#Brno Biennal

[nonstopillusion]

✓ SAVE THE DATES ✓

✦  new creation by NNN Dance       direction & choreography: Maya M. Carroll

     Sep 19-21 | Warteck pp in Basel, CH (Premier)      Sep 27 | IMMEDIATUS Biennale 2024 in Brno, CZ (Tour)      Nov 8-9 | E-Werk in Freiburg, DE (Tour)

✦  Workshop ⟨Textualizing The Dance⟩ by Yeonji Han      Sep 25 | IMMEDIATUS Biennale 2024 in Brno, CZ      as a part of Workshop ⟨THREE APPROACHES TO INSTANT DANCE MAKING⟩

✦  Performance ⟨Folder unfolded⟩ by NNN Dance and guest artists      Nov 19 | Warteck pp in Basel, CH

✦  Workshop ⟨Live composition for performance⟩ by Rosalind Crisp      Nov 19-20 | Warteck pp in Basel, CH

[uncoatedletters]

Přehled plakátů brněnského bienále z let 1966-1978, které bylo jedním z nejtěžších období Československa. ^ ^ ^ An overview of the posters of the Brno Biennial from years 1966-1978, which was one of the most difficult periods of Czechoslovakia. ^ ^ ^ 

[adezer]

http://www.lauraaldridge.co.uk/exhibition/biennale-of-contemporary-art-brno/

[anranren-potluck]

Selected Article

I have chosen this article for my research. Of the six topics, I was most interested in Art & Self-expression, and this article was the most relevant to my keywords in this topic.

[camillemaubeaugiraud]

Exhibit graphic design

Graphic design exhibitions are always problematic and reflect one of the majors problems of graphic design. Indeed, placing a graphic design production in a gallery or in a museum makes him lose his creative context — historical, cultural or commercial.

The practice of exposing graphic design is often questioned like in the issue « Exposer le graphisme » of the magazine Graphisme en France in 2018, in the text « Intriguer, ou le paradoxe du graphiste » by Jean-François Lyotard in 1990 or in the essay « Graphic Design in the White Cube » by the Slovak graphic and type designer Peter Bil’ak in 2006. The last one refers implicitly to « the White Cube » of the exhibition space theory explained by Brian O’Doherty in his book Inside the White Cube. The Ideology of the Gallery Space. Peter Bil’ak’s essay initially accompanied the exhibition « Graphic Design in the White Cube » during the 22nd International Biennale of Graphic Design in Brno in 2006, and is currently available on the website typothèque.com at this link https://www.typotheque.com/articles/graphic_design_in_the_white_cube.

In this exhibition, the problem does not exist because the work is made for the gallery and gallery conditions are the context. Posters made by nineteen graphic designers have two functions; these constitute the exhibition and copies of the posters inform visitors of the exhibition.

The exhibitions contributed to the slow recognition of graphic design, even though these isolated graphic design production from the real world because graphic design was seen as an object of consumerism and defined as a design service for a customer. Today, however, a certain form of graphic design tends to think that it is not only an object of consumerism but can also acquire its own autonomy and draws parallels with art. In fact, the problem of exhibiting graphic design moves to a problem of definition of graphic design. For example, the designers of M/M Paris constantly question this definition of graphic design through their practices by saying on this subject that “Graphic design could embody a lot of activities, and the definition is not fixed, but continually evolving. Because it is still a new profession, the best graphic designers are the ones who reinvent their field and surprise”. Graphic design is not defined by its content and its boundaries with other disciplines are broad. But what is important and needs to be more explicitly defined in a graphic design exhibition is the explicit purpose of production, her reasons and processus.

2 132 signs

[worldfoodbooks]

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: I IDEA NO. 115 (International Advertising Art) November 1972 • Cover Design: Gottschalk+Ash Ltd. • Features: Gottschalk + Ash feature by Midori Imatake; Artist Francois Colos; 5th Biennale of Graphic Design Brno 1972 by Hiroshi Ohchi; 16 Pictorial Poems for Air France by Raymond Pages; Steendrukkerij de Jong & Co; An Artist’s Progress, from Typographic design to Painting by Marcel Jacno; Art posters for the Munich Olympic Games by Contemporary Artists by Akiko Hyuga; Elements of idea “Shadow” by Shigeo Fukuda; Group Exhibition “MUDA”; Graphic image ’72 by Shin’ichi Segi; Exhibition of the threesome, N. Yabuki, H. Yamashita and S. Araii; “Images of Chinese Characters” of Katsuichi Ito – Funny, funny ideograph U. G. Sato: “My Theory of Evolution” Show Netting Illustration of K. Aoki; Formative Arts by K. Matsumoto; Picturebook “MEN’S WORLD” by Hisaki Hiramatsu; Design fot T-shirts by T. Kamijo and much more... • IDEA was founded in 1953 in Tokyo, Japan by the Seibundo-Shinkosha publishing company. It fast became, and remains to this day, one of the most important international graphic art, design and typography publications in the world and certainly the most significant forum on design criticism in Asia throughout the 1950s/60s/70s/80s/90s/2000s. The magazine offers rare insight into international and domestic designers and their work through historical analysis, criticism and examples of projects. • 1960s and 1970s collectors issues in the shop today and via our website. • #worldfoodbooks #idea #gottschalkandash #ikkotanaka #maxbill #janlenica #victorvasarely #francoiscolos #tadanoriyokoo #horstantes #kiyoshiaoki #steendrukkerij_de_jong #allenjones #tomwesselmann #shigeofukuda #fornasetti (at WORLD FOOD BOOKS)

[drawdownbooks]

IDEA #376 – Graphic designers and exhibitions / Available at www.draw-down.com / Issue #376 of Japan's IDEA magazine is largely about graphic designers and exhibitions from yesterday, today, and tomorrow. Writers like #TetsuyaGoto and IDEA editor-in-chief #KiyonoriMuroga explore the meaning of exhibitions to graphic designers today, beginning with a focus on the 27th Brno Biennial 2016, the world’s longest running design biennial. Included is an interview with #RadimPeško #TomášCelizna #AdamMacháček the curators of the 2016 Brno Biennial. Part 2, “The State of #GraphicDesign Exhibition Today,” covers the USA, Poland and South Korea through interview with #JonSueda #DavidCrowley (“International Poser Biennale, Warsaw”), #MinChoi and Hyungjin Kim (“Graphic Design, 2007-2015, Seoul”). Part 3, “Japanese Graphic Design and the History of #Exhibitions and Collections,” offers a chronology of Japanese exhibitions, with texts by Tatsuya Kuji and Tetsuya Goto. And more! #ideamagazine #typography

[annachportfolio]

CLEAN YOURSELF_CLEAR YOURSELF

Live-performance for The Celebratory Opening of  The Wrong Biennale Embassy

BRNO / FALMOUTH

https://www.youtube.com/watch?v=lzwgEPg1ry4

https://www.youtube.com/watch?v=pnD76ZLWEz8&t=9542s

[micaramel]

Artist: Sam Lewitt

Venue: Miguel Abreu, New York

Exhibition Title: DREAMBOAT DIRTBLOCK

Date: January 16 – February 23, 2020

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of Miguel Abreu, New York

Press Release:

Why do [those] in the middle of the boat move the boat the most? Is it because the oar is a lever?

– Archytas of Tarentum

  Cover the champagne glasses. They’ll swell to shattering. A toast – to a streamlined luxury liner that will never exist.

Dirt block is your hard cure for lack of supply.

The lever is a stick plus will. No bubbles here. Pressure expels excess air.

Brick fits your hand.

Disappointment follows relief. The portal cracked to soft focus lenses. It’s all stagecraft.

You know this.

Pleasure follows disappointment. Unfulfilled projects look better in the pictures. It’s never enough.

  DREAMBOAT DIRTBLOCK is made between a lever and lens. Compressed blocks of soil extracted from NYC building foundation pits, curing to maximum hardness throughout the duration of the exhibition sit next to fragmented images of a boat, itself a toppled skyscraper.

This unrealized design for a streamlined cruise ship from the early 20th century is the result of an office exercise commissioned by Norman Bel Geddes design associates. The boat was shaped to optimally reduce friction with external environmental conditions. In this exhibition it appears through the effluence of its internal combustion. The drift of multiple fires has been simulated in a digital model of its hull using software designed to test fluid dynamics.

LENS crystallizes snapshots of this ‘smoke test’ into light shaping surfaces. Milled shards of a shattered Plexiglas sheet filter the light from a single LED: gathering it into an image through sheer surface variation. These projections are physically identical to rippled patterns refracted onto surfaces adjacent to water on a sunny day. The computational reconstruction and control of this phenomenon is being developed as a method of optical watermarking. While the movement of water and light are technically the guiding principle, in optics this phenomenon is referred to as a “caustic” projection, a word whose original meaning is “to burn.”

LEVER produces more terrestrial projectiles: interlocking blocks of compacted subsoil dug up for the project of stabilizing air rights over terra firma. These compressed earth blocks are made with a manual earth-ramming machine, whose mobility within resource scarce contexts enables the direct use of local soil for shelter and road construction.

This press is a descendent of the so-called CINVA-RAM designed in the 1950s by Chilean engineer Paul Ramirez. It is historically associated as much with the ambiguous history of “self-help” housing in the developing world throughout the 20th century as it is with practitioners of small-scale ecological self-sufficiency. It is portable, yet totally bound to a simple metabolism of production with the ground on which it sits. Dreams of frictionless transport are grounded in relations negotiated on site.

DREAMBOAT (Model Views) presents further fragments of the boat model rotating through various perspectives. These views result from the resistance of oil, acid and water to one another. The craft’s shell is etched by these clashing fluids on the surface of copper-clad plastic, a material support that is engineered to control friction and passage in the circulation of information.

Sam Lewitt was born in Los Angeles in 1981. He completed the Whitney Independent Study Program in 2005 after receiving his BFA from the School of Visual Arts in 2004. In 2017, his work was on view in ARTE VIVA ARTE, the 57th International Art Exhibition, Venice Biennale. Lewitt’s exhibition More Heat Than Light opened in September 2015 at the CCA Wattis Institute in San Francisco, before then traveling in 2016 to the Kunsthalle Basel, and finally, under the title Less Light Warm Words, to the Swiss Institute in New York. Previously, Lewitt co- organized the exhibition and Materials and Money and Crisis at the MUMOK (Vienna) with Richard Birkett, a show in which he was also included, and drunken walks/cliché/corrosion fatigue/ebay at Miguel Abreu Gallery. His work “Fluid Employment” was exhibited in the 2012 Whitney Biennial. Solo exhibitions dedicated to Lewitt’s work have been held at Miguel Abreu Gallery (2018, 2014, 2011, 2008, 2006), Galerie Buchholz, Berlin and Cologne (2017, 2013, 2011, 2008), Leopold-Hoesch-Museum, Düren (2014), and Galleria Franco Soffiantino, Turin (2009, 2007). His work has also appeared in exhibitions at the Musée d’Art Moderne de la Ville de Paris, the Museum of Modern Art, Bergen Kunsthall, Secession, La Panacée, The Brno House of Arts, the Pulitzer Foundation, Fridericianum, David Roberts Art Foundation, White Columns, SculptureCenter, MoMA PS1, Artists Space, the Swiss Institute, David Zwirner, Elizabeth Dee Gallery, and Andrew Roth Gallery. His work is held in the collection of the Whitney Museum of American Art, the Museum of Modern Art, New York, the San Francisco Museum of Modern Art, MUMOK, Vienna, the Centre Georges Pompidou, Paris, and the Fondation d’Entreprise Galeries Lafayette, Paris, among others. Lewitt was the recipient of the 2018 BMW Open Work commission at the Frieze Art Fair in London, a 2018 Grants to Artists award from the Foundation for Contemporary Arts, and was also the 2018 Teiger Mentor in the Arts at Cornell University. Lewitt will have a solo exhibition at Z33 – House for Contemporary Art in Hasselt, Belgium in June 2020.

Link: Sam Lewitt at Miguel Abreu

Contemporary Art Daily is produced by Contemporary Art Group, a not-for-profit organization. We rely on our audience to help fund the publication of exhibitions that show up in this RSS feed. Please consider supporting us by making a donation today.

from Contemporary Art Daily http://bit.ly/37qYCgz

[nonstopillusion]

Dear friends, colleagues and audience members, we hope that your summer started delightfully and that our news finds you well through both the sunshine and storms of the times. First simply and briefly; 'dance collective nonstopillusion' has transformed its name to 'NNN Dance'. With the new name, we are enthusiastic to envision NNN Dance as a platform where we invite and collaborate with choreographers, dancers and artists from other disciplines. In 2024, we are honoured to invite, collaborate and co-organize activities with Maya M. Carroll, Rosalind Crisp, IMMEDIATUS Biennale in Brno(CZ) and E-Werk in Freiburg(DE). As a start, stepping into a new creation with choreographer Maya M. Carroll makes our hearts beat wild with deep joy and curiosity. We are very much looking forward to meeting you through our activities. with warm wishes, NNN Dance - Maija, Yeonji and Charlotte

[uncoatedletters]

Brno Biennale We have another day and also another window to the past, this time between years 1980–1984. At that period, there were two posters for each year!

[expomahal-blog]

BIENNALE DI VENEZIA - ARTE at Italy(Venice) 2019-May

veterinary medicine Events, livestock & poultry B2B ideas 2019, May, Czech Republic, Brno

ANIMAL VETEX at Czech Republic(Brno) 2019-May

ANIMAL VETEX trade show event mainly focuses on:

veterinary medicine network, livestock & poultry Shows

related products/services/industry/business. This trade show opens top business opportunities to exhibit products and services from veterinary medicine B2C ideas, livestock & poultry contact list industry.

Find More Details about ANIMAL VETEX event...

We help you to grow your business by providing the required contact details of all companies participating in this event and you can download the same data in excel format using the above links. Location of the Event:Czech Republic(Brno) Year-Month:2019-May Official Website:Event Website source https://www.expomahal.com/2019/06/biennale-di-venezia-arte-at-italyvenice.html

[telavivcity-blog]

Yossi Lemel

https://telavivcity.co.il/?p=7340&utm_source=SocialAutoPoster&utm_medium=Social&utm_campaign=Tumblr The City that never sleeps Yossi Lemel https://telavivcity.co.il/?p=7340&utm_source=SocialAutoPoster&utm_medium=Social&utm_campaign=Tumblr Yossi Lemel 1957 Born in Jerusalem 2001-2002 Professional practice: Partner and creative director in Lemel Cohen Advertising Agency Tel Aviv 1994-2000 Partner and creative director in Lemel Glazer Bar Advertising Agency, Tel Aviv. 1995 Spokesperson and member of the directing committee of the Graphic Designers Association of Israel. 1995 Co-curator for the exhibition of Israeli/Palestinian Political Posters, USA. 1989 -1994 General manager and creative director, Yossi Lemel Advertising Agency, Tel Aviv. 1988 Art director in RPMP Advertising Agency, Paris, France. 1986 - 1988 Graphic designer, Yossi Lemel Design Studio. 1983-1986 Art director in Ariely Advertising Agency and Wfd (affiliated to Gray), Tel Aviv. Education 1979 - 1983 Received a BFA from the Bezalel Academy Of Art And Design in Graphic Design, Jerusalem. Awards and honors 2002 Grand Prize at the 1st Korea International Poster Biennale 2002 Gold Medal at the 7th International Biennale of the Poster in Mexico 2002 Critics Award at the 20th Biennale of Graphic Design Brno, Czech Republic 1996-2002 Golden Medal, Golden Cut, Graphic Design Association in Israel. 2000 First prize, logo of the ministry of environment Israel. 1999 Gold medal, Israeli Advertising Award For The Campaign Of The Year. 1993-1999 Gold Medal, Israeli Advertising Awards. 1999 Mention, Epica (European Advertising Award 1999). 1998 Mayor of City Of Brno Award, 18th Biennale of Graphic Design, Brno, Czech Republic. 1998 Gold Medal, Promax, Canada. 1997 Mention, Epica 97 Award. 1996 - 2000 Gold Medal, Golden Cut, Graphic Design Association, Israel. 1995 Honorable mention in the Mons Poster Triennale, Belgium. . 1994 Silver medal at the 16th Biennale of Graphic Design in Brno, Czech Republic. 2002 One-man exhibitions "Beyond the front lines": Political Poster Art from Israel, Philip J. Steele Gallery Rocky Mountain College for Art & Design, Denver, USA. 1999 Political Poster design from Israel. Collins C.Diboll Gallery, Loyola University, New Orleans USA. 1999 Art in protest posters. Wilfrid Israel Museum, Kibbuts Hazorea, Israel. 1998 Yossi Lemel: Engagiertes Graphikdesign aus Israel, Museum Fur Kunst und Gewerbe, Hamburg, Germany 1996 Yossi lemel posters. Rafael Frank Gallery, Bezalel Academy Of Arts And Design, Jerusalem . 2001 1999 1998 Other exhibitions 4 Aspects International Invitational Poster Show Shenzhen, China. Poster, Triennale "zgraf 8", Croatia. Plakatok/Posters 98 pecsi galeria pecs, Hungary. 1997 2000 Poster Triennale in Trnava, Slovakia. 1996 98 00 Poster Biennale in Warsaw, Poland. 1996 Star Of David - Israeli and German artists delineate territories of a symbol.Tower of David Museum, Jerusalem. 1995 1997 Poster Biennale in Helsinki, Finland. 1995 Poster Biennale in Sofia, Bulgaria. 1994 96 00 Poster Biennale in Mexico City, Mexico. 1994 99 00 Poster Biennale, The Golden Bee in Moscow, Russia. 1994 1997 Poster Triennale in Toyoma, Japan. 1994 Sixth International Salon de lÕaffice et des arts de la rue, Paris, France. 1991 Group exhibition, War in the Gulf, Tel Aviv Museum. 1989 Group exhibition in Plastic Plus Gallery, Tel Aviv, Israel. 2002 Teaching and lectures and Jury member Lecture and workshops at Rocky Mountain College of Art & Design, Denver,Colorado. 1995-2000 Lecturer at Ascola Academy of Visual Communication, Tel Aviv, Israel. 1999 Lecture at Loyola University, New Orleans, Usa. 1997 Lecture at Mimar Sinan University, Istanbul, Turkey. 1996 Lecture in Duke University, Durham, North Carolina, USA . 2000 LÕeau pour lÕhumanite Poster Competition, Paris, France, 1999 Jury Member. Golden Bee Biennale, Moscow 99, Russia, Jury Member. http://www.lemel.co.il/ source #Lemel #telavivmuseum #tel-aviv #Yossi TEL AVIV - THE CITY THAT NEVER SLEEPS #museum #Uncategorized

[khadjatits-blog]

Posters a.d.h.v. regels

Luna Maurer and Jonathan Puckey were invited by Peter Bil'ak to contribute to a poster exhibition that would run during the 22nd International Biennale of Graphic Design Brno 2006.

They iterated through a set of rules thousands of times, each time performing a small design task on the poster. They revisited this idea, but this time decided to make some big changes to our approach. The posters would be created by hand instead of on the computer and they would be designed by a group of people instead of them.

Bron: http://www.peterbilak.com/graphic_design_in_the_white_cube/maurer.html

[verygradthesis]

Brno Biennal

[worldfoodbooks]

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: I IDEA NO. 115 (International Advertising Art) November 1972 • Cover Design: Gottschalk+Ash Ltd. • Features: Gottschalk + Ash feature by Midori Imatake; Artist Francois Colos; 5th Biennale of Graphic Design Brno 1972 by Hiroshi Ohchi; 16 Pictorial Poems for Air France by Raymond Pages; Steendrukkerij de Jong & Co; An Artist’s Progress, from Typographic design to Painting by Marcel Jacno; Art posters for the Munich Olympic Games by Contemporary Artists by Akiko Hyuga; Elements of idea “Shadow” by Shigeo Fukuda; Group Exhibition “MUDA”; Graphic image ’72 by Shin’ichi Segi; Exhibition of the threesome, N. Yabuki, H. Yamashita and S. Araii; “Images of Chinese Characters” of Katsuichi Ito – Funny, funny ideograph U. G. Sato: “My Theory of Evolution” Show Netting Illustration of K. Aoki; Formative Arts by K. Matsumoto; Picturebook “MEN’S WORLD” by Hisaki Hiramatsu; Design fot T-shirts by T. Kamijo and much more... • IDEA was founded in 1953 in Tokyo, Japan by the Seibundo-Shinkosha publishing company. It fast became, and remains to this day, one of the most important international graphic art, design and typography publications in the world and certainly the most significant forum on design criticism in Asia throughout the 1950s/60s/70s/80s/90s/2000s. The magazine offers rare insight into international and domestic designers and their work through historical analysis, criticism and examples of projects. • 1960s and 1970s collectors issues in the shop today and via our website. • #worldfoodbooks #idea #gottschalkandash #ikkotanaka #maxbill #janlenica #victorvasarely #francoiscolos #tadanoriyokoo #horstantes #kiyoshiaoki #steendrukkerij_de_jong #allenjones #tomwesselmann #shigeofukuda #fornasetti (at WORLD FOOD BOOKS)