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Mike Hawthorn's Last Interview
From a magazine called 'Sports Car Wheel' published in August 1959
Mike Hawthorn picks the next champion - by Michael Priestley
A few hours before Britain's newly acclaimed Grand Prix Champion was killed in his green 3.4 Jaguar on the Guildford bypass, Surrey, England, our London correspondent Mike Priestley dropped in on our behalf to chat with his old friend. The two 'Mikes' discussed the future of the sport. We print this interview with respectful homage to a great driver and a nice guy who decorated the sport with his shining achievements and warm personality.
"Mike!" I asked as I pulled up outside the Farnham garage which bears the proud name 'Mike Hawthorn, Tourist Garage Ltd'. "What's the idea of retiring under 30?"
Mike Hawthorn gave me the familiar boyish grin I knew so well, a grin he often used to mask a hurt, and he had so many during his dazzling career.
"I don't know the real reason," he said, "I had to make up my mind whether to carry on racing or give up and run a business. I had reached the top, which is good for business, but after a while I would get worse, and people would soon forget."
"This business is growing. There is more and more work to do. We have had the new showroom for 15 or 18 months, but we still want new workshops."
At his garage, Mike sold Ferraris, Jaguars, Standards and Triumphs. His father, Leslie Hawthorn, owned the garage until he was killed in a road crash a few years ago. Hawthorn's mother and a family friend ran it together so that young Mike could carry on racing.
Some people said Hawthorn left the track to get married. Mike gave me a stock answer. "You'll get nothing out of me on that. It's definitely 'No comment'"
Surrounded by paintings of himself in action, Hawthorn confirmed that he would never race again on any track. But he was toying with the idea of doing the odd speed trial and rally now and again.
"I am obviously going to miss racing," he said, "Particularly when I go to a meet and see the Grand Prix cars on the grid."
Other racing, he said, didn't have the same attraction for him. Unlike Stirling Moss, he was never very interested in sports cars, although he drove plenty of them with great success.
"Frankly, I raced for the fun of the game," said Hawthorn. "I have to admit I never took it seriously like Stirling. I'd say I was lucky to get the championship by a single point."
What he most enjoyed was a battle royal with the masters of the sport. A wheel-to-wheel "dice" with Fangio meant more to him than all the fame and fortune he earned. "I made no elaborate plans to win the championship," he said, modestly. "I wanted to win, of course, but I'm afraid I never gave it much thought until the newspapers started building it up."
Although his success have been varied and numerous, Hawthorn won only three Grandes Epreuves. Even in his championship year, he scored only one outright win. Circumstances were often against him. When Mercedes swept the board, he was with Ferrari. When the Italians had regained supremacy, he had moved to B.R.M. In 1957, he rejoined Ferrari, only to find himself outpaced by the Maseratis and Vanwalls.
Hawthorn's memories of the past eight years must have been bitter-sweet indeed. He lived through high success and bleak failure, good health and bad, friendly publicity and cruel vendettas.
The press was wildly enthusiastic about Hawthorn in the early days, but later he was to learn that there is another side to publicity. In 1955, newspapers branded him as a draft dodger - for the thinly-veiled reason that National Service was in the news at the time - and the whole subject turned into a party squabble in Parliament.
Although the charges were later proved unfounded, the shameful attacks continued abated. One newspaper even started off again when Hawthorn returned home to attend his father's funeral.
Outside in the showroom, I saw two very interesting old cars. One was the Riley tuned by his father and driven by Hawthorn at the outset of his dazzling career. It was being completely rebuilt. The other was the sports Alfa-Romeo which won the 1934 Le Mans.
A notable absentee was Hawthorn's championship Ferrari, which he wanted to keep at Farnham. However, for reasons that must be more Latin than logical, Ferrari refused to let him have it, and the car will probably end its days in bits and pieces.
With the weight of the business on his broad young shoulders, Hawthorn admitted to finding time too short. He seemed preoccupied as he talked The biggest problem of his new life, he said, was the prospect of buckling down to it. He liked the gay life surrounding the sport, and his autobiography "Challenge me the race" contains several references to "Fantastic parties" "monumental hangovers" and other high jinks.
"I do like the idea of leading a quiet life," he admitted, not very convincingly. "But it looks as if it'll be difficult at the moment."
The conversation turned to the qualities desirable in a race track driver. "Let's get it clear from the start," Mike explained. I'm not the fearless type. I've been scared white on the track more often than I can remember, but what really scares me is being a passenger. When I'm being driven, I get really scared. At 40 or 50 mph, I suppose I'm all right, but after that, I go to pieces."
"Judgement and good reflexes are, I suppose, the first essential of a racing driver," he went on, "and I suppose you have to have IT. What's IT? Well it's a blend of good judgment and good reflexes - kind of fifth sense that comes into operation on the track. You could be the bravest man alive, and not get anywhere in racing without IT."
Hawthorn has another thing in common with most other racing drivers. He is superstitious, but not unusually so. He has never liked number One, and since his great friends Peter Collins and Luigi Musso were killed in cars bearing number Two, he had dodged that number also. Hawthorn refused the number Two at Morocco. Gendebien said he was not superstitious and took it. He was nearly killed in a serious crash.
"I like anything with a five in it," said Hawthorn, "I call that a comfortable number," He has never carried a "lucky" charm for fear of losing it.
The Hawthorn family originally lived in Yorkshire, but Leslie Hawthorn decided to move to Farnham to be near the Brookland circuit. It was there that young Mike saw his first race and the die was cast.
Right from the time when he "drove" an old Jowett on the starter motor - he was only eight at the time - he dreamed of racing. He had one priceless asset; his father, who knew the game inside out, both as driver, an engineer, and helped him all the way.
Mike Hawthorn, tinkered about with old motorbikes and modest motor cars, until his father acquired a couple of Rileys. Father and son entered for the 1950 Brighton Speed Trials. Leslie came second in the 1500 c.c. class. Mike won the 1100 c.c. class.
His real break came when a family friend, Bob Chase, brought a new Cooper-Bristol and let Hawthorn race it on condition that his father looked after it.
Hawthorn's debut at the Easter meeting at Goodwood in 1952 was fantastic. He beat such British experts as Abecassis, Wharton, Poore and Hamilton. Then he relentlessly trounced Fangio himself, when the master was also driving a Cooper-Bristol. After that, Mike never looked back, although bad luck was often to harry him.
After getting a fourth place in the Belgian Grand Prix at Spain, in 1952, Hawthorn went to Modena, Italy, to be tested by Ferrari. Unfortunately, he crashed his Cooper there, and, although he was not badly hurt, he felt groggy and unfit to race for a long time.
Ferrari signed him up for 1953. This was the year that Hawthorn drove his finest race, becoming the first Britisher to win the classic French Grand Prix since Sir Henry Segrave triumphed there in 1923.
As a first-year boy in the Ferrari team, he thus beat the great Fangio after a marathon duel, and soundly defeated Farina and Ascari.
Observers thought it was one of the most thrilling races ever, to see Fangio, the "Grand Old Man" of motor-racing, and then audacious "new boy" battling it out, using every clean trick in the book, for 150 miles - Hawthorn finally winning by a second.
Although he won the Sebring 12-Hours and the Le Mans 24 Hours and several other races, 1954 and 1955 were ill-fated years for Hawthorn.
Firstly, there were the disgraceful attacks on him over his Military Service commitments, which finally ended only when he was later rejected as medically unfit because of his kidney trouble and burns.
In 1955 there was more bad publicity when he was involved in the ghastly crash at Le Mans which killed over 80 people. No one was officially blamed after a long investigation, but some people tried to make the mud stick on Hawthorn.
To complete two dreadful years, Hawthorn's beloved father, Leslie, was killed in a road crash in England while Mike was in Italy In 1954.
In 1956, Ferrari decided that Hawthorn couldn't drive for him and Jaguar at the same time, so Mike bade him farewell for the time being and became a 'freelancer'.
It was in the fast but unreliable B.R.M that Hawthorn had his most fantastic racing car crash and escaped with an injured ankle. The car got out of control at 100 m.p.h at Goodwood, cartwheeled several times end over end, and finished upside down with a front wheel torn off. Hawthorn was back with Ferrari, with whom he stayed until his retirement.
The Vanwall won the Manufactures' World Championship this year, and because the British car was, by large and large, superior to the Ferrari, Hawthorn;s championship win was all the more admirable.
He didn't exactly 'nurse' his Ferrari, as had been suggested, but he showed a high degree of 'Mechanical sympathy' and this probably won him the world laurels, informing for a moment his supreme skill and fire.
In spite of the death of Peter Collins and Luigi Musso in Grand Prix racing last year, Hawthorn insisted that it is the safest form of racing there is. That is why he was against the new Formula One, which says that GP cars must conform to set standards of minimum weight and maximum power.
"It means putting a less powerful engine in the same weight chassis. With power you can get out of trouble by putting on throttle. If you reduce the power, nothing is going to happen when you put your foot down to regain control," he told me.
Outside of racing, Hawthorn's interests were limited, both by time and inclination. He sometimes reads thrillers, war books and historical works, but he has no enthusiasm for the Arts or politics. However he had a passion for flying. In 1957 he brought a lightweight Vega Gull which he piloted "quite a lot".
He often used it to get from track to track in Europe. At Hamburg, when Peter Collins and his American wife were on board, the engine failed just after take-off. Mike pulled off the impossible. He made a forced landing on the main runway, down-wind.
Afterwards he found out that a Convair liner had landed at the same time, on the same runway- from the opposite direction. "I didn't see it at all," reminisced Hawthorn. "Guess I was born lucky that way,"
He hoped to do some air racing one day, he said, but he didn't know anything about it at the time. The idea just appealed to him. Motor racing was always the consuming passion of his life, because his childhood was filled with race track impressions; his father being an automotive engineer and racing driver in the golden days of Brooklands.
Hawthorn's private transport was a Jaguar 2.3 which he has "modded" up to series production racing standards. "I can't think of any other car which can meet my needs as well," he explained. "It is good value for money it goes extremely fast. It corners quite well, and there is plenty of room, what more could you want?"
Discussing who would be the next world champion, Hawthorn tipped Phil Hill "Stirling moss is the best driver racing today," he said, "but I think a combination of Phil Hill and Ferrari will do it,"
As I prepared to leave, Mike apologised for being so busy, shook hands, flashed a cheerful grin and dashed away to a business appointment. He was still wearing a sports jacket.
As a nod to the business career ahead of him however, the wonder boy of the track had relinquished his characteristic bowtie for a more conservative and business-like neck-wear. This I took to be the first sign of Mike's "knuckling down" to the job ahead.
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Prestwald Hall
Hi guys!!
I'm sharing Prestwald Hall . This is the 9th building for my English Manors Collection, and I will add many more!
House History: Prestwold Hall was, for many years, the seat of the Packe family. Before that time, it was the home of the Skipwith family. After the death of Major Robert Christopher Packe (born c.1783) - one time Aide-de-camp to King George III - who was killed during the Battle of Waterloo, the hall passed to his nephew George Hussey Packe who held the hall and estate until his death in 1874.
The Hall was remodelled by architect William Burn in 1842â1844, incorporating the fabric of a mid-18th-century H-plan house. It was Grade I listed in 1951.
One of the finest rooms inside the house is the Entrance Hall with its richly coloured marbled plaster work in the Italian style. The painted ceiling was inspired by Raphaelâs Vatican grotesques and incorporates miniature landscapes, showing the house before and after its remodelling between 1842 and 1844. Below the ceiling, wreathing the room, are small medallion busts of the poets from Chaucer to Scott, positioned in the spandrels and are likely inspired by Alberti's external arcade at the Tempio Malatestiano in Rimini. An arcade opens on to a vaulted corridor leading to a top lit inner hall: these spaces also marbled. Off the corridor, the cantilevered stone staircase survives from the eighteenth century house, and was given its bracketed brass balusters by William Wilkins (1751-1815) in 1805.
The Dining Room, added by Wilkins in 1805, was incorporated into the remodelling undertaken by the Scottish architect William Burn in 1842. The room is overlooked by two dramatic full length portraits of Sir Edward Hussey Packe, KBE (1878 â 1946) and the Hon. Lady Mary Sydney Packe (nĂ©e Colebrooke, 1890 â 1973) by the painter Glyn Philpot RA (1844 â 1947). The portrait of Lady Packe, painted in 1911, was described by the art historian Robin Gibson OBE as an âamazing feat of virtuosityâ. Its elongated elegance and introspective characterisation is totally without the fashion-plate vulgarity of much Edwardian portraiture. Other portraits hang in this room of the Packe family including a painting of Sir Christopher Packe (1595 â 1682) who purchased the house in the 17th century painted by Cornelis Janssens van Ceulen (1593 â1661).
The library extends nearly the entire length of the house when the large doors that separate it from the drawing room are opened, connecting the two rooms. With clever use of constructional steel, William Burn was able to create these long adjoining rooms. The windows rise from floor level and open onto the garden which enhances the notion that Prestwold was designed in the style of an Italian classical villa. The doors and bookcases in library were made for George Hussey Packe (1846â1908) by Gillows of Lancaster and London in 1875.
A conservatory fills the recessed central bay at the front of the house, and projects out towards the garden. Behind the glass and elegant Doric pilasters, are well planted raised beds with a number of exotic plants and flowers
More history:Â https://en.wikipedia.org/wiki/Prestwold_Hall
Virtual tour:Â https://www.prestwold-hall.com/virtual-tour/
Night pics
Floorplans
This house fits a 50x40 lot and features the following:
great hall
long Library
formal dinning room
family room
playroom
formal gallery
a winter garden
14 rooms for family/guests + 3 service rooms
several bathrooms
This time I decorated most of the rooms in the main floor for picture purposes, but as allways, you can make it your own!
The second and third floor (bedrooms) are not decorated, but finished.
Hope you like it.
You will need the usual CC I use:
all Felixandre cc
all The Jim,
SYB
Anachrosims
Regal Sims
King Falcon railing
The Golden Sanctuary
Cliffou
Dndr recolors
Harrie cc
Tuds
Lili's palace cc
Please enjoy, comment if you like it and share pictures with me if you use my creations!
Early Access: August 15
Download: https://www.patreon.com/posts/prestwald-hall-104505183
#sims 4 architecture#sims 4 build#sims4#sims 4 screenshots#sims4play#sims 4 historical#sims4building#sims4palace#sims 4 royalty#ts4 download#sims4frencharchitecture#ts4#ts4 gameplay#ts4 simblr#ts4 legacy#ts4cc#the sims community#the sims 4#sims 4
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Chapter 1Â /Â Chapter 2Â /Â Chapter 3 / Chapter 4
Read on AO3
Eilidh arrives at Thorpe Abbots.
A/N:
I'm back! I'm so sorry for the wait, but thank you for being patient! Grad school got the better of me but I've managed to pull myself together for an updated. If you are still reading, I appreciate you so much for putting up with the long absence!
The Diss train station was small but seemed just as busy as any Eilidh had seen. The entire train disembarked here, everyone probably all heading towards the same place, she thought as she hurried to catch the vehicle that would take her into Thorpe Abbotts, and then, past that, to the air base. She kept her head down but couldnât help but observe the rush of people around her. It seemed likely she would end up seeing at least some of them again at one point or another.
The villages that the truck trundled past were small. Before 1939, they had probably been sleepy little hamlets, Eilidh guessed. They were all serviced by one main road, the old stone houses charmingly decorated with ivy and moss in the front and fed by farms and gardens maintained in the back. It was the type of place that made St Andrews, with its three whole streets and town and gown relations, appear downright urban.
Eventually the sparse villages became even sparser, until the truck was rumbling along large open fields on a smooth, newly-laid road. Eilidh watched the green land flash by with mixed emotions. It was beautiful and should have lifted her spirits, but as it passed outside the window, she only felt a cold distance. It was fresh and pristine here, hardly touched by the ravages of the Blitz at all. If only Will had found it within himself to leave London and work somewhere else, had he not been so stubbornâŠ
The road was narrowing, dotted with men and women in uniform. The truck pulled up past a large white sign that read ROYAL AIR FORCE THORPE ABBOTTS. Above it, another sign warned, NO UNAUTHORISED PERSONNEL ALLOWED. I guess Iâll be authorized soon myself, Eilidh thought. A man dressed in olive green came out of a white hut to talk to the driver, and then they were waved in past more long yellow-green fields. After a while the road joined up with what was unmistakably an aircraft runway. Beyond this, Eilidh started to see buildings, bizarrely-shaped like giant cans cut in half vertically and laying on the flat sides. She had seen pictures of them in magazines, but never in real life. The truck came to a stop in front of one of them. Eilidh grabbed her suitcase and approached a man in a uniform who was corralling the new arrivals like her.
âIâm Eilidh Hamilton,â she said with a deep breath. âBritish Red Cross?â
âCheck inâs down that way,â he said, directing her down another gravel road. A short queue had already formed, spilling out of one of the giant cans. A big white sign with a red cross painted upon it had been hammered into the dirt by the door. Eilidh got into the line and a girl with dark hair promptly smiled at her.
âIâm Beth,â she said. âWho are you?â
âEilidh. Nice to meet you,â Eilidh replied.
The girlâs grin widened. âAre you a Red Cross girl too?â
âWellâassuming they donât strike me from whatever inspection theyâre doing in there,â Eilidh said, nodding toward the office.
âHey! Keep it moving, ladies!â a voice shouted at them.
Both girls jumped, and, after recovering, shuffled sheepishly inside the hut. It was set up with three rows of desks all along the inside, each staffed by an man doing intake. Eilidh felt a knot in her stomach, even though she had no reason for one. All of her security and background clearance had already been approved as part of her application, months ago; she was pretty sure this was just the military equivalent of attendance in school, making sure everyone who was supposed to be there was accounted for. Another person at the door directed Eilidh towards the back of the room, where she sat down.
The man before her pushed a piece of paper and pen toward her. âYou fill that out. Iâll need to see your national identity card.â He tapped some ash off of the cigarette he was smoking. The smell of the smoke was bitter but oddly enticing after her journey.
Eilidh gave him her identity card and glanced down at the form he had slid to her. She filled it out quicklyâit was easy, just a repeat of her personal information that she was sure they already had. When she looked up, the man was squinting at her card. He opened up a metal box sitting next to him, rifling through its contents until he extracted another card. He held the two next to each other, peered at her, and then nodded to himself.
âAll right.â He grunted and got to his feet. âTurn your chair that way, so your back is to the wall. Weâre going to take photo for your badge.â Eilidh did as she was told while the man readied a small camera. She heard it click a few times.
âThese are yours.â The man handed her identification card back and then a second, flimsier one. âThis one is your temporary security badge for the base. Youâll have the permanent one with your picture once we can get it printed. Until you get it, you donât leave this base. But you keep your ID on yourself at all times, Miss Hamilton, even if you do leave the base,â he instructed her. âItâs your proof that youâre allowed to be here, so donât lose it. You do and itâll be more paperwork for us, and we wonât like thatâŠGot it?â
âI understand.â
âGood. Now go on back there, theyâll show you around.â
And there was a lot to see around the base. Fifty concrete hardstands or along one of the three runways, the longest of which was nearly two thousand meters long and somehow the most impressive thing around, Eilidh thought, even though it was really just a glorified road. Not far from it was a control tower, a squat and square structure topped with a viewing deck. Everyone was most excited about the officerâs clubâempty as of yet and still needing tables and chairs, but the two-sectioned space was enormous. Big enough for a band to play on one end, explained their guide, along with a cozy fireplace at the other. Other sites, Eilidh felt confident she would have no reason to ever be near again, so she took advantage of committing their presence to memory, the things like fuel storage facilities and the ammunition dump site. She was more interested in seeing the places that she knew she would actually frequentâthe mess halls and the barracks. It was here that their truck driver ended the tour and told them to disembark, conveniently so they could find their beds and begin to settle in. Eilidh was content to find where she would be sleeping; although it was only the afternoon, she was exhausted.
There was hardly any rest to be had, though. Already in the hut she would be staying in were a few other young women, including Beth, the one who Eilidh had met earlier. Eilidh was so tired she was in no mood to talk to anyone, so it was with some reluctance that she went over to introduce herself to their fellow bunkmates. Mary, Susannah, FranâŠwhoâs the other? Iâve already forgotten. Beth, Eilidh soon learned, was happy to do enough talking for the both of them. So Eilidh let her, smiling woodenly and nodding until they were called for supper and a whole new wave of faces met them.
It was like the first day of university. A bunch of strangers thrown together, from all over the country. A little nervous but excited too. As Eilidhâs energy flagged, she forced herself to remember her first days at St Andrews. You liked it there. Youâll like it here too, she told herself fiercely.
It was wishful thinking more than anything else, but at this point, it was all she had.
Eilidh Hamiltonâs Diary
14 February 1943
I arrived at Thorpe Abbotts today. There was so much to do and see that Iâm quite frankly surprised Iâm still awake. The facilities are enormous and really quite nice since theyâre brand new.
I must have met dozens of people. Everyone seems so cheeryâso committed to the job and all. Not jaded or anything. I canât fake that sort of thing very well. Maybe for an hour or two, but itâs a lot. I did try my best today, really. I donât want to disappoint Mum and Dad again by coming home. But I think a lot of the other people could tell that I wasnât talking much. Maybe theyâll just think Iâm quiet. Ha. Wouldnât that be the irony of the century.
We have to be up at six oâclock tomorrow, so Iâm going to sleep soon, right after I write Mum and Dad very briefly.
Eilidh Hamilton to Victoria and James Hamilton
14 February 1943
Dear Mum and Dad,
Iâm writing at the end of my first day here. Itâs been a lot to take in, so Iâm nodding off as I write this but wanted to dash off a few lines to let you know that everything has gone well so far. Iâve met up with the people Iâm living with but there hasnât been much time to get to know them yet and there were so many people to meet that I hardly even remember their names. I do remember the girlsâ names, though. Thereâs Beth, Susannah, Amelia, Mary, and Frances, plus me, for six in total for our quarters. The barracks are bigger than I might have thought. We all have our own bed and even space for a vanity and places to hang up clothes, shelves, that sort of thing. Thereâs a stove in the middle of the hut so itâs not cold and thereâs enough room so that we can put our chairs in a group for when we want to chat. Overall it seems it will be comfortable.
We got a tour of the entire baseâitâs absolutely massive. One of the men said we should save up for bicycles if we can, so Iâll probably follow his advice because otherwise Iâll be too tired to do anything else from all the walking.
Tomorrow we have an early start to our lessons on everything we are meant to be responsible for. The base isnât active yet, so until it is weâre supposed to be training. The biggest thing is learning how to drive, I donât think thereâs any of us who know how to do that, and certainly not with an ambulance. Can you imagine? Iâm sure thatâll be a laugh. Iâm hoping I can just spend all my time making biscuits and scones, but Iâm guessing it wonât play out that way.
Iâll write again in a few days. Love to all.
Eilidh
The next day was no easier than the first. Starting before the sun rose and running only on coffee and a slice of toast, Eilidh and the other girls shuffled into another Nissen hut close to their barracks. Dozens of seats had been arranged lecture hall-style in the rows at one end of the hut, but the rest of the space was a little bit more cozily made-up with a small kitchenette, plush chairs and sofas, bookshelves, and a radio. After a few minutes of the girls whispering conspiratorially about what was going to happen next, the door burst open. A tall woman wearing glasses and graying hair tied sensibly at the nape of her neck strode business-like up the aisle and stepped up to the dais.
âThatâll do,â she said to quiet them.
They all fell silent like schoolchildren, an effect compounded when she reached to her feet and lifted an enormous stack of paper to the podium. The woman split the stack in half and handed one to each side of the front row, a single gesture of her finger indicating they were to be passed around, along with a tin full of pencils. Eilidh glanced at the booklet she had just been handed. Stamped on the front in black letters were the words, British Red CrossâThorpe Abbotts Station 139. The eponymous cross was emblazoned underneath it. Eilidh fanned the pages open and caught a glimpse of various headings: The Red Cross Girlâs Attitude, Writing the Bereaved, How to Prepare CoffeeâŠ
âI am Mrs. Eleanor Thackeray. Iâm director of the British Red Cross chapter based here at Thorpe Abbotts.â The woman surveyed them over the rim of her glasses. âFor as long as you ladies are here, I will be your supervisor. If you have any problems, you come to me. Letâs be clear that despite working on a military base, you are civilians. We will be working under a different chain of command than the airmen, understand? If you have a dispute involving any of the military personnel, you come to me and we will sort it out, in conjunction with the military, if need be.â
Eilidh didnât question why Mrs. Thackeray began her speech in this manner; cross-fraternization was a given in this situation.
For the next several hours, Mrs. Thackeray expounded on everything they were to be responsible for at one point or another so long as they stayed with the base. How to write comforting notes to distressed families, how to pack a proper care package, how to type welfare reports, how to serve refreshments and libations, and more. They broke at noon to lunch, eating in the same hut and making use of the entire space for the first time. When it was filled with genial conversation instead a single person talking at them, Eilidh realized it was even nicer than it looked. Towards the end of the half hour reprieve, Eilidh stepped outside for a few minutes. She looked up at the overcast sky and took a deep breath, expelling the stuffy hut air out of her body. There was the smell of a threatening rainstorm on the wind.
The afternoon was more practical. A man came and explained to them the basics of driving, and then they all went out in pairs to test their abilities with the different runways as their practice grounds. Eilidh turned, accelerated and slowed, and parked in accordance to the instructorâs strict guidance and with minimal grief, but there was still lots to learn. All of the girls would be subjected to a daily driving lesson from now until when the station activated that summer, and there wasnât enough practice to be had. They would have to get used to not just merely driving, but also driving at high speeds, on bumpy terrain, and with the base full of peopleâall knowing that eventually they would be driving in life or death conditions too, with a man in the back screaming in agony. Their instructor seemed disappointed that it hadnât rained after all, that they would have to wait before they could try driving on slick surfaces with the windshield lashed with raindrops.
So with that fear of God properly instilled in them by their instructor, it was with even greater anticipation that Eilidh filed into the kitchen of one of the mess halls, where another woman showed them the recipe they were to use for baking the biscuits, donuts, and scones to stock the Red Cross clubmobile. Whereas Eilidh had taken meticulous notes in order to get behind the wheel, she almost didnât pay attention at all during the baking lesson, especially after she sampled some of the wares that were passed aroundâshe could make a better version of almost all of these things from memory. They werenât bad, but werenât spectacular either. They were going to stay that way, though, Eilidh realized, as the woman lectured them about the strict need to stick to the recipe so as to not mess with supplies and ingredients and whatnot. After some more time mixing and shaping and waiting, they all marched off to the officerâs mess again for dinner, now with their first batches of Red Cross biscuits in hand. Eilidh nibbled at hers after eating a helping of shepherdâs pie. It was crumbly and a little sweet, but not as buttery or soft as it could have been if she had made it in her own way. When Beth agreed that they were subpar, Eilidh felt a sense of kinship with the other girl for the first time.
Eilidh Hamiltonâs Diary
15 February 1943
We had our first taste (literally) of some of the things we are going to be doing as Red Cross Girls. Most of it was fine like the driving and the packages and so on, but my GodâI wish these biscuits and things were not so rubbish. Arenât they supposed to be for the boys for when they go off on missions? We could at least give them something a little better.
#masters of the air#mota#masters of the air fic#mota fic#jack kidd#jack kidd x oc#masters of the air oc#mota oc#mine: writing#rrr#rrr: chapter
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Chapter 1:Welcome to Gotham
The day to leave had finally come. With few suitcases and a backpack, I headed to the airport accompanied by Lucy, my now former governess. Even in the spring, the incessant drizzle of London fell without stopping, creating a melancholic atmosphere that somehow comforted me.
"You know you can stay here with us," Lucy said, visibly unhappy with my departure. She always appreciated my company and did everything for me, but I needed to move on. My parents' now empty house carried the ghosts of the past. Every corner reminded me of painful moments, and staying there would only increase my anguish.
"I love all the moments we've spent together, Lucy. But... it's too painful to stay here. You know that, with time, I would lose the rest of my sanity," I tried to make a joke to lighten the mood, but my tone of voice betrayed the sadness I felt. Unfortunately, Lucy didn't even crack a smile.
The trip to the airport was quick. Along the way, I thanked Lucy for everything she had done for me over the years. However, now it was time to move on.
The journey to the airport didn't last long. I bid farewell to Lucy amidst silent tears and sad smiles. I promised to call her whenever I could, although I hated talking on the phone, and she knew that well. After checking in my luggage, I waited for boarding time. My earphones were already connected as soon as I left Lucy's presence, providing distraction throughout the flight. It was a few hours on the plane; I know I dozed off at times, but memories of the city haunted me whenever I closed my eyes.
After retrieving my luggage, I headed towards the exit of Gotham Airport. Pausing for a moment, I scanned the crowd, searching for my uncle. How long had it been since I last saw him? A calloused hand touched my shoulder, startling me. It was Alfred.
"You haven't changed a bit, dear. Still the same lovely girl," Alfred said, his London accent still strong.
"I'm not sure if I should take that as a compliment or a great offense," I joked, hoping for a smile to break the slight awkwardness of reuniting with a distant relative. To my relief, he chuckled genuinely and asked me to let him handle the luggage. I followed Uncle Alfred to a new, undoubtedly expensive car, all black and imposing. At least Mr. Wayne has good taste.
'''The weather in Gotham is much like London, very rainy and cold, but it's less welcoming and certainly more dangerous, so I ask that you be careful," Alfred said as he drove through the wet streets of the city. I looked out the passenger window and nodded in agreement with his words. "I know you don't need to worry about money," he continued, referring to the hefty inheritance my parents left behind. I looked at him with more interest, hoping he would finish easing my curiosity. "But I happened to mention to Master Bruce your technology skills and recent graduation in pharmacy and biomedicine. He was very interested and would like you to assist him with his work..."
"In his company? I hate anything involving paperwork and formal dress codes," I joked, but it was true.
"No, the company is managed by a specialized team. He needs your skills for a different type of work," Alfred was horrified when I joked about not doing any sexual favors for an old bald man. "What? It's not that kind of service either. Stop thinking nonsense, and you'll find out when we arrive at Wayne Tower," I laughed at how offended he seemed by my little joke. It felt good to smile again.
We arrived at Wayne Tower, and damn, it's a very luxurious and imposing building. If Bruce Wayne has money, he doesn't hesitate to spend it. We rode the main elevator to the top floor. Alfred got out first with the luggage, and I followed closely behind, admiring the grand room around me. It was spacious, luxurious, and well-decorated, but a bit dark due to the large dark curtains on the windows.
"So, where's the bald guy who's going to shelter me and give me a job?" I innocently asked my uncle, who narrowed his eyes and was about to scold me when a deep voice interrupted us.
"Who's bald?" A muscular and very, very handsome man was coming down the central staircase wearing a black T-shirt, sweatpants of the same color, and bare feet. He definitely wasn't bald; he had medium-length very black hair and intensely blue eyes that were too captivating to look away from. Damn, I felt myself blushing under his gaze. I coughed to hide my embarrassment and offered my hand to him, stating my name. He took it, and his hand covered mine quickly; it was warm and slightly calloused.
"Bruce Wayne, pleasure to meet you. Alfred probably told you that I'm interested in working with you, but I want you to feel at home and settle in first.''
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âź The Adventures of Saturna âź Vol. 1
(This story is in latin spanish available on Wattpad!)
This story tells, pardon the redundancy, the adventures of my oc Saturna Cloudford!
â From the beginning of her life, until giving her heart completely đ â Ship Saturna x Simon Ghost Riley (just because đđ„°) â Action, romance, drama, MORE ACTION and more romance. â References to pop culture lol don't judge. â I promise you'll have fun!
ïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâïœĄïœ„:*
Saturna Cloudford is an interesting and passionate woman, Lieutenant and paramedic leader in the UK Armed Forces, mainly in TF141. Here I will immortalize her experiences as the beautiful OC that she is. Enjoy đđ
âââ§ââââââââââ
ââââââââââ§ââ
Prologue
Saturna Cloudford, born on March 22, 1996, in the beautiful and iconic borough of Queens, NYC, grew up in a house in the suburbs, in a middle-class neighborhood with her father, Oliver Cloudford, and her mother, Marie Conetti.
Oliver was a decorated US Navy Colonel, who perished in battle after 20 years of service, and was awarded a Purple Heart medal in his honor. He died when Saturna would have turned 16 years old. Marie is a woman from Italy, who moved to America to seek a better life away from her family, and then met Oliver.
Saturna is a woman currently 28 years old, with short, dark wavy hair that is very difficult to deal with, just as her mother told her, "hair reflects personality." She is about 1.75 (5'9'') tall, with a usually athletic build, although not very defined. She has quite expressive and dark eyes, a round nose and her upper lip is larger than the lower one (as if they were inverted). Thin and fine eyebrows, and a light brown complexion. Don't forget her tattoos, the most recognizable is a small tattoo of a carnation on her chest (đ”) She also has the logo of her favorite band (MĂ„neskin) tattooed on the back of her neck, and a star design on her lower back.
She has always been outgoing and friendly, exuding self-confidence and mostly good humor. She is kind, thoughtful and passionate, determined in everything she does. She considers herself an activist and has quite liberal morals, although politics is not something she likes very much, she is always up for a debate. He loves to talk, and let's say more than usual. She considers herself an atheist, not a believer in any god per se, but she believes that there is some powerful force that governs everything equally, she considers it the universe. She is agile, flexible and good at hand-to-hand combat, quick to think and skilled at making decisions under pressure. Despite her work, or her life in general, what identifies her is her relaxed and unflappable attitude towards things, she is not someone who gets stressed easily, and she has carried that within her since the beginning of her life. (âŠ)
Now our Sat was heading towards a new chapter in her life. Sitting in the back of the taxi, with her suitcases on her lap, looking out the window with her headphones on and thinking about what kind of adventures she would have now. He was heading to the main base of TaskForce 141, a Multinational Special Operations Unit located in London. Or well, on the outskirts of it. This unit, mostly anti-terrorism, specifically senior commanders like Captain John Price had offered a spot on their team for Cloudford. Also because Sat had been recommended by CIA agent Laswell. Maybe she had seen something useful in her.
Naturally, Saturna was full of doubts and nerves. She was a Lieutenant and a lead paramedic, why would she be indispensable in a place like this, surrounded by military personnel and soldiers far more experienced? âWerenât there plenty of paramedics here?â she thought. A smile appeared on her face at the thought.
"Great, now my job will be to patch up injured cadets and prescribe meds" she said to herself.
Of course, she was joking. The fact that she was part of such a unit was a complete privilege, and she wasnât the least bit unhappy about it. She was genuinely excited. Even so, the thought of being treated like a medic or doctor didnât sit well with her (and that was based on experience). She simply sighed and leaned her head on her hand, gazing out the window as the landscape grew colder and wetter, moving along the lonely road with her favorite song, âSo High,â playing in her ears.
At some point during the trip, the horizon changed from dense forests and trees to open, green fields, with the sun now shining more brightly. âThat must mean Iâm close,â she thought. And indeed, the taxi driver was already glancing at his meter and announcing their arrival. Saturna felt her excitement grow. Then she noticed the large gray barracks with brick walls surrounding it, buildings no taller than five stories, and a wide field in the center of it all. She had arrived at the base.
The taxi came to a stop right in front of the threshold near the end of the road. Saturnaâs heart stopped along with the vehicle. She saw the flags waving on either side of the main gate, representing the 141 and the United Kingdom. Moments later, Saturna was out of the car with her carry-on bag, as the driver helped with the luggage from the trunk. As she took her bags in her arms, a bearded man with a distinctive fishermanâs hat walked out through the gate, accompanied by a younger man in a cap. He walked up to the threshold and stopped a few meters in front of Saturna. She was more nervous than ever, but she still paid the driver, rolled her suitcase beside her, and walked toward the Captain. With a big smile, she stood before him.
âSaturna Cloudford, itâs a pleasure to finally meet you.â the man said as he extended his hand.
âThe pleasure is all mine, Captain.â She shook his hand.
âPlease, call me Price.â
Saturna nodded, and as Price noticed she had brought more luggage than she could carry, he motioned to his companion to lend her a hand.
âGaz, come over here,â the Captain said, and Gaz quickly grabbed Saturnaâs rolling suitcase.
They headed into the base, with Price walking in front of the two. Saturna looked around, observing and taking in as much as she could while trying to keep up with the quick pace of her new Captain.
âWelcome to our main base,â he said. âThis is the meeting point, where youâll find the cafeteria, common rooms, and the parking area outside, along with some more offices further in. To the south are the residential buildings, and Iâll get you the key to your room as soon as possible. As you can see, thereâs the field.â He gestured to the green field in the center of the base. âYou can run or train there, as itâs right in front of the gym. We also use it as a shooting range. The gym itself is small, so most soldiers train outside or on the field.â
Saturna listened closely, trying to absorb all the information the Captain was giving her.
âThe armory is next to the parking area, which you probably saw on your way in. The showers are close to the residential buildings, connected to the locker rooms. And finally, the medical building was added relatively recently; thatâs where most of your work will be.â Price stopped walking and turned to face Saturna, as Gaz stepped beside him. âUnderstood?â
âYes, sir,â she replied.
âGood,â Price said in his firm tone. âIâll leave you to explore the place and get familiar with it. Iâll be in my office and will give you your dorm key later.â Saturna nodded, and Price gave a parting wave.
Saturna was then left standing with Gaz, who was still holding her luggage.
âIâm Kyle, but everyone calls me Gaz,â he finally introduced himself.
âNice to meet you, Gaz. Iâm Saturna.â
âWhere are you from?â
âNew York, though Iâve been here in London for a few days. And you?â
âIâve lived here most of my life. But hey, itâs nice to have Americans on base.â
âWhy do you say that?â she asked curiously.
âWell, there arenât many Americans here, and theyâre pretty useful in battle. At least the ones I know,â he said with a grin.
âOh, I see. Well, yes, Iâm American. And I think chocolate milk comes from brown cows,â she joked, and Gaz laughed.
âWell, I guess everyoneâs got a belief⊠like that. I like you, Saturna. And because of that, Iâll show you around a bit moreâsince Priceâs âtourâ was pretty basic,â he said. âCome on.â
âSure, thanks,â she replied, and they both began walking around the base.
(...)
Price sat in his office behind the desk, holding Saturnaâs file in his hands. With her arrival, as with any new team member, he had to thoroughly review her history before giving final approval. He noticed that the file seemed a bit thick. He sighed and got to work.
He opened it, and the first page was her standard résumé, along with a photo of her.
" SATURNA CLOUDFORD
Full Name: Saturna Cloudford Conetti
Alias(es): "Sat" - "Poetess"
Rank: First Lieutenant (Elite)
Other: Lead Paramedic Rescuer (Elite)
Age: 28
Nationality: American
Date of Birth: March 22, 1996
Place of Birth: Queens, NY, USA
Eye Color: Black
Hair Color: Black
Height: 5'9" / 1.75 m
Weight: Approx. 60 kg
Blood Type: A+
Ethnicity: Mixed (American-Italian)
Native Language: English
Other Languages: Spanish, Italian, French
Marital Status: Single
Address: [N/A]
Insurer: [N/A] "
Everything seemed normal to Price, and he continued to the next page.
"High school and preparatory school completed. Half a year of university at Columbia University, Manhattan, in 2015."
Saturna had been withdrawn after six months from university, by her motherâs decision, without completing her degree in Communications and Journalism. Instead, she was sent to a convent outside of D.C. (Washington), called Santa Clarissa di Fresa, Convento delle Monache e Riformatorio, where she would remain for the rest of the year.
Price was intrigued by the fact that Saturna had left university to be sent to a convent, especially one with a questionable record of conduct. Still, he didn't dwell on it. It wasn't his business, he thought.
In 2017, Price read, Saturna had completed her studies and graduated as a nurse with honors from the Mercy Health Institute in New York. But it seems she didnât stay in the healthcare center. Instead, in 2019, at the age of 23, she joined the Civil Guard Academy, becoming a paramedic, and months later, a rescuer. From 2019 to 2021, Saturna would be recruited and sent all across the United States alongside the countryâs Special Forces, on rescue missions to reach civilians in the most inaccessible places possible. Saturna had no trouble with this work, which is why she was often assigned to those kinds of situations.
The most significant part came in 2022. At the age of 26, Saturna was awarded the "Orange Eagle" distinction, an honor given to rescue operators and civil defenders, for saving and securing 1,433 lives during Hurricane Ian that hit Florida that same year. She was known as "Poetess" for two reasons: The first was her ability to calm civilians, especially children, with her words and quotes. The second reason was that during her time at Columbia, she briefly played in a rock band where she was the lead vocalist, and her stage name was "The Poetess."
Finally, Price reached the last page of the file. It simply mentioned that she had carried out some missions alongside the Armed Forces and the CIA, possibly meeting Kate Laswell in the process, who would later offer her the job in the 141. And the rest, as they say, is history.
"Lord⊠Finally." Price muttered as he stretched in his chair. "Next time, I'll have someone else review the new recruits' files."
With that, Price gave Saturna's file the green light, marking it with a red seal.
(...)
Saturna knocked on the office door, and Price invited her to come in from inside.
"Here are the keys to your room. It's 505 in Building B," said the Captain, handing her the keys.
"Oh⊠505, what a wonderful coincidence," she said with a playful smile as she put the keys in her pocket.
"Huh?" Price asked, not sure what she meant.
"Nothing, sir," she replied. "Thank you for everything so far."
"It's my job. And I expect you to do yours well." Saturna nodded. "Though, after reading and reviewing your history, I have high expectations."
Saturnaâs face lit up. She hadnât expected to make such an impression on her Captain so quickly.
"Iâll give my best. Thank you."
"Dismissed."
Saturna walked across the base to Building B. She had already toured a bit of the base in the afternoon, running into some people who welcomed her, like a friendly Scottish guy they usually called "Soap." When she arrived at 505, her suitcases were already outside the room. Maybe it was Gaz.
She entered with her luggage, taking in her surroundings. It wasnât a five-star place, but it certainly wasnât what she had expected. She tested the bed by sitting on it and then lay down, staring at the ceiling.
"To think that just a few weeks ago I was sharing an apartment with strangers," she said to herself. She glanced at the clock on the nightstand beside the bed. It was 8:50 p.m. "Alright, time to get to work."
Saturna got up from the bed and hurried to unpack her things, adding a little shine to her new room. She filled the place with her style, placing her clothes in the empty dresser in the corner, toiletries on top of it, her belongings like a notebook and pens on the desk next to the window, a small dreamcatcher hanging on the window, as well as her thousand accessories, including quartz necklaces, handmade bracelets, and countless pairs of earrings in all shapes, colors, and styles. To finish, she placed a framed photo of her and her best friend from college on the nightstand next to the bed.
"GoodâŠ" she said, looking around with satisfaction. She hadnât made the biggest change of all, but at least the place now had her personality.
She was starting a new chapter in her life. There was still so much ahead to go through, to live, and to experience on a path filled with adventures, and she was determined to give her best. To think that just a few weeks ago, when she arrived in London hoping for a new job thanks to Laswell, she was living uncomfortably in a small apartment, sharing space with complete strangers. And to think that just a few years ago, when she was back in her home country, she worked tirelessly day after day to create a better future by doing what she loved: helping people. And to think that all of this stemmed from her drive to follow in her father Oliver's footsteps, and one day be remembered and respected just as he was in life. And to think that all of this came about because she chased her dreams and gained independence, leaving her motherâs home⊠Now, she was here, living what she had once only dreamed of. This was much bigger than she had imagined, she thought. It was far more important.
And she was grateful for every part of the journey that had brought her here.
ïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâïœĄïœ„:*:ïŸâ
THANKS!!!!!1111!!111
#HistoryandChronology#âź The Adventures of Saturna âź Vol. 1#original story#prologue#Saturna Cloudford#call of duty#cod oc#oc#call of duty modern warfare#cod mw2#oneshot
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All right, reading The Bruce-Partington Plans this evening! Two more stories after this and I've caught up with Letters from Watson :)
In the third week of November, in the year 1895, a dense yellow fog settled down upon London. From the Monday to the Thursday I doubt whether it was ever possible from our windows in Baker Street to see the loom of the opposite houses. It blows my mind how normal this kind of heavy, extremely unhealthy smog was in this time. Makes me wonder what in another 100 years people will have going like "You lived like that?!" (I hope it's parking lots and highways and office buildings)
But when, for the fourth time, after pushing back our chairs from breakfast we saw the greasy, heavy brown swirl still drifting past us and condensing in oily drops upon the window-panes, my comrade's impatient and active nature could endure this drab existence no longer. He paced restlessly about our sitting-room in a fever of suppressed energy, biting his nails, tapping the furniture, and chafing against inaction. Bored Sherlock Holmes, oddly cute
âLook out this window, Watson. See how the figures loom up, are dimly seen, and then blend once more into the cloud-bank. The thief or the murderer could roam London on such a day as the tiger does the jungle, unseen until he pounces, and then evident only to his victim.â Oh my, Doyle was really in his tiger fangirl fase when writing these last few stories
Well, well! What next?â said he. âBrother Mycroft is coming round.â âWhy not?â I asked. âWhy not? It is as if you met a tram-car coming down a country lane. Mycroft has his rails and he runs on them. We'll get to meet Mycroft again! :) Also, quite a funny image, Mycroft running on rails
You told me that he had some small office under the British government.â Holmes chuckled. âI did not know you quite so well in those days. One has to be discreet when one talks of high matters of state. You are right in thinking that he under the British government. You would also be right in a sense if you said that occasionally he is the British government.â And this was me thinking that the BBC series had sucked Mycroft being this whole goverment mastermind out of their thumb. So that's canon?:O
âWell, his position is unique. He has made it for himself. Nice parallel between the brothers here!
âThere has been an inquest,â said I, âand a good many fresh facts have come out. Looked at more closely, I should certainly say that it was a curious case.â âJudging by its effect upon my brother, I should think it must be a most extraordinary one.â He snuggled down in his armchair. âNow, Watson, let us have the facts.â I just love this interaction. Holmes being all excited and trusting Watson to tell the important things to him :)
So the case is about a dead clerk that was found - murdered, in all likelihood - carrying some seriously important papers. Which he himself had stolen. And some of which were again stolen of him. Intriguing.
I'm hoping for some fun investigations in tunnels and along train tracks (I hope our men are careful)
If the papers were guarded with the same 'super secure' protective measures as the secret papers we've seen so far, they couldn't have been hard to steal
The actual official guardian of the papers is the famous government expert, Sir James Walter, whose decorations and sub-titles fill two lines of a book of reference. He has grown gray in the service, is a gentleman, a favoured guest in the most exalted houses, and, above all, a man whose patriotism is beyond suspicion. I already don't trust him. At least it's not a colonel?
âHas the fact been verified?â âYes; his brother, Colonel Valentine Walter, has testified to his departure from Woolwich, and Admiral Sinclair to his arrival in London; so Sir James is no longer a direct factor in the problem.â But his brother is! Very suspicious
âWell, well!â said Holmes, shrugging his shoulders. âCome, Watson! And you, Lestrade, could you favour us with your company for an hour or two? Off they go!
It was one of my friend's most obvious weaknesses that he was impatient with less alert intelligences than his own. Savage, Watson
Watson, we have done all we can here. We need not trouble you any further, Mr. Lestrade. I think our investigations must now carry us to Woolwich.â No don't leave the creepy tunnels and train tracks yet :( I want more adventure
No theories yet. I can't figure out what Holmes means by points and curves and not wanting to investigate the train's carriages
âThat should be helpful, Watson,â he remarked as we took our seats in the Woolwich train. âWe certainly owe Brother Mycroft a debt for having introduced us to what promises to be a really very remarkable case.â It's 'we' and 'us'. They are so Together
âThe end is dark to me also, but I have hold of one idea which may lead us far. The man met his death elsewhere, and his body was on the roof of a carriage.â That explains a lot: why there was a loud thud, why the clerk hadn't a ticket, and also why there was no blood on or near the tracks
The house of the famous official was a fine villa with green lawns stretching down to the Thames. As we reached it the fog was lifting, and a thin, watery sunshine was breaking through. A butler answered our ring. âSir James, sir!â said he with solemn face. âSir James died this morning.â Oh! There's a second murder victim?
âIt was this horrible scandal,â said he. âMy brother, Sir James, was a man of very sensitive honour, and he could not survive such an affair. It broke his heart." Ah, of course, no murder but the mysterious victorian Death by Sadness disease. If he really is dead. Btw, I don't trust the brother
I have a theory: mr. colonel learns of the top secret papers because likely his scientist brother can't keep his mouth shut, either convices his brother to take the papers home, or he steals his key and takes them himself. Anyway, Cadogan West catches them being all suspicious and impulsively (he was hot-headed) follows them to try to stop them. Which doesn't end well, he knows too much so he's murdered, and they place 7 of the papers upon his body so he can take the blame. Of course the brothers cover for each other
Arthur was the most single-minded, chivalrous, patriotic man upon earth. He would have cut his right hand off before he would sell a State secret confided to his keeping. It is absurd, impossible, preposterous to anyone who knew him.â Always trust the opinion of his fiancee. This young clerk was innocent
My friend's face grew graver still. âAnything else?â âHe said that we were slack about such mattersâthat it would be easy for a traitor to get the plans.â Poor security. Why am I not surprised
âWe were to go to the theatre. The fog was so thick that a cab was useless. We walked, and our way took us close to the office. Suddenly he darted away into the fog.â âWithout a word?â âHe gave an exclamation; that was all. Clearly no planned theft then.
âI'm afraid,â said Holmes, smiling, âthat all the queen's horses and all the queen's men cannot avail in this matter.â He had spread out his big map of London and leaned eagerly over it. Holmes is a map nerd! Same, Holmes, same. Now the question: what clue did he find from the map?
All the long November evening I waited, filled with impatience for his return. At last, shortly after nine o'clock, there arrived a messenger with a note: Am dining at Goldini's Restaurant, Gloucester Road, Kensington. Please come at once and join me there. Bring with you a jemmy, a dark lantern, a chisel, and a revolver. Danger date! Love it. No clue what a dark lantern is
Try one of the proprietor's cigars. They are less poisonous than one would expect. That is not reassuring at all, Holmes
When I found that the leading international agent, who had just left London, lived in a row of houses which abutted upon the Underground, I was so pleased that you were a little astonished at my sudden frivolity.â So the colonel was innocent this time? Or did he still steal the papers, and then sell them to this agent?
We must bear in mind that Oberstein has gone to the Continent to dispose of his booty, but not with any idea of flight; for he had no reason to fear a warrant, and the idea of an amateur domiciliary visit would certainly never occur to him. Yet that is precisely what we are about to make.â âCould we not get a warrant and legalize it?â âHardly on the evidence.â They are going to break in! Exciting!
He sprang up and shook me by the hand. âI knew you would not shrink at the last,â said he, and for a moment I saw something in his eyes which was nearer to tenderness than I had ever seen. The next instant he was his masterful, practical self once more. Awww :) Be gay, do crime, boys!
âA fairly complete record, Watson! If we could only get at the man at the other end!â He sat lost in thought, tapping his fingers on the table. Finally he sprang to his feet. Colonel! I haven't given up on my theory yet
I think we might drive round to the offices of the Daily Telegraph, and so bring a good day's work to a conclusion.â I guess that Holmes wants to lure the other accomplice out by placing a new message
But some of these days you'll go too far, and you'll find yourself and your friend in trouble.â âFor England, home and beautyâeh, Watson? Holmes you flirt
âBy George!â cried Lestrade. âIf he answers that we've got him!â âThat was my idea when I put it in. I think if you could both make it convenient to come with us about eight o'clock to Caulfield Gardens we might possibly get a little nearer to a solution.â We're nearing the conclusion :)
One of the most remarkable characteristics of Sherlock Holmes was his power of throwing his brain out of action and switching all his thoughts on to lighter things whenever he had convinced himself that he could no longer work to advantage. I remember that during the whole of that memorable day he lost himself in a monograph which he had undertaken upon the Polyphonic Motets of Lassus. For my own part I had none of this power of detachment, and the day, in consequence, appeared to be interminable. The great national importance of the issue, the suspense in high quarters, the direct nature of the experiment which we were tryingâall combined to work upon my nerve. It was a relief to me when at last, after a light dinner, we set out upon our expedition. This is a wonderful bit of insight into their characters. Watson is anxiety-inclined. Holmes is able to switch that off to a perhaphs unsafe level - anxiety helps keeps you alive, after all, not good to not have it at all.
The man glared round him, staggered, and fell senseless upon the floor. With the shock, his broad-brimmed hat flew from his head, his cravat slipped sown from his lips, and there were the long light beard and the soft, handsome delicate features of Colonel Valentine Walter. The colonel again. I fucking knew it. Careful, Watson, if you can find more words for his beauty you might faint yourself
I did not murder him! I'm innocent! I only did nothing to prevent it and then did not call for help and then helped get rid of the body!
Some weeks afterwards I learned incidentally that my friend spent a day at Windsor, whence be returned with a remarkably fine emerald tie-pin. When I asked him if he had bought it, he answered that it was a present from a certain gracious lady in whose interests he had once been fortunate enough to carry out a small commission. Cadogan West's fiancee gave Holmes a present? That is so sweet
Another fun read. I couldn't care too much about the fate of those papers, but it was a good case. The yellow smog and trains and tunnels added a lot of atmosphere. And Holmes and Watson interacted very cute in this story
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Disney Dreamland - Part 4: Fantasyland
(I had already posted about Mysteryland previously, which retroactively makes it Part 3. So we're moving on to the next part.)
Quite possibly the largest of the five lands, probably even beating out my mega-Adventureland.Â
Small World Gardens
Located behind Small World, this sprawling area would transition into Storybook Town Square. Flower arrangements inspired by Keukenhof in the Netherlands. Similar to Parisâs Fantasyland, there would be a couple rivers running through the garden with lovely bridges to cross over them.Â
Dumbo the Flying Elephant : The Masquerade Circus could be positioned near the Mysteryland/Fantasyland border so that the back of the tents could serve as a backdrop for the Dumbo ride, which would have its own little area in the gardens. I was at a loss on where else to place this ride, but I stubbornly wanted to include it as it is currently the only attraction to be found in all 6 existing castle parks and I didn't want to break that streak.
"Casey Jr. Circus Train": Doesn't have to specifically be Dumbo-themed, I just really want a cute novelty train to wind through the garden, with cute bridges to pass over the walkways and rivers.
âSwan Boatsâ: Paddle boats. I say âswan boatsâ but they donât have to be just swans, but could also resemble other birds such as ducks, geese, and flamingos.
Symphony Gazebo: A gazebo in the garden for a live band to play classical music.
âWindmill snack standâ: I saw a picture of the Old Mill in Paris and thought it looked so charming. German pretzels.Â
Storybook Town Square
The town follows in the footsteps of Ananheimâs 1983 overhaul with each building having its own unique look. Would feature a fluid mix of Bavarian and British architecture. The Bavarian half of the town on the west contains âPinocchio Squareâ and the theater. The British half on the east contains Peter Pan, Little Nemo (even though Nemo is American), and Mr. Toad. A large fountain stands in the center. Cobblestones would pave the ground. I want this area to evoke the feeling of Parisâs Fantasyland as well as Efteling in the Netherlands .Â
Pinocchioâs Daring Escape: Focuses more on escaping Pleasure Island. The only other thing I would change is have all the sets and animatronics appear to be carved out of wood, and have real clothes on the animatronics, for a more high-quality âhand madeâ look, the implication being the entire ride is a life-sized puppet show. The ride building along with the toy shop and restaurant form a smaller âPinocchio Squareâ, which would include a smaller fountain with a statue of Pinocchio.
Geppettoâs Toy Shop: Would feature regular retail plush toys, as well as old fashioned toys like wooden marionettes and wind-ups, as well as cuckoo clocks. Christmas ornaments can also be purchased here.  Â
Pinocchioâs Pizza Place: Italian cuisine. Basically the Pinocchio Village Haus in Orlando, but with an alliterative name, and also some of the pizzas have toppings decorated to look like Pinocchio smiley faces. Quick service. Â
Once Upon a Time Theatre: Hosts live indoor stage shows. While any show with Disney musical medleys is fine, I would much prefer original shows of rarely-featured stories, such as the other tales from the 1001 Arabian Nights, or a stage version of Disney's Return to Oz (which I personally love better as an Oz adaptation than MGM's movie; 2013's Oz the Great and Powerful was meh). Building design would be modeled after the new Fantasyland Forest Theatre in Tokyo.
âGerman restaurantâ: Table service.Â
Flight to Neverland: Would utilize the best aspects from each version of the ride. For example, I love that Shanghaiâs queue is themed to a London park (Kensington Gardens?), and the chimneys in Parisâs loading dock blow smoke. The building facade would definitely have a functioning clock tower, in homage to Big Ben, but designed to fit with the small town aesthetic. The name change is simply because I feel like guests actually take on the role of the Darling children more than they do Peter.
Little Nemo in Slumberland: Little Nemo may not be a Disney IP, but it has such rich and vibrant imagery, I think it could work really well as a Disney ride. Not to mention itâs in the public domain, so there shouldnât be any legal issues. In many ways itâs very similar to Peter Panâs Flight, so maybe it could also help balance the wait times between the two rides. Guests take on the role of Nemo and ride flying beds (or at least, benches that look like beds, with a headboard and a footboard) that soar out the bedroom window. What follows are awe-inspiring, almost surreal, scenes of Slumberland. Things start to distort and become chaotic as the dream turns into a nightmare. Before anything too awful happens, guests âwake upâ back in Nemoâs bedroom while the voice of Nemoâs mother scolds us for eating before bed. For visual reference, I recommend the Osamu Dezaki pilot film that was created during the movieâs development, though I obviously wouldnât put the giant Sauron eye in the ride.Â
Mr. Toadâs Wild Ride: Orlandoâs former double-track ride, but with Anaheimâs building exterior. I never got to experience this ride and I really want to.
Ever After Castle
Here it is, the traditional centerpiece of all Disney parks, now the centerpiece of Fantasyland instead. I personally think of most Disney castles as tall but not wide. This castle would be slightly different from the traditional Disney castle by taking up more ground space. I hate to sound blasphemous, but for this castle Iâm thinking of something similar to Shrekâs Far Far Away Castle in Universal Singapore but with more detailed ornate decorations like Parisâ castle, and the outer walls slightly covered in ivy vines for a more inviting, homely look. It would also stand on top of an elevated foundation, surrounded by a moat. There would be a large courtyard in front of the main castle building, with the carousel placed in the center of it. The gift shop and the meet-and-greet are each placed on either the west or east side of the courtyard. The north of the courtyard would feature the restaurant on the ground floor, the entrance to the underground boat ride, and stairs to the second floor attraction.Â
Cinderellaâs Carriage Carrousel: Regarding the visual design, I want it to look like the pumpkin carriage turned into a carousel. The canopy could include fiber optic fairy dust that lights up at night.
Be Our Guest Restaurant: French cuisine. I really like Tokyoâs Beauty and the Beast ride and would love to import it, but I respect the OLCâs exclusivity rights too much. I wondered if I could make it a combination ride and restaurant where each table is a ride vehicle, but I worried that would cause motion sickness which is a big no-no for a restaurant. At the very least, for my version I would love to have animatronics perform âBe Our Guestâ every 30 minutes or so. Also, perhaps every hour, Belle and Beast performers would come out onto the dance floor and invite guests to waltz with them. Hot Take: The Grey Stuff is very obviously a savory food as it is clearly presented on a tray of hors d'oeuvres in the movie. But since the version currently offered in the parks has been imprinted in fansâ minds I think itâs best to offer two versions: Savory (chicken liver pate) as an appetizer and Sweet (cookies and cream) as a dessert.
Royal Meet-and-Greet: I personally do not care much for meet and greets, but for the people that do, here you can meet the Princesses, some of the Princes, as well as non-Princesses such as Giselle, Esmeralda, and TinkerBell.Â
Kingdom Treasures gift shop: Based on the Tokyo shop of the same name.Â
Crystal Caverns Canal: Boat ride underneath the castle. My first idea for this ride was basically Voyage to the Crystal Grotto from Shanghai, if all the character statues were built out of crystals and mosaic tiles. Then I realized, thereâs probably too much IP already in the land, so I think there could be an original story about the crystals being a source of magic for the kingdom, and have scenes of wizards and fairies harvesting the crystals and creating experiments with them. Sort of a âtour of the workshopâ kind of ride. Iâm thinking of something with the same vibes as Dreamflight in Efteling.Â
Merlinâs Library / Yen Sidâs Library: Located on the second floor of the castle. Originally I wanted a ride in a similar vein to Symbolica in Efteling, but with a story like that of Mystic Manor in Hong Kong. Then I wondered if it would be feasible to have a ride in the second story, so Iâm also okay with this being a walkthrough attraction. I feel either wizard could work here. Merlin is the more well-known wizard, but Yen Sid is easier to create an original backstory for. The basic gist of the attraction is you wander around a library with little vignettes of magical items operating on their own; a quill pen writing by itself, a large spell book turning its own pages, floating books sorting themselves on the shelves, etc. There could even be some interactive elements, such as paintings that change, or opening a book can project a scene âcoming to lifeâ and âescapingâ the book.
Fairytale Gardens: Walkthrough garden. There would be lovely little vignettes scattered throughout, including Snow Whiteâs wishing well, a giant beanstalk, and The Sword in the Stone placed in a little alcove in the castleâs outer wall. This would be outside the courtyard. Maybe off to the side, to the west, wrapping around the outer castle wall, next to Shadowland Forest.
Shadowland Forest
Inspired by the Black Forest of Germany, this area features spookier attractions. West of the castle, shares the border with Mysteryland and the Gravity Falls area. There would be plenty of fir, spruce, and pine trees to make it feel like an actual forest, maybe even hide some of the attractions from view.Â
Snow Whiteâs Scary Adventures : Building facade would include the Evil Queen peeking out her window. I would place the building nearest to Storybook Town Square, at the edge of the forest.
âGingerbread Factory Tourâ : Based on my twisted Hansel and Gretel dark ride idea. Guests are given a tour of gingerbread golems at work (something like Tim Burtonâs version of Wonkaâs factory if it were more surreal and set in 1800s Germany), then are chased through obstacles, such as lollipop blades swinging from the walls, and peppermint stick darts, by Hansel and Gretel themselves. Theyâve been very distrustful of adults after their parents abandoned them in the woods, and after the witch held them captive. They deem the guests harmless, and let them go but warn them to never come back.
Candy Carnival shop: The ride would exit into a shop themed to a candy carnival safe haven that Hansel and Gretel built for children lost in the woods. Would feature gingerbread treats and a nice selection of old-fashioned candies and German sweets. Guests can also watch bakers and candymakers at work. (Despite the name, there are no actual rides here, just animatronic decorations.)
Dragon Mountain: I wanted a unique âMountainâ ride, much like how the Matterhorn and Everest are unique to their parks. And dragons are cool. Originally this was going to be based on Maleficent, but now Iâm leaning more towards an original story. And to put a neat spin on things, instead of a fire-breathing dragon, it would be a wintery ice dragon! I would also love it if the dragon was not portrayed as a mindless, violent beast hoarding treasure, but a parent protecting their child from intruders.
I initially wanted a sub-land recreating Halloween Town (with a spooky "Scare-ousel") but I felt Fantasyland was already overrun with too many IPs (and seven carousels is enough for one park), so here an area is set aside for seasonal Nightmare Before Christmas or Villains themed events, leaving the Haunted Mansion free during the holidays.Â
Disney Dreamland Railroad Fantasyland station: Styled after the ruins of a medieval castle. Located on the edge of the forest near Ever After Castle, next to the entrance to Winter Village.
Wonderland
East of the castle, on the border with Create-It-Land. While there would be plenty of natural green, there would also be an abundant mix of giant pink, purple, and turquoise âwildlifeâ, as seen in the initial scrapped concept art for Tokyoâs expansion. Giant mushrooms in place of benches, trees decorated with misleading signs, lamp posts that look like giant flowers. March Hare would definitely be included as a walk-around character alongside Hatter and Alice. People often forget the tea party took place at the Hareâs and mistakenly believe Hatter to be the host, and I will not stand for this March Hare erasure. I would also have plenty of card soldiers roaming around, âpatrollingâ the area.
Down the Rabbit-Hole: An upside-down funhouse with wonky mirrors, and trick doors galore! A hall of doors in the end would lead into the maze. I was thinking there could probably also be a madhouse ride portion where guests can experience the room actually turning upside down; inspired by Villa Volta in Efteling.Â
Wonderland Maze: As much as I like the Alice in Wonderland ride in Anaheim, I personally feel that Wonderland is a world that is best experienced up close and at your own pace, which a maze perfectly embodies. While the maze would obviously be themed to classic animated Alice like the Paris version, it would have different environments, like Shanghaiâs Tim Burton version. First half of the maze would be a forest-like environment with giant plants and singing flowers. Second half would have rose bushes, fancy iron fences, and carved stone walls and statues for the Queen of Heartâs castle area. There would be a handful of tiny doors scattered throughout that guests can crawl through as shortcuts. Among the character statues scattered around the maze, I really want to include the Mock-Turtle and Gryphon, based on their designs from the Jell-O commercial, perhaps on a sandy beach shore by a small fountain / pond.
House of Cards Banquet Hall: Inspired by the Queen of Hearts Banquet Hall in Tokyo. Would follow the same eccentric and colorful design scheme, but I want it to look like a stone castle made out of cards. Definitely would have lovely stained glass windows. Desserts include Royal Heart Tarts. They could also come in souvenir cups and plates like the ones found in Tokyo.
Mad Tea Party: Would have a canopy roof to protect from the weather and direct sunlight, but I also wouldnât mind a stained-glass version. Or even a canopy made of trees. Teacup designs would be a mix of various patterns from all versions (except Orlandoâs, I do not care for the zigzag scribbles). Would also include the giant teapot with the Dormouse in the center. To help with queue waits, Iâd even have two ride systems, much like how Orlando doubled their Dumbo ride. One could even be themed to the Hatter while the other to the March Hare.
March Hareâs tea shop: Would have the same building design as March Hare Refreshments in Paris. Would sell several varieties of tea, Unbirthday Cake, and macarons. Could also feature a long table with interactive tea things to play with, like Shanghai does at the end of its maze, and plenty of fancy chairs for photo-ops.
Mad Hatterâs hat shop: Hats, Mickey ears, and other headgear. To match the March Hareâs chimney ears, this building would resemble a large top hat. Would also feature hat racks for photo-ops, like Shanghai does at the end of its maze.
100 Acre Wood
East of Town Square, on the border with Create-It-Land. A tiny little area with tall trees providing shade, a lovely little Poohsticks Bridge over a small river, and a cozy corner for a meet-and-greet with Pooh and friends.
Winnie the Pooh and the Blustery Day: Basically the same as Poohâs Hunny Hunt in Tokyo, which includes the giant book facade, and the same level of crafted detail and technical marvel throughout the ride, but with scenes added for the ârain, rain, rainâ, and Poohâs hero party as the ending. I would also use Anaheimâs zany color scheme for the Heffalumps and Woozles room with some added special effects for even more zaniness. The rideâs name change is just to both set it apart from the other versions, and because I realized with the exception of Pooh stuck in the honey tree, all the iconic scenes in the ride come from Blustery Day.
Pooh Corner gift shop: Also utilizes the same English cottage look as Tokyoâs.
Hunny Smackerels snack stand: Hunny Pot cupcakes, honeycomb, honey ice cream, and a separate cart for honey popcorn in lovely Pooh-shaped popcorn buckets. It would be really cute if the stand is actually inside a giant tree trunk, with a dutch door counter window for guests to order from.Â
The next three sub-lands would be behind Ever After Castle, outside the perimeter of the railroad tracks border. The entrance to Winter Village is between Shadowland Forest and the castle, while the entrance to Encanto Valley is between Wonderland and the castle. Mermaid Lagoon is directly behind the castle, between the other two sub-lands and only accessible through them. Small mountains would form berms for each sub-land. For reference, think of how Grizzly Gulch, Mystic Point, and Toy Story Land are arranged in Hong Kong.
Winter Village
Inspired by my Narnia theme park concept. This entire mini-land would be indoors, to have air-conditioning to sell the illusion of winter, and to preserve the artificial winter setup from the real-life elements outdoors. This mini-land would be round (roughly) so that the glass ceiling that lets in natural light can have a hexagonal snowflake design. At night time thereâd be projections of Northern Lights. NOT Frozen themed. Itâs a cute movie and all, but far overstayed its welcome before it was even released on DVD. Village would be a mix of Russian and Scandinavian architecture. Can be used for a Santa Claus meet-and-greet during Christmas.
Enchanted Snow Palace: The planned but never built ride based on Hans Christian Andersenâs Snow Queen. The concept art looks leagues better than the final product of Frozen Ever After.
âWinter Sleigh Rideâ: Ride through winter scenery in sleighs pulled by reindeer. Technically a dark ride, since the entire subland is indoors, but feels like an outdoor ride.
"Snowball Arcade": I really wanted something to simulate snowball fights, but without the chaos and mess. Here, guests can throw snowballs at targets to win plush prizes.
"Russian cafe": Russian pastries and snacks
"Ice skating rink": Free if you bring your own skates.
Mermaid Lagoon
A scaled-down version of the land in Tokyo DisneySea, without the playground and kiddie rides. Like DisneySea, it would have a lovely seashell castle facade, with the attractions indoors. Unlike DisneySea, there would be a small lake in front with a ship restaurant docked on it.
âUnder the Seaâ: NOT a retelling of the movie, but instead an original story that would take place some time pre-movie. Follows Ariel on one of her outings as she explores the sea looking for new treasures to add to her collection. Final scene could be of Ariel in her grotto after completing her latest trip, but feeling unsatisfied as she wistfully looks at her collection, while instrumentals for âPart Of Your Worldâ softly play in the background.Â
King Tritonâs Concert Hall: Just like the one in Tokyo DisneySea, this would be a 360 degree show with Ariel âswimmingâ in midair above the audience, a giant animatronic Triton, performer puppets of Flounder and Sebastian, and other mixed special effects.Â
Undersea Carousel: Fish carousel. Underwater lighting effects and blows bubbles as it spins.Â
Arielâs Grotto gift shop
Ship restaurant: Mediterranean seafood. I mean, itâs on a human ship thatâs not technically in Tritonâs Kingdom, so I think this gets a pass for serving fish. It could even be themed to Chef Louis for a laugh.Â
âNighttime Water Showâ: Just spitballing an idea, maybe the lagoon could also be used for a nighttime water show a la Fantasmic / World of Color. The viewing area could be across the lagoon from Tritonâs castle; the lights of Tritonâs castle would coordinate with the show.
Encanto Valley
A lovely recreation of the valley, with Casita and a little village area for shops and Colombian dining, and plenty of lush greenery.Â
La Casa Madrigal: I really like @rrdcoocâs idea for Casita as a walkthrough attraction! Itâs so cool! Especially the ideas for Pepa and Luisa's rooms. I wouldnât change much, aside from adding a few extra touches, such as an interactive flower wall in Isabelaâs room that mimics guestsâ silhouettes (like Daniel Rozin's "Mechanical Mirrors"), and maybe a couple themed flat rides to add capacity, such as a flowery swing spinner ride in Isabelaâs room, and a tiny jungle animal carousel in Antonioâs room. In Dolores's room, guests can see sound waves (like that Magic School Bus episode), and Camilo's room can contain "mirrors" with different character models that mimic guests' movements in real time (like VTuber avatars). Also includes a gift shop selling âhomemadeâ fashions and plush toys by Mirabel.
âMagic Realism Art Exhibitâ: While I think the final movie is perfect, I would have loved it if Casita more closely resembled its concept art, which leaned much more heavily into magic realism. This attraction would be a walkthrough art exhibit full of giant optical illusion paintings that guests can pose in for photo-ops. For reference, Iâm recalling the Trick Eye Museum, a temporary art exhibit I went to years ago in Hong Kong.
Encanto Sing-Along: Iâm not always a huge fan of the âbook reportâ shows they do in the Parks, but in this case, most of Encantoâs songs are so specific to the story that removing them from the context of the movie wouldn't work (especially in the case of fan favorite âWe Donât Talk About Brunoâ). The stage can also be used for original Colombian performances, as well as from neighboring Latin American countries.
Julietaâs Arepas: Food cart. These arepas may not heal you, but theyâre magically delicious!Â
Arabian Oasis (scrapped)
Before Encanto was released and became one of my favorite recent movies, my initial idea was to put in an Aladdin-themed area. Not an exact recreation of Agrabah, more like a broad strokes version of Agrabah in the same manner as Arabian Coast in Tokyo DisneySea.
Magic Carpet Ride: A suspension ride in a similar manner as Peter Panâs Flight, using the carpet vehicles. Fly through the Agrabah marketplace, over the desert, and above the clouds. Ride music features instrumentals from âA Whole New Worldâ.
Scheherazadeâs Tales From the 1001 Nights: Stage show.
Flavors of Agrabah: Arabian / Middle-Eastern cuisineÂ
Cave of Wonders gift shop: I think the theming is appropriate considering guests are exchanging money for goods and not stealing them (ideally).
Other parts:
World Galleria
Adventureland
Mysteryland
Create-It-Land
Discoveryland
#disney parks#disney dreamland#armchair imagineering#fantasyland#alice in wonderland#winnie the pooh#little mermaid#encanto#theme park design
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An excerpt of MotME Chapter One. The full fic can be read here.
The moon shines high above the Roman Colosseum, a picturesque view that tourists from all over the world come to see. Muggles seek it out for its historical importance: the construction, the use, the meaning.
Witches and Wizards, particularly Italian, approach the Colosseum with reverence. A monument to some of the most ancient and vile practices Italian magic users imposed upon the mundane. The tournaments held inside this arena? Nothing more than petty entertainment the once-ruling magical class demanded.
Babbano slaughtered for the enjoyment of Maghi.
Modern Witches and Wizards find their way to the remains of this building to pay respects to those who suffered between these walls and respect the importance of the International Statute of Secrecy.
There only comes trouble on nights like these.
Thereâs a crack of Apparition and a figure drenched in deep, red robes stands along the edge of the amphitheater seating, its hood pulled up to conceal any sort of appearance. It leans over the edge, glaring down into the gap between the floor of the arena and the rising stands.
The figure reaches into the pocket of its robes and procures an object: a small, oval-shaped handheld mirror. A withered hand holds it carefully, pinching the sides of it to avoid touching the fourteen spikes that decorate the short edges of the thing. Seven on the top, seven on the bottom.
A red-robed arm extends over the chasm and drops the little mirror in, letting it fall deep into the pit of the Colosseum, and, with another crack, the figure in the red robe is gone.
Covered by a series of intricate wards and concealment charms performed by the International Confederation of Wizards runs the Mercury Express, a bullet train servicing the Wizarding communities of Italy, Monaco, France, and England.
At its conception in 2000, the line was intended to provide ease of transportation for continental families that wished to send their children to Hogwarts School of Witchcraft and Wizardry. Any education worthy of Harry Potter â the Boy Who Lived, the defender of the Wizarding World â was good enough for their bright young minds. It runs alongside a sister line, the Hermes Route, that trails through Eastern Europe and Germany from Athens.
âInitially,â Ron continues to read from the informational plaque displayed on the platform wall, âthe train had only one departure, an overnight trip that delivered students to London an hour before the Hogwarts Express disembarked.
âHowever, there was enough demand for the train to run regularly from other Witches and Wizards disinterested in Floo or broom travel. Thus, two other departures were added in recent years.â
Ronâs eyes widen as he pushes out a hefty breath. He follows it with a groan and a hand on his head, easing a headache.
âWhat a mouthful,â he says. âYouâd think Skeeter wrote this dribble.â
Harry groans as well. He can feel the thrum of a headache in his temples as he stares at the minuscule writing on the plaque. They celebrated their last night in Rome with a nice dinner, much more expensive than anything theyâd had in their time in Italy. With dinner, Harry let Ron pour him multiple glasses of wine, far more than heâd drink on a normal night. Heâs paying the price for it now.
âI hate that it calls me that,â he murmurs, disgruntled but determined to ignore the discomfort. âItâs been twelve years, canât we let it go?â
Ron looks over at him and, noticing his friendâs unease, bites back a laugh. âYou alright there, Harry?â
The train bellows from behind them: only fifteen minutes until departure.
Harry groans, the loud sound doing nothing to aid in his wine-induced hangover. Ron nudges him with his elbow, pulls a small metal flask from his pocket, and slips it into Harryâs hand.
âHair of the dog, mate,â he mutters.
Harry nods and slips the flask into his pocket next to his wand.
Both men turn to face the large green engine as Hermione stands from her seat on the platform bench. She leans down and lifts a large briefcase from the brick floor of the platform.
âYou know theyâll never let the name go, Harry,â she says, a lilt akin to childish ribbing in her voice. âYouâll always be the Boy Who Lived. The Chosen One.â
Harry groans, rubbing his hands over his face.
âI thought you liked being the chosen one,â Ron says, continuing the teasing.
Harry opens his mouth to offer some weak retort but before a sound can escape past his lips, someone comes up to their side.
âPardon the interruption,â a middle-aged man says with his head bowed. He wears simple clothing: slacks, a waistcoat, and a plain button-down all beneath an open forest green robe marked with the Mercury Expressâs emblem. His only display of personality is a glittering, gold neck-tie that seems to move as it shimmers. Heâs English, a peculiar fact that doesnât escape the three.
âMy name is Winchel, Iâm the attendant for this departure,â he continues. âWeâll be boarding now, so I must take our safeguarding measures.â
Hermioneâs face twists with confusion and she turns her body to direct the briefcase away from Winchel.
Harry notes the apprehension as well, stepping partially in front of Hermione.
Inside the briefcase is a particular artefact, a powerful item found haphazardly left within the Roman Colosseum. News of the item â named the Speculo Oculus, for its small, mirror-like appearance â traveled to England quickly. The Department of Mysteriesâ Peculiar Artefact Office immediately dispatched Hermione to recover the object for study. Harry and Ron were sent along as a precaution.
The Speculo Oculus is the second of its kind that has found its way across Hermioneâs workbench. All that is known about this object comes from its predecessor, the Flame Wielder: these things want to be wanted and will stop at nothing to be used.
Thus, Hermione is immediately wary of Winchel. She is the safeguarding measure.
âSafeguarding measures?â Harry questions. âLike what?â
Winchel smiles politely. âWe collect all wands and heavy luggage to be stored in the cargo car, Mr. Potter.â
Ron chuckles, crossing his arms over his chest. âWhy do you collect wands? Weâre the only three taking this train today.â
Winchel nods. A placating action. âYes, Mr. Weasley, I do understand the uncertainty. However, there is one other passenger boarding hereââ he pauses briefly to gesture further down the platform where a much older, frail-looking wizard with long mint green robes and a tall pointed hat awaits. âAnd we will have two more passengers boarding in Monaco.
âBe that as it may, we do prohibit wands as a safety measure,â he concludes. âChildren normally take this train. You understand.â
Thereâs somewhat of a tense silence between the four. Winchelâs polite smile stares back at Harryâs wary disposition. The latter glances over his left shoulder at Ron once then looks over his right at Hermione.
Hermione just shrugs. If they must surrender their wands, then so be it. Itâs not her wand sheâs worried about.
Harry looks forward and Winchel again and offers a shrug of his own. âFine.â
Winchelâs smile turns the slightest bit sour. âWe also prohibit alcohol on the train, Mr. Potter.â
Hermioneâs head whips around to face Harry at the same moment that Ronâs shoulders sheepishly climb up to his ears. She admonishes him with a call of his full name.
Harry pulls the small flask from his pocket and twists off the cap. He knocks back the whole thing, drinking down the alcohol, which he finds out very quickly to be firewhisky. He pulls the now empty flask away from his mouth with a rough cough and turns it over to prove that there is no longer any liquid in it.
Winchelâs hands clap softly in front of his chest. âWonderful! Right this way.â He ushers the three toward the train door before calling for the other passenger, Justinus, to join them.
The passengers and Winchel step up onto the train and load directly into the passenger car. The car is nothing more than a long aisle lined with green upholstered seating, two on either side. The door at the far end of the car opens and another Mercury Express employee enters.
âWelcome aboard,â the man says. âI am the engineer, you may call me Mr. Thames should you have to.â His hand extends toward Winchel, standing near the back end of the car with a wooden box open in his hands. âPlease, deposit your wands with Winchel before taking a seat.â
Harry, the first to board after Winchel, looks down at the box apprehensively before slipping his wand from its holster on his arm and dropping it into the box. He brushes past Winchel and makes his way up the aisle.
Ron steps into the car next, pulling his wand from his own holster and dropping it in the box with Harryâs. He pointedly does not look at Winchel and silently follows Harry down the aisle.
Hermione steps up next and dutifully drops her wand into the box. She begins to move past Winchel, but he stops her.
âUnfortunately, Miss Granger, weâll need to store your luggage in the cargo car as well,â he says kindly.
Hermione looks up at him, carefully schooling the stricken look on her face. Her head turns up the aisle toward Harry and Ron who are now looking back at her. Ron shakes his head, an almost imperceptible movement, and Hermione looks back at Winchel.
âSorry, this is a personal item; Iâd like to keep it with me,â she says.
âOh, donât worry, Maâam,â Mr. Thames calls from his place at the other end of the car. âWinchel and I will store it properly in our cargo car to ensure its safety.â
Harry turns to face Mr. Thames. âHow can you be so sure of that?â
Mr. Thames smiles in the same polite way as Winchel. âOnce the items are locked up, they cannot be opened until I unlock them with my wand. And I need my wand to operate the train, so it will be unavailable. There are no worries, trust me.â He looks past Harry to smile something encouraging at Hermione.
She takes a sharp breath and turns back to look at Winchel. She forces her breath out and kneels slightly to drop the suitcase beside the attendant's foot. She turns and follows Harry and Ron down the aisle as Justinus steps up into the car and drops their wand into Winchelâs box.
The box snaps shut and Winchel tucks it beneath his arm. He kneels to lift the briefcase into his hand and straightens to wait for Mr. Thames.
Harry and Ron settle in two seats near the front of the car, further from the trainâs entrance and opposite the platform, leaving the platform-facing side for Hermione. Justinus stops in a row closer to the middle of the car, slipping into the window seat facing the platform.
Mr. Thames moves up the car, passing the four passengers quickly. He takes the box of wands and briefcase from Winchel and disappears into the next car. Winchel tugs the door to the train shut and locks it.
He moves up the aisle, using his wand to double-check that the windows are shut tightly and the empty seats are clean and clutter-free.
Ron turns in his seat, watching Winchelâs movements. He calls out to him, âWhy do you get your wand, but we donât get ours? What if you attack us?â
Hermione groans out Ronâs name, slinking into her seat like an embarrassed child.
Winchel chuckles kindly. âMr. Weasley, I promise you, I will not be attacking you. I use my wand to attend to the needs of the passengers aboard the Mercury Express, and right now that includes you.â
Ron scoffs as Winchel continues to make his way down the aisle.
âYou are in very safe hands with me.â
As Winchel approaches Harry, Ron, and Hermioneâs row, the far door to the car opens and Mr. Thames rejoins them. He shuts the door to the car behind him and claps heartily. He moves down the aisle with a jaunty step.
Winchel takes a position next to the door leading into the next car. He stands there at attention, waiting for instruction of some kind.
Mr. Thames stops at the next door and turns to address the four passengers.
âAgain, Welcome aboard the Mercury Express,â he says. âWe have two stops on this route â one in Monaco at half past ten where two more will join us, and then one in Bordeaux at a quarter to one â before we reach our final stop at Kingâs Cross station in London at about five before three this afternoon.
âI promise you all are in great hands here with Winchel, he is one of the best Iâve ever worked with. Heâs a very talented attendant, and, should you request it, can fully disillusion himself to avoid any disruptions.â
âDo it now,â Ron interrupts.
Hermione reaches across the aisle to swat at Ronâs arm, scolding him lightly.
Harry even nudges his friend slightly, a quiet insistence that Ron stop antagonizing Winchel.
Winchel and Mr. Thames both smile politely. As the latter turns around to leave the passenger car, the former speaks quietly.
âLunch will be served at 11:45 precisely,â he says. âIâll bring something for you, Mr. Thames, at a quarter past noon if you would be so kind as to open the engine.â
âOf course!â Mr. Thames says as he disappears once more.
Thereâs a long, pregnant lull in the car after he leaves. Ron adjusts in his seat, looking to get a bit more comfortable before turning on Winchel.
âYou canât open the engine?â
Harry stifles a small laugh, but Hermione canât even find it in herself to make any sort of disappointed noise. Winchel only smiles.
âMr. Thamesâ wand is needed to open the engine door,â Winchelâs hand comes up to stop Ron as the gingerâs mouth opens to comment. âThe door is very sturdy and completely soundproof.â Both hands return behind his back as he and Ron stare at one another.
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Why Corporate Roller Rinks Are the Hottest Trend in Office Events
In the ever-evolving world of corporate events, companies are constantly searching for innovative ways to engage employees, build team morale, and create memorable experiences. Enter corporate roller rinks â a unique and thrilling trend that has taken office events to the next level. Whether youâre planning a team-building day, celebrating company milestones, or hosting a fun-filled party, roller rinks offer an unparalleled blend of excitement, nostalgia, and engagement.
The Appeal of Corporate Roller Rinks
Roller rinks have an undeniable charm that transcends generations. Hereâs why theyâre becoming a go-to choice for corporate events:
Boosts Team Morale: Skating encourages teamwork, communication, and camaraderie among employees. Itâs a fun way to break down barriers and foster stronger relationships.
Creates Unforgettable Memories: A roller skating rink is not your typical corporate event setting. The unique experience ensures employees will remember the event for years to come.
Promotes Physical Activity: Roller skating is a fantastic way to get everyone moving, offering health benefits while keeping the energy levels high.
Versatile and Customizable: From themed roller discos to professional skating performances, the possibilities are endless. Companies can tailor the event to align with their goals and branding.
Options for Roller Rink Events
When it comes to planning a corporate roller rink event, flexibility is key. Companies like Roller Skate Rink Hire provide a range of services to cater to diverse needs:
Roller Rink Hire in London and Beyond: Whether youâre in Cardiff, Birmingham, or Newcastle, mobile skating rinks can be set up at your desired location. These portable solutions ensure a hassle-free experience.
Corporate Roller Rinks for Hire: Tailored for office events, these rinks can include lighting, sound systems, and even professional instructors to guide participants.
Discos for Hire: Elevate the event with a roller disco, complete with a DJ and themed decor.
Roller Rink Purchase: For companies looking to make skating a permanent feature, investing in a roller rink can be an excellent long-term option.
Roller Skate Hire: Ensure everyone is equipped with high-quality skates for a smooth experience.
Popular Locations for Corporate Roller Rinks
Roller rinks can be set up in various cities across the UK, making them accessible for companies everywhere. Some popular locations include:
Roller Skating Rink Cardiff: Host an event in the vibrant city of Cardiff, known for its lively atmosphere and enthusiastic participants.
Roller Skating Rink Birmingham: Birmingham offers a central location, perfect for bringing together employees from different branches.
Roller Skating Rink Newcastle: The dynamic city of Newcastle provides a great backdrop for a roller rink corporate event.
Roller Rink Hire London: As the hub of corporate activity, London is a prime location for hosting large-scale roller rink events.
Benefits for Companies
Investing in a corporate roller rink event can lead to numerous benefits:
Enhanced Employee Engagement: Engaging events lead to happier employees, which translates to increased productivity.
Improved Brand Image: Hosting innovative events reflects positively on the companyâs culture and values.
Stronger Team Bonds: Activities like skating encourage collaboration and mutual support among team members.
Plan Your Corporate Roller Rink Event Today
Ready to make your next corporate event the talk of the office? With services like mobile skating rinks, roller skate hire, and discos for hire, Roller Skate Rink Hire has everything you need to create a memorable and successful event. Whether youâre in Cardiff, Birmingham, Newcastle, or London, weâve got you covered.
Donât settle for ordinary office events. Step into the future of corporate gatherings with a roller rink experience that promises fun, fitness, and unforgettable moments.
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Managing Luxury Vacation Rentals with High-End Experiences
The luxury vacation rental market, particularly in tourist-favorite locations like London, has experienced remarkable growth.
Thatâs because affluent travelers increasingly seek personalized, high-end accommodations.
This comprehensive guide explores how to excel in luxury vacation rental management while focusing on creating exceptional guest experiences.
Understanding the Luxury Market
Defining Luxury in Today's Market
The concept of luxury has evolved beyond mere opulence. Today, affluent travelers seek:
Authentic, personalized experiences
Exceptional attention to detail
Seamless service delivery
Privacy and exclusivity
Unique, memorable moments
For those managing vacation serviced apartments in London or other luxury properties, understanding these evolving expectations is crucial for success. Thatâs why Especial Rental pays utmost attention to its luxury London homes.
Location Matters: The London Example
London's luxury vacation rental market is an excellent case study in high-end property management. Whether managing apartments for rent in London, UK or overseeing luxury vacation rental London properties, location plays a crucial role.
Prime London locations for luxury rentals
Mayfair
Knightsbridge
Chelsea
Kensington
Belgravia
South Bank
These areas are beautiful for vacation rentals in London offerings, as they provide proximity to high-end shopping, fine dining, and cultural attractions.
Essential Elements of Luxury Property Management
Impeccable Property Presentation
Interior Design and Furnishing
Invest in high-quality, designer furnishings
Create cohesive, sophisticated design schemes
Include unique art pieces and statement decorations
Ensure perfect lighting with multiple options
Provide luxury linens and toiletries
Maintenance Standards
Implement strict cleaning protocols
Conduct regular property inspections
Address maintenance issues immediately
Schedule periodic updates and renovations
Maintain outdoor spaces
High-End Amenities
Modern luxury vacation rental management needs to be impressive. Thatâs why you need to offer exceptional amenities:
Essential Luxury Amenities
High-speed fiber internet
Smart home technology
Premium entertainment systems
Fully equipped gourmet kitchens
High-end appliances
Climate control in every room
Luxury bed linens and towels
Additional Premium Features
Wine refrigerators
Espresso machines
Steam showers or jacuzzi tubs
Home gym equipment
Outdoor entertainment spaces
Security systems
Concierge-Level Services
Exceptional service distinguishes luxury vacation rentals from standard accommodations:
Core Services
24/7 concierge support
Private check-in experience
Professional housekeeping
Maintenance on demand
Airport transfers
Welcome packages
Additional Services
Personal chef arrangements
Private drivers
Spa services
Childcare
Personal shopping
Theatre and restaurant bookings
Marketing Luxury Properties
Digital Presence is important to build credibility!
Professional Photography
Hire experienced luxury property photographers
Ensure consistent visual style
Update photos seasonally
Include lifestyle shots
Showcase unique features
Website and Listings
Develop a sophisticated website
Use high-end listing platforms
Create compelling property descriptions
Highlight exclusive features
Showcase guest testimonials
Check out Especial Rentals for inspiration!
Target Market Understanding
Guest Profiles
International business travelers
Wealthy families
Celebrity clients
Extended-stay luxury travelers
Special event guests
Pricing and Revenue Management
Strategic Pricing puts you ahead of your competition in the market. It will also help your vacation rental management company become the travelerâs go-to.
Factors to Consider
Seasonal demand
Local events
Competitor pricing
Length of stay
Additional services
Market conditions
Revenue Optimization
Implement dynamic pricing
Offer seasonal packages
Create special event rates
Develop corporate partnerships
Consider minimum stay requirements
Operational Excellence
Guest Communication
Pre-arrival
Detailed welcome information
Personalized itinerary suggestions
Concierge service offerings
Transportation arrangements
Special requests accommodation
During Stay
24/7 availability
Regular check-ins
Immediate issue resolution
Local recommendations
Additional service arrangements
Post-stay
Feedback collection
Thank you messages
Return stay incentives
Loyalty program benefits
Referral requests
Quality Control
Regular Audits
Property condition assessments
Service delivery evaluation
Staff performance reviews
Guest feedback analysis
Competitor benchmarking
Maintenance Programs
Preventive maintenance schedules
Regular updates and improvements
Technology upgrades
Seasonal preparations
Emergency response plans
Building a Professional Team
Key Personnel
Property manager
Concierge staff
Housekeeping team
Maintenance personnel
Guest relations specialists
Support Network
Interior designers
Professional photographers
Technology experts
Local service providers
Security personnel
Technology Integration
Essential Tools
Property management software
Channel managers
Customer relationship management
Maintenance tracking
Financial management systems
Guest-facing Technology
Mobile apps
Smart home controls
Digital concierge services
Online booking platforms
Virtual tours
Crisis Management and Risk Mitigation
Preparation
Emergency response plans
Insurance coverage
Security measures
Staff training
Guest safety protocols
Documentation
Standard operating procedures
Emergency contacts
Local authority relationships
Guest guidelines
Insurance policies
Sustainability in Luxury Rentals
Eco-friendly Practices
Energy efficiency
Waste reduction
Sustainable products
Local sourcing
Water conservation
Communication
Guest education
Environmental initiatives
Community involvement
Certification programs
Impact reporting
Do You Need Help With London Rental Management?
Success in luxury vacation rental management requires a perfect balance of high-end service delivery, attention to detail, and operational excellence. Whether managing vacation rentals in London properties or luxury accommodations elsewhere, the key lies in understanding and exceeding guest expectations while maintaining impeccable standards.
For those in the luxury vacation rental management business, particularly those overseeing vacation serviced apartments in London or similar high-end properties, the focus should always be on creating exceptional, memorable experiences for guests. This involves continuous improvement, staying ahead of market trends, and maintaining the highest standards in every aspect of the operation.
We at Especial Rentals consider all these factors when managing a holiday home! Feel free to reach out if you also want expert advice and someone to take care of your vacation rental on your behalf. We manage homes globally and would love to accommodate your needs.
#vacation serviced apartments london#apartments for rent in london uk#london vacation rentals#luxury vacation rental london#vacation rentals london uk
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Why Hosting Events with an Artificial Ice Skating Rink Is a Game-Changer
Hosting events can be a challenging task, especially when it comes to creating a unique and memorable experience for your guests. Whether itâs a corporate event, birthday party, wedding, or community gathering, incorporating an artificial ice skating rink can take your event to the next level. These innovative rinks offer countless benefits and are suitable for any season or venue. Letâs explore why hosting events with an artificial ice skating rink is a game-changer.
1. Year-Round Skating Fun
Unlike traditional ice rinks, artificial ice skating rinks allow you to enjoy skating year-round. Regardless of the weather, these rinks create the perfect environment for skating fun, making them an excellent option for both indoor and outdoor events. Whether itâs summer or winter, your guests can glide across the ice and create unforgettable memories.
2. Eco-Friendly and Cost-Effective
Artificial ice rinks, also known as synthetic ice rinks, are a sustainable alternative to traditional ice rinks. They require no electricity or water to maintain a frozen surface, significantly reducing energy consumption and environmental impact. This makes them an eco-friendly option that aligns with the values of many modern event planners. Additionally, the cost of setting up and maintaining a synthetic ice rink is much lower than a traditional ice rink, making it an affordable solution for events of all sizes.
3. Easy Installation and Versatility
Artificial ice rinks are incredibly versatile and can be installed almost anywhere. From spacious banquet halls to small backyards, these rinks can adapt to various locations and event settings. The synthetic ice skating rinks are quick and easy to set up, ensuring minimal disruption to your event preparation. This flexibility makes them a popular choice for venues in urban areas like London, where space can be limited.
4. Engaging Entertainment for Guests of All Ages
Skating is an activity that appeals to all age groups, making it a fantastic addition to any event. Whether itâs kids experiencing the thrill of skating for the first time or adults reliving nostalgic moments, an artificial ice rink guarantees fun and laughter. Itâs also an excellent way to encourage physical activity and bring guests together in a shared experience.
5. Customizable to Match Your Eventâs Theme
Artificial ice rinks can be customized to align with your eventâs theme. Add decorative elements, branded panels, or even special lighting effects to create a magical ambiance. For example, an Ice Magic Synthetic Ice Rink can transform a simple gathering into a winter wonderland, complete with enchanting visuals that leave a lasting impression on your guests.
6. Convenient Options for Hire and Purchase
If youâre considering incorporating an artificial ice rink into your event, there are flexible options available. Companies like Synthetic Ice Rinks provide services such as Synthetic Ice Rink Hire, Synthetic Ice Rink Purchase, and specialized solutions like Synthetic Ice Rink Hire London for those in the UK. These services make it easy to access high-quality synthetic ice skating solutions tailored to your eventâs requirements.
7. Perfect for Private and Public Events
From intimate gatherings to large-scale public celebrations, an artificial ice rink caters to various event types. Community festivals, corporate team-building events, and private parties can all benefit from the unique charm and entertainment value that synthetic ice skating offers. With its universal appeal, the rink becomes the centerpiece of your event, ensuring a memorable experience for everyone involved.
Conclusion
Hosting an event with an artificial ice skating rink is a surefire way to create a unique and enjoyable experience for your guests. Its versatility, eco-friendliness, and universal appeal make it a standout choice for event planners. Whether you choose to hire or purchase a synthetic ice rink, companies like Synthetic Ice Rinks provide the perfect solutions to make your event a success. So, why settle for ordinary when you can make your event extraordinary with an artificial ice skating rink?
#artificial ice rinks#synthetic ice rinks#ice magic synthetic ice rink#ice skating rink at home#home ice rink#ice skating rink for sale#synthetic ice#synthetic ice skating rinks#artificial ice skating rink#synthetic ice skating
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5 reasons why cutting corners on your kitchen refurb could cost you more in the long run
When it comes to a kitchen refurbishment, sticking to a budget is a must however, cutting corners by choosing cheaper materials, not choosing a professional installer, or rushing the project can end up costing you more in the long run.
1. Sub standard materials lead to frequent repairs and replacements
Itâs tempting to opt for cheap materials, but in most cases, they wonât hold up over time, especially in a high-use area like the kitchen. Countertops, cabinets, and flooring that arenât built to last are more likely to show wear and tear quickly. For example, budget-friendly laminate countertops can scratch or peel easily, while cheaper cabinets may warp or break due to inadequate hardware. Each repair or replacement soon adds up financially.
Investing in high-quality materials from the start will minimize future costs. Solid surfaces like quartz or granite countertops and durable cabinetry provide better long-term value. Although they may cost more initially, they can save you significant amounts in the long term.
2. Poor workmanship and DIY shortcuts compromise safety and quality
Kitchen refurbishments generally involve electrical and plumbing work, both of which require professional expertise. Attempting to DIY or hiring an unlicensed handyman may save money but also increases the risk of safety issues. Improperly installed appliances, faulty wiring, or leaky pipes can lead to serious hazards, including electrical fires, water damage, and even health risks like mould. Licensed professionals bring the knowledge and experience needed to ensure installations meet local safety standards and building codes.
3. Reduced home value and market appeal
A well-designed kitchen is one of the top selling points in a home, often boosting property value significantly. However, a kitchen with visible shortcutsâsuch as cheap materials, mismatched finishes, or shoddy installationsâcan deter potential buyers and reduce the overall value of your property.
4. Higher long-term costs due to short-lived upgrades
Cutting corners can result in premature upgrades. Sub standard countertops can wear out in a few years and cheap fixtures will break frequently. If you aim to enjoy your kitchen for a long time, the more durable choices will avoid constant replacements.
5. Energy inefficiency and increased utility bills
Cheap or improperly installed kitchen appliances can be energy inefficient, leading to higher utility bills over time. Investing in energy-efficient appliances may come with a higher initial price tag but will typically pay off in terms of energy savings. Energy Star-rated appliances, for instance, are designed to reduce energy consumption without sacrificing performance.
So, cutting corners on your kitchen refurb is definitely tempting, especially on tight budgets, but factor in the inevitable repairs, replacements, safety hazards, and reduced resale value, and the true cost of shortcuts becomes clear. A kitchen renovation is a long-term investment in your homeâs value, functionality, and aesthetic appeal, so make the right choices from the outset.
Are you considering a refurb? Chat to General Refurbs, Londonâs trusted refurbishment company. Â General Refurbs is a specialist, multi trade team with over 15 yearsâ experience covering a range of renovation and contracting services, including plumbing and electrical, windows and door installations, bathroom and kitchen design and installation, roofing, flooring and decorating.
With a focus on quality materials and craftsmanship, and ensuring a seamless customer journey, we bring years of expertise to each project, offering tailored solutions that combine functionality with style.
For a free quote, or to discuss your ideas, please contact usâweâd love to help make your dream space a reality.
https://generalrefurbs.com/
#home improvement#handyman#kitchen#property refurbishment#generalrefurbs#londonkitchens#DIYkitchen#kitchendesign
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Banqueting Hall East London: Your Ultimate Venue Guide
When planning a special event, choosing the right venue is one of the most crucial decisions you'll make. If youâre looking for a banqueting hall in East London, youâre in the right place! From weddings to corporate events, a well-chosen banqueting hall can elevate your celebration from ordinary to extraordinary. But how do you find the perfect venue? In this guide, weâll walk you through everything you need to know about banqueting halls in East London to ensure your event is a resounding success.
Introduction
Planning an event can be both exciting and stressful. One of the first things that comes to mind is finding the perfect venue. Whether itâs a wedding, a corporate event, or a birthday party, the venue sets the tone for your entire celebration. East London is known for its diverse and vibrant atmosphere, and its banqueting halls reflect this energy. But with so many options, how do you choose the right one?
This article is here to guide you through the process of finding the best banqueting hall in East London. Weâll cover what makes a venue great, highlight some top choices, and walk you through what to look for to ensure your event is unforgettable.
What Makes a Great Banqueting Hall?
What exactly makes a banqueting hall stand out from the rest? Is it the grandeur of the architecture, the location, or perhaps the services offered? The answer is, itâs a combination of these factors.
A great banqueting hall offers ample space, elegant interiors, and versatile settings to suit a wide range of events. Think about a banquet as a stage where the magic happens. From sound systems to lighting, dĂ©cor to food, every detail contributes to the experience. And letâs not forget the staff! A friendly, professional team can make or break your event.
Key Attributes of a Great Banqueting Hall:
Spaciousness: Enough room for guests to move around comfortably.
Customizable Interiors: The ability to decorate and set up the hall according to your eventâs theme.
Great Location: Easy accessibility for guests.
Top-notch Catering: Delicious food that matches the occasion.
Why Choose East London for Your Event?
Why East London? What makes this area a prime location for hosting events?
East London has transformed over the years into a cultural and creative hub. Itâs where tradition meets innovation, making it an ideal setting for both modern and classic celebrations. Whether you're planning a trendy corporate event or a traditional wedding, East London offers a unique blend of venues that cater to various tastes and budgets.
Benefits of Hosting in East London:
Diverse Venues: East London offers everything from historic buildings to modern, purpose-built banqueting halls.
Accessibility: With excellent transport links, East London is easily accessible by public transportation or car.
Cultural Heritage: Many venues in East London reflect its rich cultural diversity, adding character to your event.
Popular Types of Events Held in Banqueting Halls
Banqueting halls are versatile spaces designed to host a wide variety of events. From personal milestones to professional achievements, these halls provide the perfect backdrop for your special moments.
Types of Events:
Weddings: Banqueting halls are popular wedding venues due to their ability to accommodate large guest lists and offer customization for wedding themes.
Corporate Events: Many companies prefer banqueting halls for conferences, meetings, and company celebrations.
Birthday Parties and Anniversaries: From sweet sixteens to golden anniversaries, banqueting halls are often chosen for their capacity to host both intimate and large gatherings.
Top Banqueting Halls in East London
Looking for some of the best banqueting halls in East London? Hereâs a list of venues known for their exceptional service, beautiful settings, and rave reviews:
1. The Royal Regency
Known for its opulent design and spacious rooms, The Royal Regency offers an elegant atmosphere for any grand event.
2. Troxy
A Grade II-listed building, Troxy combines vintage charm with state-of-the-art facilities, making it perfect for both weddings and corporate events.
3. East Wintergarden
This glass-domed venue in Canary Wharf offers a stunning backdrop for weddings, parties, and corporate events. Its modern aesthetic is sure to impress guests.
Factors to Consider When Choosing a Banqueting Hall
When selecting the perfect banqueting hall in East London, several factors should influence your decision:
1. Capacity
Ensure the venue can comfortably accommodate your guest list. Too cramped or too spacious, and the ambiance could be affected.
2. Location
Is the venue easy to find? Is it near public transport or ample parking for guests driving to the event?
3. Flexibility
Does the venue allow for personalized décor or themes? Some banqueting halls have restrictions, so clarify this beforehand.
4. Catering Services
Some venues offer in-house catering, while others allow external caterers. Decide which option works best for your event.
5. Pricing
Stick to your budget, but remember that cheaper venues might lack the level of service or amenities you require. Balance affordability with quality.
Banqueting Halls for Weddings
A wedding is one of the most significant events in a personâs life. Choosing a banqueting hall for your wedding in East London can create the magical atmosphere every couple dreams of.
Why Choose a Banqueting Hall for Weddings?
Spacious for large guest lists: Banqueting halls can often accommodate hundreds of guests, ensuring everyone is part of your special day.
Customizable: Banqueting halls allow for full decoration, from flowers to lighting, to match your wedding theme.
Corporate Events in East London Banqueting Halls
Corporate events demand professionalism and convenience, and East London banqueting halls offer just that. Whether itâs a conference, product launch, or team-building event, banqueting halls in East London provide the flexibility and infrastructure to make your event a success.
What Makes a Banqueting Hall Ideal for Corporate Events?
State-of-the-art technology: Most banqueting halls are equipped with the latest audiovisual equipment to facilitate presentations and speeches.
Professional staff: From event coordinators to waitstaff, youâll find support in planning and executing your event.
Banqueting Hall Amenities to Look For
Choosing a banqueting hall with the right amenities is essential. Here are some features you should consider:
Lighting and Sound Systems: For an immersive experience.
Parking: Ensure there's adequate parking for your guests.
Bridal Suite: If itâs a wedding, check if the hall has a separate room for the bridal party.
Wheelchair Accessibility: Ensure the venue is accessible for all guests.
Budget-Friendly Options in East London
You donât have to break the bank to find a good banqueting hall. East London offers several budget-friendly venues that still deliver top-notch service. Research options, read reviews, and visit venues to ensure they meet your expectations without exceeding your budget.
How to Book the Perfect Banqueting Hall
1. Visit the Venue
Photos can be misleading. Always visit the venue in person to ensure it meets your requirements.
2. Book Early
Banqueting halls in East London can be in high demand, especially during wedding season. Book well in advance to secure your preferred date.
3. Read Reviews
Previous guestsâ experiences can give you insight into what to expect.
The Role of Catering in a Banqueting Hall Event
Good food leaves a lasting impression. Most banqueting halls offer in-house catering services with customizable menus. Whether you're going for a traditional three-course meal or a more casual buffet, ensure the food aligns with your eventâs tone and theme.
Venue Decor and Customization
One of the biggest advantages of banqueting halls is the ability to tailor the décor to your event. Most venues provide a blank canvas, allowing you to create your dream setting. Whether it's flowers, lighting, or a unique seating arrangement, customization is key to personalizing your event.
Transportation and Accessibility
East London is well-served by public transport, making it easy for guests to reach your event. However, itâs still essential to consider the distance from major stations, bus routes, and the availability of parking. For larger events, you may want to arrange shuttle services.
Conclusion
Choosing a banqueting hall in East London doesnât have to be a daunting task. Whether itâs for a wedding, corporate event, or party, the right venue will help make your event unforgettable. With diverse options ranging from historic buildings to modern spaces, East London offers something for everyone. Remember to consider your guest list, venue location, and services when making your decision. The perfect banqueting hall is out there â now itâs time to find it!
FAQs
1. What is the average cost of hiring a banqueting hall in East London?
The cost varies depending on the size, location, and services offered. On average, prices can range from ÂŁ1,000 to ÂŁ5,000.
2. Do banqueting halls in East London provide catering services?
Yes, most banqueting halls offer in-house catering services, but some allow external caterers as well.
3. How far in advance should I book a banqueting hall?
Itâs recommended to book at least six months in advance, especially for weddings and large corporate events.
4. Can I customize the décor in East London banqueting halls?
Most banqueting halls allow customization, but itâs important to check with the venue about any restrictions.
5. Are there budget-friendly banqueting halls in East London?
Yes, there are many affordable options that still offer excellent amenities and services.
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Stonework Services In London
Stonework services in London offer expert craftsmanship for building and restoring elegant stone structures. Whether it's for residential, commercial, or historical projects, skilled stonemasons create and repair stone walls, facades, patios, and decorative features using materials like limestone, granite, or sandstone. These services are vital for preserving London's architectural heritage while adding timeless beauty to modern constructions. Stonework specialists ensure precision and durability, enhancing the aesthetic and structural integrity of each project. From traditional methods to innovative techniques, stonework services in London deliver high-quality results, combining artistry and functionality for lasting, impressive finishes in both restoration and new builds.
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Elevate Your Corporate Events: A Comprehensive Guide to Bartender and Bar Hire in London
Planning a corporate event in London can be exciting yet daunting. There are numerous factors to consider, from the venue to the catering, and of course, the bar. Whether youâre organising a product launch, a team-building day, or a celebratory gathering, hiring professional bartenders and cocktail bars can make all the difference. In this guide, we'll explore everything you need to know about bartender hire London, cocktail bar hire, and bar hire for corporate events.
Why Consider Professional Bar Services for Corporate Events?
Picture this: your guests arrive at a beautifully decorated venue. The atmosphere is buzzing, and a well-stocked bar beckons. As they mingle, a skilled bartender whips up delightful cocktails, adding a touch of flair and sophistication to the occasion. This isnât just a dream scenario; it can be your reality when you invest in professional bar services.
The Benefits of Hiring Bartenders and Bars:
Impressive First Impression: A well-organised bar setup instantly elevates the perceived value of your event.
Expert Service: Trained bartenders provide quick, efficient service, ensuring your guests are satisfied.
Custom Cocktails: Personalise the drink menu to reflect your brand or event theme, creating a unique experience.
Entertainment Factor: Bartenders, especially flair bartenders, can entertain guests while they prepare drinks, adding an engaging element to your event.
Understanding Your Bar Service Options
When planning your corporate event, you have several bar service options to choose from. Letâs break down the main categories: bartender hire, cocktail bar hire, and mobile bar hire.
1. Bartender Hire: The Heart of Your Event
Bartender hire in London is perfect for events where you want professional staff to serve drinks. Whether you need one bartender for a small gathering or multiple bartenders for a larger event, hiring professionals ensures that your guests receive exceptional service.
What to Expect from Bartender Hire
Skilled Professionals: Experienced bartenders know how to mix drinks efficiently and can handle various requests.
Set-Up and Clean-Up: Most bartender hire services include set-up and clean-up in their packages, allowing you to focus on other aspects of your event.
Customised Service: Bartenders can create a tailored experience, suggesting cocktails that match your event theme or guest preferences.
Different Types of Bartenders
Standard Bartenders: These professionals handle regular drinks and are perfect for straightforward events.
Flair Bartenders: If youâre looking for entertainment, flair bartenders can perform tricks while serving drinks, captivating your guests.
Mixologists: These skilled professionals specialise in crafting unique cocktails, perfect for adding a bespoke touch to your event.
2. Cocktail Bar Hire: A Taste of Elegance
Cocktail bar hire brings a sophisticated touch to your corporate event. Instead of a simple bar setup, you can offer a full cocktail bar experience where guests can enjoy expertly crafted drinks.
The Perks of Hiring a Cocktail Bar
Diverse Drink Menu: Offer a wide range of cocktails, from classics like martinis to signature creations that reflect your companyâs branding.
Interactive Experience: Guests can engage with bartenders, learning about different cocktails while enjoying their drinks.
Stylish Presentation: A cocktail bar adds visual appeal to your event, enhancing the overall atmosphere.
Options for Cocktail Bar Hire
Pre-set Menus: Choose from a selection of popular cocktails that will cater to a variety of tastes.
Bespoke Cocktails: Work with your bartender to create signature cocktails that represent your brand or event theme.
Open Bar Packages: This option allows guests to enjoy unlimited cocktails for a set price, ideal for larger gatherings.
3. Mobile Bar Hire: Flexibility and Convenience
Mobile bar hire is a versatile option, allowing you to set up a bar anywhere, whether in a traditional venue or an outdoor space. This service provides the ultimate flexibility, ensuring that your bar setup aligns perfectly with your event needs.
Advantages of Mobile Bar Hire
Custom Setup: Mobile bars can be customised to match your eventâs theme or branding.
Comprehensive Service: Most mobile bar hire services include everything from the bar itself to the drinks, bartenders, and glassware.
Easy to Set Up: Mobile bars can be quickly assembled and dismantled, making them ideal for events with limited setup time.
Whatâs Included in Mobile Bar Hire
A fully equipped mobile bar
Professional bartenders
Glassware, ice, and mixers
Set-up and breakdown services
Choosing the Right Bartender and Bar Hire Services
With so many options available, how do you choose the right service for your corporate event? Here are some key considerations:
1. Define Your Budget
Understanding your budget is crucial. Professional bartending services can vary widely in cost, depending on the package you choose, the number of guests, and the complexity of the drinks.
Standard Packages: Often include basic services and a limited drink menu.
Premium Packages: May include signature cocktails, branded glassware, and additional bartenders.
2. Determine the Type of Event
The type of corporate event youâre hosting will influence your bar hire choices. Consider the following:
Formal Events: Cocktail bar hire is perfect for formal gatherings, allowing guests to enjoy elegant drinks in a sophisticated setting.
Casual Gatherings: For more relaxed events, bartender hire may be sufficient to keep things flowing smoothly.
Outdoor Events: Mobile bar hire is ideal for outdoor settings, providing a convenient bar solution that can be easily set up.
3. Evaluate the Service Provider
When choosing a bartending service, look for companies with positive reviews and a strong reputation. Ask for recommendations from colleagues or friends who have hosted similar events.
Questions to Ask Potential Providers
What services do you offer?
Can you accommodate custom drink menus?
What are your cancellation policies?
Do you have insurance and liability coverage?
Popular Drinks for Corporate Events
Now that youâve decided to hire bartenders and bars for your event, you might be wondering what drinks to include. Here are some popular choices that appeal to a variety of tastes:
Classic Cocktails
Mojito: A refreshing blend of mint, lime, sugar, and rum.
Martini: A sophisticated option, whether served dry or dirty.
Pimmâs Cup: A fruity, summer cocktail perfect for casual events.
Signature Cocktails
Create unique drinks that represent your brand or theme. Consider naming cocktails after company products or using ingredients that tie into your brand identity.
Non-Alcoholic Options
Donât forget to offer non-alcoholic beverages. Mocktails, sodas, and fresh juices ensure that everyone can enjoy something refreshing.
How to Enhance the Bartending Experience
To make your corporate event truly memorable, consider adding special touches to the bartending experience:
1. Cocktail Masterclasses
Engage your guests by offering cocktail masterclasses led by expert bartenders. This interactive experience allows guests to learn how to craft their cocktails while enjoying some drinks.
2. Themed Bars
Create a themed bar that aligns with your event's focus. For instance, a tropical bar with tiki cocktails could be perfect for a summer event.
3. Personalised Drink Menus
Provide guests with personalised drink menus featuring their names alongside their favourite cocktails. Itâs a small touch that can leave a lasting impression.
Final Thoughts: Make Your Event Unforgettable
Hiring professional bartenders and cocktail bars for your corporate event can significantly enhance the overall experience. Itâs not just about serving drinks; itâs about creating an atmosphere where guests feel valued and engaged. Whether you choose bartender hire London, cocktail bar hire, or bar hire for corporate events, the key is to find a service that fits your eventâs needs.
So, are you ready to transform your next corporate event into an extraordinary experience? Donât hesitateâstart planning your bar hire today and watch your event become a resounding success. Your guests will appreciate the thought and effort you put into making their experience memorable, and youâll leave a lasting impression that reflects positively on your brand.
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