#But it personally worked for me in terms of Storytelling

[inkasrain]

Viren: Not the Cliff but the Road

I'm pretty sure that most of The Viren Conversation has been had (and had, and had!), so I don't want to beat a dead (disgraced, former) High Mage. Howeverrrr, there is one element of the way this character finale played out that remains one of my favorite things to come out of the TDP room, and I just want to talk about it a little. (As always, just my take, not canon.)

I have a strong personal bias against the idea of death as an inherently redeeming act in fiction. We are so accustomed to the idea that a succesful hero's arc will conclude in sacrifice, and that therefore a reformed villain's arc must end in the ultimate sacrifice, that we don't think to probe the origins of this concept. To me, this is basically just deeply ingrained Christian pedagogy masquerading as narrative fact. I don't personally think that there is anything inherently salvational or goodness-proving about this arc format, or that it should be the natural default for stories like this. Death does not cleanse; life does. So theoretically, I should be unhappy with the way Viren's arc ends in season 6. He -- a bad person -- dies doing a good thing. He sacrifices his life for Soren and the people of Katolis and thus is redeemed.... right? If I thought that Viren's change arc ends with his death, sure. But that's not how I see it. For me, Viren's arc draws to a close before the attack on Katolis, and before his death. I don't actually think he has a singular redemptive moment. Instead, it is the sum total of his choices and actions from 509 to 606 -- the ways he makes use of his life -- that are cumulatively cleansing. Viren has always thought of himself as someone who makes "the hard choices" but he's been pretty good at wriggling (or being wriggled) out of the consequences. As of 509, that changes; he changes. He makes choices that will be painful for him. That will place a burden on him. And that, most importantly, he believes he will have to live with. There is nothing short-term about the decisions Viren makes after that point in the story. They are all the actions of a man who has finally realized that he can (MUST) live with the consequences of his "hard choices." I'd even include choosing not to kill the Homunculus in that category, as the death Viren faces there is a quiet, lonely, and utterly unremarkable surrender -- all things his character in many ways been defined as working so strongly against.

If there is a true peak of his arc, I personally see it as the moment in 606 when Viren burns his letter to Soren. He has gone through the agony of exposing his darkest moments and can move forward with the clarity that such an experience provides. But even more importantly, he chooses not to burden Soren with that knowledge -- and in doing so, accepts that he will live with Soren's anger and blame. He will not justify himself at Soren's expense; he sacrifices any hope of receiving love from his son because he knows those feelings are the cumulative consequence of his own actions. Viren's death is a culmination, if anything, of his love for Soren and his arc of shifting the focus of his life to others. His death does not retroactively prove his goodness, does not justify his past. It is a sad resolution of a man's struggles, nothing more. So I don't see Viren's choice to sacrifice himself as a redemptive act, because I really don't think he needs one. He is doing the work already, living the life, walking the more difficult road. It's bittersweet that the road ends, but they all do. The important thing is, for me, that Viren isn't defined by the act that ends his life, some kind of spectacular salvational swan dive off a cliff. Instead, he is marked by the journey, the change he underwent to get to that point in his story. (And like, I was a very minor participant in the orchestration of this arc, but I'm ridiculously proud to have been a small part of this kind of storytelling.)

[arnaerr]

2024 summary

Each year, I want to write some kind of summary, but each year, I get too overwhelmed with the holidays season to do so. This time, I came prepared, so I wrote this text a bit earlier bc I knew that by now I will be a sleepy shrimp.

2024 was one of the toughest years for me, if not the hardest one so far. Dealing with the lay-off and long term unemployment took a hard toll on me and my mental health, but I'm still here despite it all, and I'm still creating. Really happy that I finally managed to find a job and can finally rest from grinding portfolio work and fighting for my life. Somehow this year turned out to be the most productive too. Something-something, strong emotions (even negative ones) are the best fuel for the inspiration.

This year, I focused more on my brushwork so I can bring my ideas to reality faster and avoid hurting my hand more - and I'm quite satisfied with the results, my hand's pain is almost inexistent at this point. Dance classes, crochet, and playing Elden Ring with the controller also helped to gently strengthen my hands so they are better at handling painting for a longer time now. I also tried to make my works more complex and thought through in general, focused more on the storytelling aspect and more interesting composition decisions. Really liked playing around with this stuff and can't wait to experiment even more. For a long time, I thought that my art has value only if it's being realistic and generic in terms of the game industry style. It took me a long time to acknowledge and accept this, as well as the fact how my painting style is a reflection of myself; I'm quite timid and shy in nature, and it also applied to my painting approach, I was always afraid to do bold brushstrokes, going wild with colours, showing my feelings through my art, expressing myself openly. And I feel like this year, I learned to be not afraid of who I am, not to try to hide my impressionistic approach to the painting behind smooth and "proper" brushwork. I'm not trying to fit into the standard anymore; sure, it would make my life easier in terms of finding an art job quicker and being more popular on social media if I had a more generic art style. But it feels so much better to allow myself to be who I am.

Elden Ring obsession was like the breath of the fresh air. For the several times this year, I was so, so close to having a severe art block, to losing myself in commissions & portfolio work, to losing the wonder the act of creation gives me. Elden Ring made me feel very inspired, gave me the courage to try to draw many things I was afraid to draw before; I really enjoy being a part of this fan community, and I've met so many wonderful and talented people throughout last months that it constantly fuels my inspiration; artists, writers, cosplayers, lore enthusiasts. In the last couple of years, I approach my social media profiles like a personal blog of sorts, not focusing on the painting only. And I really enjoyed sharing different sides of my hobbies with you, writing mini essays with the game analysis, and discussing it all in comments in DMs.

I couldn't survive this year without your support, and I'm forever grateful. Every like, reshare, and comment brightens my day. Special thanks to the people who bought my prints, donated, or joined my Patreon - you literally saved me. The fact that I had to rely on social media as the main source of income for so long did some damage to the ways how I view my own art, sometimes I feel too sensitive about numbers and algorithms and start to view my art as a content that has to be popular - I'm slowly but surely try to go away from this and to reconnect with my art once again; I want my art to be even more personal and detached from the popular needs; I need to get weirder.

Sometimes it feels surreal that so many people are interested in me and what I do.

Hoping for gentler times in 2025. Thank you

[movietonight]

Predestination being a scifi film obviously takes some liberties with how both time and biology work but I think it works just really well to show us how the protagonist never had a choice both in terms of the ouroboros situation and their gender by tying it to something real life intersex people unfortunately go through all the time.

We know that they struggled with their identity from their childhood so we don't actually know what they would identify as if they had been informed and given a choice - if they had chosen to live as Jane or John or someone else entirely

[daily-kagami]

Day #78: Movie-goers

[itspileofgoodthings]

.

[wreckedhoney]

it might be the hormones talking but i am like in some throes of discouragement

[microsuedemouse]

sometimes you find yourself nostalgic for the Harry Potter fandom days, and thinking affectionately about the things that were good about that time and place, and you just have to reckon with that. like, yeah, jkr’s behaviour has escalated to the point of unforgivable over the years. yeah, her stories were problematic in the first place, and that’s all the clearer in retrospect. yeah, I don’t feel comfortable anymore refering to my hogwarts house or my patronus, nor would I wear hp merch in public; I don’t want to give any impression whatsoever that I support jkr’s views, let alone ever give her my money again.

but none of that changes the impact the story had on my life. none of it takes away the joy and wonder that hp once inspired me. it doesn’t erase the fun I once had - many of us once had! - engaging in fandom discussion, making and sharing some truly remarkable fanworks, or indulging together in any other aspect of the massive community that built up around the fandom. jkr may leave a bad taste in my mouth (to put it mildly), and her bigotry may make it difficult for many of us, myself included, to purely enjoy any of the books or movies (or etc) ever again. but there’s still an attachment there. there are still characters and details and ideas and ships in hp that I love, in spite of her.

figuring out what to do with that lingering affection is something I guess we all have to do on our own. everyone is going to draw a different line in the sand. maybe tonight I’ll decide to read some fanfic, and try not to moralize that too hard, because reading fic is a long way removed from supporting jkr and her views. but it can be really tough to decide where exactly your hard line is. sometimes it even moves.

this isn’t a productive post; I’m not drawing any conclusions. just sort of thinking out loud, so to speak. it’s not something I think about often these days, but it still hits me sometimes, and few storytellers have ever inspired and then horrified me to the degree that jkr has. it’s just… tough to reconcile these things.

[natsaffection]

Im glad i’m not the only one who saw 4ngel1v’s ai pics!! It just brewed up another idea! I told you it would be soon.

Think about Gp Nat as a beefy bodyguard and reader is like a famous singer or actor🤷‍♀️. And they didn’t meet on great terms, but reader ends up hiring nat and whatever it was between them grew. But thing is that they couldn't distinguish their tension from hate. One thing that reader could distinguish though, was Nats jealousy. SO LIKE A YKYK ENEMIES TO LOVERS BUT RLLY SLOW PROCESS TO LOVERS n smuttyy🤭

“What’s with the attitude, you weren’t as grumpy earlier?”

“Loosen up a little, it’s fine to be a risky once in a while, Natasha”

“You’re giving me a handjob at YOUR premiere. We’re thinking of two different versions of risky.”

-💋

I'm not going anywhere. | N.R

Bodyguard!Natasha x Younger!Actress!Reader

Warnings: 18+! MINORS DNI! G!P Natasha, Age gap ( R is 22 and Nat is 32) Inappropriate behavior, so much teasing, kinda handjob, begging, rough sex, pet names, angst

Word Count: 9,5k

A/N: Okay, when this is posted I'll be driving 200 km/h on the highway for the next 36 hours. So I hope everything works out, because I don't have the chance to reply right now 🫶🏼🥸

Thank you my lovely anon, you served again 🌚 I really enjoyed writing this, even though I was very carried away

You were born and raised in a small, picturesque town in the heart of the countryside. Your parents, both teachers, instilled a love of learning and creativity in you from an early age. Your mother, an English teacher, often read you classic literature at bedtime, sparking a lifelong passion for storytelling. Your father, a drama teacher, introduced you to the world of theater and encouraged you to participate in school plays and local theater productions.

As a child, you were curious and imaginative, often inventing elaborate stories and characters in your head. You were very popular in your community for your kind heart and lively personality. Despite your small-town upbringing, you always dreamed of something bigger and longed for the excitement and opportunities that lay beyond the boundaries of your hometown.

At 16, your life took a decisive turn when you attended a summer acting camp. The camp was located in a bustling city, a stark contrast to your quiet hometown. There, you met aspiring actors, directors, and producers and for the first time, felt like you belonged. Your talent was quickly recognized by the camp leaders, who encouraged you to pursue a career in acting.

Upon returning home, you were more determined than ever to follow your dreams. You participated in every theater production you could to hone your craft and build a portfolio of diverse roles. Your parents, though initially concerned about the uncertainty of an acting career, wholeheartedly supported you and believed in your talent and dedication.

At 18, you moved to Los Angeles, the hub of the entertainment industry. The transition was daunting, you were a small-town girl in a sprawling, fast-paced city. You faced numerous rejections and challenges, working several part-time jobs to make ends meet while attending auditions and acting classes.

Your perseverance paid off when you landed a small role in an independent film. Though the role was minor, your performance caught the attention of a prominent casting director. Impressed by your natural talent and screen presence, the director recommended you for an audition for an upcoming blockbuster film from a major studio.

Nervous but excited, you gave your best at the audition. Weeks later, you received the life-changing news: you were cast in the lead role of the blockbuster film. The film was a huge success and catapulted you into the spotlight, making you an overnight sensation.

The sudden fame was overwhelming. You went from an anonymous aspiring actress to a celebrity constantly in the public eye. Paparazzi followed your every move, tabloids speculated about your private life, and fans demanded autographs and selfies everywhere you went. Although you were grateful for your success and the opportunities it brought, the lack of privacy and constant scrutiny were challenging.

Despite the challenges, you remained grounded, thanks to the support of your family and close friends. You continued to focus on your craft, taking on diverse roles to prove your versatility as an actress. You also used your platform to advocate for causes you believed in, earning you respect and admiration beyond your acting abilities

You are known for your down-to-earth personality and genuine kindness. You cherish your close circle of friends and often retreat to your hometown to escape the pressures of Hollywood and reconnect with your roots. Your parents remain your biggest supporters, proud of your achievements but always reminding you of the values they instilled in you.

In your free time, you enjoy reading, painting, and exploring new hobbies. You are a passionate traveler and find inspiration in the various cultures and stories you encounter. Despite your fame, you strive to lead a relatively normal life and appreciate the simple pleasures that keep you grounded.

4 years later.

The evening of the premiere was a whirlwind of flashing cameras, excited fans, and palpable excitement in the air. You, dressed in a stunning gown that perfectly captured your rising star status, had just finished a series of red carpet interviews. You felt a mix of excitement and nerves; this night was special not only because of the premiere of your new film but also because you were nominated for an award for another project. It could be the night you finally take home the coveted trophy.

As the event continued, you felt the familiar but inconvenient need to use the restroom. The premiere was in full swing, and you needed to be on stage soon. You made your way through the bustling crowd, your heels clicking on the polished marble floor of the grand theater.

Finally, you spotted the restroom sign and quickened your pace. But as you reached the door, you encountered an imposing figure: a tall, striking woman with piercing eyes and an aura of authority. Dressed in black, the woman stood guard in front of the restroom door, her stance rigid and alert.

"Excuse me, I need to use the restroom," you said, trying to maintain your polite demeanor despite the urgency of your situation.

The woman, whom you would later learn was Natasha Romanoff, did not move. "The restroom is occupied." Natasha replied sharply and unyieldingly. "Okay, surely there is a second stall..." you pleaded, glancing at the closed door behind Natasha.

Natasha's eyes narrowed slightly. "You'll wait.“ Your patience was running thin. You were a rising star and not used to being dismissed so abruptly. "Come on, I need to go, please. This is really important."

Natasha's expression remained unmoved, her voice cold and professional. "I don't care where you need to go. My instruction is to ensure no one enters until it's clear. Now step back."

Frustration boiled within you. You couldn't believe this woman didn't recognize you, given the number of posters and billboards plastered with your face. "Listen, I understand you have a job to do, but so do I. And if I can't use the restroom right now, there will be a disaster."

Natasha smiled and leaned in slightly, "Then you'll have to hold it, sweetheart."

You were taken aback by the dismissive tone. You opened your mouth to retort, but before you could say anything, the door behind Natasha opened, and another actress emerged, thanking Natasha for her vigilance. The actress’s eyes widened when she saw you.

"Oh my God, Y/N! Congratulations on the nomination, I loved your performance in the last film.“ the women gushed, clearly impressed. You forced a smile, still simmering with frustration. "Thank you. I'd love to chat, but I really need to use the restroom." The women looked at Natasha with a mix of surprise and something different. "Did you talked to her?“

Natasha's gaze remained unwavering and ignoring the question of the Women. „The restroom is free now." she said, stepping aside without acknowledging the women’s comment. You didn't waste a second and hurried past Natasha with a grateful nod. Inside the restroom, you took a moment to breathe, still fuming from the encounter but also somehow fascinated by the unyielding bodyguard.

When you emerged a few minutes later, you felt much calmer. Natasha was still there, like a sentinel. You couldn't help but feel a sense of challenge. You weren't used to being treated like an ordinary person, and part of you found Natasha's attitude both infuriating and refreshing. Without a word, you walked past Natasha, not giving her a second glance. As you walked away, you heard Natasha call after you: "Next time, plan better."

Your cheeks flushed with anger. You clenched your fists and kept walking, refusing to give Natasha the satisfaction of a response. The audacity of this woman! You couldn't believe how rude and dismissive she had been.

The energy in the grand theater was electric. The audience buzzed with excitement as the prestigious awards ceremony reached its climax. You, still feeling the irritation from the encounter with Natasha, took a deep breath as you awaited the announcement of the award. The presenter, a well-known acting veteran, took the stage and held the envelope containing the winner's name. "And the award for Best Actress goes to..." He paused for dramatic effect, letting the suspense build. "Y/N L/N!"

The room erupted in applause and cheers. Your heart raced as you stood up, your initial frustration forgotten in the wave of exhilaration. You moved gracefully to the stage, your gown sparkling under the bright lights. As you accepted the trophy, you couldn't help but smile at the outpouring of admiration and support from your peers and fans.

With the trophy in hand, you took a moment to collect your thoughts before beginning your speech. "Wow, this is incredible. I can hardly believe I'm standing here holding this award. First, I want to thank the cast and crew who made this film possible. You are all amazing, and I couldn't have done this without you."

As you continued your speech, your eyes wandered over the crowd, taking in the sea of faces. Then you saw her. Natasha. Despite the distance, Natasha's piercing gaze was unmistakable. Your smile faltered for a brief moment, but you quickly recovered. Natasha watched you intently, a slight smile on her lips. When your eyes met, Natasha winked.

The gesture, small but significant, sent a wave of annoyance through you. You could feel your cheeks heat up, not from embarrassment, but from the irritating coolness of the woman who had previously dismissed you so rudely. You continued your speech, trying to ignore the irritation under your calm facade.

"...And finally, I want to thank my family and friends for their unwavering support. You believed in me, even when I didn't believe in myself. This award belongs to you as much as it does to me. Thank you all." With a final wave, you stepped off the stage, your mind racing. The applause followed you, but your thoughts were fixated on Natasha. It was infuriating.

Backstage, you were surrounded by well-wishers and photographers, but your thoughts kept drifting back to Natasha. You couldn't shake the feeling that your paths would cross again in a significant way..

A few days after the awards ceremony, your agent called you with concerning news. "Y/N, we need to talk about your safety for your tour. There have been some..incidents." You frowned, recalling the increasing number of intrusive paparazzi and overly enthusiastic fans. "What kind of incidents?"

"Threatening letters, suspicious individuals trying to get close to you. It's getting serious, and we think it's time for you to consider a professional bodyguard." You sighed. The idea of having a bodyguard felt like a double-edged sword. You valued your privacy, but recent events had made you feel vulnerable. "Alright, who do you have in mind?"

Your agent hesitated for a moment. "There's someone highly recommended, but she has a... unique style. Natasha Romanoff.“ Your eyes widened. "You must be joking."

"No? She's one of the best in the field. Her methods are unconventional, but she gets results. Given the current situation, I think she's the right person for the job, plus she’s available now.“ Your mind raced back to the Gala night, the unyielding stance, the cold demeanor, and that infuriating wink. But if Natasha was as good as they said, it might be worth a try. Reluctantly, you agreed.

The next morning, Natasha arrived punctually at the agreed time at your residence. Dressed in her usual black, she looked every bit the seasoned professional. You opened the door, your expression a mix of annoyance and curiosity. "So, we meet again." Natasha nodded, her face impassive. "Hello, sweetheart. Patience today?"

You crossed your arms and stood firm. "Just so we're clear, I don't need you to treat me like a child. I can take care of myself." Natasha's lips twitched into a barely perceptible smile. "Noted. But my job is to protect you, even if you don't like my methods." You felt a flicker of the same irritation you had experienced at the Gala. This was going to be an interesting arrangement, to say the least.

A few weeks after the charity gala, you attended a book signing event for one of your favorite authors. The bookstore was packed with fans and media, all eager to catch a glimpse of the rising star. Natasha, as always, was nearby, scanning the crowd for potential threats.

As you chatted with fans and signed autographs, you felt a growing unease. One particular fan, a middle-aged man, lingered closer than seemed appropriate. His intense gaze and the way he approached you made you uncomfortable.

"Hello, can I take a photo with you?" the man asked, his voice overly eager. You forced a polite smile. "Of course," you said, posing for a quick photo. As you tried to move on to the next fan, the man grabbed your arm.

"Wait, you looked so good in the last movie... your style and all..." he said, tightening his grip. Your smile faded, and you tried to pull your arm back. "Please let go."

The man's grip only tightened, and he began reaching into his pocket. Before you could react, Natasha stepped in. She moved with lightning speed, prying the man's hand off your arm and positioning herself between you.

"Step back." Natasha ordered, her voice cold and commanding. The man looked startled but did not move. "I just wanted to give her something!"

Natasha remained unmoved. "I said step back. Now." The intensity in Natasha's eyes and the firmness of her voice finally got through to the man. He stepped back and disappeared into the crowd. Your heart was racing, but you felt a wave of gratitude toward Natasha. "Thank you.." you said, your voice shaking. Natasha nodded, her eyes still scanning the crowd. "Time to go."

At home, you couldn't shake off the day's events. You sat on the couch, replaying the encounter in your mind. Natasha stood nearby, her stance as rigid as ever. "Are you okay?" Natasha asked, her voice softer than usual You nodded. "Yes, just... a bit shaken." Natasha sat across from you, her expression unreadable. "You handled it well. But you need to be more aware of your surroundings. Fans can be unpredictable." You sighed, feeling a mix of frustration and gratitude. "I know. I just didn't expect that."

"That's why I'm here," Natasha said, her tone firm but not unkind. "To expect the unexpected and keep you safe." You looked at Natasha, seeing her in a new light. Despite the rocky start, you realized how much you had come to rely on Natasha's presence. "I appreciate it.“

Natasha gave a crooked smile, a rare expression on her otherwise stoic face. "Just doing my job, princess." You rolled your eyes at the nickname but couldn't suppress a small smile. "You're impossible, you know that?" Natasha's smile widened. "And you're stubborn. I think we make a good team."

In the following weeks, your relationship developed further. There were still plenty of tensions and your share of arguments, but a mutual respect began to grow. Natasha's relentless professionalism and your determination to live your life on your own terms created a dynamic that was both challenging and oddly comforting.

One evening, as you were preparing for another public appearance and saw the crowds you had to move through, you stood closer to Natasha, her presence calming you. Natasha raised an eyebrow, her lips forming a teasing smile. "Careful, princess, it almost looks like you actually like me." You laughed and shook your head. "Don't push it, Romanoff. But, since you're here..." Natasha's smile softened a bit. "Anytime."

Despite the nicknames and teasing, there was an unspoken understanding between you both and you couldn't deny Natasha's skills and dedication. Natasha, for all her toughness, began to see the determination and drive behind your fame and youth that had brought you to this point. Slowly, you began to understand each other and formed an uneasy alliance.

Next up was another film premiere, where you were the guest of honor. The tension between you was palpable again, fueled by your contrasting personalities and constant proximity.

While you were getting ready, you felt Natasha's eyes on you, checking every detail. "You know, you don't have to watch me like a hawk." you said, your tone sharper than intended. Natasha leaned against the doorframe, arms crossed. "It's my job to watch you."

"I can take care of myself." you snapped, turning fully to face her. Natasha's eyes narrowed. "Really? Because from where I stand, you've been pretty naive about the dangers around you."

You felt stung by the implication. "Naive? Just because I'm younger doesn't mean I'm clueless. I've worked hard to get here, and I don't need you undermining me." Natasha pushed off the doorframe and stepped closer. "And I don't need you questioning my every move. You hired me to protect you, and that's what I'm doing. If you don't like my methods, find someone else."

You glared at her, frustration boiling within you. "Maybe I will! I can't stand you treating me like a burden." Natasha's jaw clenched, her eyes flashing with anger. "You think I enjoy this? Looking after a spoiled little girl who doesn't appreciate what I do?"

The words hurt more than you cared to admit, and tears sprang to your eyes. "I'm definitely not spoiled! You don't know anything about me! And you know what? You are i-impossible, Natasha! I've had enough of your condescending attitude."

Natasha took a deep breath, clearly trying to rein in her temper. "Fine. Maybe I'm impossible. But at least I'm doing my job. You want to fire me? Go ahead. But don't come to me when everything falls apart."

You refused to let your tears fall. But Natasha saw them. "You're so arrogant... Do you even care about anything other than your job?" For a moment, Natasha's eyes softened, and you thought you saw a hint of regret, but it was gone in an instant. "I care about keeping you alive, even if you don't see it."

You turned away, struggling to compose yourself. "Just leave me alone for a moment." Natasha gave a curt nod and walked out, leaving you alone with your thoughts. You felt a mix of anger and guilt, knowing that despite everything, Natasha was right. The world you lived in was dangerous, and you needed someone like her to protect you.

Later that evening, you stood on the balcony of your hotel room, staring at the city lights. The day's events played over in your mind, and you felt a pang of guilt for the harsh words you'd thrown at Natasha. You heard the door open and turned to see Natasha, her expression unreadable. "Can I join you?" Natasha asked, her voice surprisingly gentle. You nodded, and Natasha stepped onto the balcony, leaning against the railing next to you.

"I'm sorry," you said after a moment of silence. "For what I said earlier. I didn't mean it." Natasha glanced at you, a hint of a smile on her lips. "I'm sorry too. I shouldn't have called you naive... and a little girl." You sighed and ran a hand through your hair. "It's just... this whole situation is new to me, okay? I'm not used to someone constantly having to watch over me."

"I know," Natasha said quietly. "And I'm not used to working with someone so... spirited as you. But I'm here to protect you, Y/N. Whether you like it or not." You couldn't help but laugh. "Spirited, huh? That's one way to put it." Natasha's smile widened. "You're tough, I'll give you that. But you need to trust me."

You nodded, feeling a weight lift off your shoulders. "I trust you. Even if you drive me crazy sometimes." Natasha chuckled. "The feeling is mutual, princess." You rolled your eyes at the nickname but couldn't suppress a smile. "Thank you, Natasha."

"Anytime," Natasha replied, her tone sincere. She looked at you, and before you could think too much about it, you turned and impulsively kissed Natasha on the lips. Natasha stiffened for a moment, then returned the kiss, her lips moving confidently against yours.

Your heart raced as you kissed Natasha, a surprising warmth flooding through you. As you pulled back slightly, you felt something firm press against your hip. Your eyes widened in surprise as you realized what it was. Natasha smirked, clearly noticing your reaction.

"Surprised?" Natasha asked, her voice deep and teasing. You nodded, still a bit stunned. "A little. I didn't see that coming.“ Natasha's smirk widened, a hint of pride in her eyes. "Well, I'm full of surprises."

You felt a blush creep over your cheeks, but you couldn't help but joke to cover your own nervousness. "Didn't know bodyguards got excited so easily." Natasha's eyes darkened with something more than just amusement. She leaned in closer, her breath warm against your ear. "Only when it's worth it."

Your breath caught as Natasha's hand lightly traced over your back, sending shivers down your spine. Natasha's presence was overwhelming, and you felt your heart pounding in your chest. Natasha leaned over you slightly, her lips brushing your ear. "You're playing a dangerous game, princess," she murmured, her voice husky with desire.

Your cheeks burned, and you felt a wave of excitement that both thrilled and embarrassed you. You opened your mouth to respond, but no words came out. Natasha straightened up, an amused glint in her eyes as she stepped back. "Get some rest," Natasha said, her voice returning to its usual calm tone. "You have a big day tomorrow."

With that, Natasha turned and walked back into the hotel room, leaving you standing on the balcony, your mind racing and your body buzzing with emotions. As you stood there, the cool night air brushing your skin, you knew that things between you and Natasha would never be the same again. When you lay down that night, replaying the memory of the kiss and Natasha's teasing words, you couldn't help but smile, your heart racing with excitement and curiosity about what the future would bring.

Your schedule had become a whirlwind of appearances, interviews, and fan interactions as you toured to promote your latest film. Everywhere you went, enthusiastic fans awaited you, clamoring for autographs and selfies. Natasha was always close by.

One afternoon, you were at a signing event in a busy city. The line of fans stretched around the block, and you took time with each person, chatting and taking photos. However, Natasha noticed a pattern: you were livelier and smiled brighter when interacting with your female fans. It was something you did unconsciously, but Natasha picked up on it.

During a break, Natasha couldn't resist commenting. "You really come alive around the ladies, don't you, princess?" she said, her tone teasing but with a hint of something else. You raised an eyebrow, noting the subtle undertone in Natasha's voice. "What's that supposed to mean?" Natasha shrugged, a smirking smile on her lips. "Just an observation. You seem to enjoy their company more."

You felt a spark of defiance. Remembering the balcony scene and Natasha's teasing nature, you decided to push it further. If Natasha wanted to tease you, you'd give her a taste of her own medicine. "Maybe I do," you said, your tone playful. "Is that a problem?" Natasha's eyes narrowed slightly, but she maintained her cool demeanor. "Not at all. Just interesting to watch."

You decided to take it up a notch. For the rest of the event, you made an extra effort to be even more attentive with your female fans. You laughed louder, leaned in closer for photos, and gave their conversations more attention. Out of the corner of your eye, you could see Natasha watching, her jaw tensing slightly.

You found it immensely amusing. You liked seeing the usually unflappable Natasha show a bit of emotion, especially jealousy. It gave you a sense of power in your otherwise tense dynamic.

Later that evening, you returned to the hotel. You were in high spirits, still buoyed by the interactions of the day and the success of your plan to annoy Natasha. As you entered the hotel suite, Natasha finally spoke. "You really enjoyed today, didn't you?“ You turned to her, a mischievous glint in your eyes. "Oh, I did. It was a lot of fun. Especially to see how you lose your composure"

Natasha's eyes flashed with a mix of frustration and something deeper. "My composure? I have not lost my composure." You stepped closer, lowering your voice to a teasing whisper. "Sure looked like it to me." Natasha's gaze hardened, but there was no denying the hint of jealousy there. "Careful, Y/N."

You felt a thrill at the challenge in Natasha's voice. "Nope." Natasha stepped closer, the tension between you crackling like electricity. "You're testing my patience." You smiled, enjoying the power you held in this moment. "And what are you going to do about it?"

Natasha's eyes darkened with desire, and she stepped closer, her body only inches from yours. "Do you really want to know?" Your heart pounded in your chest, the air between you thick with tension. "Maybe I do.“ Natasha leaned in, her lips brushing your ear. "Don't forget who you're playing with, princess. I don't give in easily."

You felt a shiver run down your spine, but you refused to back down. "Good. Neither do I." Natasha's smile widened, and for a moment, you thought she would kiss you again. But when Natasha turned and walked away, you couldn't help but feel a mix of frustration and excitement. You had pushed Natasha's buttons and gotten a reaction, but you knew that this game you were playing was far from over.

In the following days, you continued to tease Natasha, finding new ways to provoke her jealousy. You found it incredibly amusing to see the normally composed bodyguard show signs of possessiveness. And despite the tension, there was an undeniable thrill in your interactions. Natasha seemed to enjoy the challenge as well. She never backed down and always met your provocations with her own brand of teasing and intensity. Your relationship was a constant back-and-forth, filled with playful banter and underlying desire.

The evening of the final premiere had arrived, and you were in your hotel suite, getting ready for the event. Your hair and makeup team were putting the finishing touches on your look, ensuring every detail was perfect. You wore a stunning dress that hugged your curves in all the right places, the shimmering fabric catching the light beautifully. You looked every bit the star you were, ready to captivate the crowd and cameras.

As you admired your reflection in the mirror, the door to your suite opened. Natasha walked in, looking as composed and confident as ever. She wore her usual black ensemble but had her jacket casually slung over her shoulder, and her blouse was unbuttoned just enough to reveal a hint of her toned chest. The sight made your heart skip a beat, and you hated yourself for finding Natasha so attractive.

Natasha's eyes scanned over you appreciatively, a small smile playing on her lips. "Well, don't you look like a million dollars tonight." You rolled your eyes and tried to hide your blush. "Thanks. You don't look too bad yourself."

Natasha chuckled and stepped closer. "You really know how to turn heads, princess. Try not to cause too many heart attacks out there." You felt a mix of irritation and something warmer, more exciting. "I'll do my best." you said, your tone half teasing, half serious. Natasha's smile widened. "Remember, I'm here to protect you. Can't have you distracting me too much." You laughed and shook your head. "I'll try not to be too much of a distraction."

Natasha's gaze lingered on you for a moment longer before she nodded. "Good. Ready to go?" You took a deep breath and cast one last look in the mirror. "Ready."

The red carpet was a flurry of activity, with flashing cameras and cheering fans. You moved gracefully through the crowd, stopping for interviews and photos. Natasha was always nearby, her eyes scanning the surroundings for potential threats. Despite the busy environment, your mind was elsewhere. You had been thinking about the ongoing game with Natasha, the back-and-forth of your interactions, and the growing tension between you. Tonight, you decided, you would take it a step further.

As you entered the theater for the premiere, you could feel the electricity in the air. You excused yourself from the group of people you were with and moved to a quieter part of the lobby. Natasha followed you, her vigilant eyes missing nothing. "Everything okay?" Natasha asked, her tone professional but with a hint of curiosity. You turned to her, a playful glint in your eyes. "Oh, I just needed a moment. It's so hectic out there."

Natasha nodded, her stance relaxed but alert. "You should have thought of that before." You stepped closer, your hand lightly brushing Natasha's arm. "You weren't so grumpy earlier. What's with the attitude now?"

Natasha raised an eyebrow, clearly intrigued but cautious. "I'm not grumpy. I'm just doing my job." You smiled, your hand sliding down to Natasha's waist, your fingers tracing the edge of her pants. “Loosen up a little, it’s fine to be a risky once in a while, Natasha.”

Natasha's eyes darkened with desire as she realized your intentions. "You're giving me a handjob at your premiere. We're thinking of two different versions of risk." You leaned in, your breath warm against Natasha's ear. "Maybe I like my version better." Your hand moved bolder, stroking over the bulge in Natasha's pants. Natasha gasped, but quickly placed her hand over yours to stop your movements. Her grip was firm, and a smirking smile played on her lips as she leaned closer, her voice a soft, seductive whisper.

"You think you're clever, don't you?" Natasha murmured, her breath hot against your ear. "If you keep this up, I'll have you on your knees, begging for more. I'll fuck you so hard you won't be able to walk straight for a week." Your heart raced at Natasha's words, a shiver running down your spine. You felt a mix of excitement and nervousness, your breath hitching.

Natasha stepped back slightly, her eyes meeting yours. "You have no idea what you're getting into, princess." You tried to regain your composure. "Then show me." Natasha's smile turned dangerous and seductive. "Not here. Not now."

Your heart raced, your mind buzzing with anticipation. You stepped back slightly, your eyes meeting Natasha's. "When then?" Natasha's smile was dangerous and seductive. "You'll see." You felt a thrill run through you. You had challenged Natasha, and now you were ready for whatever came next. As you returned to the premiere, the tension between you was palpable, an unspoken promise of things to come.

The premiere went smoothly, but your and Natasha's thoughts were elsewhere. The silent promise you had exchanged hung between you, intensifying every glance, every touch. As the event came to an end, you felt both excited and nervous about what would happen next. Natasha's presence, as always, was a calming force, but now it was charged with a new kind of tension.

As you finally returned to the hotel, you couldn't resist teasing Natasha one last time. "So, what's next, bodyguard? Do you still think I'm playing a dangerous game?" Natasha's eyes were dark with promise as she stepped closer. "Oh, princess, the game has only just begun." You felt a shiver of excitement. "Good. I wouldn't want it any other way."

You turned to head to your room, thinking you had the upper hand. But before you could take more than a few steps, Natasha grabbed your arm and effortlessly swung you over her shoulder. You gasped in surprise as Natasha carried you into the bedroom.

"Natasha! W-What are you doing!?" you exclaimed, your voice a mix of shock and excitement. Natasha didn't answer immediately. Instead, she gave you a quick, firm smack on your butt, making you gasp. "You wanted to play games, princess. Now it's my turn." Your heart raced as Natasha carried you into the bedroom and tossed you onto the bed. Natasha stood at the foot of the bed, removing her jacket and unbuttoning her blouse with deliberate slowness, her eyes never leaving yours.

"You've been teasing me all night," Natasha said, her voice deep and commanding. "Now it's time to show you what happens when you play with fire." You felt a wave of heat wash over you as you watched Natasha undress. You bit your lip, your breath catching in anticipation.

Natasha climbed onto the bed, her movements predatory and deliberate. She leaned over you, her hands pinning your wrists above your head as she kissed you deeply and possessively. You responded eagerly, your body arching into Natasha's. She broke the kiss, her lips brushing your ear. "You belong to me tonight, princess. And I'm going to make sure you remember it."

Your faces were only inches apart, and you could feel Natasha's breath on your skin. The tension between you crackled like electricity, a mix of anger and desire. Your teasing had always been a game to provoke Natasha, but now, faced with the intensity of Natasha's gaze, you realized how far you had pushed her.

"You drive me crazy, Y/N," Natasha whispered, her voice rough. "Now it's my turn." Your heart skipped a beat, your body trembling with anticipation. "Then don't hold back, please.." you replied, your voice barely more than a whisper. Natasha's smile widened, and she leaned in, her lips brushing your ear. "Oh, I don't plan to."

Natasha's lips crashed onto yours, the kiss fierce and demanding. You responded eagerly, your body arching into Natasha's, your skin tingling with the intensity of the moment. Natasha's hands moved purposefully, one sliding down your side, her fingertips tracing the hem of your dress before slipping underneath.

You gasped into the kiss as Natasha's fingers drew patterns on your skin, sending waves of pleasure through you. You had never experienced such a touch, so firm, so assured. It was as if Natasha knew exactly how to unravel you. "Natasha.." you breathed, your voice trembling with desire. "Please..." Natasha pulled back just enough to look into your eyes, her gaze fierce and intense. "Oh, I like that. Please what?" she demanded, her tone commanding.

"Please... more.." you begged, your body aching for Natasha's touch. A satisfied smile spread across Natasha’s face as she obliged, her fingers finding their way to your most sensitive spots, drawing moans and gasps from you that filled the room. Your world narrowed to the sensation of Natasha's touch, your body responding with an intensity you had never known.

Natasha's hands moved expertly, teasing and pleasing you until you trembled with desire. Just as you thought you couldn't take anymore, Natasha pulled back slightly, her gaze dark and full of promise. "You're not ready for what's coming next," Natasha said, her voice deep and husky. She stood up, her movements intentionally slow, giving you a moment to catch your breath.

You watched with wide eyes as Natasha unbuckled her belt, your gaze following her every move. As Natasha's pants fell to the floor, you caught your breath. There, proud and ready, was Natasha's member. Natasha reached into her pocket and pulled out a condom, rolling it on with practiced ease.

"You were prepared," you teased, your voice breathless. "Did you know the night would end like this?" Natasha gave you a sly smile. "I had a feeling. And by the end of the night, you won't have that attitude anymore."

Your body responded to Natasha's words, a mix of excitement and anticipation coursing through you. Natasha climbed back onto the bed, positioning herself between your legs. She leaned in to capture your lips in another searing kiss, her hands roaming over your body, stoking the flames of desire even higher.

As Natasha slowly entered you, you gasped at the sensation, your body arching into hers. The feeling was unlike anything you had ever experienced, a perfect blend of pleasure and connection. Natasha moved with a careful rhythm, watching your reactions to ensure every movement brought you joy. "Do you like that?" Natasha whispered, her voice deep and rough. "Do you like feeling me inside you?"

"Y-Yes, oh God, yes.." you moaned, your hands clutching at Natasha's back, your nails digging into her skin as waves of pleasure washed over you. "Good," Natasha growled, increasing her pace slightly. "Because I'm not stopping until you've learned your lesson." Your breath grew heavy, your moans louder with each thrust. Natasha's lips found your neck, kissing you, making you tremble. Natasha's hand slipped between you, her fingers brushing over your clit in teasing, light touches.

"Natasha!" you gasped, your body jolting at the sudden rush of pleasure. "Please, stop..."

"Just a taste of your own medicine," Natasha murmured, her voice a husky whisper against your skin. She kept her slow, torturous rhythm, her fingers lightly dancing over your sensitive spot, driving you wild with desire. Your frustration mingled with your arousal, the teasing making you desperate. "Please, Natasha... I need more.." you begged, your voice trembling.

Natasha's smile deepened, savoring your pleading. "You need to learn that actions have consequences," she said, her pace increasing, each thrust deeper and harder. "Is this what you wanted, Y/N? To be dominated, made to beg?"

"Yes, yes!" you whimpered, your body arching, seeking more. "Please, Natasha, I need you..“ Seeing your desperation, Natasha finally relented. She increased her pace, her thrusts becoming rougher, harder. Her fingers pressed firmly against your clit, rubbing in perfect rhythm with her movements. "You feel so good," Natasha groaned, her own arousal evident in her voice. "So tight around me. You love being fucked like this, don't you?"

„God.." you cried, your body shaking with the intensity of your pleasure. "Don't stop, please don't stop."

"I'm not," Natasha promised, her voice rough with desire. She began slowly, her thrusts gentle and deliberate, giving you time to adjust to the new sensation. Each movement was measured, designed to build the pleasure slowly. Her fingers pressed firmly against your clit, rubbing in perfect rhythm with her movements. "You feel so good," Natasha groaned, her own arousal evident in her voice. "So tight around me. I told you how it would end."

"Oh God!" you cried, your body shaking with the intensity of your pleasure. "Don't stop, please don't stop..“ Natasha's breath came heavy, her movements becoming more urgent. "You're going to take everything I give you," she growled. "And you're going to love it." Natasha's eyes burned with a mix of desire and something deeper. "Turn around," she commanded, her voice rough. "I want to take you from behind."

You complied, your body trembling with anticipation. Natasha positioned herself behind you, her hands gripping your hips firmly. With one swift motion, Natasha entered you again, the new angle sending a fresh wave of pleasure through your body. "God, you feel so good," Natasha groaned, her pace rough and relentless. "Do you like this, Y/N? Do you like being fucked like this?"

"Yes, Natasha, y-yees.." you cried, your body pushing back against each thrust. "Harder, please, harder..“ Natasha's grunts filled the room, her movements becoming more powerful, each thrust driving you closer to the edge. "Fuck, what would your fans say if they saw you like this?" she growled.

Your world was a whirl of sensations, your body burning with pleasure. "Please, please, please!" you gasped, your voice breaking with need. "Please, I'm so close.."

Natasha's hands slid to your shoulders, pulling you back with each thrust, her pace unrelenting. "I want to see your face when you come," Natasha demanded, her voice rough. You turned, your eyes meeting Natasha's intense gaze. Natasha didn't break the connection, her thrusts deep and powerful, her eyes locked on yours. "You're so beautiful," Natasha murmured, her voice filled with raw emotion. "Come for me, Y/N. I want to see you come."

Your body obeyed, the intensity of Natasha's gaze and the power of her movements driving you over the edge. You called out Natasha's name, your body trembling with the force of your orgasm, your eyes never leaving Natasha's. She followed you, her own orgasm hitting her hard, her body tensing with the release. She held you close, your bodies entwined, the intensity of your connection overwhelming.

When it was over, Natasha collapsed beside you, both of you breathing heavily, your bodies slick with sweat. You looked up at Natasha, your eyes shining with gratitude and something deeper. "That was... incredible," you whispered, your voice shaking. Natasha smiled, brushing a strand of hair from your face. "You're incredible," she replied softly, her touch now tender, filled with affection.

You snuggled into Natasha's embrace, feeling safe. You had challenged Natasha, teased her, but now you understood the depth of it and the passion that lay beneath your banter. It was a night you would indeed never forget.

The next morning, the sunlight filtered gently through the curtains of your hotel room, casting a warm glow across the bed. You stirred slowly, a pleasant ache in your muscles reminding you of the intense connection you had shared with Natasha the previous night. A contented smile spread across your face as you replayed the events in your mind. The way Natasha had made you feel cherished and desired was unlike anything you had experienced before.

As you stretched lazily, you noticed Natasha already up and moving around the room, her movements efficient and purposeful as she dressed in her black uniform. Still feeling the warmth of the night, you sat up and instinctively pulled the blanket around you.

Natasha caught sight of your movement and smirked. "You don't have to hide under the blanket, princess," she teased, her eyes twinkling with amusement. "I've already seen everything." You felt a blush rise to your cheeks but managed a small smile. "Force of habit, I guess." Natasha chuckled softly and walked over to the bed, sitting down beside you. She reached out and gently brushed a strand of hair from your face. "How are you feeling?"

You leaned into her touch, savoring the intimacy. "Good. Better than good, actually." Natasha's smile softened, and she pressed a tender kiss to your forehead. "Good. We've got a busy day ahead. Remember, it's the final interview for the film today." You nodded, the reality of the day settling in. "Right. The last interview." Natasha's eyes searched yours, a hint of concern flickering in them. "Are you ready for it?"

You sighed, feeling a pang of anxiety. "I think so. Just... nervous, I guess." Natasha squeezed your hand reassuringly. "You'll do great. And I'll be right there with you."

As Natasha continued getting ready, you reached for your phone on the nightstand. Unlocking it, you saw a barrage of notifications. Among the messages was one from a close friend, marked urgent. Curiosity piqued, you opened the message thread.

The message read: "Y/N, have you seen these articles? Be careful with Natasha Romanoff. She's got a reputation." Attached were several links to articles and gossip columns detailing Natasha's past relationships, her numerous one-night stands, and her professional life as a bodyguard. The headlines screamed warnings about her dangerous allure and the trail of broken hearts she had left behind.

Your heart sank as you scrolled through the articles, each one chipping away at the happiness you had felt just moments before. The friend’s message continued: "I just don't want to see you get hurt. She might be good at her job, but she's also known for not sticking around."

Natasha's teasing smile from this morning flashed in your mind: "You don't have to hide under the blanket, princess. I've already seen everything." What if you were just another conquest for her? The memory of her passionate words from last night seemed suddenly tainted "You belong to me tonight, princess. And I'm going to make sure you remember it."

Natasha noticed the shift in your expression and the way you had gone quiet, your eyes glued to your phone. "Y/N, is everything okay?" she asked, concern lacing her voice. You quickly locked your phone and forced a smile. "Yeah, just... some messages." But the seed of doubt had been planted. Despite your efforts to focus, the words from the articles lingered in your mind. Was last night just another notch on Natasha's belt?

As you got ready, Natasha left you alone for a moment to gather your thoughts. The anxiety gnawed at you, turning the warmth you had felt into a cold pit in your stomach.

The day passed in a blur of preparations and travel to the interview location. Your mind kept drifting back to the articles, the warnings, the doubt. By the time you arrived at the studio, the unease had settled deep within you.

When the time for the interview finally arrived, you found yourself sitting in a brightly lit studio, facing a well-known interviewer. The cameras rolled, and the interview began. You tried to concentrate, but your mind kept wandering, haunted by the headlines and Natasha's reputation. "So, Y/N, this film has been a huge success. How has the journey been for you?" You forced a smile, trying to gather your thoughts. "It's been incredible. The cast and crew were amazing, and I learned so much."

But even as you spoke, you couldn't shake the memory of Natasha's voice from last night"Do you like feeling me inside you?"

"Can you share any particularly memorable moments from the set?" You hesitated, your mind momentarily blank. "Uh, there were so many great moments. I think... the camaraderie we shared off-camera was really special."

Natasha's teasing smile from this morning flashed in your mind "You don't have to hide under the blanket, princess. I've already seen everything."

"What are your plans after this film? Any new projects in the pipeline?" You swallowed hard, feeling the weight of uncertainty pressing down on you. "I'm exploring a few options, but nothing's set in stone yet."

Natasha's concern earlier replayed in your mind "Are you ready for it?" The interview continued, but your responses grew increasingly mechanical. Natasha, standing just off-camera, noticed the shift in your demeanor. Her brow furrowed with concern as she watched you, sensing something was wrong. She began to worry that she had overstepped last night, that perhaps she had pushed you too far.

When the interview finally concluded, you left the studio feeling drained and unsettled. Natasha was by your side immediately, her eyes filled with worry. "Y/N, what's wrong?" Natasha asked, her voice gentle yet urgent. "Did something happen during the interview?"

You shook your head, avoiding her gaze. "No, it's not that. I just... need some space right now." Natasha's heart clenched at your words. She followed you silently back to the hotel, the worry gnawing at her. Had she misread the signals? Had she taken things too far last night? The thought of having hurt you in any way made her feel sick.

Back in the hotel room, you sat on the edge of the bed, staring at the floor. Natasha hovered nearby, her concern evident "Y/N, please talk to me," Natasha said softly. "I can't help if I don't know what's wrong." You took a deep breath, feeling the tears welling up in your eyes. "I'm.. scared, Natasha..“

Natasha's heart ached at the vulnerability in your voice. She stepped closer, her hand gently cupping your cheek. "Scared of what? Talk to me, please." You finally met her gaze, the tears spilling over. "I'm scared that last night... that it was just a one-time thing for you. That you only wanted me for my body."

Natasha's eyes widened in shock, and she immediately knelt in front of you, taking your hands in hers. "W-What?“ You reluctantly lifted your gaze to hers, seeing the sincerity and depth of her feelings reflected in her eyes. "Last night was not just a one-time thing for me," Natasha said firmly. "I didn't just want you for your body. You mean so much more to me than that."

You searched her eyes, your voice trembling. "But what if... what if this changes things between us? What if it's just a fling?" Natasha shook her head, her grip on your hands gentle but steady. "It won't be. Because I care about you, Y/N. More than I've cared about anyone in a long time. Last night meant everything to me, and I don't want it to end there." Tears flowed freely now, and Natasha wiped them away with her thumbs, her gaze never leaving yours.

"But what about all these articles and rumors about you?" you asked, the fear and doubt still lingering in your voice. "They say you've had so many one-night stands and relationships that didn't last. How do I know I'm not just another one?" Natasha sighed deeply, her expression turning serious. "Do you remember the actress you met at the restroom at the Gala?" You nodded, recalling the striking woman who had seemed so authoritative.

"Her name is Jessica," Natasha continued. "We were in a relationship a few month ago. It was toxic and manipulative. When I finally managed to leave her, she was furious. She threatened to ruin my reputation if I ever left her." Natasha pulled out her phone and showed you a message thread. "Here, look at this." She scrolled to a particular message and handed you the phone. The message read:

"If you leave, I will destroy your life, your reputation, everything, Natasha. No one will ever trust you again."

You felt a chill run down your spine as you read the words. Natasha's voice was steady but filled with pain. "She's the one who started those rumors and spread the articles. I'm already taking legal action against her, but these things take time."

You looked up at Natasha, seeing the sincerity and anguish in her eyes. "I had no idea..." Natasha cupped your face gently. "I would never use you, Y/N. What we have is real, and I want to protect it. Protect you. Please believe me."

You searched her eyes, feeling the sincerity in her words. "But how can I be sure?" Natasha's grip on your hands tightened, her gaze unwavering. "Because I'm standing here, telling you this. I'm not going anywhere, Y/N. I want to be with you, not just for a night, but for as long as you'll have me."

You felt a flood of relief and emotion wash over you. "I want that too, Natasha. I just... I needed to know." Natasha pulled you into a tight embrace, holding you close. "You don't have to be afraid. I'm here, and I'm not going anywhere." You clung to her, feeling the warmth and strength of her presence. The fear and doubt that had plagued you melted away in the face of Natasha's unwavering support.

As the day continued, you felt a renewed sense of connection and understanding with Natasha. The bond between you had deepened, forged through honesty and vulnerability. With the whirlwind of your film promotion tour finally over, you felt a mix of relief and excitement as you arrived back at your home. For the first time in months, you had some well-deserved time off. Natasha, your steadfast bodyguard, was right by your side as you walked through the front door of your cozy house.

"Home sweet home.." you sighed, dropping your bags and stretching your arms. The familiar surroundings brought a sense of peace that you had missed during your hectic schedule.

Natasha smiled, leaning against the doorway. "It's nice to see you relax." You turned to her, a question lingering in your mind. "So, what happens now? Do you move on to another client with a tour or something?" Natasha raised an eyebrow, her smile widening. "Actually, I took some time off too."

Your eyes widened in surprise. "Really? You took time off to stay here?" Natasha nodded, stepping closer. "Yes, I wanted to spend more time with you. I meant what I said a few days ago, Y/N."

A wave of warmth and happiness washed over you. "You really do care," you whispered, feeling your heart swell with affection. Natasha cupped your face gently, her eyes soft and sincere. "I care a lot, and I want to make the most of this time we have together."

The next few days were blissful. You and Natasha spent time just enjoying each other's company, something you hadn't been able to do during the tour. The bond between you grew stronger, built on trust and genuine affection. One lazy afternoon, as you lounged on the couch together, you started discussing potential vacation destinations. "We should go somewhere special," you suggested, scrolling through various travel websites on your laptop. "How about a trip to a secluded beach resort? Just the two of us."

Natasha leaned in, looking at the screen. "That sounds perfect." You found a beautiful resort that offered private bungalows by the ocean and various activities for couples. "This one looks amazing," you said excitedly. "Let me book it."

Before you could click the "book now" button, the doorbell rings, "Food is here!" You sprint over and meanwhile Natasha took the laptop and made the booking. When you come back with two pizza boxes, you pouted playfully. "Hey! I wanted to pay for it!“ Natasha chuckled, pulling you into her arms. "I know, but I wanted to do this for us." You gave her a mock glare. "You're impossible, you know that?"

Natasha silenced you with a gentle kiss, her lips soft and tender against yours. "Shush," she whispered against your lips. "Let me take care of you for once." You melted into her embrace, feeling the love and care she poured into every touch and kiss. "Okay," you murmured, a smile tugging at your lips. "I guess I can let you spoil me this time."

The anticipation of your upcoming trip added an extra layer of excitement to your days. You spent your time planning activities and daydreaming about the sun, sand, and sea. The more you got to know Natasha in this relaxed setting, the more you realized how deeply you felt for her. As the departure date for your vacation approached, you and Natasha packed your bags with a mix of excitement and eagerness. The thought of being in a beautiful, secluded place with her made your heart race.

Finally, the day arrived, and you both boarded the plane to your dream destination. The flight was smooth, filled with laughter and light conversations about the adventures you planned to have. Upon landing, you were greeted with warm ocean breezes and the sound of waves crashing on the shore.

Your bungalow was even more beautiful than the pictures, nestled right on the beach with a stunning view of the turquoise waters. As you stepped inside, you felt a sense of tranquility wash over you. "This is perfect," you sighed, looking out at the ocean from the large windows. Natasha wrapped her arms around you from behind, resting her chin on your shoulder. "It really is. I'm glad we're here together."

You turned in her arms, looking up at her with a smile. "Me too. Thank you for everything, Natasha." She leaned down and kissed you softly. "Anything for you, Princess." The days that followed were filled with pure bliss. You and Natasha spent your time exploring the beach, swimming in the crystal-clear waters, and enjoying romantic dinners under the stars. Each moment felt like a precious gift, strengthening the bond you shared.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[unboundprompts]

Hello! Could you do a cowboy/wild west terms & phrases?

Thank you!

Cowboy / Wild West Terms and Phrases

-> The Chief Storyteller

-> Cowboyaccountant

A Lick and a Promise - to do haphazardly.

Above Snakes - If you were “above snakes,” you were above ground; still alive.

Acknowledge the Corn - admit the truth, to confess a lie, or acknowledge an obvious personal shortcoming.

An Invite to a Dance - could mean shooting at a man’s feet to make him dance.

Bake - to overheat a horse by riding too fast, long, or hard.

Barkin’ at a Knot - Doing something useless; wasting your time, trying something impossible.

Barn sour - horse that loves his stall; speeds up the pace as he nears the barn on the journey home.

Bedroll - Blankets rolled and carried for sleeping.  Also called sugans, soogans, hot rolls, or dream sacks.

Bee in Your Bonnet -  An idea.

Boondocks, Boonies - far from civilization.

Broom-Tail -  a negative term for an ill-behaved or ugly horse, often a horse that looks or acts like a mustang.

Burn the Breeze - ride at full speed.

Chuckwagon - A wagon used to carry food on a cattle drive, which also serves as a mobile kitchen.

Clipped his Horns -  took him down a notch or two; referring to a fight or a braggart.

Cowboss -  In charge of the cattle operation on a ranch.  They choose where the cowboys will ride and hire and fire cowboys.  Answers to the general manager or ranch owner.

Curly wolf -  real tough guy, dangerous man.

Dilly-dally - loiter or vacillate.

Flannel mouth - overly smooth or fancy talker, especially politicians or salesmen. 

Night-Wrangler -  A cowboy that herds and cares for the saddle horses during the night. 

Pull in your horns -  back off, quit looking for trouble.

Rustler -  A horse or cattle thief.

That Dog Won’t Hunt - That idea or argument isn’t going to work. Or, the person saying it doesn’t believe what you’re saying.

Will Die Standin’ Up -  brave

If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.

[in-case-of-grace]

Alternatives to "GM" in TTRPGs

Spurred by a recent post from @imsobadatnicknames2 that found its way into my feed by way of @anim-ttrpgs' addition (this post got too big to be a reblog sorry), I've been thinking about the influence of the terms we use for the host-and-narrator role in a TTRPG. Each tends to carry some connotations and implications as to what the role might entail, and these can influence how people play your game.

At best, this may enforce your intended roles for the game, alongside its themeing. At worst, your chosen term for this role may create false assumptions, and lead to people approaching it in a way that makes it unfun for them.

There's also an aesthetic component to consider! Having a term that matches your genre and vibe can go a long way! It's gonna be a balancing act— does the term change how people interact with your game enough to become a problem? Does it match and enforce your themes and aesthetics strongly enough to balance some of those problems out?

Below, I'm gonna go over a couple common (and uncommon) terms for this role and what I think their connotations, implications, and best usecases are here. These are gonna be beholden to my own biases, of course— and you may see different connotations entirely! Maybe it'll help folk think more about what terms they want to use!

---

"Game Master" is very gamey. It implies that this person is setting up a bunch of specific, pre-made mechanical challenges-- like an obstacle course. I will admit that it does have the weakest connotations of all the commonly used terms I'm aware of, though-- simply by virtue of it having become so commonplace across all sorts of games.

I think it works best with chunkier, mechanically heavy games. Due to it having a weak connotation, though, it won't hurt your game if you use it elsewhere, it is kind of the baseline these days, after all.

---

"Storyteller" implies that this person is sitting everyone down and telling them a story. Like putting on a play. There's an implication that they are going to be controlling most of the narrative here-- and that the players don't have as much say in it.

It's also technically incorrect, given that...well, the players are storytellers too! The point of these games is to tell a story together!

It can work for more narratively focused games, it has some lighthearted, cutesy vibes that can be a good fit for some-- but its connotations can lead to this person taking more control than you may actually intend for them to have in your game.

It's one that I don't think accurately fits a lot of games, and is chosen more for its aesthetics and vibes. (Something I have done before, and with time it bothers me more and more.)

---

"Narrator" is the opposite of Storyteller-- it implies, to me, that this person has less say in the narrative than the players. They are there to impartially narrate and describe the world's reactions to what the players do, little else. A passive observer, almost.

I think it can still work fine for plenty of games-- especially those with contemporary settings. It's the sort that, to me, feels more suited to sandboxy games that are more focused on providing a bunch of simulationist tools for players to poke and prod the world with, rather than on telling a structured narrative.

---

"Dungeon Master" is particularly genre-limited. It carries a lot of the same implications that GM does, but for fantasy games in specific-- especially dungeon crawlers.

Only making a special note of it here since it is tied to A Particularly Big Game in the community. Its connotations are much stronger than GM's, though, and it feels out of place in rules light games— unless they are specifically set in a dungeon.

---

"Director" is one that can have drastically different implications depending on the background of who reads it. If they're a film buff, they'll think it implies that this role has final say on everything, and retains high levels of control that the players do not share. Very much akin to Storyteller.

However if the person reading it is more familiar with video games, and the Left 4 Dead series (and games inspired it) in particular, they'll see the Director role as something more reactive and behind the scenes. They may think this person is responsible for improvising and presenting the players with challenges and scenarios that match their current situation— be it narrative or mechanical.

There may have been a specific plan made ahead of time, but it is filled with a ton of contingencies, with an expectation that improv will fill in the gaps.

Though like Narrator, the L4D type of Director implies a somewhat passive, observer role that isn't meant to have a say in the story.

I think most people will see it with film connotations rather than the Left 4 Dead connotations— which is unfortunate, considering that the L4D type of Director is actually really well suited for certain types of TTRPGs. I think "Game Director" vs "Director" may help alleviate this somewhat, but I'm unsure how effective it'd be as I don't think most people share the L4D brain association I do.

---

"Referee," "Arbiter," "Judge," and "Moderator" all share the same problem as Narrator-- but 10 times worse. These are all heavily laced in passive connotations-- and imply that this person is there simply to determine the outcomes of mechanical situations, but has no say in the narrative.

They can work nicely with like, sports or competition TTRPGs in specific, though.

---

"Master of Ceremonies (MC)" implies that you're not playing a game, but that this person is about to lead you through an awards ceremony, drop some bars, or host some stuffy 500 year old regal event called "the Ceremony of the Ballet Fish" or something.

I don't think this one fits in TTRPGs like, at all, frankly. I just cannot imagine someone in that role being referred to as an "MC" unless we're talking about a game that is specifically about a ceremony, or rap.

---

"Caretaker" implies that this person's role is to maintain and care for the world, game, and story. It implies that they not only facilitate the garden you're all playing in, but that they also trim or rearrange it to suit everyone's needs-- including their own.

I actually think this one is very nice. It doesn't imply that they're an absolute monarch, nor does it imply that they're a passive observer. It also manages to encapsulate the amount of background work the role can often require, without taking away their say in the resulting narrative.

A Caretaker has agency in the story, while remaining cognizant and receptive of the players' agency, too.

This works really well for games focused on telling collaborative narratives, but I think it can also work fairly well for mechanically focused ones as well. It feels pretty versatile!

This one is new to me and I honestly might start using it for my games going forward, unless someone knows of a common connotation I'm unaware of!

---

"Facilitator," and "Host" both imply that this person provides the space and tools for the game, and nothing else. They handed the players the keys, told them to lock up after they're done, and left to go do sick flips in their motorcycle or something nerds do.

To me, the term by itself implies this person has very little to do with the actual game. I don't think these work any better than, say, GM, without a thematic justification.

Host could be amazing for some sort of bio-horror game— or for a game show RPG. Facilitator feels DoA to me. Both, however, could work if your game really is set up so the Facilitator/Host just provides tools to the players and does little else.

---

"Guide" implies that this person takes on a fairly hand-holdy role in leading the players through the game and its narrative. Maybe not quite railroading, but they definitely do a lot to keep the players on track.

This one, I feel, carries some "teacher" connotation— as if this person is responsible for teaching the players the rules. It's on them, not the players, to read and remember the actual rules.

I feel that this connotation largely ruins what good this term could do.

But, it can still work well in certain cases. If your game really is meant to have a focused, linear narrative, it can work quite well. The same goes for specific genres or settings— such as anything dealing with camping, national parks, or tourism.

---

"Overseer" taken at face value, actually could be pretty apt. They'd be someone who oversees the game and does what they can to keep things fun.

Unfortunately, due to the word's use in workplace environments and dystopian fiction— it has some pretty heavy cultural connotations that turn it more into a dictator role. They have complete and total control over the game and its narrative, even if the players disagree with their choices.

I think it can work well for games that deal with dystopian or corporate settings, where this person might actually be meant to have more control, or simply for the flavor— but not a ton else.

---

"Producer" is vaguely similar to the film-style Director-- in the sense that it comes from film. However, unlike the Director, a Producer coordinates and works together with the players to tell their story. It's a more collaborative role that shares power and agency more evenly with the table.

This also somewhat accurately implies the amount of work that goes into the role, much like the Caretaker.

However, given its origins, it doesn't imply they're playing a game— I can't entirely explain why, but it feels similar to MC in this sense. The term is very heavily entrenched in its origins, and carries strong film connotations— even though, yes, video games have producers too!

I think it'd be rad to see games using this, though. In time the strong film connotations may shake off! Like Caretaker, I think it's fairly versatile and could be well suited for a wide variety of games.

---

Niche terms such as keeper, warden, overlord, president, deity, and fixer are always worth considering, too! These tend to just be one-offs used in a specific TTRPG, that suit their setting and tone in particular.

Now, each can and does have its own implications and connotations to consider— weigh those against how well it serves the vibes of your game before you lock in!

---

"Host and Narrator (HAN)" implies the same things that these terms do separately-- but combines them to offset (some of) their downsides. This implies that they host and provide the tools needed for playing the game, yes, but also that they actually stick around to narrate and respond to the players.

When Narrator is combined with Host here, I think this also transforms into something a little closer to the Caretaker— as the Host and Narrator both, they have more of an active role in maintaining the space (and story) they've provided.

It feels similarly versatile, as a result. I just made this one up and don't know if there are any games that use it already, it could have legs— it is a little dry and flavorless, though. This may give it a potential leg up on Caretaker, which does have a lil bit of a lighthearted vibe that may feel off in, say, a horror game.

---

Honorable mentions - Scenestress - Conductor - SOUP (Story Overseer United (with) Players) - Their Majesty - MOMMY (Mediator Over Making Mythic Yarns) - JOE (Joe Ojoe Ejoe) - Representative (REP) - Doormat

---

Again, these are all just according to the implications and connotations I find in these terms— you may find others! What you pick is going to depend on you, your game, and your intended audience!

I don't know if perfect terms exist, and it's wise to explain whichever you use within your rulebooks— just to ensure that someone else's biases and assumptions don't lead to them misinterpreting things.

Is there anything I missed? Any terms you like to use? Do you have a vastly different set of assumptions for one of these terms? Please share!

[inbarfink]

After all these years, ‘I Remember You’ is still one of the great highlights of Adventure Time Storytelling. And not just in the basic ‘what???? Silly children’s cartoon does something SAD??? HOLY SHIT MIND BLOWN’ way. But with the execution of that Something Sad. How it manages to pack so many Complex Emotions into just 11-minutes of television. And especially the way it utilizes the basic Adventure Time format for that purpose.

So Adventure Time is a Board-based show. Each episode has an outline pitched and written down by the writer’s room, and then this outline goes to a team of (usually) two Storyboard Artists who develop that simple outline into a full story. And with the show’s art-style deliberately eschewing staying perfectly ‘on-model’ in favor of having the animators take direct reference from how the different storyboarders draw the characters

And the show being generally extremely versatile in terms of themes and tone - AT has allowed a lot of their Storyboarders to really express themselves and their unique artistic vision as part of the Big Collaborative Narrative that is Adventure Time. 

Now, the Boarders who worked on ‘I Remember You’ are Cole Sanchez and Rebecca Sugar. These two were a Storyboarding Duo from the start of S4 and until Sugar left the AT Crew during S5, and they always struck me as a curious combination. I think really from all of the individual boarders working on AT during that time, these two really are the closest to having like… Totally Opposite Artistic Sensibilities as boarders. 

With Sugar favoring a style that is very loose and sketchy and also very rounded. Focusing on expressions and subtle body language and lighting. And being famous for going deep in depth into Big Moments of Emotional Catharsis

And Sanchez having a very clear art style that emphasizes strong silhouettes and clear lines that suggest flatness. Focusing more on major poses and the character’s positions in the space. And having just a really great eye for AT’s brand of silly humor.

Like, I almost kinda suspect these two were paired together so they can each cover for the other’s “weakspots” in writing ‘Adventure Time’. 

And there were a few episodes that did some really interesting stuff with this very contrasting pair - ‘Jake the Dog’ is another example. Giving most of the Farmworld scenes to Sugar and most of the Time Room scenes to Sanchez both plays to their personal strengths as storyboarders and helps to emphasize the strong emotional contrast between these two scenarios. 

And ‘I Remember You’ is actually kinda unique among Adventure Time episodes cause… Most episodes will have the two boarders alternate between working on the episode throughout it. Like you’d have Boarder A draw a bit and then Boarder B and then Boarder A again… But “I Remember You” is divided between Sanchez and Sugar… basically perfectly in the middle.

So the entirety of the first half of the episode was boarded by Sanchez

Until Ice King pushes Marceline and then leaves the room in shame.

And then, Sugar takes over.

And, like, even if you don’t know anything about the Behind the Scenes of Adventure Time or who Cole Sanchez and Rebecca Sugar even are - the Shift is noticeable. The shift in tone, in narrative focus, in the subtleties in which the characters are drawn. 

The entire first half of the episode has this thin veneer of just being a Silly Goofy Ice King Episode. Sanchez’s talent for Adventure Time’s brand of comedy is on full display… but there is also this underlying feeling that Something is Happening just under the surface. And these hints of the Big Emotions of ‘IRY’ expressed via Sanchez’s kinda goofy style really create this balance between putting the audience into a false sense of security that this is just a Very Normal Episode about two characters hanging out and the Tension constantly brewing in the subtext. 

And then it all comes to a blow.

And then the Shift happens. And now we are in Sugar’s court.

And this subtle shift in the artstyle and storytelling also coincide with Marceline finally openly expressing her feelings and the Reveal of Simon and Marcy's shared past. The episode changes focus from Ice King's silly antics to Marceline's feelings. Everything changes, everything in the first part of the episode gets recontextualized and... even on the most basic level, the episode is now Noticeably Different.

I would almost say that Sanchez’s half of the episode has Ice King define the tone, while Sugar’s half of the episode has Marceline define the tone. But more than anything it’s the catharsis. The reveal and release of those emotions that were building up so expertly through the Sanchez half of the episode. All of the Sugar-boarded scenes in this episode are really heartbreaking on their own, just through the tragedy of the story and Sugar’s expert knowledge of howto convey emotion in the visual medium - but it’s so enchanted by what came before it.

“I Remember You” is truly a great testament to how ‘Adventure Time’ could use every aspect of its medium to tell a great story in such a short time.

[avatar-anna]

Pale Green Stripes

The Professor Masterlist

this takes place during The Professor Series!

"Did you know you're the only person who never tries to interrupt me?"

"What do you mean?"

Harry and Y/n lay on the carpeted floor of her townhouse. Their shoulders touched, but that was about it. Even so, Harry could feel that tiny bit of contact throughout his entire body. The professor probably had a word for that, a scientific term to explain why just the slightest graze—not even skin against skin—sent him into a tailspin that made him have to focus extra hard on what she said.

Y/n's hands knotted together on her lap, a thing she did when she held herself back. It was as if she had to physically restrain herself some way to keep her from speaking out of turn. Harry personally never thought she did, from their first meeting at the bookstore, he'd been fascinated by her, by the things she said.

"I don't mean to...impart information on people the way that I do. It just happens sometimes," she said, her eyes gazing up at the ceiling.

Harry knew he probably should've too, but he couldn't help but look at the professor instead. Her hair fanned out around her shoulders, she wore a string of pearls around her neck and earrings made to look like Salvador Dalí's melting clocks in her ears. Her jewelry was always a mix of something professional and a little quirky, Harry came to realize, as if even at work as a professor at Cambridge University she couldn't help but have a little fun.

Her wardrobe consisted of patterned socks and cherry red Adidas shoes and fun knitted sweaters and vests. Today she merely wore a cozy navy blue sweater and a flowy white skirt, her red shoes were on a rack by the door, but she still wore her ruffled socks with embroidered roses on them.

"I don't mind it at all," he replied honestly.

Y/n blinked a couple times, then said, "I know. I was surprised at first because everyone usually cuts me off. Or walks away."

Harry frowned. He couldn't help but notice how clinically the professor spoke about the hurtful things that had been done to her. By her family, so-called colleagues, the few friends she had at work. He couldn't fathom anyone finding Y/n anything less than wonderful. She was brilliant, yes, but funny, and charismatic, and had a knack for storytelling. Harry never wanted her to stop talking. Ever.

"I like listening to you," he told her, shrugging as best he could given his current prone position.

"That's probably because you never finished school and are trying to make up for lost time."

From anyone else, that would've been a joke, a jab, but Y/n took education seriously, had mentioned it numerous times since they met.

Still, Harry chuckled. "Maybe I just like the sound of your voice. Maybe I just like hearing what you have to say. Maybe I find your lectures highly arousing."

"Edward!"

Even as he laughed with her, Harry couldn't help but feel guilty. He knew he should tell her, he should've told her months ago. His middle name fired out of his mouth before he could think the first time Y/n asked him for his name. A desire for anonymity, that was all it was. He didn't think he'd see her again outside the one time, so he thought it would be harmless. Then they did keep meeting, and he didn't have the guts to tell her, and now he was too deep in the lie to find a way out.

"What?"

Harry had never been shy about his attraction to the professor, even if he'd only seen half of her face due to the mask she wore. There was so much to appreciate about her, so much to admire, and he let his own imagination do the rest. He could've, of course, looked her up online. Y/n had mentioned something about posting educational videos online, but he thought it was only fair that if she didn't know what his entire face looked like that he didn't either.

"Why do you say stuff like that?" she asked, and even without the mask, Harry could tell she was blushing.

"Like what?"

"About me. About—about your attraction to me and how you find me—or think I'm a—"

"Yes?" Harry encouraged. He could tell there was a word or phrase she had in mind but was too embarrassed to use.

"In the 16th Century, the word bellibone was first used. It's derived from French etymology using the words belle and bonne to describe a woman who excels in both beauty and goodness. There's really only one known use in the late 1500s. A poet named Edmund Spenser, though he was from Ireland. It's fascinating how a word can be used once then ceases to exist, don't you think?"

Harry blinked, not totally prepared for the tangent, though perhaps he should've been. Grinning beneath his mask, he said, "I think it describes you perfectly."

"Edward," Y/n said, now her neck was flushed too.

"Does it make you uncomfortable?" he asked. "The compliments? The—" He might as well call it what it was—"flirting?"

"N—No."

"Because I'll stop if it does," he promised. "I just think you should know how devastating you are."

One of the professor's eyebrows quirked up in confusion. "That was an interesting choice in adjective."

But it was the perfect one. Harry knew he couldn't be with Y/n the way he wanted when she didn't know the truth about who he was, and he couldn't risk losing her if he finally told her. Perhaps it was unfair to play at something he knew he couldn't have, but part of him wanted Y/n to know that she was desirable, that she was more than what her intellect offered. Sure, Harry found her intelligence sexy as all get out, but she was also beautiful, and funny, and kind, and he didn't think anyone had ever complimented more than just her brain.

He would spend an entire day complimenting her if he had the time, or if she let him.

But while Y/n was confident in many things, romantic feelings weren't one of them. Despite the obstacles he put in his own way, Harry didn't think the professor was quite ready to hear how much he really liked her.

"Tell me something."

"Like what?" Y/n asked.

"Anything," Harry said, facing her and propping his head in his hand. "A book you read, something that fascinates you, your least favorite student, anything."

She narrowed her eyes at him as she positioned her body to face his. "I don't have a least favorite student."

"I don't believe you," he replied, narrowing his eyes back playfully.

Y/n scanned his face, then up and down his body. It was casual, though Harry noticed that her gaze lingered in places—his arms, his shoulders, his face. He wore a mask, but he tried to suppress his grin anyway. Then, before he could tease her more, her eyes lit up.

"Did you know the stripe pattern originated in the Middle Ages?"

He never knew, but she always prefaced her information the same way. "Did it?"

Nodding to the green striped shirt Harry wore, she said, "Stripes were used to identify social outcasts. Prostitutes, criminals, hangmen, clowns and jugglers; they all had to wear stripes so they were easily recognizable in regular society."

"Clowns?"

"Outcasts and people who were...not society's favorites, like court jesters and such. European governments even legalized the requirement of certain citizens to wear stripes. Though now, of course, stripes are popular due to Coco Chanel wearing a striped shirt similar to French sailor uniforms, which, you know, sailors were also usually the lowest rank of the French navy. Then stripes began appearing in women's activewear in the 1920s, Al Capone began wearing pinstriped suits, and the rest is history. A long, brutal history, obviously, seeing as prisoners were later forced to wear striped uniforms, and prisoners in concentration camps during World War Two, but—there you have it. A brief, slightly detailed history of the stripe."

Harry looked down at his long sleeved shirt, the thin pale green and white striped that lined his arms and torso. "Not sure if I'll be able to wear stripes again, but... that's really fascinating."

"Thought you might like that," Y/n said with a shrug.

Harry tilted his head questioningly. "Why do you say that?"

"You like clothes."

He didn't question how she knew that. With her background, Y/n seemed to know things about him that she just happened to observe. It was a little disconcerting at first, but he came to appreciate that he didn't have to pretend around her. No airs, no personas, none of the things he'd become so accustomed to in recent years. The professor might not have known about Harry's career, but she knew him in ways no one else did.

"Well," he said, playfully sighing at his shirt. "Guess I'm never wearing stripes again."

Y/n's eyes squinted and her mask scrunched a little, the way they always did when she smiled. With an unmistakable glint in her eye, the adorable one she always got when Harry indulged in her. "Wait until you hear about polka dots!"

Harry sighed, a mix of exasperation and amusement making him chuckle a little. "Tell me more, love."

[personastrologyhub]

Persona Chart Observations

༺♡︎༻ Venus in the 8th House in the Moon Persona Chart: This placement could indicate a deeply transformative emotional life, where relationships and emotional bonds bring significant growth. Love may be felt on a profound level, with the individual experiencing both intense emotional highs and lows.

༺♡︎༻ Saturn in the 5th House in the Venus Persona Chart: This may point to a cautious approach to romantic relationships. There could be a tendency to delay pleasures or feel restricted when it comes to experiencing fun and joy in romantic connections. Individuals might prefer relationships that have a serious, long-term focus rather than casual flings.

༺♡︎༻ Jupiter in the 3rd House in the Ascendant Persona Chart: Could indicate a natural optimism and expansive view when it comes to communication. The individual may have a natural talent for storytelling or public speaking, and they tend to influence others with their optimistic mindset.

༺♡︎༻ Mercury in the 8th House in the Ascendant Persona Chart could indicate a sharp, probing mind, especially when it comes to uncovering hidden truths? People with this placement tend to be intensely curious about psychology, taboo topics, and even the occult. They may have a talent for diving deep into conversations, often revealing truths that others prefer to keep hidden, giving them an almost detective-like persona.

༺♡︎༻ Pluto in the 4th House in the Moon Persona Chart: Deep emotional transformations may stem from the home environment or family relationships. These individuals could experience powerful shifts in their emotions connected to their upbringing, and may carry ancestral emotional patterns that need to be worked through.

༺♡︎༻ Mercury in the 9th House in the Mars Persona Chart: This placement suggests someone who intellectually challenges their partners or sexual interests. There might be a strong emphasis on philosophical or moral discussions within intimate relationships, and they may feel most stimulated by partners who expand their worldview.

༺♡︎༻ Uranus in the 12th House in the Venus Persona Chart: This could indicate sudden, unexpected changes or revelations in love matters, possibly related to hidden or unconscious patterns. These individuals might have a deep, almost psychic connection to love, where breakthroughs and disruptions come from unseen forces.

༺♡︎༻ Venus Conjunct the Ascendant in the Jupiter Persona Chart: People with this placement could be seen as naturally attractive, exuding an aura of abundance and charm. Their positive and generous demeanor tends to attract opportunities for personal growth, especially in social or public settings.

༺♡︎༻ Chiron in the 10th House in the Ascendant Persona Chart: There could be a sense of wounding related to public image or career, where the individual feels their achievements are not acknowledged. Healing may come through accepting their uniqueness and finding their path outside conventional norms of success.

༺♡︎༻ Mars Conjunct Neptune in the Imum Coeli Persona Chart: This placement could point to a complex and sometimes confusing relationship with the family, where there might be hidden anger or passive-aggressive behavior at home. The family may have been very idealistic or spiritual, yet there could be an undercurrent of unspoken frustration.

Let me know if this resonate and if you want more posts like this.

[queer-ragnelle]

Understand is is a very weird question to get out the blue so no offence taken if this gets left in the inbox, but I was wondering how (if at all) to integrate transgender knights into arthurian retellings/adaptations ect while trying to keep it vaguely true to the medievalisms of the whole thing? I know its easy and liberating to just go 'fuck it everything queer' and its a totally valid way to go about it, but (as a trans person) I like having a narrative examine queerphobia and other structual issues with the setting - gives the whole thing a bit of meat (in my personal tastes). That being said, it feels like its a nightmare to try and have a transmasc knight stay stealth in this place! Everyone feels like theyre getting stipped and tended to after breaking a rib in a joust or merlin shows up and is a dick about pronouns and outs you to get you married to a Roman king. Stuff like that - things that feel a little easier to dodge when its a civillian character, not an ruling class.

Is this a 'kill the cop in your brain' kinda deal? As a queer storyteller yourself do you have any tips or strategies or tools you use to crowbar this kinda stuff a little easier together? Or do you know any stories/retellings/academic texts ect that cover these kinda things (even if its in a 'for the love of god, don't do that' way). Love the work you do for this fandom a lot, regardless of your answer! Hope you have a good day.

Hello anon! This is a great question.

Now let me preface this by saying I’m not transgender and I’m not a medievalist. There are plenty of trans medievalists on tumblr, but I’m not one of ‘em. So my answer is coming from a queer but cis author and enthusiast perspective. I'm going to provide lots of links to read things as well so everyone can draw their own conclusions from the material.

I think a large part of this does come down to “kill the cop in your head.” But at the same time, I’ve been exactly where you are wondering, “How can I make this story feel authentic to its era without torturing the trans characters?” Because you’re right, there’s a lot of nudity and close proximity interaction between knights in the medieval stories and Merlin is totally the type to be a dick about pronouns. I've also searched and struggled to find a medieval-set story that manages to incorporate queerness in a period-appropriate way (so far as we can guess) while balancing the narrative as to not tip into something deeply unpleasant for the target audience to read. (See: the series by Lavinia Collins, which has great queer rep, yay! But tons of horrors previously unseen and still unnecessary, boo!) So where does that leave us?

Well first I’m going to give you an example of how not to handle transness in an Arthurian story....

The book Once & Future and its sequel Sword in the Stars by Amy Rose Capetta and Cory McCarthy went with the phenomenon you already described as, “fuck it, everything queer.” It doesn't take place in the past, but does use the medieval stories as more than reference, it's not as divergent as something like Port Eternity by C. J. Cherryh, the reincarnated characters do interact with the past directly at times, so I'm using it as an example.

Anyway most characters are either gay (umbrella term) or trans. Except the way trans characters are treated sucks majorly (in my opinion). I completely lost faith in book 1 after the introduction of Lamorak, a gender fluid knight who uses they/them pronouns. Merlin misgenders them and gets corrected by Kay, to which Merlin does this whole self flagellation routine about. Lamorak is also disabled, missing their left hand. (Why isn't it Bedwyr? Anyway not the point...) Lamorak gets no dialogue here whatsoever, all agency is completely stripped from them regarding their disability and their gender identity. Double whammy.

This is worsened when Percival gets introduced, as Merlin then makes a point of asking for pronoun clarification in the most obnoxious way possible. To which Percival takes no offense at the weird slight against his sibling and tells Merlin his pronouns.

But what about the sequel? Surely these two queer authors improved with time.....

Is this a joke? Is this the best way they could indicate the inclusive realm of Avalon? Why not just describe the women as they are, all shapes and sizes, and let the reader figure it out? The authorial intent would be so obvious by this point. Instead they say it… like that. Gag.

It only gets worse when Mordred is born. Then they're weird about a literal infant.

What in the bio essentialism? If the characters have been living in a future that’s broken out of the gender binary, the baby’s genitals should be irrelevant. Gwen’s literally saying Mordred is going to fulfill the evil prophecy because he was born with a penis. Even if this is intended to be a teaching moment, I hate how it’s handled. These quotes are in order of appearance in the books, so after the subtextual implications of all that came before, this last part really doesn’t sit right with me. Sorry I find these books completely abhorrent. They've won awards, they’re beloved by many. Maybe it's me. But no thanks.

Honestly, so long as you're not blatantly offensive with your handling of such things, I think you'll be fine. It's important to remember that even if one is part of a demographic they're depicting, it's always a good idea to hire sensitivity readers and take that feedback seriously. Not everyone will love your work, there will be advice you don't utilize, with time you'll be able to weed out the bad faith feedback, (the "all depiction is glorification" crowd) and ignore it. But it's so important to open oneself up to constructive criticism so you can learn and your work can develop into the best possible version of itself.

Now let's get to some ways you can go about researching a way to do this that fits in your story. It’s important to remember that throughout human history, many people lived stealth their whole lives and we don’t know about them for that reason, not because no transgender folks ever lived authentically and happily in medieval times. So it’s never impossible to incorporate a trans character into a story who experiences no direct violence, even if the world they live in isn’t presented as a queer utopia. The other thing is that public opinion regarding queerness, cross dressing, etc have varied a lot over the centuries and were vastly different depending on location. Not every “woman” found in armor would have been treated as poorly as Joan of Arc. So there’s lots of wiggle room for interpretation when you go about writing these narratives. The majority of my examples deal with the ruling class so they address the concerns you mentioned with added scrutiny a noble would face if they were to experiment with gender presentation compared to a commoner. I’ll be spoiling the plots of everything on the list to make clear why I’m suggesting them.

My initial advice would be to read medieval literature with queer themes followed by essays on the subject. The best examples I know of are:

Yde et Olive

Transmasc knight (good ending). 12th century French romance. Yde’s mother Clarisse died giving birth to her & later when Yde reaches maturity, her father makes advances, so she disguises herself as a man & flees. Yde becomes a successful knight & is married to the king’s only daughter, Olive. When it comes time to consummate the marriage, Yde must confess the truth of his identity to Olive, who vows to keep it secret. This is overheard by the king who then attempts to uncover Yde’s identity but is stopped by an angel who chastises the king for harassing such a good vassal. Then Yde is transformed into a man, the king dies, & Yde is able to have a child with Olive. They name him Croissant as if it couldn’t get any more French than it already was. Anyway the story alternates pronouns for Yde given the situation which is pretty neat & in the end he gets to live his best life! Yay!

Le Roman de Silence

Transmasc knight (bad ending). A 13th century French romance about a baby girl named Silence. Silence is raised as a boy because King Eban won’t allow women to inherit property. Like many medieval romances, the hero's adventure is often punctuated with personified emotions (Dame Fortune, Lady Love, etc) but Silence is tormented by Nature & Nurture as he comes into adulthood. He becomes a knight & eventually takes on an "impossible" quest, to capture Merlin, which supposedly can only be done by a woman. Content warning for the ending, it does not go well for Silence. Merlin reveals his backstory, & he’s forced to take a feminized version of his name, live as a woman, & marry the king to keep his lands.

Wigalois by Wirnt von Grafenberg

A 13th century German romance that follows Gawain’s son, Wigalois [Gingalain], but this ain’t about him. There’s a character Marine who fights as a knight. She’s consistently referred to with she/her pronouns, but she’s renowned for her knightly virtues & fights alongside the men in the war. She’s treated very well narratively & dies in battle after apprehending a high-value hostage. Everyone mourns her & there’s a big funeral held in her honor. So even if Marine never presented herself as a man the way Yde or Silence do, she provides an example of a female thriving in a male role. Food for thought.

Parzival by Wolfram von Eschenbach

Another German banger from the 13th century. This one’s about a cis male knight but Parzival has transmasc vibes. Trust me. Here’s my favorite article about it called The Clothes Make The Man - Parzival Dressed & Undressed by Michael D. Amey that really illustrates what I mean.

After that, you can check out these retellings:

The Story of Silence by Alex Myers

I bought this but haven't read it yet. It’s a retelling about the aforementioned Le Roman de Silence. This book uses neutral they/them pronouns to refer to Silence, which I can say from experience sometimes causes confusion with readers, so it's good to study how this author did it & determine if that method feels right for you. (If you ever decide to do something like that with a character.)

Spear by Nicola Griffith + Spear's Author's Note

I enjoyed this one, beautiful prose. It didn’t feel like the most comprehensive Grail Quest retelling, but Peretur can be interpreted as a butch lesbian or transmasc, it’s ambiguous. She only uses masculine pronouns when stealth, otherwise using she/her, but it has a happy ending! It’s firmly set in the era & felt authentic on that front while letting the queer characters relax. Peretur isn’t alone. (A/G/L enjoyers keep winning + sapphic lady of the lake ftw + the other hotties Peretur pulled.) Definitely worth checking out.

The Bright Sword by Lev Grossman

This book just came out in 2024. Including it here is already a spoiler given the topic but I’m going to spoil fully from this point on so ignore this if that’s a problem. This is the best example I can give for your reading/writing tastes based on the ask; Dinadan is a trans man. His transness isn’t revealed in the main character Collum’s pov, but in Dinadan’s backstory pov, opening in his childhood. He & his twin brother were sent to different schools but young Dinadan would leave the girl’s school to practice knightly skills with the fay, which retroactively explains why he has a fairy sword that Collum was admiring. In exchange for this training, the fay ask that Dinadan slay Merlin. Which he agrees to while never believing he actually can, but the wrath of the fay in the afterlife is worth his ability to live as a knight. I love how it was all handled firstly because Dinadan has a fighting style that works for his smaller frame & because every knight has a different fighting style (Dagonet’s is “If it sucks hit da bricks.”) Dinadan doesn’t stick out like a sore thumb yet his physicality is accounted for. Secondly Dinadan explains the lengths he goes to in order to stay stealth from obvious ones like binding his breasts to pretending to shave his face every couple days & wearing a packer. Later on, Dinadan’s secrets are revealed when he goes swimming in the ocean with Palomides (who evidentially already knew) & Collum joins them. Collum had no idea, which I think brings up an interesting point about all of this which also reminds me of Gawain not recognizing that Beaumains was Gareth—the power of expectation. Just as Gawain expected to find a kitchen boy & would have no reason to assume his brother (who hit puberty since they last saw each other) would be stealth in the kitchens so therefore didn’t recognize him, Collum expects to find men as knights of the Round Table, so when Sir Dinadan is introduced, & Collum had heard of him before, Dinadan’s stature & high voice don’t register to Collum as anything but traits that this guy Dinadan happens to have. Learning Dinadan’s secret in the presence of another knight who already knows & is chill about it also encourages Collum to be accepting too. So giving Dinadan at least one ally in his corner throughout the story went a long way. In the end Merlin, who can only be killed by a man (which is why Nimue had to settle for sealing him away) is stabbed by Dinadan. So it’s like a reverse Silence/Éowyn situation that Dinadan’s gender is affirmed in his ability to kill Merlin. This book also includes the part from Le Morte d’Arthur where Dinadan’s forced to wear a dress, which in this context is very transphobic, but that’s the point. It’s made better when Dinadan gets to go insano style on Merlin so he gets payback. Just a heads up about that.

Some fantasy/scifi that’s not Arthurian but may help, as Arthuriana is largely fantasy to begin with, this may help you determine where on the spectrum your taste/writing falls regarding the bending of reality/history to fit your narrative.

Orlando: A Biography by Virginia Woolf

1928 novel about a character named Orlando living during the reign of Elizabeth I. Orlando is born male, then at some point in his early adulthood, falls into a deep sleep from which he awakens the exact same person, now metamorphosed to be female. Orlando, for her part, adopts this new role immediately & keeps on moving. She lives for 300 years as such & has many adventures, including an instance where she then presents as a man to elude marriage. Transitioned so she could cross dress in the other direction. She would’ve done numbers on tumblr. Ultimately, Orlando does marry… a gnc sea captain! The success of their marriage is attributed to their similarities in gender non-conformity. Even though this book only remains in the late medieval era for the opening, I think it’s a poignant example of a transgender individual living their life in their time & still getting to enjoy themselves without excessive suffering that may provide lots of inspiration.

The Left Hand of Darkness by Ursula K Le Guin

1970 Hugo & Nebula award winning novel. A fascinating examination of gender from the point of view of a cis man named Genly Ai having to reconcile his interpretation of the gender binary when confronted with a society who operates outside that. His travels with ambisexual Estravan challenges what Ai understands about the universe. His ignorance forms the backbone of the narrative as he grows close to a person from this other society. Even if it’s not a medieval setting, it may help you develop a narrative voice regarding this subject you’re able to bring to your work. Also it’s just really good.

The Privilege of the Sword by Ellen Kushner

2007 Locus award winner, Nebula & Gaylactic Spectrum nominee. High fantasy medieval setting. Katherine is a country girl brought to the big city Riverside by her uncle the Duke where she’s offered the opportunity to train as swordsman (ie cross dress) instead of political marriage. She’s unsure of the reasoning behind her uncle’s motivations for doing this, but goes along with it & kicks ass. A preview is available on Google books (linked).

The Realm of the Elderlings by Robin Hobb

This is my favorite series ever. It spans 16 books published between 1995-2017. The fandom on tumblr & ao3 is hugely active. (Avoid tags to dodge major spoilers or check it out for amazing art & many quotes!) The series has many gnc characters in a fantasy medieval setting. First & foremost, The Fool, who’s in all the books & whose gender ambiguity is mentioned book 1, to which he says, “None of your business.” The character ever. Without getting too specific, there are several trans characters including gender fluid characters who will alternate between masc/fem presentation & pronouns. This is my favorite example of gender fluid characters in any fantasy I’ve read, especially since there are several & each feels unique. In The Liveship Traders trilogy, Amber coaches another woman how to hide her period while pretending to be a ship’s boy by using a sock, so if anyone finds the blood on it, she can say she cut her foot. Little things like that really deepened the realism in an otherwise fantastical story for me, because addressing those details answers questions my overly analytical mind would ask & wonder about if unacknowledged.

Lastly I'd like to suggest the article Armour of an Alienating Identity by Jeffrey Jerome Cohen. While it doesn't mention Parzival (the text), it does mention Perceval (the character), as well as Gareth Beaumains, Lancelot, Gawain, Yvain, and even Arthur himself. It goes on to reference endless examples to support its thesis including Greek heroes such as Achilles and Odysseus with references to many different medieval stories from Old English Beowulf to the Irish Ulster cycle to the works of Geoffrey Chaucer. Most (if not all) of the texts mentioned in this essay can be found on my blog for cross reference if you desire, although the article already contains many quotes.

Okay I think that’s all I got. I’ve given you a ton to think about and read. Ultimately I don’t think there’s a clean cut answer for this. Nuance, you know? Having hired an editor and many sensitivity readers myself, it really is just a professional a vibe check sometimes. You write what you want to the best of your ability, then other people weigh in, and you keep tweaking it until it’s as good as you can possibly make it. During development, and even in its final form, there will be people who don’t enjoy your story and that’s fine. It isn’t for everyone, it’s for you and your audience. No single experience in this life is the same so each fictional depiction emulating life will also be unique, there’s no “right” answer on how to write this or anything else, only the way you want to.

Hopefully now you have some tools to help you learn how best to express your vision. I know they gave me a lot of insight and ideas I lacked before when writing trans characters in my books. Thank you for trusting me with this question and good luck with your project! Take care! :^)

[fastcardotmp3]

been thinking a lot lately about how I'm not convinced Nancy would stay in journalism long term because of the utter frustration she would feel at reporting on things she couldn't get actively involved in or the all-around constrictions of the sort of red tape you run into working at a newspaper or a network or anything and THAT has me thinking about what one (of many) careers she might transition to when she gets fed up with it.

hear me out. Nancy Wheeler the private investigator who gets to use all of those investigative reporting skills, who has a bit more wiggle room to bend the rules, who doesn't have to answer to some higher power for the things she says or does, and who can maybe actually help people in a hands on way.

She can find the people who go missing instead of just reporting when their bodies turn up. She can help people stuck in abusive homes escape their abusers. She can help people who were betrayed by business partners or friends or family get money they need to survive back.

She can find people. She can save them. Before it's too late.

Nancy Wheeler, who lies to cops with a smile and asks forgiveness not permission taking a mystery and running with it? Working just enough outside of the law so people don't have to deal with the police if they come to her instead; working to understand what it looks like when the person she's looking for needs protecting from her client instead of being handed over no questions asked?

Not every case has to end like Barb's. Not everyone left standing has to grieve like Nancy. She can change these people's histories before they become tragedies.

Nancy Wheeler will always be a storyteller, she'll never stop putting pen to paper, but maybe journalism was just not the arena for her to do that in. Maybe it's two different things, the stories she tells and the people she helps.

Maybe she gets to do both if she just finds the right avenues.