#Burning Rainbow

[mrs-stans]

Sebastian Stan on His Cristian Mungiu Film, the ‘Brutalist’ Role He Almost Played, Actors on Actors, and Battling for ‘The Apprentice’

The surprise Golden Globe winner tells IndieWire why the industry remains "apprehensive" about his Donald Trump role and about new indie projects with Mungiu and Justin Kurzel.

BY RYAN LATTANZIO

If you don’t watch Marvel movies, then you don’t know Bucky Barnes, which means you only know Sebastian Stan as the also-indie actor behind films like 2024’s “A Different Man” and “The Apprentice.” Both movies have put him in the awards race, and possibly the Oscar running, especially after his grimly funny, pathos-spiked turn as a self-loathing, out-of-options actor with neurofibromatosis in Aaron Schimberg’s “A Different Man” won him a surprise Golden Globe for Best Actor in a Musical or Comedy. That night, he was also nominated for Best Actor in a Drama for “The Apprentice,” where he plays a ’70s New York-era Donald Trump.

Had scheduling gone a different path, he would’ve starred in Brady Corbet’s also-Oscar-contending “The Brutalist,” but Stan had plenty on his plate last year and into this one, setting him up for his biggest awards season run yet. His transformative Trump performance in director Ali Abbasi’s “The Apprentice” has been celebrated since the film‘s 2024 Cannes premiere. Top distributors shunned the film until rookie releaser Briarcliff Entertainment got on board in August 2024, billionaire investor Dan Snyder tried to wrangle creative control and block the release, and, eventually, Stan’s peers declined the chance to speak with the American-Romanian actor in Variety’s popular Actors on Actors series, a major platform for awards contenders. Stan has been candid about not finding a sparring partner for the publication’s viral program. Why not? People don’t want to go near a movie about the incumbent president, including American audiences ($4 million domestic).

Speaking with IndieWire over the phone, Stan said that once he went public with why he wasn’t participating in Actors on Actors, “A lot of friends called me and said, ‘Hey let’s go do this together.’ That was obviously very thoughtful and very kind, but for us, Ali, Jeremy [Strong, who plays lawyer Roy Cohn], that was nothing really new.” (Last November, Variety’s editor-in-chief Ramin Setoodeh told IndieWire, “We invited [Stan] to participate in ‘Actors on Actors,’ the biggest franchise of awards season, but other actors didn’t want to pair with him because they didn’t want to talk about Donald Trump.”)

Stan continued, “We had been facing that kind of a thing since Cannes, whether it had even been photo shoots promoting the film, or certain people that were like, ‘We don’t want to go near this.’ Every interview since Cannes, we’ve been asked, ‘How’s the reception been? Why do you think studios are apprenehsive?’ This is sadly the reality. We have a lot of people who love this film or say they do, but when it comes down to jumping in the fire a little bit … hesitancy is understandable, to some extent.”

While understanding the emotional component around not wanting to see a movie about a leader and convicted felon who is on TV every second of the news day, Stan said, “However, around hesitancy, there’s also a slippery slope toward indifference, and that complements fear. That’s the only distinction we have to keep trying to make. You can rightfully own, ‘Hey, this isn’t for me,’ or ‘I don’t want to go there.’ But in terms of ‘I’m too worried, I’m too scared, I don’t want to get in hot water,’ then it’s like, what’s the next thing that becomes OK to not want to deal with it because it’s uncomfortable? We didn’t understand what was so uncomfortable about the movie.”

“The Apprentice” received mixed reviews at Cannes, though I remember in my festival screening being surrounded by European journalists laughing their heads off because they see Trump as a comic figure. Many Americans do not, and with “The Apprentice,” we don’t yet have the benefit of hindsight because we’re still living in the Trump era.

“Usually what happens is you look at movies like ‘Nixon’ or the movie ‘Downfall,’ which is about Hitler, [the movies] happen years later. We’ve had time to process our emotions about it, and we’ve had some distance so we can go back and look at what went wrong or what we [believed] at the time,” Stan said. “You don’t have that luxury [with ��The Apprentice’]. We don’t have the luxury of not dealing with this person.”

Going back to his moment winning the Globe for “A Different Man,” it’s been a mixed blessing for double nominee Stan.

“There was this unbelievable kind of moment at the Globes that I never really thought was ever going to happen, and you have a brief moment of that, and suddenly, anything can flip,” he said of L.A. going into panic mode right after the Globes amid the ongoing wildfires in Southern California. “In terms of Mother Nature… at the end of the day, it really is just people. We’re all in the same boat there. There’s nothing to differentiate or anything. We are all pretty much in the same boat.”

After he’s finished with awards season duties, Stan expects to head to Europe in March to film the new film from Palme d’Or-winning auteur Cristian Mungiu, which brings the “4 Months, 3 Weeks and 2 Days” filmmaker’s usual moral ambiguity into a real-life case of abuse in Romania. He’ll be reuniting with “A Different Man” star Renate Reinsve for the film, which will shoot in Romanian, English, and Norwegian.

“With all of these smaller indies, I always feel even while I’m on the plane going there, I’m always worried, ‘Is the financing going to come through? It’s on its way,” Stan said. “He’s been up there with me for a few years with filmmakers from Romania where I’ve been calling him trying to find a way to work with him, where I can speak Romanian as well. We finally found this story, which is about a Romanian family who’s moved to Norway and then ends up in this very complicated trial. There’s a system [that] investigates cases if there’s ever been physical abuse in the household between the parents or the kids. They go investigating the family for an incident, and it leads to this trial. It happened before the pandemic, and it became national news. There were a lot of religious communities that came to their side, and it’s really interesting and quite complicated.”

Stan has also been instrumental in shepherding the next film from Australian “The Order” director Justin Kurzel, “Burning Rainbow,” about a true Waco-style FBI standoff that brought down a pro-marijuana campground in Michigan a week before 9/11. He’s attached to star in the story of Tom Crosslin and Rolland Rohm, a gay couple defending their land amid police investigations linked to a Rainbow Farm festival-associated killing and their marijuana plants.

“They were raising a child as well,” Stan said. “They were real activists in some ways, and they were very controversial as well because they were running this Rainbow Farm, which was like the start of this Woodstock-style festival that was bringing all these people together, advocating for legalizing marijuana. It was also such a loving place. They were attracting a lot of attention from local authorities, and a lot of controversies were going on down there. It all happened before 9/11, so there are many people who don’t know this story. But I’ve known about it for six years or something. I’ve been tracking it through different evolutions, and it finally landed with Justin. I was tracking him now for two years to basically give me a chance, and finally, I think we’ve got to go and find all the other people.”

As for “The Brutalist,” Stan was announced to star in Brady Corbet’s Golden Globe Best Picture winner in 2019, but scheduling changes on “The Apprentice” interfered. (“The Brutalist” shot in early 2023; “The Apprentice” didn’t film until that fall after a few false starts.) Stan would’ve played Joe Alwyn’s role, Harry Lee Van Buren, the pompous son of Guy Pearce’s moneyed industrialist who exploits Adrien Brody’s Jewish-Hungarian architect.

“I’m glad that the timing [didn’t work out] … The difficulty of that movie is astounding. What they were able to achieve. Some of us would be attached. I was sort of the last one, but then [Corbet] started to go. Because ‘Apprentice’ kept getting pushed, those two started to overlap at one point. I wasn’t available for it, but having seen the movie, Joe is amazing in it, and I would have been too old by that point anyway. I feel like it worked out for the best. It makes total sense with Guy being his father,” Stan said.

As for how Stan’s indie roles fit into the Marvel orbit, especially as he’ll be seen in “Thunderbolts” this spring again as Bucky Barnes, he said, “If I hadn’t had so many opportunities with Marvel with that character alone and creatively what I got to do, I don’t know if I would have been as driven to go in this other direction as well and try to find things that I’m not always at the top of mind for. I believe, like Brady Corbet, films are a directors’ medium. It is about the filmmaker. We have to trust the filmmakers. The best films to me, in my experiences, were with really strong directors with these strong points of view. It’s been amazing to watch Brady. I was attached to that film for a long time, going back to 2019, so I’ve known of that movie and have known Brady since we were kids auditioning. I would see him at casting calls, him and his mom. Even watching him up there on Sunday felt like I’d been weirdly attached to that story as well.”

[k-wame]

oh bby welcome back to your roots mmmmwah

[xmascritter]

I wanted to do something for Epithet Erased's 5 year anniversary, so have the rabbit knight, in all her glory!

[pastacrylic]

[genshinimpactresources]

Genshin Impact | Pilgrim's Chronicle Assets

Download Link (Google Drive)

[yo-gummy-sharks]

Happy disability pride guys ♿ pls take your meds

☠️ ♿ ☠️ ♿ ☠️ ♿ ☠️ ♿ ☠️

[polybius-awesome]

okay, bunch of custom blinkies today!! some alien blinkies, star blinkie, and ocean blinkies... and others...

[marvel-starwarsfangirl]

Natlan Archon Quest 5.1 Thoughts and Theories

Compared to the last archon quest, this was a major step up for me in all aspects. There was a sense of grandness to it all, especially with the music and animation. Also, I'm so weak for Capitano you guys. His voice 😍🥵 alright I'll stop. But my Capitano agenda is far from over.

Spoilers below

Boy oh boy did I enjoy seeing everyone rally together to fight the Abyss. And the Abyss I felt was a pretty legitimate threat. (side note: i'm glad they didn't make us wait for the next patch to see the actual battle). The map was consumed by Abyssal power, reminding me of that one Enkanomiya event. And people died. You'd get to sites with people and everyone would be gone. It was lowkey chilling and Genshin really has stepped up in terms of how dark it wants the story to be. Chasca's sister, Chuychu, didn't make it. Their final words to each other were really heartfelt and it was sad to watch them say goodbye.

On a much lighter note, the cutscenes of Mavuika and the six heroes using their powers was soooo freaking cool, especially with the music. Side note, I'm glad they didn't shove the Traveler in as the final hero since this wasn't their fight technically. I loved seeing Mavuika use all her abilities and create that giant starburst thing in the sky to fight the Abyss. It gave me major Endgame vibes ngl. I was having a blast. This quest also made me really love Mavuika. She cares so deeply about her people and home that she'd sacrifice herself to save it all. It's a heavy price, but she's willing to pay it. Aside from Mavuika's selfless nature, she also looked epic when she fought the Abyss in the sky.

The new characters in general I really enjoyed, especially Ororon. I do like his design and I love how his voice tone changes from serious to almost childish when talking to Citlali. And his lore is really fascinating since he has an incomplete soul. Citlali gives me major Faruzan energy, but she has a beautiful design and she's pretty relatable imo with her awkwardness. I liked her a lot. Xilonen had a lot of charisma imo. Although I haven't figured out how to use her on the field during her playable segments.

And Capitano. My gosh did this man become very interesting. Not only is he Khaenri'ahn, but apparently his face is rotting from living for so long AND he knows Dain. He's a lot more tragic than I initially expected, having lost everything and everyone to the cataclysm. And out of all the Harbingers, alongside Childe (maybe Arlecchino with the HoH), he's definitely one of the more altruistic ones. His methods were extreme, but at the end of the day, he wanted to save Natlan, having lost so much already. Capitano was willing to put aside his own pride with his plan and listen to Mavuika's, helping her and the others defend their home. He even gave her all his soldiers to have for reinforcements. He's not driven by evil the way Dottore is or is vengeful to a destructive degree like Scaramouche. He's honorable and driven by the pain of his past. Vengeance too probably, but he didn't wipe Natlan clean to save it.

The lore was also fascinating. To talk to the Lord of the Night was really cool and I loved getting to know more about Teyvat as a whole. Btw, the "sky is fake" claim is finally proven true.

Overall, I was very satisfied with this Archon quest and could honestly watch a whole show on Natlan trying to fend off the Abyss. It reminds me of the Long Night but significantly better executed on almost all fronts (music still slapped).

Going forward, I definitely think we will see Mavuika die but either it won't be in the typical way or she will return in another form like Furina. Given how she's playable, Hoyo will find the loophole. But yeah, Mavuika will have to pay a heavy price. And it appears Capitano will as well. He still has his "final foe" to face and Ronova apparently sent him on his journey. Of course, the price for messing with death your own life, which Mavuika will have to pay. It seems like whatever Capitano is asking of the Lord of Night also will either lead to his own demise or some sort of demise. Either way, both characters are going to be facing a heavy price. I'm really excited to see the final face off with the Abyss and what will become of both Capitano and Mavuika.

The sky being fake caught my eye specifically because the edges of the hole and the void are reminiscent of the power used by the unknown god in the beginning of the game. Could the unknown god reside out in that void? Did she have a hand in creating Teyvat? Is Teyvat even a "real" world or is it something else entirely? So many questions. I look forward to getting answers and I love the small detail of the hole being covered by smoke. it would cause mass hysteria if one moment, you were fighting for your very home and then another bombshell about the sky being fake is thrown at you.

My only major nitpick is that the Natlan archon quest is almost beat for beat Fontaine's with some exceptions of course.

You got:

big existential, life threatening event that has been steadily building up for years and years

a Fatui harbinger who offers aid because they got their own stakes in this (said Harbinger is also Khaenri'ahn)

the archon has to die because they used powers that are kinda taboo

there are minor incidents prior to the actual existential event

said event has been known about by the archon for hundreds of years and preparations have been made

the day is saved by the archon (or dragon) flying up into the sky and using their awesome power to save everyone

supporting characters die protecting others (Silver and Melus you were the real ones)

The archon quest is still fantastic, but the overall formula was very similar. (it was also weird to not hear Kinich or Kachina but I get the reason).

Anyways, what did you guys think and are you excited for the next chapter???

[musette22]

https://x.com/paintedstork_/status/1873043499240833508 now, if not Broadway (at least asap), I have another suggestion for Evanstan reunion😎

Oh my god???? If this is true.... 🙀 could we really be getting another gay Seb character??

The amazing @sparkagrace sent me this 2 seconds before you sent your ask and oh man oh MAN 😩 I so hope it's true, and if so, that Seb would indeed be playing one of the couple and not another character, and if he is... MANIFESTING HIS COSTAR SO HARD!!!!!! 🙌🏻

[canonical-transformation]

Genshin ships: stock market update (Natlan Act 3+4)

(Warning: May contain spoilers for character appearances and dynamics in [Chapter 5 Act 3–4] Beyond the Smoke and Mirrors and The Rainbow Destined to Burn. Previous entries here.) This is for entertainment purposes only and is not financial advice: consult with your ship financial advisor before you invest.

Citlali/Traveller — This ship has everything. Handholding. Accidental mind reading tropes. Fast friendships in middle age. Drunken soul-baring. Palm reading. Coparenting dynamics. They sat and watched the moon together. BUY.

Capitano/Traveller — HOLD. Solid starting potential but their interactions have all been too high stakes to get a sense of how their personalities interact.

Mavuika/Capitano — SELL OR HOLD. Too early to call; Act 5 could make or break this.

Mavuika/Xilonen — Our previous recommendation has changed; it's now a strong BUY. Our analysts say they haven't seen this level of weary fondness since 2021's "pay your fines, Captain", and Dainsleif hinting that Xilonen does everything in her power to avoid being around when Mavuika turns up is just icing on the cake.

Kinich/K'uhul Ajaw — HOLD. Just because two people are married doesn't mean there's a ship in there. Sometimes it's just for tax purposes.

Paimon/K'uhul Ajaw — SELL. The world's best travel guide deserves someone who will treat her with respect, such as... uh... Sorush?

Mehrak/K'uhul Ajaw — be serious.

Traveller/Teleport Waypoints — after Act 4? As if. SELL.

Enjou/Aether — BUY BUY BUY does this even need explaining?

Enjou/Lumine — HOLD. Our analysts hurriedly added, “Nonono it's not a gender thing, it's because Aether likes Pyro slimes and Lumine likes Cryo slimes more so really we should be shipping Lumine with the Maguu Kenki or something.”

Chasca/Shenhe — SELL. Bird mating rituals aren't nearly as fun without the possibility of oviposition. Or, um. So I heard. Stick with Xianyun/Kujou Sara.

Cyno/Kinich — *sigh*, no, SELL. Too (ki-)niche.

Ronova/Xbalanque — HOLD OR BUY. Btw, are we sure the Archon War made it west of Liyue? >_>

Citlali/Faruzan — HOLD. It's too early to compare their traumas for thematic compatibility, but it's not out of the question. Watch this space.

Citlali/Draff — *wince*

------

We tend not to advise on heavily optioned stocks due to all the short selling activity, but for those of you who were wondering:

Citlali/Ororon — too volatile to call. This is the first explicit (grand)parental relationship between playable characters, so it technically fills a niche, but it's unclear whether that's a niche anyone went into Genshin looking for.

Chuychu/Chasca — the analysts just gave me a really withering look so I guess SELL? "Too soon"? What's that supposed to mean? She's just resting her eyes, right?

Mavuika/Nahida — SELL OR HOLD. The motif of memories as fuel is great and all but Mavuika is way too young.

Ematol/Phonia — SELL. The worst part is that they're not even the kind of sisters where that would have any transgressive je ne sais quoi. They're just like flatmates. Bert and Ernie minus the chemistry.

And that's it for now. Keep an eye on the Sumeru market later this patch— we're expecting predictable dividend payouts on all the blue chip stocks.

[mrs-stans]

Sebastian Stan Talks ‘The Apprentice’s Uphill Battle, Double Golden Globe Nomination, Lily James Reteam ‘Let The Evil Go West’ & Upcoming Cristian Mungiu & Justin Kurzel Projects

By Matt Grobar

On Monday, Sebastian Stan pulled off a rare feat, scoring Golden Globe nominations for Lead Actor in both Drama and Musical/Comedy categories. Following the announcement, Stan got candid about upcoming projects with Cristian Mungiu, Christian Tafdrup and Justin Kurzel, his experience on the awards circuit with his nominated turn as Donald Trump in The Apprentice, and more.

In discussing his upcoming slate, Stan seemed particularly excited about a project not yet announced with Cristian Mungiu, the Romanian filmmaker behind Palme d’Or winner 4 Months, 3 Weeks and 2 Days, which he expects to shoot next year.

“I was born in Romania. I still speak the language, and I’ve been trying to find a project where I can go back and tap back into that history that I have,” said the actor, “so I’m excited about working with him, and hopefully that’s going to come together.”

A second project on the docket is Let the Evil Go West, a horror thriller from buzzy Danish filmmaker Christian Tafdrup, which reunites him with Pam & Tommy‘s Lily James. The film centers on a railroad worker driven to madness after coming upon a fortune, and his wife, who believes an evil presence has attached itself to their family.

Stan came to the project after seeing Tafdrup’s “unbelievable” horror thriller Speak No Evil, which Universal just remade. “This is a project that’s been going on for a while, and it always gets tricky. It’s about finding the right scheduling and the right time to do it,” said the actor. “But that’s something I’m really excited about.”

While he didn’t get into details, Stan also confirmed that he’s attached to star in Burning Rainbow Farm, a film that The Order‘s Justin Kurzel has in development. Plot details are unconfirmed, but we hear it’s inspired by true events, involving two marijuana advocates who face off against the FBI in a tense five-day standoff in Michigan, culminating in tragedy just days before 9/11.

Stan’s Globe nominations this morning came for Briarcliff’s The Apprentice, which examines Trump’s rise in the 1970s and 1980s New York real estate scene, as well as A24’s A Different Man. Hailing from filmmaker Aaron Schimberg, that title has him playing a man with a disfigurement who undergoes an experimental facial reconstruction surgery, before spiraling into a psychological crisis.

“Stunned and incredibly ecstatic,” Stan shared that the nominations are gratifying given the risks he took with each project and the uphill battles faced with each — The Apprentice, in particular, which struggled to secure financing, and later, distribution, amid the threat of a lawsuit from Trump himself. The project is one Hollywood didn’t seem to know what to do with, both leading up to and in the aftermath of a polarizing, pivotal election.

Sharing that he had “extreme trepidations” about playing Trump — in part, because many in the industry advised him not to — Stan reflected this morning about a disclosure of his that went viral: that while he intended to appear on Variety’s video series Actors on Actors in support of The Apprentice, no actor would step up to talk with him about his project, presumably out of fear of saying the wrong thing.

“For me, the Variety thing was just unfortunately another example of the uphill battle that the movie had been facing since Cannes, that there was some hesitancy and some fear around it…But it wasn’t my intention to point a finger or blame anybody else,” Stan said. “It was just simply saying, ‘Hey, we should be mindful of things that feel fearful.’ Because as artists, we have to hold ourselves as sort of the ambassadors of the truth, in a way…Today, of course, is a big day, in terms of hopefully allowing people to feel like they have permission, to talk about this film, and look at the work and have a conversation about it.”

From Stan’s perspective, we as a society need “all kinds of movies” and “have to try to not ever discriminate against any movie,” even if it’s something as polarizing as The Apprentice. In terms of the current climate of fear among Hollywood stars, when it comes to addressing certain topics, Stan’s feeling is that “there’s always a conversation that we can have about the work and what goes into it.”

A recent speech on Stan’s mind, when it comes to this, is the one given by honoree Richard Curtis at the Governors Awards. “He went up there and said, ‘Look, I am grateful to be standing up here and be recognized this evening. Buts also, I want to say, we love good ideas and we love embracing good ideas, but we also have to follow through on the action of it, even when you get to the last one-yard line, trying to get past it,'” the actor recalls. “Because I know the intentions are always good, and I believe that movies can inspire. I think they can reveal things sometimes that we have a hard time maybe understanding or communicating about in day-to-day life.”

In reflecting on the bold and diverse resume he’s carved out over the last decade-plus, Stan gave credit to his “Marvel family” for being an “incredibly supportive,” consistent presence in his life over the last 15 years, which has allowed him to “go out there and find other projects that allow me to kind of change it up and challenge myself.”

This, he says, is what he wants more than anything. “I’ve always tried to find other actors to learn from and grow from, and I want to be part of something meaningful,” Stan says, “and maybe that’s just me getting older. You want the work to have meaning and to stand for something.”

[rainbowheart324]

It is done a bit rushed at the end but it took so long for me to draw this that i don't care it's not geting more of my time from me.

Here is my cookie run kingdom fouth aniverty fan art feel free to ask me about it i am to tired to do any explaining with out promts to spring board off of at the moment.

[lunarscaled]

🌿 (✨️🐗)

Send 🌿 to accidentally get caught under the mistletoe with my muse.

-> Tesla was right——there was a considerable amount of stacked up Christmas decorations stored away. Lyric was almost shocked at how much; Ulquiorra must have spent days decorating all of Las Noches under his previous Lord's command, and Lyric thinks even if they decorated both palaces head to toe in décor, they still wouldn't be able to use it all .ᐟ So they have to settle for a fraction. A tasteful amount, that makes their chest warm and their body feel fuzzy to look at it. Wreathes and garland wrapped around pillars and twinkling lights tacked up on the wall around the library. Lyric's own room benefitted from several festive looking bows and wreaths of ornaments and colored lights that they left on even when they turned everything else out to sleep at night, their many shifting colors steadily luring them into sleep with technicolored dreams. They even managed to find a tree! A fake one, yes, and a little bent up and scraggly, but a tree all the same! Lyric put it in the... what could generously be described as the living room of Ulquiorra's palace and decorated it to the nines with Tesla, eyes starry and wide. It made them giddy to see it in the mornings and late evenings, though they knew there would be no snow outside or chilly breeze. Just the feeling was enough.

"——Did you know there's a legend that says Mistletoe symbolizes the enduring love of a goddess who lost her son? He died to an arrow made of mistletoe, and she cried on it.

Supposedly, it swore that it would kiss anyone that passed beneath it, so long as it was never used as a weapon again."

-> Lyric hadn't personally hung up every decoration, obviously. It was faster in some instances for them to split up and cover two ends of a very very large room than to muddle over things together. They hadn't realized there were mistletoe bundles in any of the boxes to begin with, let alone that Tesla has seemingly gone about hanging them all up, but with a chance to eye the shiny white berries of the plant from below they feel compelled to share their insight.

"And in Saturnalia it was though of as a romantic wedding plant, and in another culture a sign of fertility... In Britian it became popularized through stories to kiss under a mistletoe and pluck a berry. It was good luck if you said yes and bad luck if you refused."

-> Beside twinkling white Christmas lights, in the dimmed ambiance of the palace hall to improve the visibility of their work, Lyric's eyes are filled with little stars. Their cheeks are touched a rosy red in the heights and in their ears, a soft smile graces their face. No matter how often they are despondent, now they are shining around him. For him, perhaps, in a way. He put all this up for them, after all. They rock back and forth slightly on their heels a few feet from him. Close but not as close as before. They look at the plant and then back to him, just once.

"——but mistletoe is parasitic and toxic. The leaves have a poison in them, and they rely on feeding off other trees to grow. Yet we still associate them with romance and luck in love and kissing. Isn't that interesting, Tesla?"

"One story even says a golden bough of mistletoe was used to enter the land of the dead so a man could speak to his father...

Luckily, I don't need mistletoe to talk to you, right? Hehe."

[sora-genshin]

fake sky

[oddarette]

The Lisa Frank lava lamp.

[genshinimpactresources]

Genshin Impact | Ifa's Notice Board