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travelleroflands · 4 years

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My review of Virginia’s Woolf’s ‘To the Lighthouse’

Out of all the extraordinary gifts that books bestow upon our lives, the one that awes me the most is their ability to preserve thoughts, sentiments and ideas and safely ferry them across the expansive reaches of time to stimulate our own minds in a process that seems almost magical. Especially when, while reading a certain book, you cannot help but think: How can this author, born more than a century before the shape of me was even conceived by the universe, know what is in my heart, and know it so well? How do her characters articulate so many feelings that were, until now, ineffable to me? And once you have had this thought, your wonderment can only multiply. You might highlight numerous paragraphs, and still feel as though you haven’t highlighted everything that truly mattered to you in the story. You wish you could highlight every single word, because they are all equally impactful. You are torn between rereading each chapter and setting the book aside to mull over all that you read, all that seemed to overwhelm your mind and flood your senses. And when you have finished, you know that attempting to thoroughly articulate every emotion that you feel is a futile endeavor.

Virginia Woolf’s exquisitely woven modernist story ‘To the lighthouse’, masterfully employing stream of consciousness and free indirect discourse to provide an insight into the rich inner lives of her characters, is indubitably one such book. Effortlessly, she explores complex themes like love, life, mortality and even the agony of artistry. In her capable hands, she manipulates time, expanding brief moments and contracting long years. By magnifying the minutest of details in the lives of the Ramsay family and their guests, she illumines the intricacy of relationships between woman and man, wife and husband, children and their parents and even her characters’ perceived relations with the world itself. Against the eternity of the cosmos, she highlights both the despair and the beauty of ephemerality. The lighthouse, the waves tossing in the sea, the sand dunes in the distance, the wind, geraniums in an urn, a lone shawl flapping in a deserted house, all convey some greater meaning. There is beauty, there are treasures of meaning buried deeply within each word that Virginia writes, enough to pierce one through the chest and clench the heart with force enough to induce profound emotion. As one reads, one soon becomes a part of the Ramsay household, goes down to the beach with their guests and anticipates a visit to the lighthouse.

With her beauteous prose, Virginia establishes the distinctiveness of each of her characters. Mrs. Ramsay, the paragon of loveliness, the reservoir of sympathy and the conductor of familial harmony. She is honoured for her strange severity, her extreme courtesy, like a queen’s raising from the mud a beggar’s dirty foot and washing it. She has the power to influence everyone she knows, directly or indirectly, and generously lends a piece of her own vitality to them. But, beneath it is all dark, she contemplates, it is all spreading, it is unfathomably deep; but now and again we rise to the surface and that is what you see us by. Her horizon seemed to her limitless. There is so much about her that the world does not see, that which gives her boundless liberty when she manages to snatch a moment of respite in her life, from all the roles that she must play. Even when she does not wish for time to pass quickly, and to take from her all that she values, she finds solace in the fact that even if the moments she cherished would soon pass, they would live forever as pristine memory in her guests’ minds. And this belief of hers is validated when Lily Briscoe, one of her guests, reminisces about her years later, the clarion image of her beauty, her powerful presence and the impact that she had on everyone still persisting in her thoughts.

Lily Briscoe is a painter, an artist who agonizes over the inadequacy of her art, which she views as a formidable, ancient enemy of hers- this other thing, this truth, this reality, which suddenly laid hands on her, emerged stark at the back of appearances and commanded her attention. She is insecure, and uncertain about her own talent, an uncertainty that is compounded by others’ estimation (women can’t paint, women can’t write) and her own belief that her work would, anyhow, end up hung in a servant’s bedroom or rolled up to keep underneath a sofa. It will not, she thinks, make much of a difference. It is through her point of view that the author gives voice to every artist or creator’s dubiety and misgivings. It is also through her perspective and her thoughts that Virginia contemplates love and its numerous forms- Yet, she said to herself, from the dawn of time odes have been sung to love; wreaths heaped and roses; if you asked nine people out of ten they would say they wanted nothing but this; while the women, judging from her own experience, would all the time be feeling, This is not what we want; there is nothing more tedious, puerile and inhumane than love; yet it is also beautiful and necessary. Or even, It rose like a fire sent up in token of some celebration by savages on a distant beach. She heard the roar and the crackle. The whole sea for miles round ran red and gold. Some winy smell mixed with it and intoxicated her, for she felt again her own headlong desire to throw herself off the cliff and be drowned looking for a pearl brooch on a beach. And the roar and the crackle repelled her with fear and disgust, as if while she saw its splendour and power she saw too how it fed on the treasure of the house, greedily, disgustingly, and she loathed it. But for a sight, for a glory, it surpassed everything in her experience, and burnt year after year like a signal fire on a desert island at the edge of the sea, and one had only to say ‘in love’ and instantly, as happened now, up rose Paul’s fire again. She also ruminates over the meaning of existence-The great revelation perhaps never did come. Instead, there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one. This, that and the other………In the midst of chaos, there was shape; this eternal passing and flowing (she looked at the clouds going and the leaves shaking) was struck into stability or What did it mean? Could things thrust their hands and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? Even the creative process is given unique form in her musings- All that in idea seemed simple became in practice immediately complex; as the waves shape themselves symmetrically from the cliff top, but to the swimmer among them are divided by steep gulfs and foaming crests. Still the risk must be run; the mark made………And so pausing, and so flickering, she attained a dancing rhythmical movement, as if the pauses were one part of the rhythm and the strokes another, and all were related….

People, and how one views them, and how one attempts to estimate their merit, are also inextricably entwined in her thoughts.

Mr. Ramsay, who is venerable and laughable at one and the same time, searches for, reaches for greatness he knows he can never hope to find. He wishes to make a tangible impression upon the world, and yet finds himself unable to make any great progression in thought beyond what he has already attained, the gradations of which he likens to the alphabet. What is the point of the journey he made, he thinks, if he couldn’t even immortalize his name? What was the purpose to all that he had done? His own frail luminosity would soon be extinguished, or swallowed up in the presence of some bigger, greater star. Even at the pinnacle of his achievement, he feels like he hasn’t done enough, and his desolation and hopelessness prompt him, from time to time, to seek solace in the all accepting sympathy that Mrs. Ramsay has to offer to him. He demands sympathy, devours it almost, to the extent that it makes Lily loathe him for it. His reliance upon her for that which only she can truly give him both exhausts and exhilarates Mrs. Ramsay. Mr. Ramsay, who seeks truth with the coldest clarity, still needs his wife to soften the blow of reality, and even as he scorns her, or looks down upon her, he reveres her and respects her. Similarly, even as she pities him, she admires him. It is through the multi-layered dynamic of their relationship that Virginia Woolf explores the interdependence of woman and man.

With characters as convoluted as these, and vast themes that are applicable even to the seemingly simple, Virginia takes her readers on a journey that colours their perspective and stimulates the depths of their own thoughts. Just as the lighthouse in the story is both a silvery enigma and a stark white entity to James, all that Virginia writes can be interpreted in more ways than one, with each meaning replete with its own significance. For, nothing was simply one thing. Reading this book can be likened to a treasure hunt of sorts, where gold nuggets of understanding can be extricated every time one rereads a sentence or revisits a chapter. Virginia’s descriptions, that bear her own sui generis style, are delightful to read. In my opinion, it makes her work singular and unlike anybody else’s. It is also what, in addition to her skilful use of stream of consciousness to connect readers to the core of her characters’ motivations and actions, made me love this book so much. I do not think any amount of praise or recommendation adequate to express my love, but I truly hope that everyone who reads it finds all that I found, and much more, to take away from it.

Note: Excerpts from the book in italics.

#book #bookreview #book review #virginia woolf #to the lighthouse #books #modernist #novel #story

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writingguide003-blog · 6 years

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10 inspiring female writers you need to read

New Post has been published on https://writingguideto.com/must-see/10-inspiring-female-writers-you-need-to-read/

10 inspiring female writers you need to read

As a response to Gay Taleses failure to name any inspirational female writers, we asked our readers to explain why and how these authors changed their lives

It is hard to believe that this piece is still necessary. We long for the day when we dont have to single out authors or anyone of any walk of life, for that matter for their gender, but here we are again. Last weekend, author and New Journalism father Gay Talese was asked to name women writers who had inspired him at a Boston University event, to which he answered: None. He reportedly went on to say that educated women dont want to hang out with anti-social people, according to what journalist Amy Littlefield, who was in the audience, told the Washington Post.

Undoubtedly, the hashtag #womengaytaleseshouldread started bubbling on Twitter, and plenty of suggestions were made here is a tiny selection from authors:

Neil Gaiman (@neilhimself) April 5, 2016

Women writers who inspired me: Enid Blyton, Richmal Crompton, PL Travers, Margaret Storey, Ursula LeGuin, Baroness Orczy, Diana Wynne Jones

Neil Gaiman (@neilhimself) April 5, 2016

More women writers who inspired me: Wilmar Shiras, Shirley Jackson, Lisa Tuttle, Mary Shelley, Anne Rice, Scheherazade, Judith Merrill…

Neil Gaiman (@neilhimself) April 5, 2016

Even More Women Writers Who Inspired Me: Joanna Russ, Hope Mirrlees, Joy Chant, Angela Carter, Madeleine LEngle, James Tiptree Jr, Kit Reed

John Scalzi (@scalzi) April 4, 2016

And Now, An Incomplete List of Women Writers Who Inspire Me: https://t.co/mxrYOFFE5r pic.twitter.com/7H8JaWgTgQ

roxane gay (@rgay) April 2, 2016

I hope no one expected Talese, who doesn’t wear jeans, to think well of women. IDGAF about his opinions.

We have celebrated female authors on the Books site before, but we contacted some of our readers and asked them to tell us which female writers shaped their lives. Here are 10 of the most mentioned authors, in no particular order, and what our readers had to say about them:

1. Doris Lessing (1919 – 2013)

Doris Lessing working at a typewriter, circa 1950. Photograph: Paul Popper/Popperfoto/Getty Images

In my twenties, I was a foreigner in London. Reading Lessings subtly brilliant short story Out of the Fountain, I had that Keatsian feeling of a new world coming into view. As I read my way into the books of this fellow exile, her range and depth emerged from psychological portraits in granular detail, to vast explorations of cataclysm and survival. Class, sex, old age, childhood, the inner workings of politics, the wilder shores of the psyche she embraced complexity and got under the skin of the human condition with piercing acuity. This was writing from the frontiers of experience and utterly mind-stretching.

The two landmarks, for me, are Shikasta, her monumental portrait of humanity, and The Four-Gated City (part of the Children of Violence series), Lessings visionary mapping of London and the no-mans-land between psychosis and sanity this book opened doors for me. Her understanding of resilience and transformation in the midst of upheaval is profound. In our obfuscating times, we continue to need that eye. barbkay.

Start with: The Golden Notebook Hailed as one of the key texts of the womens movement of the 1960s, this study of a divorced single mothers search for personal and political identity remains a defiant, ambitious tour de force, wrote Robert McCrum.

Further reading:

I was the cuckoo in the nest Writer Jenny Diski tells the story of how she lived with Lessing as a teenager

My hero: Doris Lessing by Margaret Drabble Doris would invite herself to lunch with me in Hampstead, when the mood took her. I never dared to say no

Doris Lessing in her own words on the Guardian books podcast

She helped change the way women are perceived, and perceive themselves by Guardian Review editor Lisa Allardice

2. Toni Morrison (born 1931)

Toni Morrison in a 1982 image. Photograph: Reg Innell/Toronto Public Library

When we asked readers for their favourite books by women, many replied with anything and everything written by Toni Morrison. Here are but a few.

Toni Morrisons Beloved is the best book I have ever read. A horror story in every sense. I re-read it as soon as I had finished it. Chilling, difficult, painful, but absolutely brilliant. afiercebadrabbit

Beloved. Its odd reading a book at which you are simultaneously repulsed at how you feel and yet you understand exactly why you feel that way. Shes a terrific writer. getebi

I love every word shes written, with Beloved at the top of my list. Im also sad to see few writers from non-Anglo Saxon cultures listed as there are so many superb writers from other traditions. The God of Small Things by Arundhati Roy is my favourite book of all time, and I also adore Elif Shafak, whose fiction and essays as well as her talks are outstandingly fresh and insightful. Read The Flea Palace and The Bastard of Istanbul. spraos

Start with: Beloved If Beloved represents the terrible pain and suffering of a people whose very mother-love is warped by torture into murder, she is no thin allegory or shrill tract. This is a huge, generous, humane and gripping novel, wrote A S Byatt

Further reading:

Im writing for black people I dont have to apologise interview by Hermione Hoby

Tea with Toni Morrison, by SL Bridglal

Toni Morrison on her novels: I think goodness is more interesting

Her 1993 Nobel lecture

3. Ursula K Le Guin (born 1929)

The Earthsea trilogy is absolutely magnificent: poetry, wisdom, sadness, satisfaction, fantasy, realism. Far better dragons than Tolkiens or George RR Martins, far better written the whole shebang, except for humour. But then, Tolstoy didnt go in for jokes much either. She taught me that there is nothing wrong with life or with death: the one is to be delighted in, the other accepted Daniel Mccormick in Coatbridge, Scotland

The Earthsea books by Ursula K Le Guin, which as an adult I find have greater moral depth than Tolkien and are better written and more focused than George RR Martins. QuesoManchego

The Earthsea Trilogy by Ursula Le Guin has been something of a personal bible since I was a child. punkmonkey

Ursula Le Guin during an interview in San Francisco in 1985. Photograph: M. Klimek/Bettmann/CORBIS

Start with: The Earthsea series or The Left Hand of Darkness they are some of the very few titles which I would be confident enough to name as true classics, novels that will endure well beyond our lifetimes, wrote Alison Flood

Further reading:

My inspiration: SF Said on Ursula Le Guin

Ursula Le Guin: Wizardry is artistry

Gentlemen, I just dont belong here her fantastic 1987 letter, responding to a request asking her to write a blurb for a science fiction anthology that contained no female voices

4. Virginia Woolf (1882-1941)

To the Lighthouse, The Waves, Orlando, Jacobs Room. Virginia Woolf. Because you can taste every word. Lope82

Mrs Dalloway, elegant and lyrical stream of consciousness that I prefer to Joyce. alloleo

Virginia Woolf. Photograph: George C. Beresford/Getty Images

I would like to put in a word for Virginia Woolf, and especially for the under-appreciated Orlando, where the long-lived protagonist starts out as a young nobleman before becoming a wife and mother. The book runs from Elizabethan England to 1928 and says a lot about the position of women while being both clever and funny. Perhaps Woolf is a bit too literary for some tastes, but Mrs Dalloway, To the Lighthouse , The Waves and A Room of Ones Own must surely speak to many. I think (hope) she will come to be recognised as one of the greatest writers of the 20th century. JackSchofield

To The Lighthouse, it had a huge impact on me when I first read it. It really made me consider and reconsider how I think and find direction. I loved Lily Briscoe and that devastatingly matter-of-fact middle chapter/section that splits the novel. There are so many books by women that I love, but TTL is my favourite. daveportivo

Pretty much all of Woolf, whom I read voraciously during the late 90s and still dip into now and then for a quick dose of writerly inspiration. Hard to pick any one favorite, fiction or non-fiction. But A Room of Ones Own changed my life.Jenny Bhatt

Start with: Mrs DallowayWoolfs great novel makes a day of party preparations the canvas for themes of lost love, life choices and mental illness, wrote Robert McCrum

Further reading:

Portraits of Virginia Woolf: here, the true face of the modern writer

Virginia Woolf should live on, but not because of her death, by Holly Williams

Woolf it down: on how the Bloomsbury set shows they were almost as obsessed with eating as with art

5. Clarice Lispector (1920 – 1977)

If a writer such as Clarice Lispector is to be considered significant from a feminist point of view, then it would probably be due to the absence of anything in her work or life which could be said to resemble the stereotype of the Lady Novelist. As well as living like a sort of secular hermit, her writing is elusive and mystical, being much less concerned with plot and character than with abstract ideas, such as The Apple in the Darks consideration of the nature of artistic creation or Agua Vivas obsessive focus on trying to isolate single moments in time. Although she could write movingly about womens experiences (especially in The Hour of the Star), her almost stubborn unworldliness otherwise gives the lie to the awful old clich that women are somehow deficient in considering the abstract, and shows that women are as unrestricted in subject matter as men. She really is one of the oddest and most individual writers Ive read.Jacob Howarth in Oxford

Clarice Lispector. Photograph: Courtesy Paulo Gurgel Valente

I heard of her just a month ago, from a Korean American friend. All I can say about her at this stage is that she knows me better than I do. I am reading The Complete Stories published 2015, which is full of lovely and shocking surprises. I finish one of her stories with a huge grin that lasts all day, another story may leave me arguing with myself … each one is having an profound impact on me.

She inspires me more than any other author in this second half of my life. Her uniquely fluid style reveals a mind so perspicacious, so permissively poetic and utterly radical. As a feisty feminist, I find peace in Lispectors reveries; she defies convention at every level by writing from deep within her psyche, embracing human flaws and foibles as perfectly natural. Her trademark self-acceptance is so refreshingly robust that I have found myself at times interrupting my reading with whoops of awe and admiration for her freedom of thought and spirit. Mars Drum

Start with: The Hour of the Star all the Brazillian authors talents and eccentricities come together in her most famous, final novella about a poor typist in Rio, says Colm Tibn

Further reading:

A brief survey of the short story, part 56: This darkly addictive Brazilian writer is more concerned with perceptions of objects than conventional plot structures, wrote Chris Power

The True Glamour of Clarice Lispector, by Benjamin Moser for the New Yorker

Brazils Virginia Woolf, by Brenda Cronin for the Wall Street Journal

6. Chimamanda Ngozi Adichie (born 1977)

Chimamanda Ngozi Adichies Americanah has moved me like no other in recent memory. I would describe it as transformational because it provided an insight into the reality of what it means to be a young, ambitious, highly intelligent, sometimes single black woman in contemporary America. Its an honest book about race, identity and the constant longing and nostalgia one feels for this metaphorical place called home. I was also moved by the story because it touchingly describes the loving relationship between the two central characters, showcasing that neither space nor time can erase love.

We usually go back to the same desires and preferences we had as 15-year-olds, and Americanah captures this sentiment. Moreover, it is a transformational book because it portrays Nigeria as a place that is mythical, marvellous, chaotic and slightly dangerous, yet also wildly fascinating, with a magnetic power to attract its brightest emigrs back to its shores. Reading this has made me realise that some of the most powerful narratives in contemporary fiction have been written by young, highly educated female African writers, who are tired of the old clichs frequently bandied around about Africa. Ngozi Adichie is a new, powerful and incredibly talented voice; her novel Americanah is the expression of a different African tale, of a continent and its people that have many more magnetic stories to tell, as well as critiques to raise about the so-called enlightened West. beograd

Chimamanda Ngozi Adichie, photographed in 2007. Photograph: Felix Clay for the Guardian

Start with: Americanah a superb dissection of race in the UK and the USA, wrote Elizabeth Day

Further reading:

I decided to call myself a Happy Feminist her world-famous TED talk

Dont we all write about love? When men do it, its a political comment. When women do it, its just a love story interview by Emma Brockes

Every 16-year-old in Sweden will receive copy of We Should All Be Feminists

7. Margaret Atwood (born 1939)

The Handmaids Tale by Margaret Atwood. She predicted all that is happening today in that book. shofmann

Everything about it is scarily easy to imagine. Her descriptions of how women began to be punished for abortions reminds me of legislation happening right now in the USA, for example. getebi

Start with: The Handmaids Tale Atwoods chilling tale of a concubine in an oppressive future America is more vital than ever, wrote Charlotte Newman

Further reading:

Haunted by The Handmaids Tale – Atwood on the legacy of her iconic novel

Margaret Atwood webchat her answers to your questions

I set myself a schedule of three to five pages a day Atwood on writing

8. Zadie Smith (born 1975)

White Teeth, by Zadie Smith. Could read it over and over again. Sarah Hassam

Zadie Smith, photographed at the Edinburgh books festival in 2001. Photograph: Murdo Macleod for the Guardian

On Beauty by Zadie Smith is absolutely brilliant. Smith is often categorized first by race and gender and thus is never considered the peer of other modern literary fiction writers like Franzen and Rushdie, but she easily beats them at their own style. emason1121

Start with: White Teeth, a novel on the lives of various multicultural families living in London; an audaciously assured contribution to this process of staring into the mirror, wrote Caryl Philipps

Further reading:

Fail better: What makes a good writer? Is writing an expression of self, or, as TS Eliot argued, an escape from personality? Thanks to Jenny Bhatt and MildGloster for pointing us towards this 2007 essay.

Windows on the Will: Smiths essay about watching the new Charlie Kaufman film Anomalisa, and Arthur Schopenhauer, was recently published on the New York Review of Books. I went to see Anomalisa, largely because of how interesting Smith made it seem, shared MildGloster.

9. Elena Ferrante (born 1943)

Of the many beautifully wrought themes explored in Elena Ferrantes masterful Neapolitan series, one that especially speaks to me, as a woman, is the question of what it means to attain presence versus what it means to disappear. Lila and Len, the central characters, each struggles to not disappear, despite the forces of class, history, and violence conspiring against them as women. Each tries to avoid what Lila loathingly describes as the problem of dissolving margins, when the outlines of people and things suddenly dissolved, disappeared. Reading Ferrante has led me to wonder: How many times have I, as a woman, faced being erased in relationships, in career, in the larger social order? How many far less-privileged women, in hostile corners of the world, face the threat of vanishing completely, dissolving into the boundaries of others without a trace? Veronica Majerol, New York, NY

Start with: The Days of Abandonment, a short novel Ferrante wrote before her famous Neapolitan series a great taster, and brilliant in its own right.

Further reading:

Elena Ferrante: the global literary sensation nobody knows

Elena Ferrante: Anonymity lets me concentrate exclusively on writing an interview by Deborah Orr

10. Angela Carter (1940 – 1992)

When I was at university I saw someone give a paper on Angela Carters dystopian masterpiece The Passion of New Eve. It was probably another year or so before I got my hands on a copy but I was not disappointed.

The premise alone a man captured by radical feminists and surgically transformed into a woman so that he may bear the messiah was enough to pique my interest, but it was Carters hallucinatory prose and rich symbolism that made this novel unforgettable. elbartonfink

Start with: Nights at the Circus the story of winged circus performer Sophie Fevverss travels through 19th-century Europe, that was named the best-ever winner of Britains oldest literary prize, the James Tait Black award.

English novelist Angela Carter sitting on a park bench in Paris in 1988. Photograph: Sophie Bassouls/Corbis

Further reading:

Angela Carter: a portrait in postcards

A brief survey of the short story: Angela Carter, by Chris Power

Femme fatale: Angela Carters subversive take on traditional fairy stories in The Bloody Chamber is as shocking today as when the collection first appeared in 1979, wrote Helen Simpson

We are painfully aware that this list could go forever. So, please, add more authors to the conversation by leaving your thoughts in the comments.

Read more: http://www.theguardian.com/us

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londontheatre · 7 years

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La Soiree – Symone Photo Credit Chris Gardner

The award-winning and much-loved La Soirée is thrilled to announce multiple new acts for its residency at the Aldwych Theatre, this winter, from 24 November 2017 to 3 February 2018. Featuring fabulous cabaret performers from across the globe, get ready to party with the newest incarnation of La Soirée’s infamous dysfunctional family as they revel in their posh new surroundings and make mischief in London’s glittering West End.

La Soirée’s heady cocktail of intimate cabaret, comedy, circus sideshow and contemporary variety is more potent than ever and this is their most daring line up to date. Putting the Aldwych Theatre in a spin, La Soirée will transform this traditional theatre into an intimate cabaret club with La Soirée’s much-loved, in-the-round seating still in place. So step in from the cold, leave your troubles at the door and prepare to be charmed, astonished and electrified by the very loveable crème de la crème of the cabaret world:

DAZZLING AND DANGEROUS DEBUTS INCLUDE: THE CHILLY BROTHERS CRADLE ACT featuring NATHAN BRISCOE AND MAXIME BLANCKAERT Maxime & Nathan, AKA The Chilly Brothers, share the passionate belief that art should constantly renew itself and defy the limits of reality. Hailing from the prestigious National Circus School of Montréal, together they have mastered the death defying art of the Russian Cradle. From Canada to France, Asia to the Baltic Sea they have captivated audiences with their perilously epic performance. You’ll be on the edge of your seat throughout their jaw-dropping and surreal display of human strength and precision.

MALLAKHAMB INDIA! featuring RAJESH AMRALE WITH RAJESH RAO This phenomenal UK exclusive from Rajesh Amrale and Rajesh Rao, is straight from the streets of Mumbai. Mesmerising yet immensely powerful you’ll be astounded by the amazing and ancient art of Mallakhamb. Rarely performed outside of its homeland of India, this pair of awesome acrobats will blow you away with their extraordinary mix of unparalleled strength, sensational speed and spectacular skill.

This outrageously talented pair first caught La Soirée’s attention over five years ago and they have been nurturing this cultural exchange for all these years. La Soirée is beyond excited to finally see these two incredible talents debut on a West End stage and make their lifelong dream come true.

LEA HINZ on ARIAL HOOP Watching the captivating Lea Hinz onstage, one would never have guessed that she nearly gave up the world of performing for medical school! Record-breaking, six-time German Rhythmic Gymnastics Champion, Lea’s fusion of enchanting grace and flexibility, combined with dynamic power and impressive strength, gives aerial hoop a unique spin! This dazzling aerial artist, will be sure to leave you feeling sky-high!

La Soiree London 2017 | Official Trailer

LJ MARLES on his unique TENSION STRAPS With breath-taking balance and pinpoint precision, this home-grown Hackney talent is wowing audiences all over the world with his revolutionary new aerial concept. La Soirée brings you the exceptional Tension Straps! Entrancingly ethereal, LJ Marles is taking aerial straps to new heights; strength and grace coalesce for fearless physical feats which push the edge of aerial artistry.

MICHELE CLARK on HULA HOOP This daringly dexterous hula-hooper has hypnotised crowds across the globe, from China to the US. Risky rotations, inexplicable illusions and a truly original performance make for her signature style. With unique skill and distinct flair, Michele Clark’s hoop tricks will spin you dizzy!

HAIRHANG by FANCY CHANCE Fancy Chance has been hair hanging since 2007. Self-taught and a bit nuts for doing so, she’s been dangling by her locks, doing one woman shows, dragging it up as Prince, burlesque-clowning it and causing general mischief for over a decade around the UK and the globe.

HAND TO HAND featuring LEON FAGBEMI and KLODI DABKIEWICZ Hailing from championship gymnastic backgrounds, this alluring pair unite for what makes the perfect partnership. Smouldering Leon, an ex-acrobatic gymnast, showcases sublime strength, and the fiery former rhythmic gymnast Klodi flaunts mind-bending flexibility. Together they share beautiful grace, outstanding balance, and sumptuous sensuality in their seductive and passionate hand to hand performance.

SYMONÉ on HULA HOOP This high energy hula-hooper is renowned for her distinctive dancehall rhythms and electrifying voguing. Specialising in multi hoop performance Symoné inspires a legion of hula fans to take their first foray into the world of hoops. With her fierce and sassy attitude, she will have you on your feet and swinging your hips in solidarity. Symoné will join La Soirée from December onwards.

RETURNING FAVOURITES FROM THE DYSFUNCTIONAL FAMILY:

AMY G The inimitable Amy G is a legend of the international cabaret scene. A comic powerhouse with a spectacular voice, she’s been likened to Dean Martin and Jerry Lewis in one woman, and no, that’s not meant to be kinky. Amy G’s played in over 40 countries, 7 languages, and on La Soiree’s little red stage for over a decade. Whether she’s belting out high drama, getting down on roller skates, or blowing your mind with her golden kazoo, her intoxicating mix of virtuosic physical, musical and stand-up comedy will leave you astonished, dizzy, and giggling inappropriately.

CABARET DECADENSE featuring ANDRÉ-ANNE LE BLANC AND STEPHEN QUINLAN Cabaret Decadanse features a cast of amazing characters who deliver breath-taking performances to a haunting soundtrack. These Montreal puppeteers opened the first London season at the Hippodrome in 2008 and are back for our first West End season. It’s a rollicking, sassy, sexy and hilarious puppet feast for adults, in which the puppeteers are as mesmerizing as the puppets themselves. Extraordinarily expressive, these creations are made from stuffed rags and scraps of material and are brought to vivid life through their brilliant choreography.

DAREDEVIL CHICKEN CLUB featuring JONATHAN TAYLOR AND ANNE GOLDMAN After blowing the roof off the spiegeltent last year at Leicester Square, Daredevil Chicken Club are back. This Vegas couple has charmed crowds in over 36 countries, performing in a legion of languages, sharing love and laughter across the lands with their raucous comedy. Fusing raunchy slapstick and 80’s pop melodrama, this hilariously unforgettable duo will have your sides splitting with their vaudevillian verve, and matrimonial mischief. Marc and Svetlana (AKA Daredevil Chicken) are proof that what happens in Vegas does not stay in Vegas.

This Christmas will also be the first time that La Soirée is offering La Petite Soirée, a family-friendly, fun and daring hour-long show for cabaret fans of all ages that promises all the spirit of the Olivier Award winning entertainment but less of the sauce. La Petite Soirée will play at 3pm on Saturdays and throughout the Christmas holidays.

More artists for La Soirée and La Petite Soirée to be announced soon. La Soirée and La Petite Soirée are presented by Brett Haylock, Mark Rubinstein and Mick Perrin.

Additional Information Running Time: 2 hours

Aldwych Theatre 49 Aldwych, London, WC2B 4DF 24th November 2017 to 3rd February 2018

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