handful of boys and girls he took out on dates and tried his best to woo all went up in flames one way or another, but none of those relationships left him feeling so gone so fast. He felt like he was always holding himself back from giving himself up completely, too afraid of falling without a safety net to reach for that deep devotion he's always craved.

Steve makes him feel like they're plunging into that unknown together.

Still, no matter how much he's been trying to avoid it, the looming specter of what the hell to do about his friends is looming over his head.

------

"Are you fucking serious right now dude?" Eddie asks, a complicated mix of righteous anger, humiliation for himself and Steve, and complete disbelief at Gareth's unwillingness to back down from this making it increasingly difficult to keep his cool.

"Look man, all I'm saying is that Steve is like, the complete antithesis of literally everything we stand for. He's a nepo baby business major who's never had an original thought in his life! I would know! I've read one of his papers." Gareth says, forced nonchalance coloring his tone and riling Eddie up even more.

He rears up, shoulders pushing back and hands grasping at the air like he could pull down his frustration from the either and condense it into a solid ball he could lob at Garteth's head to finally knock some goddamn sense into his brain.

"Hey, hey, hey. Okay, Eddie, I'm really sorry about this. It was a fucked up idea, I don't know what we were thinking." Jeff interveins before the frustrated banshy noises Eddie is letting out turn into another yelling match that won't get anyone anywhere.

"I think we just got too caught up wanting to help you get out of this rut and it all turned into something completely insane. You don't gotta forgive us Eddie, but if there's anything we can do to try and make up for it, we'll do it. Isn't that right Gareth?" Jeff pointedly asked with a look that says agree with me right now or else.

Gareth doesn't say anything.

The thing about all of this that Eddie just can't wrap his head around is the why. Why would his friends, his sheepies, do something so cruel? He knows none of them have ever looked kindly at people like Steve. Too many traumatizing high school humiliations behind them all to trust when someone who looks so much like all the guys who bullied them in high school tries to reach out, but Gareth and Jeff have never tried something like this. In fact, it's used to be Eddie doing most of the anti-jock revenge planning back in the day, even if nothing ever actually came from it.

He thought, incorrectly it seems, that they had grown out of the worst of it by now. It's been three years since Garteth graduated, and five since Eddie made his final attempt, and leaving their hometown behind did a lot to heal old hurts.

So why this? Why now?

"Is this seriously how it's going to be man? You won't tell me what the fuck any of this was really about and you're not even going to try and apologize? Seriously?" The righteous anger is starting to seep out of him, leaving behind a bone-deep exhaustion.

Gareth just continues to stare at him defiantly, not saying a word.

Eddie pinches his nose and takes a deep breath, "You know what? Fine. Whatever. If this is how it's going to be then I'm out. Jeff, I'll talk to you later, probably not for a little bit though. Gareth?" The other man lifts his head from where he'd been looking down at his shoes. There were tears in his eyes, just a little bit but enough for Eddie to clock it. Face red from some unnamed cocktail of emotions Eddie doesn't have the energy or desire to interrogate right now. "Call me when you're ready to grow the fuck up. I've got a second date to plan."

With that, Eddie turned on his heel and made for the open garage door.

"What about the band, man?!" Gareth called.

Eddie kept walking.

-------

That was over four weeks ago.

He hasn't spoken to Gareth for most of that time. The first couple of days he blew up his phone with angry to half-apologizing texts that Eddie promptly ignored. After the second day, he sent a single text back letting him know he didn't want to talk unless he had a real explanation and apology to give both him and Steve and that he was going to block his number for a little while. He could let Freak know if he was ever ready to talk like adults. Eddie trusted him to tell if Gareth was being genuine.

In other news.

Waking up to strong arms secured around his naked waist is fast becoming Eddie's favorite way to start the day. He and Steve slept together for the first time last week, and since then it's like neither of them can get enough of each other.

"Hey, baby." Steve rasps in his ear, tilting his head down to smear sleepy kisses onto his shoulder. The hand that was resting against his ribs meanders its way down to the trail of hair under his navel, scratching just a little and making Eddie feel like a contented mutt. He's not sure if he should feel horny or like he could sink into the mattress and sleep for another full 8 if Steve keeps holding him like his.

"Mornin' sweetheart." he says deciding that a couple more hours of sleep is definitely the way to go. Steve, it seems, has other idead.

"What you thinkin' about this early in the morning?" He asks, hand continuing to scratch lazily at Eddie's stomach like he's not completely destroying Eddie's will and ability to focus on anything but the warm body behind him.

But it's been a long time coming, and as much as he doesn't want to, Eddie needs to start thinking about what he wants to do about his friends? former friends? estranged family? band and Steve deserves to be a part of the conversation.

Eddie sits up, bringing Steve up with him to rest against the headboard. "I've been thinking about the band. Gareth and Jeff, that is." He pauses, waits for some kind of reaction that doesn't come. Steve looks concerned, but not in the way he thought he would.

"Ok." Steve responds, waiting for more.

"I guess I just don't know what to do." He looks out into the middle distance of Steve's bedroom. Takes in the display of swim, basketball, and baseball trophies displayed proudly on a shelf, catching the early morning light. "I'm still so fucking mad. It's honestly kind of irritating how mad it makes me to think of what they did. It was so fucking stupid."

Steve hums a little, letting Eddie get it out.

"But at the same time I can't help but fucking miss them. Miss the music and the campaigns and everything else." It's honestly been eating him alive, the mix of anger and longing he's been feeling for his friends. The constant longing to go back in time and stop them from concocting this shit show but also, like, stalk Gareth to his 8 AM Business class so he can run into Steve and they can fall in love at first sight or some shit.

Silence.

Steve shifts. Moves so he can look Eddie right in the face. He looks thoughtful in a way that Eddie had to get used to. Sometimes when Steve is thinking hard about something, he scrunches his face in such a way that it makes him look like he's judging you. He isn't, it's just an unfortunate fact of life that his baby has a resting Judgemental Face™.

Steve heaves out a big breath, bringing Eddie back down to earth. "I mean, I don't want to, like, cloud your judgement or whatever but maybe you should try and talk to them one more time. Jeff appologized right?"

And, ok that's definetly not what Eddie was expecting to hear. It must show on his face because Steve is suddenly looking away, embaraced.

"I just..." He trails off, taking his own turn staring out at the dull shine of his old acomplishments. Eddie watches as his face once again turns pensive as he stares harder at the remnents of his high school acheivements.

"I used to be a pretty shitty guy. Did the same kind of shit your buddies did a couple of times." This isn't necessarily news to Eddie. They've talked a little about who Steve was in high school and how much work he put into himself before he decided to go back to college. It's still a bit of a shock to hear, though.

"So I get how someone can make a mistake like that, y'know? So if you want to try and talk it out, I won't be offended. I know we're in this together, now." Peace said, Steve reaches for Eddie's hand and gives it a squeeze.

It hits Eddie again, just how good Steve Harrington is. It hasn't been long, not really, since they got together but they've fallen together so completley, so easily, that it's easy to forget that there's still so much they have to learn, so many layers for Eddie to peal back. Behind every judgemental remark and complaint about the frequent phone calls he gets from chuldren he used to babysit in his hometown is a man who cares deeply and is capable of great forgiveness, even if it hasn't been earned yet.

Eddie squeezes his hand back.

"Are you sure?" Eddie asks.

"Yeah, it's not we have to totally forgive them, right? But I think you need to get a real answer from both of them about why it happened. Maybe you can find a way past it, maybe they'll say something that puts the nail in the coffin." He responds.

Eddie takes a deep breath, and thinks.

Steve is right. Eddie isn't satisfied with any of the answers he got last time, and he knows that there has to be more to the story than "trying to get Eddie out of a rut" and he's not going to be able to put any of this to rest until he understands.

"Ok, yeah. I'll call them." Steve gives him an encouraging smile at that, rubbing the back of Eddie's hand where they haven't let go yet.

"Good, I'm glad. And I can come with you if you want. Hit em from both sides." he says. Eddie think's he'll take him up on that offer, but right now he had more imporant things to do. Namely, tackling his sweet boyfriend onto the mattress and having a mid morning tousle.

"We'll see. Right now I've got more imporant things to do." He says in his best aproximation of a sultry voice. He doesn't know how good it really is, but it seems to work based on the way Steve's eyes get hooded and he looks down at Eddie's mouth.

Gotcha.

Before Steve can lean down and kiss him, Eddie snaps his hands down to his boyfriend's sides in a well executed tickle atack. Steve immedietly jolts and starts howling with laughter, yelling between breaths that Eddie is "a fucking asshole" as he continues his relentless atacks.

Eventually, Steve manages to regain his bearings and go on the offence, turning them over and trapping his boyfriend's hands beneath his knees so he can atack Eddie's equally ticklish sides.

Once the late morning has passes into early noon and they've both settled back into Steve's signifigantly more rumpled be, Eddie takes one more moment to think about the furute to come before he shelves it. He knows that whatever conversation is to come, it won't be easy, and even if things go as smoothly as possible with Gareth and Jeff, things will never be the same between them all.

Looking down at Steve, who is sporting the most outrageous bedhead in human history, laughing at the stream of reals Robin sent him in the middle of the night, he thinks he'll be okay either way.

Tag List

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#steddie #fanfiction #dreamer speaks #stranger things #steve harrington #eddie munson #corroded coffin

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punkrockisafulltimejob · 2 days ago

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It's the combination of the sexualization of the wrong things and the stigmatization of the wrong things. We treat human bodies as these inherently sexual things, thanks to Christianity. Human bodies are inherently sinful, and sex should only be used for procreation, never ever fun because that brings us back to that sinfulness.

Of course, the other part of cultural conservative Christianity is that, because sex outside of procreation is sinful, it becomes impossible to talk about without revealing yourself as sinful. So we have the notion that bodies are inherently bad, and are therefore meant to be hidden and as unsexualized as possible. That's where modesty comes into play, often forcing women to cover up their bodies because to wear anything revealing is sinful, and why so many people end up judging others for what they wear, in and outside of Christianity.

Then we get into the idea that if bodies are inherently sexual, we can exploit that . We can show advertisements using sex appeal to sell a product. So we sexualize individual body parts, most often breasts, because those are something we've managed to deem as "acceptable" for sexualized advertisements (think women in bikinis holding beer). Then we yell at breastfeeding mothers because how DARE they show their bodies like that in public! Don't they know breasts are sexualized!

So we come full circle. The body is inherently sexual and needs to be hidden.

As a fellow ace who walks this line and grew up in the conservative Christian church who had to do a LOT of baggage unpacking re sex, sexuality, and sexualization, I feel you.

i walk a fine line between “i’m asexual and i hate how much the world revolves around sex” and “sex is way too stigmatized and people should be able to be more open about it if they want to”

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joemama-2 · 6 hours ago

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velvet lies

pairing: gojo x fem reader synopsis: crippling debt and possible evictions have ruined you. working two jobs with no downtime, and a five-year-old son, you really don't know the meaning of taking a break. after continuous questions about his father, you have decided to finally let your son meet his dad. only thing is, he has no idea said son exists. and to top it off, you have not a single clue about what kinds of things will transpire from this sudden revelation. tags/warnings: 18+ MDNI, smut, fluff, romance, alcohol, classism, mom! reader, lying, abuse, MAJOR angst, slow burn, exes to lovers, cheating, scandals, drugs, drama, family drama wc: 5155 a/n: hi everyone! i'm so excited for this piece of work as I have a lot of exciting ideas planned in store! this will probably have slow updates, so please please please be patient with me. thank you all for reading! i'm aiming for at least 15ish chapters, maybe more or less, depends how much i write in one chapter in the future. next chapter

“Cash or card?”

“Card.”

The sound of light dinging follows, the transaction completed. “Here you go, Miss. Have a good day.”

“Thank you, you too.” The woman takes the small bag from your outstretched hands, giving one last smile before exiting. The bell at the top of the door rings, signifying her exit. You sigh and look at the clock, one more hour. It’s not that long. But you’ve been here since opening and the shoes you’re wearing are beginning to hurt your feet. Maybe you should’ve broken them in more.

It’s a quaint little cafe. Most of the customers are teenagers, college students, or overworked office workers who need caffeine to get them through the day. Other than that, you have no qualms. Of course, it does get a little annoying having to tell the newer, much younger co-workers that they can’t do this or that.

A mundane routine of making coffees, packing orders, and ringing them up. Just one more hour.

As soon as the clock strikes 5:00, you’re clocking out and saying goodbye. The school is an exact walk of ten minutes, six if you’re fast. Then another ten back to the apartment. And finally, another fifteen to the convenience store.

Hustle and bustle is all you’ve ever known. Sure, you like it most of the time. But you just wish you could get a break. It’s always go, go, go, but never take a rest and time to yourself for a moment. But when you see that adorable smile plaster on those chubby cheeks you never shy away from pinching, it’s all worth it. “Mama!”

“Baby!” you crouch down and open your arms. The young boy wastes no time in throwing his body into yours, face nuzzled into your chest and arms around your neck. “How was school? Fun?” you ask, hand rubbing his back up and down.

He nods. “Mhm! Mr. Ito says I got the most gold stars out of everyone in class.”

Your smile grows wistful, aweing. “Wow, such a good boy, aren’t you?”

You carry Koji into your arms, starting the walk back to your very humble apartment. He chatters innocently the entire trek, with you occasionally adding on or asking questions. His soft white hair pokes at your cheek, to which you straighten down with one free hand. It’s days like these where you wish you could just lounge at home with him, basking in his sweet innocence. But while most people are ending for the day, you’re barely starting your second half.

You feel the self-deprecating thoughts fill your mind like a virus while stationed near the light, waiting for the pedestal symbol to indicate. Your grip tightens around your son slightly, as if anchoring yourself to reality and reminding yourself you’re doing it all for him, and to keep going for him.

It’s hard, yes. But so is parenting.

The symbol comes on and you walk, seeing the building of your complex in the distance. Forcing any lingering negativity away, you clear your throat. “So, what did you learn today, baby?”

Koji looks up at you. “We learned how to add! I helped Mina.”

“That’s very nice of you.”

He giggles bashfully, leaning into the kiss you place on his cheek. Eyebrows raising as a sudden memory hits him. “Oh! And Mr. Ito said Dad Appreciation Day is next month. There’s gonna be food and music.”

Your smile wavers, footsteps momentarily pausing before continuing. “Oh, really?” you ask, inhaling a wavy breath of air. “That sounds like fun.”

“Mhm.” Koji nods, then tilts his head curiously at you. “But everyone is bringing their daddies. I wanna bring Papa too.”

And you really try not to make your guilty grimace visible. “I know, sweetie. I know.”

“Can Papa come?” he frowns.

No, he can’t. But you’re not about to tell your five-year-old that the reason his father can’t make an appearance is because he doesn’t even know he has a son. It’s been a difficult conversation for you. You’re not sure when or how to have these sorts of hard ones with children. So you’ve been dancing around the subject. Saying his dad is away on vacation, or fighting intergalactic dragons, or some other excuse you’ve been forced to use. He believes you, most of the time. But that doesn’t stop his curiosity and growing impatience.

The last thing you want him to think is that he has no father in the first place.

He does. You’ve shown him pictures and videos occasionally. Of, and of course, he’s an exact carbon copy of the man. From his bright blue eyes, albino hair, and all the way down to his stubborn personality. You were a little annoyed when your only child took quite literally everything from his father, only leaving him with a couple of things from you–your nose and helpful nature.

“We’ll see. Papa is busy, remember?” you gently reply, walking through the parking lot of your complex to the lobby.

Koji’s frown deepens and so do the metaphorical scars on your heart. “But Papa’s always busy! I wanna see Papa.”

“I know you do, baby. You will soon, okay?”

“Do you promise?”

You hesitate but eventually nod with a forced smile. “Mama promises.”

After leaving Koji with the babysitter, you give him a quick kiss and recite the list with the babysitter before rushing off to your second job. A convenience store.

Not the most savory place, mainly because you get all sorts of crazy and odd customers, but also because you are close. You hate closing. But you need the second disposable income and this is the only place that fits with your schedule. It’s also a little more leaned back than the cafe, when there are no customers, you spend your time browsing the web for jobs.

You’ve probably sent in over 500 applications over the years, with not even half of those places reaching out. Even then, you’re not guaranteed a job. The job market is horrible nowadays and you’re living through it.

Whatever, you think to yourself as you clock in. One day at a time.

It’s around eleven at night when you're slugging back into your apartment, lights dim, and silence enveloping the place. “Thank you, Sana.” You mutter, exhausted but still sparing the 20-year-old a smile. You hand her a small envelope. “For today and last Saturday. How was he?”

Sana thanks you kindly and grabs her stuff. “All good, no tantrums today.”

“That’s good.” you walk into the kitchen, grabbing some food you’ve meal prepped. “Get home safe, okay?”

“Thank you, Y/N. Sleep well.”

When she leaves, you give yourself a moment to slump over the kitchen island, sighing in both relief and lingering tiredness. The silence feels nice, like an old and familiar friend welcoming you and praising you after yet another day of the same routine. You’ve always loved routines, but you can’t help but crave at least some sort of spontaneity. Putting the tupperware of chicken and rice into the microwave for a minute, its light humming makes you zone out. The conversation from before with your son ringing in your mind like a very annoying bell.

Soon, images of his son, your ex, flood your mind. An old fluttery sensation residing in the pit of your stomach, your body suddenly feeling all too warm for your liking. Your fists clench to stop their light trembling, shaking your head free of him.

Not now.

You stop the microwave at one second, before it makes that obnoxious beeping and wakes your son. There are two chairs at the small dining table, you sit at one of them and eat your now warm meal. You’ve started meal prepping after one too many missed meals and a few incidents where that light-headedness and blurred vision caused you to faint. Luckily, you were alone when that happened. Unluckily, you were alone when that happened. Nursing a few bruises to your forehead after making contact was not a fun time.

You take time to eat, in no particular rush. Although you know you should be getting ready for bed soon for another early day tomorrow, your body doesn’t move. Either consciously or subconsciously. The end of the day is when you find yourself attempting to unwind and detach from the day’s events. But, the stress of unpaid bills, debts, and worry for the future always find time to crawl back.

It’s exhausting, extremely so. Sure, you’re an adult and this is normal. But don’t you deserve at least a little bit of time when you don’t have to worry about anything? It feels like every waking second your mind is working overtime, your body in a constant state of motion. It’s worn you down completely over the years. But you have a son who needs you, so you suppose you shouldn’t be feeling pity for yourself.

This is what parenting is all about, isn’t it?

Making sacrifice after sacrifice for your child. However, when you feel yourself sinking deeper and deeper, slowly losing more of yourself, what if there’s nothing left to sacrifice in the first place? The eviction bill from this morning taunts you as it lays upright in front of you in the middle of the table.

It’s then do you think, no, you do have one thing left.

Koji.

If Koji’s gone, then you really have nothing left. There’s no reason to live if that happens. And with the path you’re going down, that’s feeling more and more like a dreaded possibility.

I wanna see Papa.

Koji’s words play repeatedly. For a second, you feel yourself resonating with your son. Only for a second. You reach for your phone and go to Google, typing in a name that still haunts you. You’re barely three letters in before his name appears and you’re clicking.

A smiling image fills your screen along with other general information.

For some unknown reason, your breath hitches. You feel like he’s almost staring at you, smiling at your pathetic predicament. Grip tightening around your phone, swallowing down an unexpecting lump, tears fall from your eyes and onto the phone screen.

Why you’re crying, you don’t know. It could be many things, but you won’t address that right now.

Gojo Satoru.

The father of your child, your ex of 4 years.

You rarely look him up, almost never. Only in desperate times when you feel yourself drowning and needing some sort of comfort. It’s stupid. You haven’t been together or even seen him in seven years. Not since you ended things with him. Not since you felt his hands roam your skin, whispering sweet words.

He didn’t even protest or question why. Almost like he knew your breakup was inevitable. You’re not sure if that hurts more.

You’re twenty-eight now. But while your life still feels the same from when you met Satoru at the ripe age of seventeen, you’ve reached a plateau. But him? He’s thriving, of course. Making a name for himself, as an heir to one of the biggest conglomerates in Japan, the Gojo Group.

You’re happy for him. But where is that happiness for yourself?

You feel a little, no, a lot jealous. You always were of Satoru. Being given everything he wants without much thought, never worrying about money, and a stable home life. You’re extremely jealous of that bastard.

But right now, jealousy isn’t in the picture. It’s your son’s father. And if you want to keep your son, give him everything he wants, that starts with one person.

Letting him meet his father.

“Honey, do you like your pancakes?” you ask your son who’s currently scarfing down his plate of breakfast. Adorned in an adorable shirt uniform shirt and some little black trousers. He hums back excitedly with a muffled “yes, mama”. With a chuckle, you dry up the rest of the dishes, then your hands. Dropping him off at school is the first thing on your agenda, as per usual.

The walk to his school is a familiar one, wanting to get your son knowledgeable with the route so when the day comes that he needs to walk him himself, he’d know his way back. You pass by other kids and parents, some children yelling bye as they step onto the school grounds, with others giving their children long-lasting hugs.

You walk until you reach his door, his teacher, Mr. Ito, standing outside and greeting his students as they enter. When he makes eye contact with Koji, he smiles a bit wider. “Good morning, Koji.”

“Good morning!” your son happily replies, waving up at his teacher. With one final hug and kiss shared, he’s running in to already begin talking to his friends. Standing back up, you see Mr. Ito already looking at you. And you especially don’t miss the way his eyes not so subtly rake up and down your figure. You clear your throat. “Good morning.”

He meets your eyes again. “Good morning, Y/N-san. How are you today?”

“Good, and you?”

“Very good.”

The way his tone is almost causes you to visibly shiver, brows furrowing slightly in discomfort. One of the things you dislike the most about Koji’s school, his teacher. Although he hasn’t outwardly done or said anything inappropriate, you’re a smart woman. “That’s good. Well…have a nice day.” Doing anything you can to quickly end this dreaded conversation, but still wanting to maintain a level of politeness.

You’re about to turn on your heel and leave when he calls out. “Ah, Y/N-san?”

Damn it, what now? “Yes?” you turn and look at him.

The distance between you reduces as he steps a little closer. “I have some concerns regarding Koji’s behavior in class. Would you be available to set up a conference anytime this week?”

“Behavior? Has he been misbehaving?” You did not expect that.

“Well, it’s complicated. He has some trouble listening as talks when he shouldn’t. I’d like to nip this in the bud before it grows out of control.” Mr. Ito cooly replies, smile looking more like a hidden smirk. “So, will you be available?”

You hesitate, not really. With your two jobs, you barely have time for yourself, let alone your son’s teacher. But if it’s regarding a behavior problem, then do you have any choice? “I think I’ll be free this Saturday. Weekdays are very hectic for more.”

He nods. “That’s fine, we can grab coffee.” When your head tilts slightly, he adds on with a chuckle. “And discuss Koji over coffee. On me.”

Right, of course. You know what this is, but just think about your son. That’s the priority. “Okay, 8 am at Latte Lounge sound good?”

“Sounds excellent, I’ll see you then. Have a wonderful day.”

With a simple nod back, you turn around and finally leave. Practically feeling the way his eyes shamelessly check out your behind. A frown inevitably grows on your face, why wouldn’t it? As long as this man doesn’t try anything…more, you should be fine. And if he does, 1) you’ll be in public, and 2) you’ll tell him straight up.

Whatever.

“Pizza or teriyaki?”

“Pizza!”

“Of course.” you chuckle and put the frozen pizza in your cart, your son clutched onto your right hand after announcing he can walk on his own because he’s a big boy. The grocery store isn’t crowded during this time of day. Rightfully so. It’s 7 pm on a Tuesday, most people already cooking dinner by now. You always grocery shop at this time, your son appreciates it too. There’s been a few times when you both got quickly and very overwhelmed with the bustling nature of the grocery store on a weekend morning. Currently, you’re moving through the snack section now, picking up a few of your and Koji’s favorites.

“Mama, can I pick a cereal?” Koji asks and points to the cereal aisle next over. When you nod, he happily runs off. You still however make sure to look over at him frequently when picking up and putting down a few snacks.

You reach up to grab a pack of Hello Panda, the pink and chocolate ones, before a hand beats you to it. “Oh, I’m sorry.” As soon as you look over, you and the stranger meet eyes.

Immediately, there’s a silence that falls over you two. Eyes each blown wide in shock.

Oh, you’ve got to be shitting me.

Just your luck. As soon as the stranger speaks, a strange nostalgia fills you. “Y-Y/N?”

It almost sounds weird coming from his lips. Your friend–well, ex?--friend gets out. He still looks the same, just more…manly.

“...Suguru, I–I’m… surprised to see you.” you awkwardly laugh. Reunions were never easy.

“Oh my god,” Suguru breaths out, shaking his head with a faint smile. “Well, shit. I mean, how are you? You..you look good.” His eyes move down your figure in an appreciative way.

“Thank you, I’m good. How are you? Your hair is longer.” you motion to his sea of black, healthy locks. “ ‘M a little jealous.”

He laughs with you, the sound reminding you of old times. “Yeah, been working on it. And I’m good.”

Another pause is permitted, as if you two aren’t very sure what to say to one another. Well, in all honesty, it has been seven years. “Well,” he clears his throat and puts his hands in his pockets. “What are you up to?”

“Oh, you know,” you glance down at your cart. “Just some shopping.”

He also looks down, head tilting slightly. “Ah, right.” With a nod, he juts his head toward the direction of the kid’s toothpaste. “Just for one?” He laughs, joking of course.

You mentally curse yourself, putting a pack of cookies on top of the toothpaste to hide its already revealed existence. “Uh, ye—”

“Mama! I want this one!” Koji runs up to you, showcasing his desired cereal.

Well…..shit.

As if things weren’t already complicated.

With Suguru’s eyes even wider than when they were staring at you, his mouth is practically on the floor when the young boy looks at him. His sharp eyes dart across his features and…..

“I-is this—”

“Koji.” you cut him off, gulping and shifting the child closer to your leg. “My son.”

Suguru spends another good minute staring at the boy, who innocently stares back. When his eyes slowly move from the blue ones to yours, there are a million and more questions swirling in his brain. He’s not even sure which one to ask first. But he goes with the obvious. “...Is….is he…..”

You nod uncomfortably.

He lets out a breath he didn’t even know he was holding, hand running through his hair. “Holy shit, I mean….holy heck.”

Your lips purse, putting Koji’s cereal in your cart before picking him up in your arms. “Koji, this is Suguru. Say hi.”

“Hi.” Koji childishly smiles at the older man. “Are you Mama’s friend?”

Suguru spares you a glance. “Uhm…yeah. Yeah, kid, I am. Nice to meet you.” He then shifts weirdly, not sure if he should shake the boy’s hand, which seems too formal. He decides to gently ruffle his hair. “So…how old is he?” The question is directed towards you, but Koji answers. “I’m five!” He holds up five small fingers.

“Five?” Suguru’s brows furrow at you. It’s surprising how quickly you recognize that scolding look of his. “Have you—”

��No.” you once again cut him off, shifting Koji to your hip. “I haven’t.”

“Why?”

That’s a good question. One you know the answer to…slightly. But with Koji looking between you two curiously, you can’t exactly say why. At least not here. “I….I just…haven’t.”

Silence.

You can feel Suguru regarding you with many emotions, but the main one is confusion. He bites his lip as he thinks over how to react properly to this situation. From the looks of it, Koji is just as clueless as him, maybe even more. “Jesus Christ, I don’t even know what to say right now.” Heavily sighing, he looks back at Koji, then you, then Koji, then finally you. “You’re going to…right? I mean, he deserves to know, Y/N. You’ve just–I mean, come on.”

There’s not much of a response to that, much to his expectation. You always used to do this when you were guilty. But Suguru has always been the more… empathetic of the two. “Look, I–I know you’re probably going through your own things, but…”

You look at him again, remorseful. His lips purse and with a heavy sigh, he takes a card out from his pocket and hands it to you. “Here’s my business card, it has my number. We lost your old one, so.”

Your hand reaches out to take it, examining the words, Rising Futures Foundation. "Building futures, one child at a time.” You meet his eyes again, forcing words out. “Okay…thanks.”

“No need,” he waves you off, taking down the two Hello Panda boxes and putting them in your cart. “I’m sorry, I have things to do right now, but please…give me a call, okay?”

With slight hesitation, you nod. He mirrors you before focusing on the child again, a smile forming. “See you, buddy.” Suguru pats his shoulder lightly before walking away and away from your vision.

Your mind is being overrun, body feeling stiff and stuck, unsure of how to process what the fuck just happened. No doubt he’s about to tell his best friend. Then said best friend will find you and Koji. Then maybe he’ll try taking you to court for hiding his son for five years. You’ll obviously lose because you have no lawyer and Satoru has the best. Your son, your one and only, your sole happiness will be taken away from you and you’ll be left alone to rot in angui–

“Mama?” Koji’s small hand is put to your cheek, stirring you from your mild comatose state. “Are you okay? You have tears in your eyes.”

“What?” Raising your hand to your eye and sure enough, you are letting loose some tears. “No, no, Mama’s okay. I’m not crying, just…just tired.”

But with growing age, so is his perception. “Are you sure? Did your friend make you cry? I don’t like him then.”

Oh, how sweet. You smile, head tilting. “No, baby. Don’t say that, okay? Mama’s fine. I promise. See? I’m smiling. Wanna smile with me?”

Like clockwork, he follows your emotions and smiles, giggling. “Yeah, I wanna smile with you. I like smiling with you, Mama.”

“And I like it when you smile with me too.”

Maybe, this isn’t too bad. You were just thinking that you want Koji to finally meet his dad. So, this is good. This ensures a meeting. But, it also ensures a deep-rooted, most likely bad confrontation that will take place between you two. Why wouldn’t it? At least you’ll be able to prepare yourself now, mentally.

You can imagine the harsh words he might say. The raised voices and brutal questions about how you can do this to him and so on. In hindsight, you deserve it. What kind of woman does do this to a man? Children are supposed to be bundles of joy, not hidden secrets. Of course, there’s the lingering worries of what legal action Satoru, or his family, might try to take.

That would quite literally fuck you over so hard.

But…maybe Satoru will go easy on you because of your past. You really don’t know. This situation is messy as fuck and it’s mostly—a lot—because of you. You have no one to blame but yourself. Hopefully, he’ll take pity on you, even though you hate when others pity you. It’s different when it comes to him, the father of your son. It always has been and it probably always will be.

Honestly, you’re a little relieved that you ran into the best friend of the man than the man himself. Now that would’ve been bad.

The sounds of skin against skin fill the room, mixed with heavy grunts and airy moans. The headboard repeatedly hitting the wall plays like a drum, the lights dim and the view of the dark city landscape is exposed. Satoru’s gripping the woman’s hips, leaving crescent-shaped indents in her fair skin. Her constant mewls sound heavenly in his ears. “God, you feel so….good…”

“S-satoru!”

“Yeah, say my name. Just like that, baby.”

He presses a firm hand down on the small of her back to keep her arch in place, feeling his release invade her warm walls, filling her with a lovely warmth. She clenches around him, moaning out once more as she finishes with him.

He collapses against her back, his heavy breaths tingling her ear. “Baby, that was…so good…” she croaks out.

Satoru’s mind is fuzzy, vision blurring slightly. He hums in response and leans back up to pull out, discarding the heavy condom with his load into the trashcan beside the bed. “Stay.” With a small pat to her hip, he’s forcing his limbs out of bed and to the connecting bathroom to grab a warm rag. Aftercare. Although most of the time, he really can’t be bothered to do something like this. Cleaning her up feels like a chore sometimes, but the last time he voiced that opinion, it led to a huge argument between the two.

In just a few minutes, they’re both cleaned and changed. Wearing his sweats low on his hips while she indulges in just one of his oversized shirts. Another small pet peeve he has. And another thing he must keep his mouth shut about. “What time do you have to go into the office tomorrow?” Himari asks, snuggled up against his chest, dainty fingers tracing circles along the firm muscles.

“Same time as always,” he sighs, grabbing the TV remote and putting a random show on. “You know that.”

“I know, but…can’t you just call off tomorrow? Please? I wanna spend the day with you.”

When he looks back down at her, she’s frowning. A small tug is pulled at his heart and before he knows it, he’s pulling her closer and placing a gentle kiss to her hair. “Can’t, baby. Maybe this weekend?”

Satoru can feel her ready to protest again, but the sound of the front door downstairs being opened and closed interrupts the moment. Followed by the familiar voice of his friend. “Satoru! You here?”

Satoru’s brows furrow slightly. A small grunt falls from his lips as he maneuvers Himari off his chest, standing up and walking out. He looks down the staircase and sees Suguru staring up at him. “What do you want? I’m sorta busy.” Himari comes out and hugs his waist, proof of his so-called “busyness”.

Suguru holds back an eye roll when the woman gives him a look, focusing on his best friend. “Need to talk to you. Privately.”

“For what?”

“It’s important.”

“So just say it now.”

“Damn it, Satoru. Just come down and kick your friend out.”

“Girlfriend.” Himari corrects with a scowl.

“Yeah, sure.” Suguru waves her off and motions for Satoru to come down as he walks into the man’s kitchen.

Sighing with his eyes closed, he turns to Himari. “Sorry, babe. My driver’ll give you a ride back.”

Once again, she frowns. “But I—”

“Please.”

His bottom lip pokes out in a small, but convincing pout. “I’ll see you later, mkay?” Satoru reaches his thumb out and brushes it along her cheekbone, which he knows she’s weak for. Confliction and hesitation dance in her eyes but she concedes. Gathering her purse and shows, she gives Satoru a dramatic kiss on the lips before leaving.

“Finally,” Suguru huffs from the kitchen, swirling a glass of whiskey. “I thought you guys broke up.”

“It was a break.” Satoru grumbles, walking over to stand across from his friend, snatching the glass out his hand and sipping. “Anyway, what’s so important you come unannounced for and demand my sweet company to leave?”

“That woman is not sweet.”

Satoru smiles and shrugs, “She tastes it.”

A groan is heard from Suguru, eyes rolling before he shakes his head. “Look, you should sit down.”

“That good, huh?” he plops down in the nearby chair and leans back, arm resting against the back of it. He nods. “Alright, shoot, baby.”

Suguru takes in a deep breath and steels himself for the more than likely hard conversation. A part of him feels like he’s intruding, like it’s not his place to reveal such a thing to him. But at the end of the day, it’s his best friend. And you, well…he’s not exactly sure if you’re still friends or not. “What I tell you might sound crazy, but I need you to promise you’ll stay calm until I’m done speaking, got it?”

Satoru’s brows raise in mild astonishment, seeing Suguru get all serious like this is quite amusing. “Okay, I promise.” He shrugs again. “Can’t be that bad, right? No one’s hurt.”

Not yet, Suguru says to himself. He claps his hands together, mulling over how exactly to break the news. “So, I came across an old friend today.”

“Oh yeah? She cute?” Satoru swirls the alcohol in his glass.

Suguru holds back another eye roll. “Yeah, she is.”

“Nice, man.” the white-haired man chuckles, head tilting. “So what, did she make a move on you or something? Now that’s crazy.”

“I’ll have you know, I’m actually quite favorable amongst women.”

“Are you now?”

“Listen, you ass. No talking, just listening.” When he doesn’t get a response back, he takes it as a sign to continue. “Anyway, I saw an old friend. And…she had a kid with her.” Satoru nods slowly, already getting lost on his this information is even remotely crazy, or relevant to him. But he stays shut, deciding not to face another one of Suguru’s mini-lectures. One more deep breath is let out from Suguru and he gets to the point. “It was Y/N, she has a kid.”

A small beat of silence follows as Suguru gauges his best friend’s reaction. He doesn’t look like he’s flipping out, but he doesn’t show much emotion either. Confusing Suguru, he waits for the inevitable lash out. “Who?” Satoru ends up asks.

His best friend knits his brows, trying to see if the other man is serious or not. When his expression doesn’t change, he replies. “Y/N…” he speaks slowly. “...your ex?”

Still, no emotion. But his grip on the glass does tighten. “And she has a kid.” Suguru reiterates, almost in nervousness now.

“Satoru….the kid looks exactly like you.”

a/n: thank you guys for reading!!! Sorry if this chapter was a little short, i’ll try to make the next ones a little more longer. But writing super huge chapters isn’t my forte. Anyway, stay tuned for chapter 2 :)

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secretress · 1 day ago

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❝𝐏𝐀𝐂: 𝐈 𝐦𝐚𝐲 𝐛𝐞 𝐟𝐫𝐨𝐦 𝐚𝐧𝐨𝐭𝐡𝐞𝐫 𝐜𝐨𝐮𝐧𝐭𝐫𝐲 𝐨𝐫 𝐬𝐭𝐚𝐭𝐞, 𝐛𝐮𝐭 𝐦𝐚𝐫𝐤 𝐦𝐲 𝐰𝐨𝐫𝐝𝐬, 𝐈 𝐰𝐢𝐥𝐥 𝐟𝐢𝐧𝐝 𝐲𝐨𝐮 𝐚𝐧𝐝 𝐦𝐚𝐤𝐞 𝐲𝐨𝐮 𝐦𝐢𝐧𝐞.❞

Where is your future lover from? (Detailed)

Masterlist.

Authors note,

I finally fixed my links (starting here and with my masterlist), now you can press on them instead of clicking on my profile.

Moodboard. Divider.

Pile I.

Trigger warning: faintest mention of self-harm.

France, Indonesia, Canada, China, Afghanistan, San Marino, Norway, Some of you have someone who is on a cruise/overseas (may be a fisherman, work with the ocean, ocean is key), Sudan, and French Guiana.

You already know where and who your future person is. I, originally, was going to use tarot to figure it out, until I saw 4:44 on the clock, and it hit me, as it will do the same with you. Since you already know where they are, your mind has been running with ideas on what to do about it. Some of you like to travel a lot and want to find them since you are intuitive as it is. And the rest of you want them to come to you like a knight saving their princess. One word of advice for everyone here: allow your heart and intuition to decide for you. I know that listening to your logical mind is better and it can protect you, and sometimes where they are from and finding them can be exciting, but at the same time, with your current energy, it will not help nor happen for you. Right now, your main focus should be working on yourself, healing, and connecting with your flaws. I know that you have healed a lot, and I am so proud of you for that, but you need to connect with your flaws. Not everyone is perfect, not everyone will have the best or good qualities, and that is okay. Not everyone will always be perfect and only have a few of their qualities; sometimes they will have their flaws, and that is how they will act for that day. And that is okay. Everyone has flaws, and everyone has good qualities to them, and that is what makes them human.

A lot of you have been focusing on what is good and what is bad; try to focus on what you want your morals to be instead. A lot of you don’t believe in what society says about morality and how they pressure the world to focus on their ideology, but because of this, you started to feel guilty for it. Don’t. You are allowed to have your own morals and your own ideas on what is right and what is wrong, or in this case, what works best for you. That is the beauty of having your own mindset and not following the crowd, and that is another thing that makes you beautiful. Because I find you and your energy beautiful, and you need to start to believe that. You need to start to fall in love with yourself and learn to appreciate all parts of you. Some of you feel nervous about the flaws you have, and that is okay. But, at the same time, if you don't show appreciation to them, then you will start to feel scared around who you are. You cannot allow your future person to fill the void you feel. You have to do that for yourself first. Because if you don't, you will lose yourself throughout the relationship and become a people pleaser like you did in your younger days.

A lot of you desire for me to speak more about your future person, but there is nothing that I can channel, nor would tarot give me anything. The problem is your current energy. You need to stop chasing ways to find them and start to chase yourself back and accept all of you. I keep thinking of a mile run; some students will work hard to become the best, and some will cheer the slower ones so they can make it at the end. You are in between these two types of people. I know that you have healed, and again, very proud of you, but you honestly need to get a grip and start to cheer for yourself and your flaws. Fall in love with yourself again, you are deserving of that. I do not care what you have done in the past, everyone has forgiven you, so why can’t you? What makes it so worthy to sabotage your happiness for your past mistakes? What is done is done, and you know that, so why indulge further? Make yourself happy so you can be that princess and allow your knight to come your way. Because your future lover is supposed to come to you, not the other way around. Stop taking care of others, respect your younger self for healing your people pleasing ways, and get a grip back into the path you desire. It is your time for your happiness because you deserve that.

I know that sometimes you seek others’ validations or need for comfort, so take it from me. I read people’s energy, and your energy is fine. You’re okay, you deserve happiness, and I am telling you to go seek it. It is time for you to appreciate yourself instead of allowing yourself to be a widower to your past. Stop letting others hurt you and make you believe your flaws are disgusting when they are not. Who are they to say something about who you are when they do not know anything about you? Sure, you can say I don’t know anything about you, and that is true, but yet again, I am reading your energy, so I have the gist here. Do not allow your insecure thoughts to eat you alive again. Our insecurities can always shift into something positive, and you deserve that happiness, and when you do meet your future person, they will show you the same. But please, do not wait for them to arrive to feel their touch, do it for yourself. Take care of yourself, pamper yourself, appreciate yourself, put yourself on a pedestal, and no, that is not wrong. It is not selfish. Those who say it is selfish are the people who do not know how to respect themselves, they do not. They may have grown up in an environment where it was frowned upon, but yet again, it is a lack of respect. So, do not do that to yourself, understood? Some of you think you have selfish tendencies, and yes, you do, however, it is something that can be switched to gratitude. You need to show more gratitude for those who can be a little more selfish; those who aren’t and others say that you are, stop allowing them to make you feel that way and start to become more selfish. Being selfish is not a bad thing, excessive amounts are the problem. So balance it out with gratitude and self-love for yourself. Please show yourself compassion when things become harder and stress arises. Stop nitpicking everything you do, stop going back into picking your skin, chewing something that damages your teeth, and/or picking your nose with sharp nails (it can cause scabs in your nose damaging your inner lining meaning bacteria has a better chance of entering and thus bacterial infections). Stop the self-harm too, you do not deserve that. Okay? You deserve happiness.

Masterlist.

Pile II.

Greenland and Mauritius (drawn to it two times), Ireland, Some of your future person lives on a boat so their locations differentiates, Russia.

Your future spouse’s energy is so beautiful. I instantly kept saying, “wow, wow, okay, wow, wow.” Your future spouse's energy keeps shifting, meaning they like to travel a lot, but at the same time, people are drawn to them like a magnet. Their energy is very strong. It reminds me of taking shots and getting dizzy after one. So strong, wow.

A lot of you are trying to figure out if someone in your friends’ circle is your future spouse. From the readings you have read, the signs you have seen or wanted, the way the people speak to you, and the way you feel about them have made it harder for you to pinpoint or locate who they are. It is no one in your circle, but someone in your circle knows your future spouse online. And they will introduce you to them in the near future. My intuition says, “you are not ready to meet them. You need to let go of being the investigator and stop reading pacs. Give up on them and take a break for the sake of your mind and peace. It’s time for you to let go and have fun before you are introduced to them and fall for them on the sight of their words addressed to you.” They are such a romantic with you, with others, they are like, ‘’meh, whatever. Okay, and?” But with you, it is like let me just find the most perfect, stunning, angelic … (more lovely words) rings for the most perfect person in the world; you are my world, my life, my presence .. and so forth. Very lovey dovey with you, you make them so soft. At first it was gross and weird to have this switch of who they were, but then you started to make them realize how nice it was to feel something more. You are their safe haven, and the same can be said about them for you.

I see a pretty garden, filled with nice roses and pink roses, some dandelions, and dragonflies surrounding the both of you. You have an outfit similar to Alice in Alice in Wonderland, and they have an outfit similar to the White Queen. It’s such a warm and bright atmosphere that you can get lost in it and fall into a rabbit hole. The same can be said about who you both are and how your energy will melt perfectly with one another. So drawn to one another that no one can separate you both away from one another. Your adventurous and childlike wonder personality is what grabs your future lover’s attention and spins their world into the story itself. In short, your relationship will be magical but overwhelming with their parents and yours. There is going to be clashing. A lot of communication will mend it but not heal the relationship. Do not pour yourself into fixing it, focus on you and them.

Masterlist.

Pile III.

Trigger warning: faintest mention of rape.

Mongolia, Panama, Burundi, Northern Mariana Islands, China, Canada, Russia, and Kazakhstan.

Your future spouse grew up and is still living in a close bonded village or community. Their mindset is closed, very closed, hence why the energies you have read differ from one another.

II of Swords and X of Swords.

I need you to listen to me very carefully. Although this is a future lover or spouse reading, your lover is not someone you are supposed to be with. Their energy is so.. so very overwhelming, complex, and so damn off putting. I can’t even read it.. it is that bad. I have no idea if you are speaking with them on a dating app, met them and had a “lovely” date with them, if they are your ex, or even dating you, but leave or do not engage with them. I will describe them. I wish I could give you a cute reading about who they are, but their energy is so blank—so empty, shadow like, and so very much draining you.

This person blends into the crowds and projects themselves as a kind and lovely person who went through so much trauma. This person has told you, or will tell you (future energies appeared), that these people were awful, and these people made them feel small, but they were able to heal, or at least tried to feel better about themselves. (Red flags are waving in my mind), they like to talk about France or are associated with France (born there, love the food, know the culture, etc.). They will subtly mention how perfect you are but secretly hide their disgust for you. You may have noticed it and brushed it aside from how exhausted you have been lately. I would not say you have been gaslighting yourself; you could be, but something along the lines of ignoring it or acting ‘oblivious’ because you want something good to finally happen to you. They like to bounce around each topic, never fully explaining what they are saying but ‘appearing’ intelligent because they bullshit their words. Some of you have noticed it and have called them out on it, but they either love bomb you and you let it go, or they manipulate you and you believe their lies or will (future energies only). They believe you are easy to trick, and they are right. You are easily swayed to someone’s side because of how open-minded you are; you need to start to limit that and focus on your ideals.

They love, and I mean love, being perverse around you. They always act as if they are modest and clean, that they have innocent and pure thoughts, but they do not. Very disgusting mindset, it reminds me of those who think it is okay to rape others. Yuck.

With the X of Swords (ten of swords), they.. (sigh, I am so sorry for you, truly. I hope one day you can finally heal and find the right person for you). They prefer to put you down and make themselves feel better about themselves. Usually, people who are insecure do that, yet they are not. They see themselves as this perfect being who deserves the best, and everyone deserves filth for being around their existence. Very high unhealthy self-esteem and very close tendencies to being a sociopath. I am not sure if they are diagnosed or not, but they do or would have pride for that, for being a psychopath or a sociopath.

You got two sword cards, and when it comes to the more depressive or weaker genre, this symbolizes abuse, lack of empathy or care, and being harsh. This may explain this person’s inner thoughts and how they interact with others, yet on a surface level they act like the better parts of what the swords symbolize: being creative, being brave and taking charge, learning to communicate or perfecting it, and being overall intelligent with a touch of care. I believe now you know who this person is, and the fear that surrounds your heart is making you overwhelmed because you put so much into this relationship only to find out that it was a lie. I believe it is time for you to let them go and let go of everything about who they are and what they did for you. In reality, it was for them so they could have you wrapped around their finger, and unfortunately, you gave them easy access. Block them, cut contact with them, simply get rid of them, and bring back your peace.

Intuition told me that you need two oracle cards, and I will explain it for you. The first one you got was ‘’dna.’’ It states, ‘’you are predisposed to follow the karmic dictates of your ancestral patterning to some extent, yet as you evolve in your consciousness and expand the light of awareness, you can make choices that shift and modify this ancestral design.’’ Meaning, you have to follow along what your beliefs were all along, stop allowing others to sway you and follow their beliefs, their morals, and their tradition. Though it is good to have an open mind, an open mind with a huge heart, and being naive is what makes you fall down; it is your downfall, and it will be hard to build back the same place you fell from. You can ever truly go back to that, but you can always rebuild it and make a place that is better for you, but at the same time, a safer and calmer place for you to rest when things become tough. The next and last card channeled is ‘’iceberg.’’ It states, ‘’whatever you suppress or deny and attempt to keep out of conscious awareness will show up somewhere and somehow. These are your shadow aspects. Now is the time to allow these elements to surface and embrace them.’’ It means exactly what I have been saying to you. Learn to appreciate your open mindset, but learn to push away being so naive that you fall into that spiral I previously spoke of. Learn to appreciate that you care, that you want good things coming your way, and that you know and understand that you deserve good things, but push away those who do not mean well to you. They will sink you like how the Titanic sank with the iceberg. And that is something you simply do not deserve.

Masterlist.

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thetarotyapper · 2 days ago

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what's december looking like for you? (pick-a-card reading)

1 -> 2

3 -> 4

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(how to pick a card? observe the given options and choose the one which you feel the most drawn to. select the card based on the number provided below and scroll down to read about the card you have chosen. remember, this is a general reading, so take what resonates! ps.- if you feel drawn to more than one card/image/pile, feel free to read the others too!! if the chosen pile doesn't relate to you, feel free to choose another. the choice is yours<3)　　　

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

⊹₊⋆ pile 1

there seems to be some sort of conflict you might face and mainly, i'm getting the message here that it will be regarding your family or work. someone might reach out for financial help and you might have doubts whether to help this person or not. you might feel trapped and might feel like there is no other option but to help this person because they might be someone who is close to you. but the choice is yours. if you feel like helping this person will benefit you, go for it. if helping this person only causes you harm, i suggest you retreat. i see that you might need to make this decision quickly because sooner the better. your decision to help this person might shape your coming future. and for some of you, im seeing that you might be going out on a trip or there is some change in your environment because i'm getting a lot of ‘movement’ energy too.

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✦ . ⁺ pile 2

i'm getting a message that you might have recently (or will) cut out ties with someone and hence, there is a lot of arguments between this person or the people connected with this person. you are someone who is calm and responsible and always thinks about the future, but this person has brought you down and has limited your potential. i'm also sensing that for some of you there might have been (or will be) a disagreement in your workplace and hence you might feel tied down and might feel like people are against your ideas or vision. but whatever or however people might view you, you know your true self and you know what's best for you. whatever your plan is, stand with it because i see you winning and proving people wrong. i also see a period of self-reflection and growth. don't be surprised if new opportunities - in terms of work or romance - will come your way.

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٠࣪⭑꩜.ᐟ pile 3

so the first thing im getting right off the bat here is that you might have been manifesting something for a very long time. and be prepared because it's going to become true! you're someone who is powerful and independent and i see that you've built yourself to be where you are right now. im getting a lot of feminine energy here so if you're a woman, hi there! you've just created the life you manifested!! literally so happy for you!!! you deserve the good things that are coming your way and you have worked hard for it. you have great discipline and determination and that has helped you climb the ladder. i see you growing emotionally and i see a lot of happiness. your angles and the universe is paying you back for all the good things you've done!! also, flowers seem to play a significant role here. maybe someone might get you flowers or maybe you're into gardening. or maybe you just need to buy flowers for yourself as a reward haha! i see sunflowers and roses so keep this in mind. maybe whenever you see them it might mean something to you or it might indicate that good things - or better even, because the good things are already here - are coming your way. im also getting a strong fire sign energy, especially aries (not sure why). also, you might be living in a place where birds are not seen so often? so if you see a bird - especially a crow or an eagle - it might mean something. i see a lot of warmth and happiness in your life and i see you guys moving forward. i also see a child here. maybe some of you might have kids or are trying to conceive. if this resonates then i see satisfaction and fulfilment.

im so happy for you pile 3, you deserve this!<3

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𓇼 ⋆.˚ pile 4

oh, wow pile 4! i see that you will be presented with many opportunities regarding work and romance. you might be meeting someone new. if you are in a relationship, i see that you and your partner might take things to the next level - marriage! (if you are looking forward to it). or if you're in a talking stage, i see that you might connect on a deeper level with this person. i also see financial growth and i see that you might be making a lot of impulsive decisions and might invest in materialistic things without thinking too much, but the cards are telling me that you might need to contemplate before spending your money so lavishly. only invest in things that are important and save the rest for the future. this is a very important time for you in terms of finances. i see you will be doing well, but be mindful while purchasing anything. also, if you have been contemplating on an idea or a start-up, it's the perfect time to execute it and take it forward!! im also sensing strong leo energy here.

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hi loves!! i hope this reading finds you in good health and i hope you are doing well. take care of yourself and i will see you in my next reading. thank you for being here<3

(note: tarot cards provide guidance and possible insights into what could happen based on current energies, thoughts, and actions. the cards can highlight potential paths or outcomes, but they do not predict the future in a fixed way. this is a general reading so take what resonates!)

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catis15 · 1 day ago

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I'm in gen Z and I've got friends who think like this

I wasn't too sheltered as a kid or a teen so like I don't agree with some but I can see the reasoning. Though the asking to masturbate one is wild, like wtf dude that's just like... A weird thing to ask. Also thought it was like a canon event for some ppl to masturbate to like the idea of ppl they found attractive. I've never done that cuz yeah it feels really fucking weird like dawg I know that person, but ASKING is so fucking wild man 😭

And actors younger than 18 what's that about? If it ain't got sexual content I don't see the problem as long as like workplace abuse isn't happening because it's pretty common to my knowledge in the industry.

Like how am I on the other side of my own generations BS 😂😭 I think I should be grateful??

Don't think not smoking and drinking is a bad thing though lmao. But I know a lot of my friends and I were shamed for sex related stuff by our parents. I mean when I was i think 16 or 17 my mother went through *private* ifykyk messages and continued to shame me for things that were said for a month or so after, even getting my MUCH younger sisters involved by telling them "Leaf is doing nasty things' or "Leaf is doing things she knows she shouldn't" and then she'd directly quote things I said to my partner as a way to embarrass me. Kinda weird looking back on it but my mom's kinda fucked up lol

But I had a lot of friends with similar experiences. It doesn't really create a safe place for what are pretty normal feelings :/

But then on the complete opposite side we have shows like Big Mouth and sites like AO3 where it's a very normal thing to be horny and have kinks and it's not shamed, sometimes even encouraged. We grew up wack y'all lol

So lines had to be drawn SOMEWHERE and for a lot of ppl my age it gets to be a little much

Like I have a friend who hates like any sort of sexual reference to underage characters. Which is totally fair they're underage it's whatever. But it's to the point he gets like defensive about it. And he's the dude who's pretty steadfast in his beliefs, but it got to the point even i thought it was a little weird. Like sometimes he'd get mad about making out or slightly heavier relationships between minors, eich again I can see the thought process, but also ppl are having sex by 16 or 17, and it makes sense that characters those ages would be doing similar things. I grew up reading books where teenagers did teenager things, and I feel like there is a level of age appropriate stuff? Like no dawg don't make full ass bdsm shit for teens but I feel like referenced or even vanilla type shit is fine????

I don't have a license so I can't talk-

Working on it though ;v;

And yeah lmao masturbate it's good for you (no literally there are studies saying it's good to do lmfao, like drinking a single glass of red wine before bed once a night is good for you... Unless your a recovering alcoholic then maybe not)

Sorry went on like a whole tangent lol but I'm bored and wanted to throw my two cents as someone who's got friends who think like op mentioned but I... Don't lol.

weird anti ideology finally leaking out into the mainstream

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nkogneatho · 2 days ago

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FREAKY ON THE ROAD

—cw: 1k, fem!reader, nicknames, semi-public, voyeurism kink mentioned, blowjob, dirty talk.

—a/n: i am gonna marry this UV light eyed freak.

You never knew you were so starved for his touch until he brushed his knuckles against your cheek. His other hand held your waist, inching you ridiculously closer to him, as if he wanted your souls to merge. It was getting harder not to kiss him. Especially, when those cerulean eyes were hooked on you, having a full blown monologue in his mind.

“Give up. You know you're going to lose,” he whispered against your ear in a gravelly voice.

“I won't. Kiss me if you're that desperate.” Even though you said that, it was driving you crazy that he was so close to you, yet you cannot kiss him.

“Oh you have no fucking idea how badly I want to. But my urge to see you lose control is stronger,” he blurted.

You knew how to play this game. You might be down bad for him but you were aware of one thing that makes him lose his mind. So...you played your ace.

Your fingers grabbed the hem of his shirt, stood on your heels since he was a little taller and moaned his name in his ears. That's all it took for him to just grab your lips with his. It never started soft. It couldn't since you tipped him over the edge.

“fuck baby! you make me lose my fucking mind,” he groaned as he brushed his body against you, where you could clearly feel his little general waking up.

“Toru mhm...” It took you all your strength to push his lips away to talk because he won't let go. “I know you lost our game but did you lose your mind too? We're in a room full of people.”

“Blame yourself sweetheart. Should've never started something you know won't end nicely.” His big hand squeezed your ass. “Wanna give them a show pretty? You know,” his fingers started playing with the fabric of your dress, “...that girl over there asked me out, because she thought we weren't together since you won't kiss me earlier.”

“Now why don't I just fuck you raw in front of her so she can get her answer?”

“You're fucking crazy, Toru.” It turned you on.

“Crazy about you. I am so hard for you. Feel,” he guided your hand to his hard on. You squeezed it to mess with him.

“Fuck! See?”

“Screw this party. Let's go home.”

Did you really think Satoru's gonna keep his dick outside your pussy for more than five minutes? You couldn't even make it out of the parking lot before he was touching you and kissing you all over again. The lights of the parking lot were dim and since everyone was enjoying the huge party, there was barely anyone there except for the valet who was dozing off.

“shit. toru...ngh can we at least—fuck! can we at least hit the corner of the road?”

“how many favors you gon' ask from me, princess?”

But he listens to you regardless. He pulls the car out of the dimly lit parking lot, the only sound emerging was the hum of the engine and your heavy breathing.

He drove for solid ten minutes—one hand rubbing your pussy through your panties—before he pulled over on a secluded road with almost no one around.

“Glad like we ditched that boring party for something much more interesting, didn't we?”

He grabbed your hand and placed it to his leaking cock through his black pants. It was hard to se because of the dark but now you could clearly feel the wet patch from the pre-cum on them. Shit. he really did hold out for long

His face had the saddest and most desperate look ever. You kissed his jaw as you unbuckled his belt and quickly freed his cock.

He took a deep breath, savoring your intoxicating scent as you leaned in, your soft lips brushing against his tip.

“Holy fucking god!” He moaned loudly when your warm mouth engulfed his cock. “Mmm, that's more like it, baby.” His tip was so swollen, so red. He needed this. He needed you.

He wrapped his hands in your hair, guiding your movements as you begin to bob your head, taking more of him into your mouth with each pass

“That's it, baby... fuck sss...” He hissed. “Take it all the way down. Let me feel those warm, wet walls squeezing my cock.”

He groaned softly as you hit a particularly sweet spot, making him jerking his hips upwards involuntarily “Fhuuck, that's so good, baby. Keep going, just like that. ah!”

He looked down at you, his blue eyes sparkling with pleasure as he watched you work your magic on his cock.

“You look so pretty with your mouth full of my cock, baby. Such a good little cocksucker. If I could, I would be stuffed in you 24/7”

He started to thrust his hips gently, fucking your face in slow, deliberate strokes.

“Mmm, yes... take it deep, sweetheart. Want me to fill you up? Yeah?” A grin laced his lips as he watched you nod a yes on his cock.

He grabbed the back of your head, holding you steady as he picked up the pace, his cock slamming against the back of your throat with increasing force.

“Good. Fucking. Girl. Fuck, yes! Squeeze that dick with your throat. Show me how much you need my cum.

His hold tightens in your hair as he neared the edge, the pleasure building to a fever pitch within him.

“Fuck! princess... I'm close. Gonna cum down your throat. Get ready to swallow every drop. Fuckfuckfu—aghh!” With a final, brutal thrust, he exploded, pumping jet after jet of hot cum directly into your waiting mouth.

“Swallow it all, baby...” And you did, lapping your tongue like a kitten to clean every drop off his cock. Panting heavily, he pulled you off his softening cock, his fingers tangling in your hair as he held you close

“Mmm, that was—fucking incredible! You always know just how to play with me.”

“Let's go home. toru...I am so wet. I can't take it.” You complain.

“Aww, my poor baby. We can just fuck here if you can't wait.” He suggested as he wiped the sweat off your forehead.

“No. I want you to fuck me in all the positions. This is too cramped to try all that.” You bit your lip. Not another word was uttered as he revved up the engine again. Fuck. That might be the hottest thing he has ever heard you say and he wasn't going to waste another minute.

“Take a leave for tomorrow from work. Not gonna make it when I fuck you all night.” He said, one hand on the steering wheel with eyes filled with lust.

“Already did.” You winked and he groaned.

“You know I am gonna marry you, right?” You chuckled at his words. You were made for each other. There was no one else that could drive him this wild and there was no one else that can see this part of you. You turned to him for sex but now...you had found your soulmate in him.

#gojo x reader #gojo smut #jjk x reader #jjk smut #gojo satoru #jujutsu kaisen x reader #jujutsu kaisen smut #jujutsu kaisen #gojo x female reader #jjk x y/n #jjk x you #gojo x you #gojo satoru smut #jjk

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yapuniversity · 1 day ago

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He eats you out in order to make up for his mistake - (JJK fic or anyone you like)

(The ‘He’ can be anyone you want. Gojo, Nanami, Geto, Choso, Toji, Sukuna, the choice is yours<3)

This blog contains NSFW content so MDNI!!!

With that being said, i hope you enjoy (⁠｡⁠･⁠ω⁠･⁠｡⁠)⁠ﾉ⁠♡

You and him have been living together for almost a month now. Before moving in, you guys have been dating each other for over a year. Moving in together was a big step and at first, you and him were nervous about this decision. But as the days passed by, you guys found it rather comforting and safe in each other's presence. Ofcourse, living together has its own pros and cons, but the pros outweighed the cons. The thing now is that you guys have a lot of time to spend together and well, the ‘spending time together’ meant showing one another how much you loved each other. And that meant a lot of physical activity.

Each day spent together increased the yearning for one another and now, it was hard for you guys to stay apart for a long time. Wanting each other turned into needing each other and needing each other turned into yearning for one another. But you guys couldn't help it.

It was one of those days where you had just come home from work but you still had a meeting to attend. You walk into your apartment and remove your shoes, placing them on the shoe rack.

“I'm home, honey.” you say, calling out to him. You look towards the kitchen and see him walking towards you, a proud grin on his face.

“There's my baby girl.” he says, closing the distance between the two of you and leaning in for a kiss. His hands subconsciously resting on your lower back as he pulls your body against his. He pulls back and kisses your cheek before asking, “how was your day, love?”

You sigh, giving him a tired look. “Hectic. I have another meeting to attend right now.”

“What?” he frowns, “can't they give you a break?”

“Well,” you say, while you stand on your toes to peck him on his cheek, “they don't care. But look at you, dressed in an apron?” you scan him from head to toe, a small smile playing on your lips.

His frowning expression turns soft. A shy look taking over his face. “I thought I'd make you something special. You know, for working so hard.”

You giggle at his remark and softly peck him on his lips before saying, “thank you. You have no idea how much this means to me. But I'll be right back. I have a meeting to attend, remember?”

He nods understandingly and you make your way to your work desk. You close the door behind you, put your bag down, open your laptop and log into the meeting. For about twenty minutes, your focus is completely on the meeting. But then you see the door to your room is slightly being opened.

“Baby?” you call out. He enters the room, apron off - his shirtless body standing at the entrance of your door.

“What are you doing?” you ask in a hissed voice, eyes wide. You watch him as he confidently yet gently walks over to you, stopping right in front of your desk. “Love, what are you-” But before you could complete your sentence, his frame is immediately next to yours, and he quietly rests on his knees. “Baby-” you begin to say but stop your words when he slowly rests his head on your lap.

“I missed you, baby,” he says, neediness in his voice.

“I did too but this is not the right time to-”

“Shhh,” he whispers. “You don't know what I mean.”

“What has gotten into you?” you ask in a low voice. You look at your laptop screen and sigh in relief when you see that you’re on mute.

“It's just…I missed you. A lot,” he says, his head still rested on your lap.

“I did too, baby but-” but right before you could complete your sentence, you watch his hands tenderly yet forcefully pull your legs apart.

“What are you doin-” you begin to argue but he places a finger on his lips, commanding you to be quiet. He licks his lips when he sees your legs spread apart, revealing your red lace underwear. Regardless of being pissed at him for acting so carelessly during this situation, you can’t help but feel turned on by his actions.

“Let me prove to you how much I missed you,” he says and before you knew it, he buries his face in between your legs, inhaling your scent. You squirm under his sudden movement and a proud smile spreads across his lips. He gently nibs your underwear with his tongue and your hands immediately cover your mouth to muffle a moan.

“Is everything okay y/n?” a person in the meeting asks. That's when you realise that your camera was still switched on and your face drops in horror.

“Whoops,” you hear him say, his face still buried between your legs as he begins to draw small circles on your underwear. You push his face away and look at your laptop, “yes, sir. Everything is fine. I just hurt my toe.” The person on the other end does not say anything, just nods his head and concludes the meeting without any explanation.

“Fuck!” you exclaim in annoyance.

“What's the matter, baby?” he says, acting oblivious.

“What did you just do?” you ask, anger filled in your voice.

“I was just-” but before he could complete his sentence, you get up on your feet and walk away from him and head towards the door.

“You were just what? Do you not know what you have just done!” Before you left the room, you turned back to look at him - giving him a disapproving look. You watch his expression change from playful to instant regret. “Oh god, I'm so sorry. I didn't mean to upset you like that, baby,” he says as he sprints to his feet and rushes to you. Just before he could get to you, you slam the door on his face. “Don't talk to me!” you exclaim in anger. You stride towards your room but before you could enter your room, you feel a pair of hands grabbing you from the waist and pulling your body towards them.

“I made a mistake, I'm sorry. Now please, let me make it up to you.” he pleads, his cheeks flushed red as he fights back tears.

“How could you do this to me?” you say, freeing yourself from his grip and turning in his direction to look at him.

“I'm sorry. I really am, baby,” he pleads, his voice coming out dense and low. You open your mouth to say something but before you could process any words, he lifts you up and takes you to the bedroom, gently placing you down on the bed as he sits at your feet. “Baby, I'm sorry,” he says once again, his voice filled with regret. You can't help but feel bad by the way you lashed out at him.

You let out a disappointed sigh, “please don't ever do that again.”

“I promise,” he says while nodding.

You smile at him, cup his face in your hands and gently kiss him. He returns your kiss, but with more passion and eagerness. He pushes you on your back and straddles you. His kiss is deep and desperate - making it seem like this is what he's been thinking about all day. He pulls back from your lips and helps you remove your clothes, urgency in his movements. Once you've got nothing on but your red lace panties on, a grin takes over his face and he places himself between your thighs. “I've been wanting to taste you the entire day,” he says as he once again buries his face in between your legs. Your hips thrust against his face in response and he considers this as an invitation to take your panties off. You look at him with desire in your eyes and lift your hips, encouraging him to remove the last piece of your clothing. He takes your panties towards his nose and lets out a low growl when he inhales your wetness. Your thighs squeeze shut in response, unable to handle the lust that fills your body. A mischievous smile spreads across his face when he sees the way your body reacts to him and without hesitation, he spreads your legs open and lets his tongue do the magic. He licks your sensitive bud and hums in pleasure when he feels your hands running through his hair, pulling him closer to your centre.

“You drive me crazy, baby.” he says, increasing his pace on your sweet dripping cunt. You bite the back of your hand, muffling the moans that are fighting to escape your throat. “Cum for me. Show me how much you missed me,” he says, teasing you while tenderly nibbling your clit. You couldn't hold it in any longer. A loud moan of pleasure escapes your lips as you finally let yourself free. Your legs tremble around him but he's not done yet. He continues to devour your pussy and does not stop until he’s fully cleaned you with his tongue.

Once he's proud of work and sees you lying down with a flush expression on your face, he smiles at you proudly and nuzzles your neck in appreciation before saying, “That's my good girl.”

do not plagiarise, copy, translate or repost my works on any platform!!!

divider credit - @anitalenia <3

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